The following is a video from my YouTube channel, Jack’s World. It is a general reaction video to the incredible news that “X-Men: The Animated Series” is coming back as X-Men 97 in 2023! I noted I would make a video the first time I mentioned this. For news this great, I couldn’t post it fast enough. Enjoy!
Tag Archives: superhero media
The following is a video from my YouTube channel, Jack’s World. It’s another thought experiment about superheroes and what makes them effective. It was an extension of sorts of an article I wrote years ago on how to be an effective superhero. However, this video is a bit more open ended in that it takes a big picture approach to heroics. To all that check it out, I encourage you to share your thoughts in the comments. Enjoy!
The following is a video from my YouTube channel, Jack’s World. It’s my full review of season one of “Invincible,” an animated series based on a comic series by Robert Kirkman of the same name. In a year where comic fans have been spoiled by great shows like “WandaVision” and “Falcon and the Winter Soldier,” this show offers something different. At the same time, it offers a unique story that fits perfectly with the current cultural zeitgeist. I explain why in this video while also just celebrating my love for this show. Enjoy!
The following is a video from my YouTube channel, Jack’s World. I’ve been working on this for a while now. I’m aware of the various criticisms that superhero media has received in recent years, from political pundits to former writers like Alan Moore. I’ve been wanting to respond to that criticism in some comprehensive way. This video is my way of addressing it, as well as reaffirming why I love superheroes and why they mean so much to so many people. Enjoy!
We’re at a point with superhero movies where the bar has been raised to such a degree that we can’t just call them a passing fad anymore. Love them or hate them, superhero movies have evolved. They’ve developed a complexity and nuance that few genres ever gain, regardless of medium.
Plus, they make billions at the box office. Let’s not forget that. It’s why the Bill Mahers of the world won’t stop whining about superhero movies anytime soon.
Forgetting the whiners and petty nit-pickers of the genre, superhero movies have a higher threshold to achieve to be considered successful. It’s not enough anymore than to just put a famous actor or actress in an iconic costume and replay famous scenes from comics. The story, characters, and themes have to be refined and compelling.
That’s a challenge for any movie, but one that felt far more daunting for “Wonder Woman 1984.” After the success of the first “Wonder Woman” movie, which did a masterful job of establishing Diana’s origin and building her superhero persona, this sequel is tasked with building on that foundation.
As someone who loved the first movie and made it a point to watch “Wonder Woman 1984” on HBO Max with my mom on Christmas day, I had high hopes for this movie. I wasn’t expecting “The Dark Knight” level of quality, but I was hoping for a worthy follow-up.
Without giving away too many spoilers, I’ll say without hesitation that it succeeded. This movie was a beautiful, emotionally driven cinematic experience and a worthy successor to the first “Wonder Woman.”
I say that knowing that some reviews were quite scathing in their assessment of the film. As is my general rule, I never read reviews before I see a movie. As I saw with “New Mutants,” that can wrongly color your perspective. As was also the case with that movie, I was genuinely surprised by the criticisms levied against “Wonder Woman 1984.”
However, I’m not going to waste my time responding to those criticisms. I’m just going to offer my take on why I thought this movie was a worthy follow-up to the first. Like any sequel, its primary goal was building on what the first movie established. In that sense, this movie did succeed.
The setup for the movie is a dazzling spectacle. Like the first, we get a brief glimpse of Diana’s youth on Themysicra. We see her living and growing amongst her Amazon sisters, showing the kind of power and potential that lies within her. It’s a true sight to behold and one director Patty Jenkins fleshes out meticulously.
Within that setup, though, is an important theme. It highlights the importance of truth and doing things the right way for the right reasons. You cannot and should not take shortcuts to achieve your goal. Doing so will always come at a price and incur consequences. It’s a simple, but necessary lesson that kids and adults alike often learn the hard way.
That leads us directly to the main antagonist of the movie, Maxwell Lord. Played by Pedro Pascal, he comes off as the very antithesis of this lesson. He’s a con-man and a huckster, always looking for a shortcut to get what he wants. That includes tampering with the forces of the gods, which puts him in direct conflict with Diana.
At the same time, this conflict ties closely to another unfolding with Diana’s new friend, Barbara Minerva. Played by Kristen Wiig, she comes off at first as the very antithesis of Diana. She’s a nobody. She has none of Diana’s power, grace, or skill. She’s basically invisible, only ever getting attention from people she doesn’t like.
This is very much in line with the characterization of Barbara Minerva in the comics. She’s Wonder Woman’s chief rival, but she started out as a friend. She’s even sympathetic to some extent. She’s not looking to become a villain, like Maxwell Lord. She just wants a taste of the power and prestige that she sees in Wonder Woman.
She ultimately gets her chance, as does Maxwell Lord. When Barbara stumbles upon the Dreamstone, a relic imbued with the power from Dolos, the god of lies, that can grant wishes to those who wield it. However, like a typical monkey’s paw narrative, every wish comes at a price.
It closely mirrors the lesson young Diana learned in her youth, as depicted in the movie’s opening scenes. Taking any shortcut to get what you desire will come at a price. You can try to avoid the consequences all you want, but it eventually compounds. The more you try, the worse it’ll get.
Maxwell Lord thinks he has a way to avoid this. He thinks he can get everything he wants by simply making the right kind of wish. That ultimately causes a great deal of destruction. I’d go into detail, but I’d rather not reveal too much. All you need to know is that it’s not the kind of destruction Wonder Woman can stop with her fists and her sword.
What happens with Barbara Minerva is even more impactful. Like Maxwell Lord, she’s unwilling to give up any power she gains. Unlike Lord, however, she’s willing to pay any price to keep it. That’s what sends her down a dark path. It’s also what turns her from one of Diana’s friends into a truly tenacious foe.
These conflicts become very personal to Diana because she too is unable to resist the temptation. She may give so much of herself to others, but she also has desires and wishes of her own. That’s where Steve Trevor, played again by Chris Pine, enters the picture.
His death and heroic sacrifice in the first “Wonder Woman” movie was so powerful. That whole movie really sold the love that blossomed between him and Diana. Even as the years go by, his death still burdens Diana. She cannot let go of that love. She wants nothing more than to have it back.
It’s sad, but understandable. If ever someone deserved a consequence-free wish from all her heroic acts, it’s Diana. Unfortunately, there’s no getting around it. She still tries. She gets her chance to be with the love of her life again. As with everything else, though, it comes at a price.
That’s the biggest theme of this movie. Getting what you want by breaking the rules or cheating will always come at a price. Even if you’re willing to pay that price, it does cause damage to yourself and others. It’s a painful lesson and one that gives “Wonder Woman 1984” so many emotional overtones.
It’s because of those overtones that this movie works so well. Wonder Woman, by her nature, is a very emotionally driven character. Her love, compassion, and heart are among her greatest traits. They’re as strong as her fighting spirit. The first movie revealed this and “Wonder Woman 1984” builds on that.
Her greatest struggles always have an emotional weight to them. It’s not just a matter of her beating up the bad guy to save the day. One of those foes was once her friend. Another is someone she can’t defeat simply by beating him up. She has to use that uncanny compassion and heart to win the day. That’s what makes her Wonder Woman.
I would argue that’s the most important aspect of her character and this movie captured it perfectly. I really did feel for Diana as she went through these emotional upheavals throughout the story. It brought out her greatest strengths, as well as her greatest weaknesses.
Now, speaking of weaknesses, this is where I also have to levy some criticisms of my own against “Wonder Woman 1984.” I promise they’re not nearly as petty or overblown as some of the other reviews to this movie. Some have complained about the length and tone of the movie. I honestly think that sort of criticism is misguided.
I’ll still say outright that this movie was not as good as the first “Wonder Woman.” This movie was not as concise and polished, in terms of story. There were a number of “and then this happened” moments that made the story seem a bit jumbled at times. In some cases, it relied too heavily on contrivances and suspension of disbelief to move things along.
I get the sense this was done to keep things moving forward from a plot standpoint. I also think there were some difficulties in revealing the ins and outs of godly magic, which is considerably harder to do in a movie when compared to a comic.
None of these shortcomings kept the movie from working overall. Gal Gadot once again carried her role as Wonder Woman with grace and grit. She, Steve Trevor, and Cheetah all had well-developed characters that played their roles well throughout the story. In terms of the most important elements to a good Wonder Woman movie, “Wonder Woman 1984” got them right.
If I had to score this movie, I’d give it a 4 out of 5. It has some noticeable flaws, more so than its predecessor. However, Gal Gadot is still an amazing Wonder Woman, Patty Jenkins is still a great director, and this world they explored together was full of dazzling wonder.
For a year that has been so bleak and dire, it’s just what we needed. For that, I thank “Wonder Woman 1984” and all those who helped make it happen.
The following is a vide for my YouTube channel, Jack’s World. It once again explores “Megamind,” a movie I’ve highlighted in the past for it’s colorful subversion of the superhero genre. It felt like the time was right to discuss it on my channel. This time, I explore how “Megamind” gave us the first true Incel villain before the concept of an “incel” was a thing.
Like anything involving incels, it’s a distressing topic and bound to generate some less-than-comfortable feelings. I still welcome comments and discussion. Enjoy!
In a year so full of objectively awful news, a tiny bit of good news goes a long way. When that news involves superhero comics and upcoming TV shows, it goes even further with me. On that front, such news has been few and far between. This year has been fraught with major delays and cancelled conventions. Fans like me need some good, exciting news for once. We’re due.
Then, this past week, we got it. It’s been in the works for a while now, but now it’s getting real. One of the big Marvel Studios Disney Plus shows that has been in development, “Ms. Marvel,” officially found their Kamala Khan in Iman Vellani. As an unapologetic Ms. Marvel fan who has sung her praises before, this is just the news I needed.
Deadline reported it. Many others in Hollywood circles praised it. Fans like me were just elated that Kamala Khan is set to enter the MCU.
After a long and hard search, Marvel has found its Ms. Marvel. The studio is tapping newcomer Iman Vellani to star in its Disney Plus series based on the comic-book character. Marvel and the streamer recently named Adil El Arbi and Bilall Fallah, Sharmeen Obaid-Chinoy and Meera Menon as directors on the project.
Now, there’s a lot I want to say about this news, this casting, and the prospects for this show. I’ve already touched on some of that before and I have every intention of highlighting even more as the show develops. Ms. Marvel is very near and dear to me as a character. I’ll be among those cheering the loudest for her and for Ms. Vellani to succeed.
Before I get to any of that, though, I want to offer a special message to Ms. Vellani. I doubt she’ll ever read it. I’m sure she’ll hear from plenty of other voices far more prominent and insightful than mine. I still want to put this message out there because I think it’s worth saying.
Dear Ms. Vellani,
First off, congratulations! You just earned yourself the role of a lifetime with an incredible character. On behalf of many other Ms. Marvel fans, I wish you the best. We’ll all be cheering you on as you bring Kamala Khan to life in the Marvel Cinematic Universe.
It will be challenging. Anything worth doing is. I believe you’re up for it. I also don’t doubt that you’ll face obstacles, some of which have nothing to do with your acting abilities or your love for the character.
The world of superhero media is an amazing place. Both on and off the screen, there a lot to take in. Chances are, it will be overwhelming at time, but once the fans embrace you, they’ll be your greatest ally. It’s what helped Ms. Marvel become such a prominent, beloved character. That’ll help you achieve success on a level that will do justice to her legacy.
Now, there are parts of that world that are less pleasant. As in any genre, there are critics and trolls who will try to tear you down. They’ll attack you, just as they’ve done to the likes of Brie Larson, Daisy Ridley, and Kelly Marie Tran. Do not let them get you down. Do not let them stop you from being the best Ms. Marvel you can possibly be.
Also know that Kamala herself has attracted plenty of trolls. Some of the ugliest elements of superhero fandom have been denigrating Ms. Marvel since the day she debuted. Some go so far as to attack her creators. These people are no different than the villains Ms. Marvel fights. They do not deserve an ounce of your attention.
The love people have for this character is many times greater than those who go out of their way to hate her. That love is what makes Ms. Marvel special. We hope you feel that love as you don that now-iconic costume. May it carry you through the challenges that await and may it enrich your world, just as Ms. Marvel has enriched ours.
Sincerely, Ms. Marvel Fans
This year has been a lost year for many things. I don’t think I need to go into reasons why or to what extent. It’s awful. We don’t need to be reminded of that. This is especially true for fans of superhero movies. To some extent, this year almost feels like karma after movies like “Avengers Endgame” dominated the box office for so long.
As bad as things have been, we’re still trying our best to inject a little awesome into this increasingly dystopian landscape. Like it or not, superhero movies and media still have a place in the entertainment landscape. This past year might have been a huge loss for the box office, but there’s still reason to be excited about the future of the genre.
That includes the entertainment behemoth that is the Marvel Cinematic Universe. When this year began, it promised to be a time of transition. With the rise of Disney Plus, Marvel Studios has a new medium to explore and evolve. Among those crop of shows is mini-series called “WandaVision.”
Given Vision’s fate in “Avengers: Infinity War,” the setup alone for this show is odd. Not being a fan of how their relationship was handled in the movies, I admit I wasn’t that excited about this show. However, I was curious.
Then, the trailer dropped and my curiosity has only grown. If you haven’t seen it yet, I highly recommend you check it out.
It looks weird. The setup is very strange. The visuals are all over the place. It’s hard to tell whether Vision is alive, dead, or part of some strange fever dream. There’s a lot of strange humor and odd mysteries. This show looks downright crazy.
That’s exactly why my hope and excitement for this show has been renewed.
To explain, it’s necessary to know a few things about Wanda Maximoff. Before she helped make Elizabeth Olson a star, she was a very controversial and very unstable character in the comics. She had a nasty history of warping reality in distressing ways, often at the cost of her sanity.
If this trailer is any indication, she has not been coping well with Vision’s death at the hands of Thanos. That reaction would be perfectly in line with what happened to her in the comics during the infamous House of M event. That event is still a bit of a touchy issue for many comic fans, but it’s a perfect foundation for this show.
It puts Wanda in a position to deal with her many issues. However, given her powers and her unstable nature, that process is bound to be messier than series of intense therapy. It wouldn’t even be the first show that explored reality-warping people dealing with mental health issues.
“Legion,” a short lived, yet well-done show on FX did something similar. For Wanda, creating these pocket realities in which she’s still with Vision, living this ideal life with her lover, feels exactly like something she’d do. Giver her upcoming role in “Dr. Strange: In The Multiverse Of Madness,” it could act as a precursor for things to come.
I hope this sets the stage. I also hope this makes Elizabeth Olson’s take on the character more complex. To date, all she’s done is fail to protect her loved ones and lash out. I think she has room to do so much more. I hope she succeeds with this show.
I think Marvel and Disney need this show to succeed, too. With the world still such a mess, they can’t rely totally on the cuteness and merchandizing potential of Baby Yoda to see them through.