Tag Archives: Wonder Woman

My Wish list For “Wonder Woman 2”

I know it’s been a while since I talked about Wonder Woman. In my defense, there have been a lot of distractions between the holidays, the response to the “Justice League” movie, and recent news stories to which I just couldn’t resist responding. Make no mistake, though. I haven’t forgotten about Wonder Woman or the fact that she had a breakout year in 2017.

In many respects, Wonder Woman was one of the best parts of 2017. She didn’t just amaze audiences by proving that there is a market for female superheroes, even after “Catwoman.” She raised the bar for the entire genre, both in terms of critical and commercial success. That bodes well for other female-led superhero movies.

While other female superheroes play catch-up, though, Wonder Woman is set to continue rising the bar. She’s Wonder Woman. That’s what she does through Gal Gadot’s charisma and she does it with uncanny grace. Shortly after her movie came out, a sequel was announced to the surprise of no one. At the moment, “Wonder Woman 2” is slated for release on November 1, 2019.

While that date seems so far away, some details are already starting to trickle in. Director, Patty Jenkins, has already started teasing details. At the recent Palm Springs Film Festival, she indicated that the sequel would be a very different film compared to its predecessor. Naturally, she didn’t give too many details, but it’s enough to get Wonder Woman fans excited.

Since I consider myself among those fans, I already find myself contemplating what a “Wonder Woman” sequel will entail. It wouldn’t be the first time I’ve contemplated such things, either. While it’s too early to know or even speculate what “Wonder Woman 2” will bring, we can still hope and imagine the wondrous possibilities.

In that spirit, here is a brief, but basic wish list for what I hope to see in “Wonder Woman 2.” Granted, if Ms. Jenkins is serious about this being a very different movie, chances are not much on this list will apply. I understand and accept that. This is just the giddy Wonder Woman fan in me daring to imagine how wonderful this movie can be.


Wish #1: Establish More Villains (And Make It Personal)

If Wonder Woman has any flaws, beyond those that assholes and trolls point out, it’s that her list of villains isn’t quite as iconic as that of Batman or Superman. For much of her history, Wonder Woman’s greatest battles have been tied to those of the Justice League or those of her fellow Amazons. She’ll be a major force in those battles, but they rarely have major personal stakes.

Wonder Woman 2” presents a golden opportunity to change that because there are a few villains with strong personal ties to Diana. While Ares was more built up boss battle in the first movie, villains like Cheetah can test Diana’s heart, as well as her skill.

The recent Wonder Woman comics have done an excellent job establishing the deep personal struggle between Wonder Woman and Cheetah. While there are multiple women who have gone by Cheetah, the overall theme is the same. She is Diana’s rival, but there was a time when she was also her friend.

Having to fight her friends is an agonizing challenge for Wonder Woman, which we saw play out in the “Justice League” movie. It brings out her heart and her passions for all the right reasons. A more personal villain can only help expand that appeal in “Wonder Woman 2.”


Wish #2: Maintain A (Very) Distant Connection From The Other DCEU Films

While I stand by my statement that “Justice League” did not deserve the negative reviews it got, I don’t deny that the “Justice League” movie has become somewhat of a toxic brand. It’s not quite on the same levels as “Batman and Robin,” but at this point there’s just no way to salvage the backlash.

It’s for that reason, among many others, that I hope “Wonder Woman 2” maintains an extremely distant connection from the larger DC Extended Universe. I’m not saying it should cut itself off entirely. Even the first movie made it a point to establish that this movie was part of a larger world. The sequel should reflect that.

However, the events of “Justice League,” however big they might have been, shouldn’t be a major driving force in the narrative. Whether it takes place in the modern day or in the past, like the first movie, it can’t be too beholden to the events of other major DC movies.

A big part of the success of “Wonder Woman” was its ability to stand on it its own, apart from the rest of DC’s main superheroes. “Wonder Woman 2” should build on that and I imagine Patty Jenkins isn’t going to want to be too constrained by the burdens of other movies. For Wonder Woman, despite her kinky past, there can be no such restraints.


Wish #3: Build On The Amazons’ Mythology (And Diana’s Family Ties)

There were a lot of positives in “Wonder Woman” and I went out of my way to acknowledge them in my review of the movie. However, if there was one flaw in the overall narrative, it had to do with the limited exposure of the Amazons. That’s because in nearly every medium, Wonder Woman’s story is inherently enriched by her Amazon heritage.

The first movie did enough to establish who the Amazons were, why they are so important, and how important they are to Wonder Woman. Unfortunately, it didn’t do much more than that. After Diana left Paradise Island, we didn’t hear from them again. That’s why I hope “Wonder Woman 2” takes the time to expand on the story of the Amazons.

They already showed how badass they can be in “Justice League.” I sincerely hope they get more opportunities in “Wonder Woman 2.” Between Diana’s mother and her more notable siblings, there’s a wealth of material for Wonder Woman to build on. It further raises those personal stakes I mentioned earlier, which can only help expand the appeal of Wonder Woman’s world.


Wish #4: Let Wonder Woman Address Social Issues (In Her Own Unique Way)

Given Wonder Woman’s iconic status as a female icon, it’s unavoidable that she’s going to provoke discussions about social issues. These days, that leads to many heated, hateful, and downright counterproductive conversations. However, that’s exactly why I still want Wonder Woman to address those issues in “Wonder Woman 2.”

Gal Gadot has already shown that she gets the unique spirit of love and compassion that Wonder Woman espouses. Sure, she is prone to making a few controversial remarks, but overall she gets what Wonder Woman is about. She even showed this in the first movie, having Diana navigate the very patriarchal world of the early 20th century, but without using that as an excuse to hate it.

Like it or not, there are a lot of social issues going on in the world. For the most part, we do a poor job debating those issues, as a society. Wonder Woman, with her emphasis on compassion and love for all, is the perfect antidote to that.

I don’t know how she’d go about it in “Wonder Woman 2.” A lot of that depends on the setting, the time period, and the conflicts involved. Whatever form it takes, though, I think it’ll be good for the audience and for the superhero genre to see Wonder Woman confront these social issues as only she can.


Wish #5: Expand The Emotional Stakes (And Let Gal Gadot Channel Her Passions)

This is more of a broader hope for “Wonder Woman 2.” While there are quite a few specific things I’d love to see in this movie, I think it’s more important that it embody the necessary theme that makes Wonder Woman so endearing. Like with some of my other wishes, those themes revolve heavily around the emotional stakes of Wonder Woman’s journey.

We didn’t see too much of that in “Justice League,” but we saw plenty of that in the first movie. Every battle she fought was an emotional struggle. That struggle gave Gal Gadot the opportunity to emote in a way that would make any Amazon warrior proud. Wonder Woman has never just been about fighting injustice or kicking ass. That is always secondary to her heart.

Some of the best moments in “Wonder Woman” just involved her taking a moment to smile, explore, and share herself with others. Whether it was making Steve Trevor feel awkward or making friends with Etta Candy, we got to see Wonder Woman share her passions with others outside the battlefield. That helped make her endearing on so many levels.

Wonder Woman is already a very likable, very passionate character. She’s the kind of person that men and women, alike, can rally behind. Any successful sequel will take those themes and run with them. There’s so much to love about Wonder Woman and how Gal Gadot brought her to life. If “Wonder Woman 2” can build on those themes, then it already has the most important ingredient for more wonderful success.

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Gal Gadot’s Message To Misogynists (And Why It’s Incomplete)

It has been a good year for Gal Gadot. When you’re the woman who brought Wonder Woman to life in one of the most successful movies of 2017, as well as the highest grossing superhero origins movie of all time, you can objectively say you’re doing pretty damn well for yourself.

Ms. Gadot has every reason to be confident and not just because she’s the second woman since Lynda Carter who can call herself Wonder Woman with a straight face. She didn’t just make the “Wonder Woman” movie an unmitigated success while also getting Chris Pine naked in the process. She did it in a way that was truly empowering to women, female superheroes, and guys who just appreciate women who can kick ass.

As such, Ms. Gadot’s words carry a lot more weight than most people, regardless of their gender. She could say tomorrow that pineapples and beaver testicles are the greatest pizza topping of all time and we, as a society, would still take her seriously. That’s how much power you get from making an awesome “Wonder Woman” and doing part of it while pregnant, no less.

That’s why when, during a promotional interview with IGN with her “Justice League” co-star, Ezra Miller, Ms. Gadot made a bold proclamation. Granted, it wasn’t entirely serious and Miller had goaded her, but since she’s Gal “Wonder Woman” Gadot, these words still carry weight.

“Misogynist sexists, your wrath upon this world is over!”

If you want to see the full interview in order to get the full context of the statement, which is important here, you can watch the video here.

Again, the statement wasn’t on the same level as a full-blown protest, complete with bra burning. This is her and a co-star goofing around, but some of that sentiment stems directly from some distressing recent events involving powerful men being dicks to women. These issues are serious, bringing out the best and worst in people.

That’s why Ms. Gadot’s message matters. As I write these words, there are probably people out there taking them far more seriously than she intended. Some may even use it as a rallying cry to wage war against everyone with a penis who dared to have a dirty thought about a beautiful woman. While those people may be a fringe minority, the message still resonates, due to the unique time we find ourselves in, as a culture.

There’s no question that 2017 is a turning point and not just for female superhero movies like “Wonder Woman.” USA Today is already calling it “The Harvey Weinstein Effect” and has been maintaining a list of powerful men who have lost their jobs and/or reputations, due to sexual misconduct.

At this point, even if you’re a card-carrying member of the patriarchy, you can’t deny the growing trend. It’s gotten to a point where anytime you see a male public figure’s name trending on social media, there’s a good chance that they’re somehow involved in some sordid sexual misconduct. Say what you will about the merits of this trend, but it’s happening.

Going back to Ms. Gadot’s bold proclamation, I think it’s partially accurate in that it’s already being fulfilled. Powerful men who have harassed women are losing power, reputation, and influence. Influential organizations are cutting ties with those who are embroiled in sex scandals.

If you’re a powerful man who loves using his power to coerce sexual favors, this is not a good time for you and Ms. Gadot’s words should strike fear in you. While that part of her statement is valid, and most people would probably agree with it, there is one issue with it. It’s incomplete.

By that, I don’t mean Ms. Gadot misspoke. I am not foolish enough to tell Wonder Woman herself how she should talk when she could probably kill me with her pinkie toe. In terms of the overall substance of her message, though, it’s one of those instances where the rhetoric is more ambitious than the words.

The problem is that the message gives the impression that there’s an actual war going on. Coming from Gal Gadot, who served in the Israeli army before becoming Wonder Woman, it makes sense for her to frame it in such a way.

However, when it comes to powerful men exploiting vulnerable women, that’s not a war. That’s an societal problem on top of a leverage problem on top of a biological problem within the ongoing problem that is our caveman brains. Granted, that’s a lot of problems, but framing it as a war only compounds them.

That’s because wars, and wraths by default, are chaotic and bloody. Wars have casualties and most of the time, they’re not just enemy soldiers. Declaring a war on something, even if it’s an objectively bad thing, is bound to stir chaos that will affect others than the intended targets. Just look at the casualties in the ongoing war on drugs for distressing proof of that.

Ms. Gadot’s comment also implies there’s some shadowy army of evil Harvey Weinstein clones, each plotting and planning to create a world where they can harass and assault women with impunity. That may very well be a plot for another Wonder Woman movie, but it’s not reflective of the real world.

The kind of misogyny that creates men like Harvey Weinstein is not the result of some shadowy conspiracy that only Alex Jones would buy into. They’re largely a result of unequal power structures, outdated ideas about gender roles, and people generally taking advantage of opportunities that other horny men can only dream of.

It’s not an agenda or a wrath that’s in play here. It’s injustice and exploitation, coupled with greed and corruption. That, in and of itself, is a pretty toxic combination that affects people of any gender. It can get pretty bad at every levels of power, but it’s not just restricted to misogyny or general sexism.

Now, there’s no question that there’s still a lot of injustice and sexism in the world. If Ms. Gadot wants to fight that, both as an advocate and as Wonder Woman, I would gladly fight beside her, along with anyone else who would heed her call. That call, however, can’t be the same as a war cry against a secret cabal of misogynist sexists. It has to have more substance than that.

For the most part, people already despise misogynist sexists. Neither Ms. Gadot nor Wonder Woman need to convince anyone of that. Men with sordid pasts are already seeing their reputations and authority being undermined by recent efforts. Ms. Gadot herself even played a part in one of them involving Brett Ratner.

However, it can’t be like Wonder Woman’s final battle against Ares in the “Wonder Woman” movie. That’s not how sexism manifests in the real world. It’s not one of those things that can be fought with fists and godly powers. It’s one of those things that can only be fought with understanding, knowledge, and compassion, all of which are among Wonder Woman’s core tenants.

I don’t know what a better rallying cry would be for Ms. Gadot. Even if I did, it wouldn’t mean much coming from a male erotica/romance writer. Sexual harassment, sexual assault, and sexism are all serious issues. As such, any effort to confront them needs to start with the right message and I hope Gal Gadot is among those who delivers that message.

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Filed under Celebrities and Celebrity Culture, Comic Books, Jack Fisher, Superheroes, gender issues

My Justice League Review (And Why The Criticisms Are Unwarranted)

When I did my review for the “Wonder Woman” movie earlier this year, I did so under fairly favorable circumstances. The movie was already getting a lot of positive buzz from critics and general word-of-mouth. I was excited to see it in any case, but that buzz certainly set a positive tone when assessing the merits of that movie.

With “Justice League,” I face the polar opposite of those circumstances. While I generally try not to give much weight to critics or Rotten Tomatoes scores, it was hard to avoid this time. Unlike “Wonder Woman,” the buzz for this movie was entirely negative and it showed in the box office returns, also known as the only real measure that studios care about.

For a movie that was set to be a major milestone, finally putting DC’s most iconic heroes into one movie, it has since become an outright scandal. How can a movie with so much superhero star power do this poorly? That’s a question I am not equipped to answer, especially since people much smarter and more well-connected than me already have.

Instead, I’m going to walk right into this ongoing firestorm of whining and anger to give my spoiler-free review of this movie. I wanted to do it sooner, but I decided to let that firestorm die down just a bit before I offered my take. That might have been a mistake on my part. There’s a lot of noise surrounding “Justice League,” but not much insight.

With that in mind, I’m going to keep my review simple. I’m not going to try and extrapolate a bigger picture, like I did with “Wonder Woman.” I’m just going to focus my review on one simple question.

Is “Justice League” a good movie?

Before I go into detail and try to talk over all the noise, I want to answer this question with my honest and sincere sentiment. Given how much I’ve talked about comic books, superheroes, and superhero movies, including the sexy parts, I like to think my answer has at least some weight. However much stock you put into my opinion, here’s my ultimate conclusion on “Justice League.”

It is a good movie.

Yes, I realize that sentiment doesn’t reflect its Tomatometer score. Keep in mind, though, that score reflects the opinions of critics who are paid to see and/or overthink movies. It doesn’t reflect how actual fans feel about it, which actually shows in the response for this movie.

Even critics can’t deny that this movie went out of its way to please fans, especially those who were dissatisfied with “Batman v. Superman: Dawn Of Justice.” It directly dealt with the aftermath of that movie, as well as the characters’ reaction to it. It even dealt with the aftermath of “Wonder Woman,” building upon a foundation and creating connections, exactly like a real movie universe should.

Those connections weren’t too critical to appreciate the movie as a whole. It also works very well on its own, creating a simple, concise plot that really ramps up the scale. Again, it’s entirely consistent with the effort to make a large, inter-connected movie universe, just as Marvel has done with so much acclaim.

However, that’s not my primary reason for me saying that “Justice League” is a good movie. In simplest terms, this movie is good because it sticks to the basics and does them very well. It doesn’t try to be overly elaborate. It doesn’t attempt to reinvent the characters to an excessive degree. Yes, those characters have some variations, compared to their comic counterparts, but it’s nothing that warrants confusion or outrage.

Superman is still Superman. Wonder Woman is still Wonder Woman. Batman is still Batman, even if it is through the brooding demeanor of Ben Affleck. Getting those three right is critical to the success of any “Justice League” movie and this one makes it a point to do that early on.

It doesn’t stop there, though. It puts time and energy into developing the rest of the league, namely Flash, Aquaman, and Cyborg. These three characters had only brief cameos in “Batman v. Superman: Dawn Of Justice,” but they achieved much greater depth here.

These supporting members weren’t just there to fill out the ranks. They each had their own personal story to follow. Through that story, Flash, Aquaman, and Cyborg gain a personal stake in “Justice League.” It’s not just about saving the world for them. They’re struggling for something greater and, through the story, they achieve it.

At times, there are a lot of plots unfolding simultaneously. The personal stories of all those involved tend to mix. While it does get somewhat messy, it never gets chaotic. The story never goes off-track and it never becomes too confusing, which was a common criticism levied against “Batman v. Superman: Dawn Of Justice.”

A major reason why the story remained so concise was because of the main villain, Steppenwolf. While he’s not as iconic a villain as Lex Luthor, Loki, or Darkseid, who is mentioned multiple times, he does plenty to establish himself as a powerful threat and a highly motivated villain.

Like the other members of the league, his role in the plot has a personal component. He doesn’t just show up, wanting to destroy the world for shits and giggles. There’s an actual reason behind his actions and those reasons never become excuses, something that should carry weight for any character.

On top of those reasons, Steppenwolf’s story helps build the bigger picture of the DC Extended Universe. Through it, we learn that there are much larger conflicts in this universe that go beyond the Justice League. It helps establish a larger role for the Amazons, who showed their strength in “Wonder Woman.” It also establishes the Atlanteans and Green Lantern Corp, who are set to show theirs in future movies.

If the secondary goal of “Justice League” was to build a world and expand the possibilities, it certainly succeeded. If its primary goal was to bring each hero together in a way that was entertaining, flashy, and dramatic, then it succeeded as well.

There were plenty of powerful moments. There were plenty of dramatic moments. There were even some funny moments, most of which involved Ezra Miller’s Flash. Few of the moments felt forced or contrived. None felt empty either. There was purpose in every moment, decision, and action. By those most basic of standards, “Justice League” works.

I would even argue that this movie works better than a lot of Marvel movies. I would certainly put it above titles like “Avengers: Age Of Ultron” and “Iron Man 3,” movies that I think get more praise than they deserve. “Justice League” even makes the effort to improve on the mistakes of its predecessor, something few franchises even try, as “Amazing Spider-Man” can attest.

None of this is to say that “Justice League” is without flaws. It certainly has a few. The effects aren’t as flashy or colorful as other movies. Even “Man Of Steel” had better effects, by comparison. It’s also worth belaboring that Ben Affleck is no Christian Bale and Steppenwolf is no Darkseid. It really did feel as though the movie held back, at times.

If that’s the biggest shortcoming of “Justice League,” though, then I still say it qualifies as a good movie. It tells a story. It fleshes out characters. It tells a big, flashy story, full of big battles and satisfying conclusions. There’s a sense of emotional catharsis at the end that is much more uplifting than what we got in “Batman v. Superman: Dawn Of Justice.” When put in the context of the greater DCEU, it acts like frosting on the cake.

Why, then, does it receive such hate and scorn from critics? If this movie does have a major crime, it’s that it isn’t crafted in the same mold as Marvel with their cinematic universe. I don’t deny that Marvel sets a very high bar. However, this movie cannot and should not operate by those same standards. If it did, then those same critics would just whine that it’s ripping off Marvel too much.

There are other criticisms of “Justice League,” but when so many of them revolve around Henry Cavill’s digitally-removed mustache, those criticisms are downright petty. It is possible to hate and criticize this movie by focusing on those petty issues, but that’s hardly a fair way to judge the actual substance of the movie.

In terms of actual substance, “Justice League” has it and plenty more. It Superman being Superman, Batman being Batman, and Wonder Woman being Wonder Woman, just in case her movie didn’t give you enough of that. For that reason, “Justice League” deserves far more praise than it has gotten and far less petty criticism.

In the end, it still gives us a satisfying, live-action Justice League movie. That, in and of itself, makes it inherently awesome

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Why Wonder Woman Is The Most Important Member Of The Justice League

There’s a lot that can be said about the “Justice League” movie. Granted, not a lot of it has been good lately. The horrendous critical reception, despite the solid audience reception, has effectively muted the sheer accomplishment of creating this movie in the first place.

It is a hell of an accomplishment, creating a live-action “Justice League” movie just two decades after “Batman and Robin” nearly ruined the genre completely. While the success of movies like “The Avengers” has undermined the novelty of the concept, it still means something to those like me who grew up loving these characters in comics and cartoons.

I could spend multiple blog posts discussing and dissecting the issues with the “Justice League” movie, but I’ll save them for another time. For now, I want to take a moment to highlight an important point that the “Justice League” made, despite all the controversies and shortcomings that hounded it. That point is this.

Wonder Woman is THE most important member of the Justice League.

I know that sounds like something a hopeless fanboy would say, particularly those who enjoy talking about the kinkier elements of Wonder Woman’s history. It’s probably something most Wonder Woman fans would agree with and not give much thought to. However, I’d like to take a moment to make my point, even to those die-hard fans of Superman, Batman, and even Plastic Man. You know who you are.

Even among those die-hard fans, there’s no denying that Wonder Woman is part of DC’s superhero trinity. For decades, Superman, Wonder Woman, and Batman have been the anchor of DC’s entire superhero universe, both in terms of popularity and importance. That superhero foundation is unlikely to change anytime soon.

Most of the time, though, Superman or Batman wield the most influence. Between Batman’s cast of iconic villains and Superman’s iconic status, they have a lot going for them, in terms of influence and depth. I don’t deny the strength of their status, nor do I think Wonder Woman trumps them on every level.

However, I still contend that Wonder Woman is the most important member of DC’s superhero pantheon in terms of impact, theme, and narrative. She may never get as many movies as Batman. Considering she has the same number of movies as Catwoman, though, I don’t think that’s a fair measure of Wonder Woman’s importance.

The reason I believe she is that important has less to do with her role within the world of DC and more to do with how she goes about being a hero and an icon. Her situation is very different from that of Batman, Superman, or any other hero in the DC universe, male or female.

Wonder Woman didn’t enter a flawed world that needs heroes by accident or tragedy. In fact, she had every possible reason to not join that world. Her situation before becoming a hero was as ideal as it gets without ripping off a Disney movie.

She was a princess on Themyscira, a literal island paradise. As the daughter of Hippolyta, she wanted for nothing. She was surrounded by love, support, and luxury of every kind. Who would ever be inclined to leave such a place to begin with? Those who saw the “Wonder Woman” movie remember that her mother did not want Diana to leave and did what she could to dissuade her.

Despite this, Diana still left her paradise home. She chose to enter a world full of gender inequality, oppression, and bad reality TV. She chose to confront all those flaws and fight them, both with her fists and her heart. She didn’t need to lose someone or be forced by tragedy. That alone makes her a greater hero than most can hope to be.

Contrast that with Batman or Superman. Batman became who he is because of tragedy. Crime took his parents so he built his entire heroic persona out of a response to that tragedy. It helped drive him to become the hero he is. It also led to some pretty insane feats, even by comic book standards.

Superman’s heroic persona wasn’t built on quite as much tragedy, but like Batman, he was somewhat guided into the heroic role. From the time he was an infant, these ideals were in stilled in him. Those who saw the classic 1978 “Superman” movie remember the message his father gave him, through the famous voice of Marlon Brando.

Live as one of them, Kal-El, to discover where your strength and your power are needed. Always hold in your heart the pride of your special heritage. They can be a great people, Kal-El; they wish to be. They only lack the light to show the way. For this reason above all, their capacity for good, I have sent them you…my only son.

Whether by accident or luck, Superman ended up with perfect loving parents who helped nourish those ideals in him. Between those ideals and his immense powers, him not being a hero was never really an option.

With Wonder Woman, she didn’t need circumstances or guidance. She chose the path that led her to becoming a hero. She even chose that path when there were obstacles in her way, namely her mother. Beyond that choice, though, Wonder Woman’s heroism takes on an even greater context when you look at how she goes about it.

Superman may be the ideal when it comes to heroic values. Batman may be the ideal when it comes to seeking justice. However, Wonder Woman’s ideals are even greater in the sense that they’re concepts that ordinary people can relate to. Despite all her power, her approach is something that is wonderfully unifying, if that’s not too fitting a term.

She doesn’t just provide a standard with which to measure heroism. She goes out of her way to confront the good, the bad, and the frustrating of the modern world and not always with her firsts.

In the “Wonder Woman” movie, she doesn’t just criticize the attitudes of early 20th century England, which weren’t very progressive to say the least. She smiled and cheered when she saw a woman with her baby. She also went from fighting alongside men on a bloody battlefield to celebrating with them afterwards.

Along the way, she always wore her heart and her emotions on her sleeve. However, they weren’t a weakness, as they’ve been with Superman. They weren’t her primary motivation either, as is often the case with Batman. She channels her emotions and her passions to win over the hearts of men, women, children, and everyone in between. That’s a power that far exceeds anything form Superman’s strength or Batman’s gadgets.

That ability to embrace a flawed world, confronting its ugliness and its beauty, is something that everyone can do and not just Wonder Woman. She just does it better than most and inspires others to join her. She certainly inspired Steve Trevor in the “Wonder Woman” movie. The fact it got Chris Pine naked was just a nice bonus.

It’s an approach she utilizes in every other medium, from comics to cartoons. For those who enjoyed seeing Wonder Woman’s capacity for heart and strength, I urge you to check out the “Justice League Unlimited” cartoon from the early 2000s. There’s no naked Chris Pine, but Wonder Woman still shines in so many meaningful ways.

Every one of those ways comes back to her heart and her willingness to embrace a flawed world with love and compassion. It’s not just about what is right and wrong, just and unjust, or masculine or feminine. It’s about tempering hate and oppression with love and compassion. Those are powerful principles that work just as well in the real world as they do the fictional one.

While those principles might not help the critical reception of “Justice League,” those who’ve seen the movie have likely seen all the ways Wonder Woman uses her heart and her skills to the utmost. It may not convince everyone that she’s the most important member of the Justice League, but I hope it makes a powerful case.

It’s a concept that will likely carry over into future movies in the DC Extended Universe, but has already shown itself to be true throughout the comics, especially in recent years. Superman and Batman have their place and their status among the world of superheroes. However, Wonder Woman’s impact extends far beyond any comic book or movie. It’s an impact that we would all be wise to learn from.

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When A Controversy (That Involves Scantily Clad Women) Should NOT Be A Controversy

We live in a controversial time within a controversial place surrounded by all sorts of high-tech tools that allow us to spread controversy in every direction. It may very well be the first time in human history where controversy of any kind has a chance to spread discord among large swaths of people with too much free time and a cell phone.

That can be a good and a bad thing in that it makes us more aware of the world outside our immediate surroundings. However, when it’s a bad thing, it’s bad for frustratingly insipid reasons. Lately, whenever those reasons involve beautiful women, the people who admire them, and sexism, it becomes even more frustrating.

Like many other self-professed comic book fans, I’ve been eagerly following the news surrounding “Justice League.” After the success of “Wonder Woman,” this movie marks a huge step in the development of DC’s evolving cinematic universe, which Warner Brothers is hoping will compete directly with the cinematic juggernaut known as the Marvel Cinematic Universe.

That kind of competition is bound to attract some controversy, if only from angry fans trash-talking each other about whether Wonder Woman could beat up Thor. Sometimes, that controversy is healthy. This is not one of those times.

Just days before the movie came out, this little incident sparked the wrong kind of controversy for all the wrong reasons. Unfortunately, it involves beautiful women in sexy attire. It’s something that should be innately fun, enjoyable, and positive for everyone who isn’t a celibate monk seeking to avoid temptation. Instead, it sparks Round 8,839,272,093 of another angry debate about gender and sexism.

Now, I’m as sick of these debates as everyone else. I’d much rather be focusing on enjoying this movie and seeing how it measures up to “Wonder Woman,” but certain people just can’t help themselves whenever they see an opportunity to evoke some fresh outrage.

This time, it has to do with how the Amazons are dressed. After their introduction in “Wonder Woman,” which made for some truly wonderful moments, they’re set to participate again in “Justice League.” That should be a good thing. They’re a tribe of powerful ancient warriors. Why shouldn’t they participate in a battle to save the world?

That fact might as well be an afterthought for some people because apparently, they’re not dressed appropriately. I must have missed a meeting because at some point, someone passed a rule that said you couldn’t look sexy while saving the world. As an aspiring erotica/romance writer, I oppose such a rule with every fiber of my being.

Wherever it came from, it seems to be an issue now. There are real people who insist on making this a major issue, which requires them to ignore the fact that a tribe of badass warrior women is involved in the first place. Instead, they’re just focusing on how they’re dressed. Seriously, is this really worth that level of outrage?

Never mind the fact that warrior women kind of have to be really fit and being fit is a major factor in sex appeal. The fact that “Justice League” dares to offer that kind of sex appeal in any capacity is somehow an affront to women, feminism, and progress in the 21st century. If I could write that with more sarcasm, I would.

Before I go on too angry a rant, it’s worth noting that this sort of thing stands in direct contract to Gal Gadot’s own message that women should dress however the hell they want. It’s also worth noting that one of the actresses, Brooke Ence, who plays one of the Amazons, did not see much controversy with the attire. In a USA Today interview, she said this:

As she recalls, not every warrior wore a two-piece, and “the girls on set, we never thought of (the new costumes) as a sexy version. It felt a little more glamorous, if anything, because we had bigger, beautiful hair, which I loved.”

In fact, the CrossFit champion, who gets a heroic scene in the new movie, added, “I’m an athlete first, right? (Usually) I can’t wear anything without someone commenting about my (muscular) body. So for me, it was actually really cool to be able to show it and not immediately feel masculine, but still very feminine.”

By the actual words of a woman who actually wore that attire, she liked that sexy attire. She thought it was glamorous and showed off the body that she clearly worked so hard to sculpt. There’s no hint, whatsoever, that she was forced to dress this way to appeal to horny men.

That implies, shockingly enough, that sometimes women want to dress sexy. It implies that it’s okay to look sexy and it’s okay for men to appreciate that. I even made a formal announcement about it last year. I guess some people didn’t get the memo.

I’ll try to limit the sarcasm from here on out, but this is the key factor in determining whether a controversy involving scantily-clad women even warrants controversy to begin with. This is not an old Carl’s Junior ad or necessarily softcore standards utilized by Victoria’s Secret. These are female characters in a movie that is trying to appeal to everyone, including men.

The women wearing that attire never claimed they were being exploited. There was no noticeable uptick in sex crimes as a result of this attire being worn. The only offense anyone took were those claiming to be offended on behalf of all women. Therein lies the problem, though.

If one of the actresses had come out and said they felt degraded by that attire, that would be one thing. If it came out that some asshole producer forced them to wear it after they’d objected, that would be quite another. Given the recent climate surrounding sexual exploitation, they probably would’ve had a lot of allies.

That didn’t happen, though. Instead, those allies jumped the gun. They didn’t wait to hear from the women wearing the sexy attire. They didn’t even ask how they felt about wearing it. They just assumed, outright, that it was degrading, offensive, and sexist. That’s not just arrogant and presumptuous. It’s counterproductive because it turns allies in the fight against sexism into assholes.

In order to be offended for everyone, you have to assume everyone feels the same way you do. That’s a flawed, egotistical, narcissistic assumption. That’s exactly the kind of selfishness that Wonder Woman and Gal Gadot oppose with their emphasis on compassion and understanding. Anyone who feels as though they have to be offended for someone other than themselves is basically forcing unwarranted outrage.

This is the kind of thing that gives feminism, men’s rights activists, and people who make excuses for being arrogant dicks a bad name. It’s not that they react to something that’s controversial. They have to either create it or bend it to fit their agenda. I guarantee that as I type this, there are countless debates going on about the merits of sexism, scantily clad women, and sex appeal that aren’t making anyone horny.

That’s not to say that scantily clad women are always positive. Even an aspiring erotica/romance writer understands there’s a line between beauty and gratuity. There’s nothing about the Amazons’ attire that’s so gratuitous that it should require someone’s credit card number and a quick clearing of their browser history. The fact that it has been addressed by those who participated in it should be the end of the story.

Sadly, I suspect this won’t be the end. Even after the outrage over this issue passes, there will be another. For reasons that I wish I didn’t have to discuss, there will still be controversy every time a beautiful woman decides to show more skin than a priest, monk, or mullah deems appropriate.

Until we’re all comfortable in our own skin, or find a way to upgrade our brains to avoid the outrage before it starts, I suspect these kinds of controversies will continue. Just remember that if it has to be forced by those not involved, it’s not a controversy of merit. All it does is take away from those who just want to enjoy being sexy or admire those who are.

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How To NOT Screw Up The Captain Marvel Movie

It’s a sad fact of life in an overly flawed world. You hope for the best, but it’s rare that it ever actually happens. Even when it does, it’s not always as much fun as you hope. Ask anyone who lost their virginity during a dare or stood in line for hours to see the Star Wars prequels.

In my experience, it’s rarely feasible to build your anticipation around something for what it can be if everything goes flawlessly. In the real world, there’s no such thing as flawless. People make mistakes. Parties go horribly wrong. Hearts get broken. Michael Bay is given too much money, cocaine, and high explosives.

When it comes to superhero movies, though, it’s not possible to hit a home run at every turn. You can’t expect them to blow your mind and give you the kind of mental orgasm that takes a week to recover from. At best, you can just hope that it doesn’t suck. I love those kinds of orgasms as much as the next guy, but let’s face it. They’re rare and awesome for a reason.

Some movies come close to achieving that kind of cinematic bliss, though. “Wonder Woman” sure did, but as I pointed out in my review, it did have its shortcomings. They were still very minor and by nearly every measure, it is the most successful female superhero movie to date.

More importantly, “Wonder Woman” proved that female superhero movies can be successful. They don’t all have to be box office bombs like “Catwoman.” That opens the door for other female heroes to follow in Wonder Woman’s footsteps. At the moment, though, the only female solo movie besides the Wonder Woman sequel is “Captain Marvel.”

Marvel may have DC beat in almost every other aspect of its movie universe, but now there’s one area where it can’t say it dominates. Sure, it has a lot of strong female characters like Black Widow, Gamora, and the Scarlet Witch. However, they’ve largely been in supporting roles. They’ve never had a chance to shine like Wonder Woman did in her movie.

Captain Marvel will get that chance. She’s the closest hero Marvel has to Wonder Woman, thanks largely to the efforts of writers like Kelly Sue DeConnick. As much as Marvel has dominated DC at the box office, it now has a sub-perfect record. Given the amount of ego and cocaine in Hollywood, there’s no way that Marvel Studios will let that stand.

I don’t doubt that Kevin Feige and the powers that be at Marvel Studio will make every effort to ensure that “Captain Marvel” matches and exceeds “Wonder Woman.” They’ve already cast the beautiful and talented Brie Larson as Carol Danvers. They also announced some major details about the movie at the San Diego Comic Con.

On paper, it looks like this movie has what it takes to match “Wonder Woman.” Then again, on paper I’m sure “Batman and Robin” seemed like a good idea. While I have high hopes for this movie, just as I did with “Wonder Woman,” I’m not going to set my expectations too high. Between the two “Matrix” sequels and “Wolverine Origins,” I’ve been burned too many times.

With that in mind, I intend to do for “Captain Marvel” what I did for “X-men: Dark Phoenix.” I’m going to provide some tips that I’m sure Kevin Feige will never see on how to avoid screwing up the “Captain Marvel” movie.

Wonder Woman” set the bar pretty damn high and looked dead sexy while doing it. It’s unreasonable to expect “Captain Marvel” to exceed it on every level. However, there are a few simple tips to ensure it doesn’t end up enduring the same infamy with “Catwoman.”


Tip #1: Let Carol Fly High (And Take The Audience With Her)

This is the most important tip, right up there with the Marvel Studios logo and Samuel L. Jackson dropping F-bombs, as only he can. Carol Danvers has a few defining traits beyond just looking awesome and kicking ass on a cosmic level. One of those traits is what makes her feel both distinctly human and someone we want to cheer for.

Throughout her history, Carol Danvers has been ambitious in a very particular way. Everybody, male or female, will look up at the stars at night and admire their beauty. Carol, however, doesn’t just want to admire. She wants to actually go there. She doesn’t want to shackle herself to this tiny little mud ball full of killer clowns, spiders, and the Kardashian family.

That’s why she joined the Air Force and fought to outperform everyone in her path. The fact she did that without a penis was secondary. Even before she got her powers, she aspired to go to the stars. Once she got those powers, she was determined to fly higher and go farther than anyone had ever dared, regardless of whether or not they had a penis.

Therein lies the key. Carol dares to venture out into the unknown and kick the ass of anyone or anything that tries to hold her back. That’s the kind of ambition people can get behind. That’s the kind of drive that people admire and want to follow.

It’s part of what makes Wonder Woman so endearing as a character to men and women alike. She has bold ambitions, but she isn’t an asshole about it. She doesn’t just seek to prove herself. She seeks to inspire others. That’s what Captain Marvel needs to do with her desire to go to go to the stars and carry the audience along for the ride.


Tip #2: Tie Carol’s Story Into That Of Mar-Vell’s

I get that there are times when it’s not possible to incorporate certain elements from the comics into a movie. That’s why we didn’t see any not-so-subtle BDSM themes in the “Wonder Woman” movie. However, the movie still made a concerted effort to capture some of the core details of Wonder Woman’s mythos, such as her iconic outfit and her relationship with Steve Trevor.

In the same way Wonder Woman needs her lasso and a desire to have sex with men who look like Chris Pine, there are some core elements to Carol Danvers’ story as a superhero that cannot and should not be glossed over. One of the most important elements involves her connection with Mar-Vell, the original Captain Marvel whose title Carol took on after his death.

Theirs is an unique connection, one with very different dynamics compared to Wonder Woman and Steve Trevor. While there were some romantic overtones early on, their connection was more of a partnership rather than a romance. You can’t tell Carol’s story or get a feel for how she becomes a hero without telling Mar-Vell’s story as well.

That story doesn’t need to take up half the movie, but it does need to feel relevant. Mar-Vell’s story isn’t exactly boring either. He was an alien spy posing as a human on Earth on behalf of the Kree, a race that made it’s presence felt in “Guardians of the Galaxy.” There’s already some connections to build on. This movie just has to do it without a talking raccoon.

The key here is to use Mar-Vell’s story as an alien spy who grows fond of a beautiful Earth woman to supplement Carol’s story. That story is part of how Carol becomes Captain Marvel. That’s why when Kelly Sue DeConnick had Carol take on that title, it had a lot dramatic weight to it. That kind of drama is key for any successful movie, regardless of whether or not it has a talking raccoon.


Tip #3: Give Carol An Attitude (And Make It One To Rally Around)

One of Wonder Woman’s most defining traits, on top of being a beautiful warrior princess, is her capacity for love and empathy. Sure, she’ll fight with all her heart against demons, monsters, aliens, gods, and whatever asshole decided that “Ant Man” should get a movie before her. It’s that heart that makes her personality so endearing.

I point that out because Carol Danvers is not like that. Carol has an attitude and it’s not Wonder Woman. Just because Wonder Woman made a successful movie doesn’t mean Carol has to be too much like her because, in nearly every part of her 40-year history, she’s not like that.

Carol Danvers is a tough, hard-nosed woman who always pushes herself a little farther than anyone dares. That’s to be expected because she’s no princess. She’s a pilot in the United States Air Force. You need to have some attitude to make it there. There are real women who have succeeded in that effort. Let those women be the template.

The key is to do it in a way that doesn’t make her an arrogant bitch. I don’t doubt that’s going to be a challenge because the line between assertive and bitch is exceedingly blurred, more so for women than men. It’s an unfair double standards that people love to whine about, but never do anything to fix. Some argue it can’t be fixed.

That’s not an issue that “Captain Marvel” can hope to resolve over the course of a single movie. As such, it’s important that she walk that fine line in crafting her attitude. Again, Kelly Sue DeConnick struck the perfect balance when she took over Carol’s story in 2012.

She gave her a personality that was tough, but welcoming. She made her someone you want to hug, but don’t want to fuck with. Carol Danvers is ambitious and tough, but also has a strong sense of duty. Being a soldier, a pilot, and a hero, she sees that as part of her mission. It’s what makes her so likable as both a character and a hero.

She can have an edge, but she doesn’t have to be an asshole about it. Being an asshole is one of those traits that knows no gender. Brie Larson is a great actress who has proven that she can play tough, balanced roles. Let her do that and look sexy as hell in the process. That’ll help any movie.


Tip #4: Acknowledge Carol’s Faults And Let Her Bear Burdens

In addition to her attitude, Carol Danvers does has faults. Again, and it’s worth repeating, she is not Wonder Woman. She’s not some demigod princess whose beauty and strength were forged by gods. She’s an ordinary American woman who got her powers because she ended up working with an alien spy. She a fallible, mortal human being with tangible flaws. Any movie about her shouldn’t hide those flaws.

Some of those flaws are more obvious than others and I’m not just talking about the unpleasantness surrounding the plot with Marcus Immortus. Despite being ambitious and determined, Carol tends to be a bit of an adrenaline junkie and is prone to take stupid risks. This has gotten her into trouble before and quite recently in the comics.

With that in mind, it shouldn’t be too surprising that she’s also an alcoholic. However, it’s not the kind of alcoholism that we see with Iron Man. His brand of alcoholism is largely a product of irresponsibility and poor coping skills. Carol’s alcoholism is more about escaping her problems.

In the context of her character, that makes sense. She grew up looking at the stars and wanting to actually go there. She’s always pushing herself to fly a little higher and faster. When she’s unable to do that, she looks for an escape.

For her, accepting limitations is not easy. That’s how her alcoholism got so destructive in the comics, so much so that even Iron Man noticed it. When Iron Man says you have a drinking problem, you can skip the intervention.

That doesn’t mean that Carol has to be a total drunk in the movie. It doesn’t even have to be overtly stated. The reason why Carol drinks is more important than her actually drinking. Accepting limits is difficult for her. It’s a key part of her story and her personality. Let her endure those burdens. Let her confront those flaws. She doesn’t have to be Wonder Woman. Let her be human, with or without her powers.


Tip #5: Make The Kree/Skull War As Epic As Possible

This is somewhat indirect of Carol’s story, but one that’s vital if “Captain Marvel” is to be a fitting addition to the Marvel Cinematic Universe. Beyond just being one of Marvel’s most powerful female characters, her movie also has to expand the overall mythos of the MCU. “Wonder Woman” did that too with DC, albeit on a very limited scale.

In this case, though, that scale needs to be turned up to eleven and given an unlimited supply of crack. That’s because it was announced at the San Diego Comic Con that the “Captain Marvel” movie would introduce the world to the Kree/Skrull war. Talk to any long-time Marvel Comics fan, like yours truly, and they’ll tell you two things. One, She-Hulk is uncomfortably sexy. Two, the Kree/Skrull war is insanely epic.

We like to think we humans are pretty damn good at war. We’ve fought so many of them over our history. Compared to the Kree/Skrull war in the comics, though, we might as well be a bunch of two-year olds playing with melted action figures.

This war is beyond anything Stephen Spielberg or Christopher Nolan could ever capture. For one, this war is on a galactic scale. It’s not just about warring tribes who don’t agree on how many goats to sacrifice during the summer solstice. These are two very different species with very different visions for the galaxy. As big as the galaxy is, it’s just not big enough for them to co-exist.

This massive war has influenced many areas of the Marvel Universe within the comics. It’s usually inevitable that the Avengers, X-men, or any major superhero team from Earth gets caught up in it whenever they dare to leave the planet for more than five minutes. It’s a huge part of the cosmic elements to Marvel, which “Guardians of the Galaxy” just started exploring.

Given the success of those movies, “Captain Marvel” has plenty to build on. Carol Danvers is a soldier. Putting her in the middle of an epic war the likes of which few humans can even fathom will help bring out the best in that soldier. That’s why the Kree/Skrull war has to be as epic as a galactic-level war deserves to be. It’ll bring out the best and worst in all those involved.


There are a lot more tips I can give, but these are the big ones. Unlike “Wonder Woman,” Captain Marvel doesn’t have the burden of proving that female superheroes can hold their own. That has already been proven, so much so that even Ryan Reynolds from “Deadpool” acknowledged it.

More than anything else, “Captain Marvel” must show that Carol Danvers is someone who deserves to be in the same league as Wonder Woman. She’s not the same icon that Wonder Woman is, but she has the potential to be. This movie could finally help realize that potential. It could also be a “Catwoman” level screw-up and no character, male or female, deserves that.

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The Captain Marvel Movie: News, Challenges, And Kinks

It’s official. Successful female superhero movies are a thing. Thanks to the success of “Wonder Woman,” the trauma left by the likes of “Catwoman” and “Elektra” can finally be laid to rest. Hollywood can no longer use those affronts to all things heroic, female, and shaped like boobs as an excuse to relegate lady superheroes to backup roles and eye-candy.

Chances are, with “Wonder Woman” being such a boon with critics and fans, we’re about to get bombarded with a bunch of movies that will try desperately to emulate her success. We saw it with “Die Hard.” Now, it’s time for the ladies to get their time as Hollywood’s go-to gimmick for fresh pools of money.

At the moment, though, there’s only one female superhero with a movie in active development and an official release date. That honor goes to “Captain Marvel,” who will attempt to do for the Marvel Cinematic Universe what “Wonder Woman” did for DC’s Extended Universe.

It’s a noble and entirely understandable goal. To this point, Marvel has upstaged DC in damn near everything involving superhero movies. Then, “Wonder Woman” happens and suddenly they can claim they made a successful female superhero movie before Marvel did. If you think there aren’t some bloated egos at Marvel who don’t like that, then you clearly underestimate the impact of money, press, and cocaine.

That hasn’t stopped some at Marvel from praising Wonder Woman. It is, somewhat, a relief that someone managed to do a good female superhero movie. There’s only so much cocaine can do to make Hollywood throw money at what they feel is a losing concepts. Now, “Wonder Woman” has established female superheroes as a viable part of the superhero genre.

On the surface, “Captain Marvel” looks like the perfect character with which to give the Marvel Cinematic Universe its own Wonder Woman. Talk to most Marvel fans not arguing about Thor’s hammer today and they’ll agree. Carol “Captain Marvel” Danvers is the closest thing Marvel has to Wonder Woman.

She definitely checks all the right boxes. She’s a fun, charismatic, badass fighter who regularly goes toe-to-toe with some of the Marvel universe’s biggest foes. She’s one of Marvel’s heaviest hitters. When someone like Thanos, Galactus, or the Red Skull comes to start something, she’s usually on the front lines.

However, there are some aspects to Captain Marvel that make her a challenging character for a movie. Some of them are more daunting than others. First and foremost, Captain Marvel is not Wonder Woman in terms of iconic status. That much is clear and few, even among die-hard Marvel fans, would claim otherwise.

For one, Carol hasn’t had nearly as much time to establish herself as an iconic hero compared to Wonder Woman. While she debuted as a character in 1968 in the pages of “Marvel Super Heroes,” she didn’t get her own series until 1977 and at the time, she went by “Ms. Marvel.” In fact, that’s the title she carried for most of her life.

Even with that title, a long list of potent powers, and undeniable sex appeal, most fans in those days probably wouldn’t have called her Marvel’s version of Wonder Woman. She would still be in the top five on anyone’s list of Marvel’s greatest female heroes. However, most fans would put characters like Storm of the X-men or the Invisible Woman of the Fantastic Four above her.

Despite this, Carol established herself as Ms. Marvel and was a powerhouse who could match Wonder Woman in terms of strength and grit. However, she never really established herself as Marvel’s premier female hero until recently, although the reasons for this are way more convoluted than most non-comic fans think.

This, in essence, is where Captain Marvel faces both some challenges and a few kinks. Yes, by the way, some of those kinks are of the sexual kind that will probably get skipped in any movie about her.

It’s the same challenge Wonder Woman faced, albeit in a different context. As I’ve discussed many times before, and will probably discuss again because it’s just too damn sexy, there were some very kinky BDSM undertones built into Wonder Woman’s character. For reasons that I assume involve exceedingly knotted panties, that kinky history has been purged from her history, although sometimes it pops up.

Carol Danvers’ history isn’t quite that kinky, but there is one element to it that’s kind of a headache for those who see her as Marvel’s version of Wonder Woman. It involves one of her earliest stories and includes elements such as abduction, brainwashing, rape, incest, and impregnation. Trust me, it’s even less kinkier than it sounds.

In that less-than-iconic story, Carol is abducted by a walking feminist nightmare named Marcus Immortus, the son of Kang the Conqueror, one of the Avengers’ greatest foes. He then proceeds to brainwash her into falling in love with him. They then do what people in love do. They get naked and they get frisky. That results in Carol getting pregnant.

Here’s where it gets even weirder and creepier. That kid she gives birth to isn’t exactly the apple of her and her brainwashing lover’s eye. That kid is just another version of Marcus. That means when he got her pregnant, he basically got her pregnant with himself. Trust me, it’s as confusing to the brain as it is to the genitals.

The reasons for this are too convoluted to explain, even to other comic book fans. Simply put, Marcus was aging rapidly and needed to be reborn so he just did what any deranged son of a villain would do. He found a beautiful woman, seduced her, and knocked her up with an infant version of himself. Who among us wouldn’t resort to something similar?

I’ll turn off the sarcasm for now because as the years have gone by, this part of Carol Davners’ story has become even more infamous than Wonder Woman’s BDSM past. At least with Wonder Woman, the BDSM was playful and kinky. The story involving Carol and Marcus is neither. Many, in fact, claim it counts as rape.

In some parts of the world, that claim would have some legal validity. In countries like the United States and Great Britain, there is something called “rape by deception.” It basically means that if someone lies, cheats, or gains sexual consent from someone under false pretense, then that counts as a form of rape.

Now this isn’t a universally held opinion, which is why not every country recognizes it. Some, especially those in the douche-bag pick-up artist community, would argue that consent under a false or half-false pretense is still consent. With a competent lawyer, that argument might actually hold up in court.

For Carol Danvers, though, it’s still a distressingly uncomfortable story. It also doesn’t help that it was one of her first major stories. She’d barely begun to establish herself at Marvel and this certainly didn’t set a very upbeat tone. Granted, comics had used brainwashing before, including the infamous Superman/Big Barda sex tape. However, it had never been taken this far before.

In defense of the writers at the time, this was 1980. It was long before the politically correct era where people get into fist fights over proper pronoun usage. While it wasn’t quite as bad as the world of “Mad Men,” you could still get away with making jokes about a woman’s skirt length. I also assume some were still recovering from disco, cocaine, and Quaalude binges.

Much like Wonder Woman’s BDSM origins, though, this part of Carol’s story has been subject to many “retcons,” as comic fans call it. It didn’t take years either. The process began in 1981 where Chris Claremont, the legendary X-men writer behind the famous Phoenix Saga, had Carol’s brainwashing undone, courtesy of the X-men.

From that point forward, Carol Danvers’ story underwent various forms of growth and development. She took on various titles along the way and worked with many teams, including the X-men, the Avengers, and the Guardians of the Galaxy. Like Wonder Woman, she made her presence felt on multiple fronts throughout the Marvel universe.

However, it wasn’t until a brilliant female writer named Kelly Sue DeConnick came along that Carol Danvers truly became Marvel’s Wonder Woman. If anyone wants a clear understanding of why Carol is getting her own movie starting Brie Larson, I urge them to read this series. It will make clear why she deserves to be on the same level as Wonder Woman.

It’s in this series where Carol Danvers becomes Captain Marvel. That title had been previously held by another character, an alien named Mar-Vell, no less. Unfortunately, Mar-Vell had died, as superheroes tend to do with frustrating regularity. While reluctant at first, Carol takes on that title and she’s wielded it brilliantly every since.

This is the Captain Marvel that the movie will portray. It’s also the one that has helped push Carol Danvers to the front of the lines in Marvel’s effort to appeal to a more diverse audience. While some of those efforts have been subject to a few setbacks, Captain Marvel’s status at Marvel has never been greater. The time is perfect for build on the foundation that Wonder Woman created.

Doing so, however, will be challenging in ways that even Wonder Woman never had to endure. Like Wonder Woman’s BDSM origins, it’s easier to just ignore some of those unpleasant elements of Carol’s early years. However, that won’t stop some from bringing it up.

Given the nature of the story, I can see it becoming one of those issues that certain people belabor for all the wrong reasons. If you think that’s being paranoid, remember that people actually made a big deal about Wonder Woman’s armpit hair in the movie. They’ll find a way to do something similar to Captain Marvel.

Whether or not the Marcus Immortus story becomes an issue remains to be seen. Unlike Wonder Woman’s BDSM history, it was not a major part of Carol’s development or growth as a character. If anything, it was an early obstacle that she had to overcome on her path towards becoming who she is now.

In the end, she overcame those early growing pains. She managed to carve her place in the world of comics as a great female hero in her own right. It took a while for Marvel go develop a clear plan for her, but that plan worked out in the end and I hope it works out in the movie as well. A world with a beautiful, blond, high-flying, kick-ass female superhero is objectively better for everyone.

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