The following is a new video from my YouTube Channel, Jack’s World. It’s a trailer for an old, but epic fan fiction project I worked on several years back. Enjoy!
The following is a new video from my YouTube Channel, Jack’s World. It’s a trailer for an old, but epic fan fiction project I worked on several years back. Enjoy!
I have an exciting announcement to make. Today, I’ve officially launched my own YouTube channel. I call it Jack’s World. It’s a new creative outlet and one I hope leads me to bigger and better things.
Now, I’ve had this idea for a while. Earlier this year, I announced that I would be scaling back my writing on this site. I’ve also scaled back on writing my sexy short stories and novels. The reasons for that are many, but it comes down largely to time, effort, and response.
I wasn’t getting much traffic from those endeavors. I’d hoped that I could build an audience that would eventually result in forging connections in the publishing world. That effort just didn’t pan out and I’m not confident that it will, especially given the current situation.
I still want to build an audience. I still want to make a living selling books, telling sexy short stories, and sharing my insights with the world. I just can’t do that with this site alone. As such, I’m going to give YouTube a try.
My new channel will be similar to this site in that it covers various topics, from comic books to current events to personal stories to angry rants. It’s my sincere hope that I find a larger audience and greater connections. Today, that journey starts.
I’ve had to teach myself some video editing along the way, but I’ve managed to make my first video. As it just so happens, it involves X-Men and superhero movies. That should shock nobody. It also involves “Dark Phoenix,” a movie that still hold a special place in my heart and always will. I hope you enjoy it.
If you have other ideas for videos or content, please share it. I’ve already got plans for the next crop of videos. Since my channel is small, I’m going to focus on many topics, hoping to eventually find my niche. As for what it means for this website, that remains to be seen. Until then, I hope everyone will join me in Jack’s World.
For the past two months, it seems everyone is longing for or agonizing over a sense of normalcy. They look back on the days of being able to go to a movie theater, sit inside a crowded restaurant, or smell someone’s breath while they stand in a crowded subway car. While that last one might not be that fond a memory, it still symbolizes the same idea.
We miss that sense of normal. Even if the concept of “normal” had its problems, as it often does, we miss it. We’ve all spent the last two months enduring extended isolation while watching increasingly grim news surrounding a global pandemic. People don’t agree on much, but they can agree that this abnormal experience sucks.
I’m of the opinion that we can never truly go back to the “normal” we once knew. I’m also of the opinion that “normal” is an overrated concept. At the same time, I long for some aspects of that pre-pandemic world. That’s why the prospect of New Comic Day returning is such a relief.
It’s still not back to full capacity, but it’s getting there. Books that were supposed to come out back in late March are finally starting to hit both comic shops and Comixology. This week marks the first week where all the major comic companies make a concerted effort at returning to normal. I can’t speak for all comic fans, but I’m rooting for them to succeed.
As part of that effort, I’ve assembled a pull list and pick. It’s still too early to call this a return to normal, but I’ll take it.
There’s an inescapable law in superhero comics that’s right up there with characters not staying dead or Deadpool being annoying. If you invent a certain technology that can be used by villains, then there’s no uninventing it. You can scrub your computer. You can burn on the schematics. You can even try to mind-wipe everyone you told about it, which is possible in worlds that have telepaths.
There’s no getting around it. Some asshole will find it and use it to inflict harm, suffering, and chaos. That’s a lesson that Forge, and all of Krakoa, learn in “Marauders #10.” For the last several issues, someone with ties to corrupt, mutant-hating Russians has been using power dampening technology to abduct mutants and harass Krakoan exports. It has cost Krakoa money and it may have cost Kitty Pryde her life.
I say “may” because X-Men comics have really twisted the meaning of death and dying after “House of X/Powers of X,” albeit in a very awesome manner. However, Kitty’s status among the living is only secondary. What happened to her is just more motivation for Emma Frost and the rest of the Marauders crew to get back at the Russians who think they can get away with trolling Krakoa.
It’s a serious effort that has serious ramifications for Krakoa’s emerging status among nations. That doesn’t stop writer Gerry Duggan and artist Stefano Caselli from having fun with it. This isn’t some standard clash where the X-Men take down a few evil minions and blow up a few killer robots. There’s some real strategy and cunning employed.
By that, I mean Emma Frost weaponizes her tits in battle.
Yes, that really happened.
Yes, it’s as awesome as it sounds.
Naturally, Emma Frost steals the show, but there’s a bigger picture in “Marauders #10” that goes beyond stopping a bunch of renegade Russians. It’s another step in Krakoa’s growing pains as a nation. Mutants have established themselves as a world power. They’ve shown that they have valuable resources to trade.
Naturally, those resources are going to come under attack. Like any nation, Krakoa has to deal with competitors, enemies, and rogue elements from unfriendly nations. When mutant powers are involved, both the threats and the geopolitical implications are compounded. Smaller conflicts are now much bigger in scope.
It doesn’t help that things like power dampening technology and mutant killing robots are still out there in the world. Chances are the schematics are available on the dark web for a few bitcoins. When mutants were just scattered or on the brink of extinction, these dangers were localized. Now, they’re a matter of geopolitics.
That’s the kind of world that the X-Men live in now and “Marauders #10” builds on it. There are still plenty of obstacles for the X-Men and Krakoa to deal with. Some will be harder to overcome than others, as the loss of Kitty Pryde has shown them. However, even if they can’t undo technology like Sentinels and power dampeners, they can still fight through it and thrive.
It’s a testament to both Krakoa’s emerging power and Emma Frost’s uncanny tits.
What do you do when you can’t go out to a movie, hit the gym, watch sports, or hang out at a bar? That’s not a rhetorical question. Seriously, what do you do? It’s a wholly relevant question when you’re living through a global pandemic and happen to be in an area that’s on lock-down. As I write this, pretty much everything is closed except grocery stores, hospitals, and gas stations. It’s scary and more than a little frustrating.
Thankfully, Wednesday morning still brings a brief reprieve in the form of new comics. It’s one of the few things I can still look forward to, although that might not be the case for much longer. I’m already bracing myself for the idea that new comics might be delayed because of this crisis. For a lifelong comic fan, it’s an inconceivably terrifying thought.
For now, though, New Comic Day is proceeding as usual, thanks largely the wonderful folks at Comixology. Seriously, these guys are a big reason why comic fans like myself can still enjoy this weekly batch of awesome that so enriches our lives. I really hope things continue to operate on their end without a hitch. There’s only so long a guy can last without new comics.
As such, my pull list this week is a little bloated. Does this count as panic buying? Yeah, it probably does. No, I’m not going to apologize for it. When every day brings terrible news about a worsening crisis, I think that kind of buying is forgivable. Please keep that in mind as I share my list and my pick of the week.
Stay safe and wash your damn hands!
What does a fair, just, and functional society do with their most deviant citizens? It’s a very relevant question for the real world, as well as the world of superhero comics. Ever since the famed Golden Age of comics, that question has been largely overlooked. Most stories end with the heroes throwing the villains in jail, getting a pat on the back, and telling kids to eat their vegetables. It’s simple, comforting, and frustratingly inane.
Then, a book like “Hellions #1” comes along and decides to stop running from that question. On top of that, it even dares to have fun while trying to answer it. After all, comics should be fun. They can also answer profound questions about the endless pursuit of a better society. It just takes the right kind of story and that’s exactly what writer Zeb Wells and artist Stephen Segovia set up.
The world of mutants and the X-Men have faced massive upheavals since the events of “House of X/Powers of X.” With the founding of Krakoa, mutants aren’t just looking to survive the endless attacks of killer robots, hateful humans, and superhero civil wars. They’re looking to build their own society and establish their own culture. It has been an arduous process that has spanned many books. “Hellions #1” is now part of that effort.
Specifically, it addresses the inescapable question of what to do with the mutants who aren’t necessarily supervillans, but are as mentally unstable as Deadpool in a chimmichanga factory. Many have popped up in various parts of X-Men lore. Most casual fans won’t know who Wild Child, Empath, Scalphunter, Nanny, and Orphan Maker are. However, you don’t need to know who they are to follow the story. You just need to know they’re crazy, violent, chaotic, and they have mutant powers.
While it would be easier for the powers that be on Krakoa to just shut them out of their growing society, that wouldn’t fit with their ideals. They founded Krakoa to help all mutants and not just the ones who look good in yellow spandex. That includes the psychopaths.
Wells and Segovia put together a quirky, but entertaining ensemble of characters together. They feel less like a superhero team and more like a collection of irritable psychopaths who just need something to do to keep them from being too psychotic. Fittingly enough, Mr. Sinister is tasked with doing just that, complete with the blessing of Charles Xavier, Magneto, and the rest of Krakoa’s leadership.
On paper, it sounds like the kind of thing that can only end in unmitigated disaster. In practice, it’s still a messy disaster, but one that can be aimed properly. Under the watchful supervision of Havok and Psylocke, this new team of Hellions is tasked with channeling their psychotic tendencies for good. It’s one of those ideas that sounds so crazy that it has to work.
Wells and Segovia don’t just throw this new team into the nearest conflict involving killer robots or angry aliens. Like many other X-books since “House of X/Powers of X,” there’s a legitimate effort at world-building and depth. There’s motivation, purpose, and vision behind each decision. The fact that psychotic mutants often make for hilariously entertaining moments is just a nice bonus.
It’s an approach that feels distinctly different from what petty, unevolved humans do with their deviants. If the final page of “Hellions #1” is any indication, there will be ample opportunities to test that approach. It’s bound to be chaotic, messy, and mentally unhinged. That’s exactly what makes it so entertaining and my pick of the week.
I’m going to sound old when I say this, but comic fan under the age of 22 has no idea how good they have it. I remember being a comic fan as a kid. There was no comic shop within walking distance of my house. The grocery store sometimes had comics, but the selection was limited. Even when I got a subscription, they rarely arrived on time in the mail.
Today, it’s never been easier to be a comic fan. Thanks to Comixology and tablet computers, you don’t even have to put pants on to enjoy new comic day. Kids will never know the agony of waiting for the mail to arrive and hoping that your books aren’t late. If it ever snowed, then you were really screwed and with dial up internet, you couldn’t even get spoilers.
Now, it’s all so seamless. You wake up on a Wednesday morning, you check the Comixology app, and you download your pull list. You can do it all before you brew your first cup of coffee. For younger fans, it’s mundane. For older fans like me, it’s nothing short of comic book nirvana.
That’s why I’m so grateful to have services like Comixology at my disposal. It makes every Wednesday morning a joyous immersion into the medium I love. Today is no exception. What follows is my pull list and my pick of the week. The fact that I can enjoy all this without putting on pants makes it all the more enjoyable.
There are few constants in the real world and even fewer in the world of superhero comics. Sure, it’s a running joke that nobody stays dead, everything reverts to a certain status quo, and a sizable number of characters are going to be Batman rip-offs, but there are still core tenants that help keep a franchise anchored to its core. For X-Men comics, those tenants are many, but include a handful of important constants.
Jean Grey never stays dead.
Deadpool never shuts up.
Gambit’s accent will always be sexy.
Cable will always shoot things with big guns.
There are plenty of X-Men comics where these uncanny themes play out in any number of forms. “Cable #1” focuses on the ones that make Nathaniel “Dayspring” Summers the battle-hardened badass that X-Men fans have celebrated since the early 1990s. For a character with such an insane backstory, it’s not easy to keep things simple. Gerry Duggan and Phil Noto manage to do just that.
However, they don’t just focus on giving Cable something to shoot with his oversized guns, although that is a major part of the plot. “Cable #1” picks up in a strange place during Cables exceedingly bizarre story, but it builds on that story in a way that’s both overdue and engaging.
The Cable who has been running around the X-Men comic isn’t the same old, grizzled Cable that Josh Brolin brought to life so masterfully in “Deadpool 2.” Instead, we’ve got a younger, bolder, and more hormonal version of the character. Some call him Kid Cable. Others call him a cocky little shit who murdered his older self. Both are equally right.
Since he first showed up in “Extermination,” his place in the X-Men’s world has been somewhat tricky. Cable has never been a team player or one to stand with the X-Men and take orders with a smile. That’s just not his style and “Cable #1” doesn’t radically change that. More than anything else, it embraces the more youthful quirks of Kid Cable while highlighting the explosive action that he often brings.
The details are simple. Cable is just one of many mutant resident of Krakoa who just happens to part of the Summers family. There’s an issue involving a young mutant being chased by a monster. Cable decides to help and brings his favorite guns. It doesn’t need much beyond that to be entertaining, but Duggan and Noto add a few extra twists that help set the stage for the character’s next upheaval.
The basics of “Cable #1” make the story entertaining, but it’s the more personal moments that make it noteworthy. Kid Cable, or whatever you want to call him, is not the same brooding time traveler who sneers at everyone. He does smile. He even flirts a little with the mutants his age. He’s even humbled somewhat when Cyclops enters the room.
These aren’t new concepts for most characters, but they’re new for Cable. They effectively humanize him in a way we haven’t seen in quite some time. You might still think he’s a cocky little shit who isn’t nearly as awesome as his grizzled self, but he’s still Cable.
He can still shoot big guns, fight monsters, and save innocent mutants. He still has the same appeal he’s had since the heyday of Rob Liefeld. Now, “Cable #1” sets the character up for a new set of challenges. Being younger and less cantankerous, it creates new opportunities for a character who hasn’t had many that don’t involve shooting things and teaming up with Deadpool.
I may be in the minority when I say that Kid Cable is growing on me, but “Cable #1” shows that his appeal has a place in the X-Men’s uncanny world. He’ll always be the grumpy old badass from the future at heart. This just gives him a chance to do more and I’m glad he’s running with it.
If you’re a football fan, this week is one of the most bittersweet times of the year. The Super Bowl is over. Even though it was an awesome game with an incredible halftime show that pissed off the right snowflakes, there’s no getting around the truth.
Football season is over.
Assuming you’re not willing to give the XFL a chance, we’re officially in the dead zone of sports. Until March Madness rolls around, there isn’t much to get excited about. If, however, you happen to be a comic fan as well as a sports fan, then you’re perfectly equipped to endure this distressing stretch.
For comic fans, there is no off-season. Every Wednesday is basically game day for us. Not every Wednesday is the Super Bowl, but some are more eventful than others. They may not include an incredible halftime show, but they include Wonder Woman, She-Hulk, Jean Grey, and Supergirl fighting armies of monsters and looking good doing it. To me, that’s the next best thing.
These next few months will be difficult for fellow football fans. For my fellow comic fans, though, it’s business as usual. Another week has come and another batch of comics have arrived. As always, and with the help of the fine folks at Comixology, I’m sharing my pull list and my pick of the week.
A new football season may be months away, but new comics are never more than a week. Nuff said!
As the great modern philosopher, William Smith, once said, parents just don’t understand. When we’re little kids, we’re often at the mercy of our parents understanding. When your parents happen to be Reed and Sue Richards of the Fantastic Four, that is compounded exponentially. Then, you become a teenager and other things become exponentially complicated.
I’m not just talking about hormones and body hair. Kids clashing with parents is a theme older than any superhero comic and while “X-Men/Fantastic Four #1” doesn’t reinvent the concept, it manages to do something uncanny with it.
This book brings to a head an issue that was teased back in “House of X.” Mutants all over the world are gathering on their new homeland, Krakoa. One of those mutants, however, happens to be Franklin Richards. While he’s best known for being Reed and Sue’s first child, he’s also a mutant and an insanely powerful one at that. This is a kid who creates entire universes with the same ease as most kids pop pimples.
While he’s been on the X-Men’s radar, they haven’t really forced the issue. That changes in “X-Men/Fantastic Four #1” in a major way. Initially, writer Chip Zdarsky and artist Terry Dodson has it play out as anyone might expect. A group of mutants come to convince a child’s parents that their child should come with them. Their parents aren’t having it.
When the book begins, you think you know who you should root for in this. However, Zdarsky and Dodson complicate things when they reveal that parents, for all their love and nurturing, don’t always understand. They think they’re doing what they feel is best for their family, but sometimes that becomes an excuse to do questionable things behind their child’s back.
It’s an age-old clash between wanting to protect your child at the risk of driving them away. It’s a clash that plays out in dramatic fashion in “X-Men/Fantastic Four #1.” By the end, it’s hard to know who to root for.
In the end, this is Franklin’s story. The X-Men and the Fantastic Four are just along for the ride and it’s already a hell of a ride. Whether you’re a parent or a child, you can find something in “X-Men/Fantastic Four #1” that resonates. It’s one of the most clear-cut picks of 2020 thus far. I’m not sure whether to call it fantastic or uncanny just yet, but so far, it has plenty of both.
When you’ve had a bad day, chances are it started out bad and only got worse from there. Conversely, when you have a good day, it often starts off promising and hopeful. I say that because when you’re a comic book fan and it’s Wednesday morning, you’ve already got a running start with respect to making your day awesome.
You never know how a day is going to go. You might screw up in ways that leave lasting scars. You might meet the love of your life. However, when you know that day involves new comics and all the awesome that comes with that, you have a small amount of assurance about how that day is going to go.
That’s not to say every New Comic Day is great. I’ve had more than a few that have been lousy, but that had less to do with the comics and more to do with other factors outside my control. I don’t know what factors will influence my day today, but I’m already optimistic, knowing I can wake up to a fresh stack of digital comics, courtesy of Comixology.
What follow is my weekly pull list and my pick of the week. This week was more stacked than most. That often happens on the last Wednesday of the month. I certainly don’t mind. The bigger the stack, my chances of this day being awesome. I hope other fellow comic fans out there have a similar outlook.
Some characters will never escape the shadow of another. Robin will always be defined by Batman. Lois Lane will always be defined by Superman. Wolverine will always be defined by whoever sells him beer and whiskey. It’s not impossible to escape from another character’s shadow, but it is exceedingly difficult, even in comics.
That’s what makes “Fallen Angels #6” such a remarkable accomplishment. It’s not just the final issue of an arc that spun directly out of the events of House of X/Powers of X. It completes a personal journey for a character who, up until very recently, had been inextricably tied to another.
For years, Psylocke was Elizabeth “Betsy” Braddock. Elizabeth’s story was Psylocke’s story. A big part of that story was her mind getting stuck in the body of Kwannon, a Japanese mutant with ties to secret organizations run by ninjas and crime families. It wasn’t until a few years ago during the Hunt for Wolverine story that Kwannon and Elizabeth were finally separated.
While Betsy’s story has continued in pages of Excalibur, Kwannon/Psylocke was in a strange position. She’s no longer tied to Elizabeth Braddock. For once, she can tell her own story, but is that even possible after being so closely tied to another character for years?
I admit I was skeptical, but “Fallen Angels #6” has convinced me. Kwannon can be her own character. She can also be Psylocke, too. Betsy has her own story now and Kwannon’s is worth telling too. Writer Bryan Hill redefined, redeveloped, and refocused Kwannon’s story in the span of six issues. He even managed to create new bonds with characters like Cable and X-23 along the way.
The events of “Fallen Angels #6” is the culmination of that ambitious process. Kwannon finally confronts Apoth, a being with a god complex who is also trying to define his story with Kwannon’s. It’s something she has every reason to avoid. Watching it play out is dramatic, action-packed, and beautiful.
It’s not just a satisfying ending to a story. It’s a turning point for a character who badly needed it. Moving forward, Psylocke is Kwannon and Kwannon’s story is worth telling. It’s also worth being my pick of the week. It has gods, ninjas, and explosions of all kinds. What more could you ask for?
Christmas may be over, but for fans of comic books, every Wednesday is Christmas. With every new week comes a new batch of comics and the world is a little more awesome because of it. In the past, I’ve singled out a single comic and tried to do a thorough review. However, in the interest of being more concise, I’ve decided to switch things up a bit.
From here on out, I’m going to use each New Comic Book Day to share my personal pull list. These are all comics I go out of my way to read the moment they’re available, usually through sites like Comixology. Sometimes, I’ll buy more if I have some spare change by the end of the day.
From that list, I’ll still single out a comic that I highly recommend. Please let me know if you like this new format or if you prefer I go back to the old one. Thanks and to all my fellow comic fans out there, I hope it’s the first of many awesome New Comic Days for 2020 and the decade to come.
Some comics have broad appeal and multiple themes meant to appeal to as many people as possible. X-Force is not one of those comics. You don’t pick up an X-Force comic looking for big philosophical insights on the universe, the human condition, or what it means to be a hero. You go to an X-Force comic when you want to see gratuitous violence, pissed off mutants, and reasons as to why Wolverine drinks so much whiskey.
This comic has all of those things, including whiskey. The plot is simple. A group of well-armed mercenaries have invaded Krakoa. In the last issue, they managed to split Wolverine in half. In issues before that, the ones who hired them peeled off Domino’s skin to tap her powers. Even by X-Force standards, that’s still pretty brutal.
What makes X-Force #5 my pick this week is how Wolverine, Domino, and an emerging cast that includes Forge, Beast, and Jean Grey respond. They’ve been hit. They’ve been brutalized. They’ve been wounded and scarred in ways that no healing factor can treat. Now, they have a chance to take it out on the people responsible and they don’t hold back.
The results are bloody, violent, and compelling on multiple levels. Krakoa is supposed to be a place where mutants can finally enjoy some semblance of peace. Certain people in the world just can’t have that. Those people aren’t going to be reasoned with or convinced otherwise. That’s where X-Force comes in. It’s a dirty, ugly, unsanctioned aspect of making Krakoa work, but it’s necessary.
X-Force #5 reinforces that to an extreme. It also hints at where they’ll have to direct their gratuitous violence next. With the possible exception of having a weak stomach, there’s every reason to love what this book delivers.
Since the conclusion of “Dark Phoenix,” a movie I genuinely love and have re-watched more times than “Avengers Endgame,” it’s been a strange time for X-Men fans. We know that the X-Men are coming to the Marvel Cinematic Universe. With the Disney/Fox merge finalized, it’s only a matter of time before we see mutants pop up in the Marvel universe. It may even come sooner than we think.
Then, there’s “New Mutants.” This movie, which is based on a well-known, critically acclaimed X-Men comic from the 1980s, is a hell of an anomaly. It was originally supposed to come out in April 2018, but got delayed for reasons that are too complicated and stupid for me to put into words.
Delays aside, it has a bold concept. It attempts to mix horror with superhero movies. It’s a unique combination, but one that doesn’t sound that outlandish. Remember, this is the same franchise that made “Deadpool” a Valentine’s Day movie. However, at a time when Marvel Studios has set such a high bar, it almost feels out of place.
Now, with a firm release date of April 3, 2020, it seems like “New Mutants” is still happening. The director, Josh Boone, has been given the opportunity and the blessing by our Disney and Marvel overlords to see his vision through. Honestly, after seeing the latest trailer, I’m rooting for this movie.
It’s not just that this movie is bringing to life more great characters from the X-Men franchise. This movie is attempting to do something that we’ve never seen in the MCU or from DC, for that matter. It’s daring to mix genres in ways they’ve never been mixed. It’s attempting to craft a different kind of superhero movie. Given the success of “Joker,” I’m genuinely rooting for this movie.
I really do hope it succeeds and not just because I’m a die-hard X-Men fan. I think the superhero movie genre needs this. It needs to show that it can expand, evolve, and grow in new ways. Superhero movies don’t just have to be this colorful, big-scale spectacles backed by Disney’s deep pockets. They can be something different, darker, and bolder.
“New Mutants” has had a lot of forces working against it. If it succeeds with critics and fans, then it sends a message to Marvel, DC, and the greater powers that be that there’s room for different kinds of superhero movies. They don’t have to follow the same formula. They can succeed in entirely new ways while still strengthening the brand.
If nothing else, it’ll tell the Martin Sorceresses of the world to piss off in the best possible way.
There are some people in this world, as well as fictional worlds, who will never be content to let things progress for the better. No amount of mutual benefit, understanding, or sincerity will be enough. They’ll always seek to destroy anything that might change the world they know, even if it’s for the better. They won’t just complain about it on social media, either. They’ll resort to the worst kinds of violence.
These are the people that X-Force deal with. Throughout their history in the X-Men comics, they’ve dealt with the dirty stains of humanity that never wash out, no matter how hard you scrub. They’re the ones tasked with confronting these threats, be they human or mutant, with a level of gratuitous violence that you won’t see outside of “Game of Thrones” reruns.
The need for X-Force, as well as their violent tactics, is one again reaffirmed in “X-Force #4.” At a time when mutants have made genuine progress through Krakoa and a new geopolitical role in the world, they’re still subject to hatred, attacks, and atrocities.
In the first three issues of the series, writer Benjamin Percy demonstrated that, despite having their own nation in the form of a living island and the ability to resurrect dead mutants, they’re still vulnerable.
Charles Xavier got shot. Domino was captured and had half her skin ripped off. The fact that any of this can happen, given all the resources at the X-Men’s disposal, is wake-up call and a reminder as to why X-Force isn’t just necessary. It needs an overhaul.
That overhaul begins to unfold in “X-Force #4” and in the midst of another mysterious attack, no less. While this one didn’t end with anyone getting shot or flayed, it did hit Krakoa in the wallet, which can hurt as much as getting shot. The nature of the attack and who is behind it remains a mystery, but X-Force is put on the front lines.
However, this is not the same X-Force that that Rob Liefeld brought to live during the grunge-fueled heyday of the 1990s. They’re not operating completely in secret as some secret kill-squad that everyone is better off not knowing about. Instead, Percy sets them up to be Krakoa’s version of the CIA, complete with its own Seal Team 6.
It’s somewhat of a shift for what X-Force has historically been in the X-Men comics, but it fits perfectly with the current situation surrounding mutants and Krakoa. Mutants are no longer scattered, isolated, and running from killer robots at least once a week. They have their own nation, language, and emerging culture. Protecting it requires something more organized than a shadowy kill squad.
That means more assistance from those who have traditionally argued against the merits of secret kill squads, such as Beast and Jean Grey. However, after seeing Charles Xavier get shot in the head and Domino get tortured, they’ve become a bit more pragmatic in handling these kinds of threats.
The events of the first three issues caught them off-guard. They try to be much more proactive in “X-Force #4,” investigating the attacks and organizing a response. Naturally, Wolverine is part of that response since many of the threats X-Force deals with require significant stabbing. Now, armed with Krakoan weapons provided by Forge and Kid Omega’s attitude, they’re ready to be a new kind of X-Force.
It may not be the kind of profane, brooding, blood-soaked X-Force we’ve seen in the past, but it feels appropriate for the X-Men’s current situation. Jonathan Hickman set up a very different set of dynamics for the X-Men through “House of X/Powers of X.” Percy just creates a version of X-Force that fits within the context of these dynamics.
Having a team like this doesn’t just feel necessary after the events of the first three issues. It feels personal. These weren’t just angry protests or hate threads on Twitter. Someone managed to attack their home and shoot one of their most powerful figures in the head. However one might feel about X-Force’s violent tactics, there’s no denying that they’re as motivated as they ever were.
For a quality X-Force comic, it’s not enough to just have ample violence and an attitude ripped from mid-90s heavy metal music. There needs to be a greater context to the added violence, preferably one that complements the current status quo of the X-Men comics. With “X-Force #4,” Percy succeeds in creating that context and artist Joshua Cassara gives it the necessary grit.
The overall lineup for X-Force is still somewhat small, but it has plenty of room to grow. After what happens on the final page, it’ll have to for reasons that are as obvious as they are bloody. The threat X-Force has to kill is still somewhat vague. Only a few details have come out thus far, but the only detail that matters is that they can hit Krakoa where it hurts and they’re not inclined to be diplomatic about it.
X-Force has always billed itself as a superhero team that relies on less-than-heroic methods to get the job done. They’re not a team that wears flashy costumes and parades alongside other, more reputable heroes. They do what they do in the shadows and don’t mind incurring some extra bloodstains to do it.
“X-Force #4” starts with something bloody, but ends with something bloodier. Given the nature of the emerging threats they face and the wounds they’ve already incurred, it promises to get even bloodier with future issues. It’s everything you want in an X-Force comic and then some.