Tag Archives: Superheroes

How The Captain Marvel Movie Could Actually Fail

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I hope everyone has had a chance to catch their breath after the release of the “Captain Marveltrailer. I certainly needed a day or two. It was one of those experiences in which it takes time to process every wondrous detail. I don’t know how many times I watched it. I just know that March 8, 2019 cannot get here fast enough.

The response to the trailer has been overwhelmingly positive, which has become the norm for all things affiliated with Marvel Studios. The bar for this movie is high, but matching and exceeding high bars is exactly what Carol Danvers does. The Marvel Cinematic Universe is already on an unprecedented win streak, both in terms of acclaim and box office. By all accounts, “Captain Marvel” is poised to continue that streak.

If I had to bet on it, I would place a hefty wager on “Captain Marvel” succeeding. Marvel Studios is riding such a huge wave of hype after “Avengers: Infinity War” that the idea of one of their movies failing seems unthinkable. However, it wasn’t that long ago that people felt the same way about “Star Wars.” Then, “Solo: A Star Wars Story” came along and shattered that notion with the force of a thousand Death Stars.

Like it or not, the law of averages dictates that Marvel Studios will fail at some point. Whether or not that happens with “Captain Marvel” remains to be seen. For the moment, that doesn’t seem likely, but the possibility is definitely there. I would go so far as to say that “Captain Marvel” is more vulnerable than previous Marvel movies and not just because the bar for success is so ridiculously high.

Kevin Feige, the President of Marvel Studios, has gone on record as saying that Captain Marvel will be one of the most powerful characters in the MCU. Her presence will be a game-changer for the immediate and distant future. That means the margin for error is ridiculously small. Marvel Studios literally cannot afford for “Captain Marvel” to fail. That may end up being what makes this movie so vulnerable.

As a lifelong fan of superhero comics and a Captain Marvel fan, I feel like it’s worth contemplating this most distressing possibility. Never mind the implications for Marvel, Disney, and the entire superhero genre that may unfold in the event that “Captain Marvel” fails. How could a movie with so much going for it and an Oscar-winning actress in Brie Larson end up failing in the first place?

After watching the new trailer multiple times, reading multiple articles, and contemplating my previous comments on this movie, I’ve surmised a handful of concerns that I believe could derail this movie. Some of these concerns assume certain details that may very well be dead wrong by the time the movie comes out. I have no insight beyond the trailers I’ve seen and the details that have been made public.

I don’t expect everyone to share these concerns. Some may even have entirely difference concerns and I’d be happy to discuss them in the comics. For now, this is just me, as a fan of both Carol Danvers and superhero comics, contemplating what could go wrong for a movie that aspires to do so much.


Reason #1: Limiting The Extent Of Carol’s Agency (Inadvertently)

One of the biggest revelations from the second trailer had to do with an important plot point that was ripped directly from the comics. In the first minute, we find out that Carol’s memory has been erased and she’s caught up in the agenda of the Kree. Given how the only notable Kree character in the MCU to date has been Ronan the Accuser, this does not bode well for her.

This is a critical detail because in the comics, Carol lost both her memories and her powers at one point and had to effectively rebuild herself. That struggle helped establish how resilient she was, as a character. It also helped build her appeal. More importantly, though, it emphasized her struggle to regain her sense of agency.

Being mind-wiped is always a tricky plot point, as was nicely demonstrated in “Captain America: Civil War.” The biggest problem is being mind-wiped really hinders a character’s ability to make weighty choices. For Bucky Barnes, that isn’t too controversial. For Carol Danvers, a female hero in an era where female heroes have become fodder for identity politics, it could be an issue.

If, from the get-go, Carol is just a puppet of the Kree and her entire story revolves around her escaping their control, then that doesn’t just narrow the plot. It limits her agency because it makes her choices predictable. If, at any point in the story, she’s faced with a choice to follow the agenda of the Kree or go against them, it’s not going to surprise anyone when she chooses to go against the aliens trying to use her.

By making too much of the story about Carol re-asserting her agency, it makes the movie less about her fighting shape-shifting aliens and more about her regaining her independence. While that too can be a compelling story, and one in line with her history in the comics, it hinders the plot by making every choice obvious. When none of the choices in a story seem difficult, it can get boring fast.


Reason #2: Not Allowing Carol To Be Wrong

This is another factor that could make “Captain Marvel” too predictable and boring. Marvel Studios has made it clear that they want Carol Danvers to be the future of the MCU. Like Captain America, she’s poised to become the face of Marvel and their Disney overlords. For that very reason, it’s important that they allow her to be wrong.

To understand why, think back to “Wonder Woman,” the movie that set the gold standard for female superhero movies. In this movie, Wonder Woman doesn’t just make a fateful choice when she leaves Paradise Island. She also ends up being dead wrong about the identity of Ares. It made for a powerful moment that genuinely surprised me.

That moment didn’t just establish that Wonder Woman was fallible, despite being this overpowered badass warrior princess. It humanized her in a critical way. You could argue that this trait is more integral to Marvel’s heroes because they end up being wrong in a wide variety of ways. Tony Stark’s journey to becoming Iron Man started with him being wrong about something.

My concern for Carol is that making her this overpowered female hero who can defeat Thanos will take priority over everything else. The story won’t even give her a chance to be wrong or make a bad decision. That won’t just make the plot predictable and boring. It could earn Carol Danvers the dreaded “Mary Sue” label that has plagued characters like Rey.

That, more than anything, could derail Carol’s ascension to the upper echelons of the MCU. If she becomes a joke more than an icon, then she won’t be able to do carry out the bold plans that Marvel Studios has laid out for her. Part of what makes characters like Iron Man and Wonder Woman so popular is that they’re so easy to cheer for. Cheering for an annoyingly flawless character who is never wrong is much harder.


Reason #3: Not Effectively Explaining Carol’s Absence From The MCU

This is more a logistical concern than anything else. Before the first trailer ever dropped, it was established that “Captain Marvel” was going to take place in the 1990s. As a result, it would unfold within a world before the Avengers ever assembled and before superheroes ever became mainstream. It would also explore the origin of pre-eye patch Nick Fury, something that “Captain America: The Winter Soldier” only hinted at.

That’s an intriguing idea that digs into an unexplored aspect of the MCU. At the same time, it does raise a major question. If Carol has been Captain Marvel since the 1990s, where has she been? Why wasn’t she available when Loki or Ultron attacked? While it makes sense outside the movies in that a “Captain Marvel” movie wasn’t even scheduled before 2012, those questions are still relevant in the story.

The end of “Avengers: Infinity War” somewhat compounds this issue because Nick Fury reveals that he has had a way of contacting Carol all this time. A tie-in comic also hints at his past dealings with Carol, but is vague on why he chose not to summon her. Chances are “Captain Marvel” will try to answer that question more in depth, but that answer might not be adequate.

It’s not a trivial detail that can be glossed over. If Carol doesn’t have a good reason for not being on Earth during invasions from aliens and genocidal robots, then that makes it harder to get behind her as the most powerful hero in the MCU. It can’t come off as an excuse because Marvel Studios hadn’t planned that far ahead. Without a good reason, Carol just wouldn’t come off as heroic.


Reason #4: Making Her A Female Superhero BEFORE Making Her A Great Female Characters

This is where the stakes for “Captain Marvel” get frustratingly political. I’ve mentioned before how creating quality female characters has become mired in identity politics. This movie has already been affected somewhat by those corruptive forces. “Wonder Woman” managed to avoid it from a plot perspective and that’s the most “Captain Marvel” can do.

This means that before Carol Danvers becomes the super-powerful, high-flying badass we saw in the trailer, she needs to establish herself as a character, first. This is something I’ve seen movies, comics, and TV shows get completely backwards in recent years. There’s such an emphasis on making someone a “strong female character” that they forget the part where they’re a compelling character.

Carol Danvers has decades of character development in the comics. She’s someone who has deal with upheavals in her personal life, her superhero life, and everything in between. It’s hard to fit all of that into a two-and-a-half hour movie, but both “Wonder Woman” and “Captain America: The First Avenger” showed that it’s possible.

I can easily imagine Marvel Studios feeling tempted to make “Captain Marvel” the kind of cosmic spectacle we saw in “Guardians of the Galaxy.” I wouldn’t blame them for taking that approach, but having that without establishing the depths behind Carol Danvers would only be half a movie. Visual spectacles are great, but without quality characters, it’s just flashy images and nothing else.


Reason #5: Trying Too Hard To Make Carol Too Powerful

This issue is part logistics and part agenda. The events of “Avengers: Infinity War” were astonishing in terms of scope and scale. In the end, the collective might of dozens of Avengers could not stop Thanos. He was stronger than Thor, the Hulk, and the entire army of Wakanda. By default, taking him down requires a new level of power.

Carol Danvers promises to wield such power. Before the movie finished shooting, Kevin Feige dubbed her the most powerful Avengers in the MCU. That power may be necessary to defeat Thanos, but getting Carol that power could be tricky. Her power levels are already pretty extreme in the comics, but the MCU deals with different circumstances and scales.

The second trailer offers some clues as to how Carol gets her powers. Like the comics, they’re tied to her biology getting mixed up with that of the Kree. Beyond that, the scope and extent of her powers are vague. It’s not clear whether there’s something unique about her or the process that gives her so much power. At some point, she’ll have to level up and expanding powers in superhero media is always tricky.

When powers don’t have defined limits or are left vague, they tend to resolve every story in the spirit of a Deus Ex Machina trope. In short, there’s a supremely powerful threat. Then, by some contrived happenstance, the good guys gain access to power at or greater than the threat. It’s simple, but contrived. A DC movie may get a pass, but the bar for Marvel Studios is higher.


Again, I believe that “Captain Marvel” will be a great movie. Most of these concerns are just a byproduct of only knowing the movie through a couple of trailers. None of these reasons are inescapable. Given the impressive track record of Marvel Studios, there’s no reason to believe they won’t find a way to make it work and raise the bar even more.

One way or another, “Captain Marvel” is set to be a major turning point for the MCU. Whether it succeeds or fails, it will have a significant impact on the overall genre. However, it’s in the best interest for the MCU, Marvel, and superhero media, in general, that this movie succeeds.

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Filed under Comic Books, Jack Fisher, Superheroes, gender issues, Marvel, movies, political correctness, superhero comics, superhero movies, women's issues, Wonder Woman

Marveling At The Second “Captain Marvel” Trailer

The second “Captain Marvel” trailer has dropped. There’s a lot I’d love to talk about. For now, though, let’s just take a moment to marvel at what awaits us in March 2019.

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Kamala Khan Vs. America Chavez: How To Succeed (And Fail) With Female Superheroes

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It shouldn’t be that difficult or controversial to create compelling female superheroes. In a perfect world, it would be no different than creating quality male heroes. As long as they’re compelling, enjoyable, and foster great stories, that should be enough.

Sadly, we don’t live in a perfect world. You could even argue it has become even worse in recent years for female superheroes because they’ve become entwined with identity politics. It’s no longer sufficient for a female hero to just be likable and interesting. They have to take part in the never-ending whining contest that dominates outrage culture.

As a lifelong fan of superhero comics, this really frustrates me. I get that comics, like any medium, often reflect the issues of the time. That’s not new and comics have taken positions in those issues. Iconic stories have been crafted around them. The current situation with female superheroes, however, is less a reflection of the times and more a liability.

To illustrate this point, I’d like to single out two female superheroes, Kamala “Ms. Marvel” Khan and America “Miss America” Chavez. Both characters were created within the past 10 years. They’ve also been cited as prominent figures in the recent push for diversity within comics that has caused a lot of uproar or all the wrong reasons.

What sets them apart is that one character, Kamala Khan, has become a success story by most measures. Since her debut issue in February 2014, she has become popular and beloved. She has received and won numerous accolades and her graphic novels have made it onto the New York Times Best Sellers list. I consider myself a fan of hers. She’s one of my favorite female heroes.

On the other end of that spectrum is America Chavez. She debuted in 2011 and went onto have her own ongoing series. Unlike Kamala, though, her series received no accolades, sold poorly, and did nothing to endear her to fans of superhero comics. She has had opportunities to establish herself as a quality female hero. With few exceptions, she has failed at every turn.

These two characters represent a stark dichotomy in the current world of female superheroes. One provides a template for success. The other is a cautionary tale of how not to create a compelling female superhero in the current climate. It’s pretty striking how two characters created within a similar cultural environment can go in such wildly different directions. However, that difference also carries with it plenty of lessons.

To be fair to the medium I love, creating female superheroes today is very different compared to past decades. If Wonder Woman, Storm, Carol Danvers, or Supergirl were created today, they wouldn’t have the same impact. They came out at different times and under different circumstances. Those circumstances played a key role in how they became iconic.

Great female superheroes, and quality female characters in general, have traits that allow them to resonate in any era. However, the timing and influences have to be right for them to carve a place in popular culture. Kamala Khan and America Chavez dealt with similar circumstances when they debuted. That makes them a good case study in how female superheroes can succeed and fail.


Why Kamala Khan Succeeded

I still remember the day I read Ms. Marvel #1. I hadn’t been planning to buy it. I remember clearly that it was a light week, in terms of comics. I happened to have a few extra bucks to spend. I had heard that there was going to be a new Ms. Marvel. Having been a fan of Carol Danvers, I decided to check it out.

I’m glad I did because that one fateful issue made me a Kamala Kahn fan for years to come. The story it told struck all the right chords. It presented a character who felt real, genuine, and relatable. The fact that she was a girl, a Muslim, and the daughter of Pakistani immigrants was secondary. She still felt like a character that I could be friends with if she were real.

The reasons why Kamala was so endearing had little to do with how many diversity points she scored and everything to do with how the writer, G. Willow Wilson, went about developing her. She spent almost the entire first issue just revealing who Kamala was and what sort of life she had. We learn about her family, her friends, her hopes, her dreams, and even her favorite hobbies.

She quickly becomes more than just another teenage character. She’s a self-professed fangirl who writes fan fiction, plays MMO games, and loves gyros. Wilson approached developing Kamala the same way Stan Lee approached developing Peter Parker. She developed the personality before turning them into a superhero.

When Kamala finally does get her powers, Wilson establishes a solid reason for why she’s a hero. Just getting powers isn’t enough. Unlike Peter Parker, however, she doesn’t need a loved one to die. Being a fan of superheroes and having decent parents puts her in a position to make that choice without anyone dying. That, alone, makes her worthy of admiration.

From that point forward, it’s easy to root for Kamala. She carries herself as someone you want to root for. She personifies how fans of superhero comics are inspired by their heroes. Her having a chance to be a hero like the ones she idolizes isn’t just endearing. It’s special. That’s why she succeeds and why it’s very likely we’ll see her enter the Marvel Cinematic Universe at some point.


Why America Chavez Failed

Take everything I just said about why Kamala Khan works and why she’s so lovable. Then, reverse it completely. That’s basically who America Chavez is and why she’s more a joke than a success.

On paper, America has a lot going for her. She’s not just another generic female hero. She’s Latina, she’s a lesbian, and she comes from a very different world, literally and figuratively. In terms of diversity points, she checks as many boxes as Kamala. She has her own unique style and she even uses a familiar moniker that has been successfully used by others.

Beyond those traits, however, there’s nothing about her character or her story that will get superhero fans cheering. She’s not relatable like Peter Parker or Kamala Khan. She’s from a place called Utopian Parallel, which is exactly as boring as it sounds. Her world was threatened with destruction, but her parents sacrificed themselves to save it. They’re the only respectable heroes in her story.

America, for reasons that are poorly told and poorly developed, decides to prove that she’s as good a hero as her parents. Her world is a utopia. It doesn’t need her. As a result, she just looks for a world that needs heroes and happens to choose one that has a massive glut of them. Already, her judgment is questionable.

If you’re expecting me to explain the depths of why she’s a hero and how she distinguishes herself, I’m sorry to disappoint. That’s the extent of her heroic journey. She doesn’t answer the hero’s call as much as she looks for an excuse. She doesn’t work her way into the world of heroism. She just throws herself into it and skips the part that makes it a meaningful story.

It certainly doesn’t help that she’s grossly overpowered in a way that makes every battle feel boring. Unlike other powerful characters, including Superman or Captain Marvel, there’s no real intrigue to her abilities. Whereas Kamala Khan and Peter Parker struggle, seeing their powers as burdens at times, America Chavez rarely strains herself. When she does, it feels forced and contrived.

On top of all that, America never comes off as a likable person. In nearly every scene she’s in, she carries herself with an in-your-face, screw-you, I’m-better-than-everyone attitude that isn’t the least bit endearing. She basically tries too hard to be a badass female hero, but forgets the part where heroes are actually supposed to be admirable.

It’s not enough to just punch a Nazi, which she does at one point. Being a hero means embodying ideals that go beyond gender politics. America Chavez’s story is so contrived, at times, that it feels like the most shameless kind of pandering. It’s why those who bemoan Marvel’s diversity push often cite America Chavez as the personification of everything wrong with that effort. Sadly, she gives them plenty to work with.


Lessons For The Future

I have high hopes for Ms. Marvel. I even hope that, at some point, America Chavez becomes a solid character. There’s plenty of room for new characters that resonate with everyone, regardless of gender, race, creed, ethnicity, or sexual orientation. It doesn’t have to come at the cost of established characters, either. Heroes can be anyone. That’s what makes them icons.

Now, I understand that there are plenty of people out there who don’t like Kamala. I don’t deny that she has her flaws and she’s had some pretty unflattering moments. I also understand that America Chavez has her share of fans who think I’m not being fair to her. I don’t claim that my take on her is definitive.

I singled these two characters out because I believe they embody the struggle facing female superheroes in the existing cultural climate. Like any creative endeavor, there is a right and wrong way to go about it. Kamala Khan and America Chavez provide important lessons on what to do and what to avoid. They include, but aren’t restricted to, the following.

Lesson #1: Build the character before the hero

Lesson #2: Appeal to everyone and not just a select few

Lesson #3: Make their struggle feel real and genuine

Lesson #4: Give the character a distinct and endearing voice

Lesson #5: Don’t just rely on punching Nazis

There are many other lessons to be learned from characters like Kamala Khan and America Chavez. Some of those lessons have to be learned the hard way, but they’re worth learning. More quality female superheroes can only help the genre, as a whole. Superheroes, by definition, are supposed to inspire others to be better. That inspiration need not be restricted to gender, race, or any other distinction.

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Filed under censorship, Comic Books, Jack Fisher, Superheroes, gender issues, media issues, political correctness, sex in media, superhero comics, superhero movies, women's issues

RIP Stan Lee (1922-2018)

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No words. For once, I have no words.

Deadline: Marvel Comics Legend Dies At 95

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The following is a review I wrote for PopMatters for “What If? Punisher #1.” Enjoy!

‘What If? Punisher #1’ Toys With Spider-Man’s Concept Of Power And Responsibility

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October 11, 2018 · 5:28 pm

Jack’s Quick Pick Comic: What If? Punisher #1

Every Wednesday, a new batch of comics comes out and for comic fans like me, it’s the biggest highlight of the week that doesn’t involve ice cream and whiskey. Within that batch of comics, it’s hard find the gems that really stand out. That’s why every week, I pick out a comic that I feel warrants extra praise.

This week, my quick pick is “What If? Punisher #1.” Now, this may seem like an odd selection. In fact, this comic is very much an anomaly. There was once a time where Marvel had an ongoing “What If?” series that basically offered alternate history takes on iconic characters and stories.

Personally, I have mixed feelings about how these stories are handled. For the most part, they’re hit or miss. They’re either really good or really bad. Rarely, if ever, are they fleshed out stories.

What If? Punisher #1” finds a way to stand out because it does more than speculate on what would happen to Spider-Man if he chose a slightly different path. It actually explores the entire premise that with great power comes great responsibility. It even makes the case that the mainline Spider-Man in the long-running “Amazing Spider-Man” series is wholly irresponsible in his methods.

This is an idea that I’ve actually explored before. I once made the argument that Spider-Man is the most inept hero of all time. I got a lot of hate for that piece, mostly by long-time Spider-Man fans. I don’t blame them for a second. However, this comic actually takes some of the concepts I discussed and puts them into a cohesive story.

It doesn’t radically reinvent Peter Parker or Spider-Man. It also doesn’t radically alter his origin. He still fails to stop a burglar that goes onto murder his Uncle Ben. From that tragedy, he learns that critical lesson about power and responsibility. The only difference in this timeline is that great responsibility means killing his enemies, just like the Punisher.

It’s a line that the Friendly Neighborhood Spider-Man doesn’t dare cross most of the time. In nearly every famous iteration of Spider-Man, Peter makes clear that he does not kill. However, “What If? Punisher #1” makes the case that not only is this irresponsible. It actually played a part in hurting his loved ones.

How that happens and how it makes this case is something I won’t spoil. Since this is a “What If?” comic, though, there’s not room to dig deeper. There are more than a few gaps and oversights, but most of that is due to logistics rather than merit. At the very least, this comic asks some pretty damning questions about how Spider-Man approaches power and responsibility.

Even though most “What If?” comics are quickly forgotten and have no impact on the actual canon, this issue is worthy of my pick because the concept is so intriguing. It’s too brief and very much incomplete, but the ideas it presents are pretty remarkable. Not all Spider-Man fans will like it, but it’ll definitely get them thinking.

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A (Partial) Symbiosis Of Awesome: My “Venom” Review

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Certain movies are subject to unique standards. Nowhere is this more apparent than with superhero movies. A sci-fi movie can be flexible with its use of sci-fi elements. The same can be said for generic genres like romantic comedies, horror, action, and even stoner movies. A superhero movie, whether fairly or unfairly, will be judged by much stricter criteria.

This is the problem “Venom” faced before it even started shooting. Most fans, especially those who follow Marvel Comics, were probably intrigued by the possibility of a movie about Venom. Casting Tom Hardy in the lead role definitely help. No offense to Topher Grace, but he’s far more qualified to play Eddie Brock than he’ll ever be.

Even so, “Venom” had a lot of logistical problems from the beginning. It wasn’t going to feature Spider-Man. It wasn’t going to take place in the Marvel Cinematic Universe. It wasn’t even going to get input from Kevin Feige and everyone else at Marvel Studios, who have made creating billion-dollar movies seem inane. By some standards, that’s a serious handicap.

Most Marvel fans, and I consider myself one of them, aren’t too keen on the idea of a Venom movie that doesn’t involve Spider-Man or have any connection to the MCU. Even if you have a passing familiarity with Venom in the comics, you probably know that a lot of his story is connected with Spider-Man. Telling a Venom movie without Spider-Man is like telling a Joker movie without Batman.

Actually, that may be a bad example. Forget I said that.

Logistical issues aside, I was still intrigued enough to give “Venom” a try. Like many other Marvel fans, I was not pleased with how his story was handled in “Spider-Man 3.” The only good that came out of that was a slew of dancing Toby Maguire memes. I felt Venom deserved better.

Well, without getting too deep into spoiler territory, I can affirm that “Venom” definitely succeeded where “Spider-Man 3” failed. It’s not just a good movie about Venom. It’s a good movie, overall. It had a lot of things working against it, but it still worked.

I know that the movie didn’t exactly thrill critics, nor did it blow the minds of hardcore fans who saw it. At the same time, it wasn’t messy or cumbersome like the theatrical cut of “Batman v. Superman: Dawn of Justice.” Yes, this movie probably would’ve benefited by taking the “Deadpool” approach and gone for an R-rating. However, it still succeeds in many ways.

At its core, “Venom” works because it’s less about alien symbiotes infecting random people and more about Eddie Brock. This is his story and Tom Hardy does an excellent job capturing his persona. You don’t have to read a single comic to understand that Eddie Brock is not Peter Parker. He’s not exactly a hero, but he’s not a blood-thirsty villain, either.

Although that’s not necessarily obvious.

Eddie Brock is one of those guys who’s a loser and not just because he ends up bonding with a parasitic alien. One of the best things this movie did was show that Eddie’s life falls apart because of a decision that he makes. He’s not a victim of bad luck. In the beginning, his life is actually really good. However, he makes a fateful choice that completely changes that.

At the same time, the movie establishes that Eddie is not the kind of guy who jumps at the chance to be a hero. He has a few opportunities before he bonds with the Venom symbiote. He doesn’t take it and unlike Peter Parker, it’s not purely out of responsibility. He’s just not the kind of guy who embodies the selfless spirit of Superman or Captain America.

Then, when he encounters the symbiote, these personality flaws intensify. At first, he’s just overwhelmed. He reacts in a way most people would. His first instinct isn’t to help people or be a hero. He’s actually petty and self-serving for the most part. As the story unfolds, he and the symbiote literally and figuratively feed off one another. They both grow and evolve, as characters.

That process involves plenty of action, some of which is pretty visceral. If you’re looking for the kind of cartoonish beat-downs we got in “Spider-Man: Homecoming,” you’re going to be disappointed. The action here is quite violent. It’s not on the same gratuitous level as “Deadpool,” but it’s close and it even holds back at times.

Given Venom’s brutal nature in the comics, this can be a bit of a problem. In watching this movie, you get the sense that the effects team worked overtime to keep the violence just below PG-13 levels. At times, it feels forced and that impacts the story to some extent.

This moment could’ve been MUCH bloodier.

That’s not the only issue, nor is it the biggest. While I believe the story works, I also can’t deny that it’s missing some key components. Those not familiar Spider-Man’s history surrounding Venom probably won’t notice, but it’s hard for me to be a Marvel fan and overlook some of these flaws.

The story of how Venom and Eddie Brock come together is solid, concise, and compelling, as it’s presented in this movie. However, it still feels like it’s missing a lot of emotional depth without Spider-Man. A big reason why Venom, and Eddie by extension, becomes so menacing is because of Spider-Man’s role in his story. Removing him from that story is glaring, to say the least.

To fill in those gaps, the movie creates a new source of conflict through the Life Foundation, which acts as the primary antagonist through its unscrupulous Mark Zuckerberg wannabe, Carlton Drake. That’s not to say Drake isn’t a decent villain, but he’s not even in the same hemisphere as Erik Killmonger or Thanos.

Pictured here is NOT Thanos.

Even by non-superhero standards, these villains are pretty bland. It’s basically Venom versus and evil corporation who ends up serving an alien agenda. There’s nothing memorable or iconic about them, but that’s okay in the context of this movie because they still fulfill their primary purpose. They create the necessary moments that move Eddie’s story forward.

On top of that, the lack of connections with the MCU make this movie feel small by comparison, especially in a year when “Black Panther” and “Avengers: Infinity War” broke box office records. “Venom” has everything it needs to connect with the MCU. There’s nothing in the story that precludes it from having a role, but Sony has gone on record as saying that this movie is completely detached from that world.

The shared reaction of many Marvel fans.

As much as I’d love to see Tom Hardy and Tom Holland battle in a future movie, the lack of MCU connections still don’t take away from everything this movie does well. Overall, “Venom” is good movie that had a lot of factors working against it. This movie faced an uphill battle from the beginning, but still managed to achieve a lot. If I had to score it, I’d give it a 7 out of 10.

I’ve heard some claim that this movie belongs in the early 2000s and just doesn’t work within the current market of superhero movies. I say that’s bullshit. Good movies work, regardless of the year or era they come out. “Venom” is a good movie, but it’s also one that could’ve been much greater.

Coming out of the theater, I was satisfied, but felt as though there was a lot of potential left on the cutting room floor. It’s hard to know whether this movie would function better with an R-rating or as part of the MCU, but it manages to do plenty within its many constraints. Tom Hardy was handicapped in bringing Eddie Brock and Venom to life, but he still pulled it off.

Again, with all apologies to Topher Grace, Tom Hardy is now the definitive face of Venom and this movie sets him up for a promising future.

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