Tag Archives: Disney/Fox

“Dark Phoenix” Is Now On Disney+ And Everyone Should Give It A Chance

Some movies just never get a fair chance to succeed. It’s sad, but unavoidable sometimes. There are just too many forces working against certain movies and too many people have already primed themselves to hate it before they ever see it.

Sometimes, those movies go onto become cult classics. It just takes time for people to rediscover the movie and appreciate it for what it achieved. That is my sincere hope for “Dark Phoenix,” a movie I’ve praised before and even done YouTube videos about. I genuinely believe that this is a movie that fans will appreciate more as time goes on.

It had so many things working against it. It just never got a fair chance because of the pending Disney/Fox merger. I feel like it got critically panned for reasons that had nothing to do with the actual quality of the movie. Fans and critics alike just decided to hate this movie because it was part of a dead cinematic universe and it wasn’t in the MCU.

That’s a bullshit reason to hate a movie and most reasonable people understand that.

Now, I believe the time is right for “Dark Phoenix” to get another shot. That’s because today, “Dark Phoenix” has officially arrived on Disney+ and anyone who never gave it a chance when it came out can truly judge for themselves.

If you have a Disney+ subscription, I highly recommend adding this movie to your queue. Forget everything you’ve heard from the critics. Forget the popular perceptions surrounding this movie. Just check it out and see for yourselves.

I believe that this movie’s worth will reveal to a new audience. I also believe the time is right because we haven’t had much news about the future of the X-Men movies in the Marvel Cinematic Universe. We know they’re coming. We just don’t know when or what form it’ll take.

Since it’ll likely be a while before we see any mutants show up in the MCU, the time is right to appreciate what the Fox movies gave us. Many of those movies are already on Disney+ and I think “Dark Phoenix” is the hidden gem the franchise needs right now.

Again, just give it a chance. You might be surprised by how much you enjoy it.

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Jack’s World: Latest MCU X-Men Rumors: Reactions, Promise, And Potential

The following is a video from my YouTube channel, Jack’s World. It covers some recent rumors that have been circulating about the future of the X-Men in the MCU. Please note that these rumors are not substantiated. There is no inside source at work here. Most of this information comes from the site, BGR. So, please take them with a grain of salt.

That disclaimer aside, I made this video as a general reaction of sorts. This is also the first time I used my new video editing software. Please let me know if you can see a difference in the overall quality. Enjoy!

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My Reaction/Theories To “WandaVision” Episode 5

I apologize for posting this several days after the fact. I know I’m late to the party with respect to reactions to Episode 5 of “WandaVision.” I don’t have a very good reason for that, other than being pre-occupied with my Super Bowl LV preparations.

In hindsight, that might have been for the best because the events of this episode were incredible. It was, without a doubt, the most impactful episode of this show to date. Both the fan reactions and the IMDB scores are proof of that.

I can safely confirm that my reactions mirrored the shock, glee, and astonishment that got this show trending the day it debuted. As excited as I was to watch the Super Bowl, I found myself more caught up in the implications of this episode.

Now, before I go any further, I want to disclose that there will be talks of spoilers for this episode. If you haven’t seen it yet, I highly recommend you do. If you’re at all a fan of Marvel and the Marvel Cinematic Universe, this is one episode you do not want to miss. It has implications that could likely impact future movies in the best possible way.

If you’re still here, then here’s a brief rundown of the events.

  • Wanda and Vision’s kids start as infants, but rapidly age to toddlers and then to pre-teens
  • Vision starts to suspect that something is amiss in their cheerful life
  • Outside Westview, SWORD is trying to make sense of the anomaly and starts sending drones inside
  • Wanda doesn’t like the intrusion and goes so far as to step out and warn SWORD not to interfere with the world she’s created
  • Vision is able to free some people from Wanda’s manipulations and confronts her about it
  • Before they can come to blows, a surprise guest arrives at the door and it’s Wanda’s dead brother, Pietro
  • However, it’s not the Pietro that died in “Avengers: Age of Ultron.” It’s the Pietro from the X-Men Fox movies, played by Evan Peters.

After four episodes of teasing, mystery, and build-up, this episode gave us the first major payoff. Now, it’s a bit clearer as to what’s going on and what’s driving this story.

We know now that it’s not some outside agent who has hijacked Wanda’s mind and powers. She’s the one doing this on her own. She’s the one who created this strange anomaly around Westview, creating her own pocket reality that mirrors that of American sitcoms throughout the decades.

That’s a critical and potentially revealing detail, one that even Vision finds distressing. In addition to finding out that she’s the source of all this, we also learn that she’s the one who took Vision’s body from SWORD and she wasn’t polite about it.

She’s clearly not in a very understanding state of mind. Visions death at the hands of Thanos did not go over well and him not coming back in “Avengers Endgame” only made it worse. At this point, she has lost too many people that she loves and she’s willing to break reality to get it back.

That moment when she steps out of the bubble and confronts SWORD makes this clear. She has what she wants in this pocket reality. She has Vision, a family, and a life in which she hasn’t lost everyone who matters to her. That’s powerful in that it shows how much she was hurt by the events leading up to this show.

However, the biggest moment, by far, came at the end with the arrival of Quicksilver. However, the fact that the Quicksilver we saw was not the Quicksilver played by Aaron Taylor-Johnson in “Avengers: Age of Ultron” was the most jarring. It also has the greatest implications.

This is the part where I’m going to start exploring some fan theories, some of which others have already developed. I think after this episode, we have enough details to make some less-than-wild speculations about where this is leading.

We know from the previous episode that Vision was indeed killed. It’s very possible that he’s only alive because Wanda is animating him. We also find out that as powerful as Wanda is, she has limits. She couldn’t make baby Tommy and Billy stop crying. She also couldn’t bring their dog, Sparky, back to life.

This would imply that, even if she wanted to bring the Aaron Taylor-Johnson Quicksilver back, she couldn’t. It seems that if someone dies in her universe, then they stay dead. She cannot bring them back. However, this may not apply to version of her brother from other universes.

We already know from “Dr. Strange” that the multiverse is a thing. Wanda may also be aware of this on some level, even if she didn’t consciously reach into another universe to find another version of her brother. The fact she found the same version we saw in “X-Men: Days of Futures Past” could be another telling hint.

However, I don’t think that means that the MCU is about to do a direct crossover with the Fox era X-Men movies. I think trying to incorporate that messy continuity into the MCU will be too cumbersome, even for someone like Kevin Feige.

I suspect that we’re getting this particular version of Quicksilver because he, and other mutants like him, have been in a pocket universe of their own. It’s why we haven’t seen any mutants show up in the MCU, at least with respect to the story. I understand the movie rights were the logistical reason for that.

The fact that Wanda created a pocket reality of her own means that someone or something taught her. I don’t know who it could be. Perhaps, it involves someone like Agatha Harkness, a witch from the comics who helped Wanda master her powers. Maybe it involves someone far more powerful, like Mephisto.

Whatever the source, I think pocket realities are going to be what plays into the events of “Dr. Strange and the Multiverse of Madness.” They’ll be akin to the disruptions or wrinkles in the larger fabric of reality, which was already disrupted by the events of “Avengers Endgame.” That domain could be where mutants reside.

Now, I could be dead wrong about that. In fact, I’m not entirely confident in that theory being true. However, there’s one other theory that I think is a bit more plausible. It’s not so much a theory as it is an observation of trends.

Wanda is becoming a villain and she will likely play the part of the MCU’s main villain in Phase 4.

I think, thematically, this makes sense. After Thanos, the MCU needs a new villain to warrant a massive assembly of the Avengers. We’ve already seen this big, menacing villains who look, act, and sound evil. We got Ronan, Thanos, Dormammu, and Ultron. I think the MCU needs a change of pace after that.

Wanda would act as an entirely different kind of villain. This isn’t someone who is just an outright villain from the get-go. She’s a friend. She’s an Avenger. She’s someone who has lost nearly everyone she has ever cared about. If ever there was a hero you could understand breaking bad, it’s her. That’ll make fighting against her that much harder.

The moment in this episode when she confronted SWORD made it clear. She can bend reality to her whim and she’s willing to use it to get what she wants. That’ll make her both dangerous and volatile. She may end up being the main villain of “Dr. Strange and the Multiverse of Madness.”

If that’s the case, then Phase 4 of the MCU is going to be very chaotic indeed.

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“Deadpool 3” Is Official! What Now?

It’s official.

Marvel Studios, the alpha and omega of superhero movies, is going to produce “Deadpool 3” and it will be R-Rated, just like its predecessors. I think I speak for all fans who saw the first two Deadpool movies multiple times when I say we’re both excited and relieved.

That said, this wasn’t exactly a long shot. Marvel Studios making “Deadpool 3” was very likely to begin with. The first two movies made a combined $1.5 billion on a total budget of $268 million. That’s a damn good return on investment and after 2020, Disney needs that badly. That may mean doing some R-Rated things that Disney isn’t used to, but when they’re badly in need of cash, they won’t dare change the winning formula.

Even if it was inevitable, it’s still always comforting to get confirmation. We can finally stop speculating. Marvel Studios’ big boss, Kevin Feige, confirmed it with his own words.

IGN: Deadpool 3 Will Be an R-Rated MCU Movie, Says Kevin Feige

Marvel Studios president Kevin Feige has said that the next Deadpool movie will be R-rated, and be part of the MCU – with Ryan Reynolds working on a script right now.Speaking to Collider during a WandaVision press event, Feige went into a little more detail about the project:

“It will be rated R and we are working on a script right now, and Ryan [Reynolds is] overseeing a script right now… It will not be [filming] this year. Ryan is a very busy, very successful actor. We’ve got a number of things we’ve already announced that we now have to make, but it’s exciting for it to have begun. Again, a very different type of character in the MCU, and Ryan is a force of nature, which is just awesome to see him bring that character to life.”

This is all great news for me. I love every word of this. I’m already very excited to see the X-Men join the Marvel Cinematic Universe at some point. The prospect of seeing Deadpool in the same world that Kevin Feige so masterfully created over the course of a decade is just too awesome for words.

Rest assured, I’ll be first in line to see “Deadpool 3” in its R-Rated glory. I sincerely hope it includes plenty of quirky references about the MCU, other Marvel characters, and the kind of crude humor that makes Deadpool and actor Ryan Reynolds so inherently lovable.

As excited as I am, I do have some burning questions that I’d like to put out there. I imagine my fellow Deadpool fans are asking these questions as well. Most of them boil down to this.

What does an R-Rated Deadpool movie produced by Disney even look like?

It’s not an unreasonable question. Let’s not forget that the first two Deadpool movies contained content that never would’ve been authorized by Disney.

There were multiple F-Bombs and plenty of poop jokes.

There was gratuitous, blood-soaked violence that involved guns, katanas, and even a Zamboni.

There were multiple scenes that involved raucous sex, including one that involved Ryan Reynolds getting fucked with a strap-on.

This is all par for the course with Deadpool. What we saw in the movies is not that different from what regularly happens in the comics. This is stuff that does not at all jive with Disney’s family friendly, princess loving image. The Marvel movies in the MCU are great, but they have strict PG-13 lines that they’ve never dared cross.

So, how are they going to make that work? That’s not a rhetorical question. Seriously, how are they going to pull it off?

This is what Ryan Reynolds had to say.

Oh Mr. Reynolds, don’t ever change.

It’s adorable, but it still leaves the question unanswered. We probably won’t know for sure until more details come out, which could take years. In the meantime, I’ll continue to wait and agonize over this issue. If nothing else, I take comfort in the knowledge that Disney badly needs another billion-dollar blockbuster and if that means dropping some F-Bombs, I think they’re willing to pay that price.

Deadpool is worth it.

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Five Reasons Why Marvel SHOULD Make An Avengers vs. X-Men Movie

avengers_vs._x-men_event

What can be said about the Marvel Cinematic Universe that hasn’t already been said, affirmed, or celebrated? I know I’ve said plenty about it, both in glowing terms and with real concern. Being a fan of superhero comics and the superhero genre, in general, I don’t think I can add much more to the near-cosmic status of this cinematic achievement.

The support of the fans and the billions made at the box office speaks for itself. Say what you will about Disney’s desire to exploit fandoms out of their money. They know how to give the people what they want. Between the recent success of “Captain Marvel” and the insane expectations surrounding “Avengers Endgame,” it’s hard to imagine this decade-spanning franchise ascending to greater heights.

I believe it will, though. I also believe that part of that ascension will involve pitting the Avengers against the X-Men in a clash that is sure to rock the foundations of the MCU. I know that’s somewhat of a reversal of my previous opinions, but recent events have led me to reconsider my position on the Avengers fighting the X-Men.

This isn’t just me, a passionate fan, speculating on what I think will happen once “Avengers Endgame” and the Disney/Fox merger is final. We already know that the X-Men and Fantastic Four are scheduled to arrive in the MCU at some point. It’s the impact they’ll have that’ll set the tone for the future of the MCU and there are already rumors about that impact swirling.

Now, all internet rumors should be taken with the smallest grains of salt, but according to We Got This Covered, a site with a mixed reputation at best, the top brass at Marvel Studios are already plotting a future Avengers vs. X-Men movie. If true, in whole or in part, it would be a bold move, even by the lofty standards of Marvel and their Disney overlords.

It would definitely be a gamble, that’s for sure. That’s because the Avengers and X-Men have clashed in the comics before. There was even a major crossover event entitled “Avengers vs. X-Men” back in 2012. While I won’t get into the specifics surrounding that event, I will go on record as saying that it’s not one of those iconic Marvel stories that fans hold dear.

In fact, “Avengers vs. X-Men” is probably the most controversial and divisive story Marvel has told in the past 15 years. It’s not just because it pitted two iconic superhero teams against one another for reasons that weren’t properly fleshed out. It marked the point where heroes fighting other heroes officially got old.

It doesn’t help that the MCU already had a major clash like that with “Captain America: Civil War.” It helps even less that “Batman v. Superman: Dawn of Justice” burned fans out even more on the topic. However, by the time Marvel and Disney get around to making an Avengers vs. X-Men movie, I believe the time will be right to tell this story.

Right now, the MCU is in a bit of a transition. “Avengers Endgame” is set to conclude the story that began with “Iron Man” back in 2008. The arrival of the X-Men and the Fantastic Four in the MCU hasn’t even begun yet and the powerful voices at Marvel Studios have already indicated that they’ll be starting from scratch.

Whatever form their arrival takes, it’s sure to take the MCU in new directions. However, I believe an Avengers vs. X-Men movie would unite the new aspects of the franchise with the old. It would act as a catalyst, of sorts, to connect the stories of the present to those in the past. If done right, it could carry the MCU to heights that Thanos himself couldn’t have achieved.

While I am not a fan of how the conflict played out in the comics, I believe the likes of Kevin Feige and Laura Shuler Donner could craft a superhero battle for the ages that will leave fans like me excited for another decade. What follows are my top five reasons why I believe Marvel and Disney should pursue Avengers vs. X-Men movie.

I concede there are many who don’t share my sentiments. I welcome any comments arguing to the contrary. For now, though, this is why I believe such a movie would fit perfectly into the cinematic marvel that is the MCU.


Reason #1: It Would Highlight (And Confront) The Discrepancies On How The World Approaches Superpowers

As soon as the X-Men arrive in the MCU, they’ll be faced with a frustrating double standard. Spider-Man has superpowers that he uses to swing around New York City, fight bad guys, and save the day. In general, he’s celebrated as a hero, along with most of the Avengers. The X-Men use their superpowers to do the same, but are labeled dangerous threats. What gives?

There are a lot of political and logistical reasons for this. Unlike other heroes, the X-Men are mutants. They were born with their powers. They’re part of an emerging sub-species that may or may not render homo sapiens extinct. That scares ordinary people more than some kid who just got superpowers in a random accident. How does society and established superhero teams deal with that?

It’s a relevant question and one the Inhumans failed miserably at addressing. Part of what made “Captain America: Civil War” such a compelling movie was that it didn’t avoid the complexities of this issue, acknowledging how difficult it is to hold people with superpowers accountable. That conflict was never fully resolved. In an Avengers vs. X-Men movie, the stakes would be even higher.

Unlike “Captain America: Civil War,” however, neither side can leave the conflict unresolved. Mutants will still emerge. People will superpowers will continue to exist. It puts iconic heroes in difficult positions that they can’t punch, stab, or smash their way out of and that often brings out the best and worst in these iconic characters.


Reason #2: It Would Raise The Stakes Surrounding Mutants In The MCU

In many ways, a clash with the Avengers would be the best way to show just how big an impact they’ve had on the MCU. Once the Avengers take notice, there’s no ignoring it anymore. Neither mutants nor the X-men would be able to operate in their own little niche of the MCU. They would have to play a larger part in a world that has already incurred a lot of damage from super-powered beings.

This sort of step is necessary in the overall narrative surrounding mutants in the MCU. It would be their coming out party, so to speak. It would show how far they’ve come and how much farther they have to go in terms of gaining legitimacy in the MCU. The X-Men, especially, have a lot to gain and a lot more to lose.

Unlike the Avengers, they can’t fall back on their reputation of having saved the world from Ultron or a Chitari invasion. They’ll be this upstart superhero team fighting to protect a group of vulnerable minorities who may or may not present a clear danger to those around them. It’ll be their chance to show that they belong on the same stage as the Avengers and the MCU will be better because of it.


Reason #3: It Would Intensify Rivalries And Ruin Friendships

There are plenty of rivalries in the comics that haven’t yet made their way into the MCU. Some are more prominent than others. The recent arrival of Captain Marvel lays the foundation for an especially big rivalry between her and Rogue, which would certainly add more personal stakes to an Avengers vs. X-men movie.

Beyond rivalries, the comics are full of friendships and connections that run quite deep. Wolverine had close personal ties to both Captain America and Black Widow in the comics. Storm has an extensive, albeit flawed, relationship with Black Panther. A number of X-Men have even been Avengers at some point.

Any clash between the Avengers and X-Men is sure to complicate every friendship and rivalry the two teams may have. Some of those connections will take time to develop. It’s very likely that the next phase of the MCU will probably focus on that in addition to integrating mutants into the MCU. An Avengers vs. X-men movie could simply act as a boiling point where it all comes to a head.


Reason #4: It Would Complicate What It Means To Be A Superhero (In A Good Way)

To some extent, the Avengers were lucky that Marvel Studios couldn’t use the X-Men in the early days of the MCU. In a world without mutants, being a superhero was less complicated. They just needed to use their powers and abilities in a heroic way. Then, they had to assemble and show that they could win wars against invading aliens.

The presence of an entire race of super-powered people, many of which are not inclined to be superheroes, adds a huge complication to the path towards heroism. The fact that mutants have powers presents them and non-mutant heroes with a conundrum.

Are mutants who don’t use their powers to be heroes irresponsible?

Are mutants who choose to use their powers for heroics on the same level as those who got their powers through another means?

These questions don’t have clear-cut answers. In a world where superpowers exist, mutants are a huge complication and the X-Men are on the front lines of it all. They try to inspire other mutants to do what they do while protecting those who choose a different path. They do so knowing that it only takes one mutant using their powers irresponsibility to do a lot of damage.

In an Avengers vs. X-Men movie, the very merits of being a superhero will suddenly be up for debate. That debate won’t likely be resolved with civil conversation and intelligent discourse. Whenever someone like Wolverine and the Hulk are involved, it’s a given there’s bound to be plenty of stabbing and smashing.


Reason #5: It Would Create New Opportunities For Better Villains (With Better Motivations)

Every clash between superheroes comes with a cost. “Captain America: Civil War” effectively divided the superhero community, which made them ill-prepared when Thanos arrived in “Avengers: Infinity War.” The comics followed a similar theme. After the original Civil War event, the entire world became vulnerable to a Skrull invasion.

A battle between the Avengers and X-Men will create a new host of vulnerabilities. For villains, it’s a golden opportunity to establish themselves in a world that is suddenly crowded with superheroes. While Thanos, Loki, and Killmonger all raised the bar for villainy, they couldn’t have emerged without the right opportunity.

With mutants, there aren’t just new opportunities. There are entirely new dynamics at work. It’s no longer a world in which superpowers are just complicated accidents. They can happen in individuals simply by being born. Within those dynamics, new kinds of villains with entirely new motivations can emerge.

Good villains are every bit as critical as good heroes, more so today than in previous eras. If the MCU is to continue to dominate, it needs to nurture the development of those villains while also creating vulnerabilities for them to exploit among heroes. An Avengers vs. X-Men movie would accomplish both.


There are probably other reasons I could list as to why I feel Marvel Studios should make this movie. There are probably plenty of other reasons why they shouldn’t. With the future of the MCU once again set to change after “Avengers Endgame,” the possibilities are vast. With the inclusion of the X-Men, and all the complications that come with them, it’s poised to evolve in bold new ways.

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Filed under Comic Books, Jack Fisher, Superheroes, Deadpool, Marvel, movies, superhero comics, superhero movies, X-men

Bringing The X-men Into The MCU: What To Do And What To Avoid

x-men-joining-the-mcu

These are exciting times for fans of Marvel and superhero movies. We thought we had reached a high point in 2012 when “The Avengers” came out. Then, we reached an even higher point this year with “Avengers: Infinity War.” Between raising the bar for superhero movies as a whole and generating billions at the box office, it seems impossible that Marvel could ascend any higher.

Well, Marvel Studios treat the impossible the same way the Hulk treats puny gods. They made Ant Man a successful movie franchise. They turned an obscure comic book featuring a talking raccoon into a multi-billion dollar phenomenon. At this point, doing the impossible is just another day at the office for Marvel and their Disney overlords.

In wake of the recent Disney/Fox merger, Kevin Feige and the brain trust at Marvel Studios will have even more tools with which to raise the bar. Even if they’re just running up the score at this point compared to the competition, there’s still plenty of room to grow now that they’ve got the entire mythos of the X-men and the Fantastic Four to work with.

This is already set to happen. Bob Iger himself has already indicated that there are plans to integrate the X-men and Fantastic Four into the MCU. How Marvel Studios will go about this is anyone’s guess and plenty of people have been sharing their guesses. I’ve tried to resist the temptation, but being a lifelong X-men fan and a lover of superhero movies in general, my restraint only goes so far.

However, I don’t want to wildly speculate or push an elaborate fan theory. Again, more than a few people have already done that. Instead, I’d like to do something a bit more generalized. Similar to my other articles on how not to screw up certain movies, I want to provide a guide of sorts.

At the very least, let’s avoid this.

I’m not going to get into specifics. Kevin Feige and a host of other people way smarter than me or anyone else on the internet are perfectly capable of handling those. Being a devout X-men fan, though, I feel like I can offer some basic pointers on what to do and what to avoid in bringing mutants into the MCU.

I think the X-men need that more than the Fantastic Four, at this point. Unlike Marvel’s First Family, the X-men entering the MCU will have far greater implications and not just because the last “Fantastic Four” movie almost killed the franchise. Mutants showing up in the MCU changes everything from what defines a superhero to how the physics of that universe operate.

At the same time, the X-men embody a particular theme, one that was relevant in 1963 when they first appeared, but has become relevant in entirely new ways in the 21st century. The last 18 years of X-men movies have tried to capture those themes, some being more successful than others. For the X-men to work in the MCU, it needs to capture those themes and get the characters right after Hugh Jackman set such a high bar.

Yes, it’s a daunting challenge, but one that Marvel Studios and their Disney overlords are more than equipped to handle. To achieve that success, and all the billions that come with it, here’s what I think they should pursue and what I think they should avoid.


Do: Tie The Events Of “Avengers: Infinity War” To Mutants (But Only Indirectly)

This is already part of the wild speculation surrounding “Avengers: Infinity War.” It would make sense to some degree, having Thanos’ universe-shaking actions lead directly to the creation and introduction of mutants in the MCU. However, I think having a direct link might undercut both the X-men and ultimate resolution of “Avengers 4.”

That’s why it would work better for both franchises if the link was indirect, at most. Part of the appeal of the MCU is that there are connections everywhere, but most of those connections are fairly loose. Sure, Dr. Strange will get a mention in “Captain America: The Winter Soldier,” but the movie doesn’t center around setting up another franchise.

Ideally, the X-men would follow the same approach. Perhaps Nick Fury mentions some strange genetic anomalies popping up. Perhaps Bruce Banner or Black Widow mentions rumors of other living weapons, which could be a reference for Weapon X. Let those small hints establish that mutants exist, but save the particulars for an actual X-men movie.


Avoid: Having Mutants Appear Without Explaining Their Absence

This is probably the most daunting challenge for Marvel Studios to date, explaining how mutants exist in the MCU and why they’ve been absent thus far. Most people with an internet connection know why the MCU could never mention the X-men. Their movie rights were owned by another studio.

Just because Disney owns Fox now doesn’t mean that mutants can just suddenly appear. It’s not like magic in “Dr. Strange” or the Asgardians in “Thor.” These forces could operate under the radar, independently, and on a small scale. Mutants, by their very nature, cannot act like that.

The most defining theme of mutants, as they exist in Marvel, is that they’re random. They manifest all over the world in every major human population, regardless of geography, culture, language, or ethnicity. That’s not something that can just be ignored while aliens invade New York or killer robots invade Sokovia.

At the very least, an X-men movie in the MCU needs to establish a valid reason for why they’ve been absent. Moreover, it can’t just be the result of experiments or mad science, which was done in Marvel’s now-defunct Ultimate line comics and is way too similar to the Inhumans, whose TV show failed miserably.

Luckily for Marvel and Disney, there’s already an established way to do this and it came from an underrated cartoon called “X-men Evolution.” In that world, mutants are there, but their existence is kept secret by Charles Xavier. The events of “The Avengers” could give them even more reasons for keeping that secret and the whole movie could be built around mutants finally coming out.

Considering how mutants have often been used to symbolize the struggle of minorities, I think that’s both appropriate and compelling.


Do: Make The First Team Of X-men Young And Idealistic

The early X-men movies were a lot of things. Upbeat wasn’t one of them. The original “X-men” trilogy was very serious, full of brooding and tension, even among the younger characters. That worked for the early 2000s when superhero movies needed to get serious after the “Batman and Robin” fiasco. It won’t work in this current era.

The original X-men were teenagers when they first donned their costumes. They weren’t hardened soldiers like Captain America. They were lovably idealistic in pursuing Charles Xavier’s dream, believing they could be the ones that change the world. Unlike most teenagers armed only with a cell phone and no adult baggage, they have the powers to actually achieve it.

The heroes in “The Avengers” already provided plenty of jaded adult perspectives. The X-men can offer the youthful, idealistic perspective that’s so endearing, but so easy to undermine. That’s how the X-men started in the comics and that’s how they’ll thrive in the MCU.


Avoid: Making Wolverine The Center Of Everything

This is a caveat that’s just as relevant today as it was in the early 2000s when the “X-men” movies first came out. Now, I love Wolverine as much as the next X-men fan, but he is not the center of the X-men’s world. As lovable as Hugh Jackman is, the world of X-men cannot and should not be defined by all things Wolverine.

I would even go so far as to keep Wolverine out of the first X-men movie that takes place in the MCU. Establish the team before bringing him into the picture because it’s inevitable that he’ll command a lot of energy. If anything, Wolverine should get his own solo movie before he meets the X-men. Having held down three movies, it wouldn’t be that much of a stretch.

Wolverine is a great character, but he can’t be the main driving force of the X-men again. He already was with the original “X-men” movies and the MCU doesn’t need to follow that path again. Let Wolverine thrive on his own. Let the X-men thrive on their own. If they can complement one another along the way, then everybody wins.


Do: Highlight What Makes Mutants Different From Other Super-powered Beings

This is something that even the comics don’t do particularly well. Within that world, mutants exist alongside all types of heroes, from gamma-powered hulks to inter-dimensional refugees to Superman rip-offs. However, mutants are still hated and feared for being different.

The reasons for that are many, but poorly fleshed out. Unlike the Inhumans or unlucky teenagers who get bit by a spider, mutants are random. They’re born with their powers and they can’t avoid them. Being a mutant is like being a particular race. You can’t change what you are. That’s exactly what makes mutants both different and disconcerting for the public.

We already saw in “Captain America: Civil War” that the governments of the world are quite anxious about controlling super-powered beings. Add mutants to the mix and the potential for conflict is even greater. The foundation is there. The X-men just have to build on it.


Avoid: Making The Hatred And Mistrust Of Mutants Seem Contrived

This plays directly into my last point, but there’s a reason it’s worth highlighting. Like the comics, the MCU already has plenty of super-powered, super-capable beings that governments and average people rightly fear. There are legitimate reasons for that fear. Most people wouldn’t trust Elon Musk with a suit of armor. Why should they trust Tony Stark?

Fear and hatred of mutants is the primary driving force of conflict in the X-men. It’s also the primary motivator for characters like Magneto. That fear and hatred has to be different than the other logistical concerns that played out in “Captain America: Civil War.”

Dealing with mutants can’t just be about holding them accountable through some international treaty. Mutants are a lot more chaotic because they’re random and not every mutant seeks to be a superhero, which is part of why Charles Xavier formed a school in the first place.

The measures in the MCU, as well as the logic behind them, need to be different. At a time when people being detained is a hot-button issue, the X-men have could be extra relevant.


Do: Establish Minor, But Relevant Links To Other MCU Characters

A big part of the appeal in the MCU is how everything seems connected. Captain America has links to Tony Stark’s father, Howard. Spider-Man has a close link to Iron Man, as well. “Thor: Ragnarok” established some ties with Dr. Strange. “Guardians of the Galaxy” created ties with Thanos that later played out in “Avengers: Infinity War.”

These kinds of links help make the MCU the box office powerhouse that it is and those links should continue in X-men. Again, the foundation is there. Carol Danvers, who is set to appear in “Captain Marvel,” already has close ties to the X-men in the comics. Wolverine even had close ties to Captain America during World War II.  Storm also has a documented, but flawed history with Black Panther.

How these links emerge depends heavily on how Marvel Studios decides to bring the X-men into the MCU. If they shake up reality or tweak the timelines, then there will be opportunities to establish these links. If they opt for something less messy, then they can just as easily focus on setting new links for future movies. Either way works, provided it’s done right.


Avoid: Creating Unnecessary Rivalries Or Conflicts

This is something that could very well happen if those connections I mentioned earlier aren’t done particularly well. I know it will be tempting for Marvel Studios to pursue a big “Avengers vs. X-men” event like the one that played out in the comics. Personally, I think that would be a mistake and not just because “Captain America: Civil War” already played that idea out.

Superheroes fighting other superheroes can be compelling, but it’s easy to overdo. It also has a nasty tendency to bring out the worst in all the characters involved. That has happened more than once in the comics, especially recently. Whenever heroes fight each other, nobody really comes off as heroes and that’s not a healthy way to develop quality characters. It just makes them seem petty.

The X-men already have a lengthy list of quality villains beyond Magneto. The original trilogy did a poor job of utilizing them. The MCU has already dealt with a significant villain problems in the past, but has since raised the bar with characters like Thanos and Erik Killmonger. Before the X-men start butting heads with the Avengers, let them clash with the likes of Sinister and Mastermold first.


Do: Let Ryan Reynolds Continue Being Deadpool

Does this really need an explanation? Deadpool is awesome. Ryan Reynolds is lovable, talented, and charismatic. It’s not broke so don’t try to fix it. Just let Deadpool be Deadpool and let the money roll in.

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Filed under Comic Books, Jack Fisher, Superheroes, Deadpool, superhero movies, X-men

The (Distant) Future Of Marvel, Disney, And Entertainment

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I like to talk about the future. I don’t claim to have any special insight, but I suspect I give it more thought than most. I also believe I tend to think farther into the future than most. Whether it’s contemplating the future of how we’ll organize our society or how our sex lives will evolve, I try to contemplate possibilities beyond the next iPhone upgrade.

One aspect of the distant future that concerns me has to do with boredom, namely how it may become a much larger problem and how we’ll go about alleviating it. I’ve done plenty to argue that boredom can be a dangerous force, from creating immortal super-villains to subverting the very concept of Hell. If our future is to be stable, prosperous, and fun, we’ll need some form of entertainment.

With that critical goal in mind, I’d like to speculate on a potential brand of future entertainment that ties directly with the industry that we know today. Specifically, I’d like to imagine how big entertainment companies like Disney will continue to function in world where advanced artificial intelligence, brain implants, and near-universal access to the internet is a thing.

I feel the time is right to think about such things because just last week, Disney radically altered the entertainment industry by purchasing Fox. Beyond just getting the X-men and Fantastic Four rights back for Marvel, Disney bought a massive library of intellectual property that is potentially worth billions. Being a successful business with shareholders, and all, they’re going to want to make billions more.

How exactly are they going to go about that, though? That’s a question worth asking because the answer for the near future is probably not going to work for the distant future. Sure, Disney will probably rake in plenty of profits at the box office, just as they’ve done with Pixar, Marvel, and Star Wars. However, the movie and toy industry can only go so far.

While box office revenue is up, actual ticket sales are way down. More people are opting to stream their content directly, bypassing pay TV and theaters entirely. The same is true for print media, including comic books. Even toy sales are in decline. This is not good for a company like Disney, which has built its empire on media and merchandise.

That’s not to say things are dire. Disney has been around for almost 100 years. In that time, it has adapted through plenty of upheavals. If it’s going to survive another 100 years, though, it’ll have to adapt to a radically different landscape. Buying Fox is likely part of that process. Disney has already made clear that it plans to start a streaming service to compete with Netflix and Amazon.

That’s a good start, but a streaming service is probably not going to be enough, especially in a future where people live longer, work less, and can share more than just text messages with one another. If Disney wants to continue being at the forefront of entertainment, it’ll have to innovate in ways that leverage future technology in new ways.

After the purchase of Fox, though, Disney may actually be in the best possible position compared to every other entertainment company that exists today. That’s because, unlike its competitors, it has a wealth of intellectual property that it owns outright. From Micky Mouse to Marvel heroes, the library of Disney-owned characters is truly staggering.

In the past, this gave Disney the ability to make or license movies, toys, and games for billions. In the future, those mediums won’t be nearly as profitable, but not because those things will fall out of style. I believe that for Disney to make more billions, it’ll utilize its intellectual property in a very different way, one that will likely require an entirely new approach to entertainment.

Think, for a moment, about the current experience you get from a movie theater, a TV show, or even a life show. You sit in a seat and you just watch. You take in the sights and sounds. If done right, it creates a spectacle that you enjoy. However, the fact that the spectacle only utilizes major senses is somewhat limiting.

What if, instead, you weren’t just an audience member sitting in a seat? What if it actually felt like you were there? What if you felt like you were standing next to Captain America as he battled the Red Skull? What if you felt like you were there when Micky Mouse, Donald Duck, and Goofy all broke out into a joyous musical number?

I’m not just talking about better animation or virtual reality. I’m talking about a form of entertainment that makes your brain actually feel as though you’re experiencing something. It’s not quite like the holodeck on “Star Trek.” It’s more like plugging into “The Matrix,” but for reasons other than learning Kung Fu or having existential breakdowns.

Unlike “The Matrix,” though, you wouldn’t be the catalyst for the story. That’s something Disney would take care of, providing only the world and the vast array of sensations that come with it. Instead of paying for a movie ticket, you pay for an experience that lets you interact or feel part of a story involving Iron Man, Micky, or Buzz Lightyear.

That will likely be the most valuable resource of future entertainment, powerful experiences that give customers the rush and fulfillment of being there. Instead of going to a theater or theme park, they would just plug something into their brains, possibly through an implant like the ones Elon Musk is developing with Neuralink. From there, the experience will be directly streamed right into their brain.

It may sound invasive, but we already share so much of ourselves online, from what we had for lunch to the most intimate aspects of our personal lives. We’re already in the early stages of merging our technology. We already see our smartphones as integral parts of our lives. Why wouldn’t we do the same for brain implants?

Unlike a smartphone, a machine/brain interface can’t be dropped into the toilet or left behind by accident. That same interface won’t just augment the ability of our brains to access the entire wealth of human knowledge. They’ll allow us to directly stimulate the areas that forge our entire perception of the world around us.

This has huge implications, some more profound than others. For companies like Disney, though, that link will be critical with respect to maintaining its place as a dominant entertainment company. People already pay for powerful experience, be they movies, video games, or a full-body massage at a spa. Disney could simply cut out the middle-men while leveraging its vast library of intellectual property.

Sure, in the future, you could probably pay for fancy experiences like those offered in “Total Recall.” However, if you want an experience that allows you to be a Jedi, an Avenger, or a singing animal, you’ll have to go through Disney and they’ll be happy to sell you that experience for a price.

Every week, you’ll be able to select from a range of intense experiences the same way you navigate your Netflix queue. For some, you don’t need to leave your bed. You just plug a device into your brain and let it go from there. For others, maybe you travel to special venues that function like the holodecks in “Star Trek.” There, you could share the experience with others, making it a communal experience.

Disney would still likely need content-creators to craft those experiences. That means people like George Lucas and Kevin Feige will still have a job in this future. The particulars of those jobs would be very different, but the goal would be the same. They would create experiences and stories that people are willing to pay for.

As unpredictable as the future is, it’s still safe to assume that people are going to want entertainment. Wherever there’s a want, there will be a business willing to provide it. There will be competition. There will be billions, if not trillions, to be made in profits. Not every company around today will survive that competition. Disney, however, is already in the best possible position to thrive.

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Filed under Artificial Intelligence, futurism, media issues, movies, Sexy Future, War on Boredom