Tag Archives: Marvel

Jack Fisher’s Weekly Comic Quick Pick: Ms. Marvel #38

Fridays may be everyone else’s favorite non-weekend day of the week, but ask most comic book fans and they’ll say Wednesday holds a special place in their hearts. It’s that magical day when a new batch of comics enters the world and our souls are nourished by their awesome. I don’t care what kind of a week I’m having. When new comics come out on Wednesday, I find a reason to smile.

This week, with Valentine’s Day coming up and me being single, I needed more reasons than usual. Thankfully, this week brought us Ms. Marvel #38 and I’m already feeling the love. It also happens to be the five-year anniversary since her landmark debut. Given all the awards and accolades she received in that time, this definitely qualifies as a milestone worth celebrating.

I’ve gone out of my way to praise Kamala Khan before, citing her as a prime example of how to do female superheroes right in this crazy era. She’s young, lovable, determined, and idealistic. She’s also relatable, dealing with the same problems that most stressed out teenagers from Jersey City often deal with. If the past five years of comics haven’t convinced you of that, then Ms. Marvel #38 should help make that point.

This milestone issue is a one-shot, self-contained story that starts off with Kamala being in a miserable mood. Then, after a brief, but colorful adventure with her friends, she remembers that being pissed off all day is a waste of a perfectly good day. It’s simple. Writer G. Willow Wilson doesn’t try to reinvent Kamala here. She just affirms why she has come as far as she has in five years.

A big part of that process involves highlighting the parts of Kamala’s life that don’t involve costumed villains, superpowers, and dealing with Deadpool’s dirty jokes. Wilson takes the time to show Kamala dealing with parents, siblings, and just getting to school on a day when she feels like crap. It may seem mundane, but Wilson uses it to humanize Kamala at every turn.

In the same tradition of Peter Parker’s Spider-Man, Kamala Khan’s Ms. Marvel is a teenage girl first and a superhero on the side. She doesn’t have the luxury of mixing her personal life with that of her superhero life. Both affect the other and rarely in a good way. She wants to be a superhero, but she doesn’t want to stop being Kamala Khan. That’s not just a challenge. It’s overwhelming.

The stress really gets to her in this Ms. Marvel #38. Even without some major villain attacking, she’s doubting herself and her ability to manage everything. Then, she finds herself plucked into a strange new dimension where the most cheesy tropes of old RPG games come to life. If it sounds random, that’s because it is, but that’s exactly why it works.

Like a double shot of espresso and a slap upside the head, Kamala has to stop moping and be Ms. Marvel. At the same time, she has to help her friends who get sucked into this world as well. Nakia, Zoe, and Bruno do not have superpowers. However, they still end up helping Kamala every bit as much as her powers.

It’s one of the most common, but powerful themes of Ms. Marvel comics. Whereas supporting characters often end up being complications and liabilities for many heroes, Kamala’s supporting cast often supplement her heroics rather than hinder them. Sure, they still have to be rescued every now and then, but it never feels like anyone is a damsel.

There’s also more to this little dive into the world of overdone video game themes than just giving Kamala an adventure to go on. In between the colorful visuals that artist Nico Leon provides every step of the way, there are a few powerful moments in which Kamala and her friends realize how much they’ve grown and how much they haven’t.

It’s a fitting testament to how far Kamala Khan has come in the past five years. On some levels, she’s the same insecure girl she was before she got her powers. On others, she’s grown a lot since then. Having watched her grow since her debut issue, I found Ms. Marvel #38 to be a satisfying testament to the kind of hero she has become.

For that reason and plenty others, Ms. Marvel #38 is an easy choice for my weekly quick pick. Even if you haven’t been following Kamala Khan’s story too closely at this point, this wonderfully-crafted, self-contained story will help reveal why she has become such a big deal in comics in the past five years. Hopefully, the next five years are just as enjoyable, especially if she ever finds her way into the MCU.

Beyond being a teenager, a girl, and a fan of superheroes and video games, Kamala Khan’s journey is one that’s easy to follow and even easier to root for. She starts off having a bad day and you can’t help but want to see her turn it around. We’ve all had bad days. Some are so bad that even superpowers can’t cheer us up. However, Ms. Marvel finds a way because she’s just that special.

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Jack Fisher’s Weekly Quick Pick Comic: Uncanny X-Men #11

Every week, a fresh crop of new comics comes out and the world is a little bit more awesome because of it. As a lifelong fan of comics, superheroes, and many other things that the Bill Maher’s of the world despise, I take it upon myself to single out one comic from that week that makes this most special of days for superhero fans that much more memorable.

This week was a busy week with big events brewing with DC’s Heroes In Crisis story and Marvel’s ongoing Age of X-Man event. Being a lifelong X-men fan, I know I’m somewhat bias towards the X-men side of things. This week, however, I didn’t need that bias to single out Uncanny X-Men #11 as my top pick of the week.

It’s not just because this book comes on the heels of Cyclops’ latest return from the dead, which occurred in Uncanny X-Men Annual #1 a couple weeks ago. It’s not just because he’s returning to a world where most of the X-Men have disappeared and been presumed dead after their battle with Nate Grey in Uncanny X-Men #10, either. What makes this comic my top pick is something far greater.

In every superhero comic, you learn the most about a character when they’re at their worst. It’s easy for any hero to shine when things are going well. When the world loves them, when super-villains despise them, and when they’re not stuck on the wrong end of a love triangle, it’s easy to seem heroic. It’s when everything is terrible and their world is on the brink that you learn who they truly are.

Uncanny X-Men #11 lets everyone know who Scott “Cyclops” Summers is. In this story, he has no X-men to lead. He has no beautiful wife by his side or buxom blonde lusting after him. His mentor is gone. His home is gone. Everything he ever fought to defend is gone. What does a man like that do in a situation like that?

He can either cower and whine or he can step up and fight. Cyclops, having gone to war with the Avengers and the Inhumans, has never been one to cower. The story that Matthew Rosenberg and Salvador Larroca tell here shows why he’s the leader of the X-men in the first place. It shows why beautiful telepaths are attracted to him. When things are at their worst for the entire mutant race, this is the man you want leading you.

If you’re a Cyclops fan in any capacity, Uncanny X-Men #11 is a must-have. However, what makes this book even more valuable is that it’s giant-sized. That means it costs a little more than the typical two to three dollar price, but you get a lot more for those few extra bucks.

In addition to Cyclops kicking ass, Wolverine has his own story that unfolds in the background. He too recently came back from the dead and has been dealing with the many complications associated with resurrection in his own series, Return of Wolverine. Having sufficiently stabbed those complications, he’s ready to return to the X-Men and he’s just in time to help Cyclops, a guy who’s wife he kept trying to sleep with.

It’s a beautiful thing, these two coming together once more in the X-Men’s darkest hour. The way it happens and the action it inspires is too great for words. That’s why I’m not going to spoil it. I’ll just say that if you’re a Cyclops fan, a Wolverine fan, or an X-Men fan in general, this comic feels like one of those books that will one day be critical in the history of the greater Marvel universe.

As it stands, the X-Men are gone and the mutant race is fading into obscurity. Rather than genocide, they’re facing a future where people simply treat mutation like a flu shot. The vaccine that was introduced in Uncanny X-Men #1 works. Parents can now keep their children from becoming mutants. While it greatly limits their chances of becoming superheroes, it ensures they can lead a “normal” life.

What does this mean for the future of the X-Men? What does it mean for mutants? These are unanswered questions that will probably linger for many issues to come, but Uncanny X-Men #11 effectively fires the first shot in a new struggle. Cyclops, Wolverine, and the rest of the mutant race aren’t content to just whither away. That’s not their style and this issue demonstrates why in so many uncanny ways.

If the measure of a true hero is determined by how they handle their darkest hour, then Uncanny X-Men #11 reaffirms why the X-Men are in a league all their own. The world may always love the Avengers, but the X-men will always command their respect.

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Five Reasons Why Spider-Gwen Deserves Her Own Movie

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It’s a great time to be fan of superhero comics, but it’s especially great if you’re a Spider-Man fan. Even if you’re not a big fan of the superhero genre, it’s hard to deny the prominence of this famous Marvel franchise. Between a successful spin-off movie in “Venom,” the remarkable acclaim for “Into The Spider-Verse,” and the recent trailer for “Spider-Man: Far From Home,” it’s an amazing time for wall-crawler enthusiasts.

At this point, hoping for more is just being greedy. With a sequel to “Venomin the works and other spin-off projects in the pipeline, it almost feels wrong to hope for something specific. Marvel, Sony, and Disney are already giving us so much. What more can they possibly offer?

Well, I’d like to make the case that there is one particular branch of the evolving Spider-Man universe that warrants greater attention. It’s something that was already hinted at within “Into The Spider-Verse” and I feel she could have a greater than any other Spidy-centric media. The timing is right. The market is ripe for her ascension. It’s just a matter of building on foundation that is already rich with potential.

I’m referring to Spider-Woman, also known as Gwen Stacy, but best known as Spider-Gwen. In the mythos of Spider-Man, she’s a fairly recent development. However, her rise to prominence has been nothing short of spectacular and I believe she has done plenty to warrant her own place in the franchise.

Most Spider-Man fans know the name, Gwen Stacy. She has had a prominent place in the Spider-Man comics for decades. However, like Miles Morales, Spider-Gwen emerged in an alternate universe where known characters are different and events unfold differently. Her sequence in “Into The Spider-Verse” offered a brief overview of who she was, but her story is far richer than that.

That story still contains many of the iconic themes associated with Spider-Man. Issues like power, responsibility, and dealing with J. Jonah Jameson are a huge part of Spider-Gwen’s story. However, there are a few distinct variations that help set her apart and it’s because of those traits that I believe she can carry her own movie.

What follows are just a few reasons for why I feel that way. There are probably plenty more that other Spider-Gwen fans will resent me for skipping. I understand and accept that responsibility. Since these are such great times for Spider-Man fans, I like to think we don’t need that many reasons to give someone like Spider-Gwen her own movie.


Reason #1: She Sets Herself Apart From Peter Parker (Aside From Being A Woman)

If the success of “Into The Spider-Verse” taught us anything, other than the inherent appeal of cartoon pigs, it’s that you don’t have to be Peter Parker in order to embody the themes of Spider-Man. Miles Morales did a lot to set himself apart in terms of personality, circumstances, and abilities. Spider-Gwen does plenty of that too, but she takes it even further.

In the world of Spider-Gwen, the story of Gwen Stacy unfolds very differently. She’s not a nerd like Peter. She’s not a biracial teen trying to fit in at a new school. She’s the same sweet girl that Spider-Man fans know from classic stories. That all changes when she gets bit by that radioactive spider instead of Peter.

The Gwen Stacy that emerged after is still Gwen, but she goes about utilizing her powers very differently compared to Peter. They change the way she carries herself. She doesn’t approach them the same way as Peter or other Spider-Man characters. She follows her own path, complete with her own sense of power and responsibility.

Her approach is not radically different from that of Peter Parker, but it still feels distinct. How Gwen becomes Spider-Woman and how this affects her, as a character, is not a story that can be told with Peter Parker, Miles Morales, or any other character, for that matter. The fact she’s a woman at a time when female superheroes have been subject to greater scrutiny is just a nice bonus.

Moreover, the story of Peter Parker has been told and retold many times, already. There have been three distinct timelines with three different actors taking on the role. There’s only so much more that can be done at this point. Gwen Stacy is a different story, but one that’s familiar enough to fit into the greater Spider-Man mythos.


Reason #2: Her Story Brings A Unique Set Of Challenges (Aside From Being A Woman)

Being a masked vigilante is hard. Five decades of Spider-Man comics and three movie franchises have done plenty to establish that. However, Peter Parker never had to deal with being a vigilante while having a cop for a parent. He also never had to be the prime suspect in the death of a friend that he tried desperately to protect.

Those are just some of the challenges Gwen faces throughout her story in the comics. Unlike Peter, she’s not just another high school student trying to balance her personal life with her superhero life. She faces far greater challenges than not having a date to the prom or showing up late to class.

One of her biggest challenges, throughout her story, revolves around being a vigilante while her father, George Stacy, is a cop with the NYPD. On top of that, he’s initially tasked with arresting Spider-Woman because she’s implicated in the death of Peter Parker. Learning that his daughter is Spider-Woman only compounds that challenge.

There’s a lot of drama in that dynamic. If you want to see how it plays out, I strongly recommend checking out the comic series written by Jason Latour. These challenges are things that you won’t find in a Spider-Man story with Peter Parker. Like her counterparts, Gwen bears many burdens and responsibilities, but having a cop for a father only makes it harder.

At a time when the conduct of the police is under more scrutiny than ever, I think a Spider-Gwen movie could explore those conflicts better than most. Beyond giving Gwen different obstacles, it offers a different perspective on what it means to be a hero and how difficult it is to manage when family affairs get involved.


Reason #3: The (Fitting) Tragedy Of Peter Parker In Her World

It’s impossible to tell the story of Spider-Gwen without telling the story of Peter Parker in her world. Her version of Peter is very different in that not getting bit by that radioactive spider sent him down a darker path. His story is one of tragedy, but it’s the kind of tragedy that complements Gwen’s story and fits perfectly with the themes of Spider-Man.

In many respects, Peter fills the role of Uncle Ben in the world of Spider-Gwen, but not in the same way. It’s not a classic case of failing to stop him from getting hurt by a random accident. Gwen actually went out of her way to protect Peter. Getting superpowers actually made that easier for her. She sees him as her friend and wants to help him.

However, in doing so, Peter makes some fateful decisions that result in his death. It’s not just tragic. It’s gut-wrenching for Gwen. She has to watch this boy she cares about die because he wanted to be more like her. She’s very much responsible for what happened to him. On top of that, Spider-Woman is blamed for his death, thanks to shoddy reporting by J. Jonah Jameson.

This version of Peter is powerful in how it twists the classic Spider-Man narrative without warping it entirely. By helping Peter like she did, Gwen ultimately failed him. That’s a different, but effective way to learn the importance of power and responsibility.


Reason #4: She’s Likable In Many Ways (More So Than Peter)

Even in stories where she doesn’t have powers, Gwen Stacy is a genuinely likable character. She’s sweet, fun-loving, and genuine. She’s the kind of girl you can be friends with and/or fall in love with. She’s honest and blunt in how she deals with people. She’s also compassionate and understanding. Getting superpowers only enhances these traits.

What we saw in “Into The Spider-Verse” was just a small sample of a much richer persona. Her attitude, as well as her ability to connect with others in awkward situations, is plenty endearing. In the comics, we see this manifest in many other ways. From the way she deals with her father to how she interacts with her band-mates in their all-female band, the Mary Janes, is likable on so many levels.

I would go so far as to argue that she’s a lot more likable than Peter Parker, if only because she’s less prone to brooding and whining. Throughout the comics, she ends up in some pretty rough situations, which include being actively hunted by the NYPD and unable to go home to her father after he learns of her identity. It’s rough, but at no point does she just whine about it.

As sweet as Gwen is, she also has grit. She knows how to endure a lousy situation and when the going gets tough, she finds a way to get stronger. She still messes up along the way. In fact, she messes up a lot in the comics, but she learns from her mistakes and she grows along the way.

I’m not saying Peter Parker hasn’t grown over the years, but even after five decades of comics, cartoons, and movies, his growth tends to regularly stagnate. Every time he seems to move forward with his life, he takes a step back, whether it’s undoing a marriage or losing his billion-dollar company.

Spider-Gwen may not have had as much time to grow and regress, but her story has been allowed to evolve in many ways since her debut. That development is full of opportunities. Even though she has only been web-swinging since 2014, she has plenty of material for a great movie.


Reason #5: Her Story Is Not Bogged Down By Continuity

This is more a logistical issue than anything else. Peter Parker has been around since the Kennedy Administration. His story has years upon years of continuity that effectively shackle him from radical change. I’ve mentioned before how all superheroes are subject to these constraints. I’ve even argued that Spider-Man is more inept than most at dealing with them.

With Spider-Gwen, however, there are far fewer constraints and many potential avenues for growth. Her story, and that of her distinct alternate universe, is in its infancy, relative to other superheroes. She hasn’t been around long enough for complications and retcons to accumulate. She can follow many different paths, both in the comics and in the movies.

One of the common complaints that comic fans will levy against a movie is how closely it follows the source material. Since Peter Parker is such an icon, there’s not a lot of wiggle room. With Spider-Gwen, there isn’t much source material from which to deviate. “Into The Spider-Verse” already captured the basics. A full-fledged Spider-Gwen movie will have plenty of flexibility.

There are plenty of other reasons I could list to justify Spider-Gwen getting her own movie. She’s a great character who embodies unique aspects of the greater Spider-Man mythos. Given the current state of the superhero genre, especially with respect to box office returns, I don’t think Sony, Marvel, and Disney need many to make Spider-Gwen their next success story.

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Jack Fisher’s Weekly Quick Pick Comic: Uncanny X-Men Annual #1

Every Wednesday, a new crop of comics enters this world and makes it just a little more awesome. Being a lover of comics in addition to a lover of love, I try to select one comic from this fresh batch that I feel offers the most awesome for just a few bucks. At a time when the economy is always on a verge of tanking, it’s hard to find a better value.

This week’s pick was an easy one with “Uncanny X-men Annual #1” and not just because I’m hopelessly bias towards the X-men, in general. This issue marks a critical development in the overall landscape of the X-men and the Marvel Universe, as a whole. As the beautiful cover art by Salvador Larroca indicates, it’s all about Cyclops.

That may not seem like a big deal for those who don’t regularly follow the X-men comics, but trust me when I say that this is a huge development. That’s because for the past three years, Cyclops has been dead in the X-men comics. In an event aptly called “Death of X,” Scott Summers met an inglorious end at the hands of the Terrigen Mists, the alien gas cloud that gives the Inhumans their powers.

His death had a major impact on the overall landscape of the X-men and very little of it was good. In the same way that the Avengers aren’t the same without Captain America and the Justice League isn’t the same without Superman, the X-men just aren’t the X-men without Cyclops. He’s literally been with the X-men since the beginning and there’s just something missing when he’s not there.

Writer, Ed Brisson, makes it a point to highlight this throughout the issue. Aside from just telling the story of how Cyclops came back from the dead, he takes some time to demonstrate why he’s the leader of the X-men. He even puts him in a position to show why he’s a hero and why other heroes follow him.

Without spoiling too much, the story builds beautifully off the events of both “Death of X” and “Extermination,” which is another brilliant X-men story by Mr. Brisson that I highly recommend. It even references moments from “Phoenix Resurrection,” another story I’ve given high praise. The connections and details in this comic fit beautifully. It shows that there was a lot of effort and thought put into this story.

As someone who has read more comics than most will ever admit to reading, I can safely say I know when a writer isn’t trying very hard. For the past couple years, a new crop of writers that include the likes of Mr. Brisson show that there’s a new round of passion surrounding the X-books and it clearly shows in “Uncanny X-men Annual #1.”

Beyond making appropriate connections to recent continuity, the story checks all the right boxes in terms of telling a quality X-men story. It even checks some extra boxes in terms of showing a character at his best when they sorely need it.

Cyclops is one of those characters who always seems to generate heated debates among X-men fans. He’s also someone a long list of talented Marvel writers have mishandled over the years. The fact he’s part of the worst love triangle of all time is proof of that. This issue cuts through those complications and just gets to the core of what makes Cyclops great.

This issue is one of those comics that will definitely have a ripple effect for future X-men comics. Any time a major character comes back from the dead, which happens a lot in X-men comics, it’s a big deal. It often marks a turning point for the course of the story and lays the groundwork for the future of the series.

By the time you finish “Uncanny X-men Annual #1,” you really feel as though you’ve just witnessed one of those turning points. On top of that, there’s a sense that this character who has been so maligned over the years for all the wrong reasons is back to his old self. If that doesn’t get your inner X-men fan excited, then you’re just being difficult.

For Cyclops fans, X-men fans, and Marvel fans in general, “Uncanny X-men Annual #1” is one of those rare books that actually gets you excited about the future. At a time when you can’t go more than a day without something terrible trending on social media, that’s worth the price of a comic book.

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Jack Fisher’s Quick Pick Comic: Uncanny X-men #10

Every Wednesday, fans of comic books and superheroes are blessed with fresh batch of comics. It’s like Christmas every week and you don’t have to suck up to some jolly fat guy who lives at the North Pole. You just have to have a few extra bucks and a Comixology account.

This week, however, those extra bucks go a lot further than usual for X-men fans. That’s because “Uncanny X-men #10,” the final issue in a story arc that assembled almost every notable character associated with X-men has come out. Some weeks are harder than others when it comes to picking the most worthy comic from the bunch. This was not one of those weeks.

Make no mistake. “Uncanny X-men #10” is both a game-changer and a major upheaval for the X-men. It acts as a culmination of a battle that began with the return of Nate “X-man” Grey, but in a powerful new form. He’s not just another displaced character from a dystopian timeline, of which there are many in comics. His agenda is different and his personal connections to the X-men make him a daunting foe.

He’s not Apocalypse. He’s not Magneto. He’s not even some uneasy ally who was once an enemy and the X-men have had plenty of those. Nate Grey is out the save the world, but not by protesting injustice or signing an online petition. He literally wants to destroy it and remake it. Given the insane breadth of his power, that’s entirely possible.

For the past nine issues, he’s gone about his plan with the subtly of a hurricane. He’s abducted senators, mind-controlled powerful mutants, and waged war on anyone who might stand between him and a better world. The X-men, who have a strict policy against over-powered mutants destroying the world to remake it, oppose him at every turn.

Uncanny X-men #10” is just the final showdown and it’s a battle for the ages. The writing talents of Matthew Rosenberg, Ed Brisson, and Kelly Thompson team up with the artistic talents of Pere Perez to craft a mutant-powered spectacle that never slows down. It’s the most powerful mutants in the Marvel universe against a threat who wasn’t just a close friend. To characters like Jean Grey, he’s family.

This is where “Uncanny X-men #10” shines in a special way. While a good chunk of the comic is dedicated to epic mutant battles, there’s never a point where the action is mindless and impersonal. In between all the fighting, there are major personal stakes for Nate and his alternate universe mother, Jean Grey.

Their interactions is what really gives dramatic weight to the spectacle. I won’t spoil the details of their exchange. I’ll just say that it’s beautifully done. It’s genuinely heart-wrenching to see Jean having to battle her own son. Even if he’s from an alternate universe, she sees him as family and that makes fighting him all the more difficult.

That kind of heavy drama is what brings out the best in the X-men. It’s what makes for the best moments in superhero comics, as a whole. However, what really makes “Uncanny X-men #10” worth getting is how it sets up the future of the series.

Again, I won’t spoil it. I’ll just say that the aftermath of the battle creates a very different world for mutants, humans, the X-men, and everyone in between. It’s a world where all the hopes and dreams of the X-men are effectively moot. What does that mean for them and those they protect? There are some telling hints, but there’s definitely an impact when all is said and done.

I’m sure there will be plenty of X-men fans who feel both excitement and dread after reading “Uncanny X-men #10.” If you’ve been following X-men comics in any capacity for the past several decades, then you know that’s not unusual. However, this feels like one of those issues that people will be referring to for years to come. Whether they love it or hate it, this comic marks a major turning point for the X-men.

Most X-men fans knew that 2019 was going to be a major year for the Children of the Atom. Between two movies, the pending Disney/Fox merger, and the return of multiple major characters, there’s a lot get hyped about. “Uncanny X-men #10” is just the latest catalyst that can only help the X-men’s prospects in 2019.

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Jack Fisher’s Weekly Quick Pick Comic: Captain Marvel #1

It’s Wednesday and if you’re a lifelong comic book fan like me, you know that’s the most magical day of the week. Screw sleeping in on Saturday or going out to party on Fridays. Wednesday is new comic day, that magical day when a fresh batch of comics enter the world and make it more awesome. In celebration of this day, I offer my pick of a single comic that I feel makes new comic day that much more awesome.

This week was easier than most. If you were up late watching the College Football Championship Game, you saw the latest trailer for the upcoming “Captain Marvel” movie. This year is already shaping up to be an awesome year for Captain Marvel, Carol Danvers, Brie Larson, and everyone affiliated with this marvelous character. Writer, Kelly Thompson, helps do her part with “Captain Marvel #1.”

Even if you’ve never read a Captain Marvel comic and only know the bare minimum about Carol Danvers, this comic is for you. It’s the latest relaunch of the series and after recent upheavals in her life, the timing is perfect. I know a lot of comic fans whine about the number of relaunches that occur these days, but sometimes it’s appropriate when a character undergoes a major transition.

The Carol Danvers in “Captain Marvel #1” is more grounded and self-aware than the Carol Danvers of recent years. She’s focusing less on high-flying space battles and more on events unfolding on Earth. Since Earth also has the occasional Kraken attack in Lower Manhattan, it’s not like she’s short on things to punch.

Beyond just punching monsters, this comic establishes that Carol Danvers isn’t just a hero, an icon, and the star of an upcoming movie that seeks to challenge “Wonder Woman.” She’s an actual person who has thoughts, feelings, insecurities, and even pet peeves. Granted, most of those peeves center around how annoying Tony Stark can be, but that just helps show how human she is, at heart.

Only a small chunk of this comic is spent with her fighting monsters or saving the day. A lot more of it shows Carol rebuilding and reconnecting with the people in her life that matter. That includes her best friend, Jessica “Spider-Woman” Drew, and her frequent love interest, James “War Machine” Rhodes.

It makes for plenty of small, meaningful moments that bring out Carol’s humanity. It helps make the larger, more action-packed moments that much more enjoyable. There is a larger conflict unfolding. There are new threats emerging for Carol that have little to do with space aliens, superhero civil wars, or pre-ordering tickets to her movie.

The nature of those threats aren’t resolved in a few punches. In fact, it sets the stage for a larger story that’ll require Carol to raise the bar for heroes, as only she can. It shows Carol Danvers at her best in addition to showing her at her most human. It’s a perfect balance for a Captain Marvel comic.

It really is a great time to be a Captain Marvel fan. Even if you’re not, “Captain Marvel #1” makes a strong case on why she deserves to be in the upper ranks of Marvel’s greatest heroes. That makes my quick pick this week easier than usual. If you buy only one comic this week, make it “Captain Marvel #1.”

If nothing else, it’ll help tide fans over until the debut of her movie on March 8, 2019.

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“Captain Marvel” Second Trailer

Another glorious preview for “Captain Marvel” has dropped. Let’s all take a moment to soak in its marvelous glory. She’s destined to fly higher, farther, and faster than any hero before her. Thanos is fucked. Nuff said!

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