Tag Archives: Heroes

Profiles In Noble Masculinity: Robocop

robocop

Even in an era where masculinity has gained way too many negative connotations, there’s plenty of room for men who distinguish themselves in respectable, honorable ways. There are countless male characters in popular culture who attempt to set themselves apart. Sometimes, it brings out the worst in men. Sometimes, it brings out the best.

I’ve made a concerted effort to focus on the best aspects of masculinity. To date, I’ve profiled two characters, Joel from “The Last of Us” and Hank Hill from “King of the Hill.” I’ve cited both characters as examples of noble masculinity. It manifests in different forms, but it helps bring a unique strength to their characters.

They have a wide range of traits, some of which aren’t distinctly masculine. When those manly characteristics do emerge, though, they don’t just reveal the greater subtleties in who they are. They demonstrate just how powerful masculinity can be when it’s channeled. In that spirit, I’d like to highlight another character who channels that kind of masculinity in a way that’s compelling, memorable, and full of memorable one-liners.

That character’s name is Alex J. Murphy of the Detroit Police Department, but most know him as Robocop. He’s not just a cop who got caught up in a greedy corporation’s agenda. He’s not just a man in a machine carrying out the duties of a cop. When you take in the entirety of Robocop’s story, including the Jesus connotations, you find a character whose masculinity shines even in the R-rated violence that is Detroit.

Now, before I go any further, I want to establish that the version of “Robocop” I’m citing here is the original 1987 version played by Peter Weller. This profile will not draw from the 2014 “Robocop” played by Joel Kinnaman. I’m not saying that version of the character is without merit. I enjoyed that movie. However, it did not come close to demonstrating the level of noble masculinity that the original conveyed.

On the surface, the original “Robocop” wasn’t that groundbreaking for its time. Stories about urban decay and dystopian cities were already popular thanks to movies like “The Terminator” and “Blade Runner.” In terms of substance, though, “Robocop” achieved something profound in terms of crafting a memorable male character.

The core of Alex Murphy’s character, even before he became Robocop, is that he’s a good, honorable man in a city that doesn’t have many of them. This version of Detroit, which is sadly very similar to the real-world version, is full of deviant criminals and corrupt business types. The very company that creates Robocop, Omni Consumer Products, is full of ruthless individuals who see crime only as a hindrance to profits.

A man like Alex Murphy is a precious rarity in that world. As such, it doesn’t take long for it to get snuffed out. On Murphy’s first day on the job, he’s callously killed by a gang of sociopath criminals led by Clarence Boddicker. All that innate nobility and idealism Murphy had was literally shot to death within the first twenty minutes of the movie.

However, that was not the end of Alex Murphy’s story. It was only the beginning. When he’s turned into Robocop by OCP, who see him only as a means to further their business plan, the extent of the noble masculinity he portrays only grows. The fact it does so while he cleans up Detroit’s rampant crime is a nice bonus as well.

From the moment he awakens as Robocop, we see what looks to be only a shell of a man. In fact, OCP goes out of their way to remove as much of the man as possible, not bothering to salvage his hand or anything below the neck. The only part of Alex Murphy they keep is his brain and part of his face.

It’s a total deconstruction of a man, ripping away the very flesh that makes him masculine and yes, that includes his genitals. To OCP, he’s a machine who just happens to run on human parts. They try to filter out the humanity in hopes of creating an obedient commodity that they can then mass produce, market, and utilize for profit.

It’s dehumanization to an extreme, more so than what characters like Wolverine endured. For a brief while, it looks like OCP succeeds. Initially, Robocop carries himself like a machine, confronting Detroit’s worst criminals with an efficiency that wasn’t possible as Alex Murphy. He could’ve become a perfect example of reducing all men to machines, devoid of emotion and focused only on a task at hand.

Then, the story takes a more human turn and Robocop suddenly becomes more man than machine. Despite everything OCP took from him, including his body and his free will, Alex Murphy still emerged. Even after everything that made him a man was deconstructed, literally in some cases, he fought to regain control.

In the process, we get to see Robocop learn about the man he used to be. We see glimpses of his life as a father and a husband. We find out just how good a man he was to his wife and his son. It contrasts heavily to the ruthless criminals and callous business people that affect much of the story. That’s critical in terms of establishing Robocop as someone who conveys a heroic brand of masculinity.

From the outside perspective of the audience, Alex Murphy’s home life seems mundane and even a little corny. However, when put into the context of a crime-ridden urban dystopia, it becomes instrumental in elevating Robocop’s sense of duty. They make his prime directives more than just base programming. By adding Murphy’s humanity into the mix, they gain greater meaning.

It’s an inherently masculine trait, protecting those who cannot otherwise protect themselves. Murphy already embodied that trait because he was a cop and a family man. However, he could only accomplish so much on his own, as his fatal encounter with Boddicker proved.

By becoming Robocop, that role is elevated because technically speaking, he’s better equipped than any man has ever been. He’s got a human mind, but he has a robot body, complete with bullet-proof skin and the ability to shoot with inhuman accuracy. Instead of stripping him of his masculinity and his humanity, becoming a robot actually enhanced it.

That, more than anything, is what elevates Robocop’s noble masculinity to another level. An act that should’ve utterly dehumanized him ended up making his humanity even stronger. It had to be in order to overcome OCP’s control and uncover the plot to exploit him as just another product. The fact that OCP tries and fails in the sequel to recreate him further reinforces just how unique Robocop is.

Through that journey from utter masculine deconstruction to total reaffirmation of his identity, the line between Robocop and Alex Murphy blurs. The line between carrying out noble acts and following basic programming blurs as well. In the end, Robocop isn’t just a machine following a program. He’s a man inside a machine, doing the same job he did as a man, but with much better weapons and more memorable catch phrases.

Robocop” is hailed as a classic for many reasons. Robocop, as a character, continues to be an icon, despite sub-par sequels and a failed reboot. I think a big part of that appeal comes directly from how the first movie managed to portray the best traits of masculinity within a setting where the worst often thrived.

Even in a contemporary context, beyond the current state of Detroit, Robocop conveys a powerful message that men and women alike can appreciate. You can put a good man in the worst situation, destroying and deconstructing him at every level. That same man will find a way to re-emerge and do what needs to be done.

It’s a testament to the strength of manhood and our willingness to protect innocents in an unjust world. Robocop combines the spirit of a man with the power of a machine. One need not subvert the other. In fact, one can supplement the other and, dead or alive, the criminal element of any gender doesn’t stand a chance.

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Why Lex Luthor Is The Ultimate Villain

lex-luthor

What makes a villain truly evil? It’s a question with many answers that apply to both the real and the fictional world. History is ripe with real people with villainous tendencies on par with that of any mustache-twirling villain in fiction. The world of fiction is just as vast, full of all sorts of cruel, sadistic, greedy beings that range from alien conquerors to psychotic killer clowns.

Then, there’s Alexander Joseph “Lex” Luthor. What Superman is to heroes, an ideal and a standard to which others aspire, Lex Luthor is to villains. Think back to the question of what makes a villain evil. Lex Luthor checks every box and even a few others you probably didn’t think of.

In the spirit of celebrating Superman’s 80th anniversary, which I went out of my way to honor, I think it’s just as important to appreciate the other, less heroic side of the spectrum. Superman occupies the extreme end of that spectrum, namely the side that embodies truth, justice, and the highest of morals. Lex Luthor, conversely, is at the other end, one where the depths of greed, hatred, and outright cruelty are at their worst.

To that end, it’s impossible to appreciate the values Superman stands for without also appreciating the villainous traits that Lex Luthor personifies. I’ve noted the major differences between the journey that a villain takes, compared to that of heroes. I’ve also singled out characters like Walter White, who have given a new level of complexity to modern villains. However, the villainy of Lex Luthor is as basic as it is profound.

Lex Luthor doesn’t need the same complexity as Walter White, nor does he need the tragic circumstances that help forge villains like Magneto. Lex is a villain to his core. He needs no catalyst or motivation. He is, by his own nature, an arrogant, selfish person who will go to any length to get what he wants and/or deserves, regardless of cost or ethics.

Despite that simple, if not inelegant approach to villainy, Lex Luthor still finds a way to elevate himself above the many other villains that occupy the real and fictional world. It’s not just because he’s Superman’s primary adversary either. At his core, Lex represents something that highlights the breadth of true villainy.

Like most iconic villains, Lex Luthor’s status was closely tied to that of the hero he opposes. He first appeared in Action Comics #23 in 1940, a full two years after Superman debuted. Like most villains in those days, he didn’t get much development or backstory. He was simply the extra devious bad guy who tested Superman more than most.

Over the years, Lex Luthor’s story has evolved, but the extent of his villainy has never waned. The modern version of Lex Luthor, which became canonized after the big 1986 event known as Crisis on Infinite Earths, is defined largely by his greed, ego, and extreme xenophobia. He became less a mad scientist and more heartless narcissists.

Through that evolution, Lex establishes a blunt, but powerful method to his villainy. He is, at his core, a selfish egotist. There isn’t an altruistic cell in his body. Everything he does is for one purpose and that’s to profit and/or glorify himself. It doesn’t matter whether he’s battling Superman or creating a community of low-income housing. It’s all to serve him and his interests.

In the same way you can assume that every decision Superman makes is in the name of truth and justice, you can also assume that everything Lex Luthor does is in the name of benefiting Lex Luthor. Even by Ayan Rand standards, Lex’s motivation are extreme. At the end of the day, he’s out for himself and no one else.

To some extent, though, that’s what makes him even more devious. In his endless crusade to serve himself, Lex will portray himself as less a villain and more a hero who is out to use his unrivaled genius to make the world a better place. He has even become a hero on multiple occasions within the annuls of DC Comics.

Lex Luthor will save the world. He’ll even work with Superman every now and then. However, such efforts are never in the name of doing the right thing. It always comes back to Lex serving his own agenda. He understands, at the end of the day, that no one can glorify him if the world is destroyed.

Even with those circumstances, though, Lex still finds a way to set himself apart from other villains. Characters like Dr. Doom, Thanos, and Darkseid definitely fit the mold of a villain, but even they have motivations that go beyond their ego. You could even argue that villains like Dr. Doom often blur the line because their actions sometimes align with what most consider the greater good.

With Lex Luthor, though, there are no blurred lines. He is not Dr. Doom in that he feels he needs to rule the world to ensure that it’s free from want and suffering. From Lex’s point of view, ruling the world and destroying Superman are simply a means to further glorify his ego and fuel his narcissism.

That’s what makes him so dangerous, but it also reveals something profound about villainy itself. It’s not always simply a product of being greedy and sadistic. To some extent, it’s a byproduct of being entirely self-serving and having no inclinations for selfless acts.

Whereas most people would feel some level of guilt for that level of selfishness, Lex feels nothing of the sort. That’s not to say he’s a sociopath on the level of some serial killers. He just feels that he rightly deserves all the power and aggrandizing he wants. It’s not a matter of morals. It’s a matter of him just being better than anyone else.

It’s in that domain where Lex’s rivalry with Superman becomes truly adversarial. Unlike Superman, Lex is human. However, he also happens to be the smartest human in the world, as well as one of the smartest beings in the entire DC Universe. That means he doesn’t just think he’s better than anyone else. He can actually prove it.

That’s how he’s able to craft insanely advanced technology. It’s also how he managed to get elected President of the United States at one point. It’s not enough to have a massive ego. It’s that he’s smart enough and ruthless enough to outwit anyone into serving him. There’s simply no way for any other human to match him on an intellectual level.

That’s where Superman enters the equation. That’s also what fuels Lex’s unparalleled hatred of him. From his point of view, the very existence of Superman undermines his ability to establish himself as the most superior person in the world. More than that, though, he see’s Superman’s presence as a degrading force to the human race as a whole.

It’s a sentiment that isn’t often touched on in the comics or recent movies, but it is perfectly articulated in the animated feature, “All-Star Superman.” If ever you want a perfect demonstration of Superman’s heroism or Lex Luthor’s villainy, this movie is the current gold standard.

Beyond the condescension, the bragging, and the insufferable ego behind his words, Lex Luthor makes some uncomfortably valid points. In light of Superman’s impossible ideal, every human being falls short. Even him, the smartest human being of them all, can’t hope to match it.

From Lex’s point of view, that’s not just profoundly insulting. It undermines the entire human species. The existence of an alien god-like being reduces humans to a bunch of ants under the boot of a titan. By relying on that being, looking up to him as an ideal, people can only ever hope to be better ants and nothing more.

Even if that thinking is valid on some perverse level, Lex takes it even further by making it the ultimate excuse. By establishing Superman and heroes like him as affronts to his rightful place at the top of humanity, he can basically justify anything. Read into his history and you won’t find any shortage of atrocities.

It’s for that same reason that Lex rejects any notion of truth, justice, and the American way. As he also articulated in “All-Star Superman,” he sees those concepts as inherently flawed. They’re just vague concepts that can’t be touched, measured, or quantified in any meaningful way. In Lex Luthor’s world, all that matters is what he can do with the forces around him and how they can be used to glorify him.

As a villain, Lex Luthor doesn’t live in a world of abstracts, ideals, or faith. His world is cold, calculating, and deterministic. Much like Superman, he puts a face and a name on a particular archetype. Unlike Superman, though, he doesn’t evoke hope or inspiration. He inspires fear, hatred, and mistrust.

By standing against Superman, challenging him in ways that even other god-like beings can’t, Lex Luthor demonstrates just how far someone can take true villainy. In his world, nothing is ever given. It’s either earned, taken, or stolen. Things like compassion, empathy, and love are weaknesses and not strengths. They are barriers to overcome and not strengths to embrace.

Even by the standards of Rick Sanchez from “Rick and Morty,” that kind of extreme callousness is excessive. At least under Rick’s nihilistic outlook, there’s a context to his action. For Lex Luthor, though, the only context that matters is the one that serves Lex Luthor.

Superman is a beloved heroic icon and for good reason. He represents the best to which a hero can aspire. However, the extent of those aspirations and the power of that heroism is hard to appreciate without also acknowledging the villainous side of the struggle.

Superman is the hero he is because he has a villain like Lex Luthor to battle. Lex Luthor is the villain he is because Superman pushes him. However, even in the absence of Superman, Lex would still be the kind of villain who hurts, exploits, and deceives anyone and everyone to serve his agenda. That, more than anything, is what makes him the ultimate villain.

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Filed under Comic Books, Jack Fisher, Superheroes, human nature

Why Wonder Woman Is The Most Important Member Of The Justice League

There’s a lot that can be said about the “Justice League” movie. Granted, not a lot of it has been good lately. The horrendous critical reception, despite the solid audience reception, has effectively muted the sheer accomplishment of creating this movie in the first place.

It is a hell of an accomplishment, creating a live-action “Justice League” movie just two decades after “Batman and Robin” nearly ruined the genre completely. While the success of movies like “The Avengers” has undermined the novelty of the concept, it still means something to those like me who grew up loving these characters in comics and cartoons.

I could spend multiple blog posts discussing and dissecting the issues with the “Justice League” movie, but I’ll save them for another time. For now, I want to take a moment to highlight an important point that the “Justice League” made, despite all the controversies and shortcomings that hounded it. That point is this.

Wonder Woman is THE most important member of the Justice League.

I know that sounds like something a hopeless fanboy would say, particularly those who enjoy talking about the kinkier elements of Wonder Woman’s history. It’s probably something most Wonder Woman fans would agree with and not give much thought to. However, I’d like to take a moment to make my point, even to those die-hard fans of Superman, Batman, and even Plastic Man. You know who you are.

Even among those die-hard fans, there’s no denying that Wonder Woman is part of DC’s superhero trinity. For decades, Superman, Wonder Woman, and Batman have been the anchor of DC’s entire superhero universe, both in terms of popularity and importance. That superhero foundation is unlikely to change anytime soon.

Most of the time, though, Superman or Batman wield the most influence. Between Batman’s cast of iconic villains and Superman’s iconic status, they have a lot going for them, in terms of influence and depth. I don’t deny the strength of their status, nor do I think Wonder Woman trumps them on every level.

However, I still contend that Wonder Woman is the most important member of DC’s superhero pantheon in terms of impact, theme, and narrative. She may never get as many movies as Batman. Considering she has the same number of movies as Catwoman, though, I don’t think that’s a fair measure of Wonder Woman’s importance.

The reason I believe she is that important has less to do with her role within the world of DC and more to do with how she goes about being a hero and an icon. Her situation is very different from that of Batman, Superman, or any other hero in the DC universe, male or female.

Wonder Woman didn’t enter a flawed world that needs heroes by accident or tragedy. In fact, she had every possible reason to not join that world. Her situation before becoming a hero was as ideal as it gets without ripping off a Disney movie.

She was a princess on Themyscira, a literal island paradise. As the daughter of Hippolyta, she wanted for nothing. She was surrounded by love, support, and luxury of every kind. Who would ever be inclined to leave such a place to begin with? Those who saw the “Wonder Woman” movie remember that her mother did not want Diana to leave and did what she could to dissuade her.

Despite this, Diana still left her paradise home. She chose to enter a world full of gender inequality, oppression, and bad reality TV. She chose to confront all those flaws and fight them, both with her fists and her heart. She didn’t need to lose someone or be forced by tragedy. That alone makes her a greater hero than most can hope to be.

Contrast that with Batman or Superman. Batman became who he is because of tragedy. Crime took his parents so he built his entire heroic persona out of a response to that tragedy. It helped drive him to become the hero he is. It also led to some pretty insane feats, even by comic book standards.

Superman’s heroic persona wasn’t built on quite as much tragedy, but like Batman, he was somewhat guided into the heroic role. From the time he was an infant, these ideals were in stilled in him. Those who saw the classic 1978 “Superman” movie remember the message his father gave him, through the famous voice of Marlon Brando.

Live as one of them, Kal-El, to discover where your strength and your power are needed. Always hold in your heart the pride of your special heritage. They can be a great people, Kal-El; they wish to be. They only lack the light to show the way. For this reason above all, their capacity for good, I have sent them you…my only son.

Whether by accident or luck, Superman ended up with perfect loving parents who helped nourish those ideals in him. Between those ideals and his immense powers, him not being a hero was never really an option.

With Wonder Woman, she didn’t need circumstances or guidance. She chose the path that led her to becoming a hero. She even chose that path when there were obstacles in her way, namely her mother. Beyond that choice, though, Wonder Woman’s heroism takes on an even greater context when you look at how she goes about it.

Superman may be the ideal when it comes to heroic values. Batman may be the ideal when it comes to seeking justice. However, Wonder Woman’s ideals are even greater in the sense that they’re concepts that ordinary people can relate to. Despite all her power, her approach is something that is wonderfully unifying, if that’s not too fitting a term.

She doesn’t just provide a standard with which to measure heroism. She goes out of her way to confront the good, the bad, and the frustrating of the modern world and not always with her firsts.

In the “Wonder Woman” movie, she doesn’t just criticize the attitudes of early 20th century England, which weren’t very progressive to say the least. She smiled and cheered when she saw a woman with her baby. She also went from fighting alongside men on a bloody battlefield to celebrating with them afterwards.

Along the way, she always wore her heart and her emotions on her sleeve. However, they weren’t a weakness, as they’ve been with Superman. They weren’t her primary motivation either, as is often the case with Batman. She channels her emotions and her passions to win over the hearts of men, women, children, and everyone in between. That’s a power that far exceeds anything form Superman’s strength or Batman’s gadgets.

That ability to embrace a flawed world, confronting its ugliness and its beauty, is something that everyone can do and not just Wonder Woman. She just does it better than most and inspires others to join her. She certainly inspired Steve Trevor in the “Wonder Woman” movie. The fact it got Chris Pine naked was just a nice bonus.

It’s an approach she utilizes in every other medium, from comics to cartoons. For those who enjoyed seeing Wonder Woman’s capacity for heart and strength, I urge you to check out the “Justice League Unlimited” cartoon from the early 2000s. There’s no naked Chris Pine, but Wonder Woman still shines in so many meaningful ways.

Every one of those ways comes back to her heart and her willingness to embrace a flawed world with love and compassion. It’s not just about what is right and wrong, just and unjust, or masculine or feminine. It’s about tempering hate and oppression with love and compassion. Those are powerful principles that work just as well in the real world as they do the fictional one.

While those principles might not help the critical reception of “Justice League,” those who’ve seen the movie have likely seen all the ways Wonder Woman uses her heart and her skills to the utmost. It may not convince everyone that she’s the most important member of the Justice League, but I hope it makes a powerful case.

It’s a concept that will likely carry over into future movies in the DC Extended Universe, but has already shown itself to be true throughout the comics, especially in recent years. Superman and Batman have their place and their status among the world of superheroes. However, Wonder Woman’s impact extends far beyond any comic book or movie. It’s an impact that we would all be wise to learn from.

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Filed under Celebrities and Celebrity Culture, Comic Books, Jack Fisher, Superheroes, gender issues

In Memory Of Stanislav Petrov: The Man Who (Literally) Saved The World

Stanislav Petrov

Today is an important day, one that became even more important this past year. You probably didn’t realize it and for good reason. Until recently, the significance of this day had been lost to history, but it’s a day that deserves recognition, albeit for a very sobering reason.

This day became one of the most significant days not affiliated with a holiday sale at the mall on September 26, 1983. On that day, the world as we know it almost ended. That’s not a hyperbole. That’s not a conspiracy theory out of a an Alex Jones fever dream either. It’s painfully true. The world almost died in a nuclear fire on that day, but it didn’t because of a decision made by one man.

That man’s name is Stanislav Yevgrafovich Petrov and if you were alive on that day, or were born after it, then you owe your existence to this man. For a brief moment on that day, 35 years ago, he literally held the fate of the world in his hand and he made the decision that saved it. As someone who regularly lauds superheroes and the values espoused in comics, even I can’t overstate the significance of what that man did.

The incident that almost ended the world and made Stanislav Petrov a man for the ages widely known about until the mid-2000s. It involved an incident in the former Soviet Union that brought the world to the brink of nuclear annihilation. In terms of worst case scenarios, this ranked right up there with an invasion by aliens armed with atomic anal probes.

At the time, Petrov was a lieutenant colonel in the Soviet Air Defense Forces and had been on duty at the Serpukhov-15 bunker near Moscow. In terms of Soviet defense strategy, his role in that bunker was pretty damn important. It was tasked with monitoring Soviet air space to detect an incoming nuclear attack.

It’s worth mentioning that this was a time of heightened tension. President Reagan, at the time, was going long and hard on anti-communist rhetoric. Being a former Hollywood actor who’d just been elected President, the Soviets had no idea if this guy was just going to shoot nuclear missiles at them because he thought it would make a great movie.

In a sense, this was the worst possible time for the systems at the Serpukhov-15 bunker to give a false alarm, but that’s exactly what happened. In the middle of Petrov’s shift, the systems began blaring every alarm it was possible to blare, telling them that America’s new Hollywood President had done just what they’d feared. He launched a full-scale nuclear attack to wipe out the Soviet Union.

I’d say it’s a nightmare scenario, but no amount of killer clowns armed with chainsaws can do justice to this kind of horror. As far as the men in that bunker knew, their country and everyone they loved was about to die in a nuclear inferno. It was the policy of the USSR and the Red Army to respond to any nuclear attack with a devastating retaliation, as specified in the doctrine of mutual assured destruction.

It was Stanislav Petrov’s job/duty to inform the Soviet high command of the detection. Every bit of his military training demanded that he inform his superiors to retaliate, thereby destroying the United States and Western Europe in reign of nuclear fire. In a state of such heightened tensions, he might have been justified in doing so.

All it took was one call to his superiors. That would’ve been it. That would’ve ended the world, as we knew it. Try and think about that for a second. In that moment, the fate of the world and billions of lives lay on the shoulders of Stanislav Petrov. If he makes that call, then the world as we know it is over.

However, in that moment when he literally had the world on his shoulders, he didn’t make that call. In that moment, he made a decision that saved the world and its future. He did it by not following the protocol that he’d been trained to follow and by the Soviet Union, no less, who were not known for being understanding to disobedience.

Petrov, with his duty and the weight of the situation bearing down on him, believed it to be a false alarm. He had good reason for believing this. The systems were detecting only several missiles, which was pretty small, given the sheer size of America’s nuclear arsenal. If America’s Hollywood President really wanted to wipe out the Soviet Union, he definitely would’ve used more.

Even so, his training and his duty told him to inform his superiors. He only had 15 minutes to do so because that’s how long it took for a detectable missile to reach its target. That’s right. In the time it takes to watch an episode of “Robot Chicken,” Stanislav Petrov had to make a decision that would’ve determined the fate of this entire planet.

The fact that no nuclear bombs went off and billions of people didn’t die is proof that he made the right decision. It was later determined that the false alarms were caused by a rare alignment of sunlight on high-altitude clouds and the erratic orbits of the Soviet’s satellites.

It seems so trivial now, but keep in mind that these were tense times during the Cold War. It really didn’t take much to spook either America or the USSR. It could’ve easily become a perfect storm, of sorts, for accidental nuclear annihilation and nobody would’ve been left on this planet to admit they screwed up.

It’s because of Petrov’s decision that day, to not follow protocol and trust his instinct, that we avoided Armageddon. For that decision, Petrov received no metal, commendation, or recognition for his decision. He just got a pat on the back, which was the most anyone could hope for in the Soviet Union at that time.

This man literally saved the world in the most painfully literal sense, but was quickly forgotten. There were no parades, movies, or free tickets to a Madonna concert. Petrov just went back to living his life until he retired from the military.

It really wasn’t until 2004 that Petrov began getting recognized for his actions, that day. By then, though, the weight of that moment had lost its place in the public consciousness. The fact I have to write about it on this blog shows just how little awareness this man and that fateful day have in the annuls of history.

Well, in this year, that day became a lot more important because back in May, Stanislav Petrov passed away at age 77. It wasn’t widely reported. It didn’t even get mentioned on any of the major news outlets in America or Russia. This man who saved billions of lives isn’t even alive anymore to appreciate.

He lived a quiet, unremarkable life towards the end. He never considered himself a hero. He never even tried to put that label on himself. He was just the right man in the right place to make the right decision. In doing so, he saved billions of lives and preserved the future of this planet.

It’s impossible to overstate the importance of the decision that this man made on that fateful day 35 years ago. Some may brag that they saved the world or are arrogant enough to think that they can. Stanislav Petrov didn’t need to brag because he did it. He saved this world and most people will never know what he did.

Now that he’s passed, let’s all take a moment to appreciate what this man did. By trusting his instinct and his humanity, not wanting to make the decision that would destroy this world, he proved just how heroic a person could be in the worst of circumstances.

From the bottom of my heart, and on behalf of all those who are alive because of the decision made that day, thank you Mr. Petrov. Thank you for doing the right thing in the worst of circumstances. This world is still spinning because of you. Rest in peace knowing you saved it.

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Rick Sanchez: Hero Of Generation Z?

Every generation has heroes, icons, rebels, and blowhards. While they don’t always define that generation, they often act as their voice. Sometimes, they even become a metaphor that embodies their hopes, dreams, and struggles. Other times, they reflect just how screwed up certain parts of that generation became.

The Baby Boomers had the Beatles, JFK, MLK, the Rolling Stones, and the average hippie. Generation X had Nirvana, MTV, NWA, “The Simpsons,” “South Park,” and Bill Clinton. For better or for worse, these people embodied the spirit and attitudes of that generation. Sure, the worse tends to make more headlines, but those who are part of that generation fondly remember the better.

The book is still being written on the millennial generation, which I’m just barely a part of. They’ve still assembled their share of heroes and icons. Steve Jobs, Mark Zuckerberg, Elon Musk, and Barack Obama would definitely fit into that category. I would also list Taylor Swift, Lady Gaga, and Kanye West as musical icons. For heroes, I’d basically put the entire Marvel Cinematic Universe on that list.

That list of heroes and icons is still in flux for millennials because many of them are still young. They’ve yet to go through the natural evolution of a generation where spirits get crushed, rebuilt, crushed a few more times, and then stitched back together in a way that embodies the breadth of their story.

For Generation Z, who I’ve also been talking about, that story is barely beginning. Most of that generation isn’t even old enough to drive or buy a beer, let alone establish who their heroes and icons are. Right now, much of their identity is still tied to that of their millennial parents.

Make no mistake, though. They’re going to rebel against those parents. Every generation does that. It’s like laws that govern gravity, atoms, or the inherent appeal of female breasts. They see what they’re parents are doing, decide that it’s “uncool,” and try to forge their own path. Along the way, they often forge new heroes and icons.

I’ll give millennial parents a moment to dread this process. At the moment, though, Generation Z is still too young to latch onto any icon that isn’t a stuffed animal, a homework assignment, or a game they can play on a smartphone. However, that doesn’t mean some aren’t already emerging.

Once again, I’m going to try and speculate here. That means I need to make the same disclaimer I did with my last post about Generation Z where I say I am woefully unequipped to predict the future. I’m an aspiring erotica/romance writer. I’m as qualified to predict the future as an unlicensed plumber. Please keep that in mind as I attempt to make sense of a generation too young to pay its own phone bill.

I’m still going to take that chance because I feel like there is an icon emerging, as we speak. He already resonates with a sizable crowd of disillusioned individuals from previous generations. In some respects, he’s a force for utterly deconstructing everything that Generation X, Baby Boomers, and millennials held dear. As a result, he may very well be the first hero/icon that Generation Z rallies around.

To complicate matters even further, he’s not even a real person. He’s a cartoon character on a show that doesn’t air on Saturday mornings. I’ve talked about him before and I’ll probably talk about him again for any number of reasons. His name is Rick Sanchez, the raging alcoholic, nihilistic super-genius from “Rick and Morty,” the greatest show on TV that doesn’t feature a naked Emilia Clarke.

Those who watch “Rick and Morty” as avidly as I do are probably cringing at the idea of him being the voice of any generation, let alone the one the millennials are creating. This is a character who once turned himself into a pickle to get out of going to family therapy. I swear that last sentence is real. Trust me, it’s even crazier than it sounds.

I could spend multiple blog posts talking about the various antics, exploits, and traits of Rick Sanchez. I could spend even more posts talking about why a show like “Rick and Morty” is so unique compared to every other cartoon, sitcom, or TV show managed. I may end up talking about Rick Sanchez almost as much as I talk about X-men comics and Wonder Woman.

For now, though, I’m going to restrict the discussion to why Rick Sanchez may be their first iconic voice of a new generation. If you’ve read my post about the possible secrets that this generation may possess, I recommend you check that out first. That’ll help make sense of why Rick Sanchez embodies many of the traits that may shape Generation Z.

If there’s one trait that makes Rick Sanchez stand out, even more so than his raging alcoholism or trademark portal gun, it’s his unique brand of nihilism. Granted, it’s not the same nihilism that would’ve made sense to its champions in the 19th century. They probably would’ve drawn a line at turning themselves into a pickle. With Rick Sanchez and Generation Z, the context here is more subtle.

Throughout the various antics in “Rick and Morty,” there’s one common theme. Nothing you do really matters in the grand scheme of things. Nobody has an inherent purpose. There’s nothing mystical, special, or unique about you or the world you live in. Even Friedrich Nietzsche would find that extreme.

As a result, none of the conflicts that play out in “Rick and Morty” follow the traditional path of a story. It’s basically the antithesis of every cartoon, sitcom, or general narrative that we all follow in high school English classes. In the world of Rick Sanchez, all that crap is a total farce.

In many cases, especially in episodes like “Meseeks And Destroy” and “Ricksy Business,” the conflict is either forcibly contrived by someone or is revealed to have never been a conflict in the first place. In most cases, Rick Sanchez already knows this and usually can’t be bothered to make much of it. He’s so smart, so capable, and so devoid of ethical boundaries that there’s really no conflicts he can’t resolve with ease.

This is part of why I highlighted him as an anti-hero forged, in part, by boredom. The issue for him is that because he’s so smart, he’s aware that he’s part of a vast multi-verse filled with infinite versions of himself, his family, and everyone he’s ever dealt with. He’s even made allies and enemies with alternate versions of himself in some episodes. It basically reinforces the notion that nothing he or anyone does truly matters.

It doesn’t matter of he succeeds at anything. In another universe, he failed. Conversely, it doesn’t matter if he fails either because in another universe, he succeeds. The biggest example of this, by far, is the events of “Rick Potion Number 9.”

In that episode, Rick and Morty essentially destroy their entire world. Every human being gets turned into a monster and civilization collapses. Rick’s solution to this is as simple as it is pointless. He and Morty just travel to another universe where he did succeed, but died afterwards. They just go to that universe, bury their own bodies, and take their place.

It might be one of the most disturbing, but telling messages of the show. While Morty is horribly traumatized, Rick just shrugs it off. One minute, he’s burying his own body. The next, he’s drinking a beer and watching TV. That’s because he understands how pointless everything is in the grand scheme of things.

In a sense, Morty’s trauma is a metaphor for the millennial mindset. Many millennials are so driven by their sense of passion, social justice, and community. When that gets shattered, it’s pretty traumatic. That’s why a lot of millennials will suffer a major meltdown at some point in their lives. I know this because I’ve had more than a few.

Conversely, Rick Sanchez is the perfect response to that mindset. He’s so smart, aware, and informed that he understands all that drive means nothing in the grand scheme of things. In world that’s so small in a universe that’s unimaginably big, all those hysterical theatrics are pointless.

It’s because Rick’s attitudes are so utterly opposed to those of millennials like Morty that it’ll strike a greater chord with Generation Z than it will with any other generation. Unlike all previous generations, this is a cohort of people that is actually over-educated and over-informed.

Yes, it is possible to be too educated and too informed. The millennials, the most educated generation of all time, have already begun crossing that line. They helped forge a society that has unlimited access to information and is more socially accessible than any generation before it.

However, in recent years, all that information and education has unveiled a problem that only someone like Rick Sanchez could’ve foreseen. Given the sheer breadth of information, as well as the inherent chaos that comes with people in general, it’s impossible to know what’s real, what’s fake, and what’s just plain stupid.

Most of Generation Z isn’t even old enough to drive, but they’ll be entering a world where known falsehoods are alternative facts, all news is fake, everybody lies, and nobody can be trusted. The implications are unavoidable. If everyone is special, then nobody is special. If nobody is right, then it doesn’t matter how wrong everyone is.

That’s not to say there’s no meaning, whatsoever. Even Rick Sanchez shows throughout “Rick and Morty” that he is driven by something. It’s just not the same crap that drove millennials, Baby Boomers, or Generation X. In a sense, everything that drives Rick is more petty and personal.

Rick uses people, selfishly indulges in self-destructive vices, and crosses any line he has to, even before he knows its there. He does all of this because while he understands that there is no meaning to what he does, he still challenges himself. Sometimes it’s just because he can. Sometimes it’s because he really likes a certain flavor of dipping sauce.

Rick Sanchez doesn’t just understand this. He basically lives it in every episode and he’s fine with that. He doesn’t try to prove himself to anyone, even other versions of himself. He doesn’t bother virtue signaling or making excuses. He just does what he does, understands it’s meaningless, and enjoys himself along the way.

That, more than anything, is what will resonate with Generation Z. They’re inheriting a world where uncertainty is the only certainty. Their millennial parents whined and protested about it. They just accept it, shrug it off, and watch TV like Rick. That’s what will make him a true voice for a burgeoning generation.

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A Dr. Doom Movie Has Been Announced (And It May Already Be Doomed)

This past weekend was a magical weekend for comic book fans, like myself. It was the four-day, fanboy and fangirl orgy known as the San Diego Comic Con. For comic book fans, it is the perfect combination of Christmas, Halloween, and Mardi Gras, all rolled into one. To say it’s kind of a big deal would be like saying boobs are kind of awesome.

I’ve been to comic book conventions before. I’ve talked about my experience and given advice on how to maximize the experience. I’m a regular attendee of the New York Comic Con, which is essentially the low-calorie version of the San Diego Comic Con. It’s still awesome, but if you want to be on the front lines of the greatest spectacle in all of comic book fandom, you go to San Diego.

One of the things at the very top of my bucket list, right up there with getting a kiss from Jennifer Lawrence, is to attend the San Diego Comic Con one year. I haven’t been out there yet, but I’m hoping that if my novels are successful enough, I’ll be able to buy myself some VIP passes and spend four days taking in the glorious spectacle.

I may very well meet my future wife there. Chances are, she’ll be dressed as Wonder Woman, Jean Grey, or Starfire. I don’t know what I’ll be wearing, but I hope it’s something that wins their heart.

Until that day comes, I’ll settle for watching news feeds and live-streaming. I spent a good four days effectively glued to my phone or anything with an internet connection, taking in every bit of news, sexy and otherwise. There’s always so much to take in. Some of it involves comics. Some of it involves movies. Some of it just involves celebrities dressing up in crazy shit to get a laugh.

This past weekend, though, there was one bit of news that really stood out. For an event that involves a lot of women dressed up as Sailor Moon characters, that’s saying something. As it just so happens, it involves someone that I’ve been talking about a lot lately, Dr. Doom.

I don’t know if this is the universe trying to tell me something. I don’t know if Fox secretly hacked my brain or some intern just read my blog on a coffee break. Maybe it’s just one big coincidence and my caveman brain has convinced me these internet ramblings are more influential than they could possibly be.

Whatever the case, the news got everyone buzzing and not necessarily in a good way. Fox, despite their craptacular failures in all things Fantastic Four related, are developing a Dr. Doom movie.

Den of Geek: Dr. Doom Movie In Development

Now, this is big news to comic fans. The idea that Fox would do anything involving the Fantastic Four should be enough to induce a migraine in anyone who thinks the world already has too many shitty movies. I’ve joked about it before, but for comic fans, this is no joke.

To date, Fox’s track record with Fantastic Four movies sucks. There’s just no nice way to say it. They have butchered, bungled, and failed so miserably that they’ve become a case study, of sorts, in how not to do a superhero movie. If you’re not sure whether or not the movie you’re making sucks, just go watch 2015’s “Fantastic Four.” If what you’re doing is too similar, then you’ve fucked up.

As frustrating as Fox’s history with the Fantastic Four is, it’s also completely understandable as to why they’d want to make a movie like this. Unlike the Marvel Cinematic Universe or any movie in DC’s movie universe, Fox can’t just take it’s time and be careful with a Fantastic Four movie. They can’t even wait for fans to forget about their previous failures.

That’s because, due to a legal clusterfuck that goes all the way back to the early 90s, Fox has to keep making Fantastic Four movies or they lose the rights. It doesn’t matter how awful they are. It doesn’t even matter whether or not they release it. They have to make these movies or Marvel and their Disney overlords get the rights back and Fox gets nothing.

It already happened once before. Fox tried and failed to turn Daredevil into a movie franchise. All they did was give Ben Affleck a better understanding on how to eventually become Batman.

By failing to continue that franchise, the rights lapsed back to Marvel and they immediately showed up Fox by creating a critically-acclaimed Netflix series. I’ve seen it. The first 10 minutes of the first episode is more entertaining than the entire “Daredevil” movie.

That’s why Fox needs to keep doing something with the Fantastic Four. Otherwise, they’ll have to sit back and watch as Marvel humiliates them again by succeeding where they failed on multiple occasions. Given all the egos in Hollywood, it’s totally understandable that they’d keep throwing good money at bad just to avoid that kind of pwning.

Now, if it sounds like I’m being overly pessimistic about a movie that may or may not even get made, I apologize. I hope I’ve made clear in previous posts that I’m as passionate about my comics as I am about sleeping naked. Dr. Doom is one of my favorite characters and, by a wide margin, one of my favorite comic book villain.

Fox has had multiple chances to make Dr. Doom the alpha and omega of villainy. First, they tried making him some charming, egotistical sweet-talker using the guy who played the asshole from “Nip/Tuck.” Then, they tried making him some disgruntled blogger. From a comic fan’s perspective, that’s akin to making chocolate fudge taste like dried horse shit.

Fox clearly doesn’t have a damn clue on who Dr. Doom is and how to capture what makes him so iconic. It’s not like they don’t have suitable reference materials. There’s an entire series called “Books of Doom” that show how Dr. Doom came to be. There are also cartoons that do, in a few minutes, what Fox couldn’t do with two movies.

Now, after all their failures, they still want to make a Dr. Doom movie? Not only would that give them yet another opportunity to undermine the greatest comic book villain of all time. It would also ensure that Dr. Doom never finds his way to the Marvel Cinematic Universe. Given how big a menace he’s been to pretty much every Marvel hero, that’s just tragic.

It’s hard to say just how serious Fox is with this. This is the same company that tried everything it could to stop the “Deadpool” movie and has been dragging its feet on a “Gambit” movie. However, they have way too many reasons not to pursue this.

It’s not just that Dr. Doom is one of the most iconic villains of all time. It’s not even that they’ve botched him horribly through multiple movies. We’re currently living in an era where villains are starting to gain just as much prominence as heroes.

The success of TV shows like “Breaking Bad” and the success of movies like “Suicide Squad” show that there is a market for a villain. I’ve talked about the heroes journey and the villains journey. Few could walk the villain’s journey better than Dr. Doom. At a time when people are turning to villains to fix problems, this may very well just be the best possible time for Dr. Doom to get a movie.

Unfortunately, it’ll still be Fox that makes that movie. Their track record leaves a lot to be desired. Despite this, there are some signs that they aren’t just trying to cling to the movie rights by throwing a couple million dollars at Roger Corman. They’re putting Noah Hawley, the man who made “Legion” a successful show this year, on the job. He’s got credentials, far more than Josh Trank ever did.

That said, I doubt you’ll find many comic fans who are excited about the prospect of Fox doing anything Fantastic Four related. Even fewer fans will have faith that Fox can get Dr. Doom right. They thought turning Doom into a disgruntled blogger was a good idea. What hope does this movie truly have?

I’m going to keep an eye on this so expect me to talk about this again, as I do with many topics involving superhero movies. Until then, here’s a quick fan film I found does with an $11,000 budget what Fox couldn’t do with millions. It shows that, villain or not, Dr. Doom is a character who deserves better.

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Virtue Signaling: Why We Are NOT The Hero Of Our Own Story

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Think back to any movie that ever involved a lovable underdog. For anyone who has been to a movie theater more than once since 1978, this shouldn’t be that hard. Hell, think about a popular TV show involving a lovable underdog, going all the way back to the “Leave It To Beaver” days. What do they all have in common?

The similarities aren’t exactly subtle. The lovable underdog isn’t someone who is big, strong, handsome, cocky, arrogant, or dumb. They’re often unremarkable, so much so that others don’t acknowledge their existence. They do little to stand out and even less to distinguish themselves, but the same story usually plays out for them.

Whether they’re John McClane from “Die Hard,” Peter Parker from “Spider-Man,” or the entire cast of “The Big Bang Theory,” they embody the traits of all that is good and right with the world. They overcome obstacles, bullies, and a world where pretty girls aren’t lining up to touch their dicks to become heroes in their own right.

In the end, everything works out for them. In the end, they get what they want. The world comes to love them. Everybody, male and female alike, loves them. They are respected and admired for their thoughts, actions, and ideas at every turn. They have every reason to feel good about themselves.

What I just described is both the standard narrative for no less than 95 percent of every underdog story ever told and the primary reason why virtue signaling is getting out of hand. If that sounds like a bit of a stretch, then please bear with me. There is a logic behind it and, unlike my previous post on virtue signaling, it has a major implications.

As with other topics, like sex robots and body shaming, it’s impossible to cover every aspect of a certain topic. Virtue signaling, having only recently become a major buzzword, definitely qualifies. It is very much an emerging trend that is finding its way into politics, gender issues, media, and even erotica/romance. Since I’m trying to make a living writing erotica/romance, that deeply concerns me.

For this particular post, I want to highlight the more direct impacts of virtue signaling that I’ve observed in recent years. Specifically, I want to focus on how it affects the way people see themselves and the way they relate to one another. There’s a lot of material to cover and I can only handle so much coffee before my brain starts to short out.

I’ll table my concerns about brain function for the moment because this is something that I haven’t just observed. I’ve experienced it as well. As a man, trends that affect how men and women relate to one another don’t just affect the kinds of sexy stories I tell. They effect me personally and how I conduct myself in my day-to-day life. They effect all of us, often in ways we don’t see or acknowledge.

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With respect to virtue signaling, these effects have only recently become more pronounced to the growth of social media. Unlike every other point in human history, we no longer need a million people to march through a capital city or a massive rebellion to send a message. We just need a smartphone, an internet connection, and a willingness to castigate ourselves in a public sphere.

As a result, virtue signaling has become a popular pastime of sorts. Political leaders, media figures, and ordinary people with too much free time on their hands go out of their way to make these elaborate gestures to prove that they’re virtuous or pious or tolerant or not a Nazi.

More often than not, these gestures just aren’t enough and people end up doing more and more, thus creating a brutal cycle of sorts. Sometimes the gesture is misinterpreted, as often happens with poorly-worded Tweets. Sometimes it’s just part of a larger agenda, one that requires constant reaffirmation in light of incessant criticism. Video game critics found out just how bad this could get back in August 2014.

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It’s a stressful endeavor, trying to loudly proclaim to the masses that you’re as virtuous, heroic, and understanding as any protagonist from a John Hughes movie. It’s also tearing us apart and making us despise one another.

So how exactly does it work and why is it so toxic? Well, to answer that, think back to lovable underdogs that I mentioned earlier. We, as a culture, love those characters for a reason. They live in a world where they do what they do, but come out on top. They win in every way they want to win, becoming the heroes of their own stories.

The problem with that world is that it’s a total fantasy and too many people try to make that fantasy fit into their reality. Unfortunately, reality is notoriously uncompromising. Just ask anyone who tried to make a romantic gesture that backfired horribly.

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It’s not that they’re insincere or inept, though. They’re just part of an entire generation that has grown up seeing this narrative of the lovable underdog overcoming the odds and they’ve been led to believe that this is how you succeed. This is how you become the hero of your own story.

We, being the egotistical creatures we are, want to be that hero. We want to be the lovable underdog we see in the movies who can say they overcame the odds, succeeded, and got laid in the process. However, the tactics we see in movies and TV shows just don’t work in the real world or require an obscene amount of luck.

Since all the success, adulation, and sex doesn’t just immediately happen like it does over the course of a two-hour movie, those wanting to be the hero try to force it. That’s where virtue signaling comes in.

Since being a hero often requires hard work, sacrifice, talent, training, and the ability to be in the right place at the right time, virtue signaling offers a much easier alternative. It’s not solely about laziness. It’s just often the path of least resistance and the most readily available path. Can you blame anyone for taking it?

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Rather than actually doing something meaningful, virtue signaling allows people to feel like they’re the hero of their own story, even if they accomplish nothing heroic. To their caveman brain, it doesn’t matter. It already has a hard time processing what gets it aroused. How the hell is it going to determine whether someone qualifies as a hero?

The short answer is that it can’t. The longer answer is that our caveman brains still urge us to seek validation from our tribe and security in our identity. Virtue signaling allows us to do both, even when there’s nothing of substance behind it.

This can lead to a real identity crisis for some people. There are people who define themselves as members of a particular tribe, be they radical feminists, conservative Christians, or Twilight fans. When they feel as though they aren’t slaying the necessary dragons, s to speak, they become distressed and look for any way to alleviate it. Virtue signaling allows them to at least feel it’s alleviate, which is close enough.

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That laughably low standard ensures that virtue signaling is almost always an empty, shallow gesture at most. It only ever functions as a means to help certain individuals feel better about themselves, alleviate the mental stresses that come with seeking validation, and ensure they can be the hero of their own story, even if they do nothing heroic.

In a real world full of unflinching, unyielding circumstances that keep most people from ever doing anything remotely heroic, virtue signaling offers empty promises that only feel real enough to keep our brains and tribes functioning. Even when there’s no substance whatsoever, it gives people an illusion to buy into and that can be dangerous because it gives people an excuse to not do something greater.

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As I’ve pointed out before, people will cling to any excuse that allows them to justify their actions or lack thereof. Now that doesn’t make those who virtue signal bad. If anything, their desire to be the lovable underdog hero of their own story proves to me that such people are good at heart. They’re just misguided, clinging to the feelings and validation that virtue signaling earns them.

Since I like to be a bit more optimistic about people in general, I believe that the lack of substance that inherently comes with virtue signaling will eventually catch up with most people. There will be those who can never escape it. For most people, though, I believe they’ll learn that there are better ways to be the lovable underdog hero of your own story.

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