Tag Archives: X-men Dark Phoenix

September 3, 2021 · 9:53 am

“Dark Phoenix” Is Now On Disney+ And Everyone Should Give It A Chance

Some movies just never get a fair chance to succeed. It’s sad, but unavoidable sometimes. There are just too many forces working against certain movies and too many people have already primed themselves to hate it before they ever see it.

Sometimes, those movies go onto become cult classics. It just takes time for people to rediscover the movie and appreciate it for what it achieved. That is my sincere hope for “Dark Phoenix,” a movie I’ve praised before and even done YouTube videos about. I genuinely believe that this is a movie that fans will appreciate more as time goes on.

It had so many things working against it. It just never got a fair chance because of the pending Disney/Fox merger. I feel like it got critically panned for reasons that had nothing to do with the actual quality of the movie. Fans and critics alike just decided to hate this movie because it was part of a dead cinematic universe and it wasn’t in the MCU.

That’s a bullshit reason to hate a movie and most reasonable people understand that.

Now, I believe the time is right for “Dark Phoenix” to get another shot. That’s because today, “Dark Phoenix” has officially arrived on Disney+ and anyone who never gave it a chance when it came out can truly judge for themselves.

If you have a Disney+ subscription, I highly recommend adding this movie to your queue. Forget everything you’ve heard from the critics. Forget the popular perceptions surrounding this movie. Just check it out and see for yourselves.

I believe that this movie’s worth will reveal to a new audience. I also believe the time is right because we haven’t had much news about the future of the X-Men movies in the Marvel Cinematic Universe. We know they’re coming. We just don’t know when or what form it’ll take.

Since it’ll likely be a while before we see any mutants show up in the MCU, the time is right to appreciate what the Fox movies gave us. Many of those movies are already on Disney+ and I think “Dark Phoenix” is the hidden gem the franchise needs right now.

Again, just give it a chance. You might be surprised by how much you enjoy it.

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February 9, 2021 · 5:49 am

My Reaction/Theories To “WandaVision” Episode 5

I apologize for posting this several days after the fact. I know I’m late to the party with respect to reactions to Episode 5 of “WandaVision.” I don’t have a very good reason for that, other than being pre-occupied with my Super Bowl LV preparations.

In hindsight, that might have been for the best because the events of this episode were incredible. It was, without a doubt, the most impactful episode of this show to date. Both the fan reactions and the IMDB scores are proof of that.

I can safely confirm that my reactions mirrored the shock, glee, and astonishment that got this show trending the day it debuted. As excited as I was to watch the Super Bowl, I found myself more caught up in the implications of this episode.

Now, before I go any further, I want to disclose that there will be talks of spoilers for this episode. If you haven’t seen it yet, I highly recommend you do. If you’re at all a fan of Marvel and the Marvel Cinematic Universe, this is one episode you do not want to miss. It has implications that could likely impact future movies in the best possible way.

If you’re still here, then here’s a brief rundown of the events.

  • Wanda and Vision’s kids start as infants, but rapidly age to toddlers and then to pre-teens
  • Vision starts to suspect that something is amiss in their cheerful life
  • Outside Westview, SWORD is trying to make sense of the anomaly and starts sending drones inside
  • Wanda doesn’t like the intrusion and goes so far as to step out and warn SWORD not to interfere with the world she’s created
  • Vision is able to free some people from Wanda’s manipulations and confronts her about it
  • Before they can come to blows, a surprise guest arrives at the door and it’s Wanda’s dead brother, Pietro
  • However, it’s not the Pietro that died in “Avengers: Age of Ultron.” It’s the Pietro from the X-Men Fox movies, played by Evan Peters.

After four episodes of teasing, mystery, and build-up, this episode gave us the first major payoff. Now, it’s a bit clearer as to what’s going on and what’s driving this story.

We know now that it’s not some outside agent who has hijacked Wanda’s mind and powers. She’s the one doing this on her own. She’s the one who created this strange anomaly around Westview, creating her own pocket reality that mirrors that of American sitcoms throughout the decades.

That’s a critical and potentially revealing detail, one that even Vision finds distressing. In addition to finding out that she’s the source of all this, we also learn that she’s the one who took Vision’s body from SWORD and she wasn’t polite about it.

She’s clearly not in a very understanding state of mind. Visions death at the hands of Thanos did not go over well and him not coming back in “Avengers Endgame” only made it worse. At this point, she has lost too many people that she loves and she’s willing to break reality to get it back.

That moment when she steps out of the bubble and confronts SWORD makes this clear. She has what she wants in this pocket reality. She has Vision, a family, and a life in which she hasn’t lost everyone who matters to her. That’s powerful in that it shows how much she was hurt by the events leading up to this show.

However, the biggest moment, by far, came at the end with the arrival of Quicksilver. However, the fact that the Quicksilver we saw was not the Quicksilver played by Aaron Taylor-Johnson in “Avengers: Age of Ultron” was the most jarring. It also has the greatest implications.

This is the part where I’m going to start exploring some fan theories, some of which others have already developed. I think after this episode, we have enough details to make some less-than-wild speculations about where this is leading.

We know from the previous episode that Vision was indeed killed. It’s very possible that he’s only alive because Wanda is animating him. We also find out that as powerful as Wanda is, she has limits. She couldn’t make baby Tommy and Billy stop crying. She also couldn’t bring their dog, Sparky, back to life.

This would imply that, even if she wanted to bring the Aaron Taylor-Johnson Quicksilver back, she couldn’t. It seems that if someone dies in her universe, then they stay dead. She cannot bring them back. However, this may not apply to version of her brother from other universes.

We already know from “Dr. Strange” that the multiverse is a thing. Wanda may also be aware of this on some level, even if she didn’t consciously reach into another universe to find another version of her brother. The fact she found the same version we saw in “X-Men: Days of Futures Past” could be another telling hint.

However, I don’t think that means that the MCU is about to do a direct crossover with the Fox era X-Men movies. I think trying to incorporate that messy continuity into the MCU will be too cumbersome, even for someone like Kevin Feige.

I suspect that we’re getting this particular version of Quicksilver because he, and other mutants like him, have been in a pocket universe of their own. It’s why we haven’t seen any mutants show up in the MCU, at least with respect to the story. I understand the movie rights were the logistical reason for that.

The fact that Wanda created a pocket reality of her own means that someone or something taught her. I don’t know who it could be. Perhaps, it involves someone like Agatha Harkness, a witch from the comics who helped Wanda master her powers. Maybe it involves someone far more powerful, like Mephisto.

Whatever the source, I think pocket realities are going to be what plays into the events of “Dr. Strange and the Multiverse of Madness.” They’ll be akin to the disruptions or wrinkles in the larger fabric of reality, which was already disrupted by the events of “Avengers Endgame.” That domain could be where mutants reside.

Now, I could be dead wrong about that. In fact, I’m not entirely confident in that theory being true. However, there’s one other theory that I think is a bit more plausible. It’s not so much a theory as it is an observation of trends.

Wanda is becoming a villain and she will likely play the part of the MCU’s main villain in Phase 4.

I think, thematically, this makes sense. After Thanos, the MCU needs a new villain to warrant a massive assembly of the Avengers. We’ve already seen this big, menacing villains who look, act, and sound evil. We got Ronan, Thanos, Dormammu, and Ultron. I think the MCU needs a change of pace after that.

Wanda would act as an entirely different kind of villain. This isn’t someone who is just an outright villain from the get-go. She’s a friend. She’s an Avenger. She’s someone who has lost nearly everyone she has ever cared about. If ever there was a hero you could understand breaking bad, it’s her. That’ll make fighting against her that much harder.

The moment in this episode when she confronted SWORD made it clear. She can bend reality to her whim and she’s willing to use it to get what she wants. That’ll make her both dangerous and volatile. She may end up being the main villain of “Dr. Strange and the Multiverse of Madness.”

If that’s the case, then Phase 4 of the MCU is going to be very chaotic indeed.

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June 6, 2020 · 8:50 am

My New YouTube Channel And My First Video!

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I have an exciting announcement to make. Today, I’ve officially launched my own YouTube channel. I call it Jack’s World. It’s a new creative outlet and one I hope leads me to bigger and better things.

Now, I’ve had this idea for a while. Earlier this year, I announced that I would be scaling back my writing on this site. I’ve also scaled back on writing my sexy short stories and novels. The reasons for that are many, but it comes down largely to time, effort, and response.

I wasn’t getting much traffic from those endeavors. I’d hoped that I could build an audience that would eventually result in forging connections in the publishing world. That effort just didn’t pan out and I’m not confident that it will, especially given the current situation.

I still want to build an audience. I still want to make a living selling books, telling sexy short stories, and sharing my insights with the world. I just can’t do that with this site alone. As such, I’m going to give YouTube a try.

My new channel will be similar to this site in that it covers various topics, from comic books to current events to personal stories to angry rants. It’s my sincere hope that I find a larger audience and greater connections. Today, that journey starts.

I’ve had to teach myself some video editing along the way, but I’ve managed to make my first video. As it just so happens, it involves X-Men and superhero movies. That should shock nobody. It also involves “Dark Phoenix,” a movie that still hold a special place in my heart and always will. I hope you enjoy it.

If you have other ideas for videos or content, please share it. I’ve already got plans for the next crop of videos. Since my channel is small, I’m going to focus on many topics, hoping to eventually find my niche. As for what it means for this website, that remains to be seen. Until then, I hope everyone will join me in Jack’s World.

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May 30, 2020 · 9:25 am

The (Understandable) Reason Why We Won’t Be Getting A Kinberg Cut Of “Dark Phoenix”

We’re living in an interesting age of cinema right now. Between massive cinematic universes, reboots, and all-female remakes, we’re in the midst of some major upheavals to the movie industry. It didn’t start with Netflix, but it’s definitely not ending with it. I’m honestly not sure where it’s going.

However, I am fairly certain that when people look back on this era of cinema, they’ll see the release of the Snyder Cut for “Justice League” as a turning point. It’s not just about a company giving into massive fan demand or big tech companies using major franchises to push a streaming service. It’s a sign that the overall vision for movies as a whole is evolving.

The issues surrounding “Justice League“ are well-known. There are plenty of other issues surrounding movies like it, from “I Am Legend” to “Solo: A Star Wars Movie” to “Spider-Man 3.” Those issues usually revolve around a studio, a director, and corporate executives not being on the same page.

The primary reason why the Snyder Cut is a thing is because executives at Warner Brothers opted to revamp, reshoot, and reconfigure the whole movie, completely changing the tone and plot along the way. That effort just didn’t work and it shows in the box office. If the Snyder Cut turns out to be a hit with fans and drives up subscriptions for HBO Max, the impact could go far beyond the future of DC movies.

This could open the door to other movies whose original vision was undermined. Companies are starting to realize that listening to fans can be profitable, as “Sonic the Hedgehog” showed. They’re also realizing that directors and producers need the whole of their vision realized. You can’t chop it up to the point where crucial parts of the story are left on the cutting room floor, as we saw with “Batman v. Superman: Dawn of Justice.”

I hope this will create opportunities for filmmakers and producers alike to realize their visions without having to chop it up for theaters. In an era of streaming services and binge-watching, a movie like the Snyder Cut can totally work. I’m genuinely curious about it and I plan on seeing it the first chance I get.

At the same time, I hope other movies get a similar chance, such as “Suicide Squad,” which was also subject to heavy editing. Sadly, there’s one vision that we’ll never see fully realized in an extended cut and that happens to be a movie that would’ve benefited most from more content. That movie is “Dark Phoenix.”

While I loved the movie we got in theaters, I could tell that it was a movie that had been significantly altered from its original vision. With the pending release of the Snyder Cut, a part of me hoped that we might get an extended version of “Dark Phoenix,” similar to what we got with the Rogue Cut of “Days of Future Past.”

Unfortunately, those hopes have been dashed. In an interview with IGN, Simon Kinberg himself stated outright that there was no “Kinberg Cut” to release. However, he gave a very valid reason for why that is.

IGN: X-Men Movies: Is There a ‘Kinberg Cut’ of Dark Phoenix?

“The movie they released was ultimately my vision for the film,” said Kinberg. “That vision did change over the span of making the movie. There are other scenes that we shot, just as there are a lot of other scenes in [Days of Future Past] that we shot and didn’t end up using. There were scenes we shot for that film and an ending that was quite different than the ending that was in the theatrical release. To release [a Kinberg Cut], it wouldn’t be just be like we splice those scenes back in, because those scenes were never completed because of visual effects and sound – all of the technical aspects that go into completing films of this scale. It would take a whole lot of work, but I appreciate the support.”

Kinberg also told us that many of the changes to Dark Phoenix stemmed from Fox’s decision to condense the project from a duology into a single film. There’s no easy way to create a director’s cut more in line with his original story plans without going back and actually filming that canceled sequel.

Kinberg said, “With every movie, there are things you wish you did differently. On every movie there are things you thought were great and perfect, and then you watch them and didn’t think they were as strong as you imagined and you go a different way. Dark Phoenix was a hard movie because, in its initial concept when I wrote it, it was meant to be a two-part film. And then it suddenly became a one-part movie for reasons that weren’t of my doing. Having to create around that massive change was a challenge in itself. All these movies are uniquely challenging.”

Those bold parts are my doing. They confirm what many already knew. There’s no extended cut to “Dark Phoenix” because it was originally meant to be two movies and that second movie never got made. There’s no extra movie of a “Dark Phoenix” sequel gathering dust in Fox’s vault. The cut we got in theaters was much of what got shot. Some things got edited out, but not enough to significantly change the movie.

These tidbits aren’t entirely new. Long before “Dark Phoenix” came out, it was heavily implied that it was going to be a two-part movie. That makes sense, given how it played out in the source material. The first movie would have Jean become Phoenix. The next would have her go Dark Phoenix. It could’ve been to X-Men what “Infinity War” and “Endgame” were to Avengers.

Sadly, Kinberg never got to make those movies. He was forced to condense the story he wanted to tell into a single movie. That means we probably lost some incredible moments that never made it beyond the storyboard stage. We never got to see a bigger, more dramatic journey for Jean Grey, the X-Men, and plenty of other characters who never showed up. It’s a shame, but it’s understandable.

If “Dark Phoenix” had one insurmountable obstacle, it was the pending merge between Fox and Disney. Once that deal became final, Kinberg’s window to realize his vision was greatly shortened. Granted, I think he did a great job condensing the essence of the Phoenix Saga into a single movie, but it could’ve been so much more.

It’s unfortunate, but understandable. There were forces beyond Kinberg’s control working against him and “Dark Phoenix.” Those same forces ensure that we’ll never get an extended cut because doing so would require that they shoot a second movie, as originally intended. That’s just not going to happen.

While that’s disappointing, it’s understandable. I’m perfectly happy with the cut of “Dark Phoenix” that we got, much more so than I was with the theatrical cut of “Justice League.” I genuinely hope that Marvel Studios will create a bold new vision for X-Men in the Marvel Cinematic Universe. I just hope they avoid the same mistakes that Warner Brothers made with “Justice League.”

I trust that Kevin Feige has a vision for X-Men.

I hope that vision is as awesome as it deserves to be.

In the meantime, I’m looking forward to seeing what the Snyder Cut has in store.

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January 7, 2020 · 6:02 am

The “New Mutants” Trailer And Why I’m Rooting For This Movie

Since the conclusion of “Dark Phoenix,” a movie I genuinely love and have re-watched more times than “Avengers Endgame,” it’s been a strange time for X-Men fans. We know that the X-Men are coming to the Marvel Cinematic Universe. With the Disney/Fox merge finalized, it’s only a matter of time before we see mutants pop up in the Marvel universe. It may even come sooner than we think.

Then, there’s “New Mutants.” This movie, which is based on a well-known, critically acclaimed X-Men comic from the 1980s, is a hell of an anomaly. It was originally supposed to come out in April 2018, but got delayed for reasons that are too complicated and stupid for me to put into words.

Delays aside, it has a bold concept. It attempts to mix horror with superhero movies. It’s a unique combination, but one that doesn’t sound that outlandish. Remember, this is the same franchise that made “Deadpool” a Valentine’s Day movie. However, at a time when Marvel Studios has set such a high bar, it almost feels out of place.

Now, with a firm release date of April 3, 2020, it seems like “New Mutants” is still happening. The director, Josh Boone, has been given the opportunity and the blessing by our Disney and Marvel overlords to see his vision through. Honestly, after seeing the latest trailer, I’m rooting for this movie.

It’s not just that this movie is bringing to life more great characters from the X-Men franchise. This movie is attempting to do something that we’ve never seen in the MCU or from DC, for that matter. It’s daring to mix genres in ways they’ve never been mixed. It’s attempting to craft a different kind of superhero movie. Given the success of “Joker,” I’m genuinely rooting for this movie.

I really do hope it succeeds and not just because I’m a die-hard X-Men fan. I think the superhero movie genre needs this. It needs to show that it can expand, evolve, and grow in new ways. Superhero movies don’t just have to be this colorful, big-scale spectacles backed by Disney’s deep pockets. They can be something different, darker, and bolder.

“New Mutants” has had a lot of forces working against it. If it succeeds with critics and fans, then it sends a message to Marvel, DC, and the greater powers that be that there’s room for different kinds of superhero movies. They don’t have to follow the same formula. They can succeed in entirely new ways while still strengthening the brand.

If nothing else, it’ll tell the Martin Sorceresses of the world to piss off in the best possible way.

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June 17, 2019 · 5:57 am

Why Jennifer Lawrence’s Mystique Is The Best Version Of The Character

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Everybody has at least one unpopular opinion that draws ire from the vast majority of people. I’m not referring to extreme political stances, though. Those who identify as full-fledged communists, anarchists, or theocrats are more defined by an ideology than an opinion. I’ve shared plenty of opinions in the past, some of which I’m sure qualify as unpopular.

Regardless of what those opinions entail, I’ve tried to make my point and most of the time, I can find a substantial group of people who share my views. It’s part of why I enjoy doing what I do. However, there’s one particular opinion I have that might be the most unpopular position I’ve ever held.

It has nothing to do with politics or ideology. It has to do with comics and superhero movies, another popular topic I’ve discussed many times before. I’ve shared it before in other forums and in almost every case, I have a hard time finding anyone who agrees with me. Knowing how dangerous it can be to share unpopular opinions on the internet these days, I’m going to take a chance and share it here.

I believe that Jennifer Lawrence’s take on Mystique is one of the best version of the character in any medium.

I’ll give X-men fans, comic book fans, and fans of superhero movies a moment to stop fuming. Take all the time you need. Believe me, I’ve heard and read all the vile insults you want to throw at me. Before you flood the comments section with a fresh batch of frothing hate, please hear me out because I feel like there’s a point worth making here.

If not, please take this stunning image as a consolation prize.

Before I get into the details of the comics and movies, I freely acknowledge that Jennifer Lawrence is one of those high-profile celebrities for which many have mixed opinion. Ever since she rose to fame, she has been a polarizing figure. People either love her or hate her with very little in between.

Regardless of how you might feel about her, as an actress, there’s no denying that she played an instrumental role in revitalizing the X-Men movies, beginning with “X-Men: First Class.” As Mystique, she succeeded a very popular version in Rebecca Romijn, who set the precedent for blue-skinned shape-shifters who favored nudity. However, there was one important distinction with Ms. Lawrence’s version.

Unlike Ms. Romijn, and every other version for that matter, Ms. Lawrence’s take on Mystique included a backstory that provided unprecedented depth for the character. That story, and the depth that came with it, proved critical in the role that this Mystique would play in “X-Men: Days Of Future Past.” I would go so far as to argue that both movies work largely because of how Ms. Lawrence carried this character.

I can probably find more than a few people who agree that Ms. Lawrence’s Mystique was important in making her first two movies in the role work. Where I probably lose those people is when I go a step further and claim that this version of Mystique is superior to most other versions.

Some might call that hyperbole and maybe it is, to some extent. I still contend that there is an argument to be made and anyone familiar with Mystique’s history in the comics can appreciate it. I doubt I’ll change anyone’s mind, but it’s that very history, or lack thereof, that helped make Ms. Lawrence’s take on the character so compelling.

Mystique, like many other comic book characters, has a history that is more convoluted than most. She’s been around since 1978, but in all that time, her character has never been developed beyond a certain point. In fact, in the grand scheme of Marvel’s vast universe, it’s remarkable that she has managed as well as she has with so little backstory.

There’s no canonical information about where she was born, who her parents are, or even how old she is. She has never appeared as a child or a teenager. She’s always been an adult who goes by the name, Raven Darkholme. It’s not even clear that’s her actual name. Being a shape-shifter, it’s impossible to tell.

Beyond her unexplored history, Mystique’s personality has been pretty flat over the years. She’s a villain. That much is made clear. However, her brand of villainy is not nearly as refined as others. She’s basically a sociopath whose only purpose in life revolves around tormenting the X-Men, especially Wolverine.

How she goes about it varies, but why she does it rarely gets explored. Granted, there have been times when she has joined the X-men, but it never lasts and often ends with her betraying them. It has happened so often that it’s somewhat predictable. Even when it seems like she has undergone some major growth, she always ends up regressing back to her psychotic ways.

She still looks sexy every step of the way.

That’s not to say she has no depth. Being the biological mother of Nightcrawler and the adopted mother of Rogue has been a major source of drama over the years. Her romantic and sexual entanglements have also been colorful to say the least, albeit not always in a good way. However, this drama rarely ever adds depth to her villainy.

While Rebecca Romijn’s version had some nuance, especially in the second movie, she didn’t deviate much from her comic book counterpart. For three movies, she was one of Magneto’s top henchmen and little else. Jennifer Lawrence’s version of Mystique dared to be more than that.

The first minutes of “X-Men: First Class” did more for Mystique’s backstory than three movies and four decades of comics had done to that point. It established her as a mutant who’d run away and had nowhere to go, something that has real-life parallels for certain minorities. From there, she develops a close sibling bond with James McAvoy’s Charles Xavier, which does plenty to develop his character as well.

However, what truly makes this version of Mystique special is how she grows over the course of several movies. Like her comic version, she shifts her allegiances repeatedly. She starts off as an ally of Charles Xavier. Then, she leaves and follows Magneto. Eventually, she returns to Xavier’s side, but not without undergoing major personal upheavals.

In both “X-Men: First Class” and “X-Men: Days Of Future Past,” she finds herself at a crossroads on multiple occasions. Sometimes, she walks a more villainous path. Other times, she’s more virtuous. They’re all contingent on difficult choices and, regardless of where they take her, there’s an underlying sentiment to those choices.

In “X-Men: First Class,” she chooses Magneto because she believes Charles wants her to hide her true form. In “X-Men: Days Of Future Past,” she choose Charles because she realizes the consequences of her actions. Friends and enemies alike try to influence her. When she finally makes a choice, it feels like something a real character would make.

In the comics, you can always assume Mystique will make villainous choices and be right most of the time. With Ms. Romijn’s, you can assume she’ll choose whatever Magneto chooses and be right, as well. The choices of Ms. Lawrence’s Mystique are truly uncertain and for a character defined by her shape-shifting traits, that’s more than fitting.

It wouldn’t be accurate to call Ms. Lawrence’s Mystique a hero. In “X-Men: Apocalypse,” she resents that label. It wouldn’t be accurate to call her a villain either, even though she doesn’t always side with the X-Men. She adapts to whatever her situation requires, like anyone would expect of a skilled shape-shifter. It’s an understandable, and even admirable, take for a character in a superhero movie.

While her ultimate fate was tragic, as revealed in “Dark Phoenix,” her journey has been remarkable. Regardless of how the events of “Dark Phoenix” played out for everyone else involved, it’s still the most complete story that Mystique has ever had. That’s why I feel Jennifer Lawrence’s take on Mystique is the best we’ve seen to date.

That’s not to say she’s without flaws. I don’t doubt that her diminished role in “X-Men: Apocalypse” undercut her development. Even with those flaws, she’s still more balanced than anything the comics or previous X-Men movies have given us. Whatever happens with the X-Men as they joint he MCU, I hope Ms. Lawrence’s Mystique inspires the future of the character for years to come.

To all those who disagree with me, and I’m sure there are many, I welcome your comments and thoughts. I only ask that you keep it civil.

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June 7, 2019 · 6:16 am

“Dark Phoenix” Review: An Astonishing End To An Uncanny Era

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It’s never easy, trying to capture the essence of an iconic story. It’s even harder when you’ve tried once before and failed miserably. To say that “Dark Phoenix” faced more challenges than most movies would be like saying tobacco companies have an image problem. Many of those challenges go beyond the story, the franchise, the studios, and even the movie industry, as a whole.

Despite so many confounding circumstances, the most important challenge of “Dark Phoenix” was always the same. After this iconic X-Men story was horribly botched in “X-Men The Last Stand,” this movie’s primary goal was to do that story justice. The director and long-time X-Men producer, Simon Kinberg, has gone on record as saying he failed in his first attempt. This movie gives him a chance to rectify that.

Before I get into the fiery details, which may include light spoilers, I’d like to offer my personal sentiment after having seen the movie. I understand that not everyone will agree with me, but as a long-time lover of X-Men, this movie means a lot more to me than most in the superhero genre so I like to think that sentiment is strong.

Yes, “Dark Phoenix” does justice to the X-Men’s most iconic story.

Yes, “Dark Phoenix” succeeds where “X-Men The Last Stand” failed.

Yes, “Dark Phoenix” is a satisfying conclusion to this era of X-Men that has spanned nearly two decades.

I realize that many might disagree with my assessment. That’s perfectly fine. Every movie impacts people in different ways. For me, though, “Dark Phoenix” struck all the necessary chords and then some. It focused on the core components of what makes the Phoenix Saga so endearing and runs with it.

That means that there aren’t multiple plots being juggled constantly. From the very first scene, the focus is on Jean Grey and her journey towards becoming Dark Phoenix. It’s a journey that has a foundation in tragedy, lies, love, betrayal, and loss. What happens to her is never just a matter of circumstance. There are tough, meaningful decisions made before, during, and after the darkness consumes Jean.

At every turn, there is plenty of drama. Jean Grey isn’t just some obscure side-character. She’s surrounded by people who love her. Charles Xavier loves her like a surrogate daughter. Mystique loves her like a sister. To Cyclops, she’s the woman he loves and for once, there’s no terrible love triangle that detracts from that love.

That love gives the drama incredible weight, which is critical for any story derived from the Phoenix Saga. It also ensures the losses leave a major impact and, as one of the trailers revealed, those losses are pretty devastating. They’re not just glossed over or forgotten, which was a huge issue with “X-Men The Last Stand.” They resonate throughout the story and inform the decisions of multiple characters.

That’s not to say every aspect is caught up in personal dramas. “Dark Phoenix” still utilizes a villain to maintain some basic superhero dynamics. That villain, played by Jessica Chastain, isn’t as iconic as Magneto or Apocalypse. She and her villainous henchmen are aliens known as the D’Brai, who actually play a critical role in the original story from the comics.

While Chastain is no Thanos, she and her fellow D’Brai have clear, understandable motivations. They’re not just there to cause more suffering and upheaval. They sense the power in Jean and they want to use it to serve their agenda. That’s perfectly consistent with what Jean and the X-men faced in those same comics.

It also firmly establishes that the Phoenix Force in “Dark Phoenix” is not at all like the one on display in “X-Men The Last Stand.” The Phoenix isn’t some split personality within Jean. This movie actually embraces the more cosmic aspects of that story. While it only does so to a point, it helps raise the stakes in a way that goes beyond trying to save or kill Jean Grey.

Even with these cosmic elements, however, “Dark Phoenix” never loses its focus on Jean, her struggles, and the X-Men’s efforts to save her. The pace of the movie rarely slows down. Things happen quickly and concisely. There are still plenty of intimate character moments along the way, but they never drag. The plot keeps unfolding until the very end.

I won’t spoil too many of the details, but I will say that the ending is far less dire and depressing than what unfolded in “X-Men The Last Stand.” Jean isn’t a coward this time around. She doesn’t constantly whine or beg others to kill her before it’s too late. She is the one who ultimately decides her fate. More importantly, she is the one who makes those difficult choices.

Making all this drama and action work wouldn’t be possible without Sophie Turner turning in a truly uncanny performance as Jean Grey. She goes through many emotions over the course of the story. There are scenes in which she goes through more in five minutes than Famke Janssen did in the first three X-Men movies combined. She carries herself wonderfully through the movie’s most intense moments.

The collective efforts of James McAvoy as Charles Xavier, Michael Fassbender as Magneto, Tye Sherridan as Cyclops, and Nicholas Hoult as Beast perfectly complement Turner every step of the way. They capture those essential elements of family and team that’s so critical for every X-Men movie. This being their last ride with these characters, they make the most of the opportunity.

Unfortunately, some characters don’t get as many chances. Alexandra Shipp’s Storm and Evan Peters’ Quicksilver have fairly limited roles, although Shipp turns in a powerful performance in the final battle. Chastain’s alien character, and the D’brai in general, only gets so much refinement. However, that doesn’t make “Dark Phoenix” any less effective because it is, at its core, a story about Jean Grey.

There are other flaws in the movie. To some extent, the constant focus on Jean and the rapid pace of the action prevent other characters or side-plots from getting much emphasis. The long-running romantic sub-plot between Beast and Mystique had some moments, but not nearly enough to maximize the impact of the story.

There are also times when the visuals of “Dark Phoenix” aren’t as colorful as they could’ve been. To some extent, that’s more a reflection on the overall style of the X-Men movies, going back to the first one in 2000. These movies have never focused too much on the flashy costumes that are so prominent in the comics. Considering the iconic styles teased at the end of “X-men Apocalypse,” it’s somewhat disappointing.

This movie might have been able to get away with that 10 years ago, but the rise of the Marvel Cinematic Universe and its embracement of iconic superhero attire make the overall style of the movie seem uninspiring. For most of the movie, nobody even wears a uniform or costume. While a movie like “Logan” can pull that off, it doesn’t work nearly as well in “Dark Phoenix.”

There are some moments where the visual effects really shine, but not in the ones that would’ve really complemented Jean Grey’s journey. While that fiery halo does show up at one point, it feels like it doesn’t show up enough and wasn’t quite as radiant as its brief appearance in “X-men Apocalypse.”

The finer details of the story aren’t flawless either. While they remain concise until the end, there’s a bit of ambiguity in terms of how the events in this movie tie to the epilogue in “X-Men: Days of Future Past.” There’s certainly enough to imply that this movie does not completely undermine that ending, but a lack of specifics leaves a lot of gaps for the audience to fill in.

Even with these shortcomings, the most important components of “Dark Phoenix” still work. It seeks to tell a focused Phoenix story for Jean Grey and it never loses sight of that goal. The acting, the drama, and a brilliant musical score by Hans Zimmer simply add more gravitas to the mix.

Over two years ago, I wrote an article that laid out how the “Dark Phoenix” could succeed in this golden age of superhero movies. Pretty much everything on that list came to pass. This movie embraced the passion surrounding this iconic story. It made use of the Cyclops/Jean romance, kept the Phoenix as the primary plot, and ensured every dramatic moment felt genuine. It didn’t check every box, but it came pretty damn close.

Does that mean that “Dark Phoenix” is among the greatest superhero movies ever made? No, I wouldn’t make that case, especially when it came out the same year as “Avengers Endgame.” The bar for superhero movies is higher than it has ever been before and it’s a difficult standard to apply to a movie like “Dark Phoenix.”

Does that mean that “Dark Phoenix” is the greatest X-Men movie ever made? No, I wouldn’t make that case, either. There are other X-Men movies that rank above this one in terms, but it still captures the most important elements that makes these movies so endearing.

Is it a great movie in general? Yes, I certainly would say it is. If I had to score this movie, I would give it an 8 out of 10. It sets out to do a fitting adaptation of the Phoenix Saga and it succeeds, utilizing all the necessary drama and action along the way. It also caps off 19 years of X-Men movies.

Now, as the X-Men stand poised to enter the MCU, this part of their journey can end and “Dark Phoenix” ended it on a truly uncanny note.

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April 17, 2019 · 10:18 pm

Final “Dark Phoenix” Trailer Is Threatening (In A Good Way)

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These are wonderful, exciting times for fans of superhero movies, unless you’re a Hellboy fan. “Avengers Endgame” is poised to break all sorts of box office record. The Disney/Fox merger is complete. On top of all that, “Dark Phoenix” is still set to come out on June 7, 2019.

While some have opinions on this film that are petty and unwarranted, I’m still very excited and not just because Sophie Turner is flexing some cosmic sex appeal. This movie is poised to be the last of the X-Men movies that began way back in 2000. While I can understand why some are eager to jump ahead to the X-Men joining the MCU, lets’ not forget that there would be no MCU without the first “X-Men” movie.

It was X-Men that helped usher in this golden era of superhero movies. Now, both “Dark Phoenix” and “Avengers Endgame” promise to usher in a new era. As such, the final trailer for “Dark Phoenix” dropped today and it promises closure, along with cosmic threats.

Sophie Turner has never looked more menacing as Jean Grey.

Tye Sheridan has never looked more determined as Scott Summers.

Between them and the wondrous dynamic between James McAvoy and Michael Fassbender, this movie has everything necessary to cap off this era of X-Men movies in all the right ways.

I know “Avengers Endgame” will break most of the records and make more headlines. However, I believe “Dark Phoenix” will ultimately have a greater impact when all is said and done.

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February 28, 2019 · 6:27 am

Second “Dark Phoenix” Trailer: Reaction And (High) Hopes

It’s been a long wait since the first trailer for “Dark Phoenix.” In that time, there have been plenty of distractions and upheavals, from who would host the Oscars to trolls attacking the “Captain Marvel” movie for asinine reasons. Plenty still find excuses to whine about this movie, also for asinine reasons. Finally, despite all that proverbial noise, we get a second trailer and it was so worth the wait.

There are a lot of things that a quality story about the Phoenix Saga needs to capture all the right feelings. This one checked nearly every box, more so than the first.

It had drama.

It had devastating emotional upheaval.

It had elements of cosmic influence.

It had inner turmoil.

It had heartfelt sorrow.

It had despair.

It had desperate people trying desperately to save someone they loved.

Even if you haven’t read the originals story, these are all important components for a powerful story. It’s part of the reason why the Phoenix Saga is often identified as the greatest X-men story ever told. Unlike previous attempts, this movie is making that story front and center.

That, more than anything, should give me and other X-men fans hope that this one will be done right. I’ve seen more than a few people whine about how similar this movie is to “X-men: The Last Stand.” I don’t blame those people for seeing this as a bad thing, given how poorly that movie handled the Phoenix plot.

Nuff said!

However, this trailer does much more than the first one to set itself apart. Yes, Jean is still wearing a large red overcoat instead of her iconic Phoenix attire, complete with the waist sash, but attire was not the reason why the previous attempt to tell that story failed.

As I’ve noted before, the most critical part of telling any story about the Phoenix Saga is capturing the right emotions with the characters. With all due respect to Famke Jansen, Sophie Turner shows more emotional range in this trailer than Ms. Janssen did over the entire course of “X-men: The Last Stand.” Moreover, it highlights the emotional impact that her growing powers have on everyone Jean loves.

That impact includes a heavy loss, as evidenced by the funeral scene. It also shows in how both Jean’s friends and enemies react to handling her. Some, even those who think themselves her friend, think she’s beyond saving. Others, namely Cyclops, are still determined to save her.

Not ignoring the fact that Cyclops is actually playing a major role here instead of getting killed off in the first 10 minutes of the movie, thereby worsening the worst love triangle of all time, this trailer leaves one other important element unspoiled and up in the air.

We know there will be death and loss in this movie, as is often the case in any X-men story involving the Phoenix Force. I even uncovered some critical hints during my trip to New York Comic Con last year. There’s still one burning question that will likely determine how this movie is received.

What is the ultimate fate of Jean Grey?

This is one instance where the answer could take us down many paths. If Jean Grey ultimately dies, as happened in the original story, it would be keeping in the spirit of loss and sacrifice. It’s difficult to pull off, but given how bland, cowardly, and unceremonious her fate was in “X-men: The Last Stand,” it wouldn’t be that hard to improve upon.

If she lives, though, which actually was the initial ending to the story in the comics, it would require a very different recourse compared to the previous movie. That may ultimately be the best way to silence those who keep bemoaning how much this movie resembles “X-men: The Last Stand.” However, getting Jean to a place where she could survive, even after losing control, would be a difficult task.

Whatever the outcome, the stage is set. “Dark Phoenix” is coming and will likely be the swan song of this era of X-men movies. With Disney about to take over Fox and set to bring the X-men into the MCU, it would be perfectly fitting if this movie ended on a high note. We saw how powerful that kind of story can be with “Logan.” After seeing this trailer, I believe this movie has that potential, but with more cosmic flare.

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October 6, 2018 · 4:59 pm

What I Learned At The “Dark Phoenix” Panel At New York Comic Con 2018

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There were a lot of wonderful moments at New York Comic Con this year. While I’ve already shared a few, it’s safe to say that the biggest highlight for me was being able to attend the panel for the “Dark Phoenix” movie. Since I’ve made my excitement and concerns about this movie very clear, I don’t think that should surprise anyone.

The panel itself was very well-attended. Anyone who claims that nobody is interested in this movie since Disney is buying Fox can officially piss off. As soon as Tye Sheridan and Sophie Turner walked out onto that stage, there was a huge cheer that echoed throughout the Jacob Javits Center. It was a really powerful moment.

I had to fight my way through a lot of equally-eager X-men fans to get a good seat. These pictures, by the way, are not taken from some comic reporting site. I took these with my phone and I’m very proud of how close I managed to get. It’s probably the closest I’ll ever get to celebrities like this for the rest of my life.

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While at the panel, I learned a few things of note that made me all the more excited about this movie. Some of those things have already been reported by some sites. Here are a few others I picked up on.

Sophie Turner and Tye Sheridan have great chemistry, more so than James Marsden and Famken Jansen did in the original X-men movie.

This was obvious by how how well they got along, how close they sat, and how much they smiled around one another. You can usually tell when an actor and actress don’t get along. It really shows and it tends to undermine the movie. If you don’t believe me, just look at how that worked out for Hayden Christiansen and Natalie Portman in “Star Wars: Attack of the Clones.”

This movie will fully embrace the cosmic nature of the Phoenix Saga.

Those aren’t my words. That’s what Simon Kinberg said outright during the panel. He flat out admitted that “X-men: The Last Stand” did not do justice to the Phoenix Saga, which actually drew some cheers. He then made clear that the cosmic part of the Phoenix will be a big part of the movie and the footage they showed definitively proved that.

This is huge because anyone who claims this movie is just a remake of “X-men: The Last Stand” will not be able to say that with a straight face after seeing how it plays out.

Jean Grey is NOT the one in that grave during the funeral scene depicted in the trailer.

 

I was kind of surprised that Kinberg confirmed this, outright. He said during the interview that the funeral scene was not for Jean. There was someone else in that grave and the identity of that person, which he did not reveal, is what really divides the team.

On top of that, Kinberg made clear that this moment really undermines the faith the X-men have in Charles Xavier. Before this moment, they trust him implicitly. Jean, especially, trusts him. After what happens here, though, the team somewhat turns against him and he struggles to regain their trust.

That’s another powerful bit of drama that “X-men: The Last Stand” did not do much to develop. Xavier makes some hard choices and the consequences of those choices hurt many.

Cyclops really steps up and becomes the true leader of the X-men.

This also got plenty of cheers from the crowd. To hear Tye Sheridan talk about his character was a powerful moment. He talked about how Cyclops finds himself in a tough position where he has to make decisions that put him against others. He has to go against the will of friends, teammates, and even Charles Xavier. He isn’t given the role of leader. He earns it.

For the many Cyclops fans who hated how he got treated in the original X-men trilogy, this should be music to your ears. I could feel Tye’s enthusiasm for the character, along with many others in the crowd. I also noticed Sophie Turner smiling a lot when he talked about it, which I also think was a promising sign.

Jennifer Lawrence, more than any other cast member, tried to get “Game of Thrones” Spoilers out of Sophie Turner.

This was a serious question that also got some cheers, mostly from people dressed as “Game of Thrones” characters. Sophie Turner didn’t hesitate when she answered. She said that Jennifer Lawrence made her love of “Game of Thrones” very clear on set. She tried on more than one occasion to get some details from Turner. She didn’t say how much she succeeded, but I wouldn’t be surprised if Lawrence knows something we don’t.

There are a lot of other details I could mention from this panel. I’ll keep them to myself, though. They are now among my most precious memories of New York Comic Con and I honestly don’t know how they’ll be topped in the years to come. After being part of this panel, though, I’m a lot more hopeful about this movie. I genuinely believe it’s going to be the movie X-men fans have been waiting for.

 

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