This is another video from my YouTube channel, Jack’s World. This video is a reaction and response video to Marvel’s recent announcement that they’re revising the world of Ultimate Marvel in June 2023 with Ultimate Invasion. I found this news somewhat striking because a year ago, I made a series of videos arguing that Marvel should reboot the Ultimate Universe. And there’s a real chance we could get something like that with this event. However, based on what little we know about the event, my feelings are somewhat mixed. And in this video, I explain that sentiment while also exploring the potential and pitfalls of this news.
Tag Archives: Miles Morales
Ultimate Invasion: My (Mixed) Thoughts On The Return Of Ultimate Marvel
Filed under Jack's World, Marvel, superhero comics, superhero movies, YouTube
New Comic Book Day September 29, 2021: My Pull List And Pick Of The Week
Every Wednesday is New Comic Book Day and every New Comic Book Day brings something that enriches my world. I imagine many fellow comic book fans feel the same. They may not do what I do and wake up at 4:30 in the morning every Wednesday to read all the new books on their pull list, but the sentiment is still the same.
The world is a crazy, chaotic place. We’re also entering a time of year where the days are getting shorter, the weather is getting colder, and random trips to the beach aren’t as feasible, unless you live in a tropical climate. This is a span of time that is light on holidays, heavy on school, and high on stress. We all need something to help us endure.
For me, having a stack of new comics to look forward to every week doesn’t just help. It energizes my soul. It’s like getting a pep talk from Captain America every week. It just encourages me to get out there, endure all the craziness, and let my love of comics give me the jolt I need every week. It’s a beautiful thing.
This week promises to be even more beautiful than most. Some major events are gearing up, as they often do every fall. Both Marvel and DC Comics love to start major events in the early fall, often allowing them to conclude just in time for the holidays. They make for exciting times, as well as wild speculation on message boards. What more could a comic book fan ask for?
Once again, I offer my pull list and pick of the week. Always, I hope a new batch of comics gives you all the strength you need to endure another week. Enjoy!
My Pull List
My Pick Of The Week
Amazing Spider-Man #74
New Comic Book Day March 24, 2021: My Pull List And Pick Of The Week
It’s another beautiful day for comics and the world is inherently better because of the awesome they bring. That’s how I feel when I wake up every Wednesday morning. Even when times are tough, waking up on Wednesdays knowing there’s a glut of digital comics waiting for me on my iPad is a wonderful feeling. It makes waking up at 4:00 a.m. feel like a basic reflex.
It’s a reflex that wouldn’t be possible without Comixology. I’m old enough to remember the days when New Comic Book Day was a lot more stressful because you didn’t know if your books would arrive on time in the mail. Most of the time, it was hit or miss. In the days before Twitter spoilers and Reddit, it made waiting to read your favorite comics that much more agonizing.
I never want to go back to those days.
Those who live near a comic shop may be able to enjoy the luxury of just walking to their favorite store every Wednesday to see what’s new, but most of us have to deal with less favorable circumstances. Don’t get me wrong. I still love going to comic shops to pick up actual, tangible books for my collection. There will always be a place for that. I’ve just come to love waking up early and enjoying new comics through Comixology.
The internet, tablets, and Comixology have genuinely made it easier than ever to get into this world. Even if you only know these characters through movies and cartoons, you need only an internet connection and a couple extra bucks to fully immerse yourself in this world. To that end, here’s my pull list and pick of the week. Hopefully, it gets you started. Enjoy!
My Pull List
Batman: White Knight Presents: Harley Quinn #6
My Pick Of The Week
Amazing Spider-Man #62
New Comic Book Day March 17, 2021: My Pull List And Pick Of The Week
Top of the morning to ye, my fellow comic book fans. Today is a double holiday, at least for us. For most, it’s St. Patrick’s Day. That’s all well and good. It’s not a major holiday and I doubt many people will get off work for it, especially if they’re teleworking, but it’s an excuse to hang out with friends and get drunk. That’s all you need for a good holiday.
Throw a batch of new comics into the mix and suddenly, any day is better by default, regardless of whether it’s a holiday. I’m not one to make a big deal of St. Patrick’s Day. Most of the time, I celebrate by just hitting up a sports bar, drinking some cold beer, and watching basketball. While last year was a total bust for obvious reasons, I’m ready to make up for it this year.
As it just so happens, St. Patrick’s Day falls on a Wednesday this year. Sometimes, things just work out beautifully.
There may not be any St. Patrick’s Day specials, but reading some awesome comics will put you in a festive mood, regardless of the holiday. I’ve always found reading comics with characters I could see myself sharing a beer with works beautifully.
Characters like Wolverine, Lobo, and Red Sonja come to mind. Maybe you’d prefer drinking with other characters. That’s fine. Comics offer no shortage of drinking buddies. Today might be the best possible day to figure out which characters you’d want to get drunk with at a bar in the middle of the day. In that spirit, here’s my pull list and pick for the week. If you can, try to enjoy them with a cold glass of beer. You’ll do plenty to honor the spirit of St. Patrick’s Day. Enjoy!
My Pull List
Black Knight: Curse Of The Ebony Blade #1
Captain America Anniversary Tribute #1
My Pick Of The Week
New Comic Book Day March 18, 2020: My Pull List And Pick Of The Week
During times of crisis, be they global or just a string of bad days, you got to make the most of what little good you can find. One major benefit of being a comic book fan is that you get a nice shot of good once week, every Wednesday. For us, New Comic Day is like a free massage, a free meal, or a free lap dance that adds a silver lining to an otherwise shitty time.
Let’s be honest. It’s been a long time since things have been this shitty. The news surrounding the Coronavirus/COVID-19 is historically bad and keeps finding ways to get worse. For the foreseeable future, there can be no sports, no concerts, and no major gatherings of any kind. It sucks, but that shouldn’t stop anyone from enjoying a fresh stack of comics.
This feels like one of those weeks where every comic fan is entirely justified in spending more than they usually do. When you’re stuck at home or are looking for new ways to combat boredom, it’s the best possible time to pick up a new series or take advantage of one of Comixology’s many sales. You might just find something awesome.
The world will continue. The news will likely get worse before it gets better. Until then, every bit of awesome we can find is all the more precious. Below is my pull list for the week and my pick. A new batch of comics may count for much for some people, but in my experience, there aren’t many bad situations that cannot be improved by great comics.
My Pull List
My Pick of the Week
Teenage superheroes are among the high risk/high reward ventures of superhero comics. When done right, teenage superheroes can create great characters who grow to become iconic heroes. Peter Parker is the gold standard for just how great those characters can be, as evidenced by his merchandising sales. However, he’s the exceedingly rare exception.
Most of the time, teenage superhero end up being superheroes with teenage angst. That’s why so few go onto become iconic. In recent years, Marvel has been reaping the rewards of putting considerable effort into their teenage heroes. Characters like Ms. Marvel, who is destined for her own Disney+ series, is probably their greatest success story. However, a comic like “Outlawed #1” reminds us that her success extends beyond her character.
A big reason why teenage superheroes have become so prominent at Marvel lately is because the adult heroes aren’t exactly raising the bar. Between superhero civil wars and mass Hydra infiltration, they’ve been letting the younger generation of heroes down a lot lately. They’ve been trying to make up for those shortcomings and it’s led to some remarkable stories and character growth, especially in books like Champions.
All those efforts finally hit an adamantium wall in “Outlawed #1.” Writer Eve Ewing does something different in taking a step back to see the bigger picture surrounding teenage superheroes. The story raises an important question that probably should’ve been asked much sooner.
Should teenagers even be superheroes?
That’s a question that Marvel’s top teen heroes, including Nova, Ironheart, Moon Girl, and Miles Morales try to answer. Even other adult heroes like Captain Marvel and Captain America chime in. Unfortunately, there’s a messy context to the question and it badly affects the answer.
“Outlawed #1” effectively sets the stage for the teenage superheroes of the Marvel universe to prove themselves. Like teenagers who have to prove they can be trusted with their parent’s car, they have to show that they can handle the duties and responsibilities of being heroes. On top of that, they have to do so after striking out on an incident that went so poorly, the government got involved.
Even the most irresponsible teenagers rarely let it escalate to that extent. While their intentions were always good and their ideals always solid, their youth and inexperience showed. The authorities they rarely respect have successfully made the case that teenagers cannot be responsible superheroes. Now, they have to prove that notion wrong.
It’s a daunting prospect that gives “Outlawed #1” a level of dramatic weight we haven’t seen in superhero comic for a while. It doesn’t just raise questions about teenagers being superheroes. It doesn’t frame them completely as one of those simplistic concepts that involves adults lecturing teenagers on responsibility.
There will always be a place for teenage superheroes, but it’s worth questioning how capable these young heroes can be when they lack experience, maturity, and perspective. They’re difficult questions, but “Outlawed #1” gives these heroes an opportunity to answer in a way that makes this book an easy pick.
Regardless of how you feel about irresponsible teenagers, they’re going to do crazy things that adults don’t approve of. That includes being superheroes. Let’s face it, there are worse things they could do with their powers.
Filed under Jack's Quick Pick Comic
Jack Fisher’s Weekly Quick Pick Comic: Friendly Neighborhood Spider-Man #11
There’s an old saying for those of us who have read Spider-Man comics for a good chunk of our lives. Behind every strong Spider-Man is a beautiful redheaded woman. Sure, sometimes that woman is a cute blonde or a skilled thief, but it’s the beautiful redheaded woman who often makes Spider-Man the iconic superhero he is.
If ever you’ve doubted that, then “Friendly Neighborhood Spider-Man #11” should provide the definitive proof you’re looking for. Spider-Man, like many iconic heroes, derives as much of his strength from his supporting cast as he does his powers. For years, the bedrock of that power was his Aunt May. Then, Mary Jane Watson entered the picture and his bedrock hit the goddamn jackpot.
While their history, romantic and otherwise, has been convoluted by some rather infamous moments, Mary Jane Watson has proven to be one of the most integral components of Spider-Man’s story. It’s part of the reason why she’s his most iconic love interest and I say that as someone with the utmost respect for Gwen Stacy.
However, like many superhero love interests, Mary Jane often gets caught in the crossfire of Spider-Man’s heroic activities. There are times when she’s more damsel than lover and these days, that trope is prone to all sorts of unpleasantness.
It’s for that reason, and so many others, that “Friendly Neighborhood Spider-Man #11” is uniquely satisfying in how it affirms Mary Jane’s role in Spider-Man’s life. She doesn’t just prove herself and look sexy while doing it. She tells a side of Spider-Man’s story that isn’t often told.
Writer, Tom Taylor, has given plenty for both Spider-Man and Peter Parker to do since he took over the Friendly Neighborhood Spider-Man series. For this issue, however, he keeps Peter Parker on the sideline. Superheroes need rest too and Mary Jane understands that. She also understands that being Spider-Man’s girlfriend requires more than just looking great in skin-tight outfits.
There are responsibilities, as well. Responsibility has always been a big part of the Spider-Man mythos, going all the way back to the days of Stan Lee and Steve Ditko. It doesn’t just apply to Peter, though. Mary Jane has her own share of responsibilities and not just with respect to being a good girlfriend.
She narrates much of this issue. Taylor doesn’t rely heavily on melodrama or standard relationship issues. Much of the dynamic between her and Spider-Man resemble that of a couple who’ve already worked those issues out. They’re just two people, managing their lives, and doing their part.
For a couple whose romance is one of the most iconic in comic book history, that shouldn’t be such a novel concept. It really shouldn’t and yet, Taylor makes it feel like the most refreshing romantic sub-plot in years. That says more about the history of Spider-Man’s love life than it does anything else.
In addition to being the focus of the story, she finds herself in a situation that usually requires superpowers or billion-dollar gadgets to deal with. It’s not the most daunting situation she’s ever been in. There’s no Green Goblin or Sinister Six to deal with. Even so, it has all the traits of a conflict that usually requires her being rescued.
However, that’s not how it plays out. On top of showing why Mary Jane Watson is such a great superhero girlfriend, “Friendly Neighborhood Spider-Man #11” proves she’s just as capable in those situations. She doesn’t have super-powers, unless you count being irresistible to heterosexual men. For this particular story, she doesn’t need them.
Whereas most civilians would just run at the sight of a threat that requires a suit of armor or a magic hammer, Mary Jane steps up to help. She still can’t do it alone, but she still finds a way to seem as capable as any experienced her.
It’s not just her choice. She sees it at her responsibility. It shows that Spider-Man has influenced her every bit as much as she has influenced him. That doesn’t just belabor why she’s so important to both Spider-Man and Peter Parker. It perfectly reflects the larger themes of Spider-Man, as a whole.
While the news surrounding Spider-Man’s movies are making all the headlines, comics like “Friendly Neighborhood Spider-Man #11” prove why his story is so endearing. There have been countless comics that show Peter Parker rising to the occasion, fighting crazy super-villains, and saving the day. This comic shows how taking those responsibilities seriously help inspire others to do the same.
Mary Jane Watson may never win a fight against Rhino or the Green Goblin, but Taylor makes it abundantly clear that if she has the power to help in a situation, she won’t back down. She’ll fight when others run away. She’ll be strong when others can’t. She’ll look sexier than Peter Parker ever will in the process, but that’s more a bonus than a responsibility.
Throughout her history, Mary Jane Watson has shined in many ways, both on her own and as Spider-Man’s top love interest. A book like “Friendly Neighborhood Spider-Man #11” might not be her most iconic moment, but it shows in a single issue why she’s such an amazing part of Spider-Man’s spectacular story.
Five Reasons Why Spider-Gwen Deserves Her Own Movie
It’s a great time to be fan of superhero comics, but it’s especially great if you’re a Spider-Man fan. Even if you’re not a big fan of the superhero genre, it’s hard to deny the prominence of this famous Marvel franchise. Between a successful spin-off movie in “Venom,” the remarkable acclaim for “Into The Spider-Verse,” and the recent trailer for “Spider-Man: Far From Home,” it’s an amazing time for wall-crawler enthusiasts.
At this point, hoping for more is just being greedy. With a sequel to “Venom” in the works and other spin-off projects in the pipeline, it almost feels wrong to hope for something specific. Marvel, Sony, and Disney are already giving us so much. What more can they possibly offer?
Well, I’d like to make the case that there is one particular branch of the evolving Spider-Man universe that warrants greater attention. It’s something that was already hinted at within “Into The Spider-Verse” and I feel she could have a greater than any other Spidy-centric media. The timing is right. The market is ripe for her ascension. It’s just a matter of building on foundation that is already rich with potential.
I’m referring to Spider-Woman, also known as Gwen Stacy, but best known as Spider-Gwen. In the mythos of Spider-Man, she’s a fairly recent development. However, her rise to prominence has been nothing short of spectacular and I believe she has done plenty to warrant her own place in the franchise.
Most Spider-Man fans know the name, Gwen Stacy. She has had a prominent place in the Spider-Man comics for decades. However, like Miles Morales, Spider-Gwen emerged in an alternate universe where known characters are different and events unfold differently. Her sequence in “Into The Spider-Verse” offered a brief overview of who she was, but her story is far richer than that.
That story still contains many of the iconic themes associated with Spider-Man. Issues like power, responsibility, and dealing with J. Jonah Jameson are a huge part of Spider-Gwen’s story. However, there are a few distinct variations that help set her apart and it’s because of those traits that I believe she can carry her own movie.
What follows are just a few reasons for why I feel that way. There are probably plenty more that other Spider-Gwen fans will resent me for skipping. I understand and accept that responsibility. Since these are such great times for Spider-Man fans, I like to think we don’t need that many reasons to give someone like Spider-Gwen her own movie.
Reason #1: She Sets Herself Apart From Peter Parker (Aside From Being A Woman)
If the success of “Into The Spider-Verse” taught us anything, other than the inherent appeal of cartoon pigs, it’s that you don’t have to be Peter Parker in order to embody the themes of Spider-Man. Miles Morales did a lot to set himself apart in terms of personality, circumstances, and abilities. Spider-Gwen does plenty of that too, but she takes it even further.
In the world of Spider-Gwen, the story of Gwen Stacy unfolds very differently. She’s not a nerd like Peter. She’s not a biracial teen trying to fit in at a new school. She’s the same sweet girl that Spider-Man fans know from classic stories. That all changes when she gets bit by that radioactive spider instead of Peter.
The Gwen Stacy that emerged after is still Gwen, but she goes about utilizing her powers very differently compared to Peter. They change the way she carries herself. She doesn’t approach them the same way as Peter or other Spider-Man characters. She follows her own path, complete with her own sense of power and responsibility.
Her approach is not radically different from that of Peter Parker, but it still feels distinct. How Gwen becomes Spider-Woman and how this affects her, as a character, is not a story that can be told with Peter Parker, Miles Morales, or any other character, for that matter. The fact she’s a woman at a time when female superheroes have been subject to greater scrutiny is just a nice bonus.
Moreover, the story of Peter Parker has been told and retold many times, already. There have been three distinct timelines with three different actors taking on the role. There’s only so much more that can be done at this point. Gwen Stacy is a different story, but one that’s familiar enough to fit into the greater Spider-Man mythos.
Reason #2: Her Story Brings A Unique Set Of Challenges (Aside From Being A Woman)
Being a masked vigilante is hard. Five decades of Spider-Man comics and three movie franchises have done plenty to establish that. However, Peter Parker never had to deal with being a vigilante while having a cop for a parent. He also never had to be the prime suspect in the death of a friend that he tried desperately to protect.
Those are just some of the challenges Gwen faces throughout her story in the comics. Unlike Peter, she’s not just another high school student trying to balance her personal life with her superhero life. She faces far greater challenges than not having a date to the prom or showing up late to class.
One of her biggest challenges, throughout her story, revolves around being a vigilante while her father, George Stacy, is a cop with the NYPD. On top of that, he’s initially tasked with arresting Spider-Woman because she’s implicated in the death of Peter Parker. Learning that his daughter is Spider-Woman only compounds that challenge.
There’s a lot of drama in that dynamic. If you want to see how it plays out, I strongly recommend checking out the comic series written by Jason Latour. These challenges are things that you won’t find in a Spider-Man story with Peter Parker. Like her counterparts, Gwen bears many burdens and responsibilities, but having a cop for a father only makes it harder.
At a time when the conduct of the police is under more scrutiny than ever, I think a Spider-Gwen movie could explore those conflicts better than most. Beyond giving Gwen different obstacles, it offers a different perspective on what it means to be a hero and how difficult it is to manage when family affairs get involved.
Reason #3: The (Fitting) Tragedy Of Peter Parker In Her World
It’s impossible to tell the story of Spider-Gwen without telling the story of Peter Parker in her world. Her version of Peter is very different in that not getting bit by that radioactive spider sent him down a darker path. His story is one of tragedy, but it’s the kind of tragedy that complements Gwen’s story and fits perfectly with the themes of Spider-Man.
In many respects, Peter fills the role of Uncle Ben in the world of Spider-Gwen, but not in the same way. It’s not a classic case of failing to stop him from getting hurt by a random accident. Gwen actually went out of her way to protect Peter. Getting superpowers actually made that easier for her. She sees him as her friend and wants to help him.
However, in doing so, Peter makes some fateful decisions that result in his death. It’s not just tragic. It’s gut-wrenching for Gwen. She has to watch this boy she cares about die because he wanted to be more like her. She’s very much responsible for what happened to him. On top of that, Spider-Woman is blamed for his death, thanks to shoddy reporting by J. Jonah Jameson.
This version of Peter is powerful in how it twists the classic Spider-Man narrative without warping it entirely. By helping Peter like she did, Gwen ultimately failed him. That’s a different, but effective way to learn the importance of power and responsibility.
Reason #4: She’s Likable In Many Ways (More So Than Peter)
Even in stories where she doesn’t have powers, Gwen Stacy is a genuinely likable character. She’s sweet, fun-loving, and genuine. She’s the kind of girl you can be friends with and/or fall in love with. She’s honest and blunt in how she deals with people. She’s also compassionate and understanding. Getting superpowers only enhances these traits.
What we saw in “Into The Spider-Verse” was just a small sample of a much richer persona. Her attitude, as well as her ability to connect with others in awkward situations, is plenty endearing. In the comics, we see this manifest in many other ways. From the way she deals with her father to how she interacts with her band-mates in their all-female band, the Mary Janes, is likable on so many levels.
I would go so far as to argue that she’s a lot more likable than Peter Parker, if only because she’s less prone to brooding and whining. Throughout the comics, she ends up in some pretty rough situations, which include being actively hunted by the NYPD and unable to go home to her father after he learns of her identity. It’s rough, but at no point does she just whine about it.
As sweet as Gwen is, she also has grit. She knows how to endure a lousy situation and when the going gets tough, she finds a way to get stronger. She still messes up along the way. In fact, she messes up a lot in the comics, but she learns from her mistakes and she grows along the way.
I’m not saying Peter Parker hasn’t grown over the years, but even after five decades of comics, cartoons, and movies, his growth tends to regularly stagnate. Every time he seems to move forward with his life, he takes a step back, whether it’s undoing a marriage or losing his billion-dollar company.
Spider-Gwen may not have had as much time to grow and regress, but her story has been allowed to evolve in many ways since her debut. That development is full of opportunities. Even though she has only been web-swinging since 2014, she has plenty of material for a great movie.
Reason #5: Her Story Is Not Bogged Down By Continuity
This is more a logistical issue than anything else. Peter Parker has been around since the Kennedy Administration. His story has years upon years of continuity that effectively shackle him from radical change. I’ve mentioned before how all superheroes are subject to these constraints. I’ve even argued that Spider-Man is more inept than most at dealing with them.
With Spider-Gwen, however, there are far fewer constraints and many potential avenues for growth. Her story, and that of her distinct alternate universe, is in its infancy, relative to other superheroes. She hasn’t been around long enough for complications and retcons to accumulate. She can follow many different paths, both in the comics and in the movies.
One of the common complaints that comic fans will levy against a movie is how closely it follows the source material. Since Peter Parker is such an icon, there’s not a lot of wiggle room. With Spider-Gwen, there isn’t much source material from which to deviate. “Into The Spider-Verse” already captured the basics. A full-fledged Spider-Gwen movie will have plenty of flexibility.
There are plenty of other reasons I could list to justify Spider-Gwen getting her own movie. She’s a great character who embodies unique aspects of the greater Spider-Man mythos. Given the current state of the superhero genre, especially with respect to box office returns, I don’t think Sony, Marvel, and Disney need many to make Spider-Gwen their next success story.
Filed under Marvel, movies, Spider-Man, superhero comics, superhero movies
How “Into The Spider-Verse” Embodies The Best Aspects Of Superhero Movies (And Sets Up A Promising Future)
In the modern era of superhero movies, Spider-Man is one of the bedrock franchises that has guided the genre through its journey from niche market to global box office dominance. Alongside the first “X-men” movie, Sam Raimi’s original “Spider-Man” is credited with ushering in this golden age of superhero cinema.
It has been a bumpy road at times. We had high points with “Spider-Man 2” and not-so-high points with “Amazing Spider-Man 2.” Regardless of how these movies fared, the story of Peter Parker shouldering the power and responsibilities of Spider-Man has become ingrained in pop culture. We still could’ve done without that awful dance scene, though.
Given all the weight Spider-Man has for the genre, a movie like “Into The Spider-Verse” has a lot going for it and just as much working against it. The story of Peter Parker has been done, redone, and overdone so much that it feels like there’s no room left for nuance. Well, “Into The Spider-Verse” definitively proves there’s still untapped potential and it runs even deeper than anyone thought.
I don’t want to spoil much about this movie, but I will spoil this. “Into The Spider-Verse” is every bit as awesome as critics and audiences alike have said. It’s a truly groundbreaking achievement for superhero movies, animation, and the Spider-Man franchise. The fact that it managed to do this without being part of the Marvel Cinematic Universe makes that accomplishment all the more remarkable.
This movie succeeds on so many levels. It takes a concept drawn directly from the comics and expands on it, creating a whole new world in which all things Spider-Man do not revolve entirely around Peter Parker. That’s not a typo, by the way. This is a Spider-Man movie in which Peter Parker is not the main driving force of the story.
He’s still there. He still plays a major part in the story. However, this movie is a story about Miles Morales. Those who follow the comics will recognize that name. He’s not just some unknown character who gets thrust into a central role in the vein of the “Ghostbuster” reboot. Miles has a fairly comprehensive history going back to 2011 and this movie captures the heart of that history perfectly.
Miles is not like Peter in many ways. Beyond the fact that he’s half-black, half-Latino, and the nephew of a dangerous super-villain, his powers are slightly different. His personality is different, as well. He’s not the same nerdy dork that Peter Parker was, but he is very much an outsider who struggles to fit in.
Miles has more confidence, but not in the arrogant hipster Andrew Garfield sort of way. He’s someone who isn’t sure of who he wants to be or where he wants his life to go. On one hand, he’s got his parents who want him to aspire to something greater than a life in Brooklyn. On the other, he has influences like his Uncle Aaron pulling him down a darker path.
Him getting bit by a radioactive spider only compounds these conflicting forces. Part of what makes Miles work when other would-be Spider-Man replacements failed is that his struggle feels genuine. He never comes off as a rip-off or a substitute. What makes Miles a Spider-Man worth rooting for is how Peter Parker inspires him to take on that responsibility.
The comics went about that in one particular way that worked brilliantly. “Into The Spider-Verse” utilizes a different, but similar approach that’s every bit as compelling. Peter Parker has a major influence, but the movie throws in many other influences that send Miles down the path to becoming Spider-Man.
Some of those influences come in the form of other famous alternate-version Spider-Man characters, including the likes of Spider-Gwen and Spider-Ham. “Into The Spider-Verse” manages to give them their own stories that show how they fit into the greater Spider-Man mythos, but for Miles, they embody the responsibility before him.
Like Peter, and so many other Spider-Man characters, he’s initially reluctant to bear that burden. Over the course of the movie, he endures plenty of agonizing decisions and crippling self-doubt. He struggles in ways that we’re not used to seeing Spider-Man struggle, but that’s exactly why “Into The Spider-Verse” works so well in the current landscape of superhero movies.
Going back to the first “Iron Man” movie, we’ve come to expect struggles and setbacks from our heroes. Miles has a lot more than most and not just because of his youth or inexperience. He has huge shoes to fill and the history of characters filling the shoes of iconic heroes is mixed at best.
By the end of the movie, though, Miles effectively proves that he’s worthy of being Spider-Man. He deserves a spot in the greater Spider-Man mythos. It doesn’t have to revolve entirely around Peter Parker. For some Spider-Man fans, that may seem outrageous. “Into The Spider-Verse” shows that there’s plenty of room for characters like Miles.
How it goes about this has greater implications for the future of superhero movies than it does for the present. I would even go so far as to say that “Into The Spider-Verse” might end up being a major turning point for the superhero genre because of how it tells Miles’ story alongside that of Peter Parker.
Aside from just raising Miles’ profile, “Into The Spider-Verse” does something that is overdue for Peter Parker’s story. Specifically, it ages him. The Peter Parker in this story is not some wide-eyed kid with Tom Holland’s baby face. He’s an older, more jaded version of Peter who has made mistakes and lost confidence in himself, as often happens to those who survive to middle age.
It’s part of the paradox of heroism that I’ve mentioned before in that many popular superheroes aren’t allowed to age beyond a certain point. In fact, that was cited as the primary reason for breaking up Spider-Man’s marriage to Mary Jane Watson in the comics. Aging a hero beyond the mold Frank Miller’s version of Batman just seems like a dead end.
“Into The Spider-Verse” makes the case that this doesn’t have to be the case. Peter Parker can grow up and even endure a mid-life crisis. For a character who has been around since the early 1960s, it almost feels overdue. His struggle doesn’t have to be the end of his story. If anything, it helps further Miles’ ascension to becoming the new Spider-Man.
It’s a theme that has played out in the comics more recently. Older heroes are inspiring a new crop of younger heroes. Miles Morales was among the first. Others like Kamala Khan and Riri Williams have followed. It feels like a natural progression of the superhero archetype, inspiring others to take up the responsibility and aspire to something greater.
Miles Morales isn’t a replacement for Peter Parker. He’s a supplement to the greater Spider-Man mythos and “Into The Spider-Verse” establishes how well this can work. His story is every bit as endearing as Peter’s, but without supplanting him. As such, it provides a new template for superhero movies in the future.
Not every story has to rely on rehashing and revamping iconic characters from the Stan Lee/Jack Kirby/Steve Ditko era. It’s possible for new characters to emerge without replacing older ones. The world of superheroes can grow and evolve with subsequent generations. It’ll have to and not just because of actors’ contracts expiring.
If I had to score “Into The Spider-Verse,” I would give it an 8 out of 10. It’s a great movie, but it does have some shortcomings. They’re very minor. The pacing of the movie is erratic at times and the designs for certain characters, namely Kingpin and Scorpion, have room for improvement. It never feels chaotic or disconnected, though. The movie has a unique artistic style that fits perfectly with the story.
Every now and then, someone will claim that superhero movies will one day go the way of the western. That may still happen at some point, but “Into The Spider-Verse” shows that there are whole new paths to explore and they have to exist in the MCU. This movie is an incredible achievement beyond just being a great superhero movie and one I hope inspires others for years to come.
Also, the tribute to Stan Lee at the end will bring a tear to your eyes. Be certain of that.