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A Simple Comment On The Criticism/Whining On “Birds Of Prey”

Sometimes, a movie just fails to find an audience.

It’s not because of some larger social agenda that backfired horribly.

It’s not because of some huge backlash caused by misguided marketing strategies, either.

Most of the time, the world isn’t that fanciful. It’s just chaotic, unpredictable, and messy. No matter how much a movie, TV show, or product attempts to appeal to a broad audience, it can just fail. That’s all there is to it.

Trying to fit an agenda into that failure is like trying to build a conspiracy around why you’re stuck in traffic. The world isn’t out to get you or people like you. Most of the time, shit just happens and you’re just caught up in it. That’s not to say that agendas never squeeze themselves into the media. It happens, but it’s effect is often exaggerated. Most of the time, the final product just doesn’t work.

That brings me to “Birds of Prey.” Now, in the interest of full disclosure, I completely forgot about this movie. I had no excitement for it and not just because I was underwhelmed by “Suicide Squad.” I like Margot Robbie. I like Harley Quinn. She’s a great actress who plays a great character. The movie just did not grab my attention.

I saw the trailer. It was fine, but forgettable. I didn’t feel compelled to watch it 10 times in a row, as I did with “Wonder Woman 1984.” I didn’t feel compelled to see the movie, either. Even though it got good reviews, it just didn’t appeal to me. I planned to watch it when it came out on cable. Based on the early box office haul, I’m not alone in that sentiment.

I’d be perfectly fine to leave it at that. In previous years, I wouldn’t even bring it up. However, due to the growing inclination to make everything political, the under-performance of “Birds of Prey” is already getting the wrong people talking about it for all the wrong reasons.

Some are already lumping this movie in the same category as 2016’s “Ghostbusters” or the horrendously bad “Charlie Angels” reboot. Now, I don’t want to get into the politics behind it, mostly because I value the integrity of my brain cells. I’ll just say this. Whether you’re liberal, conservative, feminist, traditionalist, anarchist, or Marxist, there’s one thing to remember.

It’s a goddamn movie. Sometimes, movies just fail to find an audience. That’s it. That’s all there is to it.

Maybe it eventually becomes a cult classic, like “Blade.” Maybe it rebounds with good word of mouth. Either way, it has nothing to do with an agenda. The public, as a whole, just didn’t respond to it. Any criticism/whining beyond that is just asinine.

That’s all I have to say about “Birds of Prey.” Harley Quinn is still a great character and Margot Robbie is still a great actress. Your agenda, whatever it may be, has no bearing on that. It never has. It never will. Get over yourself and just watch the movies you enjoy.

 

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Filed under gender issues, media issues, movies, outrage culture, political correctness, politics, sex in media, sex in society, superhero comics, superhero movies

The “New Mutants” Trailer And Why I’m Rooting For This Movie

Since the conclusion of “Dark Phoenix,” a movie I genuinely love and have re-watched more times than “Avengers Endgame,” it’s been a strange time for X-Men fans. We know that the X-Men are coming to the Marvel Cinematic Universe. With the Disney/Fox merge finalized, it’s only a matter of time before we see mutants pop up in the Marvel universe. It may even come sooner than we think.

Then, there’s “New Mutants.” This movie, which is based on a well-known, critically acclaimed X-Men comic from the 1980s, is a hell of an anomaly. It was originally supposed to come out in April 2018, but got delayed for reasons that are too complicated and stupid for me to put into words.

Delays aside, it has a bold concept. It attempts to mix horror with superhero movies. It’s a unique combination, but one that doesn’t sound that outlandish. Remember, this is the same franchise that made “Deadpool” a Valentine’s Day movie. However, at a time when Marvel Studios has set such a high bar, it almost feels out of place.

Now, with a firm release date of April 3, 2020, it seems like “New Mutants” is still happening. The director, Josh Boone, has been given the opportunity and the blessing by our Disney and Marvel overlords to see his vision through. Honestly, after seeing the latest trailer, I’m rooting for this movie.

It’s not just that this movie is bringing to life more great characters from the X-Men franchise. This movie is attempting to do something that we’ve never seen in the MCU or from DC, for that matter. It’s daring to mix genres in ways they’ve never been mixed. It’s attempting to craft a different kind of superhero movie. Given the success of “Joker,” I’m genuinely rooting for this movie.

I really do hope it succeeds and not just because I’m a die-hard X-Men fan. I think the superhero movie genre needs this. It needs to show that it can expand, evolve, and grow in new ways. Superhero movies don’t just have to be this colorful, big-scale spectacles backed by Disney’s deep pockets. They can be something different, darker, and bolder.

New Mutants” has had a lot of forces working against it. If it succeeds with critics and fans, then it sends a message to Marvel, DC, and the greater powers that be that there’s room for different kinds of superhero movies. They don’t have to follow the same formula. They can succeed in entirely new ways while still strengthening the brand.

If nothing else, it’ll tell the Martin Sorceresses of the world to piss off in the best possible way.

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Why Natalie Portman Becoming Thor Is The Biggest Story From San Diego Comic Con 2019

natalie-portman

If you’re a fan of comic books, superhero movies, and the Marvel Cinematic Universe, this past weekend was like Christmas, Halloween, the 4th of July, and the Super Bowl all rolled into one. The San Diego Comic Con is essentially the epicenter of geek culture. In recent years, it has only gotten bigger, becoming a staging area for major pop culture events. This latest convention was no exception.

While there was plenty of news to follow at this year’s Comic Con, especially for X-Men fans like me, the biggest event was always going to be Marvel Studios. It has already been a historic year for superhero movies, especially on the Marvel side of the genre. Shortly before the convention began, “Avengers Endgame” officially passed “Avatar” to become the highest grossing movie of all time.

It’s a good time to be Kevin Feige.

It’s a good time to be Bob Iger.

It’s a good time to be a Marvel fan, in general.

With the end of “Avengers Endgame,” however, the story that began in 2008 “Iron Man” has concluded. The Avengers assembled in a truly spectacular battle for the ages. Thanos is defeated. The Marvel Cinematic Universe is once again secure, but after making the highest grossing movie of all time, how can Marvel Studios keep raising the bar like this?

In Hall H of the San Diego Convention Center, the next phase of the MCU was finally revealed. Some of the announcements were expected. News of a “Black Widow” movie, as well as an “Eternals” movie, had already been reported months ago. News of a “Blade” movie within the MCU was more surprising, but that wasn’t the biggest story by a long shot.

By far, the biggest Marvel Studios news to come out of San Diego Comic Con 2019 was Natalie Portman returning as Jane Foster to play a female Thor. I’m not going to lie. When I saw this news, I had to blink a few times and slap myself to make sure I wasn’t dreaming. Once certain this was real, it finally sunk in.

Natalie Portman is returning the MCU as Jane Foster to play a female Thor.

To appreciate why this is a huge deal to longtime comic readers like me, I need to provide a little context. Jane Foster being Thor is a concept that only recently gained prominence, thanks to one of Marvel’s top-tier writers, Jason Aaron.

Back in 2014, the Thor comics underwent a major upheaval. After a fateful encounter with Nick Fury, Thor suddenly became unworthy of lifting Mjolnir. It was a dramatic moment that defined the character for years to come. Then, after everyone in Asgard failed to lift the hammer, Jane Foster came along to wield it. In doing so, she became the new Thor.

If you haven’t read the first few volumes of that story, I cannot recommend them highly enough. Even if you’ve only seen the movies, you’ll still find plenty to love about these comics. They made me a fan of both Thor and Jane Foster. If Marvel Studios and Natalie Portman can even capture a fraction of this story’s greatness, then it’ll be a bold new era for superhero movies.

Now, make no mistake. Jane Foster becoming Thor was not without controversy. In fact, the timing of this story couldn’t have been worse. It came out right around the same time that efforts to promote diversity within superhero comics had become mired in regressive politics. It was a time when iconic characters were being replaced and new characters were being created, albeit with mixed results.

This is how mixed it got and NOT in a good way.

I’d rather not go into all the issues, controversies, and absurdities from that era, but I will say that Jane Foster becoming Thor was one of the success stories from that tenuous period. Her journey as the new Thor didn’t supplant that of her predecessor. If anything, it complemented his story. The title of Thor was greatly improved because Jane Foster wielded that hammer.

Now, Marvel Studios is in an even better position to do the same. The success of both “Wonder Woman” and “Captain Marvel” has established that there is a market for female superheroes. The events of “Avengers Endgame” also opened the door for someone else to step in without diminishing Chris Hemsworth’s character, who may still have a part to play in “Guardians of the Galaxy 3.”

It also helps that Natalie Portman’s Jane Foster has been MIA since the events of “Thor: The Dark World.” While her reasons for leaving were somewhat obscure, the announcement at San Diego left no room for ambiguity. She’s coming back and she’s going to play a major role in the next phase of the MCU.

In my opinion, this will go down as one of the most pivotal announcements in the history of the MCU. Why do I believe this is bigger than the Eternals, Blade, Black Widow, or any of the upcoming shows on the Disney+ streaming service? To answer that, it’s necessary to take a step back and look at the bigger picture.

The Jane Foster that Natalie Portman played in the first two Thor movies is not the same Jane Foster who has established herself as a prominent force in the comics. Throughout her history, she has maintained a strong connection to Thor and not just as a romantic interest. In many respects, she has been the character through which ordinary, non-Asgardian people explore Thor’s world of gods, demigods, and monsters.

A big part of what made Jason Aaron’s story surrounding Jane Foster becoming Thor so powerful was how she proved her worthiness of that title. As a mortal woman with many mortal limitations, she embraced that role and proved herself against gods, monsters, and even other superheroes. It was easy to cheer her on every step of the way.

In any era, it’s a powerful story, having an ordinary human embrace god-like power to bear god-like burdens. In this current era of superhero movies, Jane Foster becoming Thor isn’t just a fitting, comics-accurate way to build her story in the MCU. It’s a story that almost feels necessary.

The MCU is a world that has become densely populated by super soldiers, aliens, gods, monsters, and demigods. With the conclusion of “Avengers Endgame,” the world is in a tenuous state. Friendships, families, and teams have been decimated due to the conflict surrounding Thanos and the Infinity Stones. There are voids to be filled, including a few once populated by gods.

Ordinary people becoming heroes is a story that the MCU has told many times before, the latest being “Spider-Man: Far From Home.” Stories about ordinary people becoming gods haven’t been nearly as common and with the Eternals already poised to join the MCU, I think that story should play out in some manner, if only to keep humanity connected to this world.

Jane becoming the Goddess of Thunder is the perfect story to maintain that connection. Unlike Carol Danvers, Jane is not a soldier or a warrior. She’s a scientist who got caught up in the world of gods and superheroes, but she didn’t run from it in the comic. Now, armed with Natalie Portman’s Oscar-winning talent, she’s poised to make a similar journey in a world that needs new heroes to step up.

It’s an exciting, but uncertain time for the MCU. However, when you’ve got a story like that of Jane Foster becoming Thor and an actress as talented as Natalie Portman leading the way, the future has never been brighter.

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Filed under Marvel, movies, superhero comics, superhero movies, Wonder Woman

Shazam! Review: A Simple Formula For Maximum Fun

shazam

When a particular genre becomes over-saturated and overdone, it’s tempting to try and reinvent the concept in hopes of striking a new chord. It’s especially tempting when so many others have risen the bar to such an insane extent that success can only be measured in billions instead of millions.

It would’ve been easy for a movie like “Shazam” to give into such temptation. With the recent success of “Aquaman” and “Avengers Endgame” set to break all sorts of box office records, it seems like this movie has to do something extreme, just to stand out. How else would it succeed in such a crowded market in a golden age of superhero movies?

That was my greatest concern before I saw “Shazam.” As much as I loved the trailer, I was worried that this movie would try so hard to stand out that it would overlook the part of actually being a fun cinematic experience. That sort of oversight has been plaguing the DC Extended Universe since “Man of Steel.”

This picture sums up the issues nicely.

Well, having seen the movie, I’m happy to say that none of those concerns were founded. In fact, I’m elated to report that “Shazam” is another big win for DC Comics and superhero movies, as a whole. However, it didn’t win because it reinvented the genre or did something radically different. It won because it followed the basic formula for quality superhero movies and had fun along the way.

It helps that the core appeal of Shazam, as a character and superhero, is that it approaches heroics with a childlike playfulness. Billy Batson, the alter ego of the titular hero, is not some jaded adult like Batman. He’s not even a boy scout idealist like Superman. He’s just a kid and one who got dealt a bad hand, for that matter. Being both an orphan and a troublemaker, he sees the adult world through very different eyes.

That’s a novel perspective, to some extent. Every other superhero movie, even going back to the era of Richard Donner’s “Superman,” has framed the idea through an adult lens. It always starts out as something simple. An individual gets superpowers, they start carrying out simple acts of heroism, and those acts eventually get complicated, as often happens with adult issues.

With a character like Billy, things never get that complicated. Again, he’s a kid. Even in his heroic form, he sees conflict with a childlike simplicity and “Shazam” captures that simplicity perfectly. The movie doesn’t deviate much from the details and themes of the source material. Concepts like the Rock of Eternity and the Seven Enemies of Man are present and accurately portrayed.

Such details may not matter to those unfamiliar with the comics, but such accuracy is largely a bonus. What really makes this movie work is how it follows Billy’s journey and not just the one he undergoes as a hero. His evolution when he’s not a magically-endowed superhero is arguably the most meaningful aspect of the story.

When we first meet Billy, it’s hard to discern whether he has the spirit of a hero. He’s no upstanding boy scout. In fact, he’s very much a troublemaker who’s willing to thumb his nose at police, break the rules when it benefits him, and run away from anyone who tries to help him. However, he never comes close to crossing that might send him down a darker path.

It’s that trait that sets him apart from his villainous counterpart, Dr. Sivana. While he’s no Thanos, he demonstrates that he’s a lot like Billy in a few key aspects. He’s given a chance to become a hero, but is unable to refuse the temptation that often comes with immense power. That failure haunts him and pushes him down a darker path.

For a time, it seems as though Billy could walk a similar path. When he first gets his powers, he reacts in ways that most would expect of a 14-year-old boy. He tries to buy beer. He tries to make money. He even ventures into a strip club. It’s hilarious and cute, but it also establishes the perfect tone for a movie that avoids complicating the standard superhero narrative.

Within that narrative, there’s a hero who makes choices and learns from his mistakes. There’s also a villain who makes choices and refuses to learn from them. When they eventually clash, it’s a flashy spectacle with simple, understandable stakes. It’s no Battle of Wakanda, but it doesn’t have to be.

The look of someone who DIDN’T get to work with Josh Brolin.

From the moment he first gets his powers to the final showdown with Dr. Sivana, Billy develops into his own hero, but never loses his childlike mentality. He’s not forced to grow up too fast, nor does he have to abandon the civilian life he’s trying to establish. Whereas being Bruce Wayne is often an inconvenience for Batman, being Billy Batson is necessary for Shazam.

This shows in the seamless characterization provided by Asher Angel, who plays young Billy, and Zachary Levi, who plays Shazam. At no point does either manifestation feel like a different character. They both wield the same childlike charisma as they navigate their superhero journey. The same lovability that made Levi so great in shows like “Chuck” help him and Angel bring out the best in Billy Batson.

When the movie begins, it’s not clear that Billy has what it takes to be a competent hero. Trying to determine his worth is like trying to determine if some random 14-year-old will one day play in the NFL. The odds are against them, but the potential is still there. By the time the credits roll, the message is clear. Billy has the spirit that Shazam was looking for and you can’t help but root for him.

At its core, “Shazam” checks all the right boxes for the classic hero’s journey. Billy Batson is perfectly poised to take that journey and not just because he’s one of many orphans who become superheroes. The movie doesn’t try to subvert these tried and true tropes. If anything, it embraces them and dares to have a little fun along the way.

It’s easy to share in that fun. The humor is exactly what you would expect of a movie that involves 14-year-olds getting superpowers. It’s serious when it needs to be, but never too serious. Given the grim and gritty settings of other DC Extended Universe movies, it’s a breath of fresh air that the superhero genre badly needed.

It’s not without its flaws. Some details of Billy’s life are underdeveloped and glossed over. There were also inconsistencies with Dr. Sivana as well, but none were egregious to the point where they derailed the movie. It simply stuck to a simple formula, mixed in a few twists along the way, and made the most of what it had to work with.

If I had to score “Shazam,” I would give it an 8 out of 10. It didn’t reinvent superhero movies or raise the bar. It was simply a fun, entertaining movie that gave a character with little star power a chance to shine. It even managed to accomplish all this without trying too hard to make him like Batman. For a DC Comics movie, that alone is a major accomplishment.

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Five Reasons Why Marvel SHOULD Make An Avengers vs. X-Men Movie

avengers_vs._x-men_event

What can be said about the Marvel Cinematic Universe that hasn’t already been said, affirmed, or celebrated? I know I’ve said plenty about it, both in glowing terms and with real concern. Being a fan of superhero comics and the superhero genre, in general, I don’t think I can add much more to the near-cosmic status of this cinematic achievement.

The support of the fans and the billions made at the box office speaks for itself. Say what you will about Disney’s desire to exploit fandoms out of their money. They know how to give the people what they want. Between the recent success of “Captain Marvel” and the insane expectations surrounding “Avengers Endgame,” it’s hard to imagine this decade-spanning franchise ascending to greater heights.

I believe it will, though. I also believe that part of that ascension will involve pitting the Avengers against the X-Men in a clash that is sure to rock the foundations of the MCU. I know that’s somewhat of a reversal of my previous opinions, but recent events have led me to reconsider my position on the Avengers fighting the X-Men.

This isn’t just me, a passionate fan, speculating on what I think will happen once “Avengers Endgame” and the Disney/Fox merger is final. We already know that the X-Men and Fantastic Four are scheduled to arrive in the MCU at some point. It’s the impact they’ll have that’ll set the tone for the future of the MCU and there are already rumors about that impact swirling.

Now, all internet rumors should be taken with the smallest grains of salt, but according to We Got This Covered, a site with a mixed reputation at best, the top brass at Marvel Studios are already plotting a future Avengers vs. X-Men movie. If true, in whole or in part, it would be a bold move, even by the lofty standards of Marvel and their Disney overlords.

It would definitely be a gamble, that’s for sure. That’s because the Avengers and X-Men have clashed in the comics before. There was even a major crossover event entitled “Avengers vs. X-Men” back in 2012. While I won’t get into the specifics surrounding that event, I will go on record as saying that it’s not one of those iconic Marvel stories that fans hold dear.

In fact, “Avengers vs. X-Men” is probably the most controversial and divisive story Marvel has told in the past 15 years. It’s not just because it pitted two iconic superhero teams against one another for reasons that weren’t properly fleshed out. It marked the point where heroes fighting other heroes officially got old.

It doesn’t help that the MCU already had a major clash like that with “Captain America: Civil War.” It helps even less that “Batman v. Superman: Dawn of Justice” burned fans out even more on the topic. However, by the time Marvel and Disney get around to making an Avengers vs. X-Men movie, I believe the time will be right to tell this story.

Right now, the MCU is in a bit of a transition. “Avengers Endgame” is set to conclude the story that began with “Iron Man” back in 2008. The arrival of the X-Men and the Fantastic Four in the MCU hasn’t even begun yet and the powerful voices at Marvel Studios have already indicated that they’ll be starting from scratch.

Whatever form their arrival takes, it’s sure to take the MCU in new directions. However, I believe an Avengers vs. X-Men movie would unite the new aspects of the franchise with the old. It would act as a catalyst, of sorts, to connect the stories of the present to those in the past. If done right, it could carry the MCU to heights that Thanos himself couldn’t have achieved.

While I am not a fan of how the conflict played out in the comics, I believe the likes of Kevin Feige and Laura Shuler Donner could craft a superhero battle for the ages that will leave fans like me excited for another decade. What follows are my top five reasons why I believe Marvel and Disney should pursue Avengers vs. X-Men movie.

I concede there are many who don’t share my sentiments. I welcome any comments arguing to the contrary. For now, though, this is why I believe such a movie would fit perfectly into the cinematic marvel that is the MCU.


Reason #1: It Would Highlight (And Confront) The Discrepancies On How The World Approaches Superpowers

As soon as the X-Men arrive in the MCU, they’ll be faced with a frustrating double standard. Spider-Man has superpowers that he uses to swing around New York City, fight bad guys, and save the day. In general, he’s celebrated as a hero, along with most of the Avengers. The X-Men use their superpowers to do the same, but are labeled dangerous threats. What gives?

There are a lot of political and logistical reasons for this. Unlike other heroes, the X-Men are mutants. They were born with their powers. They’re part of an emerging sub-species that may or may not render homo sapiens extinct. That scares ordinary people more than some kid who just got superpowers in a random accident. How does society and established superhero teams deal with that?

It’s a relevant question and one the Inhumans failed miserably at addressing. Part of what made “Captain America: Civil War” such a compelling movie was that it didn’t avoid the complexities of this issue, acknowledging how difficult it is to hold people with superpowers accountable. That conflict was never fully resolved. In an Avengers vs. X-Men movie, the stakes would be even higher.

Unlike “Captain America: Civil War,” however, neither side can leave the conflict unresolved. Mutants will still emerge. People will superpowers will continue to exist. It puts iconic heroes in difficult positions that they can’t punch, stab, or smash their way out of and that often brings out the best and worst in these iconic characters.


Reason #2: It Would Raise The Stakes Surrounding Mutants In The MCU

In many ways, a clash with the Avengers would be the best way to show just how big an impact they’ve had on the MCU. Once the Avengers take notice, there’s no ignoring it anymore. Neither mutants nor the X-men would be able to operate in their own little niche of the MCU. They would have to play a larger part in a world that has already incurred a lot of damage from super-powered beings.

This sort of step is necessary in the overall narrative surrounding mutants in the MCU. It would be their coming out party, so to speak. It would show how far they’ve come and how much farther they have to go in terms of gaining legitimacy in the MCU. The X-Men, especially, have a lot to gain and a lot more to lose.

Unlike the Avengers, they can’t fall back on their reputation of having saved the world from Ultron or a Chitari invasion. They’ll be this upstart superhero team fighting to protect a group of vulnerable minorities who may or may not present a clear danger to those around them. It’ll be their chance to show that they belong on the same stage as the Avengers and the MCU will be better because of it.


Reason #3: It Would Intensify Rivalries And Ruin Friendships

There are plenty of rivalries in the comics that haven’t yet made their way into the MCU. Some are more prominent than others. The recent arrival of Captain Marvel lays the foundation for an especially big rivalry between her and Rogue, which would certainly add more personal stakes to an Avengers vs. X-men movie.

Beyond rivalries, the comics are full of friendships and connections that run quite deep. Wolverine had close personal ties to both Captain America and Black Widow in the comics. Storm has an extensive, albeit flawed, relationship with Black Panther. A number of X-Men have even been Avengers at some point.

Any clash between the Avengers and X-Men is sure to complicate every friendship and rivalry the two teams may have. Some of those connections will take time to develop. It’s very likely that the next phase of the MCU will probably focus on that in addition to integrating mutants into the MCU. An Avengers vs. X-men movie could simply act as a boiling point where it all comes to a head.


Reason #4: It Would Complicate What It Means To Be A Superhero (In A Good Way)

To some extent, the Avengers were lucky that Marvel Studios couldn’t use the X-Men in the early days of the MCU. In a world without mutants, being a superhero was less complicated. They just needed to use their powers and abilities in a heroic way. Then, they had to assemble and show that they could win wars against invading aliens.

The presence of an entire race of super-powered people, many of which are not inclined to be superheroes, adds a huge complication to the path towards heroism. The fact that mutants have powers presents them and non-mutant heroes with a conundrum.

Are mutants who don’t use their powers to be heroes irresponsible?

Are mutants who choose to use their powers for heroics on the same level as those who got their powers through another means?

These questions don’t have clear-cut answers. In a world where superpowers exist, mutants are a huge complication and the X-Men are on the front lines of it all. They try to inspire other mutants to do what they do while protecting those who choose a different path. They do so knowing that it only takes one mutant using their powers irresponsibility to do a lot of damage.

In an Avengers vs. X-Men movie, the very merits of being a superhero will suddenly be up for debate. That debate won’t likely be resolved with civil conversation and intelligent discourse. Whenever someone like Wolverine and the Hulk are involved, it’s a given there’s bound to be plenty of stabbing and smashing.


Reason #5: It Would Create New Opportunities For Better Villains (With Better Motivations)

Every clash between superheroes comes with a cost. “Captain America: Civil War” effectively divided the superhero community, which made them ill-prepared when Thanos arrived in “Avengers: Infinity War.” The comics followed a similar theme. After the original Civil War event, the entire world became vulnerable to a Skrull invasion.

A battle between the Avengers and X-Men will create a new host of vulnerabilities. For villains, it’s a golden opportunity to establish themselves in a world that is suddenly crowded with superheroes. While Thanos, Loki, and Killmonger all raised the bar for villainy, they couldn’t have emerged without the right opportunity.

With mutants, there aren’t just new opportunities. There are entirely new dynamics at work. It’s no longer a world in which superpowers are just complicated accidents. They can happen in individuals simply by being born. Within those dynamics, new kinds of villains with entirely new motivations can emerge.

Good villains are every bit as critical as good heroes, more so today than in previous eras. If the MCU is to continue to dominate, it needs to nurture the development of those villains while also creating vulnerabilities for them to exploit among heroes. An Avengers vs. X-Men movie would accomplish both.


There are probably other reasons I could list as to why I feel Marvel Studios should make this movie. There are probably plenty of other reasons why they shouldn’t. With the future of the MCU once again set to change after “Avengers Endgame,” the possibilities are vast. With the inclusion of the X-Men, and all the complications that come with them, it’s poised to evolve in bold new ways.

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Filed under Comic Books, Jack Fisher, Superheroes, Deadpool, Marvel, movies, superhero comics, superhero movies, X-men

A (Partial) Symbiosis Of Awesome: My “Venom” Review

venom_movie_post_credits_explained

Certain movies are subject to unique standards. Nowhere is this more apparent than with superhero movies. A sci-fi movie can be flexible with its use of sci-fi elements. The same can be said for generic genres like romantic comedies, horror, action, and even stoner movies. A superhero movie, whether fairly or unfairly, will be judged by much stricter criteria.

This is the problem “Venom” faced before it even started shooting. Most fans, especially those who follow Marvel Comics, were probably intrigued by the possibility of a movie about Venom. Casting Tom Hardy in the lead role definitely help. No offense to Topher Grace, but he’s far more qualified to play Eddie Brock than he’ll ever be.

Even so, “Venom” had a lot of logistical problems from the beginning. It wasn’t going to feature Spider-Man. It wasn’t going to take place in the Marvel Cinematic Universe. It wasn’t even going to get input from Kevin Feige and everyone else at Marvel Studios, who have made creating billion-dollar movies seem inane. By some standards, that’s a serious handicap.

Most Marvel fans, and I consider myself one of them, aren’t too keen on the idea of a Venom movie that doesn’t involve Spider-Man or have any connection to the MCU. Even if you have a passing familiarity with Venom in the comics, you probably know that a lot of his story is connected with Spider-Man. Telling a Venom movie without Spider-Man is like telling a Joker movie without Batman.

Actually, that may be a bad example. Forget I said that.

Logistical issues aside, I was still intrigued enough to give “Venom” a try. Like many other Marvel fans, I was not pleased with how his story was handled in “Spider-Man 3.” The only good that came out of that was a slew of dancing Toby Maguire memes. I felt Venom deserved better.

Well, without getting too deep into spoiler territory, I can affirm that “Venom” definitely succeeded where “Spider-Man 3” failed. It’s not just a good movie about Venom. It’s a good movie, overall. It had a lot of things working against it, but it still worked.

I know that the movie didn’t exactly thrill critics, nor did it blow the minds of hardcore fans who saw it. At the same time, it wasn’t messy or cumbersome like the theatrical cut of “Batman v. Superman: Dawn of Justice.” Yes, this movie probably would’ve benefited by taking the “Deadpool” approach and gone for an R-rating. However, it still succeeds in many ways.

At its core, “Venom” works because it’s less about alien symbiotes infecting random people and more about Eddie Brock. This is his story and Tom Hardy does an excellent job capturing his persona. You don’t have to read a single comic to understand that Eddie Brock is not Peter Parker. He’s not exactly a hero, but he’s not a blood-thirsty villain, either.

Although that’s not necessarily obvious.

Eddie Brock is one of those guys who’s a loser and not just because he ends up bonding with a parasitic alien. One of the best things this movie did was show that Eddie’s life falls apart because of a decision that he makes. He’s not a victim of bad luck. In the beginning, his life is actually really good. However, he makes a fateful choice that completely changes that.

At the same time, the movie establishes that Eddie is not the kind of guy who jumps at the chance to be a hero. He has a few opportunities before he bonds with the Venom symbiote. He doesn’t take it and unlike Peter Parker, it’s not purely out of responsibility. He’s just not the kind of guy who embodies the selfless spirit of Superman or Captain America.

Then, when he encounters the symbiote, these personality flaws intensify. At first, he’s just overwhelmed. He reacts in a way most people would. His first instinct isn’t to help people or be a hero. He’s actually petty and self-serving for the most part. As the story unfolds, he and the symbiote literally and figuratively feed off one another. They both grow and evolve, as characters.

That process involves plenty of action, some of which is pretty visceral. If you’re looking for the kind of cartoonish beat-downs we got in “Spider-Man: Homecoming,” you’re going to be disappointed. The action here is quite violent. It’s not on the same gratuitous level as “Deadpool,” but it’s close and it even holds back at times.

Given Venom’s brutal nature in the comics, this can be a bit of a problem. In watching this movie, you get the sense that the effects team worked overtime to keep the violence just below PG-13 levels. At times, it feels forced and that impacts the story to some extent.

This moment could’ve been MUCH bloodier.

That’s not the only issue, nor is it the biggest. While I believe the story works, I also can’t deny that it’s missing some key components. Those not familiar Spider-Man’s history surrounding Venom probably won’t notice, but it’s hard for me to be a Marvel fan and overlook some of these flaws.

The story of how Venom and Eddie Brock come together is solid, concise, and compelling, as it’s presented in this movie. However, it still feels like it’s missing a lot of emotional depth without Spider-Man. A big reason why Venom, and Eddie by extension, becomes so menacing is because of Spider-Man’s role in his story. Removing him from that story is glaring, to say the least.

To fill in those gaps, the movie creates a new source of conflict through the Life Foundation, which acts as the primary antagonist through its unscrupulous Mark Zuckerberg wannabe, Carlton Drake. That’s not to say Drake isn’t a decent villain, but he’s not even in the same hemisphere as Erik Killmonger or Thanos.

Pictured here is NOT Thanos.

Even by non-superhero standards, these villains are pretty bland. It’s basically Venom versus and evil corporation who ends up serving an alien agenda. There’s nothing memorable or iconic about them, but that’s okay in the context of this movie because they still fulfill their primary purpose. They create the necessary moments that move Eddie’s story forward.

On top of that, the lack of connections with the MCU make this movie feel small by comparison, especially in a year when “Black Panther” and “Avengers: Infinity War” broke box office records. “Venom” has everything it needs to connect with the MCU. There’s nothing in the story that precludes it from having a role, but Sony has gone on record as saying that this movie is completely detached from that world.

The shared reaction of many Marvel fans.

As much as I’d love to see Tom Hardy and Tom Holland battle in a future movie, the lack of MCU connections still don’t take away from everything this movie does well. Overall, “Venom” is good movie that had a lot of factors working against it. This movie faced an uphill battle from the beginning, but still managed to achieve a lot. If I had to score it, I’d give it a 7 out of 10.

I’ve heard some claim that this movie belongs in the early 2000s and just doesn’t work within the current market of superhero movies. I say that’s bullshit. Good movies work, regardless of the year or era they come out. “Venom” is a good movie, but it’s also one that could’ve been much greater.

Coming out of the theater, I was satisfied, but felt as though there was a lot of potential left on the cutting room floor. It’s hard to know whether this movie would function better with an R-rating or as part of the MCU, but it manages to do plenty within its many constraints. Tom Hardy was handicapped in bringing Eddie Brock and Venom to life, but he still pulled it off.

Again, with all apologies to Topher Grace, Tom Hardy is now the definitive face of Venom and this movie sets him up for a promising future.

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How Captain Marvel Can Be The Future Of The MCU (And How It Can Go Horribly Wrong)

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When a team is on an epic winning streak, it creates the perception that they have some supernatural ability to defy the law of averages and bend reality to their will. It happened to the 2007 New England Patriots. It happened to the 2016 Golden State Warriors. They had this aura of invincibility that made it seem as though they could never lose.

That made their eventual loss, both in championship games no less, that much more painful. However, I would argue that the winning aura of those teams pales in comparison to that of the Marvel Cinematic Universe. If the MCU were a sports team, it would include the likes of Michael Jordan, Tom Brady, LeBron James, Wayne Gretzky, Tiger Woods, and Muhammad Ali in their primes and on crack.

To say that Marvel’s movie franchises are on a winning streak would be like saying a hungry lion has a slight edge over a wounded squirrel. The Marvel Cinematic Universe hasn’t just made superhero movies the gold standard of the box office by raking in $16.8 billion worldwide to date. It has set the bar so high that even close rivals have essentially given up.

Disney, Marvel Studios, and Kevin Feige are riding higher than anyone thought possible, especially for those who still have nightmares about “Batman and Robin.” With both “Black Panther” and “Avengers: Infinity War” breaking a fresh round of records this year, it seems as though that winning streak is only accelerating.

I say all this not just to belabor how much the MCU has accomplished over the past ten years. I say it as a fan who loves Marvel comics and wants to see it keep winning. However, even with “Avengers 4” set to come out next year and make another couple billion, I believe this streak of superhero movie excellence is vulnerable.

It’s no secret that “Avengers 4” will likely mark the end of an era. Kevin Feige has gone on record as saying that this movie will act as an endgame, of sorts. While makes clear that the MCU will continue, with movies planned out until 2025, he also indicates that there will be major upheavals.

That’s somewhat necessary because with the conclusion of “Avengers 4,” many of the contracts for MCU stalwarts like Robert Downy Jr., Chris Evans, and Chris Hemsworth are set to expire. While it’s possible that some may find a way to keep going, others like Chris Evans have made clear that their time in the MCU is almost over.

That means for the MCU to continue its winning streak, it needs to move forward with new characters, new actors, and new ideas. It has to find a way to keep this world moving forward, potentially without the likes of Captain America, Iron Man, and Thor. That’s a huge challenge, even for a franchise on an unprecedented winning streak, and the comics have already failed to fill those voids.

That’s where Carol “Captain Marvel” Danvers comes in. If you saw the post-credits scene for “Avengers: Infinity War,” you know why she’s about to become very relevant to the MCU. I’ve talked about her before and established how things could easily go wrong with her upcoming movie. I imagine I’ll have a lot more to talk about in the coming months.

I don’t think it’s unreasonable to say that Carol Danvers and her upcoming movie, which is slated for release in March 2018, is the most important movie in the history of the genre. I believe this movie may very well determine whether the winning streak of the Marvel Cinematic Universe continues or finally falters.

I say that as someone who loves Carol Danvers as Captain Marvel. Back in 2012, Kelly Sue DeConnick effectively reinvented the character in a way that convinced me that she deserves a prominent role in any Marvel universe. In my opinion, she’s essentially Marvel’s version Wonder Woman.

Her movie has so much going for it. “Wonder Woman” established that female superhero movies could be a hit at the box office and garner critical acclaim, despite the scars left by “Catwoman.” On some levels, “Captain Marvel” is facing a lot less pressure and it has the momentum of “Avengers: Infinity War” behind it.

However, the stakes are actually higher for this movie compared to everything “Wonder Woman” faced. Recently, Kevin Feige stated that Carol Danvers will be the new face of the MCU. From a purely logistical standpoint, that makes sense. The MCU needs a new unifying force if Chris Evans’ Captain America is to make his final stand in “Avengers 4.”

I believe Carol can pull it off, as well. She has taken on more leadership roles in the comics and has become a central member of the Avengers’ main team. Combine that with Brie Larson’s charisma and Carol Danvers has all the tools she needs to keep the MCU’s winning streak going.

I believe she can do this simply by being the kind of character that Kelly Sue DeConnick molded six years ago. That version of Carol Danvers emerged from years of being a secondary character in Ms. Marvel who rarely got a chance to achieve the same recognition as her peers. She’s a classic case of a character who elevated themselves by embracing a new identity, a new purpose, and greater ambition.

DeConnick established Carol as someone who achieves so much in one field, but dares to seek greater challenges beyond. She contributed to the Avengers for years, but never pursued a greater vision until she became Captain Marvel. That idea of someone looking to the stars, seeking to achieve more, and pursuing it with unmatched drive is what will help her succeed in ways on par with Wonder Woman.

At the same time, though, there are potential risks and Captain Marvel may be more vulnerable to them than Wonder Woman. While Kelly Sue DeConnick did a lot to reinvent Carol Danvers for a new era, she has faltered somewhat. Recent events in the comics have put her heroic merits into question for all the wrong reasons. Some of Brie Larson’s politically-charged rhetoric hasn’t helped either.

To some extent, Carol’s reputation has faltered because in elevating her status in the comics, she has been hit with the dreaded Galbrush Paradox. The quirks that DeConnick introduced, such as Carol being a Star Wars fan and having a love interest in James Rhodes, have eroded in recent years. In addition, even her artistic depictions have devolved by reducing her feminine features for no apparent reason.

In wake of the vitriol that Star Wars received for its portrayal of female characters, I worry that “Captain Marvel” runs the risk of inviting a similar backlash. If Carol Danvers is not sufficiently compelling, she runs the risk of getting hit with the Mary Sue label that has plagued Rey since “Star Wars: The Force Awakens.”

The worse case scenario, in my opinion, involves turning Carol Danvers into a Captain America or Iron Man stand-in. In the absence of these iconic characters, and their top name actors, Feige and those at Marvel Studios may be tempted to make her too much like them. That would be a huge mistake, especially for an organization on such a huge winning streak.

Carol Danvers is not Steve Rogers, nor is she Tony Stark. She’s not just a woman who takes on a man’s role either. She’s still a woman and, especially under DeConnick, her womanly traits were on display alongside her more badass features. It’s not groundbreaking because Wonder Woman struck just the right balance, having her fight alongside men while still acting like a woman.

In the best case scenario, Carol Danvers follows Wonder Woman’s example and establishes herself as someone worthy of carrying the MCU forward. Unlike Rey, she’s a character with plenty of compelling lore to work with. The key is finding the right blend that’ll help her fit into the Marvel Cinematic Universe.

At this point, without a trailer and only a few teases to go on, it could go either way for “Captain Marvel.” It could be the next in a long line of successes or it could be the MCU’s first failure. To date, Kevin Feige and those at Marvel Studios have shown time and again that they know what they’re doing.

Hell, they took an obscure series involving a talking raccoon and made it a global brand. Until they show they’re capable of screwing up, I’ll continue to give them the benefit of the doubt. At the same time, though, I think it’s worth bracing for that inevitable setback. All winning streaks come to an end. I just hope “Captain Marvel” isn’t the one that ends it.

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