We made it through 2025. We’re ready to take on 2026.
I’m now at an age where the years seem to go by fast, but certain days seem to feel longer. It’s one of many signs that I feel the passage of time differently as I get older. I expect that to feeling to intensify as life goes on.
But for now, I’m content to just take things one day at a time and one year at a time. I don’t pretend to know what 2026 will bring. I don’t even know if I’m ready for what awaits. But it’s here. It’s coming.
He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, in the spirit of the holiday season, Jay reviews “Violent Night,” a Christmas movie that mixes Home Alone, Die Hard, and several Tarantino movies into one. It’s more bloody than sentimental for a Christmas movie, but does it stink? That’s up to Jay. Enjoy!
He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, in the spirit of the holiday season, Jay reviews “Red One,” a Christmas movie mashed up with an action movie staring the Rock. It’s less sentimental and more bombastic. It’s a unique approach to a Christmas movie, but does it stink? That’s up to Jay. Enjoy!
This is a video from my YouTube channel, Jack’s World.
In this video, I highlight some distressing trends in the gaming industry, specifically for consoles. And I explain why I may never buy another console again.
It’s a common futuristic trope. At some point, humanity develops robots that are capable of performing everyday household tasks. From Rosie in “The Jetsons” to the units in “I Robot,” they offer an enticing premise. They’re essentially a maid who doesn’t get tired, doesn’t have a bad attitude, and doesn’t inspire any guilt that may come from relegating certain people to service roles.
There’s a lot more to be said about why this trope exists. Some of it has implications that I’d rather not dwell on. But let’s not lie to ourselves. The idea of having a personal robot maid is appealing to many. That appeal extends beyond the possibility of sex robots, which are also a notable trope.
But those robots are mostly just autonomous puppets. Their movements are either pre-programmed or controlled by a human. It’s still a critical component in the development of personal robots. But it’s not enough to make them viable.
Now, we may be at a point where such robots can be a real product. Earlier this year, a company called 1X introduced the first commercial personal robot.
They call it Neo. And it’s currently available for pre-order and the cost is steep at $20,000. Whether or not those orders are fulfilled remains to be seen. It’s possible this could be another Elon Musk style vaporware grift. However, it’s still relevant in that it marks another step.
This robot is certainly no Rosie. It’s also not the kind of robot you might see working in an Amazon warehouse. It feels like a first effort in creating a viable personal robot. Like the first cell phones of the 1980s, it’s a clunky novelty with limited function. This robot doesn’t have an AI that allows it to act independently. It’s actually teleoperated.
That means if or when you get one, it will have to connect remotely to a human operator to help it learn tasks. In a sense, Neo is like an entry level employee that requires extensive training. But it does have a measure of programming that allows it to learn, like your typical narrow AI. And once it learns well enough, it can perform tasks independently.
Those tasks can’t be overly complex. Things like doing the dishes, folding laundry, and cleaning a home is not all that complicated. With some learning, it can probably carry out those tasks about as well as a young teenager. But Neo also has some additional functionality. It can engage in conversations like a typical chatbot.
Couple this with its small stature and non-threatening look and this robot can be a companion, as well as a helper. Again, it’s not a sex robot. Expecting it to be that intimate is like expecting one of those bulky 80s cell phones to take dick pics. I still don’t doubt that will enter the equation at some point in this market. But this added element of connection is another step in the process.
Assuming these robots do actually get sold, it’ll open the doors to a new market. And whichever company gains that initial foothold will be primed to make billions. Say what you will about the current state of the AI industry and there is a lot to say. But it’s an industry full of potential profits for any company that’s capable of realizing them. Doing so will require a great deal of time, money, and investment.
But the incentives are in place. The technology is developing and improving. Fully capable personal robots won’t arrive all at once. Like any other technology, it has to go through a maturation process. But with Neo, that process might have officially begun.
He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, Jay takes on the “The Hangover,” the movie that raised the bar for all R-rated comedies. It’s a haze of dumb Las Vegas antics and poor choices, mixed with a punch from Mike Tyson. It’s chaotic and hilarious, but does it stink? That’s up to Jay. Enjoy!