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New Comic Book Day August 4, 2021: My Pull List And Pick Of The Week

When you’re a comic fan like me, comics basically become the spice, the cake frosting, or the hot sauce of life. By that, I mean there really isn’t much you can’t combine with comics that doesn’t make something inherently better. On Wednesday mornings, pairing my morning cup of coffee with new comics is a perfect complement. They each make each other better.

The same applies to combining new comics with lunch.

The same applies to combining new comics with lounging by the pool.

The same applies to combining new comics to snuggling up with your lover on the couch.

Think of any situation that allows you to read something on a phone or tablet. New comics only makes it better. On Wednesday mornings when a glut of new books come out, you’ve got even more to work with. You now have the excitement of reading something new that introduces new characters, moves stories forward, and offers more dazzling art.

Variety may be the spice of life, but comics are my preferred spice. No matter what time of the year it is, comics make it sweeter. Now is as good a time as any to sweeten up your life once week with new comics. As always, I offer my pull list and pick of the week. Enjoy!


My Pull List

Avengers #47

Batman #111

Crime Syndicate #6

Deadpool: Black, White & Blood #1

Guardians Of The Galaxy Annual #1

Hellions #14

Immortal Hulk #49

Justice League #66

Justice league Infinity #2

Miles Morales: Marvel Tales #1

Savage Avengers #23

Silk #5

Suicide Squad #6

Suicide Squad: King Shark #1

W.E.B. Of Spider-Man #3

X-Men #2


My Pick Of The Week
Deadpool: Black, White & Blood #1

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What Recent X-Men Comics Can Teach Us About Present (And Future) Politics

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Trying to make sense of politics is like trying to understand quantum mechanics while stoned. The process of governing humanity has always been tricky. Ever since we exchanged our basic hunter/gatherer ways for a more formal system of order, the process has only become more difficult over time. You don’t have to look far to see the complexities and the overall absurdities of politics.

I’ve tried to talk about politics before, albeit with a limited focus on hot-button issues. I never claim to be an expert or an authority on the matter. I’m an aspiring erotica/romance writer. My understanding of politics is as limited as most people who don’t live, work, and breath these issues. Despite those limitations, I still want to make an effort to talk politics in a novel way.

As it just so happens, I’ve come up with just such a way and it involves X-Men comics. Considering how much I’ve written about X-Men and superhero comics in general, this should surprise no one.

More specifically, I want to take the events that have been unfolding in the X-Men comics for the past two years and use it to make sense of the current state politics. I also want to use it to speculate a bit on where these politics might lead us. Again, I am not even close to an expert, but I do believe that art and media have an uncanny way of shining a light on the real world and there are few narratives more uncanny than the X-Men.

The current state of politics, especially in the United States and Western Europe, has been dominated by polarization. More and more, citizens are becoming more tribal. On top of that, people are becoming more divided. That’s not just an anecdote, either. According to Pew Research, the public has become more ideologically split over the past 20 years and it’s only getting worse.

Rather than try to make sense of these decade-long trends, I want to apply it to the politics in the X-Men comics. More than any other superhero comic or franchise, politics are a major driving force for the X-Men, more so than killer robots. Co-creator, Stan Lee, stated that the inspiration for the X-Men was drawn from the ongoing Civil Rights movement that was in full swing in the early 1960s.

Over the years, this idea of mutants being an oppressed minority who were hated and feared for being different has been the driving force behind the X-Men’s story. It is also a big part of what helped them gain such a wide appeal. Some of the X-Men’s most iconic stories come from conflicts inspired by the hate and fear that ordinary humans feel towards mutants.

In the real world, hatred and fear are powerful forces that don’t need killer robots to cause upheaval. Hatred and fear is at the heart of debates surrounding migrants and immigrants. That same hatred and fear is at the heart of the political polarization.

Liberals hate and fear conservatives because they think they want to turn the world into one big plantation ruled by rich, wealthy slave-owners.

Conservatives hate and fear liberals because they think they want to abandon their heritage, punish people for the sins of their ancestors, and micromanage their lives.

In the world of X-Men, humans hate and fear mutants because they think they’re too dangerous, unpredictable, and uncontrollable. On top of that, if they truly are a new species, then that means their survival means humanity’s extinction.

The parallels aren’t perfect, but they are there. Mutants aren’t just a metaphor for any minority who has been oppressed, segregated, and denigrated. They represent just how divided two groups can be. Constant conflict ensures that hatred and fear will fester. However, it’s the events of House of X and Powers of X that the entire concept of X-Men has gained greater political relevance.

In case you haven’t been following superhero comics, the details of these events are many, but the theme is relatively simple. After years of fighting, running, surviving, and being marginalized because of movie rights, the entire mutant race has decided to reorganize themselves into a new society.

This isn’t some exclusive club or superhero team. With help from Charles Xavier and the powerful foresight provided by Moira MacTaggart, the mutants of the Marvel Universe have united within a new homeland, which happens to be a living island. They also have their own mysterious language that only they understand. They are essentially establishing themselves as a new political entity.

In the scope of the X-Men’s 50-plus year history, the idea isn’t new. There have been multiple efforts over the years to give mutants a homeland. One was called Genosha. One was called Utopia. Both enjoyed some measure of short-term success, but both ended up destroyed or abandoned. The reasons for this aren’t important. What sets them apart from Krakoa is the scale.

To understand it in a real-world context, think of Genosha and Utopia as enclaves within a community. They’re akin to neighborhoods in America or Europe that are predominantly populated by a particular ethnic group or religion. Many are quite successful in their own right. Others have become the sites of atrocities and tragedies.

What the mutants are doing with Krakoa in the comics is something bigger than an enclave. They’re not just seeking to be recognized as a full-fledged country, either. Charles Xavier, the X-Men, and every other mutant is building Krakoa to be a society that can function with or without humanity. It’s not land borrowed from humans. It’s land that’s theirs and theirs alone.

That’s not to say Krakoa operates in isolation, as Wakanda once did. They actually seek to maintain diplomatic relations with the world. They even have valuable resources with which to trade. They don’t have to make these kinds of deals, but under Charles Xavier, they do anyway. It culminates in “House of X #5,” in which Krakoa gains formal recognition by the UN.

This is where the politics of the X-Men comics add some necessary nuance to what we’re seeing in the real world. When people feel marginalized, they tend to feel unwelcome. Even if you are legally an American, a German, an Italian, or a Wakandan, being hated and feared by a large segment of the country makes you feel like you don’t belong.

Between divided polls and America’s colorful electoral map, it’s not hard for anyone to feel out of place. The added polarization provided by the internet, social media, and cable news only adds to the divisions and the animosity. As a result, people naturally retreat into groups and tribes where they feel welcome. Whether it’s a political group, a religious group, or an identity, they seek some form of sanctuary.

In doing so, these groups essentially create their own little world within their community. It’s a world that might as well be a separate reality from what others see. It’s how different people can see the same facts, but have wildly different interpretations. Their brains are still working and the facts are still facts. It’s how they apply them to their world that’s different.

Each group feels they don’t belong. They may even feel victimized. It doesn’t matter if the group happens to make up the vast majority of the population. They still feel like they’re the ones under attack, not unlike the X-Men when they constantly confront fearful, hate-filled humans. They act as though they need to carve their own place in the world and defend it at all costs.

This is where House of X and Powers of X can provide some possible insights into the future of politics. To some extent, Krakoa is a natural byproduct of mutants being hunted, attacked, and denigrated at every turn. They tried isolating themselves on islands. They tried living among humans, sometimes in their most populated cities. Now, they’re trying something bigger.

It’s not exactly peaceful and not everyone understands it, which seems antithetical to Charles Xavier’s dream. However, it’s pragmatic in a very political sense. They have a homeland that they can control. They have barriers for entering and exiting that homeland. Nobody who isn’t authorized can enter it. It’s basically the ultimate immigration control.

On top of that, it has valuable resources that the rest of the world wants. The mutants of Krakoa are willing to share them, but only if they respect their new homeland and treat it like a legitimate country with its own culture, laws, and norms. In a world where people constantly attack others for not respecting their culture or norms, it feels like the ultimate endgame of sorts.

Those who want their culture and way of life preserved will only have more incentive to become more organized. If they keep feeling hatred and fear, they may look for ways to simply function without those they feel don’t belong. People won’t just become more ideologically divided. They may end up more divided in a very literal sense.

It’s the ultimate manifestation of our natural tribal instincts. We seek to join, maintain, and protect our tribe from others, be they real or imagined. It doesn’t matter if there are objective facts that show our tribe is somehow wrong or misguided. We still feel inclined to protect it at all cost.

This era of X-Men comics has been exciting. Writer, Jonathan Hickman, has turned the X-Men from just another superhero team into a blossoming community with its own culture, identity, and borders. As an X-Men fan, I’ve been enjoying it a great deal. As someone in the real world who can’t always avoid politics, it leaves me worried about just how divided we’ll ultimately become.

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New Comic Book Day July 7, 2021: My Pull List And Pick Of The Week

Getting into comics can be daunting. That’s unavoidable when some of these comics have hundreds of issues and half-a-century of continuity to deal with. I remember how overwhelming it was for me. Then again, I was a kid at the time. Everything that didn’t involve Nintendo games seemed overwhelming to me. I still managed. It didn’t take me too long to get a firm understanding of the elaborate lore surrounding Marvel, DC, Image, and Dark Horse.

Keep in mind, I did this all before the internet. I’m also not that smart. I just followed my passion, found some basic reference materials, and asked questions to veteran comic fans whenever I needed more insight. Now, I’m one of those guys who can talk about comics for hours and sees every New Comic Book Day as Christmas morning. I can safely say my life is better because of that.

These days, it has never been easier to get into comics. The internet has made it much easier to learn about continuity, lore, reboots, and retcons. The rise of tablet computers and Comixology has made it so you don’t even have to put on pants to enjoy comics. While going to my local comic shop was always a great memory, I still envy new fans today for all the tools they have.

Between better tools and the success of the Marvel Cinematic Universe, comics have come a long way. They’re not just for nerds and geeks anymore. They’re for everyone. The volume of content has never been more diverse and appealing. This week, more than most, is a great chance to dive in. New eras are set to begin and big summer events are starting to heat up. To assist in embracing the world of comics, here is my pull list and pick of the week. Enjoy!


My Pull List

Amazing Spider-Man #70

Amazing Spider-Man Annual #2

Avengers #46

Batman #110

Captain America #30

Children Of The Atom #5

Crime Syndicate #5

Extreme Carnage: Alpha #1

Hellions #13

Immortal Hulk #48

Justice League #64

Justice League Infinity #1

Red Sonja: Black, White, Red #1

Suicide Squad #5

Wonder Girl #2

X-Force #21

X-Men #1


My Pick Of The Week
X-Men #1

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Jack’s World: The X-Men Joining The MCU: What I Hope Vs. What I Expect

The following is a video from my YouTube channel, Jack’s World. It’s a video essay in which I reveal my hopes for the X-Men whenever they join the Marvel Cinematic Universe. I’ve written about it before, but I added a bit more speculation and expectation here. I also got a chance to use a new mic and sound editing software. Hope it makes a difference. Enjoy!

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Jack’s World: How House Of X/Powers Of X Redefined The X-Men

The following is a video from my YouTube Channel, Jack’s World. As someone who has followed and praised X-Men comics for years, I wanted to make a video that articulated just how important the recent House of X/Powers of X story by Jonathan Hickman is in the history of the franchise. I tried to do it justice while trying not too hard to geek out. Enjoy!

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Jack’s World: New Mutants Movie Review

The following is my first video movie review for my YouTube channel, Jack’s World. After a summer being locked down due to a global pandemic, movie theaters in my area finally re-opened. Fittingly enough, the first movie I checked out was the frequently delayed “New Mutants.” Was it worth the wait? Well, see for yourself!

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Jack Fisher’s Weekly Quick Pick Comic: X-Force #1

Even the cleanest communities need a functioning sewer system. That’s something that even the most wide-eyed, Utopian-seeking idealists understand. Throughout the history of the X-Men comics, Professor Charles Xavier and his X-Men have had to learn this lesson on many occasions. While they don’t outright abandon the idealism at the heart of Charles Xavier’s dream, they understand that less ideal methods are necessary.

That’s where X-Force comes in. Whereas the X-Men are the public photogenic faces of their heroic exploits, X-Force is the secretive, less scrupulous team that fights the ugly battles that need fighting. They are, in essence, the sewer system of Charles Xavier’s dream. Where heroes and idealism fails, they step in.

It’s a tradition that has gone through many eras, dating back to the X-Men’s heyday in the early 1990s. The threats and the circumstances have changed, but the tactics don’t. Even though the X-Men and the entire mutant race are in the best position they’ve been in since the Clinton Administration, there’s still a need for X-Force.

Writer Benjamin Percy, along with an impressive cast of artists, establishes the extent of that need in “X-Force #1” and does so in an appropriately brutal fashion. Charles Xavier may have set up an ideal environment for mutants to thrive, but that environment is still vulnerable to major threats who don’t stop at throwing killer robots at them.

The nature of these threats are vague, as is often the case with X-Force, but their motivations are clear. The new order that Jonathan Hickman built in “House of X” and “Powers of X” has shaken up the geopolitics of the Marvel universe. Mutants are no longer a disorganized hodgepodge of scared mutants, costumed heroes, and Deadpool. They’re a sovereign nation with valuable resources.

While this has set mutants up to prosper like never before, it also makes them a much bigger target. Instead of hunting mutants in dark alleys, there’s an entire country full of them and not all of them have trained in the Danger Room. It doesn’t take long for a shadowy group of masked mutant-haters to take advantage of that.

Initially, it’s hard to know how serious this threat even is. There have been all sorts of shadowy organizations who wear funny masks and dream of slaughtering every last mutant with a smile.  A few have a notable place in the X-Men’s history. However, they’ve never had to face mutants that are this well-organized.

These aren’t just mutant struggling to survive anymore. They have a living island to protect them. They have standing in the international community and they didn’t even need to threaten the planet to get it this time. On top of that, they have powerful psychics, living weapons, and Emma Frost’s sex appeal on their side. How can anyone threaten them?

This is where “X-Force #1” really makes its mark. It doesn’t just set up a new threat for X-Force to combat. It shows that this threat is capable of hitting the X-Men where it hurts. Their elaborate defenses, their legions of powerful mutants, and their emerging place in the international community isn’t enough. They can still be attacked. They can still suffer casualties.

It’s a rude awakening, especially after everything Charles Xavier did to make Krakoa the ultimate haven. It’s also shocking at how successful this attack is. Even those who aren’t traditionally associated with X-Force, such as Jean Grey and Beast, see first-hand how devious their enemies can be.

It’s a harsh reminder that they’re still living in a world that isn’t swayed by their idealism. While some might have their attitudes tempered by diplomacy, life-saving drugs, and Wolverine’s claws, others won’t stop until they’re dancing atop a mountain of mutant corpses.

Those aren’t people that the X-Men can confront through heroic means. This is the kind of challenge that needs X-Force and their less-than-ideal tactics. The last page of “X-Force #1” makes that abundantly clear. The only question is how far are they willing to go in order to respond?

Through its many iterations, X-Force has always had a darker tone to go along with its darker themes. Percy captures that tone perfectly in “X-Force #1.” He crafts a story that isn’t entirely built around X-Force’s harsher tactics and the lines they’re willing to cross. More than anything else, the story reaffirms the need for X-Force.

It lays a foundation that includes characters who are no stranger to X-Force’s methods, such as Wolverine and Domino. It also sets the stage for other characters to play a role, like Jean Grey and Black Tom Cassidy. In other eras, these same characters would oppose the very existence of X-Force or actively fight against them. However, in this new emerging order with Krakoa, they cannot avoid it.

X-Force #1” has most the defining traits that X-Force comics have always had. What makes it stand out is how it builds those traits around a world in which mutants have never had it better. This is as close as they’ve ever gotten to fully realizing Charles Xavier’s dream, but X-Force is still necessary.

It’s a sobering reminder. You could even argue that it’s a necessary reminder. After what happened on the final page, nobody in X-Force is going to forget that anytime soon.

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Jack Fisher’s Weekly Quick Pick Comic: House Of X #6

There’s an unwritten rule in superhero comics. Heroes can enjoy a happy ending every now and then. However, it can only go so far. For every happy ending, there must also be a setup for the next conflict. It also can’t be too happy. The struggle can never stop or slow down. More epic battles must follow. Where else will Marvel and their Disney overlords get ideas for new billion-dollar movies?

Sometimes, the happy endings are as short-lived as they are shallow. This is especially true of X-Men comics. Their struggle is more complicated than fighting hordes of Hydra soldiers or battling invading Chitari armies. Sure, they regularly battle killer robots, but the primary source of their problems come from hatred and fear. There’s only so much they can triumph over that. A typical internet comments section is proof of that.

As a result, any victory the X-Men enjoy seems fleeting. Any semblance of a happy ending or true progress comes off as shallow or temporary. That has been my experience, as a lifelong X-Men fan. Then, “House of X #6” comes along and in the span of a single book, those unwritten are bent, broken, and redefined.

Throughout the X-Men’s colorful history, there have been many defining moments. Unfortunately, most of them often involve tragedy, destruction, and decimation. The moments that involve a triumphant, happy ending that feels like real progress in their struggles are few and far between. That only makes “House of X #6” more precious in the grand scheme of things.

This epic, world-building narrative began with a simple proclamation from Charles Xavier. While humanity slept, the world changed. In “House of X #6,” the sheer breadth of that change becomes clear. Xavier doesn’t just announce to the world that things are different. He explains why and how they got to this critical point.

It’s the kind of speech that leaves you anxious, astonished, concerned, and elated, all at the same time. He doesn’t talk around the truth or rely on alternative facts. He lays out clearly what mutants have been through. Even if you haven’t been following the X-Men comics for the past several decades, you get a clear understanding of how they got to this point.

They’ve been bullied, attacked, ignored, and driven to the brink of extinction more than once. They’ve clashed with other superheroes while being held to a different standard. In a world where so many other people have superpowers and aren’t subject to constant killer robot attacks, mutants are seen as a menace.

Now, they’re not just outcasts fighting for their lives and working towards impossible dreams. They’re a full-fledged society. They now have a home in Krakoa, which is now a full-fledged nation. They have their own culture and identity that they’re willing to fight for. These all feel like changes that are exceedingly overdue. Writer Jonathan Hickman finally put it into words while artist Pepe Larraz gave it vibrant visuals.

It’s a beautiful, cathartic moment that X-Men fans of all kinds can appreciate. On top of this momentous announcement, Hickman adds a few more details to the world-building. Now that mutants have their own nation, they have to go about governing it. It’s the kind of detail that tends to get overlooked in most superhero narratives, but it’s those same details that give depth to this emerging status quo.

The government of Krakoa is not overly complicated, but it’s still comprehensive in its vision. Hickman does not skimp on the details. We even get to see how Krakoa handles difficult issues, such as major laws and what to do with those who break them. It’s not quite like watching a mutant version of C-SPAN, but it gets the point across.

This isn’t just mutants consolidating their power. They’re trying to function as a real nation with real connections in the international community. They’re not going to be some isolated enclave. They actually have something to offer the world with the miracle drugs Krakoa produces. However, they’re not treating them as bargaining chips or gifts. They’re real assets with which to create standing in the world.

It’s uncharted territory for mutants. It also opens the door to a new host of complications, but for once, they don’t involve drawing battle lines between humans and mutants. Xavier still seeks peace, but not through impossible dreams anymore.

This is a huge shift for Charles Xavier’s character. It’s a huge shift for the X-Men, as well. They’re not just a team of mutant superheroes anymore. They’re something greater and “House of X #6” is their way of announcing that to the world.

I won’t spoil the many other ways Hickman and Larraz explore this exciting new world. There are plenty of moments that set the stage for a very different kind of struggle with the X-Men. There are also a few hints that they’ll be dealing with a few threats down the line, some more familiar than others. That’s unavoidable, both for superheroes and blossoming nations.

However, I will spoil one critical detail. “House of X #6” gives the X-Men, mutants, and long-time fans a reason to celebrate. It wasn’t that long ago that the X-Men were in a dire state. Marvel was going out of their way marginalized them in favor of propping up the Inhumans. Major characters were being killed off, left and right. Now, in wake of this issue, those dark days feel like distant memories.

The events of “House of X #6” feel like the end of a long, tumultuous period of tribulations and the beginning of a new era. It’s not all doom and gloom, for once. There’s reason to be happy. There’s reason to grab a beer and celebrate. If the X-Men comics were to end with this issue, it would be a damn good ending.

A new world has been built. A new era has arrived for the X-Men. It’s as satisfying as it is overdue. To X-Men fans of all kinds, get some friends, grab a cold beer, and have a party. Hickman has given us a reason to celebrate.

 

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Five Reasons Why Joss Whedon Should Direct The First X-Men Movie In The Marvel Cinematic Universe

x-men-mcu-disney

These are exciting times for X-Men fans. The Fox era of X-Men movies is over. With Disney’s purchase of Fox, a new era is set to begin. There are no more divergent timelines or soft reboots. The X-Men are coming to the Marvel Cinematic Universe. It may not happen for a while, but the process has already begun. It’s only a matter of time.

As a lifelong X-Men fan, I’ve discussed both the possibilities and the immense potential of this development. I’m sure I’ll discuss it plenty more as news, rumors, and what not emerge over the next few years. Until then, there isn’t much to go on.

While there are plenty of details to explore, in terms of story, there’s one logistical issue that I feel is worth addressing. It has to do with who will help guide the X-Men into the MCU. Now, it’s a given that Kevin Feige will be the mastermind behind it all. He is, after all, the alpha and omega of all things Marvel Studios. He’ll be the one with the vision, but he’ll still need someone to turn that vision into a tangible product.

That’s not going to be easy for the X-Men. This isn’t the same as making “Ant Man” a viable franchise. The scope and scale of the X-Men franchise is immense. There’s a reason why it lasted 19 years with Fox. It has a wealth of characters, iconic stories, and endearing themes that are as relevant as ever.

Bringing X-Men to the MCU will be a massive undertaking. With that in mind, I’d like to make the case that there’s one director who is uniquely qualified to take on this challenge. Most already know his name and he has already left his mark on the MCU. I think he’ll leave an even bigger mark by taking this on. That name, of course, is Joss Whedon.

Hold your applause/outrage, please.

Now, I know Whedon’s name doesn’t carry the weight it once does. His success really peaked with the first “Avengers” movie, but since then, he’s somewhat faltered. It hasn’t helped that he suffered some bad press, some of which I’ve touched on. Even with these setbacks, and even because of them, I believe he’s the best choice for leading the X-Men into this new era.

As always, I know there will be those who vehemently disagree. I understand that and even welcome those counterarguments in the comments. That said, I’d like to offer five reasons to make my case that Mr. Whedon is the man for the job.


Reason #1: He Has (Successful) Past Experience With X-Men

Joss Whedon is no stranger to the X-Men. In fact, he probably has more experience with this franchise than he did with the Avengers. He did script work on the first X-Men movie. He was also on the short-list to direct multiple X-Men movies at one point. He’s gone on record as saying that he’s an X-Men fan.

Outside the movies, Whedon’s credentials run even deeper. In the early-to-mid-2000s, he penned an acclaimed run for the Astonishing X-Men comic. If you were to talk to any X-Men fan during that time, myself included, they would’ve said the same thing. Whedon’s run on Astonishing X-Men was one of the best of its era.

Through that run, he demonstrated a strong appreciation of these character. It wasn’t just the female characters either, although they definitely shined. He understood the personalities, dynamics, and quirks with characters like Cyclops, Emma Frost, Wolverine, and Kitty Pryde. He gave them all a chance to demonstrate why they’re so iconic.

While the Fox era of X-Men movies did plenty for Wolverine, Charles Xavier, and Magneto, they rarely succeeded for other major characters. Some, like Cyclops and Rogue, were outright butchered. While Whedon has mishandled characters in the past, his experience with X-Men should help avoid that.

Given the size and scope of the MCU, the margin for error will be small. Having a director who knows, understands, and cares about these characters will go a long way compared to one who is unfamiliar with them. Just ask Josh Trank.


Reason #2: His Style Will Give The X-Men The Right Tone For The MCU

Whether it’s a movie or TV show, Joss Whedon’s work has a distinct tone and style to it. There’s often a tight blend of light-hearted character moments mixed with serious drama. There are also plenty of jokes and quips, but not nearly on the level of an Aaron Sorkin script. For the most part, Whedon works to humanize his characters while making them lovable and relatable in their own way.

That kind of approach is exactly what the X-Men need in the MCU. It’s an approach that has already been proven with the first “Avengers” movie, as well as “Avengers: Age of Ultron.” In each case, both the heroes and the villains had moments where they could joke around, but still have heated arguments when necessary. It was a big part of what made these movies so entertaining and memorable.

The X-Men have had their share of funny moments during the Fox era. Unfortunately, most of them came from Deadpool and the always-charming Ryan Reynolds. By the standards of modern superhero movies, the original X-Men trilogy was very serious and even a little dark. Granted, that was necessary, if only to distance itself from the excessive camp in “Batman and Robin.” Things are different now.

The X-Men franchise has had plenty of bleak, serious moments in recent years. As great as “Logan” was, the franchise could benefit from something more uplifting and Joss Whedon’s style fits that perfectly.


Reason #3: He Knows How To Balance Action, Character Development, And Melodrama

This is something else that’s readily apparent to anyone who read Joss Whedon’s run on Astonishing X-Men or seen at least one season of “Buffy: The Vampire Slayer.” Say what you will about his feminist credentials. The man knows how to strike that critical balance between action, character development, and melodrama.

He did plenty of balancing with action and character development in “Avengers,” but X-Men will need a lot more melodrama to succeed. That’s because all those soap-opera elements that tends to complicate other action franchises are a core part of the X-Men’s DNA. They have been since the heyday of Chris Claremont’s run on the comics.

I’m not just talking about romantic sub-plots and love triangles, which have been a detriment to previous X-Men movies. Being an X-Men and a mutant is full of both personal and interpersonal drama. It’s part of what makes these characters relatable and iconic. People might not be able to relate to the Asgardian God of Thunder, but they can relate to someone who is born different and struggles to cope with those differences.

Add clashes with killer robots and murderous bigots to the mix and you’ve got plenty to work with. In the MCU, where superheroes and super-powers already exist, these are exactly the kinds of complications that can keep things interesting and Whedon has experience doing just that.


Reason #4: He Has Something To Prove (And So Does The X-Men Franchise)

As I noted earlier, Joss Whedon’s career and personal life have taken quite a downturn in recent years. In addition to his divorce, his creative decisions during “Avengers: Age of Ultron” were subject to controversy. Some may argue the extent of that controversy, especially given the box office of that movie, it’s still telling that Whedon hasn’t been involved with the MCU ever since.

On top of that, Whedon name has been unfairly linked to the massive commercial failure of “Justice League.” Now, there’s a lot to be said about the problems with “Justice League,” but I think it’s wrong to lump them on Whedon. He came into a movie that was radically different from his usual style and was already grossly overbudget and behind schedule.

Fair or not, Whedon’s credibility has taken hits on multiple fronts. By spearheading the X-Men’s arrival into the MCU, he has a chance to rebuild it. His career is far from over. Even with the upheavals in his personal life, he hasn’t burned too many bridges or completely lost the trust of fans.

If he has any kind of ego, and most people in Hollywood do, he’ll be more motivated than most to succeed with the X-Men in the MCU. At the same time, the X-Men franchise has just as much to prove. Even with the success of “Logan” and “Deadpool,” not one X-Men movie has ever topped a billion dollars.

As a franchise, the X-Men have fallen behind in the superhero hierarchy. Entering the MCU is their chance to show that they deserve to be in the same world as these multi-billion dollar success stories. To some extent, both Joss Whedon and the X-Men franchise need each other.


Reason #5: He Knows How To Balance New Ideas With Classic Elements

The X-Men that show up in the MCU will be different from the X-Men we saw in the 19 years of movies. That’s a given. It’s only a question of how different they’ll be. That will likely be a key consideration because while the X-Men movies had their share of flaws, they did a number of things that worked exceptionally well, Deadpool being the most notable.

While it’s likely that Marvel Studios won’t do much to change Deadpool, there will definitely need to be some fresh nuance to the X-Men. As it just so happens, Joss Whedon is better than most when it comes to balancing new ideas with classic themes. He did that with Astonishing X-Men in the comics. He did that in both “Avengers” movies, as well.

While some elements worked better than others, they still came together in a polished product that made billions. The X-Men will need that balance as they enter the MCU. Unlike other characters and teams that have been introduced, the X-Men come in with 19 years of cinematic baggage. It must distinguish itself in this new era.

That’s not going to be easy. Depending on when they show up, the MCU could be very different from the one that just culminated with “Avengers Endgame.” Whedon, given his experience, is certainly up for that challenge.


There’s little doubt that mutants coming to the MCU will be a huge upheaval. How Marvel Studios and Disney go about it could determine whether the MCU continues to dominate at the box office or finally runs out of steam. This incredible cinematic world has delivered time and again, overcoming immense challenges and breaking box office records along the way. They’ve earned the benefit of the doubt.

Joss Whedon may or may not be the one to lead the MCU into this new era. I think he has what it takes. I hope he gets a chance. There’s a lot of uncertainty with the X-Men franchise right now, but this is a franchise that has overcome major struggles before. With the Disney machine and the MCU behind it, I don’t doubt for a second that it can become uncanny once more.

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Jack Fisher’s Weekly Quick Pick Comic: House of X #4

In life, there are usually a handful of moments when you can say that you’ve had your finest hour. Whether it’s winning a championship, finding the love of your life, or winning a buffalo wing eating contest, those moments are special. They reveal just how good and capable you can be. For the X-Men, “House of X #4” is that moment.

Writer Jonathan Hickman and artist Pepe Larraz have been redefining, revamping, and at times revolutionizing who the X-Men are and what they stand for. As a lifelong X-Men fan who will find any excuse to write about them, I could fill a pool with the tears of joy I’ve shed while reading this series. With “House of X #4,” however, those tears are mixed with a host of other feelings besides joy.

Since it began, House of X has put the X-Men and the entire mutant population in a bold new situation. They’re no longer hiding in fancy mansions, isolated islands, space stations, or hellish dimensions. Hickman has gone heavy on the world-building, turning the living island of Krakoa into a vast, expansive sanctuary for mutants. The results have been both functional and awe-inspiring.

However, building a new world for the mutants of the Marvel universe is just part of the story. Protecting their future and preventing their extinction at the hands of Nimrod and the Sentinels are a much larger part. That part of the story is what culminates in “House of X #4.”

It’s not overly elaborate. Hickman doesn’t try to reinvent the nuts and bolts of how the X-Men go about saving the day and their species. He simply raises the stakes while Larraz makes it a visual spectacle. It effectively builds on what was set up through the events of Powers of X and the many lives of Moira MacTaggart.

For once, the X-Men aren’t on the defensive. They’re not the ones caught off-guard by an army of Sentinels or some new mutant-killing menace. They know what’s coming. They know that Mother Mold will give rise to Nimrod and Nimrod will be the end of mutants, humans, and everything in between. Now, they’re in a position to stop it.

They don’t send the B-team for this mission, either. They throw the X-Men’s heaviest hitters with Cyclops, Wolverine, Jean Grey, Mystique, Arcangel, and Nightcrawler. They even add in some lesser-known, but still-effective names like Husk and Monet. Their mission is simple, but the logistics are not. It’s an opportunity for the X-Men to be at their best and they take full advantage of it.

The struggle is intense. The battle is dramatic. Larraz’s artwork is simply stunning every step of the way. There’s never a sense that this is a mission from which the X-Men will escape intact, unscarred, and completely triumphant. This isn’t a Saturday morning cartoon or a movie where the good guys have to win outright. This is a battle for the present and future of the X-Men. Battles like that will come at a cost.

There’s definitely a sense that this mission is a suicide mission. There’s no teasing this mission will require heavy sacrifices. That sort of thing has been par for the course with X-Men comics for years, now. After they killed Wolverine for a while, the death of any character become much more trivial.

Making anything count in any comic these days is a challenge. Fans who have been reading the books for more than a few years know that nobody stays dead, nothing remains stable, and Deadpool never shuts up. The key is giving the conflicts weight and substance. In that, Hickman definitely succeeds in “House of X #4.”

The previous issues help establish why the X-Men need to take down Mother Mold. They also establish what happens if they don’t. The past, present, and future are all at stake at the same time and for once, it’s not because someone is abusing a time machine. For any superhero comic, especially an X-Men comic, that’s nothing short of revolutionary.

It all comes down to this single mission. Cyclops takes lead. Wolverine does something incredibly badass. Nightcrawler is astonishingly charming. Jean Grey has a flare for the dramatics. Even Monet gets a chance to cut loose. It’s a dire sequence of events, but one that has depth and meaning.

If someone ever wants to show who the X-Men are and why they’ve resonated so much since the Kennedy Administration, they would be wise to cite “House of X #4.” It doesn’t just depict heroes saving the day. It shows what the X-Men are willing to fight for and sacrifice for the sake of their future.

It’s not just about defeating the villains and winning the day. There are many personal moments in this battle that show the strengths and bonds of each character. Some shine more than others, but they never stray far from what makes them great. The stakes are high, but the characters stay consistent.

At their core, the X-Men are mutants and mutants are human. They’re not these larger-than-life icons in the mold of Superman, Captain America, or Spider-Man. They’re real people who didn’t get their powers by choice or circumstance. They were born that way. They can’t escape who and what they are. They don’t want to, either. They want a future for their kind and those who hate them.

They fight for that future in “House of X #4.” They know what will happen if they lose. There’s no ambiguity in what they do or why they do it. This is just X-Men being the kinds of heroes they need to be when everything is at stake. The story isn’t over, so their finest hour may still be ahead of them. However, the astonishing events of “House of X #4” are going to be very hard to top.

 

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