Tag Archives: Amazing Spider-Man
Every Wednesday is New Comic Book Day and every New Comic Book Day brings something that enriches my world. I imagine many fellow comic book fans feel the same. They may not do what I do and wake up at 4:30 in the morning every Wednesday to read all the new books on their pull list, but the sentiment is still the same.
The world is a crazy, chaotic place. We’re also entering a time of year where the days are getting shorter, the weather is getting colder, and random trips to the beach aren’t as feasible, unless you live in a tropical climate. This is a span of time that is light on holidays, heavy on school, and high on stress. We all need something to help us endure.
For me, having a stack of new comics to look forward to every week doesn’t just help. It energizes my soul. It’s like getting a pep talk from Captain America every week. It just encourages me to get out there, endure all the craziness, and let my love of comics give me the jolt I need every week. It’s a beautiful thing.
This week promises to be even more beautiful than most. Some major events are gearing up, as they often do every fall. Both Marvel and DC Comics love to start major events in the early fall, often allowing them to conclude just in time for the holidays. They make for exciting times, as well as wild speculation on message boards. What more could a comic book fan ask for?
Once again, I offer my pull list and pick of the week. Always, I hope a new batch of comics gives you all the strength you need to endure another week. Enjoy!
My Pull List
My Pick Of The Week
Amazing Spider-Man #74
It’s another beautiful day for comics and the world is inherently better because of the awesome they bring. That’s how I feel when I wake up every Wednesday morning. Even when times are tough, waking up on Wednesdays knowing there’s a glut of digital comics waiting for me on my iPad is a wonderful feeling. It makes waking up at 4:00 a.m. feel like a basic reflex.
It’s a reflex that wouldn’t be possible without Comixology. I’m old enough to remember the days when New Comic Book Day was a lot more stressful because you didn’t know if your books would arrive on time in the mail. Most of the time, it was hit or miss. In the days before Twitter spoilers and Reddit, it made waiting to read your favorite comics that much more agonizing.
I never want to go back to those days.
Those who live near a comic shop may be able to enjoy the luxury of just walking to their favorite store every Wednesday to see what’s new, but most of us have to deal with less favorable circumstances. Don’t get me wrong. I still love going to comic shops to pick up actual, tangible books for my collection. There will always be a place for that. I’ve just come to love waking up early and enjoying new comics through Comixology.
The internet, tablets, and Comixology have genuinely made it easier than ever to get into this world. Even if you only know these characters through movies and cartoons, you need only an internet connection and a couple extra bucks to fully immerse yourself in this world. To that end, here’s my pull list and pick of the week. Hopefully, it gets you started. Enjoy!
My Pull List
My Pick Of The Week
Amazing Spider-Man #62
I feel like the week before Thanksgiving is always one of the busiest weeks of the year for me, regardless of whatever work I’ve got going on. In high school and college, this was usually the week when most projects were due. In most of the jobs I’ve had, this was usually the week where most major deadlines fell.
In terms of timing, it makes sense. Most people want to get stuff out of the way so that they can enjoy the Thanksgiving holiday in peace. I’m certainly like that. I don’t want to have any lingering work looming over my head while I indulge in turkey, sweet potatoes, and pumpkin pie. It makes this week extra stressful. It also makes new comics extra necessary.
When I get stressed, I tend to rely heavily on the things that bring me joy and comfort. For most of my life, that’s exactly what comics have given me. They’re a simple, concentrated dose of pure joy at a time when everything around me is going too damn fast. For that, I thank every major comic publisher, comic shop, and Comixology.
I need a nice influx of awesome comics more than usual. As a result, my pull list is a bit larger than most weeks. I make no apologies for that. I’ve got a rough couple of days ahead of me. Here are my pull list and pick for the week. Quality comics will help me get through and I hope it helps others in the same way. Enjoy!
My Pull List
My Pick Of The Week
Symbiote Spider-Man: King In Black #1
I’m not that smart. I don’t deny that. I got good grades in high school and college, but that alone doesn’t make someone smart. It just shows that they now how to pass tests and bullshit their way through book reports or presentations. I’m not saying I ever resorted to that, but that doesn’t make me smarter than those who do.
However, when it comes to comics, I will claim to be above average in terms of general know-how. If there were a class on comics when I was still in high school, it wouldn’t just be my favorite class. I’d be the guy who everyone cheated off of during tests.
I say this not to brag about the depths of my comic knowledge. I offer it as a means of highlighting my credibility on judging all matters related to comics. I’ve lived through multiple eras in comic history, from the heyday of X-Men in the 90s to the New 52 era in DC Comics. I’ve been around the block many times in this world.
As such, I’ve read some incredibly awful comics that made me want to throw up. I’ve also read some amazing comics that have reaffirmed my love for this medium. I like to think I’ve learned to discern good comics from bad.
That’s part of why I do these weekly picks. For those who don’t have my level of comics experience, this is my way of helping you maximize your venture into this world. Here is my pull list and pick for this week. I hope it enriches your world as much as it does mine.
My Pull List
My Pick Of The Week
Amazing Spider-Man #50
My YouTube channel, Jack’s World, is still very new and still has plenty of room to grow. I really enjoyed making my video on “Dark Phoenix.” That’s not surprising. I enjoy talking about superhero media in general. To that end, I’ve made another video, this time on Spider-Man. I originally intended to make it an article, but I think it works much better as a video. Enjoy!
If you have any suggestions for topics you’d like me to cover in a video, especially the superhero variety, please let me know.
An iconic character is only as great as their supporting cast. On their own, icons like Batman, Superman, and Captain America can only do so much to carry their story. Like Santa Claus without his elves, they’re limited in how compelling they make that story without other characters around them adding dramatic fuel to the story.
This is especially true for characters like Spider-Man, whose supporting cast is one of the strongest and most in extensive in comic book history. If you need proof, just remember that a movie based around one of Spider-Man’s greatest villains grossed over $856 million. However, if you need further proof that Spider-Man’s supporting cast is what makes him so amazing, then look no further than Mary Jane Watson.
She’s not just Spider-Man’s girlfriend.
She’s not just the super-hot, super-sexy redhead who gets every straight man’s blood flowing for all the right reasons.
She’s not just the eye candy that makes for some of the best variant comic book covers of all time.
Mary Jane Watson makes Spider-Man a greater character because she’s a great character in her own right. She didn’t come into his story as some wide-eyed bimbo who existed only to make Peter second-guess the merits of male superheros wearing skin-tight outfits. She has her own story, motivations, and aspirations.
Most of the time, her story is relegated to secondary sub-plots in Spider-Man’s stories. While some of those stories are great for both characters, she’s never had a chance to carry her own story. Leah Williams and Carlos Gomez finally give her that chance in “Amazing Mary Jane #1.”
It’s still a story closely tied to Spider-Man, but Mary Jane is the one leading the charge this time. It’s not a radical reinvention of who she is or what motivates her. Williams and Gomez simply shift the spotlight to her and let her work her amazing charisma. It’s a simple approach, but it works.
Mary Jane is still an aspiring actress. Like many aspiring actresses, she’s looking for ways to further her career. The basic premise of “Amazing Mary Jane #1” is that she gets an opportunity to do just that. It even involves a role that she’s very familiar with. She’s caught up in a battle involving Spider-Man. For her, she really doesn’t need to do much acting.
There’s just one glaring problem and it’s not just that her role is reduced to being a beautiful woman in a skin-tight outfit. This opportunity that she desperately wants happens to be courtesy of Quentin “Mysterio” Beck, one of Spider-Man’s most colorful villains and one whose star really rose with “Spider-Man: Far From Home.”
It’s a situation that might make even the most ambitious actress hesitate. At the same time, it puts Mary Jane in a position to show her greatest strengths, none of which involve superpowers. She’s able to carry the story with her personality and William captures it wonderfully on multiple fronts.
Mary Jane doesn’t just smile and nod to go along with everything. She speaks her mind, but never in a way that makes her sound condescending or self-centered. She sees something wrong with the role she’s playing and she confronts it. When the nature of that role is objectively bad for both her and the movie, she says so.
It’s an issue ripped right from recent news surrounding the Hollywood horror stories that ambitious actresses have endured. It’s a sensitive, hot-button issue, but one that “Amazing Mary Jane #1” doesn’t ignore. The characters don’t ignore it, either. It’s a real issue that’s worth addressing, even in a superhero comic.
However, that issue never derails the story or takes away from the substance of the plot. “Amazing Mary Jane #1” is not about Mary Jane Watson calling out the predatory practices of Hollywood producers. It’s about her finding out that this major opportunity her in the center of Mysterio’s latest endeavor.
Being Spider-Man’s girlfriend, she knows better than most that this endeavor will likely involve something going horribly wrong. Since she’s in Hollywood and Spider-Man is in New York, she can’t count on being rescued this time.
It’s a great setup that perfectly blends Mary Jane Watson’s personal story with one of Spider-Man’s most well-known villains. She’s still part of Spider-Man’s story, but this is one in which she shoulders the responsibilities. On top of that, she has to do that without the aid great power.
At the same time, the very absence of that power is part of what makes Mary Jane such a strong supporting character for Spider-Man. She knows she’s not the one with the superpowers. Even Spider-Man knows this. That doesn’t stop her from accepting those responsibilities. She, more than anyone, shows Peter Parker that responsibility doesn’t end with stopping muggers, criminals, and guys with fish bowls for heads.
Even when she’s accepting responsibility, Mary Jane Watson still knows how to have fun. Williams goes out of her way to capture that in “Amazing Mary Jane #1” and Gomez makes her look great while doing it. The sweet, playful moments between her and Spider-Man often bring out the best in both characters. They’re the kind of moments that are sure to piss off Mephisto.
Peter Parker will always be the center of the greater Spider-Man universe, even when that universe involves talking pigs. However, Mary Jane Watson makes that universe more compelling and dramatic with her presence. She also makes it sexier, but that’s just a nice bonus. “Amazing Mary Jane #1” further proves that she’s capable of being amazing in her own right.
It’s an unwritten rule in superhero comics. Certain characters are only ever allowed to grow, evolve, and mature to a limited extent. Whereas some like Iron Man, Hulk, and Captain Marvel are allowed to grow and mature, others tend to revert to a rigid status quo that keeps them in a certain state, often for marketing purposes. Few characters are beholden to this rule as Spider-Man.
Whether he’s Peter Parker or your friendly neighborhood wall-crawler, Spider-Man is rarely allowed to grow beyond the down-on-his-luck, can’t-hold-a-job, struggles-with-relationships situation he’s been in since the Nixon Administration. Granted, he can still have plenty of fun, entertaining adventures in that state, but it can get predictable and monotonous after a while.
Then, every once in a while, you get a book like “Spider-Man #1” by J. J. Abrams, Henry Abrams, and artist Sara Pichelli that dares to shake things up with the standard Spider-Man formula. It’s not in the same continuity as the mainline Amazing Spider-Man books, but that’s exactly what helps it stand out. It has a chance to do something different with Spider-Man’s story and it takes full advantage of it.
Using the same approach as “Into The Spider-Verse,” this book tells a new kind of story that puts Spider-Man into a whole new situation. For once, it’s unpredictable. There’s no status quo to revert to. It has to build an entirely new world for Spider-Man. Both Abrams and Pichelli prove they’re up for the challenge.
This new world is not for the faint of heart, especially if you’re a fan of Spider-Man never being allowed to mature past 30. It’s a world where Spider-Man’s responsibilities finally caught up with him. He was able to save the day. He was able to defeat a villain named Cadaverous, a name that isn’t quite as ridiculous as it sounds, but he paid a high price.
That’s because this version of Spider-Man wasn’t just late for work, late for a date, or missing his rent payment again. This Spider-Man had a lot more to lose. He had a family. He and Mary Jane are married and not just trying to schedule dates. They have a son named Ben. Peter Parker has every reason to come home safe, intact, and triumphant.
I won’t spoil too many details, but I’ll just say that doesn’t happen. In this case, saving the day doesn’t necessarily mean keeping Galactus from eating it. Yes, Spider-Man does save lives. However, the life he can’t save ends up changing his life, his responsibilities, and his ability to shake hands. That last one wasn’t a joke, by the way.
In other versions, including many alternate realities, some being more ridiculous than others, this sort of loss would’ve broken Spider-Man. It would’ve broken his family too. It’s one of Spider-Man’s most famous foils. When he loses too much, he quits being Spider-Man. While it rarely lasts, this is a world with different dynamics. He actually has a reason to not be Spider-Man anymore.
His son, Ben, gives him even more reason and not just because of the losses they’ve endured. Unlike some of Spider-Man’s other alternate reality kids, Ben is not nearly as endearing or likable. He’s young, he’s impulsive, and he’s angry at the world. Essentially, he’s not the kind of kid you’d want to continue Spider-Man’s legacy.
At the same time, Ben shows that he still has some of the traits that make Spider-Man the iconic hero he is. He’s not a lost cause. He’s not some brooding loser who looks for excuses to be miserable. He even comes off as genuinely relateable, more so than Peter Parker in some respects. You may not entirely sympathize with him, but you can still understand him.
This kid is every bit as haunted as his father. Unlike his father, though, he’s a kid who doesn’t have years of being a battle-hardened superhero under his belt. Even if he inherited his father’s super-powers, he didn’t inherit his ability to cope with loss. He didn’t have his proverbial Uncle Ben moment because so much of his situation was beyond his control.
Overall, “Spider-Man #1” is a different kind of Spider-Man story, but not just because it takes place in an alternate continuity. It doesn’t directly mirror old, time-tested Spider-Man tropes. It also doesn’t paint Peter Parker as someone who simply crumbles when he loses too much. He, Ben, and the supporting cast around him simply do their best to move forward with their lives.
For a superhero comic that tends to regress to the status quo more than most, it’s both refreshing and engaging. For once, we have a Spider-Man story we can’t expect to end with him sleeping on his Aunt May’s couch because he missed his rent again. We have a different Peter Parker with an emotionally unstable son trying to make the most of a tough situation.
On top of that, the villain responsible for that situation is still out there. We don’t know much about it or whether he’s related to any of Spider-Man’s long list of enemies, but that only adds to the intrigue. Abrams and Pichelli are taking Spider-Man’s story in a new direction and there’s no telling what might happen. As someone who has read more Spider-Man comics than most, I find that genuinely refreshing.
There’s an old saying for those of us who have read Spider-Man comics for a good chunk of our lives. Behind every strong Spider-Man is a beautiful redheaded woman. Sure, sometimes that woman is a cute blonde or a skilled thief, but it’s the beautiful redheaded woman who often makes Spider-Man the iconic superhero he is.
If ever you’ve doubted that, then “Friendly Neighborhood Spider-Man #11” should provide the definitive proof you’re looking for. Spider-Man, like many iconic heroes, derives as much of his strength from his supporting cast as he does his powers. For years, the bedrock of that power was his Aunt May. Then, Mary Jane Watson entered the picture and his bedrock hit the goddamn jackpot.
While their history, romantic and otherwise, has been convoluted by some rather infamous moments, Mary Jane Watson has proven to be one of the most integral components of Spider-Man’s story. It’s part of the reason why she’s his most iconic love interest and I say that as someone with the utmost respect for Gwen Stacy.
However, like many superhero love interests, Mary Jane often gets caught in the crossfire of Spider-Man’s heroic activities. There are times when she’s more damsel than lover and these days, that trope is prone to all sorts of unpleasantness.
It’s for that reason, and so many others, that “Friendly Neighborhood Spider-Man #11” is uniquely satisfying in how it affirms Mary Jane’s role in Spider-Man’s life. She doesn’t just prove herself and look sexy while doing it. She tells a side of Spider-Man’s story that isn’t often told.
Writer, Tom Taylor, has given plenty for both Spider-Man and Peter Parker to do since he took over the Friendly Neighborhood Spider-Man series. For this issue, however, he keeps Peter Parker on the sideline. Superheroes need rest too and Mary Jane understands that. She also understands that being Spider-Man’s girlfriend requires more than just looking great in skin-tight outfits.
There are responsibilities, as well. Responsibility has always been a big part of the Spider-Man mythos, going all the way back to the days of Stan Lee and Steve Ditko. It doesn’t just apply to Peter, though. Mary Jane has her own share of responsibilities and not just with respect to being a good girlfriend.
She narrates much of this issue. Taylor doesn’t rely heavily on melodrama or standard relationship issues. Much of the dynamic between her and Spider-Man resemble that of a couple who’ve already worked those issues out. They’re just two people, managing their lives, and doing their part.
For a couple whose romance is one of the most iconic in comic book history, that shouldn’t be such a novel concept. It really shouldn’t and yet, Taylor makes it feel like the most refreshing romantic sub-plot in years. That says more about the history of Spider-Man’s love life than it does anything else.
In addition to being the focus of the story, she finds herself in a situation that usually requires superpowers or billion-dollar gadgets to deal with. It’s not the most daunting situation she’s ever been in. There’s no Green Goblin or Sinister Six to deal with. Even so, it has all the traits of a conflict that usually requires her being rescued.
However, that’s not how it plays out. On top of showing why Mary Jane Watson is such a great superhero girlfriend, “Friendly Neighborhood Spider-Man #11” proves she’s just as capable in those situations. She doesn’t have super-powers, unless you count being irresistible to heterosexual men. For this particular story, she doesn’t need them.
Whereas most civilians would just run at the sight of a threat that requires a suit of armor or a magic hammer, Mary Jane steps up to help. She still can’t do it alone, but she still finds a way to seem as capable as any experienced her.
It’s not just her choice. She sees it at her responsibility. It shows that Spider-Man has influenced her every bit as much as she has influenced him. That doesn’t just belabor why she’s so important to both Spider-Man and Peter Parker. It perfectly reflects the larger themes of Spider-Man, as a whole.
While the news surrounding Spider-Man’s movies are making all the headlines, comics like “Friendly Neighborhood Spider-Man #11” prove why his story is so endearing. There have been countless comics that show Peter Parker rising to the occasion, fighting crazy super-villains, and saving the day. This comic shows how taking those responsibilities seriously help inspire others to do the same.
Mary Jane Watson may never win a fight against Rhino or the Green Goblin, but Taylor makes it abundantly clear that if she has the power to help in a situation, she won’t back down. She’ll fight when others run away. She’ll be strong when others can’t. She’ll look sexier than Peter Parker ever will in the process, but that’s more a bonus than a responsibility.
Throughout her history, Mary Jane Watson has shined in many ways, both on her own and as Spider-Man’s top love interest. A book like “Friendly Neighborhood Spider-Man #11” might not be her most iconic moment, but it shows in a single issue why she’s such an amazing part of Spider-Man’s spectacular story.
In this golden age of superhero movies, Spider-Man occupies a special place. Aside from being one of Stan Lee’s most famous creations, this franchise has undergone many triumphs, failures, scandals, upheavals, and everything in between. No matter where it stands among other franchises, Marvel just isn’t Marvel without Spider-Man.
The first “Spider-Man” movie helped revolutionize the superhero genre alongside “X-Men.” It’s not unreasonable to say that the Marvel Cinematic Universe wouldn’t exist without that first movie. That’s why when Spider-Man entered the MCU with “Spider-Man: Homecoming,” it carried a lot of weight.
With “Spider-Man: Far From Home,” both the standards and the stakes are higher. This movie is coming off the historic success of “Avengers Endgame” and is poised to close out Phase 3 of the MCU. It’s tasked with building on the foundation of its predecessor and dealing with the dramatic aftermath of the battle against Thanos. That’s a tall order for any franchise.
At the same time, it feels like Spider-Man has to be the franchise to pull this off. Between its special place in the genre and its cast of emerging stars, including the inherently lovable Tom Holland, “Spider-Man: Far From Home” feels like the only movie worthy of such a task. It has everything going for it. The question remains. Does it succeed?
In my humble opinion, I say it does, but not without some major flaws.
In terms of the big picture, “Spider-Man: Far From Home” is a quality Spider-Man movie that checks a lot of boxes, both for the franchise and for the MCU. It seamlessly weaves itself into the evolving narrative of the MCU in wake of “Avengers Endgame.” The first five minutes of the movie touch on the lingering aftermath of that climactic battle. It even injects some of that trademark MCU humor into some heavy moments.
On a more personal level, Peter Parker’s story builds upon the drama of Tony Stark’s death in “Avengers Endgame.” Throughout the movie, Iron Man’s presence looms large. Spider-Man is essentially stuck in the shadow of another hero who really affected his journey as a character in “Spider-Man: Homecoming.” It makes for plenty of dramatic moments that guide Peter throughout the story.
In terms of it genre, “Spider-Man: Far From Home” even succeeds in maintaining the increasingly high bar that Marvel Studios has set for its villains. While Jake Gyllenhaal’s Mysterio won’t rank as highly as Josh Brolin’s Thanos, he proves himself a daunting foe who doesn’t just test Spider-Man. He comes very close to breaking him.
I would even go so far as to say that Gyllenhaal’s take on Mysterio is worth the inflated ticket price. He makes “Spider-Man: Far From Home” work on multiple levels. I would argue that he’s the primary reason why the movie succeeds, despite its critical flaws.
Now, this is where I’m probably going to diverge from the those who have given this movie such glowing reviews. I may even upset some of my fellow Marvel fans who recoil at the idea of an MCU movie faltering. However, I believe the flaws are there and are being overshadowed by factors beyond the scope of the movie.
To me, the biggest failure of this movie isn’t in how it tells Spider-Man’s story. It’s in how it develops Peter Parker’s story. The battle between Spider-Man and Mysterio is beautifully developed. It’s what happens when Peter is out of his mask where the story stagnates and it has everything to do with Zendaya’s character, “MJ.”
I put “MJ” in quotes because she is definitively not Mary Jane Watson, Spider-Man’s most famous love interest in the comics and the character that Kirsten Dunst portrayed in the first three Spider-Man movies. That’s not the issue, though. “Spider-Man: Homecoming” established her and Peter’s friends as something very different from the comics. It wouldn’t be the first time the MCU made such changes.
The problem with MJ, Peter, and their shared role in “Spider-Man: Far From Home” is how poorly their romantic sub-plot plays out. It’s not a trivial sub-plot, either. A good chunk of the plot involves Peter following this elaborate plan to tell MJ how he feels about her. On paper, it’s pretty romantic. In practice, it’s a catalyst for too many cringe-worthy moments.
There’s no polite way to say it. The romance between Peter and MJ in this movie is awful. I won’t say it’s as awful as the nonsensical babble we saw between Peter and Gwen in “Amazing Spider-Man,” but it’s pretty close and for the high standards of the MCU, it’s just unacceptable.
While “Spider-Man: Homecoming” did an admirable job of establishing the dynamics between Peter and MJ, it falls incredibly flat in “Spider-Man: Far From Home.” In fact, if you didn’t see “Spider-Man: Homecoming,” Peter’s efforts to get with MJ seem more obsessive than romantic. At one point, he becomes downright vindictive when someone else tries to get with her. It does not reflect well on Peter.
MJ isn’t much better. Zendaya is a great actress, but she comes off as flat and unemotional throughout this movie. Say what you will about Kirsten Dunst’s portrayal of Mary Jane, but she still displayed a wide range of emotions throughout three movies. Zendaya’s tone and facial expressions barely change throughout this movie.
In essence, there’s no real chemistry between Peter and MJ. Given how critical this relationship is for the plot of the movie, that’s not a trivial oversight. It frames their actions and their decisions as something petty and selfish. There’s never a sense that Peter and MJ make each other better. If anything, they’re liabilities to one another.
In both the comics and the previous movies, this is not how the romantic sub-plots play out. While Spider-Man’s relationships have always complicated his efforts to be a better superhero, they ultimately make him stronger. They make his decision more heroic and his triumphs more satisfying. In “Spider-Man: Far From Home,” the romance was more a handicap than a challenge.
Compared to how other romantic sub-plots in the MCU, Peter and MJ’s is by far one of the weakest. It’s established that they’re attracted to one another. That’s the critical first step in any romantic sub-plot. However, “Spider-Man: Far From Home” skips the part where they actually start caring for one another before they develop deeper feelings.
Again, that’s not a trivial oversight. Compare that to other relationships like Starlord and Gamora, Pepper Potts and Iron Man, or even Thor and Jane Foster. It starts with attraction. The characters flirt and tease one another. Then, at some point, that flirting turns into genuine care. They show concern and emotion when they see one another in danger. From there, deeper feelings emerge.
None of that happens with Peter and MJ. Their interactions lack drama, which limits the personal stakes for Spider-Man’s battle against Mysterio. It helps that there are other personal stakes besides MJ that guide this struggle. If anything, those stakes would be a lot more powerful if the sub-plot with MJ were completely removed.
As bad as this romantic sub-plot is, “Spider-Man: Far From Home” still works because so many other elements of the movie are well done. Mysterio is a great villain who really capitalizes on the post-Thanos landscape of the MCU. Peter’s supporting cast, from his teachers to his Aunt May to his best friend Ned, all get a chance to shine. They help give this movie the right impact.
Compared to other Spider-Man movies, “Spider-Man: Far From Home” definitely exceeds the quality of the two “Amazing Spider-Man” movies that came before it. I would also say it’s slightly better than “Spider-Man 3,” albeit barely. If I had to score this movie, I would give it a 6 out of 10. It’s great, but not amazing.
For the MCU, especially after “Avengers Endgame,” the standards for a great superhero movie have never been higher. This movie met many of those standards, but a major flaw in a key sub-plot kept it from exceeding those standards. While I doubt this will hinder the franchise, I believe it’s a flaw that will only get worse if it’s not addressed in the sequels.
If you see the mid-credits scene, then you know what I’m talking about.