The following is a review I wrote for Popmatters on “New Mutants: Dead Souls #1.” Enjoy!
Tag Archives: X-men
Say what you will about these tumultuous times. One thing is still clear. It’s a damn good time to be a fan of Black Panther. Whether you’re a long-time reader of the comics or Chadwick Boseman enjoying a meteoric rise in fame, these are the best of times for T’Challa, Wakanda, and everything in between.
As of this writing, the “Black Panther” movie has topped $700 million worldwide in just over a week since its release. It’s well-poised to cross the $1 billion mark that only a handful of movies have reached. Things are going very well for Black Panther is what I’m saying.
I cite all this good news surrounding Black Panther because what I’m about to discuss is not going to show him in the best of light. None of it detracts from the character, nor does it undercut the remarkable achievements that the “Black Panther” movie has accomplished. Given the promising future of Black Panther’s future, though, I think now is probably the best time to bring it up.
Once again, it has to do with superheroes and romance. Long-time readers of this blog probably aren’t surprised by that in the slightest. I talk about superhero romances a lot, citing instances where those romances embody the best elements of a love story and those that are inherently flawed. I’m afraid this is going to be about the latter.
Black Panther is a great character and has a lot of things going for him, right now. Between a successful movie and a successful ongoing solo series, which you should definitely check out, he has a lot has gone right for him. Unfortunately, that does not extend to his love life.
To those who only know T’Challa through the “Black Panther” movie, I’m not referring to Nakia, who is his primary love interest in that story. I’m referring to a much higher-profile relationship he had with a much higher-profile character in the mid-2000s. That character is Storm, a character I’ve praised before and not just for her love of foreplay.
It’s true. In Black Panther Volume 4, Issue 18, which came out in 2006, Storm and Black Panther got married in what was billed as the highest-profile superhero marriage since the wedding of Cyclops and Jean Grey. It even managed to temporarily stop the ongoing hostilities in Marvel’s now-famous Civil War event.
On paper, it was billed as the union between two of Marvel’s most prominent black superheroes. It was presented as a union between a weather goddess and a king. It couldn’t have had more going for it without being the central plot of a Disney movie, which isn’t impossible at this point.
There’s just one glaring, omega-level problem with that approach. The relationship between Storm and Black Panther is one of the shallowest, emptiest, and least compelling romances in the history of superhero comics. Yes, it’s even worse than the time Juggernaut had a fling with She-Hulk.
For two character who are so iconic, well-rounded, and endearing, that’s quite a statement. I imagine that more than a few people disagree with it, but there’s a reason behind that statement and it’s not an overly petty one. Between being a die-hard fan of superhero comics and an aspiring erotica/romance writer, the flaws in this relationship stand out more than most for me.
The most glaring flaw, by far, is just how forced the relationship was in the first place. I won’t say it was quite as bad as the relationship between Jean Grey and Logan was in the X-men movies, but it was pretty damn close. From the beginning, it was less about the chemistry between these two characters and more about the fact that they were two prominent black superheroes.
Never mind having an actual reason to want to be together. Never mind actually tying their respective stories together in a compelling way. The approach was as lazy as it was empty, essentially relying on the iconic status of both characters and nothing more. By that logic, Taylor Swift and Ed Sheeran should’ve gotten married already.
Even if the approach was lazy, the premise could’ve worked if there was time and effort into developing the Storm/Black Panther romance compelling. Sadly, that’s not the approach Marvel used. They were in such a rush to get these two married that they skipped the part where they told a dramatic love story that brings these characters together in a meaningful way.
As a romance fan and a comic book fan, that was as satisfying as food poisoning and a hangover. Instead of presenting valid reasons as to why these two characters should be in love, Marvel rewrote Storm and Black Panther’s history to establish that they met each other when they were young and shared a strong connection. That’s all well and good, but there’s one glaring problem.
By rewriting the past, it devalues the emotional depth in the present. Instead of actually building that depth, it’s just suddenly revealed that these two characters had a long-standing history. There’s no need to tell a more elaborate story. It already happened in the past and they’re only acknowledging it now. If I could write that with more sarcasm, I would.
Now, history being rewritten in comics is nothing new. That’s what comic fans refer to as a “retcon” and it’s basically the narrative equivalent of a mulligan. When used correctly, it can help clear up convoluted elements. When used poorly, however, it can be very destructive. Just ask Captain America fans.
A retcon is the ultimate contrivance and that was the foundation of the Storm/Black Panther relationship. If every good relationship starts with a strong foundation, then the Storm/Black Panther relationship was built on a mix of quicksand and moldy bread.
I get the intent. In order for Storm and Black Panther to get married, they needed to establish that their relationship was somehow worthy of being on the same level as Superman/Lois Lane or Mr. Fantastic/Invisible Woman. Unfortunately, the only way to do that is to rewrite their entire history so that their love was something that had depth. It just happened entirely behind the scenes.
Contrast that with the love story we saw in the “Black Panther” movie between T’Challa and Nakia. There was nothing contrived about that story. These two characters both had their own narrative. In pursuing that narrative, they came together in a way that felt organic, genuine, and sincere. It was probably the most sincere love story in a superhero movie since the original Deadpool movie.
That shared narrative has huge gaps with Storm/Black Panther and not just because it required a rewriting of their respective history. Even before that retcon, Storm and Black Panther followed very different narratives.
Storm, since her debut in 1975, has been an integral part of the X-men and their story. She was a key player in some of the most defining moments in X-men history. Along the way, she’s had various romantic relationships with the likes of Bishop, Nightcrawler, and Forge. For a time, she had a pretty passionate relationship with Wolverine.
The fact she had all those relationships while Black Panther had plenty of his own, most notably with former Captain Marvel, Monica Rambeau, makes the idea that they shared this powerful bond in their youth seem not so powerful. Even if there were other forces pushing them apart, the fact they followed such distinct narratives really undermines the sincerity of their relationship.
It also makes for some pretty distressing implications. Throughout the X-men’s history, the team has been on the run and on the brink every other week. In some cases, it led to some pretty brutal tragedies. All these things were happening with the X-men and Storm was often on the front lines.
The fact that she and her friends struggled so much while T’Challa, king of the most advanced nation in the Marvel universe, never did a goddamn thing to help her or her friends just makes the situation even worse. Unlike Wolverine or Forge, he wasn’t there to share in all the struggles. Granted, T’Challa had his own struggles, but neither he nor Storm ever went out of their way to support one another.
Sharing struggles is one of the most important components of a believable, functional romance in both the real world and in superhero comics. Without that, it’s like trying to build furniture without a hammer. You can try, but if you don’t have the right tools, the results are going to be limited at best.
It’s the fact that Storm and Black Panther shared such different struggles that their marriage in the comics ended in a fairly ugly fashion. When the Avengers and X-men clashed in the aptly-named “Avengers vs. X-men” event, Storm and Black Panther were on opposite sides. The conflict was so bad that it left Wakanda in ruin and by the end, their marriage was annulled.
It was an inglorious ending to a romance that Marvel tried hard to make iconic. Unfortunately, they went about it in all the wrong ways for all the wrong reasons. There’s no question that Storm and Black Panther are among Marvel’s highest-profile black heroes, even more so now with the success of the “Black Panther” movie. That’s still not the sole reason why they should be romantically involved.
The relationship was so forced and so flawed that even the X-men’s most iconic writer, Chris Claremont, says the whole thing was a big mistake. Storm and Black Panther may have potential, but by forcing it and rushing it to such an egregious extent, it’s hard to take that romance seriously.
If nothing else, the Storm/Black Panther relationship should provide a cautionary tale for superhero romances and real romances alike. Most importantly, it reinforces the notion that genuine romance can’t be forced. Strong couples share in their respective struggles, supporting one another and guiding one another.
Storm and Black Panther did none of that. Marvel’s approach to forging their relationship only gave them more reasons not to be together. Both characters have a bright future in their own respect, but that future cannot and should not be forced or contrived.
When it comes to two genres that are often associated with one another, romance and tragedy are the literary equivalent of peanut butter and jelly. When you think of one, it’s not long before you associate it with another. Romance without tragedy is like fries without ketchup. Both are still good on their own, but it’s only when they’re together that they maximize their potential.
In that same spirit that the likes of Shakespeare and “Titanic,” superheroes often follow that narrative, but with more spectacle than old playwrights and even James Cameron could ever imagine. Being such a huge fan of superhero movies and comic books, I’m more familiar with their take on romance and tragedy than most aspiring erotica/romance writers.
As such, when an amazing, uncanny, astonishing, or whatever other adjective that a comic book puts before their title tells a story that truly embodies those ideas, I take notice. Seeing as how I’m also an unapologetic romance fan on top of being a comic book fan, those kinds of stories resonate especially well for me. They don’t come around too often, but when they do, they’re worth appreciating.
This particular story involves the X-men, which should surprise nobody who has followed this blog over the past couple years. It also involves the romance/tragedy of Cyclops and Jean Grey, which should also not surprise anyone. I’ve mentioned them before when talking about balanced romances and insufferable love triangles. This might end up being the most heart-wrenching, albeit for all the right reasons.
The name of the story is called Phoenix Resurrection: The Return of Jean Grey by Matthew Rosenberg. Now, if you don’t want to be spoiled, I strongly encourage everyone to read it. Either buy it at a comic shop or buy the digital version. Even if you’re not a comic book fan, it’s a great story that will still evoke all the right emotions.
That’s because this story does something that’s very rare and very difficult to do. It’s something that everyone form Shakespeare to Tolken to Stan “The Man” Lee struggled with at some point in their creative endeavors. It gets the balance between romance and tragedy right. It gets it so right, in fact, that I intend to judge all future romance/tragedies by this comic. That includes any I write.
To understand how I came to this conclusion, it’s important to understand the context of the story and why it had such a powerful impact. To do that, it’s necessary to point out the circumstances of this story. When it was announced last year, it’s stated goal was to bring Jean Grey back from the dead. Anyone who has even a passing familiarity with comics knows that’s not all that groundbreaking.
Superheroes have been dying and coming back to life for decades. While “The Death of Superman” might have been the most high-profile, the initial death of Jean Grey in the original Phoenix Saga is probably the most iconic. That story established Jean Grey as a character who would be defined by death, rebirth, and everything in between. That’s part of the reason it’s the foundation of the “X-men: Dark Phoenix” movie.
That original story had a lot of romantic elements in it, but it was largely defined by its tragic ending. In that original story, Jean Grey willingly sacrificed herself in front of Cyclops and her friends to stop herself from becoming corrupted by the cosmic power of the Phoenix Force.
It was a truly gut-wrenching moment. It’s because of that moment, though, that it’s often singled out as one of the best X-men stories of all time. It was the culmination of Jean Grey’s struggle to deal with the immense power with which she’d been imbued. Moreover, she reached out to that power in order to do the impossible to protect those she loved, even if it corrupted her.
That’s an important detail to note because that’s a theme that would go onto play out on many occasions for Jean, eventually culminating in her second death in 2004. Her constant struggle to manage the immense power granted by the Phoenix Force and the corruption that often came with it is one of the primary driving forces behind Jean’s character. It’s also a big part of her appeal.
Rosenberg uses those same themes, as well as the immense power afforded by the Phoenix Force, to build the tragedy and romance that plays out in Phoenix Resurrection: The Return of Jean Grey. It’s a story that has more drama going for it than most because, despite the presence of time travelers, Jean Grey has been dead since 2004. Her coming back after such a long absence is a big deal for X-men fans and for her character.
The challenge Rosenberg faced was making that resurrection feel more compelling than overdue in an era where dead characters come back all the time. On top of that, Jean’s association with a cosmic force known for death and resurrection means her character basically has a built-in cheat code for bringing her back. How can that be so compelling, let alone raise the bar for romance and tragedy?
This is where the spoilers come in so again, please take the time to read the comic if you can. That’s because the way Jean comes back in this story has less to do with tragedy and more to do with agency. Way back in the original Phoenix Saga, Jean reached out to Phoenix Force in an act to save her friends. It was a choice of desperation.
Well, since that fateful choice, the Phoenix Force has been like a clingy ex, wanting desperately to stay bonded to her, even thought it often corrupts her. I’ve argued before how the context of that corruption might be more complicated than it seems, but on the basis of history alone, Jean Grey has many reasons to regret that choice.
The Phoenix only gives her another in this series. After having bonded with plenty of other hosts since her death, it goes to great lengths to bond with Jean again. It goes so far as to resurrect both her and everyone she ever cared about, creating this own little world in which Jean never experiences the many tragedies that befell her. It’s like the Matrix, but with a volatile cosmic bird running the show.
As part of that fantasy world, Jean Grey’s long-time love, Cyclops, is alive and well. That’s critical because, at least for the time being, he’s also dead. The Phoenix Force basically gives her everything to be happy, content, and loved. Keep in mind, though, it’s not doing this out of pure altruism. It wants to bond with Jean again. That’s the goal and the fantasy world is just a means to an end.
That makes the tragedy inevitable. As is often the case with fantasy worlds, even those created by a cosmic power, they tend to crumble under the harsh weight of reality. The way in which this happens is best revealed through the story. However, the part of the story that really balances out that tragedy occurs in the final issue.
In that issue, the fantasy world crumbles, thanks largely to the efforts of Jean’s fellow X-men. Naturally, the Phoenix Force fights this and tries to tempt Jean into bonding with it again, saying its power can give her everything she desires. It can even bring back those she loves.
As part of a last-ditch effort, it demonstrates this by bringing Cyclops back to life. He’s not a clone. He’s not a time traveler. He’s not some illusion either. He’s the real, flesh-and-blood Cyclops, complete with the thoughts, feelings, and passions of the man she married.
It’s a dick move on the part of the Phoenix Force, to say the least. It’s also the moment where the romance balances the tragedy in an important way. That’s because in that moment, Jean makes another fateful choice, one every bit as dire as the one she made in the original Phoenix Saga. This time, though, she lays her heart on the line, knowing damn well it’ll be broken.
Rather than just reject this tactic as another attempt by the Phoenix to lure her in, she embraces it for a brief moment. In that moment, she gets to say goodbye to her husband. She and Cyclops even go out of their way to make clear how much they love each other, both in life and in death. Even if you’re not a big romance fan, this is a moment of pure, unadulterated heart.
We still know the tragedy is coming. We know it’s a moment that’s going to end with tears and sorrow. Anyone that ever had to read “Romeo and Juliet” in high school English class knows it’s coming and is might think they’re numb to it, especially if they flunked the test.
That’s why it was so important for the story to reaffirm that sentiment. Rosenberg did something critical when he had Cyclops and Jean Grey remind each other just how deep their love went. He gave even greater weight to the loss.
At least with “Romeo and Juliet,” the characters involved had just met. They barely knew each other. Cyclops and Jean Grey’s love story spans 50 years of X-men comics, complete with weddings, clones, and raising a child together in the future. To know the extent of their love is to know just how much that tragedy hurts.
That, more than anything, is what puts Phoenix Resurrection: The Return of Jean Grey in a league of its own in terms of romance and tragedy. Instead of the tragedy defining the romance, it’s the other way around. It’s the romance that gives that tragedy such immense weight.
In too many stories, both in comics and in other mediums, tragedy relies too heavily on its own weight to make an impact. Making a love story dependent on that tragedy gives the impression that the love needed it in order to have depth. That’s why, when the tragedy eventually occurs, it doesn’t always hit all the emotional chords.
Rosenberg left no emotional chords unstruck with this story. It’s because Jean shared that special moment with the man she loved that her decision to reject the Phoenix Force carries so much weight. That decision comes with so much pain, anguish, and sorrow. It’s one thing to just depict it. It’s quite another to truly convey it.
That’s what truly makes Phoenix Resurrection: The Return of Jean Grey so special. It conveys both the breadth of the romance and the extent of the tragedy. Moreover, it does that in a way where one complements the other. For a romance built heavily around two characters operating as equals, I can’t think of anything more fitting.
Again, if you’re fan of romance, tragedy, or both, check out Phoenix Resurrection: The Return of Jean Grey. Even if you hate comics and the X-men, this one will evoke all the right emotions. You’ll shed tears of sorrow and joy at the same time. It’ll feel so weird, but so right.
I know it’s been a while since I talked about comic books, comic book romances, or general life lessons from comic books. As a self-proclaimed comic book fan who loves to tie that passion into other sexy topics, I feel like I owe myself and certain readers an apology. Consider this part of my effort to make up for it.
Just because I haven’t been writing about comics much lately doesn’t mean I haven’t been following them. It also doesn’t mean I’m not aware of the major developments unfolding in the comic book world. As I write this, there’s a lot going on, from Tony Stark’s return as Iron Man to the return of Superman’s iconic red trunks.
If you’re a comic book fan, though, you already know about this and I don’t need to say anything to get you excited. If you’re a comic book fan who also happens to be a big romance fan, there are other stories that excite you. I mentioned one late last year with the big announcement that Batman and Catwoman are getting married. Now, I have another.
The big announcement was actually teased last November in the form of a wedding invitation that designated the summer of 2018 as the big day. It also highlighted some of Marvel’s most famous superhero marriages. Never mind the fact that Marvel has a shaky track record with married characters. It’s still exciting news, especially for X-men fans like me.
It’s big news for Marvel as well. They’re already promoting this as a major event for these characters and for the Marvel universe as a whole. Sure, it may just be their way of competing with the upcoming Batman/Catwoman wedding, but that doesn’t make the sentiment involved any less genuine. It also doesn’t make the promo video for X-men Gold #30, the wedding issue set to come out this summer, any less sweet.
I know Kitty Pryde and Colossus are not exactly on the same level as Superman and Lois Lane, Batman and Catwoman, Cyclops and Jean Grey, or even Deadpool and tacos. In the pantheon of superhero romances, they’re not exactly top five, but they’re not afterthoughts either.
Their romance has never been a major plot in an X-men movie, nor has it been a focus in any X-men cartoons. However, for those familiar with the X-men comics, this relationship is as special as it is unique. It’s one of those romances that blossomed in unique and sometimes controversial ways.
Chief among that controversy was the age difference between the characters when they first met. When Kitty first joined the X-men in Uncanny X-men #129, she was 14-years-old and Colossus was 19. Needless to say, it didn’t sit well with Marvel’s editors at the time when writer Chris Claremont had Kitty develop a crush on him.
That crush, however, never got as creepy as some of the other romances that Marvel had teased. As the characters grew, aged, and developed within the pages of the X-men comics, that teenage crush evolved into something more serious. Eventually, they developed one of those relationships where they always seemed to find their way back to one another.
I won’t recount all the chaotic elements of their romance. I’ll just point out there have been many times where they’ve gotten closer, been friend-zoned, ended up in other relationships, and even died on one another, which happens a lot in comics. I’ll also say that the love between Kitty Pryde and Colossus carries with it some unique insights into love, relationships, and how they blossom.
So, in the spirit of celebrating the upcoming nuptials of these fictional characters that I hold dear, I’d like to share some of those insights that translate into real-world lessons on love. Being both a romance fan and a comic book fan, I’m especially fond of the parallels that tie works of fiction into serious matters of the heart.
Whether or not the marriage of Kitty Pryde and Colossus lasts or prospers in the X-men comics remains to be seen. Regardless of Marvel’s poor track record with marriage, they’re a couple worth rooting for and this is what they can teach us.
Lesson #1: Failed Relationships Can Still Succeed
For many fictional romances, especially those involving superheroes, the romantic dynamics are often idealized, pure, and heavy on melodrama. They’re basically “Romeo and Juliet” with superpowers, built around a love that’s so pure it can only ever be corrupted by a horribly contrived love triangle.
Colossus and Kitty Pryde are decidedly not that. Theirs is a more clumsy romance, one where they sort of stumble their way towards one another. Throughout their history, they have tried to forge a relationship, but failed on multiple occasions, sometimes due to circumstances and sometimes due to hard choices.
In those failures, Kitty Pryde dated other men, like Pete Wisdom and Iceman. Colossus dated other women, like Domino. Along the way, they each followed their own stories. They each grew in their own way. They weren’t dependent on each other. They didn’t have to be together to become strong.
These failures may have derailed their romance at times, but it didn’t end their love or their desire to be together. Eventually, they found themselves in a position to act on that love in the pages of X-men Gold. Now, they’re getting married. Ironically, their past failures helped get them to that point.
Learn from failures in a relationship and build a better one from the ashes. That’s not just a critical lesson. In a world where the ideal love stories of “Romeo and Juliet” are reserved for high school English classes, it’s a much more realistic way to approach love.
Lesson #2: Love Who Someone Is Trying To Be (And Not What They Were)
This kind of gets into those creepier elements I mentioned earlier. It’s true. Kitty and Colossus had a sizable age gap when they first met. Age gaps in young romances are taboo and for good reasons, beyond just the legal reasons. However, that age gap hid another important lesson that Kitty and Colossus later embodied.
Beyond the basic flirty exchanges they had in their youth, Kitty Pryde distinguished herself as a special character by how quickly she grew and matured throughout the pages of Uncanny X-men. Sure, she was a vulnerable young girl when she first joined the X-men, but she didn’t stay that way.
The same goes for Colossus, who underwent more than his share of upheavals. Some of his greatest moments involved him trying to be a kinder, gentler soul, despite having the kind of obscene strength that steroid-laden meatheads can only envy.
Again, a lot of complications get in their way, as is often the case with superheroes, but whether or not they manage those complications isn’t the point. It’s who they’re trying to be, as individuals, that makes them who they are. It’s that striving that often draws them together. It’s that constant effort to be better that fuels their chemistry.
That chemistry is built less on who they are and more on who they’re trying to be. Kitty and Colossus saw who they were trying to be in the midst of the chaos that comes with being X-men. That’s the person they fell in love with and in a chaotic world where everyone has to better themselves just to keep up, that’s an important and underrated facet of love.
Lesson #3: Seek To Grow With AND Love Someone
This also ties, somewhat, to the age gap between Kitty Pryde and Colossus, but without the taboo. Age gaps matter when two people are young, immature, and don’t have a firm grasp of their emotions. They matter less and less at time goes on. I say that as someone whose parents have an age gap that’s actually wider than Kitty and Colossus.
In a sense, the age gap worked to Kitty and Colossus’ advantage because they didn’t just see each other in their impressionable youth. They actually watched each other grow into adults. While they weren’t always on the same team, they were able to grow together within a similar environment. In doing so, that innocent crush evolved into something deeper.
That’s an important distinction that a lot of young people, myself included, don’t often realize until much later in life. We focus so much on the here and now when it comes to loving someone that we forget that we’re still growing as individuals. Sometimes, two don’t realize we’re growing apart until it’s too late.
I’ve seen this happen in the real world with once strong relationships that just drift apart as the couple gets older. I’ve also seen it happen in the opposite direction, watching two people grow closer as they actually seek to grow with someone, as well as love them. Kitty Pryde and Colossus are a perfect embodiment of the latter.
Lesson #4: Let The Moment Be Right For Love (And Guide It If You Can)
I know I keep repeating this and it’s worth belaboring, but Kitty Pryde and Colossus had a lot of obstacles when it came to getting together, the least of which involved Colossus dying at one point. It’s worth belaboring because it reflects how hard these two had to work in order to get together over the course of several decades of X-men comics.
Within those complications, though, is an important lesson that best played out in Joss Whedon’s legendary run on Astonishing X-men. The circumstances aren’t always right for two people to come together. However, when that moment is right, don’t be afraid to act on it. You can’t force those moments. You can only let them unfold and embrace them.
For Kitty Pryde and Colossus, those moments were rare, but they weren’t random. When Colossus returned from the dead, they had every reason to just jump each other’s bone in an overly dramatic moment. They didn’t do that, though. They didn’t try to force that moment. They just led each other to it.
A similar situation unfolded in X-men Gold. They had an opportunity to jump back into their relationship, but they didn’t. Sure, they made excuses at first, which I found annoying, along with many other long-time X-men fans. However, by taking it slow and letting the moment come to them, it made the eventual culmination in X-men Gold #20 that much more satisfying.
You can’t force a romantic moment, nor should you. However, you can guide the situation towards those moments. If the love is strong, like it is with Kitty Pryde and Colossus, it’ll happen and it’ll be beautiful.
Lesson #5: Don’t Make Excuses For Loving (Or NOT Loving) Someone
This is a common and annoying trope with fictional romances. For those not built on love-at-first-sight or sickeningly-pure infatuation, a romantic sub-plot in most stories will be full of excuses on why they should not be together. Given my take on excuses, it should surprise no one how much this annoys me.
Kitty Pryde and Colossus made a lot more excuses than most and not just because of the early age gap. Sometimes it was because they were on different teams. Sometimes it was because they were caught up in other relationships. Sure, some of those excuses were valid, like being dead or trapped in a giant bullet flying through space. Those that kept them apart, however, were often shallow or contrived.
Now, some of this might have been due to whoever was writing the X-men comics at the time. As I’ve noted before, there have been instances where bias writers force contrived plots to keep certain characters apart. Chris Claremont’s efforts with Cyclops, Jean Grey, and Wolverine are well-documented.
The efforts surrounding Kitty Pryde and Colossus, though, never got that extreme. They also never undid the chemistry between them or fundamentally changed the elements that attracted them to one another. In that respect, they didn’t make excuses. They didn’t hide from those emotions, even if they avoided them. That ended up strengthening their relationship in the long run.
It’s another important lesson about excuses and reasons. When your reasons for not being with someone are built on excuses, then you’re missing the point. Kitty and Colossus stopped making excuses in X-men Gold #20. If they can do it, then there’s hope for everyone, real and fictional alike.
Not long ago, the internet stopped for a brief moment and had a shared orgasm over the “Avengers: Infinity War” trailer. I’m not going to lie. I enjoyed my share of the collective ecstasy. I had a smile on my face for the rest of the day. Sure, I had a hard time hiding my comic book loving boner, but compared to other awkward boners I’ve dealt with, I was more than happy to wear loose pants for the rest of the day.
I honestly didn’t think I could be more excited about the impressive slate of superhero movies set for release in 2018. Then, Entertainment Weekly had to come along and offer a first glimpse into “X-men: Dark Phoenix,” a movie I’ve talked about before with the same anxious excitement as Wonder Woman. Honestly, I don’t think anyone not named MC Hammer makes pants loose enough.
I don’t know if the timing was on purpose. I just know that my erection can only get so hard when it comes to superhero movies. Me being an unapologetic X-men fan, which I’ve belabored more than once on this site, I’m inherently more excited about this movie than I am “Avengers: Infinity War.”
I get it. Marvel Studios and Kevin Feige are on a win-streak that would make an entire team of Michael Jordan’s envious. To date, the Marvel Cinematic Universe has raked in over $13 billion and “Avengers: Infinity War” is guaranteed to add to it and at a time when even highly-touted X-men movies can’t rake in more than $800 million.
Why, then, should anyone who isn’t an unapologetic X-men fan be more excited about “X-men: Dark Phoenix?” There are many reasons, more so than most who aren’t X-men fans probably realize. Some are more obvious than other. The first, and most notable, can best be summed up by two words: Sophie Turner.
In case anyone needs a reminder why she’s such a big deal, take a look at these first glimpses of Ms. Turner in all her Jean Grey/Dark Phoenix glory. Be sure you have loose pants and clean underwear handy. Don’t say I didn’t warn you.
I’ll give everyone a moment for their heart to settle and their pants to untighten. Take all the time you need. Believe me, it took me longer than I expected.
That one picture, in addition literally burning with Ms. Turner’s sex appeal, checks the most important box I listed in my article about how to not screw up a Dark Phoenix movie. It unleashes the fiery passion of the Phoenix and uses Sophie Turner’s sex appeal to do it.
While I doubt that director Simon Kinberg read that post, it’s a big deal that he’s emphasized this aspect of “X-men: Dark Phoenix.” That’s primarily because that critical element that makes the Phoenix Saga one of the greatest X-men stories of all time was omitted from the last attempt to do a Dark Phoenix movie, “X-men: The Last Stand.” The less said about that craptactular failure, the better.
Beyond capturing the necessary elements for a decent Dark Phoenix story, it also reflects a fundamental difference between this movie and “Avengers: Infinity War.” At its core, the Phoenix Saga is about a beloved friend and hero becoming corrupted. It involves high drama, heart-breaking sacrifices, and beautiful redheaded women kicking ass.
The core of “Avengers: Infinity War” is decidedly not that, especially after Black Widow died her hair. This movie is banking less on high drama and more on over-the-top battles involving the most powerful heroes of the Marvel Cinematic Universe against Thanos, one of Marvel’s most overpowered villains with a disturbingly extreme death fetish.
Now, there’s nothing inherently wrong with that approach. In fact, it’s probably the best possible approach for a movie that has been built up over the course of over a dozen big-budget films. Nobody can ever claim that Kevin Feige hasn’t been thorough in establishing the scale for this movie.
The problem, if you can call it that, is because of that scale, it’s difficult for a movie like “Avengers: Infinity War” to be anything other than what you expect it to be. It’s going to be an intense, over-the-top battle that will triple down on the themes that made the first Avenger’s movie so successful. At this point, that’s all it can do.
“X-men: Dark Phoenix” offers something more than that. Like “Avengers: Infinity War,” it’s expanding the scope and scale of the movie to a level that no previous X-men movie has ever attempted. Whereas the first X-men trilogy tried way too hard to stay grounded, this one is letting the X-men push the boundaries like they do every other week in the comics.
“X-men: Dark Phoenix” will let the X-men go into space. It’ll let Jean Grey get overwhelmed and surrounded by cosmic fire, something “X-men: The Last Stand” barely even attempted. It’ll even let Sophie Turner get naked. That alone is worth the bloated ticket price.
Those elements, both the cosmic fire and the nudity, don’t even have to be forced. They’re actually in line with the canon X-men comics. Jean Grey has been known to fly around in the cosmic buff every now and then. I won’t say it’s a critical element to Phoenix Saga movie, but as someone who values nudity more than most, I can safely say it’s a hell of a bonus.
While I doubt anyone will pay extra to see Thanos get naked in “Avengers: Infinity War,” there’s one more element that helps sell me on “X-men: Dark Phoenix.” It has less to do with spectacle or nudity and more to do with underlying theme.
In a sense, “X-men: Dark Phoenix” is an opportunity to go beyond superhero movies. Like “Logan” and “Deadpool” before it, this movie has elements that can help it go beyond superhero movies, just as the original Phoenix Saga dared to go beyond stories about super-powered people in spandex costumes defeating villains.
There are all sorts of genres that “X-men: Dark Phoenix” can encompass. It can be a tragedy. It can be a sci-fi adventure. It can be a romance, which I’ve touched on before. It can be so many things, all within a single narrative. The ability for one movie to encompass all those elements, be it a superhero movie or a Disney musical, is a rare and special thing.
“Avengers: Infinity War” has its place and chances are, it’s going to make more money than “X-men: Dark Phoenix.” It may end up making more money than any movie in history that doesn’t involve exploding death stars or blue aliens.
For me, someone who isn’t one of Fox or Disney’s accountants, you can’t put a price on the breadth of experiences offered by “X-men: Dark Phoenix.” Given the early fan responses to these new teasers, it’s safe to say I’m not a alone in this sentiment. Hopefully, those sentiments only grow once the first trailer drops.
Also, and it’s worth repeating, the prospect of Sophie Turner getting naked outside a disturbing scene in “Game of Thrones” should appeal to everyone. Besides, why should Jennifer Lawrence’s nudity-loving Mystique have all the fun?