Tag Archives: Wonder Woman

New Comic Book Day January 13, 2021: My Pull List And Pick Of The Week

We all have our things that put us in this special zen-like state. One of my old college friends got into that state by listening to heavy metal music at nearly full volume. I don’t know why that relaxed him as much as it did, but it worked. I’m not sure how good it was for his ears, but I don’t aruge with results.

For me, comics are that special thing that puts me in that special state of serenity. I download all my new books onto my iPad. I put my feet up and then I proceed to partake in the weekly joy that is New Comic Book Day. I challenge anyone to find someone as content and focused.

It’s a great feeling. No matter how my week is going, reading new comics puts me in that special state where everything seems balanced. It’s my shortcut to inner peace and contentment within a world that has been increasingly stressful over the past year.

Since that world doesn’t seem to want to settle, my weekly trips to comic book Zen will be all the more important. Even in the middle of winter, it’s easy to find something from the vast library that is Comixology that will warm your body and soul. This week is no exception.

Here is my pull list and pick for the week. Enjoy!


My Pull List

Amazing Spider-Man #57

Chris Claremont Anniversary Special #1

Future State: Justice League #1

Future State: Superman/Wonder Woman #1

Immortal Hulk #42

King In Black: Gwenom vs. Carnage #1

Marauders #17

Mighty Morphin #3

S.W.O.R.D #2

Star Wars: Darth Vader #9


My Pick Of The Week
Future State: Justice League #1

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Jack’s World: How “Wonder Woman” Celebrates Love And Humanity

The following is a video from my YouTube channel, Jack’s World. It’s a video essay/celebration of the first “Wonder Woman” movie, a film that will always be near and dear to my heart. I know I recently did a review of “Wonder Woman 1984” and I was tempted to do a video about that, but I wanted to first pay tribute to the movie that started Diana’s wondrous journey into film. Enjoy!

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My “Wonder Woman 1984” Review: An (Imperfect) Emotionally Charged Wonder

We’re at a point with superhero movies where the bar has been raised to such a degree that we can’t just call them a passing fad anymore. Love them or hate them, superhero movies have evolved. They’ve developed a complexity and nuance that few genres ever gain, regardless of medium.

Plus, they make billions at the box office. Let’s not forget that. It’s why the Bill Mahers of the world won’t stop whining about superhero movies anytime soon.

Forgetting the whiners and petty nit-pickers of the genre, superhero movies have a higher threshold to achieve to be considered successful. It’s not enough anymore than to just put a famous actor or actress in an iconic costume and replay famous scenes from comics. The story, characters, and themes have to be refined and compelling.

That’s a challenge for any movie, but one that felt far more daunting for “Wonder Woman 1984.” After the success of the first “Wonder Woman” movie, which did a masterful job of establishing Diana’s origin and building her superhero persona, this sequel is tasked with building on that foundation.

As someone who loved the first movie and made it a point to watch “Wonder Woman 1984” on HBO Max with my mom on Christmas day, I had high hopes for this movie. I wasn’t expecting “The Dark Knight” level of quality, but I was hoping for a worthy follow-up.

Without giving away too many spoilers, I’ll say without hesitation that it succeeded. This movie was a beautiful, emotionally driven cinematic experience and a worthy successor to the first “Wonder Woman.”

I say that knowing that some reviews were quite scathing in their assessment of the film. As is my general rule, I never read reviews before I see a movie. As I saw withNew Mutants,” that can wrongly color your perspective. As was also the case with that movie, I was genuinely surprised by the criticisms levied against “Wonder Woman 1984.”

However, I’m not going to waste my time responding to those criticisms. I’m just going to offer my take on why I thought this movie was a worthy follow-up to the first. Like any sequel, its primary goal was building on what the first movie established. In that sense, this movie did succeed.

The setup for the movie is a dazzling spectacle. Like the first, we get a brief glimpse of Diana’s youth on Themysicra. We see her living and growing amongst her Amazon sisters, showing the kind of power and potential that lies within her. It’s a true sight to behold and one director Patty Jenkins fleshes out meticulously.

Within that setup, though, is an important theme. It highlights the importance of truth and doing things the right way for the right reasons. You cannot and should not take shortcuts to achieve your goal. Doing so will always come at a price and incur consequences. It’s a simple, but necessary lesson that kids and adults alike often learn the hard way.

That leads us directly to the main antagonist of the movie, Maxwell Lord. Played by Pedro Pascal, he comes off as the very antithesis of this lesson. He’s a con-man and a huckster, always looking for a shortcut to get what he wants. That includes tampering with the forces of the gods, which puts him in direct conflict with Diana.

At the same time, this conflict ties closely to another unfolding with Diana’s new friend, Barbara Minerva. Played by Kristen Wiig, she comes off at first as the very antithesis of Diana. She’s a nobody. She has none of Diana’s power, grace, or skill. She’s basically invisible, only ever getting attention from people she doesn’t like.

This is very much in line with the characterization of Barbara Minerva in the comics. She’s Wonder Woman’s chief rival, but she started out as a friend. She’s even sympathetic to some extent. She’s not looking to become a villain, like Maxwell Lord. She just wants a taste of the power and prestige that she sees in Wonder Woman.

She ultimately gets her chance, as does Maxwell Lord. When Barbara stumbles upon the Dreamstone, a relic imbued with the power from Dolos, the god of lies, that can grant wishes to those who wield it. However, like a typical monkey’s paw narrative, every wish comes at a price.

It closely mirrors the lesson young Diana learned in her youth, as depicted in the movie’s opening scenes. Taking any shortcut to get what you desire will come at a price. You can try to avoid the consequences all you want, but it eventually compounds. The more you try, the worse it’ll get.

Maxwell Lord thinks he has a way to avoid this. He thinks he can get everything he wants by simply making the right kind of wish. That ultimately causes a great deal of destruction. I’d go into detail, but I’d rather not reveal too much. All you need to know is that it’s not the kind of destruction Wonder Woman can stop with her fists and her sword.

What happens with Barbara Minerva is even more impactful. Like Maxwell Lord, she’s unwilling to give up any power she gains. Unlike Lord, however, she’s willing to pay any price to keep it. That’s what sends her down a dark path. It’s also what turns her from one of Diana’s friends into a truly tenacious foe.

These conflicts become very personal to Diana because she too is unable to resist the temptation. She may give so much of herself to others, but she also has desires and wishes of her own. That’s where Steve Trevor, played again by Chris Pine, enters the picture.

His death and heroic sacrifice in the first “Wonder Woman” movie was so powerful. That whole movie really sold the love that blossomed between him and Diana. Even as the years go by, his death still burdens Diana. She cannot let go of that love. She wants nothing more than to have it back.

It’s sad, but understandable. If ever someone deserved a consequence-free wish from all her heroic acts, it’s Diana. Unfortunately, there’s no getting around it. She still tries. She gets her chance to be with the love of her life again. As with everything else, though, it comes at a price.

That’s the biggest theme of this movie. Getting what you want by breaking the rules or cheating will always come at a price. Even if you’re willing to pay that price, it does cause damage to yourself and others. It’s a painful lesson and one that gives “Wonder Woman 1984” so many emotional overtones.

It’s because of those overtones that this movie works so well. Wonder Woman, by her nature, is a very emotionally driven character. Her love, compassion, and heart are among her greatest traits. They’re as strong as her fighting spirit. The first movie revealed this and “Wonder Woman 1984” builds on that.

Her greatest struggles always have an emotional weight to them. It’s not just a matter of her beating up the bad guy to save the day. One of those foes was once her friend. Another is someone she can’t defeat simply by beating him up. She has to use that uncanny compassion and heart to win the day. That’s what makes her Wonder Woman.

I would argue that’s the most important aspect of her character and this movie captured it perfectly. I really did feel for Diana as she went through these emotional upheavals throughout the story. It brought out her greatest strengths, as well as her greatest weaknesses.

Now, speaking of weaknesses, this is where I also have to levy some criticisms of my own against “Wonder Woman 1984.” I promise they’re not nearly as petty or overblown as some of the other reviews to this movie. Some have complained about the length and tone of the movie. I honestly think that sort of criticism is misguided.

I’ll still say outright that this movie was not as good as the first “Wonder Woman.” This movie was not as concise and polished, in terms of story. There were a number of “and then this happened” moments that made the story seem a bit jumbled at times. In some cases, it relied too heavily on contrivances and suspension of disbelief to move things along.

I get the sense this was done to keep things moving forward from a plot standpoint. I also think there were some difficulties in revealing the ins and outs of godly magic, which is considerably harder to do in a movie when compared to a comic.

None of these shortcomings kept the movie from working overall. Gal Gadot once again carried her role as Wonder Woman with grace and grit. She, Steve Trevor, and Cheetah all had well-developed characters that played their roles well throughout the story. In terms of the most important elements to a good Wonder Woman movie, “Wonder Woman 1984” got them right.

If I had to score this movie, I’d give it a 4 out of 5. It has some noticeable flaws, more so than its predecessor. However, Gal Gadot is still an amazing Wonder Woman, Patty Jenkins is still a great director, and this world they explored together was full of dazzling wonder.

For a year that has been so bleak and dire, it’s just what we needed. For that, I thank “Wonder Woman 1984” and all those who helped make it happen.

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Jack’s Comic Gems: Superman Unchained

The following is a video from my YouTube channel, Jack’s World. It’s another entry into my ongoing series, Jack’s Comic Gems. In it, I highlight some of the brightest gems of the comic book world. This entry is “Superman Unchained,” a rare blockbuster of a comic that had the highest production values, but still delivered. Enjoy!

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“Wonder Woman: 1984” To Be Released In Theaters AND HBO Max On Christmas: Why This Is A BIG Deal

More often than not, we don’t realize when a fateful decision is a big deal that has ramifications for years to come. Those kinds of moments are rare, but powerful. I doubt the first person to use a cell phone knew just how big a deal that breakthrough was when they made that first call.

Other decisions are more obvious. You know from the get-go that this is one of those choices that might not be surprising, but you get the sense it’ll be one of those moments that you can cite as a major turning point years from now.

This Christmas, we may just experience one of those moments because that’s the day “Wonder Woman 1984” is set to come out, both in theaters and on streaming. I don’t think it’s a stretch to claim this decision could change movies, entertainment, and media for years to come.

It finally became official. After being originally set for release in June 2020, Warner Brothers decided that, rather than simply wait for this once-in-a-century pandemic to end, they’re going to release “Wonder Woman 1984” in theaters and on HBO Max on the same day. This is what The Hollywood Reporter had to say.

THR: ‘Wonder Woman 1984’ Heading to HBO Max, Theaters Dec. 25

With a second wave of COVID-19 impacting many parts of the globe, Wonder Woman 1984 is changing course yet again.

The tentpole is all but giving up on a traditional theatrical release and will instead bow in whatever cinemas remain open Dec. 25 as well as stream on HBO Max in the U.S. for one month beginning on Christmas Day. In international markets where HBO Max is not available, the film starts rolling out Dec. 16.

“At some point you have to choose to share any love and joy you have to give, over everything else,” director Patty Jenkins said in a statement Wednesday. “We love our movie as we love our fans, so we truly hope that our film brings a little bit of joy and reprieve to all of you this holiday season.”

Jenkins urged audiences to watch the $200 million tentpole in theaters where it was safe to do so, and on HBO Max where it is not. In a note echoing Jenkins, star Gal Gadot added, “It wasn’t an easy decision and we never thought we’d have to hold on to the release for such a long time but COVID rocked all of our worlds.”

Growing the number of HBO Max customers is of huge import to TimeWarner, even if it means giving up on potential box office ticket sales that Wonder Woman 1984 would have earned had it been pushed to sometime in 2021. The hope is that a high-profile Christmas Day title such as the superhero sequel will lure new subscribers (HBO Max is pricier than most other streamers, at $15.99 a month).

That’s just the basics. “Wonder Woman 1984” is still coming out in theaters, as it was always meant to. However, with theaters on the brink of collapse in wake of the pandemic, Warner Brothers is opting to gamble on the future of streaming media. They’re dropping this big name blockbuster that cost $200 million to make on their signature streaming service, HBO Max.

Logistically speaking, it’s understandable. The news surrounding the pandemic has been bleak, even by 2020 standards. Even though a vaccine seems imminent, it might be too late to save the movie industry as we know it. The damage has been done. That industry must change. This may very well be the biggest change we’ve seen since in decades.

This is not some forgettable movie like “Trolls World Tourskipping theaters for streaming. That could’ve been written off as a calculated risk for a movie that was never going to make much at the box office to begin with. This is a tentpole blockbuster from a studio’s biggest franchise skipping over what many see as the most critical part of a movie’s life.

The first “Wonder Woman” movie made north of $800 million on a budget of $150 million during its theatrical run. That’s a lot of profit, but may be a profit that even a blockbuster movie just can’t make anymore in a post-pandemic world. Even after the pandemic ends, who’s to say that the theater industry will just go back to the way it used to be?

Now, it seems Warner Brothers are prepared to leveraging their future on their HBO Max streaming service. “Wonder Woman 1984” is, by far, their biggest chip and most valuable asset. It, more than any other movie they had in the can, was most likely to get their studios’ profits going again once the pandemic waned.

Instead, this movie that has so many excited and eager, myself include, is going to be Warner Brothers’ boldest gamble at turning HBO Max into a viable Netflix competitor. They’re not just looking to do for HBO Max what “The Mandaloriandid for Disney Plus. They want to go a step further and make streaming the new avenue for big title blockbusters.

It’s impossible to overstate how big a shift this is for the movie industry. Whereas “Trolls World Tour” on streaming was a sign, releasing “Wonder Woman 1984” on the same day it comes out in theaters is a monumental shift.

It’s essentially sacrificing potential profits at the box office for a new host of subscribers to HBO Max. Will that ultimately make more money in the long run? It’s possible.

After all, those who buy a movie ticket to see “Wonder Woman 1984” are only going to pay for that ticket. From that purchase, Warner Brothers will only see a fraction. If a bunch of people subscribe to HBO Max, they may ultimately pay much more to the studio through its monthly $16 fee.

Even if most just buy an HBO MAX subscription for a single month and cancel, it’s very likely that plenty will stay subscribed, keep paying, and keep coming back for more wonderful blockbusters. In the long run, “Wonder Woman 1984might make more money for its studio overlord than it ever would have in the theaters.

That’s still a big if. So much of a movies profits is still tied to its box office. Nobody quite knows how this new model of releasing a movie will work. Streaming a movie on the same day it comes out in theaters may help widen the audience, but without those profits, the idea of footing the bill for a $200 million movie might be less tenable.

Would that mean that big budget blockbusters like “Wonder Woman 1984” became less rare?

Would that mean that theaters as a whole would diminish both in numbers and in importance for the industry?

Would that mean that blockbusters will ultimately have to cater to a streaming audience instead of a casual movie-goer?

It’s hard to say. Nobody knows. I certainly don’t know. I doubt anyone knows, but most can already sense that this could be the start of a much larger trend. Releasing “Wonder Woman 1984” on streaming and in theaters could ultimately be the point of no return for the movie industry.

This could be the future of entertainment and movies. Theaters are no longer the center of all things film and there’s no going back. Whether other blockbusters follow suit remains to be seen. I have a feeling Disney will be watching how “Wonder Woman 1984” performs closely, given how it opted to delay “Black Widow” until May 2021.

If it proves profitable in the long run, I suspect that Disney will follow suit and so will every other studio. At that point, the movie industry will have permanently changed and we’ll be able to cite this announcement as the moment it began.

There’s only one certainty at this point. On Christmas this year, I’ll be curled up on my couch to watch “Wonder Woman 1984” through my current HBO MAX subscription. Whatever monumental changes this movie inspires in the industry, it’s still Wonder Woman. I still intend to partake in her wonder, no matter what form it takes.

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Upheavals At DC Comic: My Concerns And Hopes

Let’s face it. Pretty much every industry not associated with health care, masks, streaming media, and Zoom calls has been hit hard this year. That’s especially true for certain segments of the entertainment industry. Basically, if you’re a movie studio, a movie theater, a comic shop, or a mall, this year has been like 100 punches to the gut, jaw, and genitals by a crack-fueled Ivan Drago.

That’s how bad global pandemics are. They pull no punches and will hit anything that attempts to prosper, both directly and indirectly.

Those blows extended to the comics industry, as well. As a lifelong comic book fan, I certainly felt it. I haven’t forgotten the weeks on end of having no new comics to enjoy for the first time in over a decade. It was not a pleasant experience. As elated as I was to see New Comic Book Day return, I didn’t doubt for a second that there would be some lasting scars.

Well, now it seems some of those scars are starting to fester and the first one to feel the pain is DC Comics. According to The Hollywood Reporter, the entire DC Comics operation has been hit with major layoffs and restructuring. It’s still intact, but make no mistake. This is the single biggest purging of personnel from a major comics publisher since the mid-1990s.

THR: DC Comics, DC Universe Hit By Major Layoffs

Monday’s WarnerMedia layoffs have affected a significant number of high-level figures at comic book powerhouse DC, multiple sources tell The Hollywood Reporter.

Among those said to be losing their positions are editor-in-chief Bob Harris, senior VP of publishing strategy and support services Hank Kanalz, VP of marketing and creative services Jonah Weiland, VP global publishing initiatives and digital strategy Bobbie Chase, senior story editor Brian Cunningham, and executive editor Mark Doyle, who oversaw the rollout of the Black Label graphic novels. Jim Lee remains the CCO.

Roughly one third of DC’s editorial ranks are being laid off, according to sources.

Insiders also say the majority of the staff of the streaming service DC Universe has been laid off, a move that had been widely expected as WarnerMedia shifts its focus to new streaming service HBO Max.

I can’t understate how big a deal this is to the larger world of comics, but I don’t want to overstate it, either. This situation is objectively bad. There’s no way around it. It’s also not the definitive end of DC Comics. That’s a narrative I don’t want to fuel.

That hasn’t stopped some of the whiniest, dumbest segments of the comics crowd from claiming otherwise. I won’t name names, but they are affiliated with a certain movement in comics that has only become less credible and more insufferable with time. The box office return of the “Captain Marvel” movie is proof enough of that.

Don’t be fooled by what some asshole voices on social media claim. This restructuring is not because DC Comics had too much diversity. It’s more a byproduct of DC Comics having lost its sense of vision, scale, and identity. This is something that happens from time to time in comics. After a while, the whole line loses its sense of self and needs some revitalization.

I can say, as a longtime comic fan, that DC has become somewhat stale in recent years. Even before the pandemic, I felt as though it had lost momentum outside its mainstays. It has primarily been relying on the strength of Batman, Wonder Woman, Superman, Green Lantern, and Flash. As iconic as those characters are, they just can’t sustain the entire line.

There are many reasons for that. I think DC Comics, as a whole, hasn’t had a consistent vision since the days of DC Rebirth. It just got bogged down too much with competing visions, like DCeased and Injustice: Gods Among Us. It also endured way too many delays with its last big crossover event, Doomsday Clock.

The onset of the pandemic just exacerbated a problem that was starting to grow. As bad as things are now, there’s also an opportunity to set things on a better path. That’s my greatest hope for whatever restructuring DC pursues next. It still has plenty to build on. The success of the Harley Quinn show is proof enough of that. It’s just a matter of what form that will take.

That said, I do have major concerns. Comic lines have gone through upheavals before, but never during a global pandemic. This is uncharted territory for the comics industry, as a whole. This is not the era of newsstands and comic shops where top books could easily sell hundreds of thousands of copies. Paperbacks alone are not going to make this industry succeed.

Comics, in the current system, work best as a garden from which new characters, stories, and ideas can blossom. The fruits of that system can later become the basis for TV shows, movies, merchandise, and so much more. DC Comics already has a major media partner in its owner, AT&T. The structure is there. They just have to carve their niche into it.

I understand that’s easier said than done. Right now, a lot of factors are working against DC and the comics industry, as a whole. When all is said and done, comic shops may become much more diminished and trade paperback sales may dwindle to just a handful of titles. I’m not looking forward to that kind of status quo.

The ultimate setup may one day involve DC Comics just abandoning its publishing system, as a whole, and shift to licensing its characters to other companies, such as IDW. That’s very much a last resort, but one that may be more likely if DC can’t get its comics in order.

I want to be hopeful, but I’m also going to brace for the worst. If 2020 has taught me anything, it’s that things can always get worse and the things we love are always capable of succumbing to forces beyond our control. It’s a sad, nihilistic mindset, but one that a global pandemic tends to affirm. Only time will tell and I’ll be waiting with baited breath.

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“Zack Snyder’s Justice League” Teaser Is Here And Why I’m So Hopeful

This past weekend was a damn good weekend if you’re a fan of all things DC Comics. The festivities surrounding DC FanDome, a showcase of the revamped future of DC Comics, was truly a sight to behold. As someone who is genuinely concerned about the future of DC Comics, and the comics industry in general, this was an incredible experience that gives me some tangible hope.

In a year like 2020, hope is almost as precious as a vaccine. Let’s not lose sight of that.

There were many highlights. I already cited the new “Wonder Woman 1984” trailer as a wonder to behold. However, the one teaser that got me most excited was the first full teaser of Zack Snyder’s Justice League, which is set for release on HBO Max in 2021.

Now, the story and politics surrounding this movie are way too complicated, not to mention distressing, for me to go over. I’ve already touched on it before, so I’ll simply present the teaser for those who haven’t seen it. Hopefully, it evokes in others the same excitement I felt.

Now, I want to make one thing clear. I was not among those loudly protesting for the release of this movie. I saw the first “Justice League” movie in theaters. I didn’t hate it, but I could tell that it was not a well-organized movie. While I may not have joined the #ReleaseTheSnyderCut movement, I did hope that we’d get some sort of extended cut at some point, if only because there’s a solid precedent for it.

Solid doesn’t mean good, but in Zack Snyder’s case, I think there’s a context worth considering here. Snyder’s record as a filmmaker is mixed, but the man clearly knows how to think big. For a franchise like DC Comics and Justice League, you need that kind of vision and scale to do justice to these characters. That’s why I thought he was such a good choice to turn DC Comics into a major film franchise.

Snyder approaches movies as a huge, over-arching vision. He’s great at making spectacles. His work on “300” is proof of that. However, Snyder also has a nasty habit of clashing with studios who want to chop his vision up into something people can see in a movie theater without taking one too many bathroom breaks. Oftentimes, that grand vision is difficult to condense into a commercially viable product.

It happened with both “Batman v. Superman: Dawn of Justice” and “Watchmen.” Each movie came out in theaters to mixed reviews by both fans and critics, to put it mildly. However, each movie also has an extended version that came out later. In both cases, the extended product was far superior. They include additional plots and details that make the overall vision more complete and satisfying.

This is especially true of “Watchmen.” Seriously, if you haven’t seen the Ultimate Cut of that movie, I highly recommend it. Even if you hated the theatrical cut, this one is a lot more satisfying, even if it’s over three-and-a-half hours long.

The same goes for “Batman v. Superman: Dawn of Justice.” Its extended cut is far more complete and concise than what we saw in theaters. No, it doesn’t make Jessie Eisenberg any less annoying as Lex Luthor, but it is a more competent and complete movie. It’s just longer and more fleshed out.

There’s also an extended version of Zack Snyder’s other film, “Sucker Punch.” Now, I’m not a big fan of that movie and that extended version doesn’t add much, especially compared to “Watchmen.” However, those extra minutes of footage add critical context to the movie that make it work better, as a story. Even if you don’t like how the movie plays out, you can at least appreciate the context.

In every case, it shows that Snyder had a solid vision for these stories. Too much of that vision got left on the cutting room floor. With “Justice League,” we’re not just talking about an extra half-hour of footage. Basically, this version of the movie contains footage that was almost entirely scrapped for the theatrical cut. It’s the same cast and concept, but a very different vision.

It’s also a vision that will have the time and space to be complete. According to Deadline, this cut of the movie will be nearly four hours long, divided into hour-long segments. That’s a hell of a vision and if history is any indication, it’ll be a spectacle worth seeing.

I, for one, will be eager to see the finished product. Snyder has shown in the past that he can tell a damn good story when he has enough time, space, and energy. HBO Max may be a more fitting platform than a standard movie theater. It may also open the door to a bolder vision for DC Comics in the future.

Only time will tell. All I’ll say from here on out is that the Snyder Cut is almost here. Hallelujah!

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Wonder Woman 1984 Final Trailer!

This year has been objectively terrible, but there’s still time to for it to end feeling slightly less awful. Among the many casualties of this year has been the release of “Wonder Woman 1984.” This movie was supposed to come out back in May. Then, a global pandemic hit and everything wonderful was either cancelled or pushed back.

However, there’s only so much you can do to push back Wonder Woman. Pandemic or not, her wonder is worth fighting for. That includes pushing through with a theatrical release. I don’t care how many masks I have to wear. I don’t care how many times I need to dip my hands in soap and/or hand sanitizer. I’m going to see this movie in a goddamn theater. This final trailer only proves why.

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New Comic Book Day July 1, 2020: My Pull List And Pick Of The Week

In general, I’m a pretty optimistic person. I look at the future with a sense of hope and wonder. That’s why I enjoy writing about futuristic technology. It allows me to speculate on the amazing things that the future may bring us.

Then, a global pandemic hit. After several months of progressively bad news, my optimism is on life support. That’s exactly why I value New Comic Book Day more than ever.

I’ve gone through plenty of tough times in my life. I’ve lived through plenty of tough periods, as well. One of the ways I coped was through my love of comics. Every Wednesday brought both an escape and some much-needed inspiration. It’s what helped me make it through high school and the Bush years.

Now, I’m not sure it’s enough. Don’t get me wrong. I still love waking up early on Wednesday morning, checking into my Comixology account, and reading a stack of new comics with a hot cup of coffee in hand. It’s still one of my most cherished pleasures, especially after the industry got going again.

That said, every day brings awful news that just keeps compounding. This is not a war, a scandal, or even an election. This is a pandemic and it’s getting worse, just as we thought it was starting to get better. It has significantly changed my hopeful outlook on the future, but it hasn’t changed my love of New Comic Book Day.

I hope it’s enough to get me through this dark time. I’m usually confident that it will. Now, I’m not sure. At the very least, I’m ready to take a break from all the awful news and share my pull list and pick. I encourage everyone else to use this as a reprieve, even if it’s brief.


My Pull List

The Boys: Dear Becky #2

DCeased: Hope At World’s End #4

Harley Quinn Black + White + Red #2

Hawkeye: Freefall #6

Killing Red Sonja #2

Red Sonja #16

Star #5

Supergirl #42

Teenage Mutant Ninja Turtles: Urban Legends #24


My Pick Of The Week
DCeased: Hope At World’s End #4

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New Comic Book Day June 3, 2020: My Pull List And Pick Of The Week

In general, I’m an optimist. When a new year begins, I approach it with the hope and desire to make it better than the previous year. After the first half of 2020, I may need to change my approach. As much an optimist I try to be, even I have my limits.

This year has sucked the biggest set of elephant balls that it’s possible to suck. I hope I don’t need to explain why. Between a pandemic that has shut entire parts of society down and major riots protesting racial injustice, this year has been a massive kick in the balls for every optimist that dared approach this year with a sense of hope.

That said, I’ve yet to abandon that hope entirely. I credit my long-time love of superhero comics as a reason for that. Beyond the marketing gimmicks and wish fulfillment, superheroes embody an ideal. They dare to envision how good we can be in a world that many are determined to destroy. I take real comfort and joy in that. It’s just part of what makes New Comic Book Day so refreshing every week.

I know the news has been awful on so many levels these past few months. I won’t say the worst is behind us, but I will encourage everyone to keep pushing through the despair. A fresh batch of comics isn’t a cure-all, but it can help lift our wounded spirits. To that end, below is my pull list and my pick of the week.


My Pull List

Action Comics #1022

2020 Force Works #3

Avengers Of The Wastelands #5

Birds of Prey #1

Catwoman #22

Detective Comics #1022

Justice League Dark #22

Revenge Of The Cosmic Ghost Rider #5

Wonder Woman #756


My Pick Of The Week
Wonder Woman #756

A true measure of someone’s honor is how they handle defeat. If internet comments sections and debates with creationists are any indication, people can get very ugly when they have no honor. With superheroes, there’s a similar dynamic. A characters heroism carries a lot more weight in defeat than it does in triumph. Those who don’t handle defeat well aren’t very heroic.

By that measure, Wonder Woman is in the uppermost percentile when it comes to honorable heroes and “Wonder Woman #756” further affirms that. Recent issues of Wonder Woman have really put her in questionable positions and these aren’t positions that she can fight her way out of. Where some heroes would’ve broken or whined, Wonder Woman’s unique capacity for honor and compassion continue to shine.

It has to against a foe like Warmaster. Writer Steve Orlando puts Wonder Woman in a difficult position. She lied to this woman. Even if it was to save her from her hateful upbringing, she lied to Paula Von Gunther. It wasn’t a small lie, either. Her entire life was a lie. Once the truth came out, she was not the least bit understanding.

Now, the same hate that Wonder Woman tried to save her from fuels her in a violent clash. Even for a warrior like her, it gets messy and artist Jesus Merino makes it especially visceral. As the fighting unfolds, one thing becomes painfully clear. The hate that Wonder Woman tried to protect Paula from has never been harsher. Now, everyone she loves is in danger.

In addition to fighting Wonder Woman, Warmaster’s plan starts to accelerate in Wonder Woman #756.” She’s not just targeting Wonder Woman. She’s joined the four Horsewomen to exact a bloody revenge on everyone she cares about. That includes both her home, Themyscira, and all her friends in the outside world.

A lot is at stake for her, but she still holds back. Even when Warmaster tries to force impossible choices on her, Wonder Woman keeps fighting. That’s what she does. That’s what makes her both a warrior and a hero. However, it’s still not enough. Paula’s hatred is stronger than Wonder Woman’s compassion in this case.

However, Orlando stops short of putting Wonder Woman in a dire position. If anything, the way she conducts herself while having to fight someone she cares about shows just how heroic she can be in these situations. At the same time, her willingness to love and connect with others proves critical in helping her rise up after the beating she took.

I don’t want to spoil too much, but the last page of Wonder Woman #756 offers the kind of uplifting catharsis that we all need right now. That’s what an honorable hero does, even after they’ve lost. They still find a way to inspire.

That’s what Wonder Woman does.

That’s what makes her Wonder Woman.

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