Tag Archives: Marvel Cinematic Universe

Multiverses, Mutants, And The (Uncanny) Implications Of “Spider-Man: Far From Home”

download

Anyone who has read more than a few comics, seen a few movies, or consumed more than a little sci-fi knows what often happens when multiple universes enter the picture. First, the overall story becomes bigger in scope, scale, and complexity. Second, a host of major complications emerge. Third, when done poorly, it becomes next to impossible to follow.

In terms of a larger narrative, it’s a huge gamble. It’s one of those plot points that is easy to mess up, not unlike time travel, wizards, or clones. Very few franchises, be they movies, comics, or TV shows, can make that gamble pay off. If ever there was a franchise that could make it work, it’s the Marvel Cinematic Universe.

Between the record-breaking box office of “Avengers Endgame” and the adulation of countless fans, including myself, Marvel Studios is uniquely equipped to make the concept of a multiverse work within its over-arching story. To some extent, it has to. The finality of “Avengers Endgame” means it will have to find some way to grow without the iconic characters that helped make it.

The stage has already been set for a larger multiverse to emerge within the MCU. Just as fans like me are finally recovering from the emotional upheaval we experienced in “Avengers Endgame,” the second trailer for “Spider-Man: Far From Home” dropped and, beyond dropping some heavy spoilers, it revealed that the multiverse is officially a thing in this world.

There are a lot of implications for this, many of which go beyond Spider-Man’s story in the MCU. As the trailer reveals, the universe-altering events of “Avengers Endgame” opened a literal and proverbial door to new conflicts within the MCU. These conflicts offer many opportunities for some of Marvel’s many cosmic characters, but I believe the biggest opportunity is for the X-Men.

I say that not just as a huge X-Men fan who has already written extensively about their potential in the MCU. I believe that Marvel Studios could reinvent the X-Men and the entire concept of mutants in a way that’s fresh, engaging, and very relevant to events unfolding in the real world.

Marvel and their Disney overlords have already reported that the X-Men will be rebooted into the MCU in the coming years under the skilled hand of Kevin Feige. However, the method and details of that plan have yet to emerge and chances are, it’ll be several years before we see that full-on reboot that X-Men fans have been pining for since Hugh Jackman hung up his claws.

Imagining Wolverine without Hugh Jackman.

Even for Marvel Studios, it’s going to be a challenge. How do you introduce mutants, an entire race of super-powered beings, into a world in which they’ve never been mentioned? In fact, thanks to conflicts over movie rights, nobody in the MCU could even utter the word “mutant” without incurring the wrath of Fox’s lawyers.

That’s a problem because in over 10 years of movies, TV shows, and tie-ins, the Marvel Cinematic Universe has become populated with many super-powered beings that include gods, super soldiers, and teenagers armed with spider powers. On top of that, they already have a race of genetically modified people called the Inhumans, who basically acted as a stand-in for mutants at one point.

This complicates the whole premise of the X-Men. A big part of their story and their appeal is the parallels between mutants and real-world minorities. The X-Men emerged during the time of the Civil Rights Movement in the United States and have since come to represent oppressed minorities from many eras, from racial minorities to the LGBTQ community.

That’s a tougher parallel to establish in the MCU because how can mutants be hated and feared in a world where Asgardians, super soldiers, and talking raccoons exist? Granted, mutants have a unique aura of unpredictability in that anyone could potentially be a mutant. Unlike the Inhumans, there’s no catalyst or radioactive spider necessary to activate their powers. They need only survive to puberty.

It’s still a stretch because the hate and fear of the 1960s is very different from that of the early 2000s century. It’s one thing to just be afraid and hateful of mutants. It’s quite another to craft killer robots to hunt them while ignoring entire populations of similar super-beings.

This is where the multiverse could enter the equation. With the proper sci-fi machinations, it could both bring the X-Men into the MCU while framing mutants in a context that makes them very relevant to contemporary issues. The key is linking the struggle with mutants with that of refugees.

Whereas discussions over minority issues have become somewhat predictable in recent years, debates about refugees have been much more heated. It has triggered protests, empowered populist uprisings, and caused a rise in xenophobia that far exceeds the old-school racism of the mid-20th century. These are the kinds of heated politics in which the X-Men thrive.

The “Spider-Man: Far From Home” trailer establishes that something happened in the battle against Thanos that opened the door to the multiverse. It’s easy to envision a scenario in which a population from a more hostile universe seeks refuge in one that is already used to super-powered beings.

It’s not difficult to imagine things getting that bad for the X-Men or mutants. Both “X-Men: Days of Future Past” and “The Gifted” explored a world where mutants where hunted, imprisoned, and outright murdered. The comics also have a lengthy history of dystopian futures in which the X-Men could not stop humanity from hating and fearing their kind.

Then, just as things look hopeless, a doorway to another universe unexpectedly opens. Mutants suddenly have a chance to escape their rapidly-decaying world and start anew. It’s an opportunity many desperate and traumatized refugees seek in the real world. Their stories are full of horror and atrocity. It’s a story that resonates beyond the superhero genre.

In addition to providing a mechanism for entering the MCU, it also solves another critical issue with respect to narrative. It gives the X-Men a new type of story that hasn’t been told before in the movies. For the past 19 years, almost every X-Men movie has followed a similar formula.

Mutants are hated and feared.

The X-Men try to combat that fear.

Someone, often Magneto, tries to provoke a war between humans and mutants.

The X-Men stop that war from occurring.

It’s a story that has played out many times. Sometimes, it has been great. Other times, it has been god-awful. Just telling that same story again in the MCU won’t be enough. By making mutants refugees, the entire dynamics change in a way that could cause all sorts of upheavals that could impact many other MCU franchises.

One possibility.

Like real-life refugees, they come to a new world out of desperation, escaping horrors that they had no part in creating. The world they enter is inherently suspicious of them. They see them as strange, dangerous outsiders who could bring their problems to their homes. These are real concerns from people other than the reactionary radicals who often preach hate.

It’s one of those issues that has no good resolution. These people are victims of a war that they want to escape. They flee to wherever they feel they’ll be safe. Often, their options are limited and when an opportunity comes along, they have to pursue or die. If the events of “Avengers Endgame” somehow create such an opportunity, then why wouldn’t someone take a chance?

It would put mutants and the X-Men at odds with everyone in the MCU, from the Avengers to SHIELD to the average person still recovering from invading aliens in New York. It would also establish a clear divide that could one day manifest in a full-blown “Avengers Vs. X-Men” movie, which has already been teased.

All that being said, the powers that be at Marvel Studios may opt for an entirely different approach. In that case, everything I just described may be a moot point. This is just one approach that I found myself contemplating after seeing the “Spider-Man: Far From Home.” It’ll probably be a while before we know the full implications, both for the multiverse and for mutants in the MCU.

1 Comment

Filed under Deadpool, Marvel, movies, Spider-Man, superhero comics, superhero movies, X-men

“Love and Endgames” A Sexy Short Story (Inspired By Superhero Movies)

5de719c987b6523b5a34b7ba07547cf1

As I write these words, I am anxiously awaiting the premier of “Avengers Endgame.” I have my ticket and detailed plan for how I’m going to take in this historic movie that promises to break so many box office records. Just as I did withAvengers Infinity War,” I wrote a sexy short story to celebrate this momentous cinematic achievement. Enjoy!

It seemed like just yesterday, but it had been nearly 11 years since that fateful day. Iron Man, a generic superhero movie starring a troubled actor in Robert Downey Jr., debuted and gave rise to the Marvel Cinematic Universe. Few could’ve imagined that one movie would’ve spawned the biggest movie franchise in cinematic history. Even fewer could’ve imagined it would ultimately lead to a movie like Avengers Endgame. Allen Marco was among those select few, but the rise and dominance of the MCU had a more personal impact for him.

On the day Iron Man premiered, Allen was reeling from a potent combination college burnout and a broken heart. Early that morning, he learned that his ex-girlfriend, who he’d been dating since high school, had been cheating on him. He thought they’d been going through a rough patch. Apparently, she’d been trying to break up with him for months.

He was so devastated that he planned to spend the day sulking rather than seeing Iron Man with his older brother, who was in town to help an old roommate move. Whether by fate or luck, his brother sprained his ankle and couldn’t go. Rather than throw away his ticket, he convinced Allen to take his roommate’s sister, Ashley.

Initially, Allen refused. Then, his brother insisted that he take her out as a favor, claiming Ashley had been a recluse since getting booted from the university’s championship swim team. She’d become a constant nuisance for her brother and all his friends, by default. Allen’s brother never could’ve imagined that coaxing him into a date with his roommate’s sister would spawn a love that had blossomed as well as the MCU.

“Here we are,” Allen said as he pulled into the parking lot of the same movie theater where that love began, “eleven years later, we’re back to where it all began.”

“I know,” Ashley said distantly. “Amazing, isn’t it? Three Iron Man movies, three Avengers movies, three Thor movies, three Captain America movies…”

“Don’t forget Black Panther, Ant-Man, and Guardians of the Galaxy,” he pointed out.

“I haven’t. I doubt I ever will. How could I when you proposed to me after the first Avengers movie? Or when I told you I was pregnant after seeing Age of Ultron?”

“It feels like a movie, in and of itself…albeit a cheesy one,” Allen said with a laugh.

“I’d still see it,” Ashley said, laughing as well and casting him a loving smile.

As he parked their car in main garage, Allen continued to marvel – a fitting term, given the context of their relationship – at how far they’d come. It was early in the morning, just after sunrise. The theater wasn’t even open, nor was the strip mall around it. There were practically no cars in the garage, but that was sure to change as Marvel fans gathered for the premier. It wouldn’t be the first time, either.

Allen still remembered pulling into the same garage 11 years ago, driving that beat-up old Buick he should’ve gotten rid of years ago. He was in such a rotten mood that day. It didn’t help that it was pouring rain and he had college finals to worry about. Seeing any movie, let alone Iron Man, felt like a chore.

Then, he saw Ashley. That moment had an impact almost as great as that first post-credits scene where Nick Fury teased the Avengers. It sparked an intrigue that only grew and expanded over time.

“This is bigger than any other Marvel movie,” Allen said. “I know I said the same thing about Infinity War, but this is different and not just with respect to who I fought to get these tickets.”

“You don’t need to tell me, Allen,” said Ashley. “I had to cash in several favors at the office and make several promises to my boss in order to get this day off.”

“It’s still worth repeating. They’re saying that Avengers Endgame is the end of an era. Everything that’s been building since that first movie 11 years ago…that movie that brought us together…culminates with this.”

“You hoping it inspires a similar culmination with us?” she teased.

“That’s just it. It doesn’t have to. Our love culminated years ago on our wedding day. This movie means something else.”

Upon turning off the engine, Allen undid his seatbelt and set the keys aside. He then reached over and grasped the hands of the woman who’d become the love of his life after 11 eventful years. Looking at her and recalling how far they’d come, it seemed like a journey worthy of any superhero.

Meeting Ashley was like Robert Downy Jr. getting the part of Tony Stark. It just fit so perfectly. He’d been a fan of superheroes since he was a kid and Ashley had grown curious about them, thanks to her comic book loving brother. Seeing that first Iron Man movie together wasn’t just thrilling from a pure movie-going standpoint. Experiencing it together acted as a catalyst for a deeper connection, one that ultimately blossomed into something every bit as vast as any cinematic universe.

“Ashley, before I met you, I honestly didn’t know what it meant to love someone,” Allen said, giving her hand a warm squeeze to convey the depths of his affection. “In some ways, I was like Tony Stark or Thor in the first movie…thinking the world worked a certain way, but not seeing the flaws that were right in front of me.”

“I’d say you were more like Starlord, at least in terms of dance skills,” Ashley said with a slight tease, “but I haven’t forgotten. It’s not like I was in a good 11 years ago, either. I might as well have been Erik Killmonger in Black Panther.”

“And like those characters, we needed something to jar us out of our stupor,” he went on. “We needed something to help us realize that we’d been going about things all wrong. It might not have involved an infinity stone or a magic hammer, but it was every bit as powerful.”

“Did you really just compare us to Mjolnir?”

“Why not? It was enchanted to respond only to the worthy. That’s not too different from love. Many try hard to seek someone’s love, but sometimes it’s just not there and trying to force it only results in frustration.”

“Kind of like how I reacted to getting booted from the swim team,” Ashley added.

“They were harsh lessons…the kind every hero learns in these movies. We just had to learn ours together.”

Allen reached over and caressed her face, lovingly trailing his fingers down her cheek, just like he’d done at their Avengers-themed wedding six years ago. Ashley smiled and blushed almost as much as she’d done on that fateful day, unable to contain the joy that he often evoked in her. It didn’t just make him worthy in a Thor sort of way. It affirmed what he’d come to know about their relationship and love, in general.

“Before you, I thought love was something that just happened naturally.” Allen said distantly. “You find someone you like, you follow a few simple rules, and you just wait for it to blossom. It wasn’t magical or extraordinary. It was just part of the process.”

“Not exactly romantic, but not entirely flawed, either,” Ashley said.

“Every superhero usually sees their world in a similar way, assuming they know how it works and making every excuse when it doesn’t. Then, something comes along that hits you like an invading alien army, a treacherous sibling, or killer robot. You can’t make excuses. You have to see what you once refused to see…accept what you didn’t want to accept.”

“And what did you see in me?”

Her tone became more serious as well. The way she looked at him was so different compared to that fateful day when they saw Iron Man. It wasn’t immediately clear what they’d found together, but the signs were there.

In his wife’s eyes, he saw the memories of that day play out in perfect detail. They approached one another at the theater, uncertain and confused. They weren’t sure what to make of one another. It was hardly love at first sight. Then, they watched the movie and it got them talking.

One moment, they were walking out of the theater, talking about how foolish Tony Stark was to reveal his identity at the end. The next, they were sitting at a fast food restaurant across the street, talking about whether Iron Man being a superhero made him a champion or an enemy of defense contractors. Before they knew it, they’d spent all night together, engrossed in conversation.

From that conversation, a spark emerged. Allen could still see traces of that spark in her eyes, even after 11 years, a wedding, full-time careers, and a beautiful baby boy they’d named Stanley. What happened that night sent them on a hero’s journey of their own. To some extent, it was beginning all over again with Avengers Endgame.

“I saw in you how wrong I’d been…how stupid I’d been, even,” Allen said.

“That’s not fair. I didn’t even believe love existed before I met you. How stupid is that?” Ashley argued.

“Not believing is better than being wrong,” he told her, “and believe me, I’d been very wrong. With every girl I’d been with, I kept pushing to hold onto this feeling I thought was real love. Hell, I thought if I wasn’t pushing, then it wasn’t real.”

“That’s not stupid, Allen…misguided, but not stupid.”

“Call it whatever you want. In hindsight, I shouldn’t have been surprised when it all went wrong. I was like Hulk trying to lift Thor’s hammer, frustrating myself and everyone around me by trying to force something that just wasn’t there.”

“God, my heart still skips a beat when I think of that scene,” Ashley snicker.

“With you, it finally became clear. Being in love is like being worthy. It’s only there when you realize how strong it is…how deep it runs.”

“Keep going and I’m going to break down like I did at the end of Guardians of the Galaxy 2.”

“After 11 years, it’s worth remembering and even celebrating. Just like nobody thought we’d get a movie like Avengers Endgame, we never thought we’d find a love as deep as ours.”

Allen leaned in closer, now cupping her face with both hands. The past 11 years had been a profound journey, not unlike that of the Marvel Cinematic Universe. From heartbreak and despair to love and fulfillment, he and Ashley had come a long way. Avengers Endgame marked both the completion of one journey and the start of another.

“Coming back to this theater, complete with non-refundable tickets, I marvel at everything we’ve achieved together,” he told her.

“Marveling at our love,” she said to him, “that’s just so fitting.”

“We stopped assuming we knew what love was supposed to be. We followed our own rules, forging love on our terms. And damn it, it worked. It couldn’t have worked better if Steve Rogers himself had blessed it.”

“Even my brother was surprised by how hard I feel for you.”

“That’s because shared in that journey. We dared to argue and disagree, but we always assembled when it counted. It was never just about me or you. It was always about us…together.”

“Together,” she repeated.

It sounded like a speech that Captain America would give before the final battle against Thanos. To anyone else, it would’ve been a needlessly melodramatic comment from someone who’d seen the first Avengers movie six times in theaters. To Ashley, the woman he’d met the day the Marvel Cinematic Universe began, it was the most loving sentiment any man could express.

She affirmed her appreciation of that sentiment in the form of a passionate kiss. Snaking her arms around his neck, he pulled him in close and shared with him the same gesture that had capped off that fateful first date. That kiss had been on a whim, but it ended up inspiring something far greater. Captain America would be proud.

As she kissed him and he kissed back, Ashley undid her seatbelt and deepened the embrace. Unlike his old Buick, their SUV had much more room and much greater comfort. It allowed Ashley to slip out of the passenger’s seat and join him on the driver’s side, straddling his waist and grinding her pelvis against his, inspiring another reaction that was far more basic.

Allen did not avoid it. He embraced it with her, slipping his arms around her waist and feeling up her favorite Captain Marvel shirt. In doing so, he found out that she wasn’t wearing a bra, which effectively communicated her intentions.

“Ashley,” Allen gasped, abruptly breaking the kiss.

“Yes, my marvelous husband?” Ashley replied in a deep, seductive tone.

“If I didn’t know any better, I’d say you’re attempting the same sexy stunt we pulled after seeing the first Thor movie,” he pointed out.

“It’s not my fault seeing Chris Hemsworth shirtless made me so horny,” she teased. “Plus, you did park the car in this garage…early in the morning…with nobody else in sight.”

“Well, I wasn’t planning on something shady, if that’s what you’re thinking.”

“Allen, you parked in the exact same spot you did on our first date. You think I missed the subtext?”

Allen smiled and blushed, as he often did when Ashley surmised his intentions. She knew him so well. There was rarely any ambiguity, especially when it came to their sex life. Just like their first date, the spark came from a Marvel movie.

Their first time together had come the night the Incredible Hulk premiered, just a few months after Iron Man. That only lit the fuse of their passion for one another. Over the years, they’d explored it in many other ways, some of which included role playing and Black Widow themed lingerie. He was also fairly certain that their son had been conceived the night they saw Guardians of the Galaxy.

By parking in the same parking spot he had nearly 11 years ago on their first date, Allen expected to evoke plenty of emotions. He didn’t assume it would turn her on to the point where she’d want to have sex in the car – something they’d done more than once, including on the night the first Thor movie premiered – but a part of him had hoped it would.

“Well, we’ve got plenty of time to kill before we start camping out,” Allen said, as though it were the most logical thing in the world.

“And you did clean out the back yesterday,” she added, “including that mess Stanley made last week.”

“And I made sure it stayed clean when we dropped him off with your parents,” he said, “so if you want to start fantasizing about a shirtless Chris Hemsworth again…”

He let his words trail off, allowing Ashley to fill in the blanks, as only she could. He could tell by that sultry grin that she was already picturing Chris Hemsworth’s muscular body. That was okay with him because she knew he pictured Scarlet Johansson in a skin-tight catsuit during those same moments. Such lurid thoughts, inspired by 11 years of movies, had the desired effect.

Their excitement for Avengers Endgame had triggered an excitement for one another.

Their passions had been ignited.

They had time, energy, and 11 years of anticipation to build on.

“The back seat…now!” Ashley said in a voice as assertive as Thanos.

Like a couple of horny teenagers, he and his marvelous wife eagerly crawled into the back of the SUV. Before she even reached the seat, Ashley undid her pants and pulled them down, revealing that she was wearing that sexy Black Widow themed thong he’d gotten for their anniversary. He didn’t think he could get more turned on by the prospect of sex with his wife in a car on the day an Avengers movie premiered. Once again, Ashly found a way to raise the bar.

By the time they reached the back seat of the SUV, her pants were at her ankles and Allen was removing his Avengers-themed shirt. While he didn’t have the same build as Chris Hemsworth or Chris Evans, he liked to think he kept up as anyone without superpowers could. Ashley certainly appreciated his efforts, helping him remove his shirt before pulling him into her loving grasp.

She wasn’t subtle about her intentions, either. She threw her legs around his waist and latched onto his shoulders, pulling him onto the seat with her where she kissed him passionately, using plenty of tongue and making those seductive noises that got his blood flowing in all the right directions.

Even with such escalating arousal, it was tricky to maneuver within the confines of the back seat. However, an SUV was more spacious than his old Buick. Having not forgotten how he and Ashley managed to make love in that old car on the night of the Thor movie, he followed a similar approach to that fateful night.

“Feeling worthy, yet?” Allen whispered into her ear, doing his best Thor impression.

“Yes…very worthy,” Ashley replied, doing her best Jane Foster impression.

Those were the exact same words they’d said on that night. Also like that night, he channeled his inner superhero, laying her down on the seat so that her head rested right up against the passenger window. Ashley seemed to appreciate that approach, kissing him harder and pawing his chest and back intently. He matched her growing passion, reaching up her Captain Marvel shirt and fondling her breasts.

A heated make-out session continued, not unlike the many they’d shared when they started dating. Whether it was excitement over Avengers Endgame or just general horniness, he and Ashley felt 10 years younger. They were all over each other, kissing and fondling one another, building up both arousal and passion. Soon, the whole SUV felt 10 degrees hotter, making their remaining clothes feel unbearable.

“Mmm…take it off!” she moaned through muffled kissing. “Please, Allen…I’m hotter than Hulk’s temper.”

“Be calm, my love,” he assured her. “I’ll get you out of those clothes. And unlike Hulk, nothing will get ripped.”

True to his word, Allen got his beautiful wife out of those itchy clothes, pulling her shirt up off over her head and removing her panties. She had already broken out into a light sweat after all the foreplay, making her naked body glow in the early morning sun. She was such a beautiful sight, more so now than she was 11 years ago.

He wanted her so much. He wanted her like Thanos wanted the Infinity Stones. It didn’t just show in his admiration of her body. It also showed in the large bulge that had formed in his pants. Ashley, never one to fall too far behind in intimate moments, noticed as well.

“Your turn, my hulking stud!” she teased.

With reflexes that would’ve made Quicksilver envious, Ashely reached up and undid his pants with ease. Allen couldn’t slip out of them and his Iron Man boxer shorts fast enough. Upon kicking them off, he slipped back into his marvelous wife’s embrace, their naked bodies pressing together on the narrow seat.

More kissing and foreplay followed. Sweaty skin touched sweaty skin, her breasts pressing up against his chest in the increasingly-steamy confines of the car. Allen could feel how much she wanted him, her body aching for his as much as he longed for hers. In most intimate moments, they preferred to drag out the naked fondling, but the one unfolding before them demanded more urgency.

“You ready to assemble, my love?” Allen teased.

“Yes, my avenging lover!” Ashley gasped intently. “Please…assemble!”

With a confident grin and a bravado second only to Tony Stark, Allen got grasped his wife’s thighs, hitched her legs over his shoulder, and aligned his hulking manhood with her wet entrance. Then, using whatever leverage he could in the confines of the back seat, he thrust his body forward and entered her. In that instant, their flesh assembled.

“Oohhh Allen!” Ashely moaned. “My hero!”

“Mmm…speak for yourself,” he said with a grunt.

For a moment, he savored their intimate union, soaking in that hot, moist feeling around his member. The desire now burning with the intensity of a Hulk-led rampage, Allen followed those desires further, moving his body and establishing an intimate rhythm. Ashley eagerly supplemented his efforts, grabbing onto his shoulders and arching her lower body in accord with every motion.

Through their shared goal of expressing the love, their sex became an act of teamwork. The Avengers would be proud. Together, he and Ashley rocked the SUV, the rhythm of their passion building more sweat and heat. The windows were already fogging up. The air grew sticky and muggy with the scent of sex. It was similar to the ambience they’d created on their first time together. After 11 years and 21 MCU movies, it was every bit as satisfying.

Just like that fateful night years ago in the back seat of his dirty car, he and Ashley made the most of the intimate setting. They drew it out like a battle scene in an Avenger movie, going at it from every angle they could. Channeling his inner Nick Fury, he made use of all the intel he had on his wife’s proclivities.

She liked it when he nibbled around her neck.

She liked it when he grunted like the Hulk in her ear.

She loved it when he squeezed her butt and held her waist up so that he could thrust into her at just the right angle.

“Ooh yes!” she exclaimed. “By Thor’s hammer, just like that! Smash that pussy…just like that!”

Allen gladly reciprocated. She knew his kinks just as well, namely how she hooked her legs around his waist, just as Black Widow did to Justin Hammer’s henchmen in Iron Man 2. The extra leverage even allowed her to hold her up in his arms and bounce him along his cock, rocking the car even harder. It also allowed them to really draw out their sex, as if to show how good they’d become at making love to one another. It definitely showed in terms of passion, stamina, and pleasure.

It got so intense and energetic, more so than most lovers could hope for after 11 years together. It was a testament to the love they’d assembled, growing and blossoming like the MCU had over the years. Avengers Endgame was supposed to be the final chapter in that saga. For their love, it was just another milestone.

“Allen…my marvelous husband…I’m close,” she panted in the midst of their heated movements.

“Me too, Ashley,” he grunted. “I’m so…so close.”

“Let’s…do it together. Let’s…truly…assemble!”

Her choice of words couldn’t have been more perfect. It gave Allen even greater motivation to carry his lover to that special threshold and beyond. With their naked bodies in an upright position, him bouncing her pelvis up and down to work her womanhood along his manly length, he pulled out all the stops. He kissed, caressed, and stimulated her until that euphoric feeling washed over them.

Finally, in an instant as powerful as Thanos’ famous snap in Avengers Infinity War, Ashely climaxed in his arms. As soon as he felt that intense throbbing in her lower body, along with the extra tightness that came with it, he crossed that special threshold as well and joined her in the ecstasy.

“Oohhh assemble!” they both exclaim.

It was an odd, but fitting proclamation. Their love began thanks to the Avengers movies. Now, on the eve of the biggest to date, it culminated once more.

Their shared release was uniquely satisfying. Allen felt his love tremble in her arms, throwing her head back and raking her nails down his back as the sensations coursed through her. He admired the sight as he took in the hot flood of sensations that erupted within his core, spreading from head to toe like a ball of blissful fire. The heat of their ecstasy, as well as the heat they’d made together, had caused much of the windows to fog up. Even though the car had stopped bouncing, the scent of their lovemaking lingered heavily in the vehicle.

“I love you, Ashley,” said Allen.

“I love you too, Allen,” Ashley replied. “After 11 years, 21 movies, and a fondness for superhero movies that everyone in my family finds weird…our love has come so far.”

“Like Iron Man…like Thor…like Captain America,” he pointed out.

“Except their journeys are ending. Ours is still going…and growing.”

“God, I love how you tie our sex life into superhero movies.”

“I wasn’t just referring to our sex life, but it still works!”

They shared a joyous laugh. Allen then kissed his wife again, deepening their embrace, their naked flesh remaining wondrously entwined. Just 11 years ago, it was hard to imagine being so in love with someone. It was just as hard to imagine that an entire cinematic universe based on superheroes could grow to such heights. On both counts, he and Ashley saw that it was both possible and achievable.

Now, on the eve of the Avengers final battle, they celebrated those achievements. They still had plenty of time to kill before getting in line and waiting for the premier of Avengers Endgame. Thankfully, they also had the love and passion to do plenty of avenging in the meantime.

Leave a comment

Filed under Sexy Short Story

Final “Dark Phoenix” Trailer Is Threatening (In A Good Way)

new-poster-art-for-x-men-dark-phoenix-surfaces-and-a-new-trailer-is-coming-soon-social

These are wonderful, exciting times for fans of superhero movies, unless you’re a Hellboy fan. “Avengers Endgame” is poised to break all sorts of box office record. The Disney/Fox merger is complete. On top of all that, “Dark Phoenix” is still set to come out on June 7, 2019.

While some have opinions on this film that are petty and unwarranted, I’m still very excited and not just because Sophie Turner is flexing some cosmic sex appeal. This movie is poised to be the last of the X-Men movies that began way back in 2000. While I can understand why some are eager to jump ahead to the X-Men joining the MCU, lets’ not forget that there would be no MCU without the first “X-Men” movie.

It was X-Men that helped usher in this golden era of superhero movies. Now, both “Dark Phoenix” and “Avengers Endgame” promise to usher in a new era. As such, the final trailer for “Dark Phoenix” dropped today and it promises closure, along with cosmic threats.

Sophie Turner has never looked more menacing as Jean Grey.

Tye Sheridan has never looked more determined as Scott Summers.

Between them and the wondrous dynamic between James McAvoy and Michael Fassbender, this movie has everything necessary to cap off this era of X-Men movies in all the right ways.

I know “Avengers Endgame” will break most of the records and make more headlines. However, I believe “Dark Phoenix” will ultimately have a greater impact when all is said and done.

Leave a comment

Filed under Marvel, movies, superhero movies, X-men

Jack Fisher’s Weekly Quick Pick Comic: War Of The Realms #1

Every week, the world is in desperate need of something to make it just a little more fun. As such, every Wednesday brings us a fresh batch of comics that achieves just that and then some. With the anticipation of “Avengers Endgame” at unprecedented levels, we all need something to tide us over until we cram into theaters and send piles of money to our Disney overlords.

Thankfully, a comic like “War of the Realms #1” does plenty to scratch that superhero itch and it doesn’t require anyone to deal with crashing websites. While the big gathering in the Marvel Cinematic Universe is taking shape, these kinds of gatherings seem to occur every other Tuesday in the comics. Some are more awesome than others and the one that unfolds in “War of the Realms #1” definitely qualifies.

You don’t have to have followed to recent comics to appreciate it, although it certainly helps. The world of Marvel comics is always in flux with respect to the threats the heroes face and the situations in which they find themselves. “War of the Realms #1” is a confluence of compounding factors that started in Thor’s world of gods and mythical monsters. Now, it has erupted to a level that even comic book gods can appreciate.

If you thought Asgard was in a rough place after “Thor Ragnarok,” then you’ll be unpleasantly shocked at how much worse it can get in the comics. However, it’s not solely because of giant fiery monsters set to 70s rock music. It’s largely because Odin, in stark contrast to the charm exuded by Anthony Hopkins, is a divine prick in the comics.

It’s because of him that Asgard is in ruins, much of his fellow gods have abandoned him, and the realms are ripe for invasion. Despite being the All-Father of gods, he’s powerless to stop it and the heroes of Earth/Midgard are the ones who have to fight it. Prick or not, it still makes for a hell of a spectacle that brings out the best in Russell Dauterman’s artwork.

The mystical machinations of the war aren’t overly complex, nor do they need to be. Asgard isn’t a shining bastion of order and stability anymore. That means Frost Giants, Dark Elves, and Trolls are free to organize and invade other realms. Leading the pack is Malekith the Accursed and if you thought he was a push-over in “Thor: The Dark World,” this comic should help shatter that notion.

Far from being the bland throw-away villain in the movie, Malekith is a forced to be reckoned with in “War of the Realms #1.” He has united gods, monsters, and entire races into one massive army right out of J. R. R. Tolkein’s worst nightmare. Now, he leads them into a full-scale invasion of Midgard and the battle that ensues is as epic as anyone could hope for.

It’s not just Avengers who rush to the front lines. We see the likes of Spider-Man, Wolverine, Daredevil, and the Punisher join the chaos. This is not just a battle for the Avengers. This is something that will bring in players from all ends of the Marvel Universe.

Even with the recent Disney/Fox merger closing, this isn’t something we’re going to see in the Marvel Cinematic Universe anytime soon. “War of the Realms #1” offers a taste of just how much bigger the world of Marvel can be when all its iconic characters occupy the same world. Even for those who can barely contain their excitement over “Avengers Endgame,” this comic should give those same fans plenty of possibilities to contemplate.

The underlying plot to “War of the Realms #1” may be basic, but Jason Aaron, who has been the architect of both Thor and the Avengers for years, finds plenty of ways to bring depth to such a colorful clash. He even finds a way to squeeze in a joke about colonoscopies and kidney stones. I promise I’m not making that up.

Much like the movies, there bits of humor that keep things from getting too dire. However, “War of the Realms #1” never feels like a joke or an excuse to see Thor beat up frost giants. Jason Aaron has shown, throughout his run, that he can incorporate layers into mystical, hammer-wielding spectacles. Those layers are definitely there and poised to affect the battle.

How that battle plays out is just starting to unfold. Even though this comic is padded with extra pages to go along with the inflated price, it’s very much a prelude to a much larger conflict. That conflict already has Spider-Man making dirty jokes and Loki getting eaten by a frost giant. If you can’t find entertainment in that, then you’re just being difficult.

Beyond the entertainment value, “War of the Realms #1” offers the kind of high-stakes superhero crossover story that movie fans have only recently come to appreciate while comic fans have been enjoying it for years. While Malekith the Accursed will never be on the same level as Josh Brolin’s Thanos, there’s something to be said about a character who can wage a cosmic war on the entire Marvel Universe.

Whatever your feelings about Malekith, Odin, or Spider-Man’s brand toilet humor, “War of the Realms #1” has plenty to enjoy while also setting up a much larger conflict. It’s a story that gives the superheroes we love a chance to unite, kick ass, and break stuff. It’s stories like that which remind comic fans why New Comic Book Day is truly the best day of the week.

Leave a comment

Filed under Jack's Quick Pick Comic

Five Reasons Why Marvel SHOULD Make An Avengers vs. X-Men Movie

avengers_vs._x-men_event

What can be said about the Marvel Cinematic Universe that hasn’t already been said, affirmed, or celebrated? I know I’ve said plenty about it, both in glowing terms and with real concern. Being a fan of superhero comics and the superhero genre, in general, I don’t think I can add much more to the near-cosmic status of this cinematic achievement.

The support of the fans and the billions made at the box office speaks for itself. Say what you will about Disney’s desire to exploit fandoms out of their money. They know how to give the people what they want. Between the recent success of “Captain Marvel” and the insane expectations surrounding “Avengers Endgame,” it’s hard to imagine this decade-spanning franchise ascending to greater heights.

I believe it will, though. I also believe that part of that ascension will involve pitting the Avengers against the X-Men in a clash that is sure to rock the foundations of the MCU. I know that’s somewhat of a reversal of my previous opinions, but recent events have led me to reconsider my position on the Avengers fighting the X-Men.

This isn’t just me, a passionate fan, speculating on what I think will happen once “Avengers Endgame” and the Disney/Fox merger is final. We already know that the X-Men and Fantastic Four are scheduled to arrive in the MCU at some point. It’s the impact they’ll have that’ll set the tone for the future of the MCU and there are already rumors about that impact swirling.

Now, all internet rumors should be taken with the smallest grains of salt, but according to We Got This Covered, a site with a mixed reputation at best, the top brass at Marvel Studios are already plotting a future Avengers vs. X-Men movie. If true, in whole or in part, it would be a bold move, even by the lofty standards of Marvel and their Disney overlords.

It would definitely be a gamble, that’s for sure. That’s because the Avengers and X-Men have clashed in the comics before. There was even a major crossover event entitled “Avengers vs. X-Men” back in 2012. While I won’t get into the specifics surrounding that event, I will go on record as saying that it’s not one of those iconic Marvel stories that fans hold dear.

In fact, “Avengers vs. X-Men” is probably the most controversial and divisive story Marvel has told in the past 15 years. It’s not just because it pitted two iconic superhero teams against one another for reasons that weren’t properly fleshed out. It marked the point where heroes fighting other heroes officially got old.

It doesn’t help that the MCU already had a major clash like that with “Captain America: Civil War.” It helps even less that “Batman v. Superman: Dawn of Justice” burned fans out even more on the topic. However, by the time Marvel and Disney get around to making an Avengers vs. X-Men movie, I believe the time will be right to tell this story.

Right now, the MCU is in a bit of a transition. “Avengers Endgame” is set to conclude the story that began with “Iron Man” back in 2008. The arrival of the X-Men and the Fantastic Four in the MCU hasn’t even begun yet and the powerful voices at Marvel Studios have already indicated that they’ll be starting from scratch.

Whatever form their arrival takes, it’s sure to take the MCU in new directions. However, I believe an Avengers vs. X-Men movie would unite the new aspects of the franchise with the old. It would act as a catalyst, of sorts, to connect the stories of the present to those in the past. If done right, it could carry the MCU to heights that Thanos himself couldn’t have achieved.

While I am not a fan of how the conflict played out in the comics, I believe the likes of Kevin Feige and Laura Shuler Donner could craft a superhero battle for the ages that will leave fans like me excited for another decade. What follows are my top five reasons why I believe Marvel and Disney should pursue Avengers vs. X-Men movie.

I concede there are many who don’t share my sentiments. I welcome any comments arguing to the contrary. For now, though, this is why I believe such a movie would fit perfectly into the cinematic marvel that is the MCU.


Reason #1: It Would Highlight (And Confront) The Discrepancies On How The World Approaches Superpowers

As soon as the X-Men arrive in the MCU, they’ll be faced with a frustrating double standard. Spider-Man has superpowers that he uses to swing around New York City, fight bad guys, and save the day. In general, he’s celebrated as a hero, along with most of the Avengers. The X-Men use their superpowers to do the same, but are labeled dangerous threats. What gives?

There are a lot of political and logistical reasons for this. Unlike other heroes, the X-Men are mutants. They were born with their powers. They’re part of an emerging sub-species that may or may not render homo sapiens extinct. That scares ordinary people more than some kid who just got superpowers in a random accident. How does society and established superhero teams deal with that?

It’s a relevant question and one the Inhumans failed miserably at addressing. Part of what made “Captain America: Civil War” such a compelling movie was that it didn’t avoid the complexities of this issue, acknowledging how difficult it is to hold people with superpowers accountable. That conflict was never fully resolved. In an Avengers vs. X-Men movie, the stakes would be even higher.

Unlike “Captain America: Civil War,” however, neither side can leave the conflict unresolved. Mutants will still emerge. People will superpowers will continue to exist. It puts iconic heroes in difficult positions that they can’t punch, stab, or smash their way out of and that often brings out the best and worst in these iconic characters.


Reason #2: It Would Raise The Stakes Surrounding Mutants In The MCU

In many ways, a clash with the Avengers would be the best way to show just how big an impact they’ve had on the MCU. Once the Avengers take notice, there’s no ignoring it anymore. Neither mutants nor the X-men would be able to operate in their own little niche of the MCU. They would have to play a larger part in a world that has already incurred a lot of damage from super-powered beings.

This sort of step is necessary in the overall narrative surrounding mutants in the MCU. It would be their coming out party, so to speak. It would show how far they’ve come and how much farther they have to go in terms of gaining legitimacy in the MCU. The X-Men, especially, have a lot to gain and a lot more to lose.

Unlike the Avengers, they can’t fall back on their reputation of having saved the world from Ultron or a Chitari invasion. They’ll be this upstart superhero team fighting to protect a group of vulnerable minorities who may or may not present a clear danger to those around them. It’ll be their chance to show that they belong on the same stage as the Avengers and the MCU will be better because of it.


Reason #3: It Would Intensify Rivalries And Ruin Friendships

There are plenty of rivalries in the comics that haven’t yet made their way into the MCU. Some are more prominent than others. The recent arrival of Captain Marvel lays the foundation for an especially big rivalry between her and Rogue, which would certainly add more personal stakes to an Avengers vs. X-men movie.

Beyond rivalries, the comics are full of friendships and connections that run quite deep. Wolverine had close personal ties to both Captain America and Black Widow in the comics. Storm has an extensive, albeit flawed, relationship with Black Panther. A number of X-Men have even been Avengers at some point.

Any clash between the Avengers and X-Men is sure to complicate every friendship and rivalry the two teams may have. Some of those connections will take time to develop. It’s very likely that the next phase of the MCU will probably focus on that in addition to integrating mutants into the MCU. An Avengers vs. X-men movie could simply act as a boiling point where it all comes to a head.


Reason #4: It Would Complicate What It Means To Be A Superhero (In A Good Way)

To some extent, the Avengers were lucky that Marvel Studios couldn’t use the X-Men in the early days of the MCU. In a world without mutants, being a superhero was less complicated. They just needed to use their powers and abilities in a heroic way. Then, they had to assemble and show that they could win wars against invading aliens.

The presence of an entire race of super-powered people, many of which are not inclined to be superheroes, adds a huge complication to the path towards heroism. The fact that mutants have powers presents them and non-mutant heroes with a conundrum.

Are mutants who don’t use their powers to be heroes irresponsible?

Are mutants who choose to use their powers for heroics on the same level as those who got their powers through another means?

These questions don’t have clear-cut answers. In a world where superpowers exist, mutants are a huge complication and the X-Men are on the front lines of it all. They try to inspire other mutants to do what they do while protecting those who choose a different path. They do so knowing that it only takes one mutant using their powers irresponsibility to do a lot of damage.

In an Avengers vs. X-Men movie, the very merits of being a superhero will suddenly be up for debate. That debate won’t likely be resolved with civil conversation and intelligent discourse. Whenever someone like Wolverine and the Hulk are involved, it’s a given there’s bound to be plenty of stabbing and smashing.


Reason #5: It Would Create New Opportunities For Better Villains (With Better Motivations)

Every clash between superheroes comes with a cost. “Captain America: Civil War” effectively divided the superhero community, which made them ill-prepared when Thanos arrived in “Avengers: Infinity War.” The comics followed a similar theme. After the original Civil War event, the entire world became vulnerable to a Skrull invasion.

A battle between the Avengers and X-Men will create a new host of vulnerabilities. For villains, it’s a golden opportunity to establish themselves in a world that is suddenly crowded with superheroes. While Thanos, Loki, and Killmonger all raised the bar for villainy, they couldn’t have emerged without the right opportunity.

With mutants, there aren’t just new opportunities. There are entirely new dynamics at work. It’s no longer a world in which superpowers are just complicated accidents. They can happen in individuals simply by being born. Within those dynamics, new kinds of villains with entirely new motivations can emerge.

Good villains are every bit as critical as good heroes, more so today than in previous eras. If the MCU is to continue to dominate, it needs to nurture the development of those villains while also creating vulnerabilities for them to exploit among heroes. An Avengers vs. X-Men movie would accomplish both.


There are probably other reasons I could list as to why I feel Marvel Studios should make this movie. There are probably plenty of other reasons why they shouldn’t. With the future of the MCU once again set to change after “Avengers Endgame,” the possibilities are vast. With the inclusion of the X-Men, and all the complications that come with them, it’s poised to evolve in bold new ways.

4 Comments

Filed under Comic Books, Jack Fisher, Superheroes, Deadpool, Marvel, movies, superhero comics, superhero movies, X-men

Higher, Further, Faster, And Fun: A (Spoiler-Free) Review Of “Captain Marvel”

captain-marvel-costume-brie-larson-mcu-movie

Soaring to new heights, venturing into uncharted territory, and achieving greater things always requires a great deal of risk. If you do what you’ve always done, you’ll only get what you’ve always gotten and that’s just not enough for some people. For Marvel Studios, the gold standard by which all other movie studios are measured, it has to take those risks in order to expand its dominance into another decade.

A movie as big as “Avengers: Infinity War” or as diverse as “Black Panther” had high stakes on top of higher aspirations. They had to keep raising the bar that Marvel Studios had already raised to unprecedented heights. Those movies both succeeded and raked in record profits, but even those movies never faced challenges like the ones faced by “Captain Marvel.”

Without a doubt, this movie will go down as one of the riskiest movies Marvel Studios has ever made, which is saying something for the same studio that made an “Ant Man” movie. It’s not just because “Captain Marvel” is Marvel’s first female-led superhero movie, nor is it because DC set a pretty high bar with “Wonder Woman.”

Captain Marvel” arrives with more baggage than any other superhero movie not associated with Joel Shumacher. In some respects, it’s coming out at the worst possible time. This is an era where gender politics are on a hair-trigger and features an actress who has been outspoken on where her political affiliations lie. It’s like bringing a tank of gasoline to a growing wildfire.

The context of this movie and its politics are already well-documented and I’ve made my opinions on it known. Beyond the politics, the heated gender debates, and coordinated efforts to tank this movie, there’s still one critical question that overrides all the baggage and burdens.

Is “Captain Marvel” a good movie?

Having seen it at a midnight showing in which the theater was quite packed, I can say in my humble opinion that yes. It is a good, entertaining movie. It doesn’t deviate too far from the Marvel Studios tradition of making superhero movies that are fun, entertaining, and heartfelt. However, “Captain Marvel” ends up achieving much more than that.

Before I go any further, I want to make a few comments about the heated politics surrounding this movie. I’m not going to focus too much on them, but I’m not going to avoid them, either. I get that some people will go into this movie with certain expectations and look for any excuse to justify those expectations. This is my response to those specific individuals.

No, this movie is not laced with radical feminist undertones.

No, this movie does not denigrate men or a specific race of men.

No, this movie does not make overtly political statements.

No, Carol Danvers is not a Mary Sue who is never allowed to fail or be wrong.

Yes, the movie is entertaining and fun in the tradition of good superhero movies.

Yes, the movie is respectful of the history and personality of the character.

Having said all that, I understand that there are a number of people who may disagree with every one of those statements. However, after seeing the movie and having time to digest all its high-flying details, I believe that doing so requires a level of outright pettiness that obscures just how good this movie is.

 

This movie does not have the luxury of expanding on a character who was previously introduced. Unlike Black Panther, Carol has nothing to build on when the movie starts. However, things move quickly once the action gets going. We find out early on that Carol is in a difficult situation, but tenuous situation. In addition, that situation helps further the world-building that is so distinct of the MCU.

We learn more about the Kree in the first 20 minutes of this movie than we have in any other Marvel movie, to date. They’ve been mentioned before in “Guardians of the Galaxy,” but who they are and what they’re like is firmly established in “Captain Marvel.” Their iconic rivals, the Skrulls, are also introduced and it’s here where the movie really shines.

If you’re not familiar with the history of comics, it’s hard to overstate how critical the Kree/Skrull war is to the cosmic side of the Marvel universe. This massive war is something that Carol finds herself in the middle of and her role in it evolves over the course of the movie. Without getting too heavy into spoiler territory, it’s safe to say that this evolution is what helps make her Captain Marvel.

Carol’s story isn’t just about her seeking to fly higher, further, and faster. Through both flashbacks to her past and struggles in the present, her journey from being a loyal Kree warrior to Captain Marvel feels personal, even as it moves the story forward. At first, it feels like the story is on a predictable path. However, that changes, thanks largely to Carol’s the supporting cast.

This is where Samuel L. Jackson’s role as Nick Fury and Ben Mendelson’s role as Talos really complements the story. Their choices and their actions put Carol in a situation where she comes to some difficult realizations and has to make difficult decisions. In doing so, she becomes the hero that she needs to be, both for this movie and for the MCU.

It’s not unlike the evolution that other characters like Tony Stark and Thor have undergone. They start off with one particular outlook on their world. Then, they find themselves in a situation that undermines and even shatters what they thought was right and true. Rather than avoid the unpleasant implications, they confront them. That’s what heroes do and that’s what Carol Danvers does.

By the end of “Captain Marvel,” it’s easy to root for Carol. As she realizes her true power, she becomes the kind of hero that fits right in with the Avengers. The source of that power is not something she inherits or pursues. True to her comic book origins, her high-flying aspirations lead to an accident that comes close to destroying her. Also like the comics, it renders her vulnerable in unexpected ways.

Throughout the movie, Carol is guided and often frustrated by her limits. Some of those limits are things she puts on herself. Some are limits that others impose on her. Overcoming such limits, be they her own emotions or the actions of others, is the true strength of her character. It’s a strength that anyone, regardless of race, gender, or anything of the sort, can respect.

That’s not to say there aren’t flaws in that journey, along the way. In terms of a superhero origin movie, I would not put “Captain Marvel” above the ranks of “Batman Begins” or “Iron Man.” The movie does feel somewhat congested in several areas and the pacing, especially in the early parts of the movie, are a bit erratic.

There’s also an issue with villains in this movie, to the extent that they’re vague. Both the Skrulls and Jude Law’s, Yon-Rogg, aren’t going to give Thanos or Erik Killmonger a run for their money. Even the presence of a young Ronan the Accuser feels like a missed opportunity. While Carol has plenty of fights to pick in this movie, the lack of a major villain is somewhat glaring.

Let’s face it. Nobody was going to top THIS guy.

However, this doesn’t keep “Captain Marvel” from succeeding in the ways we’ve come to expect from Marvel Studios. The distinct bits of humor and tone are definitely there. The use of 90s nostalgia, from grunge rock to Blockbuster, works at every turn. The choice of music is spot on for every scene. Like “Captain America” and “Wonder Woman,” the time and place fits perfectly with the story.

By nearly every measure, “Captain Marvel” checks all the right boxes, in terms of a quality product from Marvel Studios. Again, it is possible for someone to single out certain scenes as proof that the movie is trying to make a political statement. However, I would argue that you could find similar scenes in movies like “Wonder Woman” and even “Deadpool.”

At the end of the day, if you’re really determined to hate this movie and label it as some sort of hit piece against a particular race or gender, you’ll find multiple excuses. However, it still requires a level of pettiness that requires someone to actively look for a reason to be offended and there’s already too much of that in this world.

If you watch “Captain Marvel” with the sole desire to be entertained and see the MCU evolve before your eyes, this movie will deliver in all the right ways. If I had to score this movie, I would give it a 4 out of 5. It’s a fun ride with a few bumps along the way, but is ultimately satisfying by the end. On top of that, the post-credits scene help further build the excitement for “Avengers: Endgame.”

Also, no matter your politics, the Stan Lee tribute at the beginning of the movie is beautiful.

1 Comment

Filed under Marvel, Movie Reviews, movies, superhero comics, superhero movies

Second “Dark Phoenix” Trailer: Reaction And (High) Hopes

It’s been a long wait since the first trailer for “Dark Phoenix.” In that time, there have been plenty of distractions and upheavals, from who would host the Oscars to trolls attacking the “Captain Marvel” movie for asinine reasons. Plenty still find excuses to whine about this movie, also for asinine reasons. Finally, despite all that proverbial noise, we get a second trailer and it was so worth the wait.

There are a lot of things that a quality story about the Phoenix Saga needs to capture all the right feelings. This one checked nearly every box, more so than the first.

It had drama.

It had devastating emotional upheaval.

It had elements of cosmic influence.

It had inner turmoil.

It had heartfelt sorrow.

It had despair.

It had desperate people trying desperately to save someone they loved.

Even if you haven’t read the originals story, these are all important components for a powerful story. It’s part of the reason why the Phoenix Saga is often identified as the greatest X-men story ever told. Unlike previous attempts, this movie is making that story front and center.

That, more than anything, should give me and other X-men fans hope that this one will be done right. I’ve seen more than a few people whine about how similar this movie is to “X-men: The Last Stand.” I don’t blame those people for seeing this as a bad thing, given how poorly that movie handled the Phoenix plot.

Nuff said!

However, this trailer does much more than the first one to set itself apart. Yes, Jean is still wearing a large red overcoat instead of her iconic Phoenix attire, complete with the waist sash, but attire was not the reason why the previous attempt to tell that story failed.

As I’ve noted before, the most critical part of telling any story about the Phoenix Saga is capturing the right emotions with the characters. With all due respect to Famke Jansen, Sophie Turner shows more emotional range in this trailer than Ms. Janssen did over the entire course of “X-men: The Last Stand.” Moreover, it highlights the emotional impact that her growing powers have on everyone Jean loves.

That impact includes a heavy loss, as evidenced by the funeral scene. It also shows in how both Jean’s friends and enemies react to handling her. Some, even those who think themselves her friend, think she’s beyond saving. Others, namely Cyclops, are still determined to save her.

Not ignoring the fact that Cyclops is actually playing a major role here instead of getting killed off in the first 10 minutes of the movie, thereby worsening the worst love triangle of all time, this trailer leaves one other important element unspoiled and up in the air.

We know there will be death and loss in this movie, as is often the case in any X-men story involving the Phoenix Force. I even uncovered some critical hints during my trip to New York Comic Con last year. There’s still one burning question that will likely determine how this movie is received.

What is the ultimate fate of Jean Grey?

This is one instance where the answer could take us down many paths. If Jean Grey ultimately dies, as happened in the original story, it would be keeping in the spirit of loss and sacrifice. It’s difficult to pull off, but given how bland, cowardly, and unceremonious her fate was in “X-men: The Last Stand,” it wouldn’t be that hard to improve upon.

If she lives, though, which actually was the initial ending to the story in the comics, it would require a very different recourse compared to the previous movie. That may ultimately be the best way to silence those who keep bemoaning how much this movie resembles “X-men: The Last Stand.” However, getting Jean to a place where she could survive, even after losing control, would be a difficult task.

Whatever the outcome, the stage is set. “Dark Phoenix” is coming and will likely be the swan song of this era of X-men movies. With Disney about to take over Fox and set to bring the X-men into the MCU, it would be perfectly fitting if this movie ended on a high note. We saw how powerful that kind of story can be with “Logan.” After seeing this trailer, I believe this movie has that potential, but with more cosmic flare.

1 Comment

Filed under movies, superhero comics, superhero movies, X-men

Why The Outrage Over Brie Larson And “Captain Marvel” Is Misguided (And Counterproductive)

captain_marvel_comics_nick-fury_avengers

Celebrities sometimes say dumb things. I doubt most people would contest that. Sometimes, celebrities say things that aren’t dumb, but badly taken out of context. I imagine most people would agree with that too. However, in an era where outrage is a national pastime and social media makes it way too easy to blow things out of proportion, it’s easy for a celebrity to cause controversy for all the wrong reasons.

Brie Larson, whose star is set to rise considerably with the release of “Captain Marvel,” is learning this the hard way and a large consortium of angry people on the internet are intent on making it harder. What should’ve been a culmination of a young woman’s career and a female hero’s ascension to the superhero A-list is now mired in the ugliest kind of gender politics.

The origin of that controversy actually had nothing to do with Ms. Larson’s role on “Captain Marvel.” Back in June 2018, she made some overly political comments while accepting the Crystal Award for Excellence in Film. While celebrities making political statements is nothing new, Ms. Larson’s statement was hardly extreme.

It wasn’t some radical feminist tirade.

It wasn’t some angry rant about the outcome of 2016 Presidential Election.

It wasn’t even some act of elaborate virtue signaling by some smug celebrity.

All Ms. Larson did was advocate for greater diversity among film critics. She didn’t just make such a statement on a whim, either. She did so in response to a study published by the USC Annenberg School for Communication and Journalism that revealed a significant lack of representation in the industry of film criticism.

That’s not an unreasonable concern. The western world is becoming more diverse and the success of movies like “Black Panther” and “Crazy Rich Asians” shows that there’s a market for such diverse tastes. Advocating for greater representation in the field of film criticism makes a lot of sense.

Unfortunately, that’s not the message that some people gleamed from Ms. Larson’s comments. All they heard was that she doesn’t want to hear from white men anymore. They somehow got the impression that Brie Larson resents white men and her movies, including “Captain Marvel,” aren’t made for them. They’re not even welcome in the conversation.

Who these people are and the politics they represent is difficult to discern. I don’t think it’s accurate to call them conservative, liberal, feminist, anti-feminist, leftist, or any other political label. Outrage culture rarely gets that specific, but given the heated politics surrounding movies like “Ghostbusters” and “Star Wars: The Last Jedi,” it’s a frustratingly familiar narrative.

While I can understand some of the outrage surrounding “Ghostbusters” and “Star Wars: The Last Jedi,” in this case I don’t think it’s justified. That’s not just because I’m a big fan of Marvel Comics, superhero movies, and all things Captain Marvel. It’s because the actual substance of Ms. Larson’s words don’t warrant the controversy she has generated.

For specific reference, here’s what she actually said during her speech in June 2018. Read it very slowly and try to understand the context of her statement.

“I don’t want to hear what a white man has to say about ‘A Wrinkle in Time.’ I want to hear what a woman of color, a biracial woman has to say about the film. I want to hear what teenagers think about the film. If you make a movie that is a love letter to women of color, there is a chance that a woman of color does not have access to review and critique your film. Do not say the talent is not there, because it is.”

Remember, she said these words after learning how little diversity there was among movie critics. Unlike most people, she was actually in a position to do something about it. Being an Oscar winning actress who was poised to join the Marvel Cinematic Universe, her words carry more weight than most.

Even so, those words were construed as racist and sexist, two exceedingly loaded terms that bring out the worst in people, especially on the internet. Never mind the fact that she made clear in her original speech that she did not hate white men. Never mind the fact that she has since clarified her words. She is still being attacked as some angry radical feminist who hates men, especially those who are white.

It would be one thing if she had said outright that white men should be banned from criticizing certain movies. Many celebrities, including a few still relevant today, have said far worse. However, that’s not what Ms. Larson said. She never, at any point, advocated disparaging white men. She didn’t even say that people who hate her movies are racist and sexist, something the “Star Wars” crowd is painfully familiar with.

Again, all Ms. Larson spoke out against was a lack of diversity among film critics. That part is worth emphasizing because it renders the outrage surrounding her statement as utterly absurd. It also makes the targeted attack on the fan reviews for “Captain Marvel” both asinine and misguided.

Even though the movie isn’t out yet, the movie is being targeted with negative comments on Rotten Tomatoes. Since it has only screened for a handful of audiences, it’s unlikely that any of these people actually saw the movie or were inclined to see it in the first place. Some are even claiming that this has already impacted the projected box office for the movie.

Whether that impact manifests remains to be seen, but it’s worth noting that when “Black Panther” was targeted with similar attacks, it failed miserably. At the moment, early reactions to “Captain Marvelhave been glowing so the chances of these attacks hurting the box office are probably minor at best. If the pre-ticket sales are any indication, the movie will likely turn a hefty profit for Marvel and their Disney overlords.

Even if there were an impact, it would be for all the wrong reasons. It would send the message that there’s a large contingent of people who are willing to work together to tank a movie because of comments a celebrity said that had nothing to do with that movie and weren’t the least bit controversial, when taken in context.

In this case, it was simply twisting someone’s comments to make them sseem like they said things that they never said or even implied. Then, those who bought into that narrative simply use that as an excuse to disparage a movie that they haven’t seen. That’s not just absurd, even by the skewed standards of outrage culture. It sends the worst possible message from those who think they’re protecting their favorite movie genre.

It tells the world that they don’t care what a celebrity actually says. They actively look for an excuse to hate someone who doesn’t completely buy into their preferred status quo. It would be one thing if that status quo was just and reasonable, but that’s not the case here.

All Ms. Larson did was advocate for more diversity among film critics. If that is somehow too extreme, then the problem isn’t with her or celebrities like her. It’s with those determined to hate her. There are a lot of issues in the world of celebrities and movies that warrant outrage, but advocating for more diversity in film criticism isn’t one of them.

I can already hear some people typing angry comments stating that if she had said those same words, but changed the demographic to something other than white men, then it would be an issue. However, the fact remains that this isn’t what she said.

It also doesn’t help that Brie Larson identifies as a feminist and that term has become incredibly loaded in recent years. However, she has never embraced the kind of radical rhetoric that other, less likable celebrities have espoused. Until she does, those determined to identify her and “Captain Marvel” as racist, sexist propaganda are only doing themselves and their politics a disservice.

16 Comments

Filed under Celebrities and Celebrity Culture, extremism, gender issues, Marvel, media issues, men's issues, movies, outrage culture, political correctness, superhero movies

“Captain Marvel” Second Trailer

Another glorious preview for “Captain Marvel” has dropped. Let’s all take a moment to soak in its marvelous glory. She’s destined to fly higher, farther, and faster than any hero before her. Thanos is fucked. Nuff said!

1 Comment

Filed under Marvel, superhero comics, superhero movies

How “Into The Spider-Verse” Embodies The Best Aspects Of Superhero Movies (And Sets Up A Promising Future)

spider-man-into-the-spider-verse-et00066988-11-12-2017-11-33-21

In the modern era of superhero movies, Spider-Man is one of the bedrock franchises that has guided the genre through its journey from niche market to global box office dominance. Alongside the first “X-men” movie, Sam Raimi’s original “Spider-Man” is credited with ushering in this golden age of superhero cinema.

It has been a bumpy road at times. We had high points with “Spider-Man 2” and not-so-high points with “Amazing Spider-Man 2.” Regardless of how these movies fared, the story of Peter Parker shouldering the power and responsibilities of Spider-Man has become ingrained in pop culture. We still could’ve done without that awful dance scene, though.

Given all the weight Spider-Man has for the genre, a movie like “Into The Spider-Verse” has a lot going for it and just as much working against it. The story of Peter Parker has been done, redone, and overdone so much that it feels like there’s no room left for nuance. Well, “Into The Spider-Verse” definitively proves there’s still untapped potential and it runs even deeper than anyone thought.

I don’t want to spoil much about this movie, but I will spoil this. “Into The Spider-Verse” is every bit as awesome as critics and audiences alike have said. It’s a truly groundbreaking achievement for superhero movies, animation, and the Spider-Man franchise. The fact that it managed to do this without being part of the Marvel Cinematic Universe makes that accomplishment all the more remarkable.

This movie succeeds on so many levels. It takes a concept drawn directly from the comics and expands on it, creating a whole new world in which all things Spider-Man do not revolve entirely around Peter Parker. That’s not a typo, by the way. This is a Spider-Man movie in which Peter Parker is not the main driving force of the story.

It’s this kid.

He’s still there. He still plays a major part in the story. However, this movie is a story about Miles Morales. Those who follow the comics will recognize that name. He’s not just some unknown character who gets thrust into a central role in the vein of the “Ghostbuster” reboot. Miles has a fairly comprehensive history going back to 2011 and this movie captures the heart of that history perfectly.

Miles is not like Peter in many ways. Beyond the fact that he’s half-black, half-Latino, and the nephew of a dangerous super-villain, his powers are slightly different. His personality is different, as well. He’s not the same nerdy dork that Peter Parker was, but he is very much an outsider who struggles to fit in.

Miles has more confidence, but not in the arrogant hipster Andrew Garfield sort of way. He’s someone who isn’t sure of who he wants to be or where he wants his life to go. On one hand, he’s got his parents who want him to aspire to something greater than a life in Brooklyn. On the other, he has influences like his Uncle Aaron pulling him down a darker path.

Him getting bit by a radioactive spider only compounds these conflicting forces. Part of what makes Miles work when other would-be Spider-Man replacements failed is that his struggle feels genuine. He never comes off as a rip-off or a substitute. What makes Miles a Spider-Man worth rooting for is how Peter Parker inspires him to take on that responsibility.

The comics went about that in one particular way that worked brilliantly. “Into The Spider-Verse” utilizes a different, but similar approach that’s every bit as compelling. Peter Parker has a major influence, but the movie throws in many other influences that send Miles down the path to becoming Spider-Man.

Some of those influences come in the form of other famous alternate-version Spider-Man characters, including the likes of Spider-Gwen and Spider-Ham. “Into The Spider-Verse” manages to give them their own stories that show how they fit into the greater Spider-Man mythos, but for Miles, they embody the responsibility before him.

Like Peter, and so many other Spider-Man characters, he’s initially reluctant to bear that burden. Over the course of the movie, he endures plenty of agonizing decisions and crippling self-doubt. He struggles in ways that we’re not used to seeing Spider-Man struggle, but that’s exactly why “Into The Spider-Verse” works so well in the current landscape of superhero movies.

Going back to the first “Iron Man” movie, we’ve come to expect struggles and setbacks from our heroes. Miles has a lot more than most and not just because of his youth or inexperience. He has huge shoes to fill and the history of characters filling the shoes of iconic heroes is mixed at best.

By the end of the movie, though, Miles effectively proves that he’s worthy of being Spider-Man. He deserves a spot in the greater Spider-Man mythos. It doesn’t have to revolve entirely around Peter Parker. For some Spider-Man fans, that may seem outrageous. “Into The Spider-Verse” shows that there’s plenty of room for characters like Miles.

How it goes about this has greater implications for the future of superhero movies than it does for the present. I would even go so far as to say that “Into The Spider-Verse” might end up being a major turning point for the superhero genre because of how it tells Miles’ story alongside that of Peter Parker.

Aside from just raising Miles’ profile, “Into The Spider-Verse” does something that is overdue for Peter Parker’s story. Specifically, it ages him. The Peter Parker in this story is not some wide-eyed kid with Tom Holland’s baby face. He’s an older, more jaded version of Peter who has made mistakes and lost confidence in himself, as often happens to those who survive to middle age.

The look of a man who has fought one too many muggers.

It’s part of the paradox of heroism that I’ve mentioned before in that many popular superheroes aren’t allowed to age beyond a certain point. In fact, that was cited as the primary reason for breaking up Spider-Man’s marriage to Mary Jane Watson in the comics. Aging a hero beyond the mold Frank Miller’s version of Batman just seems like a dead end.

Into The Spider-Verse” makes the case that this doesn’t have to be the case. Peter Parker can grow up and even endure a mid-life crisis. For a character who has been around since the early 1960s, it almost feels overdue. His struggle doesn’t have to be the end of his story. If anything, it helps further Miles’ ascension to becoming the new Spider-Man.

It’s a theme that has played out in the comics more recently. Older heroes are inspiring a new crop of younger heroes. Miles Morales was among the first. Others like Kamala Khan and Riri Williams have followed. It feels like a natural progression of the superhero archetype, inspiring others to take up the responsibility and aspire to something greater.

Miles Morales isn’t a replacement for Peter Parker. He’s a supplement to the greater Spider-Man mythos and “Into The Spider-Verse” establishes how well this can work. His story is every bit as endearing as Peter’s, but without supplanting him. As such, it provides a new template for superhero movies in the future.

Not every story has to rely on rehashing and revamping iconic characters from the Stan Lee/Jack Kirby/Steve Ditko era. It’s possible for new characters to emerge without replacing older ones. The world of superheroes can grow and evolve with subsequent generations. It’ll have to and not just because of actors’ contracts expiring.

If I had to score “Into The Spider-Verse,” I would give it an 8 out of 10. It’s a great movie, but it does have some shortcomings. They’re very minor. The pacing of the movie is erratic at times and the designs for certain characters, namely Kingpin and Scorpion, have room for improvement. It never feels chaotic or disconnected, though. The movie has a unique artistic style that fits perfectly with the story.

Every now and then, someone will claim that superhero movies will one day go the way of the western. That may still happen at some point, but “Into The Spider-Verse” shows that there are whole new paths to explore and they have to exist in the MCU. This movie is an incredible achievement beyond just being a great superhero movie and one I hope inspires others for years to come.

Also, the tribute to Stan Lee at the end will bring a tear to your eyes. Be certain of that.

Leave a comment

Filed under Comic Books, Jack Fisher, Superheroes, Marvel, Movie Reviews, movies, superhero comics, superhero movies