Tag Archives: Fox

What I Learned At The “Dark Phoenix” Panel At New York Comic Con 2018

IMG_2742

There were a lot of wonderful moments at New York Comic Con this year. While I’ve already shared a few, it’s safe to say that the biggest highlight for me was being able to attend the panel for the “Dark Phoenix” movie. Since I’ve made my excitement and concerns about this movie very clear, I don’t think that should surprise anyone.

The panel itself was very well-attended. Anyone who claims that nobody is interested in this movie since Disney is buying Fox can officially piss off. As soon as Tye Sheridan and Sophie Turner walked out onto that stage, there was a huge cheer that echoed throughout the Jacob Javits Center. It was a really powerful moment.

I had to fight my way through a lot of equally-eager X-men fans to get a good seat. These pictures, by the way, are not taken from some comic reporting site. I took these with my phone and I’m very proud of how close I managed to get. It’s probably the closest I’ll ever get to celebrities like this for the rest of my life.

IMG_2737

While at the panel, I learned a few things of note that made me all the more excited about this movie. Some of those things have already been reported by some sites. Here are a few others I picked up on.


Sophie Turner and Tye Sheridan have great chemistry, more so than James Marsden and Famken Jansen did in the original X-men movie.

This was obvious by how how well they got along, how close they sat, and how much they smiled around one another. You can usually tell when an actor and actress don’t get along. It really shows and it tends to undermine the movie. If you don’t believe me, just look at how that worked out for Hayden Christiansen and Natalie Portman in “Star Wars: Attack of the Clones.


This movie will fully embrace the cosmic nature of the Phoenix Saga.

Those aren’t my words. That’s what Simon Kinberg said outright during the panel. He flat out admitted that “X-men: The Last Stand” did not do justice to the Phoenix Saga, which actually drew some cheers. He then made clear that the cosmic part of the Phoenix will be a big part of the movie and the footage they showed definitively proved that.

This is huge because anyone who claims this movie is just a remake of “X-men: The Last Stand” will not be able to say that with a straight face after seeing how it plays out.


Jean Grey is NOT the one in that grave during the funeral scene depicted in the trailer.

 

I was kind of surprised that Kinberg confirmed this, outright. He said during the interview that the funeral scene was not for Jean. There was someone else in that grave and the identity of that person, which he did not reveal, is what really divides the team.

On top of that, Kinberg made clear that this moment really undermines the faith the X-men have in Charles Xavier. Before this moment, they trust him implicitly. Jean, especially, trusts him. After what happens here, though, the team somewhat turns against him and he struggles to regain their trust.

That’s another powerful bit of drama that “X-men: The Last Stand” did not do much to develop. Xavier makes some hard choices and the consequences of those choices hurt many.


Cyclops really steps up and becomes the true leader of the X-men.

This also got plenty of cheers from the crowd. To hear Tye Sheridan talk about his character was a powerful moment. He talked about how Cyclops finds himself in a tough position where he has to make decisions that put him against others. He has to go against the will of friends, teammates, and even Charles Xavier. He isn’t given the role of leader. He earns it.

For the many Cyclops fans who hated how he got treated in the original X-men trilogy, this should be music to your ears. I could feel Tye’s enthusiasm for the character, along with many others in the crowd. I also noticed Sophie Turner smiling a lot when he talked about it, which I also think was a promising sign.


Jennifer Lawrence, more than any other cast member, tried to get “Game of Thrones” Spoilers out of Sophie Turner.

This was a serious question that also got some cheers, mostly from people dressed as “Game of Thrones” characters. Sophie Turner didn’t hesitate when she answered. She said that Jennifer Lawrence made her love of “Game of Thrones” very clear on set. She tried on more than one occasion to get some details from Turner. She didn’t say how much she succeeded, but I wouldn’t be surprised if Lawrence knows something we don’t.


There are a lot of other details I could mention from this panel. I’ll keep them to myself, though. They are now among my most precious memories of New York Comic Con and I honestly don’t know how they’ll be topped in the years to come. After being part of this panel, though, I’m a lot more hopeful about this movie. I genuinely believe it’s going to be the movie X-men fans have been waiting for.

 

Leave a comment

Filed under Comic Books, Jack Fisher, Superheroes, Jack Fisher's Insights, superhero comics, superhero movies, X-men

The “Dark Phoenix” Delay: The Possible Reasons (And A Best Case Scenarios)

darkphoenix

It has been a week of roller coaster emotions for X-men fans. I feel like one of those fans who has ridden that ride one too many times and thrown up more than I care to admit. While our collective stomachs settle, it’s worth talking about what happened.

This week started with excitement and elation. The first trailer for “X-men: Dark Phoenix,” or just “Dark Phoenix” as it’s officially called now, finally dropped. As someone who has been eagerly awaiting this movie and written more than a few pieces about it, this moment was the biggest thrill I got since I first saw the “Avengers: Infinity War” trailer.

Then, just a few days later, Deadline dropped some frustrating news. The release date for “Dark Phoenix” is being pushed back for the second time to June 7, 2019. Originally, it was supposed to come out in November 2018, but it was delayed for entirely understandable reasons.

This movie boasts a cast of big names who are busy with major projects. Sophie Turner, the fiery woman tasked with bringing Jean Grey and the Phoenix Saga to life, was busy shooting the last season of “Game of Thrones.” Since you can only do so much with CGI and body doubles, the movie had to be pushed back to February 2019 to accommodate her schedule and that of the other stars.

I was okay with this. In fact, I thought it would be perfect. Now, “Dark Phoenix” was set to come out in mid-February, which has become a hot slot for movies in recent years. The massive success of “Deadpool” and “Black Panther” proved that this can be a viable slot for a major blockbuster.

On top of that, the Phoenix Saga is very much a love story. If “Dark Phoenix” could capture even a fraction of the heart that Chris Claremont’s original story did in the comics, then this movie could’ve gone onto be a true Valentine’s Day classic. Being both an X-men fan and a romance fan, I couldn’t have been happier with this situation.

Now, it seems, that ideal scenario is no longer happening. I’ve got nothing against a June release date. Historically, that’s when most major X-men films come out, going all the way back to the days of the first “X-men” movie. At the same time, though, this news has me worried, but not necessarily for the content of the movie.

As I’ve noted before, “Dark Phoenix” has a bit of a branding problem that it doesn’t deserve. Unlike other Marvel movies, this movie is assumed to be awful for the simple reason that it isn’t in the MCU, the gold standard for all superhero movies. A good chunk of the comments for the trailer are people whining that this movie doesn’t have Kevin Feige’s magic touch, among other things.

Never mind the fact that this movie is actively trying to undo the mistakes that were made in “X-men: The Last Stand.” Never mind the fact that the trailer already revealed that it’s doing the exact opposite of what its predecessor did, from embracing the cosmic elements of the Phoenix Force to giving Cyclops a major role. It’s still getting crap because it’s not in the MCU.

This latest delay is only going to give those people even more excuses to whine about it. It doesn’t matter if that whining has no basis in truth. They can claim that this is another sign that this movie is awful and, no matter how great it ends up being, they’ll cling to that notion until their dying breath.

I’m not going to try and convince those people that “Dark Phoenix” will be good or that this delay has a perfectly reasonable explanation. I don’t have any connections in Hollywood and I’m not a mind-reader on the level of Charles Xavier. I’m still hoping we’ll get some explanation in the coming days, but I doubt anyone will believe it.

Half the comments in the comments section will say, “Cancel the damn movie and give it to Feige!” They say this as though the people who work at Fox and Disney don’t like money and can just throw away a movie that costs $200 million. This isn’t Roger Corman’s dirt cheapFantastic Four” movie. This is a movie with major star power that can definitely turn a profit.

It even has the potential to be very good. Director/Producer, Simon Kinberg, has made it very clear that he’s trying to get back to the source material of the Phoenix Saga. Even so, people are still whining about it because his name isn’t Kevin Feige.

I’m still very excited for this movie, but I think this is the worst move Fox could’ve made. They’re just feeding the perception that this movie will be awful and even if it’s objectively good, those perceptions will sink this movie. Even if it makes a lot of money, it’ll be branded as that movie that was so bad that it got delayed twice.

It leads me to wonder why Fox made this decision and why their soon-to-be overlords at Disney let it happen. At the moment, I can only come up with three scenarios. One is the best possible case. The other is the worst possible case. The third is probably the most likely. Again, I claim no inside knowledge. This is just me speculating on what could be at work, based on what little information we can get from Google.


Worst Case Scenario: Fox Has No Faith In This Movie, But Has Faith In “Alita: Battle Angel”

Lost in the whining about what the trailer did or didn’t have, there’s another detail to the delay of “Dark Phoenix” that’s worth mentioning. Its previous release date, February 14, 2019, is now the release date of another Fox movie, “Alita: Battle Angel.”

This $200 million spectacle has James Cameron’s name attached to it so you know it carries weight. Its former release date also happened to be in the middle of December, which is packed with some heavy competition from multiple studios. As a movie that has also been delayed before, “Alita: Battle Angel” is a potential franchise that Fox wants to succeed.

Again, look no further than “Deadpool” and “Black Panther” to see how a franchise can blossom in February. The fact that Fox delayed “Dark Phoenix” implies that they think “Alita: Battle Angel” has more potential. Given how the X-men franchise has made $5.7 billion worldwide, that’s a pretty big downgrade.

Dark Phoenix” coming out in June means that Fox is just willing to dump the movie in the middle of crowded summer box office that will already be burnt out by “Avengers 4” and “Captain Marvel.” On top of that, it has “Toy Story 4” and “The Secret Life of Pets 2” as competition. Since the X-men are heading to the MCU anyway, they’re just throwing it away and hoping to scrap what little profit they can.

That’s the worst case scenario. Once a studio gives up on a movie, it really shows. Josh Trank’s “Fantastic Four” is proof of that and no movie, especially not “Dark Phoenix,” deserves that.


Best Case Scenario: The Delay Is Intended To Set The Stage For The X-men’s MCU Debut

This is probably the only reason I and even the most ardent detractors of the movie will accept. If it turns out that the reason for this delay is to set up a teaser for the X-men’s arrival into the MCU, then I would totally be okay with that. In fact, that would probably bump up the box office for this movie in a big way.

While I doubt this is likely, it’s worth pointing out that June 2019 is exactly 18 months after Disney and Fox announced they were merging in December 2017. At the time, it was said outright that the merger would take 18 months to complete. For all we know, the day “Dark Phoenix” premiers is the day the X-men are officially under Disney’s domain.

That means they could use this extra time to tac on a few scenes to connect “Dark Phoenix” with the MCU. Given the universe-shattering events of “Avengers: Infinity War,” it’s not that crazy an idea. Trust me, if fans saw a hint of Thanos’ finger snap at the end of the movie, their jaws would hit the floor and they would throw all the money in their wallets at Disney as thanks.

Now, this is unlikely for a very good reason. As far as we know, Fox and Disney still haven’t completed their merge. That means that legally speaking, Disney still can’t mention mutants in their movies. However, seeing as how Feige got his start at Fox, it’s not inconceivable that he would try to pull something like this.

If Fox could do this and move “Alita: Battle Angel” out of a crowded holiday season, then that’s just icing on the cake.


Most Likely Scenario: It’s Just A Mundane Marketing Decision

This is the most boring, but likely scenario. At the end of the day, it all comes back to marketing. Delaying “Dark Phoenix” had nothing to do with agendas, Disney conspiracies, or production issues. It was all about marketing.

Unlike the previous two scenarios, this one has some actual merit. In the same Deadline article, there’s this quote.

“Summer is not only a better date, but again, it gives the film a better shot to have a bigger opening in China. Why? The trailer clocked 44 million views in first 24 hours of release online this week out of China. Also, premium screens previously reserved for Gambit will be in play and provide an even bigger upside for the film.”

It makes a bland bit of sense. The long-delayed “Gambit” movie was slated for a June 7, 2019 release and that movie hasn’t even started production. On top of that, it’s not as close to other major Disney/Marvel movies. February 14, 2019 is just a few weeks before “Captain Marvel” drops and “Dark Phoenix” could end up undercutting it, which is not what Disney wants.

In addition, if launching the movie in summer means a bigger opening in an overseas market, which has become a big deal in the movie business, it’s just more practical in the long run. That still won’t stop people determined to hate this movie from finding an excuse to hate it. Those people aren’t the millions of Chinese movie-goers this movie is now aiming for.

I’m still hoping we’ll get a more complete explanation from someone like Simon Kinberg or Sophie Turner very soon. In the end, though, I doubt it will matter. It certainly doesn’t matter to me. I’m very excited about this movie. I’m determined to see it. If it’s as good as I hope, then I’ll gladly praise it. I just worry that too many people have already made up their mind and won’t stop looking for excuses.

2 Comments

Filed under Comic Books, Jack Fisher, Superheroes, movies, superhero comics, superhero movies, X-men

The Dark Phoenix Trailer: What’s There, What’s Missing, And What’s Uncanny

darkphoenix

It’s finally here! It was subject to delays, bogus leaks, and misinformation about the extent of reshoots. None of that matters now because it’s really here. The trailer for “X-men: Dark Phoenix” has finally arrived in all its fiery glory.

Before I write another word, let’s all just take a moment to watch it again and appreciate the promise of a movie that may actually do justice to the Phoenix Saga.

I’ll give everyone a minute to process it again. Whether you loved it or hated it, there’s no way around it. This movie is coming, despite the rumors that claimed otherwise. On February 14, 2019, this movie is coming out and I hope to be among the first to see it. That had been my intention since the movie was announced, but this just gave me more incentive.

For the next several days, there will be plenty of talk about the reaction to this trailer. I already have a pretty good feeling of how it’ll play out. X-men fans, like, me who were deeply disappointed by how this story was handled in “X-men: The Last Stand” will be elated. Those who just want the X-men to join the Marvel Cinematic Universe will whine about how this movie is a waste of time.

In between it all, there will be trolls and assholes who will find an excuse to hate the trailer and this movie, but that’s to be expected of any movie these days. There’s no helping those people. Instead, I’d rather focus on what we can and cannot glean from this trailer.

It goes heavy on the drama, which is perfectly appropriate for any movie involving the Phoenix Saga. It also answers some questions about the details of the story while posing a few others. I won’t break down every frame, but here are a few key insights that should get X-men fans like myself very excited.


What’s There

In short, there’s a lot. In fact, I would go so far as to say this trailer had more elements of the original Phoenix Saga from the comics than the entity of “X-men: The Last Stand.” Most importantly, this trailer established that the story of Jean Grey becoming Dark Phoenix will not be relegated to a side-plot.

That’s something I belabored last year when I listed several critical ways to avoid screwing up this movie. In fact, it was near the top of the list. One of the many mistakes “X-men: The Last Stand” made was trying to squeeze the most iconic X-men story ever written into several other plots involving completely unrelated themes. That’s just one of the many reasons it turned out so poorly.

This trailer starts and ends with Jean Grey’s struggle against the emerging darkness. That’s not just key for the basics of any Phoenix Saga. It makes clear that the main plot of this movie will focus on her and give Sophie Turner plenty of opportunities to show off her fiery persona. That, alone, is very promising for those hoping for a competent movie about this iconic X-men story.

In addition, the trailer offered hints that this movie will actually develop the Cyclops/Jean relationship that’s so critical to the emotional weight of the Phoenix Saga. That was another massive mistake in “X-men: The Last Stand.” A big part of why this story is so powerful is because it’s fueled by a love story between two characters trying to overcome obstacles of cosmic proportions.

Phoenix

Those are two critical factors in ensuring that this movie has the necessary elements to make a Dark Phoenix movie work. The trailer also hints at a few other details that aren’t related to the main Phoenix story, but nicely connect with other moments from the recent movies.

The most ominous scene, in my opinion, was the brief shot of Beast and Mystique. If you saw the “Rogue Cut” of “Days of Futures Past,” you saw that these two have had some romantic undertones that began way back in “X-men First Class.” From the looks of it, something happens to Mystique that sends Beast over the edge. That could also be what pushes Jean further down the path of the Dark Phoenix.

It’s hard to say what this means, but the shots of a funeral do not bode well for Jennifer Lawrence’s character. The fact that Beast is siding with Magneto later on in the trailer hints that he does not agree with how Xavier is handling Jean’s situation. Considering how Beast helped defeat Magneto in “Days of Futures Past,” that would be a major shift, but one that could add even more weight to the story.

There are so many hints and clues as to how the story will play out, but I’d rather not speculate too much. This trailer does manage to avoid excessive spoilers, but it’ll be interesting to see what else will be revealed as the release date draws near.


What’s NOT There

There’s not a lot, but I don’t deny that this trailer did have some glaring omissions. The biggest one, in my opinion, has to do with Jessica Chastain’s still-unnamed character. The only thing we know about her is that she plays the main villain of the story. While some took that to mean she would be playing the alien queen, Lilandra Neramani, that has since been debunked.

On her IMDB page, her character is only named Smith. That could mean any number of things. She could play a shape-shifting Skrull, who have clashed with the X-men many times in the comics. She could play Deathbird, an alien hunter with close ties to Lilandra’s alien race, the Shi’ar. She could be someone else entirely. We really don’t know.

Other than Chastain’s character, we don’t see much of Storm, Quicksilver, or Nightcrawler. They’re clearly present, but they don’t get to say or do much. That’s to be expected, though. This is a Dark Phoenix movie, after all. The focus should be on Jean Grey, Charles Xavier, and Cyclops.

That said, the other glaring omission in the trailer has to do with the Phoenix Force itself. While we do get some signs, we don’t get anything like the fiery display Jean showed at the end of “X-men Apocalypse.” We also don’t get any signs of the more cosmic elements of the Phoenix. While there are a few shots that hint of a scene in space, it’s only a tiny part at most.

That’s to be expected, though. This movie just finished up reshoots so I imagine the effects aren’t fully polished yet. There’s plenty of time between now and February to make it look as beautiful and stunning as a Dark Phoenix movie should. Perhaps a second trailer will reveal more. It worked for “Venom” and it can definitely work for this.


What’s Uncanny

More than anything else, this trailer showed that Simon Kinberg, Fox, and everyone else who got crap from what happened in “X-men: The Last Stand” is making a concerted effort to right the wrongs of the past. Kinberg has said in the past that he did not like how things played out in that movie. I’m all for giving him a chance to do so.

This trailer doesn’t prove he managed to fix everything. However, it does offer hope that this time will be different. This time, the Phoenix Saga won’t be a sub-plot. The story won’t be radically changed to make it all about Wolverine. It’s going to genuinely try to tell this iconic X-men story in the most complete way possible.

As much as I hated the first attempt, I’m more than willing to give this one a chance and then some. I know as well as everyone else that this will be the last X-men movie of the era that began back in 2000. It has already been confirmed that Kevin Feige, the architect of the MCU, is going to take control of the X-men’s cinematic future after the Disney/Fox merger.

Some are already looking forward to a completely rebooted X-men movie, complete with a new Wolverine who isn’t played by Hugh Jackman and a new line of stories that’ll give the X-men a chance to participate in the global juggernaut that is MCU. I’m excited for that too. However, that makes it all the more important that “X-men: Dark Phoenix” be the best, most uncanny movie it can possibly be.

2 Comments

Filed under movies, superhero comics, superhero movies, X-men

Bringing The X-men Into The MCU: What To Do And What To Avoid

x-men-joining-the-mcu

These are exciting times for fans of Marvel and superhero movies. We thought we had reached a high point in 2012 when “The Avengers” came out. Then, we reached an even higher point this year with “Avengers: Infinity War.” Between raising the bar for superhero movies as a whole and generating billions at the box office, it seems impossible that Marvel could ascend any higher.

Well, Marvel Studios treat the impossible the same way the Hulk treats puny gods. They made Ant Man a successful movie franchise. They turned an obscure comic book featuring a talking raccoon into a multi-billion dollar phenomenon. At this point, doing the impossible is just another day at the office for Marvel and their Disney overlords.

In wake of the recent Disney/Fox merger, Kevin Feige and the brain trust at Marvel Studios will have even more tools with which to raise the bar. Even if they’re just running up the score at this point compared to the competition, there’s still plenty of room to grow now that they’ve got the entire mythos of the X-men and the Fantastic Four to work with.

This is already set to happen. Bob Iger himself has already indicated that there are plans to integrate the X-men and Fantastic Four into the MCU. How Marvel Studios will go about this is anyone’s guess and plenty of people have been sharing their guesses. I’ve tried to resist the temptation, but being a lifelong X-men fan and a lover of superhero movies in general, my restraint only goes so far.

However, I don’t want to wildly speculate or push an elaborate fan theory. Again, more than a few people have already done that. Instead, I’d like to do something a bit more generalized. Similar to my other articles on how not to screw up certain movies, I want to provide a guide of sorts.

At the very least, let’s avoid this.

I’m not going to get into specifics. Kevin Feige and a host of other people way smarter than me or anyone else on the internet are perfectly capable of handling those. Being a devout X-men fan, though, I feel like I can offer some basic pointers on what to do and what to avoid in bringing mutants into the MCU.

I think the X-men need that more than the Fantastic Four, at this point. Unlike Marvel’s First Family, the X-men entering the MCU will have far greater implications and not just because the last “Fantastic Four” movie almost killed the franchise. Mutants showing up in the MCU changes everything from what defines a superhero to how the physics of that universe operate.

At the same time, the X-men embody a particular theme, one that was relevant in 1963 when they first appeared, but has become relevant in entirely new ways in the 21st century. The last 18 years of X-men movies have tried to capture those themes, some being more successful than others. For the X-men to work in the MCU, it needs to capture those themes and get the characters right after Hugh Jackman set such a high bar.

Yes, it’s a daunting challenge, but one that Marvel Studios and their Disney overlords are more than equipped to handle. To achieve that success, and all the billions that come with it, here’s what I think they should pursue and what I think they should avoid.


Do: Tie The Events Of “Avengers: Infinity War” To Mutants (But Only Indirectly)

This is already part of the wild speculation surrounding “Avengers: Infinity War.” It would make sense to some degree, having Thanos’ universe-shaking actions lead directly to the creation and introduction of mutants in the MCU. However, I think having a direct link might undercut both the X-men and ultimate resolution of “Avengers 4.”

That’s why it would work better for both franchises if the link was indirect, at most. Part of the appeal of the MCU is that there are connections everywhere, but most of those connections are fairly loose. Sure, Dr. Strange will get a mention in “Captain America: The Winter Soldier,” but the movie doesn’t center around setting up another franchise.

Ideally, the X-men would follow the same approach. Perhaps Nick Fury mentions some strange genetic anomalies popping up. Perhaps Bruce Banner or Black Widow mentions rumors of other living weapons, which could be a reference for Weapon X. Let those small hints establish that mutants exist, but save the particulars for an actual X-men movie.


Avoid: Having Mutants Appear Without Explaining Their Absence

This is probably the most daunting challenge for Marvel Studios to date, explaining how mutants exist in the MCU and why they’ve been absent thus far. Most people with an internet connection know why the MCU could never mention the X-men. Their movie rights were owned by another studio.

Just because Disney owns Fox now doesn’t mean that mutants can just suddenly appear. It’s not like magic in “Dr. Strange” or the Asgardians in “Thor.” These forces could operate under the radar, independently, and on a small scale. Mutants, by their very nature, cannot act like that.

The most defining theme of mutants, as they exist in Marvel, is that they’re random. They manifest all over the world in every major human population, regardless of geography, culture, language, or ethnicity. That’s not something that can just be ignored while aliens invade New York or killer robots invade Sokovia.

At the very least, an X-men movie in the MCU needs to establish a valid reason for why they’ve been absent. Moreover, it can’t just be the result of experiments or mad science, which was done in Marvel’s now-defunct Ultimate line comics and is way too similar to the Inhumans, whose TV show failed miserably.

Luckily for Marvel and Disney, there’s already an established way to do this and it came from an underrated cartoon called “X-men Evolution.” In that world, mutants are there, but their existence is kept secret by Charles Xavier. The events of “The Avengers” could give them even more reasons for keeping that secret and the whole movie could be built around mutants finally coming out.

Considering how mutants have often been used to symbolize the struggle of minorities, I think that’s both appropriate and compelling.


Do: Make The First Team Of X-men Young And Idealistic

The early X-men movies were a lot of things. Upbeat wasn’t one of them. The original “X-men” trilogy was very serious, full of brooding and tension, even among the younger characters. That worked for the early 2000s when superhero movies needed to get serious after the “Batman and Robin” fiasco. It won’t work in this current era.

The original X-men were teenagers when they first donned their costumes. They weren’t hardened soldiers like Captain America. They were lovably idealistic in pursuing Charles Xavier’s dream, believing they could be the ones that change the world. Unlike most teenagers armed only with a cell phone and no adult baggage, they have the powers to actually achieve it.

The heroes in “The Avengers” already provided plenty of jaded adult perspectives. The X-men can offer the youthful, idealistic perspective that’s so endearing, but so easy to undermine. That’s how the X-men started in the comics and that’s how they’ll thrive in the MCU.


Avoid: Making Wolverine The Center Of Everything

This is a caveat that’s just as relevant today as it was in the early 2000s when the “X-men” movies first came out. Now, I love Wolverine as much as the next X-men fan, but he is not the center of the X-men’s world. As lovable as Hugh Jackman is, the world of X-men cannot and should not be defined by all things Wolverine.

I would even go so far as to keep Wolverine out of the first X-men movie that takes place in the MCU. Establish the team before bringing him into the picture because it’s inevitable that he’ll command a lot of energy. If anything, Wolverine should get his own solo movie before he meets the X-men. Having held down three movies, it wouldn’t be that much of a stretch.

Wolverine is a great character, but he can’t be the main driving force of the X-men again. He already was with the original “X-men” movies and the MCU doesn’t need to follow that path again. Let Wolverine thrive on his own. Let the X-men thrive on their own. If they can complement one another along the way, then everybody wins.


Do: Highlight What Makes Mutants Different From Other Super-powered Beings

This is something that even the comics don’t do particularly well. Within that world, mutants exist alongside all types of heroes, from gamma-powered hulks to inter-dimensional refugees to Superman rip-offs. However, mutants are still hated and feared for being different.

The reasons for that are many, but poorly fleshed out. Unlike the Inhumans or unlucky teenagers who get bit by a spider, mutants are random. They’re born with their powers and they can’t avoid them. Being a mutant is like being a particular race. You can’t change what you are. That’s exactly what makes mutants both different and disconcerting for the public.

We already saw in “Captain America: Civil War” that the governments of the world are quite anxious about controlling super-powered beings. Add mutants to the mix and the potential for conflict is even greater. The foundation is there. The X-men just have to build on it.


Avoid: Making The Hatred And Mistrust Of Mutants Seem Contrived

This plays directly into my last point, but there’s a reason it’s worth highlighting. Like the comics, the MCU already has plenty of super-powered, super-capable beings that governments and average people rightly fear. There are legitimate reasons for that fear. Most people wouldn’t trust Elon Musk with a suit of armor. Why should they trust Tony Stark?

Fear and hatred of mutants is the primary driving force of conflict in the X-men. It’s also the primary motivator for characters like Magneto. That fear and hatred has to be different than the other logistical concerns that played out in “Captain America: Civil War.”

Dealing with mutants can’t just be about holding them accountable through some international treaty. Mutants are a lot more chaotic because they’re random and not every mutant seeks to be a superhero, which is part of why Charles Xavier formed a school in the first place.

The measures in the MCU, as well as the logic behind them, need to be different. At a time when people being detained is a hot-button issue, the X-men have could be extra relevant.


Do: Establish Minor, But Relevant Links To Other MCU Characters

A big part of the appeal in the MCU is how everything seems connected. Captain America has links to Tony Stark’s father, Howard. Spider-Man has a close link to Iron Man, as well. “Thor: Ragnarok” established some ties with Dr. Strange. “Guardians of the Galaxy” created ties with Thanos that later played out in “Avengers: Infinity War.”

These kinds of links help make the MCU the box office powerhouse that it is and those links should continue in X-men. Again, the foundation is there. Carol Danvers, who is set to appear in “Captain Marvel,” already has close ties to the X-men in the comics. Wolverine even had close ties to Captain America during World War II.  Storm also has a documented, but flawed history with Black Panther.

How these links emerge depends heavily on how Marvel Studios decides to bring the X-men into the MCU. If they shake up reality or tweak the timelines, then there will be opportunities to establish these links. If they opt for something less messy, then they can just as easily focus on setting new links for future movies. Either way works, provided it’s done right.


Avoid: Creating Unnecessary Rivalries Or Conflicts

This is something that could very well happen if those connections I mentioned earlier aren’t done particularly well. I know it will be tempting for Marvel Studios to pursue a big “Avengers vs. X-men” event like the one that played out in the comics. Personally, I think that would be a mistake and not just because “Captain America: Civil War” already played that idea out.

Superheroes fighting other superheroes can be compelling, but it’s easy to overdo. It also has a nasty tendency to bring out the worst in all the characters involved. That has happened more than once in the comics, especially recently. Whenever heroes fight each other, nobody really comes off as heroes and that’s not a healthy way to develop quality characters. It just makes them seem petty.

The X-men already have a lengthy list of quality villains beyond Magneto. The original trilogy did a poor job of utilizing them. The MCU has already dealt with a significant villain problems in the past, but has since raised the bar with characters like Thanos and Erik Killmonger. Before the X-men start butting heads with the Avengers, let them clash with the likes of Sinister and Mastermold first.


Do: Let Ryan Reynolds Continue Being Deadpool

Does this really need an explanation? Deadpool is awesome. Ryan Reynolds is lovable, talented, and charismatic. It’s not broke so don’t try to fix it. Just let Deadpool be Deadpool and let the money roll in.

1 Comment

Filed under Comic Books, Jack Fisher, Superheroes, Deadpool, superhero movies, X-men

The (Distant) Future Of Marvel, Disney, And Entertainment

unnamed

I like to talk about the future. I don’t claim to have any special insight, but I suspect I give it more thought than most. I also believe I tend to think farther into the future than most. Whether it’s contemplating the future of how we’ll organize our society or how our sex lives will evolve, I try to contemplate possibilities beyond the next iPhone upgrade.

One aspect of the distant future that concerns me has to do with boredom, namely how it may become a much larger problem and how we’ll go about alleviating it. I’ve done plenty to argue that boredom can be a dangerous force, from creating immortal super-villains to subverting the very concept of Hell. If our future is to be stable, prosperous, and fun, we’ll need some form of entertainment.

With that critical goal in mind, I’d like to speculate on a potential brand of future entertainment that ties directly with the industry that we know today. Specifically, I’d like to imagine how big entertainment companies like Disney will continue to function in world where advanced artificial intelligence, brain implants, and near-universal access to the internet is a thing.

I feel the time is right to think about such things because just last week, Disney radically altered the entertainment industry by purchasing Fox. Beyond just getting the X-men and Fantastic Four rights back for Marvel, Disney bought a massive library of intellectual property that is potentially worth billions. Being a successful business with shareholders, and all, they’re going to want to make billions more.

How exactly are they going to go about that, though? That’s a question worth asking because the answer for the near future is probably not going to work for the distant future. Sure, Disney will probably rake in plenty of profits at the box office, just as they’ve done with Pixar, Marvel, and Star Wars. However, the movie and toy industry can only go so far.

While box office revenue is up, actual ticket sales are way down. More people are opting to stream their content directly, bypassing pay TV and theaters entirely. The same is true for print media, including comic books. Even toy sales are in decline. This is not good for a company like Disney, which has built its empire on media and merchandise.

That’s not to say things are dire. Disney has been around for almost 100 years. In that time, it has adapted through plenty of upheavals. If it’s going to survive another 100 years, though, it’ll have to adapt to a radically different landscape. Buying Fox is likely part of that process. Disney has already made clear that it plans to start a streaming service to compete with Netflix and Amazon.

That’s a good start, but a streaming service is probably not going to be enough, especially in a future where people live longer, work less, and can share more than just text messages with one another. If Disney wants to continue being at the forefront of entertainment, it’ll have to innovate in ways that leverage future technology in new ways.

After the purchase of Fox, though, Disney may actually be in the best possible position compared to every other entertainment company that exists today. That’s because, unlike its competitors, it has a wealth of intellectual property that it owns outright. From Micky Mouse to Marvel heroes, the library of Disney-owned characters is truly staggering.

In the past, this gave Disney the ability to make or license movies, toys, and games for billions. In the future, those mediums won’t be nearly as profitable, but not because those things will fall out of style. I believe that for Disney to make more billions, it’ll utilize its intellectual property in a very different way, one that will likely require an entirely new approach to entertainment.

Think, for a moment, about the current experience you get from a movie theater, a TV show, or even a life show. You sit in a seat and you just watch. You take in the sights and sounds. If done right, it creates a spectacle that you enjoy. However, the fact that the spectacle only utilizes major senses is somewhat limiting.

What if, instead, you weren’t just an audience member sitting in a seat? What if it actually felt like you were there? What if you felt like you were standing next to Captain America as he battled the Red Skull? What if you felt like you were there when Micky Mouse, Donald Duck, and Goofy all broke out into a joyous musical number?

I’m not just talking about better animation or virtual reality. I’m talking about a form of entertainment that makes your brain actually feel as though you’re experiencing something. It’s not quite like the holodeck on “Star Trek.” It’s more like plugging into “The Matrix,” but for reasons other than learning Kung Fu or having existential breakdowns.

Unlike “The Matrix,” though, you wouldn’t be the catalyst for the story. That’s something Disney would take care of, providing only the world and the vast array of sensations that come with it. Instead of paying for a movie ticket, you pay for an experience that lets you interact or feel part of a story involving Iron Man, Micky, or Buzz Lightyear.

That will likely be the most valuable resource of future entertainment, powerful experiences that give customers the rush and fulfillment of being there. Instead of going to a theater or theme park, they would just plug something into their brains, possibly through an implant like the ones Elon Musk is developing with Neuralink. From there, the experience will be directly streamed right into their brain.

It may sound invasive, but we already share so much of ourselves online, from what we had for lunch to the most intimate aspects of our personal lives. We’re already in the early stages of merging our technology. We already see our smartphones as integral parts of our lives. Why wouldn’t we do the same for brain implants?

Unlike a smartphone, a machine/brain interface can’t be dropped into the toilet or left behind by accident. That same interface won’t just augment the ability of our brains to access the entire wealth of human knowledge. They’ll allow us to directly stimulate the areas that forge our entire perception of the world around us.

This has huge implications, some more profound than others. For companies like Disney, though, that link will be critical with respect to maintaining its place as a dominant entertainment company. People already pay for powerful experience, be they movies, video games, or a full-body massage at a spa. Disney could simply cut out the middle-men while leveraging its vast library of intellectual property.

Sure, in the future, you could probably pay for fancy experiences like those offered in “Total Recall.” However, if you want an experience that allows you to be a Jedi, an Avenger, or a singing animal, you’ll have to go through Disney and they’ll be happy to sell you that experience for a price.

Every week, you’ll be able to select from a range of intense experiences the same way you navigate your Netflix queue. For some, you don’t need to leave your bed. You just plug a device into your brain and let it go from there. For others, maybe you travel to special venues that function like the holodecks in “Star Trek.” There, you could share the experience with others, making it a communal experience.

Disney would still likely need content-creators to craft those experiences. That means people like George Lucas and Kevin Feige will still have a job in this future. The particulars of those jobs would be very different, but the goal would be the same. They would create experiences and stories that people are willing to pay for.

As unpredictable as the future is, it’s still safe to assume that people are going to want entertainment. Wherever there’s a want, there will be a business willing to provide it. There will be competition. There will be billions, if not trillions, to be made in profits. Not every company around today will survive that competition. Disney, however, is already in the best possible position to thrive.

2 Comments

Filed under Artificial Intelligence, futurism, media issues, movies, Sexy Future, War on Boredom

“X-Men: Dark Phoenix” DELAYED Until 2019 (Along With Several Other Movies)

SophieJean2

I normally try not to report the news too much on this blog, unless it’s extremely urgent or extremely sexy. Sadly, this is more in line with the former rather than the latter.

Just this morning, Entertainment Weekly reported that “X-Men: Dark Phoenix” is being delayed until 2019. It had been originally scheduled for release this coming November, just in time for the holidays, no less. I even went out of my way to explain why I’m more excited for this movie than I am “Avengers: Infinity War.” It now seems I’ll have to temper that excitement.

Thankfully, unlike a few other movies that keep getting delayed, this change doesn’t seem to have much to do with the movie itself and has more to do with Fox’s scheduling. “X-Men: Dark Phoenix” is just one of several Fox movies getting delayed or pushed up, some of which aren’t related to superhero movies, including the upcoming biopic on Freddy Mercury, “Bohemian Rhapsody.”

While it’s still only minor comfort for me, as a comic book fan and an X-men fan desperate to erase memories of “X3,” I’m willing to be patient for this movie. To see Sophie Turner do justice to one of the greatest X-men stories of all time is definitely worth waiting for.

Leave a comment

Filed under Comic Books, Jack Fisher, Superheroes, X-men

What “The Gifted” Reveals (And Warns Us) About Ourselves

Every now and then, a TV show comes along at just the right time. Like bikinis in the summer, hot chocolate in the winter, or beer at a football game, it just makes the right connections for all the right reasons.

You could argue that shows like “Married With Children” or “South Park” were shows that just happened to come along at a time when audiences were eager for something different, but didn’t know it. Some, especially “Married With Children,” couldn’t be made today because of changing standards. The fat jokes alone would’ve triggered endless whining on social media that would’ve gone on for years.

That brings me to “The Gifted,” Fox’s latest effort to squeeze every cent of profit from the X-men franchise. Yes, this is going to be another one of those posts. As I’ve done before, I’m going to tie real-world issues to one of my favorite superheroes. Unlike other posts, though, those ties go beyond getting romance tips from Deadpool.

While I’m usually skeptical about efforts to shamelessly exploit the glut of superhero shows on TV, I gladly make an exception for “The Gifted” and for a good reason. Compared to superhero melodrama on the CW or the gritty violence of the superheroes on Netflix, it’s a very different kind of show with a very different kind of struggle. Unlike aliens, blind lawyers, and secret armies of ninjas, this struggle is more relevant.

That’s because “The Gifted” doesn’t focus on heroes. Sure, it takes place in the same world as the X-men, but they aren’t the focus. Instead, the show builds its story around the Von Strucker family. They don’t live in a mansion. They don’t have their own personal hypersonic jet. They don’t even have their own personal high-tech training room.

The Von Struckers, unlike their comic counterparts, are an ordinary middle class family. They aren’t concerned with superheroes, super-villains, and insane love triangles between heroes. They’re concerned with work, school, taxes, and taking out the garbage. In a sense, they are a reflection of real people in a world with unreal challenges.

That’s a perspective that rarely manifests in the X-men movies. In fact, other than a memorable scene in “X2: X-men United,” the impact that mutants have on ordinary people is rarely touched on. Sure, they’ll show humans running in terror from a Sentinel or a pissed-off Magneto. That doesn’t give us much insight into the lives these people live.

The Gifted” builds an entire narrative around a family that lives in this world and during exceedingly tense times, no less. This is not a world where seeing the X-men take down a Sentinel is the sort of thing that happens every other Tuesday. This is a world where both the X-men and the Brotherhood have disappeared in an event that has only been referred to as “The July 15th Incident.”

That incident, much like 9/11 or a major assassination, created a dramatic/traumatic shift in society. Suddenly, mutants aren’t just another minority issue. They’re an existential threat, like nuclear weapons or mass pandemics. Mutants aren’t just a distant threat anymore. They’re a real threat.

From the perspective of the Von Struckers, at least in the first episode, the danger of mutants is like the threat of terrorism. They know it’s there. They accept the systems and precautions that society has put in place to deal with it. They’ve learned not to think much of it. They’re too busy just being an ordinary family in a world that happens to have individuals who have the mutant ability to turn into ice cream.

In a sense, we’ve done the same thing in the real world. We accept that we live in a world where the NSA reads all our emails, the CIA tries to assassinate world leaders, and gross injustices happen every day. We know, to some extent, that it’s manifesting all around us. We just shut it out and try to live our lives.

What happens, though, when that injustice hits you or someone you love? That’s what happens to the Von Struckers in the very first episode of “The Gifted.” Their blissfully oblivious lives are shattered when Reed and Kate Strucker find out their children are both mutants. Not only that, one of them ends up trashing the school gymnasium when his powers first manifest.

Their happy, middle class lives aren’t just disrupted. They’re shattered, spit on, and covered in fresh whale shit. To make matters worse, Reed Strucker, played by Stephen Moyer, was a prosecutor who made his living sending mutants to prison. Short of beating mutant children with a baseball bat for a living, he couldn’t have had a worse job.

The mutants he sent to prison weren’t always guilty of crimes. Sometimes, it was just a matter of being in the wrong place when their biology decided to act up. It would be like a teenage boy being arrested for an awkward boner, something we can’t always control. Granted, mutant powers tend to be more destructive, but they can be just as unpredictable.

It’s this revelation, as well as the events that unfold in the episodes that follow, that really highlight the impact that “The Gifted” leaves. It’s an impact more relevant than most X-men stories, including the ones that involve jealous ex-lovers. In a sense, it’s one that many minorities already understand all too well.

From the beginning of the show, there’s never a sense that Reed Strucker believed that he was hurting anyone. He never came off as the kind of guy who hates mutants and longs for the days where men like him can throw mutants into internment camps. He’s just doing his job, which he believes is making the public safer.

It’s really no different from those who genuinely believe that homosexuality is inherently harmful or that gun control will only lead to more violence. Most of the people who believe these things, the Pat Robertsons and Richard Spencers of the world notwithstanding, are decent people who want to live in a world where they’re families are safe.

Then, something traumatic comes along that shatters this worldview. They find out they have a gay son or they find themselves in the crossfire of a mass shooting. Suddenly, they can’t ignore these injustices anymore. They can’t go about their happy lives as though the system isn’t victimizing someone. It’s one of those rare situations where no amount of excuse banking can change the truth.

In a sense, the Von Strucker family are reflections of the families in the real world that find themselves on the wrong end of injustice. Whether it’s a Muslim family victimized by racial profiling or being on the wrong side of a sexual harassment claim, it’s not possible to avoid or ignore it anymore. These injustices are hurting you and the people you love. It’s soul-shattering, but that’s what makes “The Gifted” so compelling.

In the fourth episode, this message really hits hard. Reed finds himself in a jail cell right next to Polaris, a mutant who he prosecuted in the first episode, who also happens to be Magneto’s daughter. In these bleak conditions, she basically lays out all the hard truths that he and others like him avoid.

Yes, there was an incident where a group of mutants, which you could substitute for any minority, did something terrible. That was a terrible incident, but efforts to prevent other incidents like that are just hurting real people who don’t want to be superheroes fighting killer robots. Polaris is just one of them. Reed’s children are two more.

That harsh message is one that carries over in the real world, often in tragic ways. Back in 2007, a documentary called “For The Bible Tells Me So” highlighted deeply religious families who had been vehemently anti-gay, only to have one of their children turn out to be gay. Sometimes, it changed their perspective. In some instances, though, it ended tragically.

It’s a harsh, but necessary truth. We can’t control our circumstances. Much like Reed Strucker, we sometimes find ourselves in the worst situations at the worst possible times. The world is chaotic, full of strange people who do terrible things. The fact we can’t control or prevent those things is agonizing, at times. We, as a society, will do as much as we can to mitigate that danger.

In the process, though, we’ll try to fight injustice with more injustice. We’ll obsess less over what is real and more about what is potentially real. It leads us to do extreme things like throw innocent people into internment camps or create killer robots to protect people.

The Gifted” reveals the cost of those measures. It goes beyond the eccentricities surrounding superheroes and focus on the real impact that real minorities feel. Most who are lucky enough to not be part of that group remain content to ignore it. Then, when it finally affects them, they realize just how unjust it is.

At a time when injustices are harder to hide and minorities are a growing part of society, these are important messages. The X-men have been exploring these themes for years, often with colorful adventures involving cosmic birds. “The Gifted” goes even deeper and during these troubled times, these are messages worth heeding.

2 Comments

Filed under Current Events, gender issues, X-men