Tag Archives: female superheroes

My Wish list For “Wonder Woman 2”

I know it’s been a while since I talked about Wonder Woman. In my defense, there have been a lot of distractions between the holidays, the response to the “Justice League” movie, and recent news stories to which I just couldn’t resist responding. Make no mistake, though. I haven’t forgotten about Wonder Woman or the fact that she had a breakout year in 2017.

In many respects, Wonder Woman was one of the best parts of 2017. She didn’t just amaze audiences by proving that there is a market for female superheroes, even after “Catwoman.” She raised the bar for the entire genre, both in terms of critical and commercial success. That bodes well for other female-led superhero movies.

While other female superheroes play catch-up, though, Wonder Woman is set to continue rising the bar. She’s Wonder Woman. That’s what she does through Gal Gadot’s charisma and she does it with uncanny grace. Shortly after her movie came out, a sequel was announced to the surprise of no one. At the moment, “Wonder Woman 2” is slated for release on November 1, 2019.

While that date seems so far away, some details are already starting to trickle in. Director, Patty Jenkins, has already started teasing details. At the recent Palm Springs Film Festival, she indicated that the sequel would be a very different film compared to its predecessor. Naturally, she didn’t give too many details, but it’s enough to get Wonder Woman fans excited.

Since I consider myself among those fans, I already find myself contemplating what a “Wonder Woman” sequel will entail. It wouldn’t be the first time I’ve contemplated such things, either. While it’s too early to know or even speculate what “Wonder Woman 2” will bring, we can still hope and imagine the wondrous possibilities.

In that spirit, here is a brief, but basic wish list for what I hope to see in “Wonder Woman 2.” Granted, if Ms. Jenkins is serious about this being a very different movie, chances are not much on this list will apply. I understand and accept that. This is just the giddy Wonder Woman fan in me daring to imagine how wonderful this movie can be.


Wish #1: Establish More Villains (And Make It Personal)

If Wonder Woman has any flaws, beyond those that assholes and trolls point out, it’s that her list of villains isn’t quite as iconic as that of Batman or Superman. For much of her history, Wonder Woman’s greatest battles have been tied to those of the Justice League or those of her fellow Amazons. She’ll be a major force in those battles, but they rarely have major personal stakes.

Wonder Woman 2” presents a golden opportunity to change that because there are a few villains with strong personal ties to Diana. While Ares was more built up boss battle in the first movie, villains like Cheetah can test Diana’s heart, as well as her skill.

The recent Wonder Woman comics have done an excellent job establishing the deep personal struggle between Wonder Woman and Cheetah. While there are multiple women who have gone by Cheetah, the overall theme is the same. She is Diana’s rival, but there was a time when she was also her friend.

Having to fight her friends is an agonizing challenge for Wonder Woman, which we saw play out in the “Justice League” movie. It brings out her heart and her passions for all the right reasons. A more personal villain can only help expand that appeal in “Wonder Woman 2.”


Wish #2: Maintain A (Very) Distant Connection From The Other DCEU Films

While I stand by my statement that “Justice League” did not deserve the negative reviews it got, I don’t deny that the “Justice League” movie has become somewhat of a toxic brand. It’s not quite on the same levels as “Batman and Robin,” but at this point there’s just no way to salvage the backlash.

It’s for that reason, among many others, that I hope “Wonder Woman 2” maintains an extremely distant connection from the larger DC Extended Universe. I’m not saying it should cut itself off entirely. Even the first movie made it a point to establish that this movie was part of a larger world. The sequel should reflect that.

However, the events of “Justice League,” however big they might have been, shouldn’t be a major driving force in the narrative. Whether it takes place in the modern day or in the past, like the first movie, it can’t be too beholden to the events of other major DC movies.

A big part of the success of “Wonder Woman” was its ability to stand on it its own, apart from the rest of DC’s main superheroes. “Wonder Woman 2” should build on that and I imagine Patty Jenkins isn’t going to want to be too constrained by the burdens of other movies. For Wonder Woman, despite her kinky past, there can be no such restraints.


Wish #3: Build On The Amazons’ Mythology (And Diana’s Family Ties)

There were a lot of positives in “Wonder Woman” and I went out of my way to acknowledge them in my review of the movie. However, if there was one flaw in the overall narrative, it had to do with the limited exposure of the Amazons. That’s because in nearly every medium, Wonder Woman’s story is inherently enriched by her Amazon heritage.

The first movie did enough to establish who the Amazons were, why they are so important, and how important they are to Wonder Woman. Unfortunately, it didn’t do much more than that. After Diana left Paradise Island, we didn’t hear from them again. That’s why I hope “Wonder Woman 2” takes the time to expand on the story of the Amazons.

They already showed how badass they can be in “Justice League.” I sincerely hope they get more opportunities in “Wonder Woman 2.” Between Diana’s mother and her more notable siblings, there’s a wealth of material for Wonder Woman to build on. It further raises those personal stakes I mentioned earlier, which can only help expand the appeal of Wonder Woman’s world.


Wish #4: Let Wonder Woman Address Social Issues (In Her Own Unique Way)

Given Wonder Woman’s iconic status as a female icon, it’s unavoidable that she’s going to provoke discussions about social issues. These days, that leads to many heated, hateful, and downright counterproductive conversations. However, that’s exactly why I still want Wonder Woman to address those issues in “Wonder Woman 2.”

Gal Gadot has already shown that she gets the unique spirit of love and compassion that Wonder Woman espouses. Sure, she is prone to making a few controversial remarks, but overall she gets what Wonder Woman is about. She even showed this in the first movie, having Diana navigate the very patriarchal world of the early 20th century, but without using that as an excuse to hate it.

Like it or not, there are a lot of social issues going on in the world. For the most part, we do a poor job debating those issues, as a society. Wonder Woman, with her emphasis on compassion and love for all, is the perfect antidote to that.

I don’t know how she’d go about it in “Wonder Woman 2.” A lot of that depends on the setting, the time period, and the conflicts involved. Whatever form it takes, though, I think it’ll be good for the audience and for the superhero genre to see Wonder Woman confront these social issues as only she can.


Wish #5: Expand The Emotional Stakes (And Let Gal Gadot Channel Her Passions)

This is more of a broader hope for “Wonder Woman 2.” While there are quite a few specific things I’d love to see in this movie, I think it’s more important that it embody the necessary theme that makes Wonder Woman so endearing. Like with some of my other wishes, those themes revolve heavily around the emotional stakes of Wonder Woman’s journey.

We didn’t see too much of that in “Justice League,” but we saw plenty of that in the first movie. Every battle she fought was an emotional struggle. That struggle gave Gal Gadot the opportunity to emote in a way that would make any Amazon warrior proud. Wonder Woman has never just been about fighting injustice or kicking ass. That is always secondary to her heart.

Some of the best moments in “Wonder Woman” just involved her taking a moment to smile, explore, and share herself with others. Whether it was making Steve Trevor feel awkward or making friends with Etta Candy, we got to see Wonder Woman share her passions with others outside the battlefield. That helped make her endearing on so many levels.

Wonder Woman is already a very likable, very passionate character. She’s the kind of person that men and women, alike, can rally behind. Any successful sequel will take those themes and run with them. There’s so much to love about Wonder Woman and how Gal Gadot brought her to life. If “Wonder Woman 2” can build on those themes, then it already has the most important ingredient for more wonderful success.

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Why Wonder Woman Is The Most Important Member Of The Justice League

There’s a lot that can be said about the “Justice League” movie. Granted, not a lot of it has been good lately. The horrendous critical reception, despite the solid audience reception, has effectively muted the sheer accomplishment of creating this movie in the first place.

It is a hell of an accomplishment, creating a live-action “Justice League” movie just two decades after “Batman and Robin” nearly ruined the genre completely. While the success of movies like “The Avengers” has undermined the novelty of the concept, it still means something to those like me who grew up loving these characters in comics and cartoons.

I could spend multiple blog posts discussing and dissecting the issues with the “Justice League” movie, but I’ll save them for another time. For now, I want to take a moment to highlight an important point that the “Justice League” made, despite all the controversies and shortcomings that hounded it. That point is this.

Wonder Woman is THE most important member of the Justice League.

I know that sounds like something a hopeless fanboy would say, particularly those who enjoy talking about the kinkier elements of Wonder Woman’s history. It’s probably something most Wonder Woman fans would agree with and not give much thought to. However, I’d like to take a moment to make my point, even to those die-hard fans of Superman, Batman, and even Plastic Man. You know who you are.

Even among those die-hard fans, there’s no denying that Wonder Woman is part of DC’s superhero trinity. For decades, Superman, Wonder Woman, and Batman have been the anchor of DC’s entire superhero universe, both in terms of popularity and importance. That superhero foundation is unlikely to change anytime soon.

Most of the time, though, Superman or Batman wield the most influence. Between Batman’s cast of iconic villains and Superman’s iconic status, they have a lot going for them, in terms of influence and depth. I don’t deny the strength of their status, nor do I think Wonder Woman trumps them on every level.

However, I still contend that Wonder Woman is the most important member of DC’s superhero pantheon in terms of impact, theme, and narrative. She may never get as many movies as Batman. Considering she has the same number of movies as Catwoman, though, I don’t think that’s a fair measure of Wonder Woman’s importance.

The reason I believe she is that important has less to do with her role within the world of DC and more to do with how she goes about being a hero and an icon. Her situation is very different from that of Batman, Superman, or any other hero in the DC universe, male or female.

Wonder Woman didn’t enter a flawed world that needs heroes by accident or tragedy. In fact, she had every possible reason to not join that world. Her situation before becoming a hero was as ideal as it gets without ripping off a Disney movie.

She was a princess on Themyscira, a literal island paradise. As the daughter of Hippolyta, she wanted for nothing. She was surrounded by love, support, and luxury of every kind. Who would ever be inclined to leave such a place to begin with? Those who saw the “Wonder Woman” movie remember that her mother did not want Diana to leave and did what she could to dissuade her.

Despite this, Diana still left her paradise home. She chose to enter a world full of gender inequality, oppression, and bad reality TV. She chose to confront all those flaws and fight them, both with her fists and her heart. She didn’t need to lose someone or be forced by tragedy. That alone makes her a greater hero than most can hope to be.

Contrast that with Batman or Superman. Batman became who he is because of tragedy. Crime took his parents so he built his entire heroic persona out of a response to that tragedy. It helped drive him to become the hero he is. It also led to some pretty insane feats, even by comic book standards.

Superman’s heroic persona wasn’t built on quite as much tragedy, but like Batman, he was somewhat guided into the heroic role. From the time he was an infant, these ideals were in stilled in him. Those who saw the classic 1978 “Superman” movie remember the message his father gave him, through the famous voice of Marlon Brando.

Live as one of them, Kal-El, to discover where your strength and your power are needed. Always hold in your heart the pride of your special heritage. They can be a great people, Kal-El; they wish to be. They only lack the light to show the way. For this reason above all, their capacity for good, I have sent them you…my only son.

Whether by accident or luck, Superman ended up with perfect loving parents who helped nourish those ideals in him. Between those ideals and his immense powers, him not being a hero was never really an option.

With Wonder Woman, she didn’t need circumstances or guidance. She chose the path that led her to becoming a hero. She even chose that path when there were obstacles in her way, namely her mother. Beyond that choice, though, Wonder Woman’s heroism takes on an even greater context when you look at how she goes about it.

Superman may be the ideal when it comes to heroic values. Batman may be the ideal when it comes to seeking justice. However, Wonder Woman’s ideals are even greater in the sense that they’re concepts that ordinary people can relate to. Despite all her power, her approach is something that is wonderfully unifying, if that’s not too fitting a term.

She doesn’t just provide a standard with which to measure heroism. She goes out of her way to confront the good, the bad, and the frustrating of the modern world and not always with her firsts.

In the “Wonder Woman” movie, she doesn’t just criticize the attitudes of early 20th century England, which weren’t very progressive to say the least. She smiled and cheered when she saw a woman with her baby. She also went from fighting alongside men on a bloody battlefield to celebrating with them afterwards.

Along the way, she always wore her heart and her emotions on her sleeve. However, they weren’t a weakness, as they’ve been with Superman. They weren’t her primary motivation either, as is often the case with Batman. She channels her emotions and her passions to win over the hearts of men, women, children, and everyone in between. That’s a power that far exceeds anything form Superman’s strength or Batman’s gadgets.

That ability to embrace a flawed world, confronting its ugliness and its beauty, is something that everyone can do and not just Wonder Woman. She just does it better than most and inspires others to join her. She certainly inspired Steve Trevor in the “Wonder Woman” movie. The fact it got Chris Pine naked was just a nice bonus.

It’s an approach she utilizes in every other medium, from comics to cartoons. For those who enjoyed seeing Wonder Woman’s capacity for heart and strength, I urge you to check out the “Justice League Unlimited” cartoon from the early 2000s. There’s no naked Chris Pine, but Wonder Woman still shines in so many meaningful ways.

Every one of those ways comes back to her heart and her willingness to embrace a flawed world with love and compassion. It’s not just about what is right and wrong, just and unjust, or masculine or feminine. It’s about tempering hate and oppression with love and compassion. Those are powerful principles that work just as well in the real world as they do the fictional one.

While those principles might not help the critical reception of “Justice League,” those who’ve seen the movie have likely seen all the ways Wonder Woman uses her heart and her skills to the utmost. It may not convince everyone that she’s the most important member of the Justice League, but I hope it makes a powerful case.

It’s a concept that will likely carry over into future movies in the DC Extended Universe, but has already shown itself to be true throughout the comics, especially in recent years. Superman and Batman have their place and their status among the world of superheroes. However, Wonder Woman’s impact extends far beyond any comic book or movie. It’s an impact that we would all be wise to learn from.

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Five Reasons Why “X-men: The Animated Series” Was More Progressive Than You Think

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This past Halloween was extra sweet for a certain group of comic book fans, one that I just happen to be part of. Even if you’re not a comic book fan and were just a kid of the 90s, growing up on a steady diet of Saturday morning cartoons, this year marked a special milestone for one of the best shows of that era.

Yes, it involves superheroes. Yes, it involves X-men, which I often go out of my way to discuss. Yes, it involves this iconic theme music that has since become my ring tone.

That insanely catchy guitar rift that got stuck in the heads of millions of fans is from “X-men: The Animated Series.” On October 31st, 1992, this series debuted on Fox Kids and countless childhoods were forged from that day forward, including my own.

That was 25 years ago and while that thought makes me feel way older than I care to feel, it still brings back fond memories. One of my favorite parts of the day, as a kid, was rushing home from school, turning on the TV, and watching my favorite shows. “X-men: The Animated Series,” along with shows like “Spider-Man” and “Power Rangers,” were a big part of my carton diet.

I largely credit this show and “Spider-Man” for getting me into comic books, superheroes, and everything that came with it. I also credit those shows with giving me an early understanding of character development, romance, and storytelling, which would go onto help me write my sexy novels.

For that reason, and many others, “X-men: The Animated Series” has a special place in my heart. I imagine many X-men fans feel the same way because it was this show that helped the X-men really peak in the 90s. What the Avengers are today, the X-men were in the 90s. They were very much the alpha and omega of all things involving superheroes.

While this 25th anniversary gives me time to reflect fondly over how much this show enriched my childhood, my life as an adult has only further expanded my perspective. When I look back on “X-men: The Animated Series,” I’m somewhat amazed by how relevant it still is in terms of theme, drama, and story.

It’s easy to forget that this series came out at a time when most cartoons followed a simple, predictable formula, regardless of whether or not superheroes were involved. There was evil. The heroes found out about said evil. They fought it. Then, the credits roll. “X-men: The Animated Seriesdared to think bigger.

While the animation and voice acting might be somewhat dated, this show dared to speak up about social issues. It dared to explore ideas of hate, bigotry, and discrimination. At a time when parents were still fighting mortal crusades over rock music, this show tried to be relevant in a new way.

Now, as I look back on this series that lasted for five years and 76 glorious episodes, I realize just how progressive and insightful this show truly was for its time. As more and more forms of media, including comics, push for greater diversity, “X-men: The Animated Series” found a way to pull that off 25 years ahead of schedule.

In a sense, the X-men have always been about progressive themes like inclusion, diversity, and justice. Even though some of those words have become toxic today, they embodied the best of it, going back to its earliest days of drawing parallels with the Civil Rights movement. This show just captured it at a time when it a new form of progressive concepts were taking hold.

So, in honor of the 25th anniversary of this show,  I’d like to highlight five reasons why “X-men: The Animated Series” was even more progressive than you remember. Even if you’re not a fan of X-men or comics, it’s amazing to think that a show from 25 years ago achieved so much of what others are trying to accomplish today.


“Genuine bigotry and hatred was depicted in ordinary people.”

To X-men fans, it seems obvious. Bigotry and hatred are very much a part of the X-men’s DNA, going all the way back to their early days in the 60s. However, for a kids cartoon, this was akin to Miley Cyrus flashing her tits on an episode of “Hannah Montana.”

X-men: The Animated Series” did not water down the themes of blind hatred and bigotry espoused in the comics. If anything, they took it a step further by giving a voice, putting that blind hatred on display through characters like Graydon Creed.

This especially played out in the second season where hate groups like the Friends of Humanity formed. They’re the anti-mutant equivalent of the KKK. Their hate was so blind and deep that when one character, Jubilee, asked them why they hated her so much, Creed said simply, “You were born!”

That kind of hatred is harsh in real life, let alone a kids show. The fact that this show gave the X-men more than just monsters, tyrants, and aliens to fight showed an uncanny, if that’s not too fitting a term, willingness to scrutinize these painfully real issues.

As a kid, I barely understood it. As an adult, I’ve come to appreciate it even more. I like to think that exposing that kind of hate in a cartoon showed an entire generation of kids what true assholes look and sound like. Given the amount of assholes in this world, those lessons were invaluable. Plus, it was way more entertaining than “Sesame Street.”


“The characters were diverse and had vastly different personalities.”

Here’s a quick question that should trigger some unpleasant conversations on message boards, as if there are any others. Look at the cast of the Avengers movie. Aside from talking raccoons and androids, what do you notice? They’re mostly men, they’re mostly white, and they mostly have the same avenging personality.

Now, look at the X-men. You’ve got an uptight white guy, a burly Canadian, a sexy southern woman, an African goddess, a smooth-talking Cajun, a giddy teenage girl, and a guy in a wheelchair. Even by today’s absurd diversity standards, the X-men check a lot of boxes. They’ve been checking those boxes since long before diversity was even an annoying buzzword.

It’s not just that the cast of “X-men: The Animated Series” was diverse on the surface. It’s not just that they disagreed with each other, as the Avengers frequently do. They had such wildly different personalities that didn’t always mesh. Cyclops and Wolverine alone had all sorts of clashes and not just over wanting to sleep with the same redhead.

That kind of diversity of thought and personality is something modern cartoons, TV shows, and movies still struggle to achieve. “X-men: The Animated Series” managed to achieve that at a time when Hillary Clinton was still likable. It was a big accomplishment at the time and one that only gets more impressive as the years go by and people still fight about diversity in media.


“The show did feminism and strong female characters RIGHT.”

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I’ve said it before and I’ll keep saying it in future posts. Talking about feminism is dangerous, divisive, and frustrating, especially in wake of recent scandals. Nobody seems to know how to even handle feminism or strong female characters who aren’t Wonder Woman. Long before the “Wonder Woman” movie raised the bar, though, “X-men: The Animated Series” made sure it set that bar pretty damn high.

Even by modern standards, “X-men: The Animated Series” found a way to do feminism right. Unlike other cartoons, the female characters weren’t part of the supporting cast or relegated to roles of a love interest. They actually participated on the same level as the male characters.

They didn’t have to create new female characters or force a female character into a male role. “X-men: The Animated Series” simply took characters like Storm, Rogue, Jubilee, and Jean Grey and maximized their strengths. They gave them personalities, power, and individual stories. They didn’t have to show up their male teammates. They could stand on their own and thrive as women.

In terms of feminism, “X-men: The Animated Series” was at omega-level standards long before it became a priority. At a time when we’re still struggling to make solid female characters, it’s remarkable and refreshing to see how well it was done.


“The show didn’t shy away from harsh, dramatic moments.”

People used to make a big deal about cartoon violence. The big worry was that kids would see a cartoon duck fighting with a cartoon rabbit and think that playing with double-barreled shotguns were toys. It was a very different, very strange time, to say the least.

X-men: The Animated Series” basically gave a big, adamantium finger to this debate, at least to the extent that they could get around the network censors. This show did not shy away from the harsh, dramatic moments that had played out in the comics. In fact, in the second episode of the series, one of the characters dies.

Keep in mind, this is a kids show where characters are not allowed to curse or show blood. The fact that this show killed a character in an early episode, and referenced death on more than one occasions, showed a remarkable willingness to portray real struggles with real stakes. Sure, it probably upset a few parents, but it sent a powerful message about the real world.

X-men: The Animated Series” dealt with real issues of bigotry, hatred, and intolerance. As such, it couldn’t water down the harshness and the pain it incurred. These are issues that people are still reluctant to talk about today and this show brought it up during the Clinton Administration. That shows both guts and foresight.


“The villains, heroes, and themes had layers of complexity.”

Watch any cartoon made before 1992 and chances are the characters you see will be pretty basic. You have your evil, mustache-twirling villains. You have your generic good guy/hero types. You have exaggerated violence and shameless toy promotions. There’s not a whole lot of depth there.

X-men: The Animated Series” once again dared to do more. It dared to let its characters grow and evolve over the course of five seasons. It’s an approach that worked so well that others, like the “Spider-Man” cartoon that debuted two years later, went onto adopt it. These characters had all sorts of layers and depth in the comics. The show chose not to simplify it for a young audience and embrace that complexity.

Sure, characters like Magneto, Sinister, and Apocalypse came off as generic bad guys at first, but they developed more and more depth as the series went on. There were even times when Magneto came off as genuinely sympathetic. For a kids show, these moments were pretty heavy and something you just wouldn’t get with the Ninja Turtles.

Today, everyone is trying to give their characters that Walter White style of complexity. Everyone is trying to create a series with a sense of progression. Well, “X-men: The Animated Series” were already doing that in the days of dial-up internet.


The fact this show succeeded to the extent that it did, while being as progressive as it was, even by modern standards, is nothing short of uncanny. After 25 years, the show still has a special place in the hearts of X-men fans. Sure, the animation and dialogue may be dated, but those progressive themes have never been more relevant.

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Filed under Comic Books, Jack Fisher, Superheroes, X-men

How To NOT Screw Up The Captain Marvel Movie

It’s a sad fact of life in an overly flawed world. You hope for the best, but it’s rare that it ever actually happens. Even when it does, it’s not always as much fun as you hope. Ask anyone who lost their virginity during a dare or stood in line for hours to see the Star Wars prequels.

In my experience, it’s rarely feasible to build your anticipation around something for what it can be if everything goes flawlessly. In the real world, there’s no such thing as flawless. People make mistakes. Parties go horribly wrong. Hearts get broken. Michael Bay is given too much money, cocaine, and high explosives.

When it comes to superhero movies, though, it’s not possible to hit a home run at every turn. You can’t expect them to blow your mind and give you the kind of mental orgasm that takes a week to recover from. At best, you can just hope that it doesn’t suck. I love those kinds of orgasms as much as the next guy, but let’s face it. They’re rare and awesome for a reason.

Some movies come close to achieving that kind of cinematic bliss, though. “Wonder Woman” sure did, but as I pointed out in my review, it did have its shortcomings. They were still very minor and by nearly every measure, it is the most successful female superhero movie to date.

More importantly, “Wonder Woman” proved that female superhero movies can be successful. They don’t all have to be box office bombs like “Catwoman.” That opens the door for other female heroes to follow in Wonder Woman’s footsteps. At the moment, though, the only female solo movie besides the Wonder Woman sequel is “Captain Marvel.”

Marvel may have DC beat in almost every other aspect of its movie universe, but now there’s one area where it can’t say it dominates. Sure, it has a lot of strong female characters like Black Widow, Gamora, and the Scarlet Witch. However, they’ve largely been in supporting roles. They’ve never had a chance to shine like Wonder Woman did in her movie.

Captain Marvel will get that chance. She’s the closest hero Marvel has to Wonder Woman, thanks largely to the efforts of writers like Kelly Sue DeConnick. As much as Marvel has dominated DC at the box office, it now has a sub-perfect record. Given the amount of ego and cocaine in Hollywood, there’s no way that Marvel Studios will let that stand.

I don’t doubt that Kevin Feige and the powers that be at Marvel Studio will make every effort to ensure that “Captain Marvel” matches and exceeds “Wonder Woman.” They’ve already cast the beautiful and talented Brie Larson as Carol Danvers. They also announced some major details about the movie at the San Diego Comic Con.

On paper, it looks like this movie has what it takes to match “Wonder Woman.” Then again, on paper I’m sure “Batman and Robin” seemed like a good idea. While I have high hopes for this movie, just as I did with “Wonder Woman,” I’m not going to set my expectations too high. Between the two “Matrix” sequels and “Wolverine Origins,” I’ve been burned too many times.

With that in mind, I intend to do for “Captain Marvel” what I did for “X-men: Dark Phoenix.” I’m going to provide some tips that I’m sure Kevin Feige will never see on how to avoid screwing up the “Captain Marvel” movie.

Wonder Woman” set the bar pretty damn high and looked dead sexy while doing it. It’s unreasonable to expect “Captain Marvel” to exceed it on every level. However, there are a few simple tips to ensure it doesn’t end up enduring the same infamy with “Catwoman.”


Tip #1: Let Carol Fly High (And Take The Audience With Her)

This is the most important tip, right up there with the Marvel Studios logo and Samuel L. Jackson dropping F-bombs, as only he can. Carol Danvers has a few defining traits beyond just looking awesome and kicking ass on a cosmic level. One of those traits is what makes her feel both distinctly human and someone we want to cheer for.

Throughout her history, Carol Danvers has been ambitious in a very particular way. Everybody, male or female, will look up at the stars at night and admire their beauty. Carol, however, doesn’t just want to admire. She wants to actually go there. She doesn’t want to shackle herself to this tiny little mud ball full of killer clowns, spiders, and the Kardashian family.

That’s why she joined the Air Force and fought to outperform everyone in her path. The fact she did that without a penis was secondary. Even before she got her powers, she aspired to go to the stars. Once she got those powers, she was determined to fly higher and go farther than anyone had ever dared, regardless of whether or not they had a penis.

Therein lies the key. Carol dares to venture out into the unknown and kick the ass of anyone or anything that tries to hold her back. That’s the kind of ambition people can get behind. That’s the kind of drive that people admire and want to follow.

It’s part of what makes Wonder Woman so endearing as a character to men and women alike. She has bold ambitions, but she isn’t an asshole about it. She doesn’t just seek to prove herself. She seeks to inspire others. That’s what Captain Marvel needs to do with her desire to go to go to the stars and carry the audience along for the ride.


Tip #2: Tie Carol’s Story Into That Of Mar-Vell’s

I get that there are times when it’s not possible to incorporate certain elements from the comics into a movie. That’s why we didn’t see any not-so-subtle BDSM themes in the “Wonder Woman” movie. However, the movie still made a concerted effort to capture some of the core details of Wonder Woman’s mythos, such as her iconic outfit and her relationship with Steve Trevor.

In the same way Wonder Woman needs her lasso and a desire to have sex with men who look like Chris Pine, there are some core elements to Carol Danvers’ story as a superhero that cannot and should not be glossed over. One of the most important elements involves her connection with Mar-Vell, the original Captain Marvel whose title Carol took on after his death.

Theirs is an unique connection, one with very different dynamics compared to Wonder Woman and Steve Trevor. While there were some romantic overtones early on, their connection was more of a partnership rather than a romance. You can’t tell Carol’s story or get a feel for how she becomes a hero without telling Mar-Vell’s story as well.

That story doesn’t need to take up half the movie, but it does need to feel relevant. Mar-Vell’s story isn’t exactly boring either. He was an alien spy posing as a human on Earth on behalf of the Kree, a race that made it’s presence felt in “Guardians of the Galaxy.” There’s already some connections to build on. This movie just has to do it without a talking raccoon.

The key here is to use Mar-Vell’s story as an alien spy who grows fond of a beautiful Earth woman to supplement Carol’s story. That story is part of how Carol becomes Captain Marvel. That’s why when Kelly Sue DeConnick had Carol take on that title, it had a lot dramatic weight to it. That kind of drama is key for any successful movie, regardless of whether or not it has a talking raccoon.


Tip #3: Give Carol An Attitude (And Make It One To Rally Around)

One of Wonder Woman’s most defining traits, on top of being a beautiful warrior princess, is her capacity for love and empathy. Sure, she’ll fight with all her heart against demons, monsters, aliens, gods, and whatever asshole decided that “Ant Man” should get a movie before her. It’s that heart that makes her personality so endearing.

I point that out because Carol Danvers is not like that. Carol has an attitude and it’s not Wonder Woman. Just because Wonder Woman made a successful movie doesn’t mean Carol has to be too much like her because, in nearly every part of her 40-year history, she’s not like that.

Carol Danvers is a tough, hard-nosed woman who always pushes herself a little farther than anyone dares. That’s to be expected because she’s no princess. She’s a pilot in the United States Air Force. You need to have some attitude to make it there. There are real women who have succeeded in that effort. Let those women be the template.

The key is to do it in a way that doesn’t make her an arrogant bitch. I don’t doubt that’s going to be a challenge because the line between assertive and bitch is exceedingly blurred, more so for women than men. It’s an unfair double standards that people love to whine about, but never do anything to fix. Some argue it can’t be fixed.

That’s not an issue that “Captain Marvel” can hope to resolve over the course of a single movie. As such, it’s important that she walk that fine line in crafting her attitude. Again, Kelly Sue DeConnick struck the perfect balance when she took over Carol’s story in 2012.

She gave her a personality that was tough, but welcoming. She made her someone you want to hug, but don’t want to fuck with. Carol Danvers is ambitious and tough, but also has a strong sense of duty. Being a soldier, a pilot, and a hero, she sees that as part of her mission. It’s what makes her so likable as both a character and a hero.

She can have an edge, but she doesn’t have to be an asshole about it. Being an asshole is one of those traits that knows no gender. Brie Larson is a great actress who has proven that she can play tough, balanced roles. Let her do that and look sexy as hell in the process. That’ll help any movie.


Tip #4: Acknowledge Carol’s Faults And Let Her Bear Burdens

In addition to her attitude, Carol Danvers does has faults. Again, and it’s worth repeating, she is not Wonder Woman. She’s not some demigod princess whose beauty and strength were forged by gods. She’s an ordinary American woman who got her powers because she ended up working with an alien spy. She a fallible, mortal human being with tangible flaws. Any movie about her shouldn’t hide those flaws.

Some of those flaws are more obvious than others and I’m not just talking about the unpleasantness surrounding the plot with Marcus Immortus. Despite being ambitious and determined, Carol tends to be a bit of an adrenaline junkie and is prone to take stupid risks. This has gotten her into trouble before and quite recently in the comics.

With that in mind, it shouldn’t be too surprising that she’s also an alcoholic. However, it’s not the kind of alcoholism that we see with Iron Man. His brand of alcoholism is largely a product of irresponsibility and poor coping skills. Carol’s alcoholism is more about escaping her problems.

In the context of her character, that makes sense. She grew up looking at the stars and wanting to actually go there. She’s always pushing herself to fly a little higher and faster. When she’s unable to do that, she looks for an escape.

For her, accepting limitations is not easy. That’s how her alcoholism got so destructive in the comics, so much so that even Iron Man noticed it. When Iron Man says you have a drinking problem, you can skip the intervention.

That doesn’t mean that Carol has to be a total drunk in the movie. It doesn’t even have to be overtly stated. The reason why Carol drinks is more important than her actually drinking. Accepting limits is difficult for her. It’s a key part of her story and her personality. Let her endure those burdens. Let her confront those flaws. She doesn’t have to be Wonder Woman. Let her be human, with or without her powers.


Tip #5: Make The Kree/Skull War As Epic As Possible

This is somewhat indirect of Carol’s story, but one that’s vital if “Captain Marvel” is to be a fitting addition to the Marvel Cinematic Universe. Beyond just being one of Marvel’s most powerful female characters, her movie also has to expand the overall mythos of the MCU. “Wonder Woman” did that too with DC, albeit on a very limited scale.

In this case, though, that scale needs to be turned up to eleven and given an unlimited supply of crack. That’s because it was announced at the San Diego Comic Con that the “Captain Marvel” movie would introduce the world to the Kree/Skrull war. Talk to any long-time Marvel Comics fan, like yours truly, and they’ll tell you two things. One, She-Hulk is uncomfortably sexy. Two, the Kree/Skrull war is insanely epic.

We like to think we humans are pretty damn good at war. We’ve fought so many of them over our history. Compared to the Kree/Skrull war in the comics, though, we might as well be a bunch of two-year olds playing with melted action figures.

This war is beyond anything Stephen Spielberg or Christopher Nolan could ever capture. For one, this war is on a galactic scale. It’s not just about warring tribes who don’t agree on how many goats to sacrifice during the summer solstice. These are two very different species with very different visions for the galaxy. As big as the galaxy is, it’s just not big enough for them to co-exist.

This massive war has influenced many areas of the Marvel Universe within the comics. It’s usually inevitable that the Avengers, X-men, or any major superhero team from Earth gets caught up in it whenever they dare to leave the planet for more than five minutes. It’s a huge part of the cosmic elements to Marvel, which “Guardians of the Galaxy” just started exploring.

Given the success of those movies, “Captain Marvel” has plenty to build on. Carol Danvers is a soldier. Putting her in the middle of an epic war the likes of which few humans can even fathom will help bring out the best in that soldier. That’s why the Kree/Skrull war has to be as epic as a galactic-level war deserves to be. It’ll bring out the best and worst in all those involved.


There are a lot more tips I can give, but these are the big ones. Unlike “Wonder Woman,” Captain Marvel doesn’t have the burden of proving that female superheroes can hold their own. That has already been proven, so much so that even Ryan Reynolds from “Deadpool” acknowledged it.

More than anything else, “Captain Marvel” must show that Carol Danvers is someone who deserves to be in the same league as Wonder Woman. She’s not the same icon that Wonder Woman is, but she has the potential to be. This movie could finally help realize that potential. It could also be a “Catwoman” level screw-up and no character, male or female, deserves that.

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The Captain Marvel Movie: News, Challenges, And Kinks

It’s official. Successful female superhero movies are a thing. Thanks to the success of “Wonder Woman,” the trauma left by the likes of “Catwoman” and “Elektra” can finally be laid to rest. Hollywood can no longer use those affronts to all things heroic, female, and shaped like boobs as an excuse to relegate lady superheroes to backup roles and eye-candy.

Chances are, with “Wonder Woman” being such a boon with critics and fans, we’re about to get bombarded with a bunch of movies that will try desperately to emulate her success. We saw it with “Die Hard.” Now, it’s time for the ladies to get their time as Hollywood’s go-to gimmick for fresh pools of money.

At the moment, though, there’s only one female superhero with a movie in active development and an official release date. That honor goes to “Captain Marvel,” who will attempt to do for the Marvel Cinematic Universe what “Wonder Woman” did for DC’s Extended Universe.

It’s a noble and entirely understandable goal. To this point, Marvel has upstaged DC in damn near everything involving superhero movies. Then, “Wonder Woman” happens and suddenly they can claim they made a successful female superhero movie before Marvel did. If you think there aren’t some bloated egos at Marvel who don’t like that, then you clearly underestimate the impact of money, press, and cocaine.

That hasn’t stopped some at Marvel from praising Wonder Woman. It is, somewhat, a relief that someone managed to do a good female superhero movie. There’s only so much cocaine can do to make Hollywood throw money at what they feel is a losing concepts. Now, “Wonder Woman” has established female superheroes as a viable part of the superhero genre.

On the surface, “Captain Marvel” looks like the perfect character with which to give the Marvel Cinematic Universe its own Wonder Woman. Talk to most Marvel fans not arguing about Thor’s hammer today and they’ll agree. Carol “Captain Marvel” Danvers is the closest thing Marvel has to Wonder Woman.

She definitely checks all the right boxes. She’s a fun, charismatic, badass fighter who regularly goes toe-to-toe with some of the Marvel universe’s biggest foes. She’s one of Marvel’s heaviest hitters. When someone like Thanos, Galactus, or the Red Skull comes to start something, she’s usually on the front lines.

However, there are some aspects to Captain Marvel that make her a challenging character for a movie. Some of them are more daunting than others. First and foremost, Captain Marvel is not Wonder Woman in terms of iconic status. That much is clear and few, even among die-hard Marvel fans, would claim otherwise.

For one, Carol hasn’t had nearly as much time to establish herself as an iconic hero compared to Wonder Woman. While she debuted as a character in 1968 in the pages of “Marvel Super Heroes,” she didn’t get her own series until 1977 and at the time, she went by “Ms. Marvel.” In fact, that’s the title she carried for most of her life.

Even with that title, a long list of potent powers, and undeniable sex appeal, most fans in those days probably wouldn’t have called her Marvel’s version of Wonder Woman. She would still be in the top five on anyone’s list of Marvel’s greatest female heroes. However, most fans would put characters like Storm of the X-men or the Invisible Woman of the Fantastic Four above her.

Despite this, Carol established herself as Ms. Marvel and was a powerhouse who could match Wonder Woman in terms of strength and grit. However, she never really established herself as Marvel’s premier female hero until recently, although the reasons for this are way more convoluted than most non-comic fans think.

This, in essence, is where Captain Marvel faces both some challenges and a few kinks. Yes, by the way, some of those kinks are of the sexual kind that will probably get skipped in any movie about her.

It’s the same challenge Wonder Woman faced, albeit in a different context. As I’ve discussed many times before, and will probably discuss again because it’s just too damn sexy, there were some very kinky BDSM undertones built into Wonder Woman’s character. For reasons that I assume involve exceedingly knotted panties, that kinky history has been purged from her history, although sometimes it pops up.

Carol Danvers’ history isn’t quite that kinky, but there is one element to it that’s kind of a headache for those who see her as Marvel’s version of Wonder Woman. It involves one of her earliest stories and includes elements such as abduction, brainwashing, rape, incest, and impregnation. Trust me, it’s even less kinkier than it sounds.

In that less-than-iconic story, Carol is abducted by a walking feminist nightmare named Marcus Immortus, the son of Kang the Conqueror, one of the Avengers’ greatest foes. He then proceeds to brainwash her into falling in love with him. They then do what people in love do. They get naked and they get frisky. That results in Carol getting pregnant.

Here’s where it gets even weirder and creepier. That kid she gives birth to isn’t exactly the apple of her and her brainwashing lover’s eye. That kid is just another version of Marcus. That means when he got her pregnant, he basically got her pregnant with himself. Trust me, it’s as confusing to the brain as it is to the genitals.

The reasons for this are too convoluted to explain, even to other comic book fans. Simply put, Marcus was aging rapidly and needed to be reborn so he just did what any deranged son of a villain would do. He found a beautiful woman, seduced her, and knocked her up with an infant version of himself. Who among us wouldn’t resort to something similar?

I’ll turn off the sarcasm for now because as the years have gone by, this part of Carol Davners’ story has become even more infamous than Wonder Woman’s BDSM past. At least with Wonder Woman, the BDSM was playful and kinky. The story involving Carol and Marcus is neither. Many, in fact, claim it counts as rape.

In some parts of the world, that claim would have some legal validity. In countries like the United States and Great Britain, there is something called “rape by deception.” It basically means that if someone lies, cheats, or gains sexual consent from someone under false pretense, then that counts as a form of rape.

Now this isn’t a universally held opinion, which is why not every country recognizes it. Some, especially those in the douche-bag pick-up artist community, would argue that consent under a false or half-false pretense is still consent. With a competent lawyer, that argument might actually hold up in court.

For Carol Danvers, though, it’s still a distressingly uncomfortable story. It also doesn’t help that it was one of her first major stories. She’d barely begun to establish herself at Marvel and this certainly didn’t set a very upbeat tone. Granted, comics had used brainwashing before, including the infamous Superman/Big Barda sex tape. However, it had never been taken this far before.

In defense of the writers at the time, this was 1980. It was long before the politically correct era where people get into fist fights over proper pronoun usage. While it wasn’t quite as bad as the world of “Mad Men,” you could still get away with making jokes about a woman’s skirt length. I also assume some were still recovering from disco, cocaine, and Quaalude binges.

Much like Wonder Woman’s BDSM origins, though, this part of Carol’s story has been subject to many “retcons,” as comic fans call it. It didn’t take years either. The process began in 1981 where Chris Claremont, the legendary X-men writer behind the famous Phoenix Saga, had Carol’s brainwashing undone, courtesy of the X-men.

From that point forward, Carol Danvers’ story underwent various forms of growth and development. She took on various titles along the way and worked with many teams, including the X-men, the Avengers, and the Guardians of the Galaxy. Like Wonder Woman, she made her presence felt on multiple fronts throughout the Marvel universe.

However, it wasn’t until a brilliant female writer named Kelly Sue DeConnick came along that Carol Danvers truly became Marvel’s Wonder Woman. If anyone wants a clear understanding of why Carol is getting her own movie starting Brie Larson, I urge them to read this series. It will make clear why she deserves to be on the same level as Wonder Woman.

It’s in this series where Carol Danvers becomes Captain Marvel. That title had been previously held by another character, an alien named Mar-Vell, no less. Unfortunately, Mar-Vell had died, as superheroes tend to do with frustrating regularity. While reluctant at first, Carol takes on that title and she’s wielded it brilliantly every since.

This is the Captain Marvel that the movie will portray. It’s also the one that has helped push Carol Danvers to the front of the lines in Marvel’s effort to appeal to a more diverse audience. While some of those efforts have been subject to a few setbacks, Captain Marvel’s status at Marvel has never been greater. The time is perfect for build on the foundation that Wonder Woman created.

Doing so, however, will be challenging in ways that even Wonder Woman never had to endure. Like Wonder Woman’s BDSM origins, it’s easier to just ignore some of those unpleasant elements of Carol’s early years. However, that won’t stop some from bringing it up.

Given the nature of the story, I can see it becoming one of those issues that certain people belabor for all the wrong reasons. If you think that’s being paranoid, remember that people actually made a big deal about Wonder Woman’s armpit hair in the movie. They’ll find a way to do something similar to Captain Marvel.

Whether or not the Marcus Immortus story becomes an issue remains to be seen. Unlike Wonder Woman’s BDSM history, it was not a major part of Carol’s development or growth as a character. If anything, it was an early obstacle that she had to overcome on her path towards becoming who she is now.

In the end, she overcame those early growing pains. She managed to carve her place in the world of comics as a great female hero in her own right. It took a while for Marvel go develop a clear plan for her, but that plan worked out in the end and I hope it works out in the movie as well. A world with a beautiful, blond, high-flying, kick-ass female superhero is objectively better for everyone.

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Wonder Woman And Sex Positivity

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I know I’ve been talking about Wonder Woman a lot lately. No, I’m not going to apologize for that. I’ve had a perfectly valid reason and no need for excuses. It’s not unreasonable to say that Wonder Woman is having the best year she’s had in her 75-year history and that includes the era in which she made Lynda Carter a sex symbol.

The “Wonder Woman” movie is an unabashed success. Just this past week, it surpassed both “Batman v. Superman: Dawn of Justice” and “Suicide Squad” to become the highest-grossing DC Comics movie to date on the domestic front. It managed to do all this with a female director in Patty Jenkins, a strong female lead in Gal Gadot, and a naked Chris Pine. I think ladies everywhere deserve to flex their ovaries this year.

As great a year as she’s had, there’s been another major development with Wonder Woman that will likely slip under the radar. That’s a shame too because it’s an important development, which is another way of saying it has very sexy implications. Given the nature of this blog, it would be a professional failure on my part if I didn’t talk about it.

In this case, it has to do with what’s been going on with Wonder Woman in the comics. Now, I don’t deny that a very small percentage of the people who saw the “Wonder Woman” movie actually follow the current comics. Most have probably read Wonder Woman comics in the past, seen her in various cartoons, or watched the old Lynda Carter TV show.

The current comics, however, are kind of an afterthought. That’s understandable in some cases. If you only saw the “Captain America” movie, you might be a little confused to find out he’s a Hydra agent in the comics. If you only ever saw the “Iron Man” movie, you might even more confused to find out that Tony Stark is in a coma and Iron Man is a 15-year-old black girl from Chicago.

The comics are confusing, convoluted, and frustrating to say the least. I say that as someone who has been closely following comics for nearly two decades. There are so many different interpretations, alternate universes, and re-launches that most reasonable people would decide it’s not worth the aggravation. I like to think I’m reasonable in most instances, but I guess my love of comics is just that strong.

For those Wonder Woman fans who do follow DC’s iconic comics, they got an overdue, but extra-satisfying treat. As part of DC’s ongoing Rebirth initiative, Wonder Woman’s comic was re-launched and revamped in a way that helped streamline a mess of conflicting continuities and scrambled timelines. Trust me, it’s much more complicated than it sounds. Just look up something called “Flashpoint” to see what I mean.

If you’re a Wonder Woman fan, though, you don’t need to know the cow shit to appreciate the flowers. Under the pen of Greg Rucka, an accomplished comic book writer who has written Wonder Woman in the past, and Liam Sharp, an equally-accomplished comic book artist, Wonder Woman’s entire story underwent an overhaul.

That story is one that I cannot recommend enough to Wonder Woman fans. If you loved the movie, then you’ll love these comics. They cover everything that makes Wonder Woman great. Her heart, her compassion, her warrior spirit, and her sex appeal is all on highlighted in all the right ways for all the right reasons. It may very well be the most balanced she’s ever been as a character.

However, it’s the conclusion of that story, which culminated just last week with the release of Wonder Woman #25, that introduces an important element to Wonder Woman’s story. It goes beyond simply capping off a successful run on an iconic comic book series in a satisfying way. That alone is pretty remarkable, especially at a time when comic companies can’t resist killing major characters for a sales boost.

Specifically, it has to do with Wonder Woman’s sexuality. I know that’s a favorite topic of mine and for good reason. Her sexuality is actually pretty broad compared to other male heroes who simply want to bang supermodels all day. Her origins have strong ties to the world of BDSM and in recent years, she has been revealed to be bisexual.

Despite these details, Wonder Woman has been one of those characters who has been sexually nullified, so to speak. For a good chunk of her history, she’s never been allowed to be overtly sexy. Sure, her attire is sexy and she’s not exactly shy about showing off her body. When it comes to having an actual sex life, though, it might as well be on par with the Hulk’s penis. We know it’s there. It’s just not something we talk about.

Sure, she’s allowed to have love interests. Steve Trevor, who was played by Chris Pine in the movie, is her most famous. She’s had others, including Batman in the Justice League cartoon and Superman in the comics at one point. However, the sexuality in all those relationships is severely muted, if not outright ignored.

That changed somewhat in Wonder Woman #25. Greg Rucka and Liam Sharp actually acknowledged that Wonder Woman can be sexual and it doesn’t have to be some big, shocking ordeal. She’s a powerful woman and she has sex. That should not be shocking on any level.

On top of that, Rucka and Sharp make it a point to mix Wonder Woman’s sexual inclinations with her romantic inclinations. Remember, Steve Trevor? Well, now he’s not just the man who managed to get Chris Pine naked in  the “Wonder Woman” movie. He’s the one who makes love with Wonder Woman in Wonder Woman #25. I’m sure both Chris Pine and Gal Gadot would approve.

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It was a sweet, beautiful scene that mixed both romance and sexuality. After a long journey that had many heart-wrenching moments, Wonder Woman returns to Steve, who prepared a romantic night for them. She opted to skip most of it, head into the bedroom, and make love. I’m not going to lie or apologize. That moment made me shed tears of joy and gave me a boner.

It may not seem like a big deal, Wonder Woman getting frisky with her oldest and most well-known love interest. Trust me, both as an erotica/romance writer and a comic book fan. It’s a huge deal and it adds a critical dimension to Wonder Woman’s character that tends to get censored way too often, which is sex positivity.

I’ve talked about sex positivity before, namely how it stands in contrast to sex negative feminism. I’ve even talked about distinctly sex positive superheroes like Starfire. Given Wonder Woman’s status as a feminine ideal, you’d think she would be naturally sex positive. That thinking wouldn’t be dead wrong, but it wouldn’t be right either.

It may be a result of her having not-so-subtle BDSM origins. It may also be a byproduct of the heavy censorship comics endured for most of its history, thanks largely to a bullshit moral panic from the 1950s that nearly killed the industry. Whatever the reasons, Wonder Woman’s BDSM origins were purged and her sexuality was effectively ignored.

She was still a woman, but her sexuality was about as prominent as her appendix. Her entire persona, even into the modern era, emphasized her warrior woman status. She only fought and looked good while doing it. That was pretty much the core of her character.

Now that’s not to say she had no other appeals. She most certainly did. However, her sexuality, and even her attitudes towards sex, were either ignored or circumvented. That’s why this new development in Wonder Woman #25 is so critical.

In this case, Wonder Woman actually did something even Starfire struggles to accomplish. She created a perfect balance of sexuality and love. Starfire may have a very healthy attitude towards sex and nudity, but she tends to be too casual when it comes to romance. She’s perfectly comfortable having sex, but expressing love through sex is a bit trickier.

For Wonder Woman, it’s a natural manifestation of her loving, compassionate personality. She has love for her friends, her fellow heroes, and Steve Trevor. Rucka and Sharp just let her express it through her sexuality in a way that was sincere, meaningful, and perfectly appropriate for the context of the story.

That kind of sex positivity is exceedingly rare these days. I’ve said before that the world needs more of it. There are ominous signs that society is becoming more sexually uptight. Sexuality, especially of the female variety, is still very much a taboo. Men and women alike seem to have conflicting attitudes that can manifest in unhealthy ways.

How fitting is it that Wonder Woman, the most iconic female hero of the last century, finds a way to achieve a beautiful balance between sexuality and romance? It’s a powerful element that I hope DC Comics doesn’t censor once more. A female hero knows how to fight, love, and make love in a meaningful, compelling way is a beautiful story in its own right. You could even say it’s a true wonder.

Yes, I know that sounds cheesy as hell. No, I’m not going to apologize for that either.

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Five Female Superheros That Deserve Their Own Movie

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It’s been a damn good week for female superheroes. Whether you’re a man, woman, or something in between, it’s hard to deny the historic significance of this past weekend. “Wonder Woman” is officially a hit. The glass ceiling for superhero movies is shattered. We can all finally lay the failures of “Catwoman” and “Elektra” to rest.

It’s sad that it took over a decade to make another female superhero movie that succeeded, but good things are worth waiting for. Anyone still waiting for a decent Fantastic Four movie should take comfort in that.

For Wonder Woman, at least, the wait is over. She has proven that female superheroes can succeed. They can carry their own movie. The fact that Wonder Woman had to prove this in the first place is kind of asinine, but that’s a trivial detail at this point. “Wonder Woman” succeeded and that doesn’t just break the myth that female superheros can’t succeed on their own. It opens the door for other female superheroes to shine.

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As I write this, there is only one other female superhero besides Wonder Woman who is set to star in her own movie. That character is Carol “Captain Marvel” Danvers, whose movie is set for release in 2019. With Brie Larson having been cast, the movie is already in the works. Wonder Woman’s success can only help.

Unlike Wonder Woman, though, Captain Marvel does not have the kind of iconic status as Wonder Woman. In fact, she only recently gained a surge in popularity when writer, Kelly Sue DeConnick, launched “Captain Marvel: In Pursuit Of Flight.” This series, which any Wonder Woman fan would love, effectively revamped a character who had only ever been a secondary character in the Avengers.

Since that run, Captain Marvel has become the closest character Marvel has to Wonder Woman. As such, it makes perfect sense for her to get a solo movie, if only to keep up with DC.

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However, as excited as I am to see more female superheroes get their own movie, there aren’t many others to look forward to. Earlier this year, Avengers director, Joss Whedon, announced that he was pursuing a “Batgirl” movie. As exciting as it sounds, though, this movie is tentative at best. With no release date or cast, this movie could languish in development hell, as Whedon’s own Wonder Woman movie did in 2007.

With “Wonder Woman,” the floodgates have been opened. There’s a new avenue for pursuing big bucks with superhero movies and, seeing as how Hollywood values money over all else, we’re likely to see plenty more female superhero movies in the future.

With that in mind, I’d like to offer my own wishlist of sorts. Wonder Woman is a great female hero and a pop culture icon in the highest degree, but she is far from alone. There’s a wealth of great female heroes in the world of comics who would thrive in their own movie. Below is my personal list of female superheroes who I feel should get their own movie.


#1: Laura “X-23” Kinny

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This one is, by far, the most obvious and logical. After the success of “Logan,” in which X-23 was the breakout star, there’s already a lot of buzz around this possibility. Both Dafne Keen, the actress who played her, and director James Mangold have expressed interest in pursuing an X-23 solo movie.

Given the performance we saw in “Logan,” it would be foolish not to capitalize on X-23’s breakout success. Hugh Jackman gave X-men fans 17 wonderful years as Wolverine. X-23 is in a perfect position to carry on the mantel. She already did so in the comics, adopting both the title and the costume of Wolverine. Why not do the same in the movies?


#2: Thor (Jane Foster)

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This one might be the most controversial. Back in 2014, Marvel made a decision that still has some comic fans whining to this day. They made Thor unworthy of wielding his hammer, Mjolnir. Since the world still needed a Thor, Jane Foster stepped in and took up the mantle, which she’s wielded effectively ever since.

Controversial or not, there’s no denying the strength of the story that followed. Jane Foster had always been a supporting character for Thor. Putting her as the main lead was a bold, but powerful move. Jane isn’t just some glorified arm-candy for any Chris Hemsworth look-alike, though. She’s very much her own character.

In the comics, Jane was dying of cancer before she picked up the hammer. By becoming Thor, she’s trying to make the most of whatever time she has left. That’s a powerful struggle and a meaningful story, especially to anyone who has lost someone to cancer. Plus, being played by Natalie Portman can only help her cause.


#3: Black Canary

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When most people think of DC’s most iconic female heroes, they almost immediately think of Wonder Woman and rightfully so. She is, and likely always will be, the standard by which all female superheroes are measured.

That said, some female heroes make it a point to set themselves apart. That’s what Black Canary does. Dinah Lance is not a demigod warrior like Wonder Woman. She’s not a brooding vigilante like Batman either. She has her own set of superhuman abilities. She’s a tough fighter who’s gone toe-to-toe with some of the most capable fighters in the DC universe. She also looks damn sexy in fishnets.

In addition, Black Canary has a track record of sorts as a supporting character in “Arrow.” Being a successful character in TV doesn’t always translate well into movies, as Baywatch recently learned, but someone with Black Canary’s skill and sex appeal can certainly make that transition.


#4: Starfire

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Admit it. You knew I was going to put her on this list. It was just a matter of how I’d be able to justify giving a solo movie to a female hero that is so comfortable with nudity. I went out of my way to praise Starfire as a sex-positive superhero, one whose open sexuality is both fun and heroic in its own unique way.

Now, I know this one would be a real stretch. However, the success of the “Deadpool” movie has given me hope that there is a future for R-rated, sex-positive superhero movies. It may take a while, given the recent trend in outrage over any female character that dares to be sexy. Remember, people made a big deal about Wonder Woman’s armpits for crying out loud.

At some point, though, there will be a market for a female hero that just doesn’t give a flying fuck about nudity. At some point, fans are going to get sick of being shamed for wanting to see a sexy female hero in a bikini. When that day comes, Starfire will be the perfect female superhero for a generation in need of a sex-positive icon.


#5: She-Hulk

Image result for She-Hulk

To date, there have been two lackluster Hulk movies. In both cases, the story was fairly the same. You’ve got a man dealing with serious anger issues, struggling to function in a world that just keeps finding ways to piss him off. Most people are familiar with that story. Those same people, however, are less familiar with She-Hulk’s story.

Jennifer “She-Hulk” Walters is not just a female version of the Hulk. If anything, she’s a very different kind of Hulk. She’s Bruce Banner’s cousin who became the Hulk due to a blood transfusion. Unlike Bruce, she doesn’t need to get angry to become big, strong, and green. She’s pretty much stuck in her Hulk form.

That means she’s more in control of her faculties, so much so that she manages to continue her work as a lawyer. That’s right. This Hulk has a day job and it doesn’t involve smashing. Now most lawyer-driven movies since “My Cousin Vinny” have had limited entertainment value. Add a big, strong, sexy green female hero to the mix and suddenly, there’s a lot more value to go around.

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Filed under Comic Books, Jack Fisher, Superheroes