Tag Archives: Cyclops

New Comic Book Day April 7, 2021: My Pull List And Pick Of The Week

There are people who think I spend too much money on comics. Those same people will then get defensive when I remind them of how much money they spend on tobacco, shoes, clothes, jewelry, overpriced coffee, and hair care products. I usually try to explain very slowly that comics are relatively cheap, easy to enjoy, and can be consumed with alcohol. I don’t always change someone’s mind, but I think I get my point across.

Do I spend more on comics every week than most people? Yes, I don’t deny that.

Do I feel like that money is well-spent? Yes, I feel I get a great deal of value out of the comics I buy.

As a hobby, I think the cost of a stack of comics every week is very reasonable. After a while, you get a feel for the release schedule and can budget your money accordingly. I made it through college while keeping up with my favorite comics and my budget was a lot tighter back then.

Let’s face it. There are far worse things someone can spend their money on these days. Between crack, meth, and fantasy sports apps, comics aren’t nearly as damaging. They’re simple, cheap fun. Thanks to digital comic apps like Comixology, you can basically enjoy them anywhere with a smartphone and a good Wi-Fi connection. It’s a beautiful thing and it gives me something to look forward to every week.

Now is as good a time as any to get into comics. The internet has made it easier than ever and I encourage anyone with a passing curiosity to try it out. If you’re looking to get started this week, here is my pull list and pick. Enjoy!


My Pull List

Amazing Spider-Man #63

Avengers #44

Avengers Mech Strike #3

Batman #107

Crime Syndicate #2

Excalibur #20

God of War: Fallen God #2

Immortal Hulk #45

King In Black #5

Marauders #19

Non-Stop Spider-Man #2

Rick and Morty: Worlds Apart #3

Squadron Supreme: Marvel Tales #1

Star Wars: The High Republic #4

Venom #34


My Pick Of The Week
King In Black #5

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New Comic Book Day March 31, 2021: My Pull List And Pick Of The Week

I like that the weather is getting warmer. I really do. However, when you have allergies like I do, your excitement about spring and warmer weather generally take a hit. As I write this, the trees outside my window are blooming. They look beautiful and all, but I know what this is going to do to my allergies and I’m not looking forward to it.

I’ve dealt with allergies all my life. I’ve taken medications to deal with them in the past, but medication only goes so far. Sometimes, you need something else to either supplement that effort or help you ignore the sinus congestion. New comics aren’t a cure all. I’m not going to claim that. I’ll just say that, regardless of the medications I take, they’re a welcome distraction.

This stretch of omega level allergy season usually lasts a couple weeks, at most. During those weeks, having a stack of new comics to help me navigate those weeks is a welcome remedy. You don’t need a prescription and you can safely consume them with alcohol. What more do you want in a remedy?

It also helps that this is also the time of year when major comic companies start teasing their big summer events. Last year was such a bust for obvious reasons. This year, every company seems to be trying to compensate and build up some hype. I’m already starting to see it and I expect the pace to pick up in the coming week.

Marvel is doing it. DC is doing it. Image, Top Cow, and Dark Horse are doing it. Some will succeed. Some will fail. In the end, the fans are the winners. Those with allergies just happen to win more than most. Wherever it leads, this week brings us just a bit closer.

To my fellow allergy suffers, hang in there. In the meantime, here’s my pull list and pick of the week. Enjoy!


My Pull List

Avengers: Curse Of The Man-Thing #1

Batman/Catwoman #4

Black Cat #4

Captain America #28

The Flash #768

Grimm Fairy Tales #47

King In Black: Ghost Rider #1

Power Rangers Unlimited: Heir to Darkness #1

Silk #1

X-Men #19

X-Men Legends #2


My Pick Of The Week
X-Men Legends #2

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New Comic Book Day February 17, 2021: My Pull List And Pick Of The Week

Every week brings comic book fans like myself a fresh batch of glorious, colorful wonder. It’s one of the best things about being a comic book fan these days. So long as you have an internet connection, a Comixology account, and an uncracked computer screen, you can enjoy new comics every Wednesday like presents on Christmas morning.

It’s a beautiful thing, indeed. It makes Wednesdays the best days of the week that don’t involve football games.

However, not every New Comic Book Day is the same. Some are more eventful than others. Every week, I have a pretty good idea of what comics I’m most interested in. Some weeks don’t have much to offer. I still usually find something to justify waking up at 4:30 a.m. just to check out the latest books.

For certain weeks, however, are a lot more exciting. There are some books that I’ve been following for months, buying into the hype and embracing all the teasers. Sometimes, publishers try to market their book like the best thing since chocolate fudge. It doesn’t always pan out, but when those books deliver, it’s a beautiful thing. It turns Wednesday into the equivalent of two Christmas mornings and Halloween.

I’m not saying that this week is one of those extra-special New Comic Book Days for everyone. Peoples’ preferences are subjective. Not everyone is going to be excited by the same things. For me, personally, let’s just say I didn’t get much sleep last night, but some kinds of restlessness are worth it.

I hope others share that same joyous sentiment on this most eventful of New Comic Book Days. As always, here is my pull list and pick for the week. Enjoy!


My Pull List

Batman/Catwoman #3

Black Widow #5

Cable #8

Captain America #27

Future State: The Next Batman #4

Future State: Immortal Wonder Woman #2

Iron Man #6

King In Black #4

Marauders #18

Power Rangers #4

Savage Avengers #18

Thor #12

X-Men Legends #1


My Pick Of The Week
X-Men Legends #1

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New Comic Book Day December 30, 2020: My Pull List And Pick Of The Week

It’s the last New Comic Book Day on the last week of the year and I think I speak for many, comic lovers and non-comic lovers alike, when I say fuck 2020. Fuck this god-awful year. It cannot end fast enough.

I apologize. I just needed to get that out of my system. Thank you for bearing with me.

I know that’s a popular sentiment. I think everybody is ready to close the page on this shitty year and embrace 2021 in ways we usually reserve for puppies, kittens, and a cold beer on a hot summer day. However, we still have a few days left so there’s still time for an asteroid to hit.

For comic lovers, this year has been plenty challenging. At one point, the global pandemic that has dominated this year effectively brought the entire comic book world to a halt. It was a painful, heart-breaking time. I still remember it and the agony that came with it.

The industry has since adapted. It still has a long way to go and will likely face more upheavals in 2021. However, the bar for improvement is so low at this point that I’ll be content if it just means I can attend a comic convention at some point.

Normally, the last New Comic Book Day of the year is a time of bittersweet reflection. This year, which has been like no other, carries a very different feeling. Whatever that feeling entails, let’s try to enjoy it as best we can. Better days are coming. I believe that and I’m willing to work towards it.

In the meantime, here is my pull list and pick for the week. Enjoy!


My Pull List

Amazing Spider-Man #55

Avengers #40

Batman Annual #5

Ghost Rider: Return Of Vengeance #1

Justice League: Endless Winter #2

King In Black: Iron Man/Doom #1

Shang-Chi #4

Van Helsing #50

Wolverine #8

X-Men #16


My Pick Of The Week
X-Men #16

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New Comic Book Day October 28, 2020: My Pull List And Pick Of The Week

The week of Halloween is a fun week. I don’t care how old you are. If you can’t have fun on a week dominated by candy, cheesy horror movies, and women dressing in slutty costumes, then you’re just being difficult. Even if you don’t go out trick-or-treating, Halloween has a little something for everyone to enjoy.

Add a stack of new comics to the mix and it’s like adding an extra layer of icing to a cake. It just makes everything so much sweeter. Now, it used to be that comic companies would often create Halloween special issues. While that still exists for some publishers, namely Zenescope, most have moved away from that.

Even without those specials, you can usually find a few comics that fit right into the Halloween spirit. Sometimes, it’s a simple Hulk comic. Sometimes, it’s Blade or John Constantine. It doesn’t have to be horror themed, but if it’s bloody, brutal, and has lots of elaborate costumes, it’s often close enough.

New Comic Book Day is festive enough. Add a little Halloween candy and a pumpkin latte to the mix and you’re really in the spirit. This year may suck, especially for Halloween parties, but there are still ways to celebrate. Comics and candy are as good as any.

In that spirit, here is my pull list and picks for the week. It may still be a bit premature, but I’ll say it anyways. Happy Halloween!


My Pull List

Action Comics #1026

Amazing Spider-Man #51

Batgirl #50

Batman Beyond #48

Batman: Three Jokers #3

Black Widow: Widow’s Sting #1

Detective Comics #1029

Dr. Doom #8

Fantastic Four: Antithesis #3

Immortal Hulk #39

Justice League Dark #27

Power Rangers: Drakkon New Dawn #3

Rick and Morty #1: Ever After

Shang-Chi #2

Star Wars: Doctor Aphra #5

Wonder Woman #765

X Of Swords: Stasis #1


My Pick Of The Week
X Of Swords: Stasis #1

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Jack’s World: How House Of X/Powers Of X Redefined The X-Men

The following is a video from my YouTube Channel, Jack’s World. As someone who has followed and praised X-Men comics for years, I wanted to make a video that articulated just how important the recent House of X/Powers of X story by Jonathan Hickman is in the history of the franchise. I tried to do it justice while trying not too hard to geek out. Enjoy!

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The (Understandable) Reason Why We Won’t Be Getting A Kinberg Cut Of “Dark Phoenix”

We’re living in an interesting age of cinema right now. Between massive cinematic universes, reboots, and all-female remakes, we’re in the midst of some major upheavals to the movie industry. It didn’t start with Netflix, but it’s definitely not ending with it. I’m honestly not sure where it’s going.

However, I am fairly certain that when people look back on this era of cinema, they’ll see the release of the Snyder Cut for “Justice League” as a turning point. It’s not just about a company giving into massive fan demand or big tech companies using major franchises to push a streaming service. It’s a sign that the overall vision for movies as a whole is evolving.

The issues surrounding Justice League are well-known. There are plenty of other issues surrounding movies like it, from “I Am Legend” to “Solo: A Star Wars Movie” to “Spider-Man 3.” Those issues usually revolve around a studio, a director, and corporate executives not being on the same page.

The primary reason why the Snyder Cut is a thing is because executives at Warner Brothers opted to revamp, reshoot, and reconfigure the whole movie, completely changing the tone and plot along the way. That effort just didn’t work and it shows in the box office. If the Snyder Cut turns out to be a hit with fans and drives up subscriptions for HBO Max, the impact could go far beyond the future of DC movies.

This could open the door to other movies whose original vision was undermined. Companies are starting to realize that listening to fans can be profitable, as “Sonic the Hedgehog” showed. They’re also realizing that directors and producers need the whole of their vision realized. You can’t chop it up to the point where crucial parts of the story are left on the cutting room floor, as we saw with “Batman v. Superman: Dawn of Justice.”

I hope this will create opportunities for filmmakers and producers alike to realize their visions without having to chop it up for theaters. In an era of streaming services and binge-watching, a movie like the Snyder Cut can totally work. I’m genuinely curious about it and I plan on seeing it the first chance I get.

At the same time, I hope other movies get a similar chance, such as “Suicide Squad,” which was also subject to heavy editing. Sadly, there’s one vision that we’ll never see fully realized in an extended cut and that happens to be a movie that would’ve benefited most from more content. That movie is “Dark Phoenix.”

While I loved the movie we got in theaters, I could tell that it was a movie that had been significantly altered from its original vision. With the pending release of the Snyder Cut, a part of me hoped that we might get an extended version of “Dark Phoenix,” similar to what we got with the Rogue Cut of “Days of Future Past.”

Unfortunately, those hopes have been dashed. In an interview with IGN, Simon Kinberg himself stated outright that there was no “Kinberg Cut” to release. However, he gave a very valid reason for why that is.

IGN: X-Men Movies: Is There a ‘Kinberg Cut’ of Dark Phoenix?

“The movie they released was ultimately my vision for the film,” said Kinberg. “That vision did change over the span of making the movie. There are other scenes that we shot, just as there are a lot of other scenes in [Days of Future Past] that we shot and didn’t end up using. There were scenes we shot for that film and an ending that was quite different than the ending that was in the theatrical release. To release [a Kinberg Cut], it wouldn’t be just be like we splice those scenes back in, because those scenes were never completed because of visual effects and sound – all of the technical aspects that go into completing films of this scale. It would take a whole lot of work, but I appreciate the support.”

Kinberg also told us that many of the changes to Dark Phoenix stemmed from Fox’s decision to condense the project from a duology into a single film. There’s no easy way to create a director’s cut more in line with his original story plans without going back and actually filming that canceled sequel.

Kinberg said, “With every movie, there are things you wish you did differently. On every movie there are things you thought were great and perfect, and then you watch them and didn’t think they were as strong as you imagined and you go a different way. Dark Phoenix was a hard movie because, in its initial concept when I wrote it, it was meant to be a two-part film. And then it suddenly became a one-part movie for reasons that weren’t of my doing. Having to create around that massive change was a challenge in itself. All these movies are uniquely challenging.”

Those bold parts are my doing. They confirm what many already knew. There’s no extended cut to “Dark Phoenix” because it was originally meant to be two movies and that second movie never got made. There’s no extra movie of a “Dark Phoenix” sequel gathering dust in Fox’s vault. The cut we got in theaters was much of what got shot. Some things got edited out, but not enough to significantly change the movie.

These tidbits aren’t entirely new. Long before “Dark Phoenix” came out, it was heavily implied that it was going to be a two-part movie. That makes sense, given how it played out in the source material. The first movie would have Jean become Phoenix. The next would have her go Dark Phoenix. It could’ve been to X-Men what “Infinity War” and “Endgame” were to Avengers.

Sadly, Kinberg never got to make those movies. He was forced to condense the story he wanted to tell into a single movie. That means we probably lost some incredible moments that never made it beyond the storyboard stage. We never got to see a bigger, more dramatic journey for Jean Grey, the X-Men, and plenty of other characters who never showed up. It’s a shame, but it’s understandable.

If “Dark Phoenix” had one insurmountable obstacle, it was the pending merge between Fox and Disney. Once that deal became final, Kinberg’s window to realize his vision was greatly shortened. Granted, I think he did a great job condensing the essence of the Phoenix Saga into a single movie, but it could’ve been so much more.

It’s unfortunate, but understandable. There were forces beyond Kinberg’s control working against him and “Dark Phoenix.” Those same forces ensure that we’ll never get an extended cut because doing so would require that they shoot a second movie, as originally intended. That’s just not going to happen.

While that’s disappointing, it’s understandable. I’m perfectly happy with the cut of “Dark Phoenix” that we got, much more so than I was with the theatrical cut of “Justice League.” I genuinely hope that Marvel Studios will create a bold new vision for X-Men in the Marvel Cinematic Universe. I just hope they avoid the same mistakes that Warner Brothers made with “Justice League.”

I trust that Kevin Feige has a vision for X-Men.

I hope that vision is as awesome as it deserves to be.

In the meantime, I’m looking forward to seeing what the Snyder Cut has in store.

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New Comic Book Day February 26, 2020: My Pull List And Pick Of The Week

Everyone has their vice. Some are more destructive than others. There’s no question that crack and heroin are more damaging than a spicy foods and late 90s boy bands. Some are only destructive to your wallet. In that sense, I’m lucky my vice is comics. Say what you will about the cost of a collector’s item. It’s still cheaper than cocaine, cars, and caviar.

Wednesdays are the days I know I’ll blast a hole in my wallet. When I was in college, new comic day almost always coincided with Ramen Noodle day. I don’t doubt that dining on cheap food had an impact on my health. For a fresh stack of comics, it was worth the stomach pains.

I’m not in college any more and I don’t have to plan new comic day around cheap meals either. For that, I’m thankful. I’m also thankful that as my financial situation has improved, I’m able to better absorb the weekly splurge I often do at the comic shop and on Comixology. It makes new comic day that much more enjoyable.

In terms of vices, it’s plenty manageable. Sometimes, the message boards are a little dramatic and so is social media. It’s still a price worth paying. Some weeks cost more than others. This week is definitely one of them, but considering what I get from that money, it’s still a bargain.

With that in mind, here’s my pull list and my pick for the week. My wallet may be hurting, but I’ll manage.


My Pull List

Amazing Spider-Man #40

Avengers #31

Batgirl #44

Batman/Superman #7

Giant-Size X-Men: Jean Grey And Emma Frost #1

Mighty Morphin Power Rangers #48

New Mutants #8

Rick and Morty #59

Star #2

Wonder Woman #752

X-Men #7

X-Men/Fantastic Four #2


My Pick of the Week

When you’ve been a fan of a particular comic or franchise for years, you get a sense for which issues will be controversial. It doesn’t always involve character deaths or betrayals, although that is an all-too-common trope. In fact, those that don’t involve character deaths tend to be the most controversial because they raise difficult questions that even long-time fans struggle to answer.

That’s exactly the kind of controversy that I imagine “X-Men #7” will inspire. It’s one of those books that introduces concepts that are sure make certain fans feel uneasy, but for entirely nuanced reasons. This goes far beyond Charles Xavier lying to the X-Men or Wolverine sleeping with Squirrel Girl. Writer Jonathan Hickman is taking the X-Men into some very morally gray areas that are sure to have larger consequences down the line.

There’s a context to those actions and one that has a basis in the founding of Krakoa. It’s established in “House of X/Powers of X” that creating a powerful mutant nation isn’t enough. Mutants are still a vulnerable species. They’ve been decimated through acts of genocide and de-powered through reality warping. To realize their potential, they need to get take back what they’ve lost.

However, doing so requires a somewhat distressing recourse, to say the least. It involves a process they call Crucible. It’s nothing what it sounds like. I won’t spoil it, but the goal is simple. It gives mutants who have been de-powered a chance to regain their powers, but how they go about it raises some serious moral dilemmas.

It’s a dilemma that some veteran X-Men, namely Cyclops and Nightcrawler, have mixed feelings about. It also raises questions about Krakoa’s resurrection protocols, which they’ve both experienced at one point. They act mostly as observers because as distressing as Crucible is, it’s something that de-powered mutants freely choose and who is anyone to question their choice?

It still feels like the X-Men are crossing some lines in their effort to make mutants stronger. It also raises more concerns about the nature of Krakoa and how the X-Men are going about realizing their goals. Years from now, “X-Men #7” might be one of those comics that acts as a turning point in a larger narrative. Hickman has never shied away from bold ideas, but this might be his boldest to date.

There are many concepts he’s explored since Krakoa’s founding in “House of X/Powers of X.” Many others are hinted at in “X-Men #7,” including some innuendo with Cyclops and Wolverine I’m sure will get a certain sub-set of fans talking. The X-Men franchise is entering uncharted, morally ambiguous territory. If nothing else, “X-Men #7” makes clear that there’s no going back and that’s why I believe it’s my pick of this week.

That said, it might be a good idea to avoid comic book message boards for a while. It’s going to get heated.

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The Potential (And Pitfalls) Of Polyamory In The X-Men Comics

x-men-1-brooks-party

Two years ago, I wrote an article that explored the idea of using polyamory to resolve the infamous Cyclops/Jean Grey/Wolverine love triangle in the X-Men comics. I admit that it was primarily a thought experiment. It was my way of attempting to resolve what I believe to be the worst manifestation of a love triangle in all of fiction. I never expected it to manifest in any form outside head canon of fan fiction.

Then, “X-Men #1” by Jonathan Hickman and Leinil Francis Yu came out, almost two years to the day that I published that article. While it wasn’t overtly stated that polyamory is now a thing in the X-Men comics, there were certain details that strongly hinted at it, so much so that multiple outlets in the world of comics have taken it seriously.

I’m not saying the article I wrote was prophetic. I certainly didn’t predict that Marvel would ever pursue this recourse or even hint at it. At the same time, it’s kind of surreal that this is something that might actually play out in mainstream superhero comics. The fact that it’s playing out in a company owned by Disney makes that even more astonishing.

Now, before I go any further, I want to make one thing clear. After reading “X-Men #1” and all the speculation surrounding it, nothing has been definitively confirmed. The writers and editors at Marvel have not stated outright that they’re actually making Cyclops, Jean Grey, and Wolverine a polyamorous couple. It’s been hinted at, but not confirmed on panel.

In comics, that means a lot. Like a death without a body, if it doesn’t happen explicitly on panel, then you can’t assume it did. That’s just how comics work. That extends to love triangles, polyamory, and everything in between.

That said, I think Hickman and Yu have created the right circumstances. Two years ago, Jean Grey was still dead, Cyclops was dead, and Wolverine had just come back to life. The events of House of X and Powers of X establish that the X-Men, and the rest of the mutant race for that matter, have established a new world for themselves on the living island of Krakoa. It’s a chance to do things differently.

In this new setup, the tensions and melodrama of the past are left in the past. The final pages of House of X #6 make that clear, especially with Cyclops, Jean Grey, and Wolverine. There’s even a nice moment between Jean Grey and Emma Frost, who have been bitter rivals for years. Hickman makes clear that these characters are looking to move forward and not revisit old drama.

The only question is what does that entail? Does moving forward simply mean moving past these old romantic complications? The final pages of “Uncanny X-Men #22,” which predate House of X and Powers of X, establish on panel that Cyclops and Jean Grey are still a thing. They still love each other and don’t hesitate for a second to embrace one another, now that they’re alive again.

ScottJean

However, it’s not quite as clear that they’re content to pursue the same relationship they had before Jean died at the hands of Magneto back in 2004. On some levels, it makes sense to do something different. Both Cyclops and Jean Grey know what happens when they try to ignore these other feelings. They just fester under the surface and it hurts them both in the long run.

Even though their love for one another is very clear, the way they go about their relationship has shown plenty of flaws, going back to the days of Chris Clarmeont’s run on Uncanny X-Men. They still want to be together. They even want to be a family. The events of “X-Men #1” depict them as more a family than reunited lovers, which I thought was both sweet and overdue.

It’s also in this area that the potential for polyamory has already revealed itself. Most have pointed out the unusual arrangement of Cyclops, Jean Grey, and Wolverine’s rooms on the new moon-based Summer house. They’re all connected with Jean’s room in between Cyclops’ and Wolverine’s. They even have doorways between them, which is something the other rooms don’t.

It’s not definitive confirmation, but it certainly implies the possibility. Solicits of future issues have also hinted that Emma Frost may enter the picture as well. If Hickman, Yu, and Marvel are serious about pursuing this plot, then it could open the door for a very different kind of romantic sub-plot, the likes of which we haven’t seen in superhero comics.

While superhero comics have been quite progressive at times, and even somewhat daring, when it comes to pursuing non-traditional relationships, they’ve never attempted to tackle polyamory. Even though it exists in the real world, it’s not something superhero comics have ever taken seriously. This could change that.

A seriously, well-written polyamorous relationship between Cyclops, Jean Grey, and Wolverine could effectively redefine what it means for these characters to love one another. It helps that it’s happening at a time when the X-Men and the entire mutant race are redefining themselves on Krakoa. They’re building their own homeland and culture. Why wouldn’t they redefine how they handle relationships while they’re at it?

It could address some of the most egregious flaws that the love triangle has propagated over the years. Jean Grey would no longer be a prize to be won by Cyclops or Wolverine. Cyclops would no longer be an obstacle for Wolverine. More importantly, it would allow Wolverine to have his romantic connection with someone without being limited by it. For someone with his extensive romantic history, that’s very important.

However, that’s the best case scenario. It also assumes that Hickman is serious about pursuing this sub-plot. Like I said earlier, it has not be confirmed on-panel. There’s no hint in House of X, Powers of X, or “X-Men #1” that there’s something elaborate going on with them. They just carry themselves as though they’re on much better terms than they were before they all died on one another.

There are risks associated with pursuing this kind of relationship. While Hickman is a great writer with a great pedigree for superhero comics, he’s never tackled a love triangle with this much baggage. If handled poorly, it could do serious damage to all the characters involved.

It could devalue the depth and history of the Cyclops/Jean Grey romance, which is one of the most iconic in all of superhero comics. It could also take a character like Wolverine, who has a complicated history as a loner who rarely gets tied down by one relationship, and make him seem out of character. Him becoming a part of the Summers/Grey family would be like James Bond joining the clergy.

There’s also a chance that a polyamorous relationship with these three could devolve into something that is just played up for novelty. The fact that it’s so different can’t be the only reason for doing it. If it is, then it’s not going to be believable and the characters involved will suffer because of it.

Given how these characters have already suffered, I don’t think the time is right to deconstruct their relationships and romantic sub-plots the only reason for doing so is shock value. These are characters poised to enter the MCU at some point. I doubt Disney will want them overly complicated before that occurs.

Personally, it’s for that reason that I doubt Marvel will seriously pursue a polyamorous relationship between Cyclops, Jean Grey, and Wolverine. They may hint at it. They may tease it. They’ll do everything possible, except depict it on panel, which will keep readers guessing and speculating. It’s something they’ve done before, much to the chagrin of fans.

If they do try it, though, I sincerely hope that Hickman, Lu, and the rest of Marvel’s creative team takes the concept seriously. The X-Men, throughout their history, have depicted characters who are very different, if not downright weird compared to the rest of the world. If that’s going to extend to how they pursue romance and relationships, then it deserves a serious effort.

However, it cannot and should not come at the cost of the characters or the iconic romances that came before it.

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Jack Fisher’s Weekly Quick Pick Comic: X-Men #1

At their most basic, superhero comics involve extraordinary characters saving the day against extraordinary threats. Whether it’s battling invading aliens, fighting giant robots, or thwarting evil scientists, a simple superhero comic makes the most of this dynamic. To become something better, though, it has to do much more than the basics.

X-Men comics have never relied heavily on the basics. While they’ve fought their share of aliens, killer robots, and mad scientists, that has only ever been a small part of their story. From the early days of Stan Lee and Jack Kirby to the heyday of Chris Claremont, the X-Men are at their best when they’re more than just superheroes. They’re a family.

They may not be a family in the traditional sense. Then again, part of the X-Men’s defining trait is that they’re not traditional. They’re mutants. They’re outsiders. They’re different, but uncannily so. That’s the spirit that Jonathan Hickman and Leinil Francis Yu capture in “X-Men #1.”

They still fight bad guys. They still save the day, living and fighting in a world that can’t resist the urge to slaughter them with killer robots. They also live, love, and cherish one another, as any other family. Theirs just happens to be more uncanny than most.

Building on the foundation that both “House of X” and “Powers of X” so masterfully built, X-Men #1” establishes how the X-Men operate in a world where they have a homeland in Krakoa and unprecedented unity among their kind. There are still battles to be fought, some of which began during the events of “House of X.” Fittingly enough, Cyclops is at the front line of those battles.

For a character who has been denigrated, killed off, brought back to life, and endlessly criticized for how he’s handled his personal life, it’s nothing short of refreshing. Say what you will about Cyclops and the questionable choices he’s made, he’s still the X-Men’s consummate leader. He always has been and always will be. It’s one of the most defining aspects of his character.

Hickman affirms that at every turn in X-Men #1.” Cyclops is the one who leads the charge against Orchis, the big human-led conspiracy to counter mutant evolution, who proved themselves quite capable in “House of X.” They may have lost a big chunk of their operation, but they’re still a threat and Cyclops leads the charge against them.

On paper, it’s simple. The way it plays out offers plenty of complexities. The exchanges between Cyclops, Storm, and Magneto highlight the strength of their personalities. They aren’t just costumed heroes saving the day. They have personal stakes in this battle and it only gets more personal at the story unfolds.

The battle they fight is only a small part of a more intimate story. Just saving the day and further crippling Orchis isn’t enough. The most endearing moments of X-Men #1” are the ones that show Cyclops living his life outside his heroic persona. They show that, when he’s not in battle, he has a home to go back to.

That home doesn’t just include his friends and fellow teammates. They include his father, his brothers, and his kids, including ones from dystopian timelines. Given the many complexities and complications surrounding the Summers family, it’s refreshing to see this family come together again. If anything, it’s downright refreshing.

It shows that the X-Men aren’t just about going from battle to battle, saving the day and stopping the next great extinction event. They have lives they wish to build. They have close personal connections they wish to foster. Beyond making them better superheroes, it helps show that they’re still very human at their core.

However, this personal touch doesn’t just apply to the X-Men, Cyclops’ family, or superheroes in general. Even their enemies have a personal stake in this new post-Krakoan world. Just as he did in House of X,” Hickman makes it clear that Orchis aren’t just another generic threat to mutants that rely heavily on killer robots. It’s personal for them too.

Many of the individuals involved in Orchis are still unknowns, but their motivations become much clearer in X-Men #1.” It’s also clear that they still have the resources and the will to become a much bigger threat. They may not be a family on the same level as Cyclops and his fellow X-Men, but they’re every bit as driven to protect it. That makes them more dangerous than any killer robot.

Overall, X-Men #1” has both the basics and the more advanced features that make for a quality superhero comic. Hickman sticks closely to the classic X-Men formula that has been subject to so many tweaks, overhauls, and upheavals in recent years. Yu’s dazzling artwork brings vibrant, colorful aesthetics to that formula. It’s as complete an X-Men comic as you’ll get without a Patrick Stewart voice-over.

It’s a bold new era for the X-Men. Hickman deconstructed and rebuilt the X-Men through “House of X” and “Powers of X.” However, the core components remain the same and as strong as ever. There’s heroics, killer robots, and sweet family moments. It’s a big part of what makes the X-Men so uncanny.

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Filed under Jack's Quick Pick Comic, X-men