Tag Archives: Jean Grey

What Recent X-Men Comics Can Teach Us About Present (And Future) Politics

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Trying to make sense of politics is like trying to understand quantum mechanics while stoned. The process of governing humanity has always been tricky. Ever since we exchanged our basic hunter/gatherer ways for a more formal system of order, the process has only become more difficult over time. You don’t have to look far to see the complexities and the overall absurdities of politics.

I’ve tried to talk about politics before, albeit with a limited focus on hot-button issues. I never claim to be an expert or an authority on the matter. I’m an aspiring erotica/romance writer. My understanding of politics is as limited as most people who don’t live, work, and breath these issues. Despite those limitations, I still want to make an effort to talk politics in a novel way.

As it just so happens, I’ve come up with just such a way and it involves X-Men comics. Considering how much I’ve written about X-Men and superhero comics in general, this should surprise no one.

More specifically, I want to take the events that have been unfolding in the X-Men comics for the past two years and use it to make sense of the current state politics. I also want to use it to speculate a bit on where these politics might lead us. Again, I am not even close to an expert, but I do believe that art and media have an uncanny way of shining a light on the real world and there are few narratives more uncanny than the X-Men.

The current state of politics, especially in the United States and Western Europe, has been dominated by polarization. More and more, citizens are becoming more tribal. On top of that, people are becoming more divided. That’s not just an anecdote, either. According to Pew Research, the public has become more ideologically split over the past 20 years and it’s only getting worse.

Rather than try to make sense of these decade-long trends, I want to apply it to the politics in the X-Men comics. More than any other superhero comic or franchise, politics are a major driving force for the X-Men, more so than killer robots. Co-creator, Stan Lee, stated that the inspiration for the X-Men was drawn from the ongoing Civil Rights movement that was in full swing in the early 1960s.

Over the years, this idea of mutants being an oppressed minority who were hated and feared for being different has been the driving force behind the X-Men’s story. It is also a big part of what helped them gain such a wide appeal. Some of the X-Men’s most iconic stories come from conflicts inspired by the hate and fear that ordinary humans feel towards mutants.

In the real world, hatred and fear are powerful forces that don’t need killer robots to cause upheaval. Hatred and fear is at the heart of debates surrounding migrants and immigrants. That same hatred and fear is at the heart of the political polarization.

Liberals hate and fear conservatives because they think they want to turn the world into one big plantation ruled by rich, wealthy slave-owners.

Conservatives hate and fear liberals because they think they want to abandon their heritage, punish people for the sins of their ancestors, and micromanage their lives.

In the world of X-Men, humans hate and fear mutants because they think they’re too dangerous, unpredictable, and uncontrollable. On top of that, if they truly are a new species, then that means their survival means humanity’s extinction.

The parallels aren’t perfect, but they are there. Mutants aren’t just a metaphor for any minority who has been oppressed, segregated, and denigrated. They represent just how divided two groups can be. Constant conflict ensures that hatred and fear will fester. However, it’s the events of House of X and Powers of X that the entire concept of X-Men has gained greater political relevance.

In case you haven’t been following superhero comics, the details of these events are many, but the theme is relatively simple. After years of fighting, running, surviving, and being marginalized because of movie rights, the entire mutant race has decided to reorganize themselves into a new society.

This isn’t some exclusive club or superhero team. With help from Charles Xavier and the powerful foresight provided by Moira MacTaggart, the mutants of the Marvel Universe have united within a new homeland, which happens to be a living island. They also have their own mysterious language that only they understand. They are essentially establishing themselves as a new political entity.

In the scope of the X-Men’s 50-plus year history, the idea isn’t new. There have been multiple efforts over the years to give mutants a homeland. One was called Genosha. One was called Utopia. Both enjoyed some measure of short-term success, but both ended up destroyed or abandoned. The reasons for this aren’t important. What sets them apart from Krakoa is the scale.

To understand it in a real-world context, think of Genosha and Utopia as enclaves within a community. They’re akin to neighborhoods in America or Europe that are predominantly populated by a particular ethnic group or religion. Many are quite successful in their own right. Others have become the sites of atrocities and tragedies.

What the mutants are doing with Krakoa in the comics is something bigger than an enclave. They’re not just seeking to be recognized as a full-fledged country, either. Charles Xavier, the X-Men, and every other mutant is building Krakoa to be a society that can function with or without humanity. It’s not land borrowed from humans. It’s land that’s theirs and theirs alone.

That’s not to say Krakoa operates in isolation, as Wakanda once did. They actually seek to maintain diplomatic relations with the world. They even have valuable resources with which to trade. They don’t have to make these kinds of deals, but under Charles Xavier, they do anyway. It culminates in “House of X #5,” in which Krakoa gains formal recognition by the UN.

This is where the politics of the X-Men comics add some necessary nuance to what we’re seeing in the real world. When people feel marginalized, they tend to feel unwelcome. Even if you are legally an American, a German, an Italian, or a Wakandan, being hated and feared by a large segment of the country makes you feel like you don’t belong.

Between divided polls and America’s colorful electoral map, it’s not hard for anyone to feel out of place. The added polarization provided by the internet, social media, and cable news only adds to the divisions and the animosity. As a result, people naturally retreat into groups and tribes where they feel welcome. Whether it’s a political group, a religious group, or an identity, they seek some form of sanctuary.

In doing so, these groups essentially create their own little world within their community. It’s a world that might as well be a separate reality from what others see. It’s how different people can see the same facts, but have wildly different interpretations. Their brains are still working and the facts are still facts. It’s how they apply them to their world that’s different.

Each group feels they don’t belong. They may even feel victimized. It doesn’t matter if the group happens to make up the vast majority of the population. They still feel like they’re the ones under attack, not unlike the X-Men when they constantly confront fearful, hate-filled humans. They act as though they need to carve their own place in the world and defend it at all costs.

This is where House of X and Powers of X can provide some possible insights into the future of politics. To some extent, Krakoa is a natural byproduct of mutants being hunted, attacked, and denigrated at every turn. They tried isolating themselves on islands. They tried living among humans, sometimes in their most populated cities. Now, they’re trying something bigger.

It’s not exactly peaceful and not everyone understands it, which seems antithetical to Charles Xavier’s dream. However, it’s pragmatic in a very political sense. They have a homeland that they can control. They have barriers for entering and exiting that homeland. Nobody who isn’t authorized can enter it. It’s basically the ultimate immigration control.

On top of that, it has valuable resources that the rest of the world wants. The mutants of Krakoa are willing to share them, but only if they respect their new homeland and treat it like a legitimate country with its own culture, laws, and norms. In a world where people constantly attack others for not respecting their culture or norms, it feels like the ultimate endgame of sorts.

Those who want their culture and way of life preserved will only have more incentive to become more organized. If they keep feeling hatred and fear, they may look for ways to simply function without those they feel don’t belong. People won’t just become more ideologically divided. They may end up more divided in a very literal sense.

It’s the ultimate manifestation of our natural tribal instincts. We seek to join, maintain, and protect our tribe from others, be they real or imagined. It doesn’t matter if there are objective facts that show our tribe is somehow wrong or misguided. We still feel inclined to protect it at all cost.

This era of X-Men comics has been exciting. Writer, Jonathan Hickman, has turned the X-Men from just another superhero team into a blossoming community with its own culture, identity, and borders. As an X-Men fan, I’ve been enjoying it a great deal. As someone in the real world who can’t always avoid politics, it leaves me worried about just how divided we’ll ultimately become.

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New Comic Book Day April 28, 2021: My Pull List And Pick Of The Week

I’m a morning person, by nature. I know that makes me a freak to some people and I totally get that. I’ve met people who just can’t function properly before eight in the morning. I’m just not one of them. Ever since high school, I’ve been wired to get up before six and start doing whatever I need to do for my day.

That hasn’t just helped me with school, work, hobbies, and what not. It has nicely supplemented my love of comics, especially since Comixology entered the picture. I’ve lamented before how agonizing it was in ancient times before the internet. Back then, if you couldn’t get to a comic shop, which rarely opened before ten in the morning, you had to wait for your comics to arrive in the mail.

Except, they almost never arrived on time. In fact, a comic arriving on a Wednesday afternoon was something to be celebrated.

I don’t miss those days. Being a morning person, New Comic Book Day was less an event and more a test in frustration. That’s why Comixology has been such a godsend. Now, when I wake up early like I always do, I have my new comics waiting for me on my iPad. It’s a beautiful thing and I just love starting my Wednesday mornings with coffee and comics while watching the sun rise.

Even if you’re not a morning person, these are good times to be a comic fan. It has never been easier to get into. If you have an internet connection or a smartphone, you can immerse yourself in the world of comics. You don’t have to take in everything all at once. It can start with one Wednesday morning. Why not make it this one?

To assist, here is my pull list and pick of the week. Enjoy!


My Pull List

Action Comics #1030

Batman Black & White #5

Batman/Superman #17

Black Widow #6

BRZRKR #2

Cable #10

Detective Comics #1035

Fantastic Four #31

Miles Morales: Spider-Man #25

New Mutants #17

Savage Avengers #20

Silk #2

Star Wars: Darth Vader #11

X-Men Legends #3


My Pick Of The Week
X-Men Legends #3

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New Comic Book Day March 31, 2021: My Pull List And Pick Of The Week

I like that the weather is getting warmer. I really do. However, when you have allergies like I do, your excitement about spring and warmer weather generally take a hit. As I write this, the trees outside my window are blooming. They look beautiful and all, but I know what this is going to do to my allergies and I’m not looking forward to it.

I’ve dealt with allergies all my life. I’ve taken medications to deal with them in the past, but medication only goes so far. Sometimes, you need something else to either supplement that effort or help you ignore the sinus congestion. New comics aren’t a cure all. I’m not going to claim that. I’ll just say that, regardless of the medications I take, they’re a welcome distraction.

This stretch of omega level allergy season usually lasts a couple weeks, at most. During those weeks, having a stack of new comics to help me navigate those weeks is a welcome remedy. You don’t need a prescription and you can safely consume them with alcohol. What more do you want in a remedy?

It also helps that this is also the time of year when major comic companies start teasing their big summer events. Last year was such a bust for obvious reasons. This year, every company seems to be trying to compensate and build up some hype. I’m already starting to see it and I expect the pace to pick up in the coming week.

Marvel is doing it. DC is doing it. Image, Top Cow, and Dark Horse are doing it. Some will succeed. Some will fail. In the end, the fans are the winners. Those with allergies just happen to win more than most. Wherever it leads, this week brings us just a bit closer.

To my fellow allergy suffers, hang in there. In the meantime, here’s my pull list and pick of the week. Enjoy!


My Pull List

Avengers: Curse Of The Man-Thing #1

Batman/Catwoman #4

Black Cat #4

Captain America #28

The Flash #768

Grimm Fairy Tales #47

King In Black: Ghost Rider #1

Power Rangers Unlimited: Heir to Darkness #1

Silk #1

X-Men #19

X-Men Legends #2


My Pick Of The Week
X-Men Legends #2

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New Comic Book Day February 17, 2021: My Pull List And Pick Of The Week

Every week brings comic book fans like myself a fresh batch of glorious, colorful wonder. It’s one of the best things about being a comic book fan these days. So long as you have an internet connection, a Comixology account, and an uncracked computer screen, you can enjoy new comics every Wednesday like presents on Christmas morning.

It’s a beautiful thing, indeed. It makes Wednesdays the best days of the week that don’t involve football games.

However, not every New Comic Book Day is the same. Some are more eventful than others. Every week, I have a pretty good idea of what comics I’m most interested in. Some weeks don’t have much to offer. I still usually find something to justify waking up at 4:30 a.m. just to check out the latest books.

For certain weeks, however, are a lot more exciting. There are some books that I’ve been following for months, buying into the hype and embracing all the teasers. Sometimes, publishers try to market their book like the best thing since chocolate fudge. It doesn’t always pan out, but when those books deliver, it’s a beautiful thing. It turns Wednesday into the equivalent of two Christmas mornings and Halloween.

I’m not saying that this week is one of those extra-special New Comic Book Days for everyone. Peoples’ preferences are subjective. Not everyone is going to be excited by the same things. For me, personally, let’s just say I didn’t get much sleep last night, but some kinds of restlessness are worth it.

I hope others share that same joyous sentiment on this most eventful of New Comic Book Days. As always, here is my pull list and pick for the week. Enjoy!


My Pull List

Batman/Catwoman #3

Black Widow #5

Cable #8

Captain America #27

Future State: The Next Batman #4

Future State: Immortal Wonder Woman #2

Iron Man #6

King In Black #4

Marauders #18

Power Rangers #4

Savage Avengers #18

Thor #12

X-Men Legends #1


My Pick Of The Week
X-Men Legends #1

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New Comic Book Day December 30, 2020: My Pull List And Pick Of The Week

It’s the last New Comic Book Day on the last week of the year and I think I speak for many, comic lovers and non-comic lovers alike, when I say fuck 2020. Fuck this god-awful year. It cannot end fast enough.

I apologize. I just needed to get that out of my system. Thank you for bearing with me.

I know that’s a popular sentiment. I think everybody is ready to close the page on this shitty year and embrace 2021 in ways we usually reserve for puppies, kittens, and a cold beer on a hot summer day. However, we still have a few days left so there’s still time for an asteroid to hit.

For comic lovers, this year has been plenty challenging. At one point, the global pandemic that has dominated this year effectively brought the entire comic book world to a halt. It was a painful, heart-breaking time. I still remember it and the agony that came with it.

The industry has since adapted. It still has a long way to go and will likely face more upheavals in 2021. However, the bar for improvement is so low at this point that I’ll be content if it just means I can attend a comic convention at some point.

Normally, the last New Comic Book Day of the year is a time of bittersweet reflection. This year, which has been like no other, carries a very different feeling. Whatever that feeling entails, let’s try to enjoy it as best we can. Better days are coming. I believe that and I’m willing to work towards it.

In the meantime, here is my pull list and pick for the week. Enjoy!


My Pull List

Amazing Spider-Man #55

Avengers #40

Batman Annual #5

Ghost Rider: Return Of Vengeance #1

Justice League: Endless Winter #2

King In Black: Iron Man/Doom #1

Shang-Chi #4

Van Helsing #50

Wolverine #8

X-Men #16


My Pick Of The Week
X-Men #16

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Jack’s World: How House Of X/Powers Of X Redefined The X-Men

The following is a video from my YouTube Channel, Jack’s World. As someone who has followed and praised X-Men comics for years, I wanted to make a video that articulated just how important the recent House of X/Powers of X story by Jonathan Hickman is in the history of the franchise. I tried to do it justice while trying not too hard to geek out. Enjoy!

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New Comic Book Day September 16, 2020: My Pull List And Pick Of The Week

Happiness and joy often come in small doses, but like good investments, they compound quickly. I learned that early in life when I discovered how much more joy I got from a $3 comic than I did by trying to be the most popular kid in school.

Don’t get me wrong. Having friends is great. Being popular is great. It’s just easier to pay a few bucks for a comic than it is to jump through all the assorted hoops that come with seeking more elaborate forms of happiness. In terms of the simplest things that make me happy, a comic is one of the best bargains out there.

They’re not very expensive. They’re colorful and easy to access. You can even take them with alcohol. Kids and adults alike can appreciate them. Once you find a few series and titles you like, you’ve got a consistent source of joy to look forward to every week. That’s a big part of what makes New Comic Book Day such a delight.

My comic book consumption has changed over the years, but I’ve always found a way to enjoy every Wednesday. Thanks to Comixology, it has never bene easier. In a year like 2020, we need whatever sliver of joy we can get. New Comic Book Day can be part of that effort. To that end, here’s my pull list and picks for the week. Enjoy!


My Pull List

Amazing Spider-Man: The Sins Of Norman Osborn #1

Batman #99

Catwoman #25

Excalibur #12

Hellions #4

Immortal Hulk #0

Star Wars: Darth Vader #5

Justice League #53

Thor #7

X-Men #12

Giant-Sized X-Men: Storm #1


My Pick Of The Week
Giant-Size X-Men: Storm #1

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Jack’s World: X-Men Supreme Reflections Jean Grey (Featuring DC-MarvelGirl 1997)

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The following is a video for my YouTube channel, Jack’s World. It’s similar to a video I did a while back that brings to life an excerpt from an old fan fiction project of mine, X-Men Supreme. For this one, I’m doing it in collaboration with my good friend and fellow YouTuber, DC-MarvelGirl1997.

I can’t thank her enough for doing this for me. Unlike me, she has voice acting talent. She kindly lent it to this video and I’m very pleased with the results. Please check out her channel for more videos like this. I hope this is the first of other similar collaborations. Enjoy!

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My New YouTube Channel And My First Video!

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I have an exciting announcement to make. Today, I’ve officially launched my own YouTube channel. I call it Jack’s World. It’s a new creative outlet and one I hope leads me to bigger and better things.

Now, I’ve had this idea for a while. Earlier this year, I announced that I would be scaling back my writing on this site. I’ve also scaled back on writing my sexy short stories and novels. The reasons for that are many, but it comes down largely to time, effort, and response.

I wasn’t getting much traffic from those endeavors. I’d hoped that I could build an audience that would eventually result in forging connections in the publishing world. That effort just didn’t pan out and I’m not confident that it will, especially given the current situation.

I still want to build an audience. I still want to make a living selling books, telling sexy short stories, and sharing my insights with the world. I just can’t do that with this site alone. As such, I’m going to give YouTube a try.

My new channel will be similar to this site in that it covers various topics, from comic books to current events to personal stories to angry rants. It’s my sincere hope that I find a larger audience and greater connections. Today, that journey starts.

I’ve had to teach myself some video editing along the way, but I’ve managed to make my first video. As it just so happens, it involves X-Men and superhero movies. That should shock nobody. It also involves “Dark Phoenix,” a movie that still hold a special place in my heart and always will. I hope you enjoy it.

If you have other ideas for videos or content, please share it. I’ve already got plans for the next crop of videos. Since my channel is small, I’m going to focus on many topics, hoping to eventually find my niche. As for what it means for this website, that remains to be seen. Until then, I hope everyone will join me in Jack’s World.

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Jack Fisher’s Weekly Quick Pick Comic: X-Force #4

There are some people in this world, as well as fictional worlds, who will never be content to let things progress for the better. No amount of mutual benefit, understanding, or sincerity will be enough. They’ll always seek to destroy anything that might change the world they know, even if it’s for the better. They won’t just complain about it on social media, either. They’ll resort to the worst kinds of violence.

These are the people that X-Force deal with. Throughout their history in the X-Men comics, they’ve dealt with the dirty stains of humanity that never wash out, no matter how hard you scrub. They’re the ones tasked with confronting these threats, be they human or mutant, with a level of gratuitous violence that you won’t see outside of “Game of Thrones” reruns.

The need for X-Force, as well as their violent tactics, is one again reaffirmed in “X-Force #4.” At a time when mutants have made genuine progress through Krakoa and a new geopolitical role in the world, they’re still subject to hatred, attacks, and atrocities.

In the first three issues of the series, writer Benjamin Percy demonstrated that, despite having their own nation in the form of a living island and the ability to resurrect dead mutants, they’re still vulnerable.

Charles Xavier got shot. Domino was captured and had half her skin ripped off. The fact that any of this can happen, given all the resources at the X-Men’s disposal, is wake-up call and a reminder as to why X-Force isn’t just necessary. It needs an overhaul.

That overhaul begins to unfold in “X-Force #4” and in the midst of another mysterious attack, no less. While this one didn’t end with anyone getting shot or flayed, it did hit Krakoa in the wallet, which can hurt as much as getting shot. The nature of the attack and who is behind it remains a mystery, but X-Force is put on the front lines.

However, this is not the same X-Force that that Rob Liefeld brought to live during the grunge-fueled heyday of the 1990s. They’re not operating completely in secret as some secret kill-squad that everyone is better off not knowing about. Instead, Percy sets them up to be Krakoa’s version of the CIA, complete with its own Seal Team 6.

It’s somewhat of a shift for what X-Force has historically been in the X-Men comics, but it fits perfectly with the current situation surrounding mutants and Krakoa. Mutants are no longer scattered, isolated, and running from killer robots at least once a week. They have their own nation, language, and emerging culture. Protecting it requires something more organized than a shadowy kill squad.

That means more assistance from those who have traditionally argued against the merits of secret kill squads, such as Beast and Jean Grey. However, after seeing Charles Xavier get shot in the head and Domino get tortured, they’ve become a bit more pragmatic in handling these kinds of threats.

The events of the first three issues caught them off-guard. They try to be much more proactive in “X-Force #4,” investigating the attacks and organizing a response. Naturally, Wolverine is part of that response since many of the threats X-Force deals with require significant stabbing. Now, armed with Krakoan weapons provided by Forge and Kid Omega’s attitude, they’re ready to be a new kind of X-Force.

It may not be the kind of profane, brooding, blood-soaked X-Force we’ve seen in the past, but it feels appropriate for the X-Men’s current situation. Jonathan Hickman set up a very different set of dynamics for the X-Men through “House of X/Powers of X.” Percy just creates a version of X-Force that fits within the context of these dynamics.

Having a team like this doesn’t just feel necessary after the events of the first three issues. It feels personal. These weren’t just angry protests or hate threads on Twitter. Someone managed to attack their home and shoot one of their most powerful figures in the head. However one might feel about X-Force’s violent tactics, there’s no denying that they’re as motivated as they ever were.

For a quality X-Force comic, it’s not enough to just have ample violence and an attitude ripped from mid-90s heavy metal music. There needs to be a greater context to the added violence, preferably one that complements the current status quo of the X-Men comics. With “X-Force #4,” Percy succeeds in creating that context and artist Joshua Cassara gives it the necessary grit.

The overall lineup for X-Force is still somewhat small, but it has plenty of room to grow. After what happens on the final page, it’ll have to for reasons that are as obvious as they are bloody. The threat X-Force has to kill is still somewhat vague. Only a few details have come out thus far, but the only detail that matters is that they can hit Krakoa where it hurts and they’re not inclined to be diplomatic about it.

X-Force has always billed itself as a superhero team that relies on less-than-heroic methods to get the job done. They’re not a team that wears flashy costumes and parades alongside other, more reputable heroes. They do what they do in the shadows and don’t mind incurring some extra bloodstains to do it.

X-Force #4” starts with something bloody, but ends with something bloodier. Given the nature of the emerging threats they face and the wounds they’ve already incurred, it promises to get even bloodier with future issues. It’s everything you want in an X-Force comic and then some.

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