The following is a video from my YouTube channel, Jack’s World. I know this is a bit of a break from my usual video release schedule, but after the events of Episode 8 of “WandaVision,” I just couldn’t wait. I had to do a reaction video and honestly, I’m starting to enjoy making these videos. As with my first, this one contains spoilers and a revised fan theory that is very likely wrong. At the rate this show is going, I’ll be sure to develop plenty more. Enjoy!
Tag Archives: Marvel Movies
I’ve been in major withdraw of MCU content after 2020.
I say that because it’s likely to color my perceptions and bias, so I won’t bother hiding it. I imagine others share it, too. That being the case, let’s just put it out there. A lot of things got derailed in 2020 because of the pandemic, including several movies that were supposed to kick-start the next phase of the MCU.
These delays were understandable, given the state of the world. That didn’t make them any less painful. It marked the first year in nearly a decade that we had to go an entire year without any MCU content. As a lifelong fan of comics and superhero movies, words cannot describe how agonizing that was.
Now, the wait is over. The MCU is back. While it’s not in the form of a billion-dollar blockbuster, Kevin Feige and our Disney Overlords are adapting this wondrous franchise for the world of streaming. The first step in that process finally arrived last week in the form of “WandaVision,” the first ever MCU content built exclusively for streaming.
It marks a bold new era for the MCU, as well as another incentive for people to invest in a Disney+ subscription. Like it or not, “The Mandalorian” cannot do it alone, but it still set a high bar. Does “WandaVision” match that bar in the first two episodes?
The short answer is yes, for the most part.
The long answer is yes, it’s on the right track, but only time will tell.
Two episodes is simply not enough to assess the full quality of any show, but it does help create a foundation. In that sense, “WandaVision” definitely starts strong. It takes the winning formula of the MCU and adapts it into a quirky sitcom full of humor, mystery, and a glut of Easter Eggs.
I’ll get to the Easter Eggs later, but I want to focus more on the unique format of the show. Make no mistake. It is unique, if not downright weird. Then again, both Wanda and Vision are weird characters with a strange, but endearing connection. That has always been the case with their relationship in the comics. This show does plenty to channel that weirdness and to that end, a sitcom format works beautifully.
There’s no build or setup for that format. When the first episode begins, it runs like an old episode of “I Love Lucy” or “Dick Van Dyke.” It’s black and white. The setting is an idyllic suburb. Wanda and Vision are newlyweds, but they’re still very aware of their powers, abilities, and status as a couple in which one of them is an android.
Naturally, the MCU brand of humor emerges naturally from that setup. There’s all sorts of comments and quips that poke fun at their status, which is milked for plenty of entertainment value. In addition to plenty of classic sitcom tropes from that era, it’s a potent formula. You don’t expect it to work as well as it does, but it still works.
The first episode involves Vision and Wanda trying to host a dinner for Vision’s boss. There’s plenty of misunderstandings and mishaps, but it ultimately pans out.
The second episode builds on that, having Wanda and Vision try to integrate with their suburban community and participate in a talent show. Things go horribly and hilariously wrong when Vision finds out he can’t handle chewing gum.
Within these quirky sitcom antics, there are ominous hints and teases as to what’s really going on. This is taking place in the MCU, following the events of “Avengers Endgame.” Something or someone has warped reality around Wanda, who was not in a good place after the death of Vision. That instability comes into play on multiple occasions throughout the first two episodes, but nothing major is revealed.
This is where “WandaVision” shines and stalls at the same time. The sitcom format works beautifully and provides plenty of entertainment value. However, when it comes to explaining how they got there and who’s involved, the hints are exceedingly vague.
I ended up having to watch both episodes multiple times to really understand those hints. If you’ve been following the movies and are familiar with the comics, you’ll definitely appreciate them. If not, you will likely be quite lost.
This is not the kind of show you can come in blind and appreciate fully. It’s still fun, but you can’t get the most out of it without having a moderate knowledge of Marvel Comics and the MCU.
That brings me to the Easter Eggs in both episodes. There are a lot of them, too many for me to mention. Other sites have already highlighted them, but the sheer volume Marvel Studios threw in is both impressive and revealing. Some offer hints of past events in the MCU. Others hint at things only comic fans will recognize.
These Easter Eggs definitely enhance the experience. Again, if you don’t have that working knowledge, they’re easy to miss and they do limit that experience. Even without that knowledge, though, some of those hints are quite overt. It’s very clear that something is very off in this world and others are trying to get into it.
It’s still not clear if Wanda is trapped or if this whole world is just her own doing. There are plenty of hints that someone with less-than-noble intentions is playing a part. There are also some familiar faces, namely Monica Rambeau, who make their presence felt. What role she and others will play is still unclear, but the stage is definitely set for something big, literally and figuratively.
In just two episodes, “WandaVision” effectively establishes its own unique style. It has that familiar MCU polish, but it’s also very different from the big budget blockbusters we’re used to. That’s not a bad thing. Like I said, this show marks Disney and Marvel Studios’ efforts to adapt to the world of streaming.
It’s still too early to say for sure whether it’s a full-fledged success. After the first two episodes, I’d say it’s well on its way. I’m not going to give a score for “WandaVision” just yet. It’s too early to fully assess the show. I’ll just say that I’m so glad and so relieved to see the MCU back in action. I still miss going to the movies, but this show promises to tide me and my fellow Marvel fans over in the meantime.
In a year so full of objectively awful news, a tiny bit of good news goes a long way. When that news involves superhero comics and upcoming TV shows, it goes even further with me. On that front, such news has been few and far between. This year has been fraught with major delays and cancelled conventions. Fans like me need some good, exciting news for once. We’re due.
Then, this past week, we got it. It’s been in the works for a while now, but now it’s getting real. One of the big Marvel Studios Disney Plus shows that has been in development, “Ms. Marvel,” officially found their Kamala Khan in Iman Vellani. As an unapologetic Ms. Marvel fan who has sung her praises before, this is just the news I needed.
Deadline reported it. Many others in Hollywood circles praised it. Fans like me were just elated that Kamala Khan is set to enter the MCU.
After a long and hard search, Marvel has found its Ms. Marvel. The studio is tapping newcomer Iman Vellani to star in its Disney Plus series based on the comic-book character. Marvel and the streamer recently named Adil El Arbi and Bilall Fallah, Sharmeen Obaid-Chinoy and Meera Menon as directors on the project.
Now, there’s a lot I want to say about this news, this casting, and the prospects for this show. I’ve already touched on some of that before and I have every intention of highlighting even more as the show develops. Ms. Marvel is very near and dear to me as a character. I’ll be among those cheering the loudest for her and for Ms. Vellani to succeed.
Before I get to any of that, though, I want to offer a special message to Ms. Vellani. I doubt she’ll ever read it. I’m sure she’ll hear from plenty of other voices far more prominent and insightful than mine. I still want to put this message out there because I think it’s worth saying.
Dear Ms. Vellani,
First off, congratulations! You just earned yourself the role of a lifetime with an incredible character. On behalf of many other Ms. Marvel fans, I wish you the best. We’ll all be cheering you on as you bring Kamala Khan to life in the Marvel Cinematic Universe.
It will be challenging. Anything worth doing is. I believe you’re up for it. I also don’t doubt that you’ll face obstacles, some of which have nothing to do with your acting abilities or your love for the character.
The world of superhero media is an amazing place. Both on and off the screen, there a lot to take in. Chances are, it will be overwhelming at time, but once the fans embrace you, they’ll be your greatest ally. It’s what helped Ms. Marvel become such a prominent, beloved character. That’ll help you achieve success on a level that will do justice to her legacy.
Now, there are parts of that world that are less pleasant. As in any genre, there are critics and trolls who will try to tear you down. They’ll attack you, just as they’ve done to the likes of Brie Larson, Daisy Ridley, and Kelly Marie Tran. Do not let them get you down. Do not let them stop you from being the best Ms. Marvel you can possibly be.
Also know that Kamala herself has attracted plenty of trolls. Some of the ugliest elements of superhero fandom have been denigrating Ms. Marvel since the day she debuted. Some go so far as to attack her creators. These people are no different than the villains Ms. Marvel fights. They do not deserve an ounce of your attention.
The love people have for this character is many times greater than those who go out of their way to hate her. That love is what makes Ms. Marvel special. We hope you feel that love as you don that now-iconic costume. May it carry you through the challenges that await and may it enrich your world, just as Ms. Marvel has enriched ours.
Sincerely, Ms. Marvel Fans
This year has sucked for many reasons. While one reason tends to be more prominent than others, many of us have felt it. Some have just felt it more than others. While 2020 has sucked for everyone, it especially sucks for fans of superhero movies and the Marvel Cinematic Universe.
This year was supposed to be a year of transition. After the record-breaking returns of “Avengers Endgame,” the MCU was at a crossroads. Prominent actors had lived out their contracts. Certain heroes were killed off or retired. Longtime Marvel fans like myself were both anxious and curious to see where the MCU would go from here.
This year was supposed to be the beginning of Phase 4, which was to commence with “Black Widow,” “Eternals,” and “Shang-Chi.” On top of that, the MCU was going to venture into the world of streaming with several Disney-Plus shows. It all seemed so promising.
Then, the goddamn pandemic hit. Need I say more?
Now, it’s official. For the first time in a decade, there will be no MCU movies in 2020. According to The Verge, “Black Widow” has been pushed into 2021, along with the rest of the aforementioned 2020 slate of movies.
Black Widow will now open on May 7th, 2021 — more than one year after it was originally scheduled to be released. Like with other Marvel delays, Black Widow’s new date pushes Shang-Chi and the Legend of the Ten Rings back from its May 7th, 2021 release date to July 9th, 2021. The Eternals, which was supposed to follow Black Widow is moving from February 12th, 2021 to November 5th, 2021. A number of other Disney films, including West Side Story and The King’s Man, were also moved around as part of the shuffle.
Basically, the entire timeline for the MCU’s next phase just skipped a year. As someone who scheduled entire months around going to see Marvel movies, I can’t put into words how disappointing this is. This year has broken my heart, my spirit, and my hope for a brighter future. This just rubs salt, acid, and molten lead in the wound.
However, as disappointing as this news is, I do want to keep things in perspective. I also want to highlight some insights that may or may not be encouraging. Please don’t mistake any of that for tangible hope. I still have none left. At the same time, I do see reasons for encouragement.
For one, I’m not too surprised by “Black Widow” being delayed. I think the bean counters at Disney saw the box office returns of “Tenet” and decided to throw in the towel for this year. Despite that movie being widely praised by fans and critics, it barely made enough to cover the marketing budget for a typical MCU movie.
Movie theaters are not back. They are a long way away from being back, so to speak. This pandemic has hit them harder than any other industry that doesn’t involve health care workers and mask manufacturers. Even if a good movie comes out, people are still reluctant to go.
That’s not likely to change this year. It probably won’t change in the first few months of 2021, either. However, if the current timelines are to be believed, we should have a working vaccine by the end of 2020. That’s the only way the world will return to some semblance of its former self.
Now, I don’t believe that timeline for a second and I don’t think Marvel Studios believes it, either. If they did, then they wouldn’t have pushed “Black Widow” all the way into the spring. While this does mean a longer wait, it also reveals something else that’s just as important.
Earlier this year, I questioned whether the entire movie theater industry has been irreparably damaged. While I stand by many of my points, I might need to pull them back. Before this news came out, Disney decided to take the plunge into pure streaming and dump “Mulan” onto its streaming service. I suspect that if this move proved both successful and profitable, then that might be the future for all its major movies.
However, that future is now in question. While Disney has claimed that the movie has generated some healthy profits, the extent of those profits is very much in question. Nobody is convinced that “Mulan” is a success or failure. This is not like “Trolls World Tour,” a kids movie that cost less than half of what it took to make “Mulan.”
In a healthy, non-pandemic world, it’s hard to say whether “Mulan” would’ve worked out better. However, it is fairly clear that dumping a big budget blockbuster movie on a streaming service just isn’t as profitable as the good old fashioned box office.
That bodes well for both movie theaters and the MCU. I believe that Disney and Marvel Studio believes that their big budget blockbusters need to come out in theaters. These are not cheap independent movies that Netflix gladly gobbles up. These are massive cinematic undertakings. They need movie theaters to get a good return on their investment.
That need might very well be what saves the movie theater industry, at least to some extent. I think moving the MCU’s heavy hitters into 2021, assuming by then a vaccine will have tempered the pandemic, shows that they still believe in this model. They’re still committed to using this platform for developing the MCU.
Honestly, I’m a bit relieved. As much as I love binge-watching my favorite movies, there’s still something to be said about the movie theater experience. I don’t think that watching “Avengers Endgame” on my TV would have had the same impact as it did when I saw it in IMAX. That experience is still valuable.
Now, I’ve learned not to trust release dates and timelines. This year has taught me that all timelines are tentative when pandemics are a factor. Be that at as it may, Disney’s reluctance to dump big movies on a streaming platform bodes well for the movie going experience.
If and when “Black Widow” comes out on its newly scheduled date, I’ll definitely be there to see it. It may also be the best possible sign that we’ve gotten through this awful shit storm that has been 2020.
The following is my first video movie review for my YouTube channel, Jack’s World. After a summer being locked down due to a global pandemic, movie theaters in my area finally re-opened. Fittingly enough, the first movie I checked out was the frequently delayed “New Mutants.” Was it worth the wait? Well, see for yourself!
We’re living in an interesting age of cinema right now. Between massive cinematic universes, reboots, and all-female remakes, we’re in the midst of some major upheavals to the movie industry. It didn’t start with Netflix, but it’s definitely not ending with it. I’m honestly not sure where it’s going.
However, I am fairly certain that when people look back on this era of cinema, they’ll see the release of the Snyder Cut for “Justice League” as a turning point. It’s not just about a company giving into massive fan demand or big tech companies using major franchises to push a streaming service. It’s a sign that the overall vision for movies as a whole is evolving.
The issues surrounding “Justice League“ are well-known. There are plenty of other issues surrounding movies like it, from “I Am Legend” to “Solo: A Star Wars Movie” to “Spider-Man 3.” Those issues usually revolve around a studio, a director, and corporate executives not being on the same page.
The primary reason why the Snyder Cut is a thing is because executives at Warner Brothers opted to revamp, reshoot, and reconfigure the whole movie, completely changing the tone and plot along the way. That effort just didn’t work and it shows in the box office. If the Snyder Cut turns out to be a hit with fans and drives up subscriptions for HBO Max, the impact could go far beyond the future of DC movies.
This could open the door to other movies whose original vision was undermined. Companies are starting to realize that listening to fans can be profitable, as “Sonic the Hedgehog” showed. They’re also realizing that directors and producers need the whole of their vision realized. You can’t chop it up to the point where crucial parts of the story are left on the cutting room floor, as we saw with “Batman v. Superman: Dawn of Justice.”
I hope this will create opportunities for filmmakers and producers alike to realize their visions without having to chop it up for theaters. In an era of streaming services and binge-watching, a movie like the Snyder Cut can totally work. I’m genuinely curious about it and I plan on seeing it the first chance I get.
At the same time, I hope other movies get a similar chance, such as “Suicide Squad,” which was also subject to heavy editing. Sadly, there’s one vision that we’ll never see fully realized in an extended cut and that happens to be a movie that would’ve benefited most from more content. That movie is “Dark Phoenix.”
While I loved the movie we got in theaters, I could tell that it was a movie that had been significantly altered from its original vision. With the pending release of the Snyder Cut, a part of me hoped that we might get an extended version of “Dark Phoenix,” similar to what we got with the Rogue Cut of “Days of Future Past.”
Unfortunately, those hopes have been dashed. In an interview with IGN, Simon Kinberg himself stated outright that there was no “Kinberg Cut” to release. However, he gave a very valid reason for why that is.
“The movie they released was ultimately my vision for the film,” said Kinberg. “That vision did change over the span of making the movie. There are other scenes that we shot, just as there are a lot of other scenes in [Days of Future Past] that we shot and didn’t end up using. There were scenes we shot for that film and an ending that was quite different than the ending that was in the theatrical release. To release [a Kinberg Cut], it wouldn’t be just be like we splice those scenes back in, because those scenes were never completed because of visual effects and sound – all of the technical aspects that go into completing films of this scale. It would take a whole lot of work, but I appreciate the support.”
Kinberg also told us that many of the changes to Dark Phoenix stemmed from Fox’s decision to condense the project from a duology into a single film. There’s no easy way to create a director’s cut more in line with his original story plans without going back and actually filming that canceled sequel.
Kinberg said, “With every movie, there are things you wish you did differently. On every movie there are things you thought were great and perfect, and then you watch them and didn’t think they were as strong as you imagined and you go a different way. Dark Phoenix was a hard movie because, in its initial concept when I wrote it, it was meant to be a two-part film. And then it suddenly became a one-part movie for reasons that weren’t of my doing. Having to create around that massive change was a challenge in itself. All these movies are uniquely challenging.”
Those bold parts are my doing. They confirm what many already knew. There’s no extended cut to “Dark Phoenix” because it was originally meant to be two movies and that second movie never got made. There’s no extra movie of a “Dark Phoenix” sequel gathering dust in Fox’s vault. The cut we got in theaters was much of what got shot. Some things got edited out, but not enough to significantly change the movie.
These tidbits aren’t entirely new. Long before “Dark Phoenix” came out, it was heavily implied that it was going to be a two-part movie. That makes sense, given how it played out in the source material. The first movie would have Jean become Phoenix. The next would have her go Dark Phoenix. It could’ve been to X-Men what “Infinity War” and “Endgame” were to Avengers.
Sadly, Kinberg never got to make those movies. He was forced to condense the story he wanted to tell into a single movie. That means we probably lost some incredible moments that never made it beyond the storyboard stage. We never got to see a bigger, more dramatic journey for Jean Grey, the X-Men, and plenty of other characters who never showed up. It’s a shame, but it’s understandable.
If “Dark Phoenix” had one insurmountable obstacle, it was the pending merge between Fox and Disney. Once that deal became final, Kinberg’s window to realize his vision was greatly shortened. Granted, I think he did a great job condensing the essence of the Phoenix Saga into a single movie, but it could’ve been so much more.
It’s unfortunate, but understandable. There were forces beyond Kinberg’s control working against him and “Dark Phoenix.” Those same forces ensure that we’ll never get an extended cut because doing so would require that they shoot a second movie, as originally intended. That’s just not going to happen.
While that’s disappointing, it’s understandable. I’m perfectly happy with the cut of “Dark Phoenix” that we got, much more so than I was with the theatrical cut of “Justice League.” I genuinely hope that Marvel Studios will create a bold new vision for X-Men in the Marvel Cinematic Universe. I just hope they avoid the same mistakes that Warner Brothers made with “Justice League.”
I trust that Kevin Feige has a vision for X-Men.
I hope that vision is as awesome as it deserves to be.
In the meantime, I’m looking forward to seeing what the Snyder Cut has in store.
Whenever a trailer for a new superhero movie comes out, I get excited. It’s basically a reflex at this point. In this golden age of superhero movies, we’re at a point where the bar is high, the variety of movies is fast, and it promises to get even more diverse in the near future.
While movies like “Avengers Endgame” and “Joker” have left fans like me feeling spoiled, it’s still possible for some movies to come along and just not strike any chords. That’s not to say they’re terrible or doomed to “Catwoman” levels of failure. They just come along at a strange time when they don’t seem to fit.
That’s what colored my reaction to the recent release of the “Morbius” trailer. I knew of this movie. I knew it was set to come out this year. I also knew that Jared Leto had been cast in the main role of Michael Morbius. After how poorly his rendition of Joker panned out in “Suicide Squad,” I welcomed this news. Leto is a great actor who just needs to find the right role. I thought Morbius could be that role.
It’s one of those roles that could be great for both Leto and the character. Even if you’re familiar with Marvel comics, especially the Spider-Man branch of the comics, you probably don’t know much about Michael Morbius. He’s not a new character. He’s been around since 1971.
However, he has never been a high-profile hero. He’s best known as an occasional antagonist for Spider-Man, but in terms of notoriety, he’s a far cry from Venom, Doctor Octopus, or the Green Goblin.
Since his debut, he’s tried to stand on his own. Sometimes, he succeeds, but he’s never risen to the same levels as other popular Spider-Man characters. This movie could change, but after seeing the trailer, I’m not so sure.
It’s not bad. It’s not great, either. It didn’t get me excited like “Venom” or “Joker.” It didn’t paint Morbius in a unique light, either. It teases a plot that feels pretty generic. It doesn’t feel bold or groundbreaking. It doesn’t come off as stupid or poorly handled, either. Leto looks great in the part, especially at the end.
I don’t hate it. I don’t love it, either. For the moment, I’m ambivalent about this movie. Compared to the colorful antics of “Birds of Prey” and the horror themes of “New Mutants,” this just doesn’t stand out.
I’ll still give it a chance. I’ll still root for this movie to succeed, but I won’t be surprised if it fails. It could be another “Venom” or it could end up as bad as “Catwoman.” It’s hard to say at this point. Only time will tell.
At the very least, this will be a story in which the vampires don’t sparkle.
Since the conclusion of “Dark Phoenix,” a movie I genuinely love and have re-watched more times than “Avengers Endgame,” it’s been a strange time for X-Men fans. We know that the X-Men are coming to the Marvel Cinematic Universe. With the Disney/Fox merge finalized, it’s only a matter of time before we see mutants pop up in the Marvel universe. It may even come sooner than we think.
Then, there’s “New Mutants.” This movie, which is based on a well-known, critically acclaimed X-Men comic from the 1980s, is a hell of an anomaly. It was originally supposed to come out in April 2018, but got delayed for reasons that are too complicated and stupid for me to put into words.
Delays aside, it has a bold concept. It attempts to mix horror with superhero movies. It’s a unique combination, but one that doesn’t sound that outlandish. Remember, this is the same franchise that made “Deadpool” a Valentine’s Day movie. However, at a time when Marvel Studios has set such a high bar, it almost feels out of place.
Now, with a firm release date of April 3, 2020, it seems like “New Mutants” is still happening. The director, Josh Boone, has been given the opportunity and the blessing by our Disney and Marvel overlords to see his vision through. Honestly, after seeing the latest trailer, I’m rooting for this movie.
It’s not just that this movie is bringing to life more great characters from the X-Men franchise. This movie is attempting to do something that we’ve never seen in the MCU or from DC, for that matter. It’s daring to mix genres in ways they’ve never been mixed. It’s attempting to craft a different kind of superhero movie. Given the success of “Joker,” I’m genuinely rooting for this movie.
I really do hope it succeeds and not just because I’m a die-hard X-Men fan. I think the superhero movie genre needs this. It needs to show that it can expand, evolve, and grow in new ways. Superhero movies don’t just have to be this colorful, big-scale spectacles backed by Disney’s deep pockets. They can be something different, darker, and bolder.
“New Mutants” has had a lot of forces working against it. If it succeeds with critics and fans, then it sends a message to Marvel, DC, and the greater powers that be that there’s room for different kinds of superhero movies. They don’t have to follow the same formula. They can succeed in entirely new ways while still strengthening the brand.
If nothing else, it’ll tell the Martin Sorceresses of the world to piss off in the best possible way.
Anyone who has read more than a few comics, seen a few movies, or consumed more than a little sci-fi knows what often happens when multiple universes enter the picture. First, the overall story becomes bigger in scope, scale, and complexity. Second, a host of major complications emerge. Third, when done poorly, it becomes next to impossible to follow.
In terms of a larger narrative, it’s a huge gamble. It’s one of those plot points that is easy to mess up, not unlike time travel, wizards, or clones. Very few franchises, be they movies, comics, or TV shows, can make that gamble pay off. If ever there was a franchise that could make it work, it’s the Marvel Cinematic Universe.
Between the record-breaking box office of “Avengers Endgame” and the adulation of countless fans, including myself, Marvel Studios is uniquely equipped to make the concept of a multiverse work within its over-arching story. To some extent, it has to. The finality of “Avengers Endgame” means it will have to find some way to grow without the iconic characters that helped make it.
The stage has already been set for a larger multiverse to emerge within the MCU. Just as fans like me are finally recovering from the emotional upheaval we experienced in “Avengers Endgame,” the second trailer for “Spider-Man: Far From Home” dropped and, beyond dropping some heavy spoilers, it revealed that the multiverse is officially a thing in this world.
There are a lot of implications for this, many of which go beyond Spider-Man’s story in the MCU. As the trailer reveals, the universe-altering events of “Avengers Endgame” opened a literal and proverbial door to new conflicts within the MCU. These conflicts offer many opportunities for some of Marvel’s many cosmic characters, but I believe the biggest opportunity is for the X-Men.
I say that not just as a huge X-Men fan who has already written extensively about their potential in the MCU. I believe that Marvel Studios could reinvent the X-Men and the entire concept of mutants in a way that’s fresh, engaging, and very relevant to events unfolding in the real world.
Marvel and their Disney overlords have already reported that the X-Men will be rebooted into the MCU in the coming years under the skilled hand of Kevin Feige. However, the method and details of that plan have yet to emerge and chances are, it’ll be several years before we see that full-on reboot that X-Men fans have been pining for since Hugh Jackman hung up his claws.
Even for Marvel Studios, it’s going to be a challenge. How do you introduce mutants, an entire race of super-powered beings, into a world in which they’ve never been mentioned? In fact, thanks to conflicts over movie rights, nobody in the MCU could even utter the word “mutant” without incurring the wrath of Fox’s lawyers.
That’s a problem because in over 10 years of movies, TV shows, and tie-ins, the Marvel Cinematic Universe has become populated with many super-powered beings that include gods, super soldiers, and teenagers armed with spider powers. On top of that, they already have a race of genetically modified people called the Inhumans, who basically acted as a stand-in for mutants at one point.
This complicates the whole premise of the X-Men. A big part of their story and their appeal is the parallels between mutants and real-world minorities. The X-Men emerged during the time of the Civil Rights Movement in the United States and have since come to represent oppressed minorities from many eras, from racial minorities to the LGBTQ community.
That’s a tougher parallel to establish in the MCU because how can mutants be hated and feared in a world where Asgardians, super soldiers, and talking raccoons exist? Granted, mutants have a unique aura of unpredictability in that anyone could potentially be a mutant. Unlike the Inhumans, there’s no catalyst or radioactive spider necessary to activate their powers. They need only survive to puberty.
It’s still a stretch because the hate and fear of the 1960s is very different from that of the early 2000s century. It’s one thing to just be afraid and hateful of mutants. It’s quite another to craft killer robots to hunt them while ignoring entire populations of similar super-beings.
This is where the multiverse could enter the equation. With the proper sci-fi machinations, it could both bring the X-Men into the MCU while framing mutants in a context that makes them very relevant to contemporary issues. The key is linking the struggle with mutants with that of refugees.
Whereas discussions over minority issues have become somewhat predictable in recent years, debates about refugees have been much more heated. It has triggered protests, empowered populist uprisings, and caused a rise in xenophobia that far exceeds the old-school racism of the mid-20th century. These are the kinds of heated politics in which the X-Men thrive.
The “Spider-Man: Far From Home” trailer establishes that something happened in the battle against Thanos that opened the door to the multiverse. It’s easy to envision a scenario in which a population from a more hostile universe seeks refuge in one that is already used to super-powered beings.
It’s not difficult to imagine things getting that bad for the X-Men or mutants. Both “X-Men: Days of Future Past” and “The Gifted” explored a world where mutants where hunted, imprisoned, and outright murdered. The comics also have a lengthy history of dystopian futures in which the X-Men could not stop humanity from hating and fearing their kind.
Then, just as things look hopeless, a doorway to another universe unexpectedly opens. Mutants suddenly have a chance to escape their rapidly-decaying world and start anew. It’s an opportunity many desperate and traumatized refugees seek in the real world. Their stories are full of horror and atrocity. It’s a story that resonates beyond the superhero genre.
In addition to providing a mechanism for entering the MCU, it also solves another critical issue with respect to narrative. It gives the X-Men a new type of story that hasn’t been told before in the movies. For the past 19 years, almost every X-Men movie has followed a similar formula.
Mutants are hated and feared.
The X-Men try to combat that fear.
Someone, often Magneto, tries to provoke a war between humans and mutants.
The X-Men stop that war from occurring.
It’s a story that has played out many times. Sometimes, it has been great. Other times, it has been god-awful. Just telling that same story again in the MCU won’t be enough. By making mutants refugees, the entire dynamics change in a way that could cause all sorts of upheavals that could impact many other MCU franchises.
Like real-life refugees, they come to a new world out of desperation, escaping horrors that they had no part in creating. The world they enter is inherently suspicious of them. They see them as strange, dangerous outsiders who could bring their problems to their homes. These are real concerns from people other than the reactionary radicals who often preach hate.
It’s one of those issues that has no good resolution. These people are victims of a war that they want to escape. They flee to wherever they feel they’ll be safe. Often, their options are limited and when an opportunity comes along, they have to pursue or die. If the events of “Avengers Endgame” somehow create such an opportunity, then why wouldn’t someone take a chance?
It would put mutants and the X-Men at odds with everyone in the MCU, from the Avengers to SHIELD to the average person still recovering from invading aliens in New York. It would also establish a clear divide that could one day manifest in a full-blown “Avengers Vs. X-Men” movie, which has already been teased.
All that being said, the powers that be at Marvel Studios may opt for an entirely different approach. In that case, everything I just described may be a moot point. This is just one approach that I found myself contemplating after seeing the “Spider-Man: Far From Home.” It’ll probably be a while before we know the full implications, both for the multiverse and for mutants in the MCU.