Tag Archives: Charles Xavier

What Recent X-Men Comics Can Teach Us About Present (And Future) Politics

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Trying to make sense of politics is like trying to understand quantum mechanics while stoned. The process of governing humanity has always been tricky. Ever since we exchanged our basic hunter/gatherer ways for a more formal system of order, the process has only become more difficult over time. You don’t have to look far to see the complexities and the overall absurdities of politics.

I’ve tried to talk about politics before, albeit with a limited focus on hot-button issues. I never claim to be an expert or an authority on the matter. I’m an aspiring erotica/romance writer. My understanding of politics is as limited as most people who don’t live, work, and breath these issues. Despite those limitations, I still want to make an effort to talk politics in a novel way.

As it just so happens, I’ve come up with just such a way and it involves X-Men comics. Considering how much I’ve written about X-Men and superhero comics in general, this should surprise no one.

More specifically, I want to take the events that have been unfolding in the X-Men comics for the past two years and use it to make sense of the current state politics. I also want to use it to speculate a bit on where these politics might lead us. Again, I am not even close to an expert, but I do believe that art and media have an uncanny way of shining a light on the real world and there are few narratives more uncanny than the X-Men.

The current state of politics, especially in the United States and Western Europe, has been dominated by polarization. More and more, citizens are becoming more tribal. On top of that, people are becoming more divided. That’s not just an anecdote, either. According to Pew Research, the public has become more ideologically split over the past 20 years and it’s only getting worse.

Rather than try to make sense of these decade-long trends, I want to apply it to the politics in the X-Men comics. More than any other superhero comic or franchise, politics are a major driving force for the X-Men, more so than killer robots. Co-creator, Stan Lee, stated that the inspiration for the X-Men was drawn from the ongoing Civil Rights movement that was in full swing in the early 1960s.

Over the years, this idea of mutants being an oppressed minority who were hated and feared for being different has been the driving force behind the X-Men’s story. It is also a big part of what helped them gain such a wide appeal. Some of the X-Men’s most iconic stories come from conflicts inspired by the hate and fear that ordinary humans feel towards mutants.

In the real world, hatred and fear are powerful forces that don’t need killer robots to cause upheaval. Hatred and fear is at the heart of debates surrounding migrants and immigrants. That same hatred and fear is at the heart of the political polarization.

Liberals hate and fear conservatives because they think they want to turn the world into one big plantation ruled by rich, wealthy slave-owners.

Conservatives hate and fear liberals because they think they want to abandon their heritage, punish people for the sins of their ancestors, and micromanage their lives.

In the world of X-Men, humans hate and fear mutants because they think they’re too dangerous, unpredictable, and uncontrollable. On top of that, if they truly are a new species, then that means their survival means humanity’s extinction.

The parallels aren’t perfect, but they are there. Mutants aren’t just a metaphor for any minority who has been oppressed, segregated, and denigrated. They represent just how divided two groups can be. Constant conflict ensures that hatred and fear will fester. However, it’s the events of House of X and Powers of X that the entire concept of X-Men has gained greater political relevance.

In case you haven’t been following superhero comics, the details of these events are many, but the theme is relatively simple. After years of fighting, running, surviving, and being marginalized because of movie rights, the entire mutant race has decided to reorganize themselves into a new society.

This isn’t some exclusive club or superhero team. With help from Charles Xavier and the powerful foresight provided by Moira MacTaggart, the mutants of the Marvel Universe have united within a new homeland, which happens to be a living island. They also have their own mysterious language that only they understand. They are essentially establishing themselves as a new political entity.

In the scope of the X-Men’s 50-plus year history, the idea isn’t new. There have been multiple efforts over the years to give mutants a homeland. One was called Genosha. One was called Utopia. Both enjoyed some measure of short-term success, but both ended up destroyed or abandoned. The reasons for this aren’t important. What sets them apart from Krakoa is the scale.

To understand it in a real-world context, think of Genosha and Utopia as enclaves within a community. They’re akin to neighborhoods in America or Europe that are predominantly populated by a particular ethnic group or religion. Many are quite successful in their own right. Others have become the sites of atrocities and tragedies.

What the mutants are doing with Krakoa in the comics is something bigger than an enclave. They’re not just seeking to be recognized as a full-fledged country, either. Charles Xavier, the X-Men, and every other mutant is building Krakoa to be a society that can function with or without humanity. It’s not land borrowed from humans. It’s land that’s theirs and theirs alone.

That’s not to say Krakoa operates in isolation, as Wakanda once did. They actually seek to maintain diplomatic relations with the world. They even have valuable resources with which to trade. They don’t have to make these kinds of deals, but under Charles Xavier, they do anyway. It culminates in “House of X #5,” in which Krakoa gains formal recognition by the UN.

This is where the politics of the X-Men comics add some necessary nuance to what we’re seeing in the real world. When people feel marginalized, they tend to feel unwelcome. Even if you are legally an American, a German, an Italian, or a Wakandan, being hated and feared by a large segment of the country makes you feel like you don’t belong.

Between divided polls and America’s colorful electoral map, it’s not hard for anyone to feel out of place. The added polarization provided by the internet, social media, and cable news only adds to the divisions and the animosity. As a result, people naturally retreat into groups and tribes where they feel welcome. Whether it’s a political group, a religious group, or an identity, they seek some form of sanctuary.

In doing so, these groups essentially create their own little world within their community. It’s a world that might as well be a separate reality from what others see. It’s how different people can see the same facts, but have wildly different interpretations. Their brains are still working and the facts are still facts. It’s how they apply them to their world that’s different.

Each group feels they don’t belong. They may even feel victimized. It doesn’t matter if the group happens to make up the vast majority of the population. They still feel like they’re the ones under attack, not unlike the X-Men when they constantly confront fearful, hate-filled humans. They act as though they need to carve their own place in the world and defend it at all costs.

This is where House of X and Powers of X can provide some possible insights into the future of politics. To some extent, Krakoa is a natural byproduct of mutants being hunted, attacked, and denigrated at every turn. They tried isolating themselves on islands. They tried living among humans, sometimes in their most populated cities. Now, they’re trying something bigger.

It’s not exactly peaceful and not everyone understands it, which seems antithetical to Charles Xavier’s dream. However, it’s pragmatic in a very political sense. They have a homeland that they can control. They have barriers for entering and exiting that homeland. Nobody who isn’t authorized can enter it. It’s basically the ultimate immigration control.

On top of that, it has valuable resources that the rest of the world wants. The mutants of Krakoa are willing to share them, but only if they respect their new homeland and treat it like a legitimate country with its own culture, laws, and norms. In a world where people constantly attack others for not respecting their culture or norms, it feels like the ultimate endgame of sorts.

Those who want their culture and way of life preserved will only have more incentive to become more organized. If they keep feeling hatred and fear, they may look for ways to simply function without those they feel don’t belong. People won’t just become more ideologically divided. They may end up more divided in a very literal sense.

It’s the ultimate manifestation of our natural tribal instincts. We seek to join, maintain, and protect our tribe from others, be they real or imagined. It doesn’t matter if there are objective facts that show our tribe is somehow wrong or misguided. We still feel inclined to protect it at all cost.

This era of X-Men comics has been exciting. Writer, Jonathan Hickman, has turned the X-Men from just another superhero team into a blossoming community with its own culture, identity, and borders. As an X-Men fan, I’ve been enjoying it a great deal. As someone in the real world who can’t always avoid politics, it leaves me worried about just how divided we’ll ultimately become.

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Jack’s World: Latest MCU X-Men Rumors: Reactions, Promise, And Potential

The following is a video from my YouTube channel, Jack’s World. It covers some recent rumors that have been circulating about the future of the X-Men in the MCU. Please note that these rumors are not substantiated. There is no inside source at work here. Most of this information comes from the site, BGR. So, please take them with a grain of salt.

That disclaimer aside, I made this video as a general reaction of sorts. This is also the first time I used my new video editing software. Please let me know if you can see a difference in the overall quality. Enjoy!

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New Comic Book Day December 30, 2020: My Pull List And Pick Of The Week

It’s the last New Comic Book Day on the last week of the year and I think I speak for many, comic lovers and non-comic lovers alike, when I say fuck 2020. Fuck this god-awful year. It cannot end fast enough.

I apologize. I just needed to get that out of my system. Thank you for bearing with me.

I know that’s a popular sentiment. I think everybody is ready to close the page on this shitty year and embrace 2021 in ways we usually reserve for puppies, kittens, and a cold beer on a hot summer day. However, we still have a few days left so there’s still time for an asteroid to hit.

For comic lovers, this year has been plenty challenging. At one point, the global pandemic that has dominated this year effectively brought the entire comic book world to a halt. It was a painful, heart-breaking time. I still remember it and the agony that came with it.

The industry has since adapted. It still has a long way to go and will likely face more upheavals in 2021. However, the bar for improvement is so low at this point that I’ll be content if it just means I can attend a comic convention at some point.

Normally, the last New Comic Book Day of the year is a time of bittersweet reflection. This year, which has been like no other, carries a very different feeling. Whatever that feeling entails, let’s try to enjoy it as best we can. Better days are coming. I believe that and I’m willing to work towards it.

In the meantime, here is my pull list and pick for the week. Enjoy!


My Pull List

Amazing Spider-Man #55

Avengers #40

Batman Annual #5

Ghost Rider: Return Of Vengeance #1

Justice League: Endless Winter #2

King In Black: Iron Man/Doom #1

Shang-Chi #4

Van Helsing #50

Wolverine #8

X-Men #16


My Pick Of The Week
X-Men #16

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New Comic Book Day December 9, 2020: My Pull List And Pick Of The Week

We all have our own unique rituals for enjoying a particular experience that we’ve come to love. One of my siblings had this weird thing where he could only watch “The Sopranos” in the basement, with all the lights off, while sitting on a bean bag chair.

I don’t get it, either. It annoyed the hell out of me most of the time. Then again, who am I to judge? I’m the same when it comes to reading comics, especially in December.

I love reading comics on New Comic Book Day at every point in the year, but that doesn’t stop me from using the holidays to enhance the experience. For me, that involves turning on my Christmas lights, starting a fire in my gas fireplace, brewing a cup of coffee, and laying back in my recliner with an iPad full of new comics.

It’s basically comic book and holiday nirvana. There are no words to describe the joy, comfort, and relaxation I feel when I’m in that state. It’s one of my favorite parts of the week. It’s also one of my favorite experiences, in general.

For all my fellow comic fans out there, I’m sure you have a New Comic Book Day ritual of your own. During the holidays, you may even mix it up a bit. I encourage everyone to embrace that. When you can combine comics with the holidays, then joy of every kind will surely follow.

With that in mind, here is my pull list and pick of the week. Enjoy!


My Pull List

Amazing Spider-Man #54

Captain Marvel #24

Detective Comics #1032

Grimm Fairy Tales: 2020 Holiday Special

Guardians Of The Galaxy #9

Juggernaut #4

Marauders #16

Mighty Morphin #2

S.W.O.R.D. #1

Star Wars #9

Superman: Endless Winter Special #1

Venom #31

Wonder Woman #768


My Pick Of The Week
S.W.O.R.D. #1

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New Comic Book Day November 25, 2020: My Pull List And Pick Of The Week

The Wednesday before Thanksgiving is always extra special. For me, it’s like an appetizer before the appetizers. It’s a mini-holiday before a major holiday, which only serves to make both holidays even better.

Does that sound complicated and weird? I don’t doubt that it does.

Does it make me love it even more? Absolutely!

New comics are a like a hot meal for my soul. They inspire and invigorate me like my mother’s famous pumpkin pie. Knowing I’ll be able to dine on actual pumpkin pie the next day only makes them more delicious. I’m getting hungry just thinking about it.

Whatever your Thanksgiving plans are this year, tempered they might be, today is a good day to work up an appetite. Before you start slaving away in the kitchen, take a step back to enjoy a nice stack of new comics. It’ll make you feel like a hero when dinner is served.

To that end, here is my pull list and pick for this beautiful Thanksgiving Eve. Take care and I wish everyone a safe and Happy Thanksgiving!


My Pull List

Action Comics #1027

Batman Beyond #49

Batman: White Knight Presents: Harley Quinn #2

Batman/Superman #14

Daredevil #24

Amazing Spider-Man #53.LR

Doctor Doom #9

Excalibur #15

Fantastic Four: Antithesis #4

Justice League Dark #28

Rick and Morty Ever After #2

Shang-Chi #3

Star Wars: Doctor Aphra #6

Wonder Woman #767

X Of Swords: Destruction #1

X-Men #15


My Pick Of The Week
X Of Swords: Destruction #1

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Jack’s World: How House Of X/Powers Of X Redefined The X-Men

The following is a video from my YouTube Channel, Jack’s World. As someone who has followed and praised X-Men comics for years, I wanted to make a video that articulated just how important the recent House of X/Powers of X story by Jonathan Hickman is in the history of the franchise. I tried to do it justice while trying not too hard to geek out. Enjoy!

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New Comic Book Day August 5, 2020: My Pull List And Pick Of The Week

The current state of the world is still awful. Let’s not sugarcoat that. As much an optimist I try to be most of the time, you can only try so hard during a global pandemic.  I don’t deny these past few months have utterly killed my optimism with a force of a thousand pissed off Hulks.

Even without optimism, we’re all still adapting. We’re learning to live our lives without the luxury of going to a movie theater, hanging out in a crowded restaurant, or just browsing through a mall without someone whining about having to wear a mask. It’s frustrating, but it’s bearable. For me, new comics help make this new normal bearable.

I say that as someone who knows that the whole comic industry has had to adapt a lot these past few months. Between comic shops facing enormous hardship and the San Diego Comic Con being reduced to a glorified series of Zoom calls, things have been very difficult for this industry I love so dearly.

More changes are likely, but I’m still grateful for the efforts of those working in this industry to keep New Comic Book Day awesome. Whether you’re a writer, an editor, an artist, or an IT person working at Comixology, I can’t thank you enough for your tireless effort. The world needs this right now. I certainly need it too.

As always, I show my appreciation by dropping plenty of money on digital comics and assorted merchandise. I encourage others who struggle to adapt in this awful world to do the same. Once again, here’s my pull list and pick of the week.


My Pull List

Batman #96

Black Cat #12

Captain America #21

DCeased: Dead Planet #2

Deadpool #6

Dr. Strange #6

Empyre #4

Fantastic Four #22

Guardians Of The Galaxy #5

Rick and Morty Presents: Birdperson #1

Star Wars #5


My Pick Of The Week
Deadpool #6

 

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New Comic Book Day July 22, 2020: My Pull List And Pick Of The Week

In the age-old debate of quality versus quantity, comics occupy a strange middle ground. There have been times when I’ve left a comic shop with a big stack of comics and feel like I just went on an epic bender with an 1980s heavy metal band. There have also been times when I’ve left a shop with only a few books in hand, but I feel just as satisfied because those few books were just that awesome.

I spent a lot of money in comic shops. I hope I made that clear. I’m pretty sure I put some comic shop owners kids through college.

That said, there are times when quantity doesn’t always make that trip satisfying. Sometimes, that big stack of comics that looks so appealing has a lot of duds in it. Like so many other things, from music to gem stones to whiskey, quality will often determine the success of any New Comic Book Day.

Over the years, I’ve gotten pretty good at sifting through the countless pages of comics and finding which ones offer the most quality. I admit there are times I stumble across it by complete accident, but like fine wine or cars, there’s an art to it. I don’t claim to be an expert, but to all those who love comics as much as I do, I offer my insights so that those who celebrate New Comic Book Day get plenty of bang for their buck.

To that end, here’s my weekly pull list and pick for New Comic Book Day, complete with links to Comixology. It may seem like a lot, but I can attest that in the world of comics, quantity and quality need not be mutually exclusive. Enjoy!


My Pull List

Action Comics #1023

Batgirl #47

Batman #95

Batman Beyond #45

Empyre #2

Empyre: X-Men #1

Empyre: Avengers #1

The Flash #758

Hellions #2

Red Sonja #17

Power Rangers: Ranger Slayer #1

Star Wars: Doctor Aphra #2

Wolverine #3

X-Men/Fantastic Four #4


My Pick Of The Week
X-Men/Fantastic Four #4

 

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The (Understandable) Reason Why We Won’t Be Getting A Kinberg Cut Of “Dark Phoenix”

We’re living in an interesting age of cinema right now. Between massive cinematic universes, reboots, and all-female remakes, we’re in the midst of some major upheavals to the movie industry. It didn’t start with Netflix, but it’s definitely not ending with it. I’m honestly not sure where it’s going.

However, I am fairly certain that when people look back on this era of cinema, they’ll see the release of the Snyder Cut for “Justice League” as a turning point. It’s not just about a company giving into massive fan demand or big tech companies using major franchises to push a streaming service. It’s a sign that the overall vision for movies as a whole is evolving.

The issues surrounding Justice League are well-known. There are plenty of other issues surrounding movies like it, from “I Am Legend” to “Solo: A Star Wars Movie” to “Spider-Man 3.” Those issues usually revolve around a studio, a director, and corporate executives not being on the same page.

The primary reason why the Snyder Cut is a thing is because executives at Warner Brothers opted to revamp, reshoot, and reconfigure the whole movie, completely changing the tone and plot along the way. That effort just didn’t work and it shows in the box office. If the Snyder Cut turns out to be a hit with fans and drives up subscriptions for HBO Max, the impact could go far beyond the future of DC movies.

This could open the door to other movies whose original vision was undermined. Companies are starting to realize that listening to fans can be profitable, as “Sonic the Hedgehog” showed. They’re also realizing that directors and producers need the whole of their vision realized. You can’t chop it up to the point where crucial parts of the story are left on the cutting room floor, as we saw with “Batman v. Superman: Dawn of Justice.”

I hope this will create opportunities for filmmakers and producers alike to realize their visions without having to chop it up for theaters. In an era of streaming services and binge-watching, a movie like the Snyder Cut can totally work. I’m genuinely curious about it and I plan on seeing it the first chance I get.

At the same time, I hope other movies get a similar chance, such as “Suicide Squad,” which was also subject to heavy editing. Sadly, there’s one vision that we’ll never see fully realized in an extended cut and that happens to be a movie that would’ve benefited most from more content. That movie is “Dark Phoenix.”

While I loved the movie we got in theaters, I could tell that it was a movie that had been significantly altered from its original vision. With the pending release of the Snyder Cut, a part of me hoped that we might get an extended version of “Dark Phoenix,” similar to what we got with the Rogue Cut of “Days of Future Past.”

Unfortunately, those hopes have been dashed. In an interview with IGN, Simon Kinberg himself stated outright that there was no “Kinberg Cut” to release. However, he gave a very valid reason for why that is.

IGN: X-Men Movies: Is There a ‘Kinberg Cut’ of Dark Phoenix?

“The movie they released was ultimately my vision for the film,” said Kinberg. “That vision did change over the span of making the movie. There are other scenes that we shot, just as there are a lot of other scenes in [Days of Future Past] that we shot and didn’t end up using. There were scenes we shot for that film and an ending that was quite different than the ending that was in the theatrical release. To release [a Kinberg Cut], it wouldn’t be just be like we splice those scenes back in, because those scenes were never completed because of visual effects and sound – all of the technical aspects that go into completing films of this scale. It would take a whole lot of work, but I appreciate the support.”

Kinberg also told us that many of the changes to Dark Phoenix stemmed from Fox’s decision to condense the project from a duology into a single film. There’s no easy way to create a director’s cut more in line with his original story plans without going back and actually filming that canceled sequel.

Kinberg said, “With every movie, there are things you wish you did differently. On every movie there are things you thought were great and perfect, and then you watch them and didn’t think they were as strong as you imagined and you go a different way. Dark Phoenix was a hard movie because, in its initial concept when I wrote it, it was meant to be a two-part film. And then it suddenly became a one-part movie for reasons that weren’t of my doing. Having to create around that massive change was a challenge in itself. All these movies are uniquely challenging.”

Those bold parts are my doing. They confirm what many already knew. There’s no extended cut to “Dark Phoenix” because it was originally meant to be two movies and that second movie never got made. There’s no extra movie of a “Dark Phoenix” sequel gathering dust in Fox’s vault. The cut we got in theaters was much of what got shot. Some things got edited out, but not enough to significantly change the movie.

These tidbits aren’t entirely new. Long before “Dark Phoenix” came out, it was heavily implied that it was going to be a two-part movie. That makes sense, given how it played out in the source material. The first movie would have Jean become Phoenix. The next would have her go Dark Phoenix. It could’ve been to X-Men what “Infinity War” and “Endgame” were to Avengers.

Sadly, Kinberg never got to make those movies. He was forced to condense the story he wanted to tell into a single movie. That means we probably lost some incredible moments that never made it beyond the storyboard stage. We never got to see a bigger, more dramatic journey for Jean Grey, the X-Men, and plenty of other characters who never showed up. It’s a shame, but it’s understandable.

If “Dark Phoenix” had one insurmountable obstacle, it was the pending merge between Fox and Disney. Once that deal became final, Kinberg’s window to realize his vision was greatly shortened. Granted, I think he did a great job condensing the essence of the Phoenix Saga into a single movie, but it could’ve been so much more.

It’s unfortunate, but understandable. There were forces beyond Kinberg’s control working against him and “Dark Phoenix.” Those same forces ensure that we’ll never get an extended cut because doing so would require that they shoot a second movie, as originally intended. That’s just not going to happen.

While that’s disappointing, it’s understandable. I’m perfectly happy with the cut of “Dark Phoenix” that we got, much more so than I was with the theatrical cut of “Justice League.” I genuinely hope that Marvel Studios will create a bold new vision for X-Men in the Marvel Cinematic Universe. I just hope they avoid the same mistakes that Warner Brothers made with “Justice League.”

I trust that Kevin Feige has a vision for X-Men.

I hope that vision is as awesome as it deserves to be.

In the meantime, I’m looking forward to seeing what the Snyder Cut has in store.

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New Comic Book Day February 26, 2020: My Pull List And Pick Of The Week

Everyone has their vice. Some are more destructive than others. There’s no question that crack and heroin are more damaging than a spicy foods and late 90s boy bands. Some are only destructive to your wallet. In that sense, I’m lucky my vice is comics. Say what you will about the cost of a collector’s item. It’s still cheaper than cocaine, cars, and caviar.

Wednesdays are the days I know I’ll blast a hole in my wallet. When I was in college, new comic day almost always coincided with Ramen Noodle day. I don’t doubt that dining on cheap food had an impact on my health. For a fresh stack of comics, it was worth the stomach pains.

I’m not in college any more and I don’t have to plan new comic day around cheap meals either. For that, I’m thankful. I’m also thankful that as my financial situation has improved, I’m able to better absorb the weekly splurge I often do at the comic shop and on Comixology. It makes new comic day that much more enjoyable.

In terms of vices, it’s plenty manageable. Sometimes, the message boards are a little dramatic and so is social media. It’s still a price worth paying. Some weeks cost more than others. This week is definitely one of them, but considering what I get from that money, it’s still a bargain.

With that in mind, here’s my pull list and my pick for the week. My wallet may be hurting, but I’ll manage.


My Pull List

Amazing Spider-Man #40

Avengers #31

Batgirl #44

Batman/Superman #7

Giant-Size X-Men: Jean Grey And Emma Frost #1

Mighty Morphin Power Rangers #48

New Mutants #8

Rick and Morty #59

Star #2

Wonder Woman #752

X-Men #7

X-Men/Fantastic Four #2


My Pick of the Week

When you’ve been a fan of a particular comic or franchise for years, you get a sense for which issues will be controversial. It doesn’t always involve character deaths or betrayals, although that is an all-too-common trope. In fact, those that don’t involve character deaths tend to be the most controversial because they raise difficult questions that even long-time fans struggle to answer.

That’s exactly the kind of controversy that I imagine “X-Men #7” will inspire. It’s one of those books that introduces concepts that are sure make certain fans feel uneasy, but for entirely nuanced reasons. This goes far beyond Charles Xavier lying to the X-Men or Wolverine sleeping with Squirrel Girl. Writer Jonathan Hickman is taking the X-Men into some very morally gray areas that are sure to have larger consequences down the line.

There’s a context to those actions and one that has a basis in the founding of Krakoa. It’s established in “House of X/Powers of X” that creating a powerful mutant nation isn’t enough. Mutants are still a vulnerable species. They’ve been decimated through acts of genocide and de-powered through reality warping. To realize their potential, they need to get take back what they’ve lost.

However, doing so requires a somewhat distressing recourse, to say the least. It involves a process they call Crucible. It’s nothing what it sounds like. I won’t spoil it, but the goal is simple. It gives mutants who have been de-powered a chance to regain their powers, but how they go about it raises some serious moral dilemmas.

It’s a dilemma that some veteran X-Men, namely Cyclops and Nightcrawler, have mixed feelings about. It also raises questions about Krakoa’s resurrection protocols, which they’ve both experienced at one point. They act mostly as observers because as distressing as Crucible is, it’s something that de-powered mutants freely choose and who is anyone to question their choice?

It still feels like the X-Men are crossing some lines in their effort to make mutants stronger. It also raises more concerns about the nature of Krakoa and how the X-Men are going about realizing their goals. Years from now, “X-Men #7” might be one of those comics that acts as a turning point in a larger narrative. Hickman has never shied away from bold ideas, but this might be his boldest to date.

There are many concepts he’s explored since Krakoa’s founding in “House of X/Powers of X.” Many others are hinted at in “X-Men #7,” including some innuendo with Cyclops and Wolverine I’m sure will get a certain sub-set of fans talking. The X-Men franchise is entering uncharted, morally ambiguous territory. If nothing else, “X-Men #7” makes clear that there’s no going back and that’s why I believe it’s my pick of this week.

That said, it might be a good idea to avoid comic book message boards for a while. It’s going to get heated.

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