Tag Archives: Superheroes

What Jean Grey Of The X-men Can Teach Us About Life, Love, And Growing Up

These days, when most people read comics or watch movies, they do with an emphasis on escapism, spectacle, and an ability to talk/whine about it on message boards. Most people would rather not consume media with the idea that it has a bigger lesson to teach. We got plenty of those lessons in grade school and most of us got sick of that crap before we hit puberty.

However, there are occasions when a comic, movie, or TV show reveals something deeper about ourselves and our world that’s worth noting. I’m not talking about the kinds of crazy fan theories that claim Jack in “Titanic” never existed. It is possible for the media we consume to give us real, meaningful insights about ourselves.

That brings me back to comic books and X-men. Yes, this is going to be another one of those posts. After talking so much about the horrors of millennial life and the potential horrors of their children, I’m in need of a less serious topic. I think I’ve made clear that I love comics, I love X-men, and I’ll keep finding reasons to talk about them on this blog.

As it just so happens, a comic came out that conveys just such a lesson. It involves Jean Grey again. Other than Wonder Woman, she’s one of the most frequent topics of discussion on this blog. Considering she has a movie coming out next year, that’s likely to continue.

However, this comic has little to do with her movie and more to do with the themes of Jean Grey’s struggle. Some of them are relevant in the sense that they’re common to many major superheroes. Others are more subtle in that they have a bigger message to convey, one that applies to those who don’t have superpowers.

I doubt that the message that Marvel, a company owned by Disney, no less, intends to convey directly. Most of that message is indirect, but it can still function as a lesson, of sorts, that even aspiring erotica/romance writers like myself can appreciate.

The comic, in question, is Jean Grey #6. It’s the latest in a series that began earlier this year and focuses on the exploits of a teenage Jean Grey, who was plucked from the past several years ago in an event that has too many complications to go over without inducing migraines.

You don’t need to know too many of the particulars. You only need to know that she has a good reason for not liking her future. A lot of her adult life, as has played out in the X-men comics over the years, involves death, rebirth, and more dying at the hands of overwhelming power, often at the hands of the Phoenix Force.

Her teenage self is understandably frustrated with how that life played out. For the past several years, she’s gone to considerable lengths to change her fate, going so far as to ditch the X-men and try to be a normal teenage girl. As is often the case with superheroes, and teenagers in general, that doesn’t work. She still finds herself dragged back into the world of X-men and superheroes.

To her credit, she has handled herself fairly well. She’s managed to endure a space adventure with the Guardians of the Galaxy, go on trial for her future crimes that she’s yet to commit, and take part in a superhero civil war. It’s worth remembering, though, that she’s a teenager. She’s doing all this while also being one of the most powerful mutants in all of Marvel comics.

Her solo series, as written by a very talented writer named Dennis Hopeless, takes Jean Grey out of those roles with the X-men and sends her on a more personal journey. As I said before, her adult life is plagued by many complications that end up killing her. Chief among them, though, is the Phoenix Force. Pretty much all her frustrations begin and end with Phoenix Force.

She’s spent most of her time in the future just actively avoiding it or not thinking about it. In the very first issue of her solo series, though, she gets a message that makes clear she can’t ignore it anymore. Eventually, she has to prepare to confront the all-powerful Phoenix Force and all the problems/heartache it’ll cause her.

As part of that effort, she’s been seeking guidance from various sources throughout the Marvel universe. In a universe full of gods, aliens, and talking raccoons, there’s a lot to go around. Jean Grey #6 has her touch base with Dr. Strange. Those who saw Benedict Cumberbatch bring the charming sorcerer supreme to life last year shouldn’t be too surprised.

It actually starts off fairly similar to her previous efforts to seek guidance from more experienced Marvel heroes. Dr. Strange agrees to help her, which involves a little mystical mojo that should offend One Million Moms and amuse card-carrying Satanists. It’s here, though, where the journey and the lesson play out.

It’s a spirit quest, of sorts, one that takes the teenage Jean Grey through the life she seems doomed to live. It spans multiple eras of X-men comics, from the Stan Lee/Jack Kirby days of Uncanny X-men to her latest death in the early 2000s. What makes this journey a bit rockier, though, is that she’s not just a spectator.

These visions of her future self aren’t just there to remind her why her future sucks. They’re basically drills sergeants trying to hammer some hard lessons into her head that Jean, and teenagers in general, refuse to learn.

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It’s here where Jean starts to get a harsh lecture on having one persona that you have for all those around you while also having a very different, much less pleasant persona just under the surface. Like celebrities that are assholes when the camera isn’t rolling, some people have to pretend to be something they’re not.

With Jean Grey, one of the most powerful mutants on the planet, it’s even more difficult. Jean’s vision basically tells her what she refuses to admit. She makes herself out to be this quiet, upstanding young woman on a team of teenage boys. However, under the surface, she knows she’s more powerful than everyone else on her team and most other teams.

Her maintaining that facade is like trying to play chess with a brain-damaged monkey and trying to give the monkey a fair chance. As is the nature with mutant powers, she can’t turn them off. She can’t ever not be so powerful and frustrated. It’s a lesson that is hard for a teenage girl to wrap her head around, but easy for most adults who can’t stop being adults.

By now, it should be somewhat easier to see the real-life parallels here. We’re talking about overwhelming feelings that we can’t turn off, which tend to affect us greatly later in life. As teenagers, we don’t know how to deal with them or even how to make sense of them. They still affect us, though. We can try to ignore them all we want, but that doesn’t make them go away.

I’ll give the less kinky readers a moment to fill in the blanks. In the meantime, the life lessons in Jean Grey #6 get a lot harsher. As Dr. Strange guides her towards other moments in her life, she encounters a later version of herself that fans of the 90s X-men cartoon should recognize.

This is a version of Jean Grey who has put in the time, effort, and passion to endear herself to a lot of people. This is the woman that many of the other X-men see, or want to see, when they look at teenage Jean Grey. There’s a reason why Jean ranks among the most popular X-men characters of all time. The woman she becomes, which also happens to be a woman teen Jean resents, is just that endearing.

It’s a lot for anyone to live up to. Being a teenage girl, though, Jean isn’t going to just accept that this is the person she becomes. She knows that person still ends up dying. She knows that person still succumbs to the demons she can’t control, namely the Phoenix Force.

Jean3

It gets even harsher, though. As with every teenager, Jean Grey’s perspective is very limited. She hasn’t experienced enough of the world to understand what actually shapes someone into a functioning adult.

She, like many other teen heroes, have this idealized version of who they want to be and what life is like. It’s tragic, but inevitable that such idealism will eventually be shattered. That’s just the nature of life, in general. Ideals are for a perfect world and nobody, not even superheroes, live in a perfect world.

This is where the message becomes bigger than Jean Grey. It’s a message that can resonate with all teenagers. Her older self basically lays it out for her in a way so simple that even a teenage mind can process it. The life she thinks is doomed to tragedy and pain isn’t just a matter of rotten luck and crushing disappointment. It’s just life.

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It’s one of those messages that can apply to much more than superheroes and mutant powers. It can apply almost every teenager to some extent at some point in their lives. They’re just starting to learn what the world is like without the rose-colored glasses of childhood. They’re just starting to feel things that are strange, powerful, and make their pants feel tighter than they want. It’s not a tragedy. It’s just life.

It’s a lesson almost every teenager learns the hard way, regardless of whether or not they have mutant powers. I certainly did. I challenge anyone reading this comic, my novels, or this blog to say otherwise. The transition between childhood and adulthood is hard and it has to be hard because it’s such a harsh world.

On top of that, we have to enter that world with all these powerful feelings and emotions that kids just can’t process. This is where the Phoenix Force, the utter bane of Jean Grey’s life and many deaths, enters the picture.

In a sense, this cosmic space bird is a manifestation of the greatest extremes that we experience. In the comics, it’s a force that pushes Jean Grey’s powers over the edge and beyond. In life, it’s basically every overwhelming experience we’ve ever had, amplified to infinity.

When you’re a teenager, you’re full of all sorts of overwhelming feelings. As an adult, they’re still overwhelming, but you gain a sense of perspective. From our ability to love to our desire to make love, it’s a powerful force that shapes how we live and how we die. Being immature teenagers, and even immature adults, we often try to suppress it. Not only does that fail, but it can make everything worse.

Jean Grey, being a teenager, can’t wrap her head around those extremes, be they the Phoenix Force or just being a functional adult. Again, the visions of her older self basically have to belabor it, to the point of frustration.

In her vision, she starts to gain a better perspective of what these feelings are. She comes to see the Phoenix Force as more than just that big cosmic fire bird that ends up killing her twice. It’s not just a force for death. It’s also a force for life. Being a teenager, she can’t help but focus on the death. In doing so, she only ever obsesses over one extreme.

That’s understandable for a teenager who hasn’t lived enough of a life to make sense of it. It’s also the exact mentality that gets her killed. It’s why people who obsess over death tend to live in a state of near-constant distress. It affects them and those around them. By only focusing on one extreme, they basically doom themselves.

Jean Grey is in that exact position. She’s focused entirely on the end, but not on everything else around it. Teenagers, with their limited experiences, are like that and through no fault of their own. That’s why they’ll make such poor decisions, both in their adult lives and in their personal lives.

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This is where Jean Grey has her most defining moment of the comic, if not the past five years of X-men comics. Despite the benefit of foresight afforded to her by time travel and psychic abilities, she still refuses to confront the extremes of the Phoenix Force. She refuses to accept the person she becomes.

Finally, after all the belaboring and mystical-induced spirit quests, she does it. She finally takes a step back from the doom and gloom of her impending death. She finally looks at the bigger picture. She admits that who she is now and who she’s afraid of becoming are the same person. Those feelings that overwhelm her that she’s been trying to suppress are there and they’re not going away.

As an X-men fan and a fan of personal insight, it was one of the most satisfying moments I’ve reading an X-men comic that didn’t involve Emma Frost’s costume. It was one of those moments that felt much bigger than the character. It’s a powerful message that people without mutant powers can appreciate.

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Jean Grey’s struggles are very much akin to the struggles everyone faces when they have overwhelming experiences of any kind. Those experience don’t always have to have a sexual or personal connotation, but those are the ones that tend to stick out.

They’re also the experiences that teenagers, and even many adults, are likely to suppress. They’ll see certain experiences and desires as this powerful, dark force that will consume and destroy them, much like the Phoenix Force. However, it doesn’t have to be that way.

Just acknowledging that those feelings exist is an important step, especially for a teenager. There are people out there right now in societies and cultures that pressure them to repress desires that cannot be repressed. Like Jean and the Phoenix Force, those feelings eventually find us in the long run. If we refuse to confront them, then they can destroy us.

It’s a powerful lesson, especially for young people still making sense of their experiences. They may not have Jean Grey’s psychic abilities or the insight provided by time travel, but their future still seems every bit as daunting. It only becomes less daunting when you step back and realize that the overwhelming feelings we dread are just part of life, in general. We can’t always suppress them. Sometimes, we just have to embrace them.

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Filed under Comic Books, Jack Fisher, Superheroes, Jack Fisher's Insights, Marriage and Relationships

Lessons In Fate, Power, And Passion (From An X-men Comic)

Generations: Phoenix & Jean Grey (2017) #1

As kids, it seems as though everyone is trying to teach us morality lessons that’ll help us grow into functioning adults. Those lessons aren’t always effective, though. Just ask the potheads who sat through the DARE program in school.

As adults, we tend to pay less attention to those kinds of lessons because we arrogantly believe we’ve figured it out. We think we know enough about the human experience to determine what is right and what is wrong. People who think that way tend to be the arrogant assholes who refuse to admit that Dr. Oz is a quack and a fraud.

Truly functional people, be they kids, adults, or adults who still act like kids, never stop learning important life lessons. Life is a constantly changing, obstacle-filled struggle where you never see the finish line and are guaranteed to fall flat on your face at least once a week. That’s why lessons that really deliver a powerful message in a compelling way is a special, precious thing in this chaotic world we live in.

That brings me to comic books, superheroes, and the X-men. Yes, this is going to be another one of those posts. Yes, that means I’m about to extrapolate a major philosophical insight into the human condition from an X-men comic, most likely in a way that applies to love, sex, and everything in between. You’re welcome.

It’s not the first time I’ve gleaned such lessons from an X-men comic. A year ago, I singled out X-men 92 #5 as a testament to just how powerful a romance between equals can be. Chances are, I’ll single out more comics in the future and there’s a high possibility that they’ll involve the X-men, Deadpool, or Wonder Woman.

The comic in question today is Marvel Generations: Phoenix & Jean Grey #1. It’s actually not part of any ongoing X-men series. It’s a single, self-contained story that’s part of an major promotional effort by Marvel called Marvel Generations.

The goal is as simple. Marvel seeks to bridge the gap between its older incarnations of iconic characters with the newer versions. While some of those newer versions have already caused controversy, the goal is always the same. Marvel hopes to appeal to their long-time fans while appealing to newer fans who are just getting into the world of Marvel.

Comic companies do this fairly often, trying to please old fans while creating new ones. Having followed comics for a good chunk of my life, I’ve seen more than my share of efforts. DC Comics, Marvel’s chief rival, did it last year with their DC Rebirth initiative. By most accounts, it was a success. Now, Marvel is attempting to achieve similar success.

There are many challenges to that effort, but for Jean Grey of the X-men, those challenges are more daunting than most. I’m not talking about the kind of daunting that involves dragons, killer robots, and Brett Ratner movies. I’m talking about convoluted complications involving time travel, evil clones, and cosmic forces. Trust me, it’s way more complicated than it sounds.

For this particular issue, though, you don’t need to know the fine print of those complications. You only need to know that Jean Grey’s story, after 50 years of X-men comics, got so crazy that one of her teammates, Beast, traveled back and time and brought her and the rest of the original five X-men to the future.

Now, since 2012, Jean Grey has basically been Marty McFly from “Back To The Future,” minus the incest sub-plot. She knows that her future sucks in that she ends up dead, and multiple times, no less. On top of that, she finds out she’s destined to become corrupted by a cosmic power known as the Phoenix Force, which will go onto cause all sorts of headaches, heartbreaks, and overall frustration.

That destiny is a huge part of the X-men mythos. That’s the part that “X-men: Dark Phoenix,” a movie I’ve talked about extensively, is going to try and capture. In this comic, Jean Grey has already read the spoilers to that story. She knows it doesn’t turn out well.

In fact, she has an ongoing solo series where the primary theme involves her preparing herself to face the Phoenix Force so that she doesn’t become that cute redheaded mutant who constantly dies and ends up on the wrong side of a bad love triangle. That’s entirely understandable and Marvel Generations: Phoenix & Jean Grey #1 gives her the best opportunity she’s had to date to change her fate.

This is where the lesson that Marty McFly learned the hard way comes in. Through elaborate space-time machinations that would give Doc Brown a migraine, Jean Grey is transported to a critical moment in the history of her character. It’s a moment that puts her in a position to change a lot more than just her fate.

That’s because she’s plopped in the middle of the iconic Phoenix Saga, also known by fans as the greatest X-men story ever told. It’s after her older self gains the cosmic power of the Phoenix force, but before it corrupts her in a way that destroys an entire star system and dooms her to a life of death and resurrection. There’s no part of that last sentence that’s exaggerated.

It’s an understandably confusing situation, but it’s one that puts Jean Grey in a position that even Marty McFly never dealt with. She doesn’t just have a chance to change her fate or learn more about her older self, who she’s only really known through the memories of other X-men. She has a chance to learn more about the cosmic power that she knows will doom her.

It makes for a series of colorful interactions between her and her older self that will bring tears of joy to the eyes of X-men fans of any generation. It’s hopeful, sincere, dramatic, and impactful. It fits perfectly within the narrative of Jean’s ongoing story in other X-men comics, as well as the story of her past self.

There’s so much to love about this comic, but I’m not going to spoil the entire thing here. I’d much rather have people go out and buy the issue. It’s money well-spent. Even if you don’t know much about comics or only know the X-men through the movies, this comic will appeal to you.

Beyond that appeal, though, I want to highlight an important theme within this comic. It’s a theme that applies to stories beyond comics and is relevant to life, in general. It especially applies to matters of love, passion, and intimate connections, which are major topic of this blog and the novels I write.

Generations: Phoenix & Jean Grey (2017) #1

At the heart of Jean Grey’s struggle in Marvel Generations: Phoenix & Jean Grey #1 is a difficult decision that everybody who isn’t a psychotic dictator faces at some point in their lives. It has to do with having the power to effect a situation and choosing whether or not to exercise it.

In the comic, Jean Grey has a chance to tell her older self everything she knows about her fate. She could, in principle, warn her about how the events of the Phoenix Saga play out for her. As a result, she could ensure it turns out differently, preferably in a way that doesn’t leave her dead and subsequently cloned.

On the surface, it seems easy. We saw what Marty McFly chose. We saw what the entire cast of “Hot Tub Time Machine” chose. They chose the easiest, most obvious path. They understandably wanted to improve their situation. In doing so, they created a lot more problems that they had to solve. The stakes for Jean’s problems, though, are much higher.

The problems she could create by changing her fate might be far worse than simply ending up dead. She’s not dealing with incestuous infatuations here. She’s dealing with a cosmic force that eats entire stars just for the fun of it.

She already knows the consequences of not changing anything. That has been hard enough to deal with. However, she has no idea whether she’ll fix anything by choosing otherwise. Given the Phoenix Force’s mixed track record, the odds are not in her favor.

I won’t spoil the choice she makes or what goes into. Again, I’d rather people read this comic to appreciate the full weight of its message. I’ll just say that the decision Jean makes is one that we all indirectly make when we have any kind of power over someone and can affect the course of their life.

Whether you’re a parent, a spouse, or an authority figure of any kind, you have an ability to make choices that affect other peoples’ fate. This is especially true when you’re in a relationship with someone. Your love for them and their love for you effectively links your fate. That makes your ability to make the right choices for the right reasons so critical.

It happens all too often, people using their position of power over others to abuse them. We see it when police harass minorities. We see it in crimes of passion. We see it in cases of spousal abuse and child abuse. When someone else trusts us with authority, we impact their lives in so many ways, often in ways we can’t see.

It can bring out the best and the worst in people, as the Phoenix Saga famously demonstrated. Real life demonstrates it too. Power does corrupt people. Sometimes the hardest choice to make is to not exercise that power to avert the potential consequences it might incur. It’s a choice that a lot of crazy dictators fail to make.

It’s a choice ordinary people fail to make as well. Parents find this out the hard way when they try to make decisions for their children. Sure, it seems like the right thing to do at the time. They may see it as them just protecting their child, as every parent should. However, they don’t realize until it’s too late how much damage that can do.

When you’re in an intimate relationship with someone, it can be just as powerful. If someone loves you implicitly and is willing to trust you so completely, you have the power to guide their lives in profound ways. That guidance, though, can be detrimental to the both of you.

When you have the power to influence a person or a situation, it’s easy and tempting to bend it to what you think will be more beneficial. The problem is that, without the benefit of hindsight, it’s impossible to know whether you’ll actually make things better or much worse.

The hardest decision in that situation is to acknowledge the problems as you understand them, bear the burden of solving them, and focus on the future rather than agonizing over the past. It’s rarely a preferable decision because it means accepting a situation and your role in it. It may feel like a missed opportunity, but it can just as easily be an averted crisis. Hindsight may be painfully clear, but possibilities are painfully vague.

Jean Grey, who is a teenager, mind you, in the story that plays out in Marvel Generations: Phoenix & Jean Grey #1, has to make this decision in the face of impossibly high stakes. What she does is a testament to the kind of character she is and the values we cherish in our heroes.

It’s a short, but powerful story that teaches an important lesson to children, adults, comic fans, and non-comic fans alike. Whether you’re a comic book character, a celebrity, an authority figure, or just someone with the slightest bit of leverage over someone, it’s a lesson worth learning.

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Filed under Comic Books, Jack Fisher, Superheroes, Jack Fisher's Insights

Comics, Milkshakes, And (Failing To Fight) Internet Trolls

Before I say anything, I need to make one thing clear. I am extremely reluctant to talk about an issue that’s still fresh, so to speak. In general, I prefer to wait until he uproar has died down and/or the angry masses of the internet have tired themselves out over an issue. I usually find it easier to sift through the rubble after the storm has passed.

This may very well be the most hesitant I’ve ever been to talk about a particular issue. Think about that for a moment. I’m someone who has talked about sex robots, awkward boners, and his own circumcision. If I’m reluctant to talk about a topic, then it must be pretty nasty.

Well, don’t adjust your gag reflex just yet because it’s not that kind of topic. This isn’t something that just sparks revulsion or passionate disagreement. This is the kind of stuff that just brings out the worst in everybody. It’s like licking the shit stains on a toilet before they’ve dried. It just makes a bad topic that much worse.

However, I’m willing to suck in my gut, brace myself, and ignore my reluctance because I feel like this is something that needs to be said while certain people are still listening. Plus, it involves comics and the comic book industry. Other than the erotica/romance industry, few are quite so near and dear to me.

Even those who don’t follow the industry probably noticed an unusual hashtag trending in the news recently. It involved an incident with some of Marvel’s editorial staff. When I first saw it, I had no idea it was a controversy. I thought it was some new promotional effort. Marvel, and most comic companies, do that all the time.

For once, I’m sad to say that this had nothing to do with an ad gimmick. The hashtag in question was #MakeMineMilkshake and it was inspired by this innocent-looking tweet from Heather Antos, who happens to be an editor at Marvel.

I actually saw this on my Twitter feed. I thought it was a nice moment. It put a smile on my face. It involved milkshakes, comics, and cute girls in the comic book industry. I honestly can’t think of something more appealing to me without adding pizza, the beach, or free tickets to a football game.

Then, some asshole internet trolls, of which there are many, had to look at this happy little moment and mess it up for everyone. They did this by replying to the Tweet with a bunch of crude, vulgar comments. I won’t get into the substance of those comments because they’re not worth spreading. I won’t even make an assessment over how bad they were. I’ve been to the many toilets of the internet. I know how bad it can get.

However bad it was, it created a hashtag that has spread like a wildfire and burned away any faith you might have had in humanity, comics, or peoples’ ability to discuss an issue rationally. Like other hashtags before it, #MakeMineMarvel has become a catalyst for two sides of a pointless debate to whine and moan endlessly about how right they are. It’s a debate that nobody can ever win.

The hashtag, which I doubt Ms. Antos intended to start, has created this rage-filled rant on toxic sub-cultures like comics. On one side, you have those claiming that it’s full of angry young men who don’t want to see women screwing up their favorite toys. On the other, you have those who feel like they’re being demonized for comments that just a few idiot trolls made. Again, nobody wins that debate.

It was frustrating to me because, being a man, it made me feel like I’m being lumped in with the same group of assholes and I want no part of that. I didn’t respond to Ms. Antos’ tweet. I didn’t respond to anyone who asked me to respond. This was just a hornet’s nest that I didn’t want to poke.

An abandoned hornet's nest my dad found in his shed that he hadn't been in for a couple years. The head is apart of a wooden statue it fused with.

Then, the hashtag kept trending and people at Marvel and DC, two rival companies mind you, began responding to it. They even made milkshakes into counter-protest, of sorts, using it to fight against internet trolls and toxic subcultures. Considering some of the other protests we’ve seen this past year, I think that’s a fairly innocuous method.

However, the mere fact that this is even a thing speaks to a much larger issue. It’s one of those things where neither side, be it Ms. Antos or those who now despise her, can see the forest from the trees. After it started trending, Ms. Antos posted this tweet and understandably so. There are just certain parts of the internet and certain people who use it that completely warrant that sentiment.

Now, here’s where I start saying things that I know will rub certain people the wrong way. I’m going to try and be very careful with my words here.

I don’t want to start a new hashtag or anything. I also don’t want to get blocked because I follow people like Heather Antos on social media. I’ve said enough dumb things in the past and I’m trying to limit that, especially in these sensitive times we live in. I’ll do my best to be polite about it, but I’m not going to shy away from the truth. I’m just going to add what I hope is meaningful context.

With that in mind, I’d like to send Ms. Antos an important message that I doubt she’ll never read. That same message should apply to others who supported her since #MakeMineMilkshake started trending. Here it is and excuse me while I brace myself with an adamantium shield.

“The trolls have already won. You’re letting them win with every word you say about this issue. PLEASE change the way you fight them.”

I’m going to keep that adamantium shield up just in case, but I know this will probably take some uncomfortable explanations. I’ve talked about dealing with internet trolls before. I’ve also talked about professional trolls who go out of their way to start digital shit storms like this for their own benefit. What I’ve seen with #MakeMineMilkshake is basically a case-study in how not to respond to trolls.

Now, that’s not to say that Ms. Antos’ intentions are misguided. I don’t doubt for a second that she responded to the comments she got in the best way she thought possible. Maybe she didn’t intend for it to start trending. Nobody can really know whether or not something will become a thing, especially if it doesn’t involve cute animals.

Even if #MakeMineMilkshake didn’t start trending, though, Ms. Antos’ response would’ve already ceded some form of victory to the trolls. Like punting on third down in a football game, she didn’t adapt her game plan. Given how quickly this unfolded, I doubt she thought she even needed one.

The problem with turning her response into a hashtag, albeit indirectly, is that doing so gave the trolls exactly what they wanted. With every retweet, response, and cute quip, they get even more. That’s because trolls don’t deal in the traditional currencies of shame, sorrow, and basic human decency. They only understand one form of coin and that’s attention.

It may very well be the most important currency of the digital age. It may even be more than just a currency. It could very well be the life force with which trolls need to sustain themselves. Like Galactus, devourer of worlds, the hunger is never sated. Lacking heralds or The Power Cosmic, these trolls must resort to the lowest lows of the internet to feed their hunger.

With #MakeMineMilkshake, they basically got a free buffet and a complementary desert. I guarantee that once this hashtag started trending, they didn’t cower with fear, dread, or remorse. They’re probably still grinning and twirling their fake mustache. If they could make a collective statement towards Ms. Antos and everyone who came to her defense, this is what they would probably say.

“Ha! I did it! I got under her skin. I made this person who is more successful than I’ll ever be cry out for help, play the victim, and seek validation. They can call me a racist, bigoted, sexist pig all they want. It doesn’t matter. They just proved they’re a bunch of thin-skinned, hyper-sensitive snowflakes. Now, thanks to the hashtag, the world knows it! They know it and it’s all because of me! Mwhahahahahahaha!”

I concede that the evil laughter might be an exaggeration, but since this involves comics, I think it’s appropriate. Internet trolls are the closest thing most of us have to villains. Other than former child stars and the IRS, it’s hard to think of anyone more devious.

It pains me to say it, but the trolls won this round. Ms. Antos, whatever her intentions might have been, gave them what they wanted. She gave them attention and they’re using it. They’re already turning this misguided hashtag into Round 1,283,285,206,809 of the angry alt-right versus the bossy progressive left. It’s a fight that never has any winners.

Again, I know Ms. Antos is never going to read this post. I’m not successful enough or smart enough to have that kind of audience just yet. I’m working on it, but Ms. Antos is so far ahead of me that I can totally understand her not responding to every aspiring writer who tries to add his thoughts to an overly-complex issue. She’s an editor at Marvel. She has far more awesome things to do with her time.

If I could send her a message, though, I would offer her a simple bit of advice. When dealing with trolls, you have countless ways to lose and only a few with which to win. Anything that gives them the slightest bit of attention, no matter how negative, counts as a victory for them and a defeat for you.

To defeat the trolls, the best thing you can do is ignore them. Don’t just instinctively block them, though. Let them whine, yell, and complain with the worst digital drivel they can come up with. Either they’ll get bored or they’ll make an ass of themselves. In either case, you’ll save yourself the frustration and not embolden those who would frustrate you.

If ignoring them isn’t possible, then the second best thing you can do is fight them with kindness. I know that sounds cheesy. I know that sounds like something Superman, Captain America, or Spider-Man would say in an after school special. It still has merit, though. Your capacity for kindness, even to those who insult you, shines a brighter light on the kind of person you are while also exposing the kind of person the troll is.

The worst thing you could do is take what these trolls say and turn them into a rallying cry, of sorts. That doesn’t just give the trolls even more attention. It gives them a larger target to hit. It’s the digital equivalent of Newton’s Third Law. For every action, there is an equal an opposite reaction. With respect to trolls, poking them just makes them poke back harder.

If Ms. Antos is still with me at this point, I thank her. I know there are some who have already decided to block me at this point. I’m hoping I can still reach those willing to listen so here’s my final thought.

Trolls, in whatever form they take, should never be used as a basis to judge larger swaths of a population. Using these trolls to condemn all men, comic book fans, and Twitter users is a huge mistake. It’s basically a bonus to the trolls on top of the attention because it means more will identify with the trolls than their victims. That’s the last thing you want and the last thing the internet needs.

I don’t doubt for a second that there will be other misguided hashtags like #MakeMineMilkshake. I suspect there will be far worse trolling down the line. That’s because people are always going to say stupid shit, both online and in real life. It’s just part of the package that is the human condition. It’s how you react to it that determines whether you’ve saved the day or aided a Skrull agent.


Update: Well, I wrote this post under the assumption that Ms. Antos, or anyone else who is many times more successful than me, would ever read it. I was wrong and I’m more than relieved to say that. Ms. Antos did actually read this post. As a result, there’s something I need to clear up. Several hours after I posted this, Ms. Antos issued the following tweet.

I sincerely thank her for her response and I apologize for the impression that my post had given. In reading it over again, I realize I had implied that she was the one who started the #MakeMineMilkshake hashtag. She did not. I never thought she did, but I implied otherwise. For that, I sincerely apologize. Apparently, I was not careful enough with my words. I’ll try to be mindful of that in the future.

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How To NOT Screw Up The Captain Marvel Movie

It’s a sad fact of life in an overly flawed world. You hope for the best, but it’s rare that it ever actually happens. Even when it does, it’s not always as much fun as you hope. Ask anyone who lost their virginity during a dare or stood in line for hours to see the Star Wars prequels.

In my experience, it’s rarely feasible to build your anticipation around something for what it can be if everything goes flawlessly. In the real world, there’s no such thing as flawless. People make mistakes. Parties go horribly wrong. Hearts get broken. Michael Bay is given too much money, cocaine, and high explosives.

When it comes to superhero movies, though, it’s not possible to hit a home run at every turn. You can’t expect them to blow your mind and give you the kind of mental orgasm that takes a week to recover from. At best, you can just hope that it doesn’t suck. I love those kinds of orgasms as much as the next guy, but let’s face it. They’re rare and awesome for a reason.

Some movies come close to achieving that kind of cinematic bliss, though. “Wonder Woman” sure did, but as I pointed out in my review, it did have its shortcomings. They were still very minor and by nearly every measure, it is the most successful female superhero movie to date.

More importantly, “Wonder Woman” proved that female superhero movies can be successful. They don’t all have to be box office bombs like “Catwoman.” That opens the door for other female heroes to follow in Wonder Woman’s footsteps. At the moment, though, the only female solo movie besides the Wonder Woman sequel is “Captain Marvel.”

Marvel may have DC beat in almost every other aspect of its movie universe, but now there’s one area where it can’t say it dominates. Sure, it has a lot of strong female characters like Black Widow, Gamora, and the Scarlet Witch. However, they’ve largely been in supporting roles. They’ve never had a chance to shine like Wonder Woman did in her movie.

Captain Marvel will get that chance. She’s the closest hero Marvel has to Wonder Woman, thanks largely to the efforts of writers like Kelly Sue DeConnick. As much as Marvel has dominated DC at the box office, it now has a sub-perfect record. Given the amount of ego and cocaine in Hollywood, there’s no way that Marvel Studios will let that stand.

I don’t doubt that Kevin Feige and the powers that be at Marvel Studio will make every effort to ensure that “Captain Marvel” matches and exceeds “Wonder Woman.” They’ve already cast the beautiful and talented Brie Larson as Carol Danvers. They also announced some major details about the movie at the San Diego Comic Con.

On paper, it looks like this movie has what it takes to match “Wonder Woman.” Then again, on paper I’m sure “Batman and Robin” seemed like a good idea. While I have high hopes for this movie, just as I did with “Wonder Woman,” I’m not going to set my expectations too high. Between the two “Matrix” sequels and “Wolverine Origins,” I’ve been burned too many times.

With that in mind, I intend to do for “Captain Marvel” what I did for “X-men: Dark Phoenix.” I’m going to provide some tips that I’m sure Kevin Feige will never see on how to avoid screwing up the “Captain Marvel” movie.

Wonder Woman” set the bar pretty damn high and looked dead sexy while doing it. It’s unreasonable to expect “Captain Marvel” to exceed it on every level. However, there are a few simple tips to ensure it doesn’t end up enduring the same infamy with “Catwoman.”


Tip #1: Let Carol Fly High (And Take The Audience With Her)

This is the most important tip, right up there with the Marvel Studios logo and Samuel L. Jackson dropping F-bombs, as only he can. Carol Danvers has a few defining traits beyond just looking awesome and kicking ass on a cosmic level. One of those traits is what makes her feel both distinctly human and someone we want to cheer for.

Throughout her history, Carol Danvers has been ambitious in a very particular way. Everybody, male or female, will look up at the stars at night and admire their beauty. Carol, however, doesn’t just want to admire. She wants to actually go there. She doesn’t want to shackle herself to this tiny little mud ball full of killer clowns, spiders, and the Kardashian family.

That’s why she joined the Air Force and fought to outperform everyone in her path. The fact she did that without a penis was secondary. Even before she got her powers, she aspired to go to the stars. Once she got those powers, she was determined to fly higher and go farther than anyone had ever dared, regardless of whether or not they had a penis.

Therein lies the key. Carol dares to venture out into the unknown and kick the ass of anyone or anything that tries to hold her back. That’s the kind of ambition people can get behind. That’s the kind of drive that people admire and want to follow.

It’s part of what makes Wonder Woman so endearing as a character to men and women alike. She has bold ambitions, but she isn’t an asshole about it. She doesn’t just seek to prove herself. She seeks to inspire others. That’s what Captain Marvel needs to do with her desire to go to go to the stars and carry the audience along for the ride.


Tip #2: Tie Carol’s Story Into That Of Mar-Vell’s

I get that there are times when it’s not possible to incorporate certain elements from the comics into a movie. That’s why we didn’t see any not-so-subtle BDSM themes in the “Wonder Woman” movie. However, the movie still made a concerted effort to capture some of the core details of Wonder Woman’s mythos, such as her iconic outfit and her relationship with Steve Trevor.

In the same way Wonder Woman needs her lasso and a desire to have sex with men who look like Chris Pine, there are some core elements to Carol Danvers’ story as a superhero that cannot and should not be glossed over. One of the most important elements involves her connection with Mar-Vell, the original Captain Marvel whose title Carol took on after his death.

Theirs is an unique connection, one with very different dynamics compared to Wonder Woman and Steve Trevor. While there were some romantic overtones early on, their connection was more of a partnership rather than a romance. You can’t tell Carol’s story or get a feel for how she becomes a hero without telling Mar-Vell’s story as well.

That story doesn’t need to take up half the movie, but it does need to feel relevant. Mar-Vell’s story isn’t exactly boring either. He was an alien spy posing as a human on Earth on behalf of the Kree, a race that made it’s presence felt in “Guardians of the Galaxy.” There’s already some connections to build on. This movie just has to do it without a talking raccoon.

The key here is to use Mar-Vell’s story as an alien spy who grows fond of a beautiful Earth woman to supplement Carol’s story. That story is part of how Carol becomes Captain Marvel. That’s why when Kelly Sue DeConnick had Carol take on that title, it had a lot dramatic weight to it. That kind of drama is key for any successful movie, regardless of whether or not it has a talking raccoon.


Tip #3: Give Carol An Attitude (And Make It One To Rally Around)

One of Wonder Woman’s most defining traits, on top of being a beautiful warrior princess, is her capacity for love and empathy. Sure, she’ll fight with all her heart against demons, monsters, aliens, gods, and whatever asshole decided that “Ant Man” should get a movie before her. It’s that heart that makes her personality so endearing.

I point that out because Carol Danvers is not like that. Carol has an attitude and it’s not Wonder Woman. Just because Wonder Woman made a successful movie doesn’t mean Carol has to be too much like her because, in nearly every part of her 40-year history, she’s not like that.

Carol Danvers is a tough, hard-nosed woman who always pushes herself a little farther than anyone dares. That’s to be expected because she’s no princess. She’s a pilot in the United States Air Force. You need to have some attitude to make it there. There are real women who have succeeded in that effort. Let those women be the template.

The key is to do it in a way that doesn’t make her an arrogant bitch. I don’t doubt that’s going to be a challenge because the line between assertive and bitch is exceedingly blurred, more so for women than men. It’s an unfair double standards that people love to whine about, but never do anything to fix. Some argue it can’t be fixed.

That’s not an issue that “Captain Marvel” can hope to resolve over the course of a single movie. As such, it’s important that she walk that fine line in crafting her attitude. Again, Kelly Sue DeConnick struck the perfect balance when she took over Carol’s story in 2012.

She gave her a personality that was tough, but welcoming. She made her someone you want to hug, but don’t want to fuck with. Carol Danvers is ambitious and tough, but also has a strong sense of duty. Being a soldier, a pilot, and a hero, she sees that as part of her mission. It’s what makes her so likable as both a character and a hero.

She can have an edge, but she doesn’t have to be an asshole about it. Being an asshole is one of those traits that knows no gender. Brie Larson is a great actress who has proven that she can play tough, balanced roles. Let her do that and look sexy as hell in the process. That’ll help any movie.


Tip #4: Acknowledge Carol’s Faults And Let Her Bear Burdens

In addition to her attitude, Carol Danvers does has faults. Again, and it’s worth repeating, she is not Wonder Woman. She’s not some demigod princess whose beauty and strength were forged by gods. She’s an ordinary American woman who got her powers because she ended up working with an alien spy. She a fallible, mortal human being with tangible flaws. Any movie about her shouldn’t hide those flaws.

Some of those flaws are more obvious than others and I’m not just talking about the unpleasantness surrounding the plot with Marcus Immortus. Despite being ambitious and determined, Carol tends to be a bit of an adrenaline junkie and is prone to take stupid risks. This has gotten her into trouble before and quite recently in the comics.

With that in mind, it shouldn’t be too surprising that she’s also an alcoholic. However, it’s not the kind of alcoholism that we see with Iron Man. His brand of alcoholism is largely a product of irresponsibility and poor coping skills. Carol’s alcoholism is more about escaping her problems.

In the context of her character, that makes sense. She grew up looking at the stars and wanting to actually go there. She’s always pushing herself to fly a little higher and faster. When she’s unable to do that, she looks for an escape.

For her, accepting limitations is not easy. That’s how her alcoholism got so destructive in the comics, so much so that even Iron Man noticed it. When Iron Man says you have a drinking problem, you can skip the intervention.

That doesn’t mean that Carol has to be a total drunk in the movie. It doesn’t even have to be overtly stated. The reason why Carol drinks is more important than her actually drinking. Accepting limits is difficult for her. It’s a key part of her story and her personality. Let her endure those burdens. Let her confront those flaws. She doesn’t have to be Wonder Woman. Let her be human, with or without her powers.


Tip #5: Make The Kree/Skull War As Epic As Possible

This is somewhat indirect of Carol’s story, but one that’s vital if “Captain Marvel” is to be a fitting addition to the Marvel Cinematic Universe. Beyond just being one of Marvel’s most powerful female characters, her movie also has to expand the overall mythos of the MCU. “Wonder Woman” did that too with DC, albeit on a very limited scale.

In this case, though, that scale needs to be turned up to eleven and given an unlimited supply of crack. That’s because it was announced at the San Diego Comic Con that the “Captain Marvel” movie would introduce the world to the Kree/Skrull war. Talk to any long-time Marvel Comics fan, like yours truly, and they’ll tell you two things. One, She-Hulk is uncomfortably sexy. Two, the Kree/Skrull war is insanely epic.

We like to think we humans are pretty damn good at war. We’ve fought so many of them over our history. Compared to the Kree/Skrull war in the comics, though, we might as well be a bunch of two-year olds playing with melted action figures.

This war is beyond anything Stephen Spielberg or Christopher Nolan could ever capture. For one, this war is on a galactic scale. It’s not just about warring tribes who don’t agree on how many goats to sacrifice during the summer solstice. These are two very different species with very different visions for the galaxy. As big as the galaxy is, it’s just not big enough for them to co-exist.

This massive war has influenced many areas of the Marvel Universe within the comics. It’s usually inevitable that the Avengers, X-men, or any major superhero team from Earth gets caught up in it whenever they dare to leave the planet for more than five minutes. It’s a huge part of the cosmic elements to Marvel, which “Guardians of the Galaxy” just started exploring.

Given the success of those movies, “Captain Marvel” has plenty to build on. Carol Danvers is a soldier. Putting her in the middle of an epic war the likes of which few humans can even fathom will help bring out the best in that soldier. That’s why the Kree/Skrull war has to be as epic as a galactic-level war deserves to be. It’ll bring out the best and worst in all those involved.


There are a lot more tips I can give, but these are the big ones. Unlike “Wonder Woman,” Captain Marvel doesn’t have the burden of proving that female superheroes can hold their own. That has already been proven, so much so that even Ryan Reynolds from “Deadpool” acknowledged it.

More than anything else, “Captain Marvel” must show that Carol Danvers is someone who deserves to be in the same league as Wonder Woman. She’s not the same icon that Wonder Woman is, but she has the potential to be. This movie could finally help realize that potential. It could also be a “Catwoman” level screw-up and no character, male or female, deserves that.

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The Captain Marvel Movie: News, Challenges, And Kinks

It’s official. Successful female superhero movies are a thing. Thanks to the success of “Wonder Woman,” the trauma left by the likes of “Catwoman” and “Elektra” can finally be laid to rest. Hollywood can no longer use those affronts to all things heroic, female, and shaped like boobs as an excuse to relegate lady superheroes to backup roles and eye-candy.

Chances are, with “Wonder Woman” being such a boon with critics and fans, we’re about to get bombarded with a bunch of movies that will try desperately to emulate her success. We saw it with “Die Hard.” Now, it’s time for the ladies to get their time as Hollywood’s go-to gimmick for fresh pools of money.

At the moment, though, there’s only one female superhero with a movie in active development and an official release date. That honor goes to “Captain Marvel,” who will attempt to do for the Marvel Cinematic Universe what “Wonder Woman” did for DC’s Extended Universe.

It’s a noble and entirely understandable goal. To this point, Marvel has upstaged DC in damn near everything involving superhero movies. Then, “Wonder Woman” happens and suddenly they can claim they made a successful female superhero movie before Marvel did. If you think there aren’t some bloated egos at Marvel who don’t like that, then you clearly underestimate the impact of money, press, and cocaine.

That hasn’t stopped some at Marvel from praising Wonder Woman. It is, somewhat, a relief that someone managed to do a good female superhero movie. There’s only so much cocaine can do to make Hollywood throw money at what they feel is a losing concepts. Now, “Wonder Woman” has established female superheroes as a viable part of the superhero genre.

On the surface, “Captain Marvel” looks like the perfect character with which to give the Marvel Cinematic Universe its own Wonder Woman. Talk to most Marvel fans not arguing about Thor’s hammer today and they’ll agree. Carol “Captain Marvel” Danvers is the closest thing Marvel has to Wonder Woman.

She definitely checks all the right boxes. She’s a fun, charismatic, badass fighter who regularly goes toe-to-toe with some of the Marvel universe’s biggest foes. She’s one of Marvel’s heaviest hitters. When someone like Thanos, Galactus, or the Red Skull comes to start something, she’s usually on the front lines.

However, there are some aspects to Captain Marvel that make her a challenging character for a movie. Some of them are more daunting than others. First and foremost, Captain Marvel is not Wonder Woman in terms of iconic status. That much is clear and few, even among die-hard Marvel fans, would claim otherwise.

For one, Carol hasn’t had nearly as much time to establish herself as an iconic hero compared to Wonder Woman. While she debuted as a character in 1968 in the pages of “Marvel Super Heroes,” she didn’t get her own series until 1977 and at the time, she went by “Ms. Marvel.” In fact, that’s the title she carried for most of her life.

Even with that title, a long list of potent powers, and undeniable sex appeal, most fans in those days probably wouldn’t have called her Marvel’s version of Wonder Woman. She would still be in the top five on anyone’s list of Marvel’s greatest female heroes. However, most fans would put characters like Storm of the X-men or the Invisible Woman of the Fantastic Four above her.

Despite this, Carol established herself as Ms. Marvel and was a powerhouse who could match Wonder Woman in terms of strength and grit. However, she never really established herself as Marvel’s premier female hero until recently, although the reasons for this are way more convoluted than most non-comic fans think.

This, in essence, is where Captain Marvel faces both some challenges and a few kinks. Yes, by the way, some of those kinks are of the sexual kind that will probably get skipped in any movie about her.

It’s the same challenge Wonder Woman faced, albeit in a different context. As I’ve discussed many times before, and will probably discuss again because it’s just too damn sexy, there were some very kinky BDSM undertones built into Wonder Woman’s character. For reasons that I assume involve exceedingly knotted panties, that kinky history has been purged from her history, although sometimes it pops up.

Carol Danvers’ history isn’t quite that kinky, but there is one element to it that’s kind of a headache for those who see her as Marvel’s version of Wonder Woman. It involves one of her earliest stories and includes elements such as abduction, brainwashing, rape, incest, and impregnation. Trust me, it’s even less kinkier than it sounds.

In that less-than-iconic story, Carol is abducted by a walking feminist nightmare named Marcus Immortus, the son of Kang the Conqueror, one of the Avengers’ greatest foes. He then proceeds to brainwash her into falling in love with him. They then do what people in love do. They get naked and they get frisky. That results in Carol getting pregnant.

Here’s where it gets even weirder and creepier. That kid she gives birth to isn’t exactly the apple of her and her brainwashing lover’s eye. That kid is just another version of Marcus. That means when he got her pregnant, he basically got her pregnant with himself. Trust me, it’s as confusing to the brain as it is to the genitals.

The reasons for this are too convoluted to explain, even to other comic book fans. Simply put, Marcus was aging rapidly and needed to be reborn so he just did what any deranged son of a villain would do. He found a beautiful woman, seduced her, and knocked her up with an infant version of himself. Who among us wouldn’t resort to something similar?

I’ll turn off the sarcasm for now because as the years have gone by, this part of Carol Davners’ story has become even more infamous than Wonder Woman’s BDSM past. At least with Wonder Woman, the BDSM was playful and kinky. The story involving Carol and Marcus is neither. Many, in fact, claim it counts as rape.

In some parts of the world, that claim would have some legal validity. In countries like the United States and Great Britain, there is something called “rape by deception.” It basically means that if someone lies, cheats, or gains sexual consent from someone under false pretense, then that counts as a form of rape.

Now this isn’t a universally held opinion, which is why not every country recognizes it. Some, especially those in the douche-bag pick-up artist community, would argue that consent under a false or half-false pretense is still consent. With a competent lawyer, that argument might actually hold up in court.

For Carol Danvers, though, it’s still a distressingly uncomfortable story. It also doesn’t help that it was one of her first major stories. She’d barely begun to establish herself at Marvel and this certainly didn’t set a very upbeat tone. Granted, comics had used brainwashing before, including the infamous Superman/Big Barda sex tape. However, it had never been taken this far before.

In defense of the writers at the time, this was 1980. It was long before the politically correct era where people get into fist fights over proper pronoun usage. While it wasn’t quite as bad as the world of “Mad Men,” you could still get away with making jokes about a woman’s skirt length. I also assume some were still recovering from disco, cocaine, and Quaalude binges.

Much like Wonder Woman’s BDSM origins, though, this part of Carol’s story has been subject to many “retcons,” as comic fans call it. It didn’t take years either. The process began in 1981 where Chris Claremont, the legendary X-men writer behind the famous Phoenix Saga, had Carol’s brainwashing undone, courtesy of the X-men.

From that point forward, Carol Danvers’ story underwent various forms of growth and development. She took on various titles along the way and worked with many teams, including the X-men, the Avengers, and the Guardians of the Galaxy. Like Wonder Woman, she made her presence felt on multiple fronts throughout the Marvel universe.

However, it wasn’t until a brilliant female writer named Kelly Sue DeConnick came along that Carol Danvers truly became Marvel’s Wonder Woman. If anyone wants a clear understanding of why Carol is getting her own movie starting Brie Larson, I urge them to read this series. It will make clear why she deserves to be on the same level as Wonder Woman.

It’s in this series where Carol Danvers becomes Captain Marvel. That title had been previously held by another character, an alien named Mar-Vell, no less. Unfortunately, Mar-Vell had died, as superheroes tend to do with frustrating regularity. While reluctant at first, Carol takes on that title and she’s wielded it brilliantly every since.

This is the Captain Marvel that the movie will portray. It’s also the one that has helped push Carol Danvers to the front of the lines in Marvel’s effort to appeal to a more diverse audience. While some of those efforts have been subject to a few setbacks, Captain Marvel’s status at Marvel has never been greater. The time is perfect for build on the foundation that Wonder Woman created.

Doing so, however, will be challenging in ways that even Wonder Woman never had to endure. Like Wonder Woman’s BDSM origins, it’s easier to just ignore some of those unpleasant elements of Carol’s early years. However, that won’t stop some from bringing it up.

Given the nature of the story, I can see it becoming one of those issues that certain people belabor for all the wrong reasons. If you think that’s being paranoid, remember that people actually made a big deal about Wonder Woman’s armpit hair in the movie. They’ll find a way to do something similar to Captain Marvel.

Whether or not the Marcus Immortus story becomes an issue remains to be seen. Unlike Wonder Woman’s BDSM history, it was not a major part of Carol’s development or growth as a character. If anything, it was an early obstacle that she had to overcome on her path towards becoming who she is now.

In the end, she overcame those early growing pains. She managed to carve her place in the world of comics as a great female hero in her own right. It took a while for Marvel go develop a clear plan for her, but that plan worked out in the end and I hope it works out in the movie as well. A world with a beautiful, blond, high-flying, kick-ass female superhero is objectively better for everyone.

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A Dr. Doom Movie Has Been Announced (And It May Already Be Doomed)

This past weekend was a magical weekend for comic book fans, like myself. It was the four-day, fanboy and fangirl orgy known as the San Diego Comic Con. For comic book fans, it is the perfect combination of Christmas, Halloween, and Mardi Gras, all rolled into one. To say it’s kind of a big deal would be like saying boobs are kind of awesome.

I’ve been to comic book conventions before. I’ve talked about my experience and given advice on how to maximize the experience. I’m a regular attendee of the New York Comic Con, which is essentially the low-calorie version of the San Diego Comic Con. It’s still awesome, but if you want to be on the front lines of the greatest spectacle in all of comic book fandom, you go to San Diego.

One of the things at the very top of my bucket list, right up there with getting a kiss from Jennifer Lawrence, is to attend the San Diego Comic Con one year. I haven’t been out there yet, but I’m hoping that if my novels are successful enough, I’ll be able to buy myself some VIP passes and spend four days taking in the glorious spectacle.

I may very well meet my future wife there. Chances are, she’ll be dressed as Wonder Woman, Jean Grey, or Starfire. I don’t know what I’ll be wearing, but I hope it’s something that wins their heart.

Until that day comes, I’ll settle for watching news feeds and live-streaming. I spent a good four days effectively glued to my phone or anything with an internet connection, taking in every bit of news, sexy and otherwise. There’s always so much to take in. Some of it involves comics. Some of it involves movies. Some of it just involves celebrities dressing up in crazy shit to get a laugh.

This past weekend, though, there was one bit of news that really stood out. For an event that involves a lot of women dressed up as Sailor Moon characters, that’s saying something. As it just so happens, it involves someone that I’ve been talking about a lot lately, Dr. Doom.

I don’t know if this is the universe trying to tell me something. I don’t know if Fox secretly hacked my brain or some intern just read my blog on a coffee break. Maybe it’s just one big coincidence and my caveman brain has convinced me these internet ramblings are more influential than they could possibly be.

Whatever the case, the news got everyone buzzing and not necessarily in a good way. Fox, despite their craptacular failures in all things Fantastic Four related, are developing a Dr. Doom movie.

Den of Geek: Dr. Doom Movie In Development

Now, this is big news to comic fans. The idea that Fox would do anything involving the Fantastic Four should be enough to induce a migraine in anyone who thinks the world already has too many shitty movies. I’ve joked about it before, but for comic fans, this is no joke.

To date, Fox’s track record with Fantastic Four movies sucks. There’s just no nice way to say it. They have butchered, bungled, and failed so miserably that they’ve become a case study, of sorts, in how not to do a superhero movie. If you’re not sure whether or not the movie you’re making sucks, just go watch 2015’s “Fantastic Four.” If what you’re doing is too similar, then you’ve fucked up.

As frustrating as Fox’s history with the Fantastic Four is, it’s also completely understandable as to why they’d want to make a movie like this. Unlike the Marvel Cinematic Universe or any movie in DC’s movie universe, Fox can’t just take it’s time and be careful with a Fantastic Four movie. They can’t even wait for fans to forget about their previous failures.

That’s because, due to a legal clusterfuck that goes all the way back to the early 90s, Fox has to keep making Fantastic Four movies or they lose the rights. It doesn’t matter how awful they are. It doesn’t even matter whether or not they release it. They have to make these movies or Marvel and their Disney overlords get the rights back and Fox gets nothing.

It already happened once before. Fox tried and failed to turn Daredevil into a movie franchise. All they did was give Ben Affleck a better understanding on how to eventually become Batman.

By failing to continue that franchise, the rights lapsed back to Marvel and they immediately showed up Fox by creating a critically-acclaimed Netflix series. I’ve seen it. The first 10 minutes of the first episode is more entertaining than the entire “Daredevil” movie.

That’s why Fox needs to keep doing something with the Fantastic Four. Otherwise, they’ll have to sit back and watch as Marvel humiliates them again by succeeding where they failed on multiple occasions. Given all the egos in Hollywood, it’s totally understandable that they’d keep throwing good money at bad just to avoid that kind of pwning.

Now, if it sounds like I’m being overly pessimistic about a movie that may or may not even get made, I apologize. I hope I’ve made clear in previous posts that I’m as passionate about my comics as I am about sleeping naked. Dr. Doom is one of my favorite characters and, by a wide margin, one of my favorite comic book villain.

Fox has had multiple chances to make Dr. Doom the alpha and omega of villainy. First, they tried making him some charming, egotistical sweet-talker using the guy who played the asshole from “Nip/Tuck.” Then, they tried making him some disgruntled blogger. From a comic fan’s perspective, that’s akin to making chocolate fudge taste like dried horse shit.

Fox clearly doesn’t have a damn clue on who Dr. Doom is and how to capture what makes him so iconic. It’s not like they don’t have suitable reference materials. There’s an entire series called “Books of Doom” that show how Dr. Doom came to be. There are also cartoons that do, in a few minutes, what Fox couldn’t do with two movies.

Now, after all their failures, they still want to make a Dr. Doom movie? Not only would that give them yet another opportunity to undermine the greatest comic book villain of all time. It would also ensure that Dr. Doom never finds his way to the Marvel Cinematic Universe. Given how big a menace he’s been to pretty much every Marvel hero, that’s just tragic.

It’s hard to say just how serious Fox is with this. This is the same company that tried everything it could to stop the “Deadpool” movie and has been dragging its feet on a “Gambit” movie. However, they have way too many reasons not to pursue this.

It’s not just that Dr. Doom is one of the most iconic villains of all time. It’s not even that they’ve botched him horribly through multiple movies. We’re currently living in an era where villains are starting to gain just as much prominence as heroes.

The success of TV shows like “Breaking Bad” and the success of movies like “Suicide Squad” show that there is a market for a villain. I’ve talked about the heroes journey and the villains journey. Few could walk the villain’s journey better than Dr. Doom. At a time when people are turning to villains to fix problems, this may very well just be the best possible time for Dr. Doom to get a movie.

Unfortunately, it’ll still be Fox that makes that movie. Their track record leaves a lot to be desired. Despite this, there are some signs that they aren’t just trying to cling to the movie rights by throwing a couple million dollars at Roger Corman. They’re putting Noah Hawley, the man who made “Legion” a successful show this year, on the job. He’s got credentials, far more than Josh Trank ever did.

That said, I doubt you’ll find many comic fans who are excited about the prospect of Fox doing anything Fantastic Four related. Even fewer fans will have faith that Fox can get Dr. Doom right. They thought turning Doom into a disgruntled blogger was a good idea. What hope does this movie truly have?

I’m going to keep an eye on this so expect me to talk about this again, as I do with many topics involving superhero movies. Until then, here’s a quick fan film I found does with an $11,000 budget what Fox couldn’t do with millions. It shows that, villain or not, Dr. Doom is a character who deserves better.

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Professor Marston & The Wonder Women Trailer (A Non-Traditional Love Story)

When we look back on 2017, I think it’s safe to say that many will see it as the year that Wonder Woman shined and the year that the “mic drop” officially became overused.

There’s no doubt about it. This has been a damn good year for Wonder Woman. Her movie was a hit with critics and fans alike. Her comic raised the bar for female heroes while also letting her get laid. She’s on a winning streak right now that we don’t usually see unless the New York Yankees and the New England Patriots are involved.

However, 2017 isn’t done with Wonder Woman just yet. It’s not enough that her movie may have single-handedly saved the DC Extended Universe, established Gal Gadot as an A-list actress with A-list sex appeal, and raised the bar for female directors like Patty Jenkins. Wonder Woman, being the iconic female hero that she is, just has to go the extra distance.

That brings me back to the man who created this sexy female icon, William Marston. In a sense, Wonder Woman is one of those characters that could never have emerged from a traditional mind looking to create a traditional hero. For her to become the icon she is now, she needed an unconventional mind and William Marston was definitely that.

I’ve talked a bit about the origins of Wonder Woman and the not-so-secret BDSM elements within that origin. A lot of that is a direct result of the non-traditional thinking that William Marston used in creating Wonder Woman. It was also the product of a very non-traditional life, some of which had some very kinky connotations.

The story behind that kinky life is now about to get some overdue attention and at the best possible time. Wonder Woman’s star couldn’t be flying higher. Why shouldn’t the man behind the sexy icon get a little attention? It’s 2017. Kink is already mainstream, thanks to internet porn and best selling novels based on Twilight fan fiction. The timing couldn’t be better.

That leads me to the upcoming quasi-biopic on William Marston, “Professor Marston & The Wonder Women.” Admit it. You probably didn’t know that a movie like this was being made. Even ardent Wonder Woman fans probably didn’t know.

It’s happening, though. This is not some weird fan film or parody to poke fun at Wonder Woman’s BDSM origins. This is a real movie starring Luke EvansRebecca Hall, and JJ Feild. It’s even being directed by a woman, Angela Robinson, who was a writer/producer on the sexy bloody spectacle that was “True Blood.” This movie is coming out later this year and last week, the trailer dropped.

It’s a very different trailer compared to “Wonder Woman.” It’s supposed to be different. It might not have as many warrior women. It might not have a naked Chris Pine. However, it does have some sexy, but kinky connotations.

Unlike Stan Lee, Bob Kane, or Jack Kirby, who are icons in their own right for the characters they created, William Marston kind of gets forgotten. Granted, he didn’t create nearly as many iconic characters as Stan Lee and Jack Kirby. However, it was his non-traditional views and the non-traditional life he lived that might have made it easier for people to dissociate the man from his creation.

As the trailer shows, Marston was an unusual voice at a time in history before the modern feminist movement and before the sexual revolution. He believed in peace through submission, seeing submission as an act of love. He also believed that women were more honest than men in certain situations. He never said they were superior, but he made it a point to highlight female strengths, as often revealed in Wonder Woman.

On top of those unusually progressive views at a time when women were still seen as nurses, teachers, and baby-makers, Marston had a non-traditional view of love. He was married to Elizabeth Holloway Marston, but theirs was a somewhat open marriage in that he also had a relationship with a woman named Olive Byrne.

It was not at all akin to the kinds of open relationships that make for raunchy TV shows about Mormons or the kinky softcore porn series that used to play on premium cable. It was a real relationship and, as the trailer showed, it was very different in terms of substance and approach. In a sense, you can say that Marston had a non-traditional relationship to match his non-traditional views.

Even today, his views on men, women, and the ways they relate to one another would be odd. Chances are, he would evoke protests from the overly politically correct crowd. That probably wouldn’t dissuade him, though. If anything, those protests would prove a part of the point he was trying to make, which was reflected somewhat in the trailer.

He claimed that there was peace and happiness to be found in submission. To the ardent individualist, which is very much at the heart of western culture, that sounds abhorrent. That sounds like something slave-masters would say to keep their slaves content, which was a thing, sadly. However, that’s not the kind of submission Marston was talking about.

In Marston’s kinky world, to submit to someone willingly is an act of love and to accept that submission with love is the apex of human connection. He sees the endless struggle to dominate everything around you, be it a person, a job, a pet, or World of Warcraft, as the source of conflict.

He also labels that kind of dominating persona as a very masculine trait. While it’s not exclusively masculine, he sees it as a common thread among male-driven narratives. Conversely, he sees women as having a greater capacity for that kind of loving submission. Wonder Woman is, in his point of view, embodies the greatest capacity for that kind of love.

Wonder Woman loves and embraces everyone around her. Her capacity for love, regardless of gender, is well-documented over her 70-year history. Sure, the kink has been largely filtered out with a few notable exceptions, namely “Wonder Woman: Earth One.” That only makes the elements Marston used in creating her all the more profound.

In some ways, William Marston was ahead of his time in creating a female hero that emphasized what he saw as female traits. He never tried to make Wonder Woman as strong or as capable in the same way as Superman or Batman. She wasn’t supposed to prove that women could be as strong as men. Just being a woman gave her a unique strength all her own.

You could also say he was ahead of his time, with respect to how he conducted his personal life. He didn’t bother with the ideal of monogamy, one man and one woman being in love until the day they died. He and the two women in his life forged their own brand of love and family. They followed their own romantic path.

They never claimed their non-traditional brand of love made them superior. That would’ve defeated the point. In Marston’s kinky world, any effort to dominate others through force, shame, or debate was pointless. In the end, the best way to bring peace is to conduct yourself in a way that makes others want to submit to your loving authority.

That’s not just my interpretation. When he was once asked by The American Scholar in 1943 about why Wonder Woman would appeal to men, he said this.

“Give them an alluring woman stronger than themselves to submit to, and they’ll be proud to become her willing slaves!”

As a comic book fan, a fan of beautiful women, and a fan of female strength in general, I whole-heartedly agree. The success of the “Wonder Woman” movie, over 70 years of comics, and a top place in the pantheon of iconic female heroes says a lot about our willingness to submit. Perhaps “Professor Marston & The Wonder Women” will help us appreciate that even more.

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