The following is a video from my YouTube channel, Jack’s World. It is a full, spoiler-filled review of “Black Widow.” After multiple delays and a global pandemic, the Marvel Cinematic Universe is back. Was it worth the wait? Does it measure up to previous MCU movies? Does it give Natasha Romanov the appropriate send-off she deserves? These are all questions I try to answer in this review. Enjoy!
Tag Archives: Black Widow
The following is a video from my YouTube channel, Jack’s World. This is actually a video I’ve been planning to make for quite some time now. I always wanted to release it alongside the release of the “Black Widow” movie, but if you followed the news last year, you understand why that was such a challenge.
As frustrating as the wait has been, it’s finally happening. This movie is coming out and that means it’s a great time to get back into Black Widow comics. As it just so happens, last year brought us one of the best gems featuring Black Widow in years, courtesy of Kelly Thompson and Elena Casagrande. I rarely make such a statement for a comic that’s not even two years old, but this one definitely warranted an exception. Watch this video to find out why. Enjoy!
Sometimes, an experience you think is life-changing just turns out to be a fluke. You have one remarkable experience and you think it’s the start of a trend. However, it just turns out to be one experience and that’s it. Nothing ultimately changes.
I’ve had more than a few of those in my life. I thought playing “Final Fantasy X” would make me a final fantasy for life after the experience that game gave me. That turned out to be a one-time thing. It’s not out of disappointment. That’s just how things played out.
For that same reason, I wasn’t entirely sure if the experience I had watching Zack Snyder’s “Justice League” was one of those one-time experiences. Last week, I wrote about how it may have changed how I watched new movies. I did so knowing that this was a unique movie fraught with unique circumstances. I didn’t know if it was the start of something more.
To find out, I used this past weekend as a secondary test, of sorts. I knew “Godzilla Vs. Kong” was coming out on HBO Max, just like “Justice League.” I made it a point to approach that movie the same way I approached “Justice League.” By that, I mean I turned my living room into a make-shift movie theater to maximize the experience.
I ordered some pizza.
I got a six-pack of beer.
I closed the blinds, dimmed the lights, and prepared my couch accordingly.
Now, I need to disclose that “Godzilla Vs. Kong” was not a movie I was particularly excited about. Compared to Zack Snyder’s “Justice League,” it’s the kind of movie I wouldn’t see in theaters on opening night. I’d usually wait a couple weeks until the price of a ticket came down and I could pick my own seat.
It still had all the makings of the kind of movie best enjoyed in theaters. It’s a big-time monster movie full of spectacle and explosions. That’s how it’s billed and, without getting too heavily into spoilers, I can confirm that “Godzilla Vs. Kong” delivers that spectacle in abundance.
As a result, I enjoyed it. I didn’t enjoy it quite as much as “Justice League,” but I still enjoyed the experience. Beyond the enjoyment, though, I confirmed something else. That experience I had with “Justice League” was not a fluke.
I can now say with relative confidence that my approach to consuming movies has changed. This experience of me turning my living room into my own personal movie theater is something I really enjoy. It’s something I want to make part of my movie-consuming experience.
By that, I don’t mean I’ll never set foot in a movie theater again. I still have every intention of doing that relatively soon, especially after I get a COVID-19 vaccine. I just don’t think I’ll ever do it as often as I once did.
It helps that “Godzilla Vs. Kong” came out on HBO Max. Last year, the powers that be decided they would release their new movies in both the theaters and on HBO Max. It’s a decision that upset quite a few people and organizations, but in terms of the bigger picture for the industry, it’s a real game changer.
Like Netflix joining the fray when Blockbuster was at its zenith, HBO Max may very well change how movies are consumed. Other studios are starting to buy in as well. Recently, Disney announced it would do a similar release with “Black Widow.” However, their release would be different in that streaming it from home will cost extra.
It’s a different approach, but one that’s following the same trend. Now, consumers have a choice in how hey consume new movies. They can either go to a movie theater or try to create their own experience at home. It’s a choice that probably wouldn’t have occurred had it not been for the pandemic that nearly destroyed the whole industry.
Be that as it may, I welcome that choice. Personally, I think the industry needs this to happen. Movie theaters and movie studios alike can’t keep clinging to a model that began before the creation of streaming media, 4K televisions, and Grubhub. At some point, they have to adapt to changing consumer habits. Now, they can’t avoid it.
I’ve already made some plans for how I’ll consume movies this summer. Even if all restrictions are lifted and everything goes back to normal, relatively speaking, I don’t think I’ll revert to my pre-pandemic approach to movies. I’ll start weighing my options.
For a movie like “Mortal Kombat” or “Space Jam: A New Legacy,” I’ll probably watch them at home on HBO Max. If I happen to get a date, I’ll probably take her to the theater. Since I can’t assume that’ll happen, my default will be using HBO Max.
With “Black Widow,” I’m a bit less certain. For now, I’m leaning towards seeing that in theaters. It’s not because of the experience. It’s more a matter of cost. If I want to watch that movie at home like I did with “Justice League,” I’ll have to pay extra. Now, for a movie I really want to see, I’m willing to do that. However, I have my limits.
I think $30 just to stream the movie from home is a bit excessive. It amounts to more than I would spend on a ticket and snacks at a movie theater. Even if the price was just $20, I’d still probably see it in theaters. Like many Marvel fans, I’ve been anxious to see this movie for over a year and I want to support it. If that means paying extra at a theater, I’ll do that.
Then again, if I could stream it for free on Disney+ the same way I streamed “WandaVision,” then I might have second thoughts. Given that I’m a lifelong Marvel fan, I might still go to the theater, just to show my support for the franchise. Since that’s not an option, I just don’t know.
For now, those are my plans and they’re always subject to change. I just know that, moving forward, my approach to experiencing new movies is very different. I suspect others are going through something similar. Even after this pandemic has passed, I expect certain movie-going habits to change permanently.
What will this mean for the industry, as a whole?
That, I don’t know. All I know now is that what happened last weekend with “Justice League” was not a fluke and “Godzilla Vs. Kong” proved it. Now, I’m contemplating how I’ll continue adapting my movie-watching experience. For that, I may need to invest in a bigger TV. In the meantime, I’d like to know what everyone else thinks. What has been your experience thus far with respect to consuming movies? Has it changed due to the pandemic? Do you expect it to change even more? Let me know in the comments.
Throughout the pandemic-fueled horrors of 2020, I speculated on multiple occasions how movie theaters may never fully recover. I don’t doubt for a second the movie industry, as a whole, will adapt to changing markets and trends. However, the movie-going experience, as we know it, was suddenly in doubt.
I know I’m not alone in this sentiment. Many people far smarter than me have expressed concerns and made equally dire predictions. How things ultimately play out remains to be seen. The 2021 summer movie season will be a major test for theaters, as a whole.
However, there are already signs that the industry has changed forever. It started with “Trolls World Tour” last spring, which ditched theaters together and debuted online exclusively, turning a healthy profit in the process. Then, Warner Brothers escalated things even further by saying all their 2021 movies will release simultaneously within theaters and on HBO Max.
On top of that, Disney is also trying their hand in simultaneous release. They announced that they’ll be releasing the long-delayed “Black Widow” both in theaters and on Disney-plus. While you’ll have to pay extra to see it on Disney-plus, the result is the same. Movie theaters are suddenly less relevant in the movie-viewing experience.
It’s hard to overstate just how big a deal this is for the industry.
It’s also hard to overstate just how big an impact the pandemic has had on the movie industry, as we know it.
However, I don’t want to focus too much on those just yet. Instead, I want to talk about my own movie-going habits and how they have changed recently. Like so many others, I was very excited to watch Zack Snyder’s “Justice League” on HBO Max. I built my entire Saturday night around watching it.
There’s a lot I can say about this movie. If you want a full review, you can check the YouTube video I made for it right here.
Beyond my excitement and reaction to that movie, I felt an impact beyond the general experience of seeing a movie that so many had fought to get released. This really didn’t come off as just me settling in on a Saturday night and binging a movie from a random streaming service, which I’ve done plenty of times before.
My experience with “Justice League” was different.
I feel like it may affect other movie-going experiences in the future.
To explain why, I also need to explain what I did to prepare to watch that movie. I didn’t treat it like watching any other movie on HBO Max or any other streaming service. Instead, I went out of my way to recreate the movie theater experience.
I closed the blinds to my windows.
I dimmed the lights in my living room.
I even ordered a pizza and got a six pack of beer. That’s not typically what I get when I go to a movie in the theaters, but since this was a four-hour movie and I wasn’t bound by theater rules, I wanted to make the most of it.
After all, this movie wasn’t ever coming out in theaters. If I wanted that experience, I had to recreate it myself. It was not exactly a perfect duplicate. I don’t live in a fancy house that I could turn into a make-shift movie theater. I haven’t sold enough novels yet.
Despite those limited resources, the experience I created for “Justice League” was both effective and personal. It allowed me to basically consume a new blockbuster movie in my own unique way. While I didn’t expect that effort to have too great an impact, I can say not that it definitely changed the experience.
This wasn’t just me re-watching a favorite movie of mine.
This wasn’t me watching a movie that I saw in theaters.
This was me creating my own experience for a new release.
When all was said and done, I found myself planning to do it again. I may ultimately do it with all HBO Max movies that come out this year. That doesn’t mean I won’t see some in theaters, but watching Zack Snyder’s “Justice League” showed me what a more personal movie-watching experience could be.
It also left me somewhat conflicted on how I’ll see “Black Widow” when it comes out. Before I saw “Justice League,” I had every intention of watching it in the theaters, like I’ve done with every Marvel movie since “Iron Man.” Now, I’m not so sure.
Do I go to a movie theater, buy my favorite refreshments, and watch it like I used to watch all new movies?
Do I try to recreate what I did with “Justice League” and consume movies that way?
I’m honestly torn. I still enjoy going to theaters. I don’t exactly have a big screen TV that comes close to matching the screens at a movie theater. I also don’t have a 3-D TV that can take advantage of that feature. However, I can’t sneak a six-pack of beer into a theater or pause the movie when I need to take a bathroom break.
There are positives and negatives for both. I’ll certainly attempt to refine my movie-seeing experience at home with future HBO releases. In doing so, that may ultimately make watching a movie from home more preferable to watching it in a theater. As a result, me going to a movie theater might become a rarity.
It may be the case that Zack Snyder’s “Justice League” was a one-time thing that I’ll never recreate. If not, then I’m very curious to see if others had a similar experience. I’m also curious to see how this will play out as the world emerges from this pandemic and the movie industry seeks to rebuild. If you had a similar experience Zack Snyder’s “Justice League,” or something similar, please share it in the comments. I have a feeling the way people consume movies and media is bound to change considerably in the coming years and not just because of the pandemic.
We did it, America!
We made it through Election Day. I understand that can still change, but we still made it. That’s progress, in my book. I also doubt I’m alone in being relieved that we’ve finally made it through.
Now, I realize that there’s still plenty of post-election drama to unfold here in the United States. I may end up talking about that at some point. For now, I’d rather focus on something that brings objective joy to the world, namely comics.
The day after such a contentious election is the perfect day to indulge in some comic fueled awesome. I am not just ready. I need this and I suspect many others burned out on politics feel the same. The real world has been objectively awful on so many levels in 2020. An escape has never been more necessary.
That’s exactly what comics provide us. They are a simple, inexpensive joy that takes us out of this crazy world for a brief moment and into one full of wonder. I love every New Comic Day, but this particular day has never been more cathartic. To that end, here is my pull list and pick for the week. Enjoy!
My Pull List
My Pick Of The Week
This year has sucked for many reasons. While one reason tends to be more prominent than others, many of us have felt it. Some have just felt it more than others. While 2020 has sucked for everyone, it especially sucks for fans of superhero movies and the Marvel Cinematic Universe.
This year was supposed to be a year of transition. After the record-breaking returns of “Avengers Endgame,” the MCU was at a crossroads. Prominent actors had lived out their contracts. Certain heroes were killed off or retired. Longtime Marvel fans like myself were both anxious and curious to see where the MCU would go from here.
This year was supposed to be the beginning of Phase 4, which was to commence with “Black Widow,” “Eternals,” and “Shang-Chi.” On top of that, the MCU was going to venture into the world of streaming with several Disney-Plus shows. It all seemed so promising.
Then, the goddamn pandemic hit. Need I say more?
Now, it’s official. For the first time in a decade, there will be no MCU movies in 2020. According to The Verge, “Black Widow” has been pushed into 2021, along with the rest of the aforementioned 2020 slate of movies.
Black Widow will now open on May 7th, 2021 — more than one year after it was originally scheduled to be released. Like with other Marvel delays, Black Widow’s new date pushes Shang-Chi and the Legend of the Ten Rings back from its May 7th, 2021 release date to July 9th, 2021. The Eternals, which was supposed to follow Black Widow is moving from February 12th, 2021 to November 5th, 2021. A number of other Disney films, including West Side Story and The King’s Man, were also moved around as part of the shuffle.
Basically, the entire timeline for the MCU’s next phase just skipped a year. As someone who scheduled entire months around going to see Marvel movies, I can’t put into words how disappointing this is. This year has broken my heart, my spirit, and my hope for a brighter future. This just rubs salt, acid, and molten lead in the wound.
However, as disappointing as this news is, I do want to keep things in perspective. I also want to highlight some insights that may or may not be encouraging. Please don’t mistake any of that for tangible hope. I still have none left. At the same time, I do see reasons for encouragement.
For one, I’m not too surprised by “Black Widow” being delayed. I think the bean counters at Disney saw the box office returns of “Tenet” and decided to throw in the towel for this year. Despite that movie being widely praised by fans and critics, it barely made enough to cover the marketing budget for a typical MCU movie.
Movie theaters are not back. They are a long way away from being back, so to speak. This pandemic has hit them harder than any other industry that doesn’t involve health care workers and mask manufacturers. Even if a good movie comes out, people are still reluctant to go.
That’s not likely to change this year. It probably won’t change in the first few months of 2021, either. However, if the current timelines are to be believed, we should have a working vaccine by the end of 2020. That’s the only way the world will return to some semblance of its former self.
Now, I don’t believe that timeline for a second and I don’t think Marvel Studios believes it, either. If they did, then they wouldn’t have pushed “Black Widow” all the way into the spring. While this does mean a longer wait, it also reveals something else that’s just as important.
Earlier this year, I questioned whether the entire movie theater industry has been irreparably damaged. While I stand by many of my points, I might need to pull them back. Before this news came out, Disney decided to take the plunge into pure streaming and dump “Mulan” onto its streaming service. I suspect that if this move proved both successful and profitable, then that might be the future for all its major movies.
However, that future is now in question. While Disney has claimed that the movie has generated some healthy profits, the extent of those profits is very much in question. Nobody is convinced that “Mulan” is a success or failure. This is not like “Trolls World Tour,” a kids movie that cost less than half of what it took to make “Mulan.”
In a healthy, non-pandemic world, it’s hard to say whether “Mulan” would’ve worked out better. However, it is fairly clear that dumping a big budget blockbuster movie on a streaming service just isn’t as profitable as the good old fashioned box office.
That bodes well for both movie theaters and the MCU. I believe that Disney and Marvel Studio believes that their big budget blockbusters need to come out in theaters. These are not cheap independent movies that Netflix gladly gobbles up. These are massive cinematic undertakings. They need movie theaters to get a good return on their investment.
That need might very well be what saves the movie theater industry, at least to some extent. I think moving the MCU’s heavy hitters into 2021, assuming by then a vaccine will have tempered the pandemic, shows that they still believe in this model. They’re still committed to using this platform for developing the MCU.
Honestly, I’m a bit relieved. As much as I love binge-watching my favorite movies, there’s still something to be said about the movie theater experience. I don’t think that watching “Avengers Endgame” on my TV would have had the same impact as it did when I saw it in IMAX. That experience is still valuable.
Now, I’ve learned not to trust release dates and timelines. This year has taught me that all timelines are tentative when pandemics are a factor. Be that at as it may, Disney’s reluctance to dump big movies on a streaming platform bodes well for the movie going experience.
If and when “Black Widow” comes out on its newly scheduled date, I’ll definitely be there to see it. It may also be the best possible sign that we’ve gotten through this awful shit storm that has been 2020.
Certain characters are held to very high standards. That’s especially true of superheroes. Not all heroes can or should be judged with the same criteria. Wolverine can go on a rage-fueled killing spree, lust after married women, and drunk a gallon of whiskey a day, but still get labeled a hero. That’s because he’s held to a different, albeit very lenient standard.
That sort of standard just can’t work for a character like Sue Richards. Aside from being a hero, she carries herself very differently from the likes of Wolverine, Tony Stark, and Black Widow. She’s not a career assassin, a playboy billionaire, or some cosmic tyrant. She’s a hero, a role model, a loving wife, and a caring mother. She knows who she is and cherishes that identity.
That same identity has been tested, strained, and pushed in her latest solo series, courtesy of writer Mark Waid. We’ve seen her revisit an old part of her life that almost took her down a very different path, one that would not have met those lofty standards ascribed to heroes like her and teams like the Fantastic Four. In “Invisible Woman #5,” she comes dangerously close to crossing lines she swore to never cross.
It’s the end of a story that has taken Sue Richards away from her family and her life of wild cosmic adventures. Instead of battling planet-eating cosmic beings, she navigates the shady world of espionage. By the end, it’s easy to see why she prefers battling Galactus.
At first, the mission was simple. Sue set out to find a former friend and partner, Aidan Tintreach. As is often the case in stories involving spies, espionage, and beautiful women, it gets exceedingly complicated very fast. Along the way, Waid explores just how capable Sue is on her own. She’s one of those characters who is often defined by her team and her family. She rarely gets a chance to show what she can do by herself.
As a spy, Aidan saw that potential in her. Throughout the series, he has forced her to realize it in ways that don’t always sit well. Initially, it was as an ally and someone in need of her help. The events leading up to “Invisible Woman #5” steadily revealed the kind of person he became. He now has Sue in a position to become that same person.
True to the high heroic standards that she holds for herself, Sue never stops trying to save her former partner. She keeps trying to reconnect with the man she once knew. At every turn, however, Aidan keeps shooting holes in their history and her faith in him. It puts Sue in a difficult position in “Invisible Woman #5,” one for which she can’t play by the same rules that help make her an iconic hero.
What starts as a rescue is now an unfolding tragedy and it comes dangerously close to becoming much worse. At this point, there’s no more room for betrayals and secrets. Sue has to confront Aidan, who at this point has a death wish. However, rather than poke the Hulk’s eye or kick a puppy in front of the Punisher, he wants Sue to be the one to stop him.
He seems so far gone, but Waid never paints Aidan as someone who has just lost their mind. He’s not the Joker, the Green Goblin, or a villain from a James Bond movie. He’s just someone who has crossed so many lines over the year as a spy, lying and betraying everyone along the way, that there’s no standard left to judge him. As a character and someone who used to ally himself with superheroes, he’s gone morally numb.
At times, Aidan comes off as a dark mirror for Sue. In him, she sees what she could’ve become if she’d remained a spy. He is living proof of what happens when you’re held to a high standard, but cross too many lines. It makes what Sue has to do to stop him feel so dramatic and impactful.
Along the way, she has to push herself and her powers in ways we rarely see outside of trips to the Negative Zone. Artist Mattia de Iulis does an excellent job showing off what Sue can do when she needs to use her powers creatively. The visuals make clear that, even without her family, Sue is very powerful.
Anyone who has read more then one Fantastic Four comic knows that. However, seeing her powers applied in such unique ways helps demonstrate what Aidan sees in her. If she held herself to a different standard, she could be a true force to be reckoned with and not just as a spy.
Between de Iulis’ renderings and Waid’s characterization, “Invisible Woman #5” shows the Fantastic Four’s perennial mother figure in a new light. We get to see glimpses of her past before she became this iconic hero that we hold to such lofty standards. We also see how her approach to heroism differs from those who immerse themselves in situations where heroes and villains alike have to lie, cheat, and deceive.
It’s not one of those stories in which Sue can rely on her family, teamwork, or her inherently endearing personality to save the day. She has to face down someone who ventured into the same shady world, but came out far worse. It’s not the kind of situations that Sue often finds herself in with the Fantastic Four, but “Invisible Woman #5” shows that she can handle it, albeit with a heavy heart.
In the end, that same heart is exactly why Sue Richards holds herself to such high standards. It’s the same reason why her heroism is judged by such a strict criteria compared to other characters in the greater Marvel pantheon. When she does have to cross a line, it breaks her heart, as it would for anyone who hasn’t been too hardened by circumstance.
The fact that there are still characters like Sue Richards, who hold onto those values and refuse to cross certain lines, is nothing short of refreshing. In an age where we expect heroes, celebrities, icons, and leaders to cross lines all the time, a hero like Invisible Woman stands out for all the right reasons.
Trying to find flaws in the Marvel Cinematic Universe these days is like trying to find a flaw in Mr. Rogers. It’s pretty much impossible, unless you’re willing to be exceedingly petty. Even the most ardent critic can’t deny the success of this now iconic cinematic universe. Such a franchise doesn’t make over $7 billion at the box office by having many egregious flaws.
That said, the MCU is not without its shortcomings and I’m not just talking about underperforming outliers like “The Incredible Hulk” or outright failures like “Inhumans.” One such shortcoming, which I feel has not had sufficient scrutiny, has to do with romance in the MCU. As someone who is a lifelong comic book fan and an admitted romantic, this stands out to me more than most.
It only became more apparent with the upcoming a TV series starring Vision and the Scarlet Witch on the Disney+ streaming service. The romance fan and the comic book fan in me initially liked that idea because Vision and the Scarlet Witch are one of the Avenger’s most endearing and colorful romances in the comics. This is definitely one of those relationships that can carry an entire show.
However, given that this takes place in the MCU, the concept is already on a shaky foundation. While the events of “Avengers: Infinity War” established that these two characters are romantically involved, there’s little in terms of how that relationship developed. As a result, the tragedy that played out in the Battle of Wakanda had little dramatic weight.
It’s one of the few glaring flaws in an otherwise stellar narrative. However, the lack of romantic depth between Vision and the Scarlet Witch is only the most obvious symptom of a much larger problem that has been unfolding in the MCU since the days of “Iron Man” and “Thor.”
Some parts of that problem are pure logistics. Building a cinematic universe on the scale of the MCU requires a lot of moving parts and, as a result, romance was often a secondary concern. Kevin Feige and the creative minds at Marvel Studios opted to prioritize other aspects of character development. Given the MCU’s unprecedented winning streak, it’s safe to say those priorities were well-placed.
It’s only recently that the lack of emphasis on romance has caught up to the MCU. From having Thor break up with Jane Foster prior to “Thor Ragnarok” to horribly mismatched romance between Hulk and Black Widow, there’s a glaring absence of successful, well-developed romances in the MCU.
Even the successful romances, namely Tony Stark and Pepper Pots or Ant Man and Wasp, had much of that success unfold off-screen. At most, a movie would show them getting together or enduring a major conflict, but there would rarely be any moments that fleshed out the romance in a meaningful way. Every bit of development only centered around defeating a villain, which is good catalyst for romance, but not much else.
Now, we’re getting an entire show about a couple who were on opposite sides of the conflict in “Captain America: Civil War” and inexplicably together in “Avengers: Infinity War.” In terms of meaningful romance, this is not a trivial oversight. If someone didn’t know their romantic history in the comics, then they would be understandably confused as to why they ended up together.
It’s the same problem that the original “X-Men” movies made when developing the horribly flawed love triangle between Cyclops, Jean Grey, and Wolverine. The narrative in the movies relied too heavily on assuming peoples’ knowledge of the source material in lieu of providing an understandably reason as to why this romance is occurring. Again, that’s not a trivial oversight.
How is anyone who only saw “Captain America: Civil War” and “Avengers: Infinity War” supposed to buy into the relationship between Vision and the Scarlet Witch? The movies only establish that they’re together. They don’t establish why, how, or what they went through in establishing their relationship. Everyone is just left to assume, which is rarely a good strategy for developing meaningful romance.
Even if the relationship between Vision and the Scarlet Witch were entirely platonic, it would still be quite a stretch to believe that they have a genuinely intimate connection. It’s possible that the upcoming show will help develop that connection, but there’s no getting around how underdeveloped it has been to this point.
The same could be said for other relationships throughout the MCU. Some are so underdeveloped that when intimate moments do occur, they rarely have much impact. Captain America’s relationship with Peggy Carter in his first movie probably had the best foundation, of all the MCU romances, but that only made him kissing her niece, Sharon, feel downright wrong. Haley Atwell herself has said as such.
Romance, even among fictional characters, requires some level of chemistry to go along with the narrative. While that can be difficult to fit into a single movie, it’s not impossible. Movies like “Man of Steel” and the first “Spider-Man” movie were able to establish the necessary chemistry with only a handful of scenes. Such scenes have been absent or underdeveloped in the MCU.
Ironically, the most fleshed out romance in the MCU is between Starlord and Gamora, two characters who aren’t an endearing love story in the comics. I would even argue that the scene in which Starlord sacrifices himself to save Gamora in the first “Guardians of the Galaxy” movie shows more romantic depth than any other MCU movie to date.
It didn’t take much to show that Starlord and Gamora have chemistry. From their first interactions to the many challenges they overcame over the course of two movies, they developed a powerful connection that just isn’t there for Vision and the Scarlet Witch. That connection is part of what made the events between them in “Avengers: Infinity War” so heart-wrenching.
That same sentiment just wasn’t there with Vision. We knew from the events of two previous movies that Starlord genuinely loved Gamora. We understood how strong it was by the time Thanos entered the picture. There’s none of that present with Vision and the Scarlet Witch. When they face a similar situation, it just doesn’t have the same impact.
It probably helps that Guardians of the Galaxy was a relatively obscure series before the first movie and has little history of iconic romances compared to the Avengers. However, it does show that the MCU is capable of meaningful romance. It just seems incapable of applying it to the more notable couples from the comics.
While such flaws haven’t stopped the MCU from succeeding on so many other levels, it still ensures that Vision and the Scarlet Witch have an uphill battle in terms of proving their romance is more than an assumed contrivance. It’s certainly not impossible, but there’s a lot to develop in terms of chemistry and depth.
Given on how “Avengers Endgame” played out, it may not matter how poorly past romances have been handled. However, the impact it has had in the “Guardians of the Galaxy” movies shows that there is a place for romance in the MCU. Perhaps Vision and the Scarlet Witch can be part of that with the upcoming show, but it has lot to overcome before it can be the iconic romance that the MCU needs.
If you’re a fan of comic books, superhero movies, and the Marvel Cinematic Universe, this past weekend was like Christmas, Halloween, the 4th of July, and the Super Bowl all rolled into one. The San Diego Comic Con is essentially the epicenter of geek culture. In recent years, it has only gotten bigger, becoming a staging area for major pop culture events. This latest convention was no exception.
While there was plenty of news to follow at this year’s Comic Con, especially for X-Men fans like me, the biggest event was always going to be Marvel Studios. It has already been a historic year for superhero movies, especially on the Marvel side of the genre. Shortly before the convention began, “Avengers Endgame” officially passed “Avatar” to become the highest grossing movie of all time.
It’s a good time to be Kevin Feige.
It’s a good time to be Bob Iger.
It’s a good time to be a Marvel fan, in general.
With the end of “Avengers Endgame,” however, the story that began in 2008 “Iron Man” has concluded. The Avengers assembled in a truly spectacular battle for the ages. Thanos is defeated. The Marvel Cinematic Universe is once again secure, but after making the highest grossing movie of all time, how can Marvel Studios keep raising the bar like this?
In Hall H of the San Diego Convention Center, the next phase of the MCU was finally revealed. Some of the announcements were expected. News of a “Black Widow” movie, as well as an “Eternals” movie, had already been reported months ago. News of a “Blade” movie within the MCU was more surprising, but that wasn’t the biggest story by a long shot.
By far, the biggest Marvel Studios news to come out of San Diego Comic Con 2019 was Natalie Portman returning as Jane Foster to play a female Thor. I’m not going to lie. When I saw this news, I had to blink a few times and slap myself to make sure I wasn’t dreaming. Once certain this was real, it finally sunk in.
Natalie Portman is returning the MCU as Jane Foster to play a female Thor.
To appreciate why this is a huge deal to longtime comic readers like me, I need to provide a little context. Jane Foster being Thor is a concept that only recently gained prominence, thanks to one of Marvel’s top-tier writers, Jason Aaron.
Back in 2014, the Thor comics underwent a major upheaval. After a fateful encounter with Nick Fury, Thor suddenly became unworthy of lifting Mjolnir. It was a dramatic moment that defined the character for years to come. Then, after everyone in Asgard failed to lift the hammer, Jane Foster came along to wield it. In doing so, she became the new Thor.
If you haven’t read the first few volumes of that story, I cannot recommend them highly enough. Even if you’ve only seen the movies, you’ll still find plenty to love about these comics. They made me a fan of both Thor and Jane Foster. If Marvel Studios and Natalie Portman can even capture a fraction of this story’s greatness, then it’ll be a bold new era for superhero movies.
Now, make no mistake. Jane Foster becoming Thor was not without controversy. In fact, the timing of this story couldn’t have been worse. It came out right around the same time that efforts to promote diversity within superhero comics had become mired in regressive politics. It was a time when iconic characters were being replaced and new characters were being created, albeit with mixed results.
I’d rather not go into all the issues, controversies, and absurdities from that era, but I will say that Jane Foster becoming Thor was one of the success stories from that tenuous period. Her journey as the new Thor didn’t supplant that of her predecessor. If anything, it complemented his story. The title of Thor was greatly improved because Jane Foster wielded that hammer.
Now, Marvel Studios is in an even better position to do the same. The success of both “Wonder Woman” and “Captain Marvel” has established that there is a market for female superheroes. The events of “Avengers Endgame” also opened the door for someone else to step in without diminishing Chris Hemsworth’s character, who may still have a part to play in “Guardians of the Galaxy 3.”
It also helps that Natalie Portman’s Jane Foster has been MIA since the events of “Thor: The Dark World.” While her reasons for leaving were somewhat obscure, the announcement at San Diego left no room for ambiguity. She’s coming back and she’s going to play a major role in the next phase of the MCU.
In my opinion, this will go down as one of the most pivotal announcements in the history of the MCU. Why do I believe this is bigger than the Eternals, Blade, Black Widow, or any of the upcoming shows on the Disney+ streaming service? To answer that, it’s necessary to take a step back and look at the bigger picture.
The Jane Foster that Natalie Portman played in the first two Thor movies is not the same Jane Foster who has established herself as a prominent force in the comics. Throughout her history, she has maintained a strong connection to Thor and not just as a romantic interest. In many respects, she has been the character through which ordinary, non-Asgardian people explore Thor’s world of gods, demigods, and monsters.
A big part of what made Jason Aaron’s story surrounding Jane Foster becoming Thor so powerful was how she proved her worthiness of that title. As a mortal woman with many mortal limitations, she embraced that role and proved herself against gods, monsters, and even other superheroes. It was easy to cheer her on every step of the way.
In any era, it’s a powerful story, having an ordinary human embrace god-like power to bear god-like burdens. In this current era of superhero movies, Jane Foster becoming Thor isn’t just a fitting, comics-accurate way to build her story in the MCU. It’s a story that almost feels necessary.
The MCU is a world that has become densely populated by super soldiers, aliens, gods, monsters, and demigods. With the conclusion of “Avengers Endgame,” the world is in a tenuous state. Friendships, families, and teams have been decimated due to the conflict surrounding Thanos and the Infinity Stones. There are voids to be filled, including a few once populated by gods.
Ordinary people becoming heroes is a story that the MCU has told many times before, the latest being “Spider-Man: Far From Home.” Stories about ordinary people becoming gods haven’t been nearly as common and with the Eternals already poised to join the MCU, I think that story should play out in some manner, if only to keep humanity connected to this world.
Jane becoming the Goddess of Thunder is the perfect story to maintain that connection. Unlike Carol Danvers, Jane is not a soldier or a warrior. She’s a scientist who got caught up in the world of gods and superheroes, but she didn’t run from it in the comic. Now, armed with Natalie Portman’s Oscar-winning talent, she’s poised to make a similar journey in a world that needs new heroes to step up.
It’s an exciting, but uncertain time for the MCU. However, when you’ve got a story like that of Jane Foster becoming Thor and an actress as talented as Natalie Portman leading the way, the future has never been brighter.
Starting an epic journey is a daunting challenge. Keeping people engrossed in that journey for over a decade is exceedingly difficult. Ending that journey in a way that’s dramatic, appropriate, and satisfying is damn near impossible. Despite those insane stakes, that’s the primary goal of “Avengers Endgame.” It attempts to cap off the story that began in 2008 with “Iron Man.”
Without spoiling the many dramatic details of this three-hour cinematic experience, I can safely confirm that it did. “Avengers Endgame” achieved that seemingly impossible goal of completing a decade-spanning story that included 22 movies, a cast of top-notch actors, and one talking raccoon. It’s one of those feats that shouldn’t be possible, even with Disney’s deep pockets, but Marvel Studios pulled it off.
It isn’t hyperbole to say that “Avengers Endgame” is a historic cinematic achievement that fundamentally changes the standards for just how bold a movie can be. All the praise from fans and critics alike that this movie has garnered is well-earned, but still doesn’t do justice to what this movie achieved.
It’s not just another step in the ever-expanding saga that is the Marvel Cinematic Universe. This movie does not set the stage for another sequel or lay the groundwork for the next big battle between the Avengers and the next Thanos-level threat. The movie is true, polished ending that manages to beautifully encapsulate the scope and scale of the story it told.
As a life-long comic book fan and a fan of superhero media, going back to the days of Saturday morning cartoons, this movie was both satisfying and impactful. I came out of the theater with my heart still racing and my mind still reeling from what I just witnessed. Part of me was sad. Part of me was elated. In all, though, I felt like I’d completed a journey alongside these beloved characters.
Even if you’re not a fan of comics and only know these characters through the movies, “Avengers Endgame” still succeeds in terms of raw storytelling. Years of world-building and character development really come to ahead in this movie. The shared journeys of characters like Tony Stark, Steve Rogers, Thor, Black Widow, Hawkeye, and Bruce Banner provide plenty of dramatic weight to everything that happens.
Make no mistake, though. A lot happens. This movie will test your bladder almost as much as it tests your heart. There are so many characters to juggle and many of them have their own arcs. Tony, Steve, Thor, and Hawkeye are all in wildly different places throughout the story, literally and figuratively. Coming together again in a cohesive plot takes time and effort, something the Russo brothers do not shy away from.
As a result, “Avengers Endgame” is very different structurally from “Avengers Infinity War.” Whereas “Avengers Infinity War” played out like unfolding battle with Thanos leading the charge, “Avengers Endgame” is very much a reaction to the aftermath of that battle. To say it left some traumatic scars would be the understatement of all understatements.
There’s no getting around it. Thanos won and the Avengers failed. Before anyone can even contemplate undoing the damage, these characters have to adjust to a world that has been decimated on an unimaginable scale. Processing, exploring, and reacting to that decimation is a big part of what makes that final showdown sufficiently epic.
That means are sizable parts of this movie that don’t involve Hulk smashing things, Captain America fighting Hydra agents, or Iron Man blowing stuff up. “Avengers Endgame” puts much more time and energy into character moments and interpersonal drama, which were fewer and less developed in “Avengers Infinity War.” However, none of this time ever feels wasted or drawn out.
It helps make that final showdown all the more meaningful. It’ll get you to cheer, gasp, cry, and cringe every step of the way. I can even attest that there are moments in this movie that got the people in the theater out of their seats and cheering. In all my experience with superhero movies, I can’t remember the last time a movie got people that emotional.
There’s a lot I can say about how “Avengers Endgame” succeeds in making the emotional investment of the past 22 movies pay off. I don’t think I need to belabor how important this component was in making this movie work in a satisfying, climactic manner. While the movie succeeds in this critical aspect, there are other noteworthy details.
In terms of pure entertainment value, it is not as great as “Avengers Infinity War.” I would even argue the first “Avengers” movie had more spectacle and was more cohesive, overall. There were times when “Avengers Endgame” felt somewhat chaotic, due to all the character arcs it had to balance. While it managed to juggle them all effectively, there’s only so much that can be done to keep that narrative concise.
It’s also worth noting that some character narratives were managed better than others. I won’t cite specific characters for spoiler reasons, but they fairly obvious within the first hour of the movie. I’m sure fans of certain characters will be conflicted by how things play out, but I doubt those same fans will be too disappointed.
Fans of the distinct humor that often shows up in Marvel Studios productions will also have plenty to laugh at. Granted, the bleak circumstances of the movie make that tricky, but moments are there and they never feel too forced. They’re not quite as numerous as they are in other MCU movies, but given the various plots of the story, I’d say there’s just enough to balance the overall tone.
There are some other flaws within this movie, but the extent of those flaws is never more than minor. It would require an extreme level of pettiness and nit-picking to use those flaws to undercut the movie. “Avengers Endgame” is not perfect, nor does it try to be. Its primary goal is to end this era of the MCU and it does so beautifully.
The ending will leave many with tears in their eyes, both from joy and sorrow. There’s equal amounts of tragedy and triumph. Certain characters get a happy ending. Others must deal with loss and tragedy. Overall, it’s a perfect blend of satisfying conclusion and bittersweet finality. It reinforces the notion that these characters are true heroes.
For a movie that begins under such bleak circumstances, the ultimate conclusion really solidifies “Avengers Endgame” as an incredible cinematic experience. If I had to score the movie, I would give it a 9 out of 10. It hits all the right dramatic notes, evokes all the right emotions, and succeeds on a level that few could’ve imagined 11 years ago.
Like Captain America himself, this movie was willing to do whatever it takes to complete this superhero saga for the ages. Moving forward, it’s hard to say what will come of the MCU, especially in wake of the Disney/Fox merger, but it’s safe to say that “Avengers Endgame” has set a bold new standard for just how great a superhero movie can be.