Category Archives: superhero movies

My (Mixed) Reaction To The “Morbius” Trailer

Whenever a trailer for a new superhero movie comes out, I get excited. It’s basically a reflex at this point. In this golden age of superhero movies, we’re at a point where the bar is high, the variety of movies is fast, and it promises to get even more diverse in the near future.

While movies like “Avengers Endgame” and “Joker” have left fans like me feeling spoiled, it’s still possible for some movies to come along and just not strike any chords. That’s not to say they’re terrible or doomed to “Catwoman” levels of failure. They just come along at a strange time when they don’t seem to fit.

That’s what colored my reaction to the recent release of the “Morbius” trailer. I knew of this movie. I knew it was set to come out this year. I also knew that Jared Leto had been cast in the main role of Michael Morbius. After how poorly his rendition of Joker panned out in “Suicide Squad,” I welcomed this news. Leto is a great actor who just needs to find the right role. I thought Morbius could be that role.

It’s one of those roles that could be great for both Leto and the character. Even if you’re familiar with Marvel comics, especially the Spider-Man branch of the comics, you probably don’t know much about Michael Morbius. He’s not a new character. He’s been around since 1971.

However, he has never been a high-profile hero. He’s best known as an occasional antagonist for Spider-Man, but in terms of notoriety, he’s a far cry from Venom, Doctor Octopus, or the Green Goblin.

Since his debut, he’s tried to stand on his own. Sometimes, he succeeds, but he’s never risen to the same levels as other popular Spider-Man characters. This movie could change, but after seeing the trailer, I’m not so sure.

It’s not bad. It’s not great, either. It didn’t get me excited like “Venom” or “Joker.” It didn’t paint Morbius in a unique light, either. It teases a plot that feels pretty generic. It doesn’t feel bold or groundbreaking. It doesn’t come off as stupid or poorly handled, either. Leto looks great in the part, especially at the end.

I don’t hate it. I don’t love it, either. For the moment, I’m ambivalent about this movie. Compared to the colorful antics of “Birds of Prey” and the horror themes of “New Mutants,” this just doesn’t stand out.

I’ll still give it a chance. I’ll still root for this movie to succeed, but I won’t be surprised if it fails. It could be another “Venom” or it could end up as bad as “Catwoman.” It’s hard to say at this point. Only time will tell.

At the very least, this will be a story in which the vampires don’t sparkle.

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Filed under Marvel, Marvel Cinematic Universe, movies, superhero comics, superhero movies

The Ambiguity Of Anti-Heroes And How To Make Sense Of Them (According To Overly Sarcastic Productions)

Certain concepts easy to discuss, but poorly defined. You could get 100 people in a room, get them talking about art for hours on end, and at no point will anyone have a clear definition of what constitutes art. For some, it’s a beautiful painting by a long-dead artist. For others, it’s a banana taped to the wall.

The conflict occurs when discussing anti-heroes. I know because I’ve discussed them before. I’m guilty of throwing that label around and attaching it to certain characters. However, despite having a definition, the concept is still poorly defined. It’s so poor, in fact, that you can argue that almost any character with the “hero” is also an anti-hero to some extent.

Like art, it’s one of those things we think we know when we see. Given the sheer volume of superhero comics I’ve read over the years, I like to think I can point out and define an anti-hero better than most. Even with that experience, I doubt my standards are flawless. In fact, I’m fairly certain most peoples’ standards are ridiculously flawed.

I say this because I recently came across a new video by Overly Sarcastic Productions, a wonderful YouTube channel that I would highly recommend for all aspiring writers. Whether you’re writing adventure, sci-fi, or erotica romance, this channel offers invaluable advice and lessons.

My favorite part of the channel is its ongoing series, Trope Talk. It covers a wide range of writing topics, from paragons and pure evil villains to romantic sub-plots and reformed villains. Recently, it tackled the concept of anti-heroes in a comprehensive, colorful way. What made it even more compelling, in my opinion, are the characters it singled out to make the most important points.

There’s a lot I could say about it. Rather than spoil it, I strongly encourage everyone to watch the video. If you think it’s wrong on some areas or missed something, then please make your case in the comments. As both a comic fan and an aspiring writer, I’m always happy to discuss such topics.

If nothing else, I hope that video convinced you to go watch “Star Wars: The Clone Wars.” Seriously, even if you’re not a Star Wars fan and utterly despised the sequel trilogy, go check it out. It may not have Baby Yoda, but it has plenty to offer, both for anti-heroes and so many other wonderful things.

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Every “Star Wars: Rise Of Skywalker” Criticism In A Nutshell

Recently, I saw “Star Wars: Rise of Skywalker.” People tried to spoil it for me. People tried to give me reasons not to go see it. I still saw it and I loved it. It was, in my opinion, the best of the sequel trilogy.

Having said that, there’s a reason why I haven’t written about it or done a full review, as I’ve done before. That reason has less to do with why I loved the movie and more to do with all the whining about it by a small, but vocal segment of the fandom. I won’t name names or cite outlets because they don’t deserve the publicity. The most they deserve is pity and a galactic-sized middle finger.

The most I’ll say about this movie is it’s great. It caps off the story. It has so many wonderful moments that are worth celebrating and if you like it, don’t let some asshole tell you you’re flawed because of it. You’re not. You like what you like and others don’t. Some people are just assholes about it.

That said, you’ll find plenty of YouTube videos and articles criticizing this movie to no end. They say a lot without telling you anything of substance. So, as a service to both Star Wars fans and people who are generally opposed to assholes, here’s all their criticism summed up in a single gif.

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You’re welcome and may the Force be with you.

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The “New Mutants” Trailer And Why I’m Rooting For This Movie

Since the conclusion of “Dark Phoenix,” a movie I genuinely love and have re-watched more times than “Avengers Endgame,” it’s been a strange time for X-Men fans. We know that the X-Men are coming to the Marvel Cinematic Universe. With the Disney/Fox merge finalized, it’s only a matter of time before we see mutants pop up in the Marvel universe. It may even come sooner than we think.

Then, there’s “New Mutants.” This movie, which is based on a well-known, critically acclaimed X-Men comic from the 1980s, is a hell of an anomaly. It was originally supposed to come out in April 2018, but got delayed for reasons that are too complicated and stupid for me to put into words.

Delays aside, it has a bold concept. It attempts to mix horror with superhero movies. It’s a unique combination, but one that doesn’t sound that outlandish. Remember, this is the same franchise that made “Deadpool” a Valentine’s Day movie. However, at a time when Marvel Studios has set such a high bar, it almost feels out of place.

Now, with a firm release date of April 3, 2020, it seems like “New Mutants” is still happening. The director, Josh Boone, has been given the opportunity and the blessing by our Disney and Marvel overlords to see his vision through. Honestly, after seeing the latest trailer, I’m rooting for this movie.

It’s not just that this movie is bringing to life more great characters from the X-Men franchise. This movie is attempting to do something that we’ve never seen in the MCU or from DC, for that matter. It’s daring to mix genres in ways they’ve never been mixed. It’s attempting to craft a different kind of superhero movie. Given the success of “Joker,” I’m genuinely rooting for this movie.

I really do hope it succeeds and not just because I’m a die-hard X-Men fan. I think the superhero movie genre needs this. It needs to show that it can expand, evolve, and grow in new ways. Superhero movies don’t just have to be this colorful, big-scale spectacles backed by Disney’s deep pockets. They can be something different, darker, and bolder.

New Mutants” has had a lot of forces working against it. If it succeeds with critics and fans, then it sends a message to Marvel, DC, and the greater powers that be that there’s room for different kinds of superhero movies. They don’t have to follow the same formula. They can succeed in entirely new ways while still strengthening the brand.

If nothing else, it’ll tell the Martin Sorceresses of the world to piss off in the best possible way.

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“Wonder Woman 1984” Trailer Is Here (And It’s Wonderful)!

We live in a strange, yet wonderful era when it comes to movie trailers. It’s strange in that sometimes, the trailers are basically the movie. It tells you pretty much everything and if you go to see the movie, you don’t get much more than you got out of the trailer. That’s basically how I felt about “Suicide Squad.”

That’s a downside. The upside, however, more than makes up for it. When done right, a great movie trailer can take your excitement for a movie and turn it up to 11. You might have been excited about a movie already. In the internet era, that’s easier than ever. Then, the trailer comes along and suddenly, you feel like there’s liquid awesome flowing into your veins. It’s a great feeling.

That brings me to “Wonder Woman 1984.” It’s the sequel to the first movie that was groundbreaking in so many ways. I did plenty to praise it when it came out. I even made a wish list on what I wanted to see in the sequel. I didn’t know how much I would actually get when more details came out.

Now, those details are here! The first trailer of “Wonder Woman 1984” has officially dropped. All I can say is, it’s a wonder to behold and if you haven’t seen it, do yourself a favor and watch it at least 10 times, like I did.

Sure, other movies can promise a lot, but can they promise a female warrior demigod swinging from bolts of lightning from a magic lasso? I didn’t think so.

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Vision, the Scarlet Witch, and the MCU’s Romance Problem

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Trying to find flaws in the Marvel Cinematic Universe these days is like trying to find a flaw in Mr. Rogers. It’s pretty much impossible, unless you’re willing to be exceedingly petty. Even the most ardent critic can’t deny the success of this now iconic cinematic universe. Such a franchise doesn’t make over $7 billion at the box office by having many egregious flaws.

That said, the MCU is not without its shortcomings and I’m not just talking about underperforming outliers like “The Incredible Hulk” or outright failures like “Inhumans.” One such shortcoming, which I feel has not had sufficient scrutiny, has to do with romance in the MCU. As someone who is a lifelong comic book fan and an admitted romantic, this stands out to me more than most.

It only became more apparent with the upcoming a TV series starring Vision and the Scarlet Witch on the Disney+ streaming service. The romance fan and the comic book fan in me initially liked that idea because Vision and the Scarlet Witch are one of the Avenger’s most endearing and colorful romances in the comics. This is definitely one of those relationships that can carry an entire show.

However, given that this takes place in the MCU, the concept is already on a shaky foundation. While the events of “Avengers: Infinity War” established that these two characters are romantically involved, there’s little in terms of how that relationship developed. As a result, the tragedy that played out in the Battle of Wakanda had little dramatic weight.

It’s one of the few glaring flaws in an otherwise stellar narrative. However, the lack of romantic depth between Vision and the Scarlet Witch is only the most obvious symptom of a much larger problem that has been unfolding in the MCU since the days of “Iron Man” and “Thor.”

Some parts of that problem are pure logistics. Building a cinematic universe on the scale of the MCU requires a lot of moving parts and, as a result, romance was often a secondary concern. Kevin Feige and the creative minds at Marvel Studios opted to prioritize other aspects of character development. Given the MCU’s unprecedented winning streak, it’s safe to say those priorities were well-placed.

It’s only recently that the lack of emphasis on romance has caught up to the MCU. From having Thor break up with Jane Foster prior to “Thor Ragnarok” to horribly mismatched romance between Hulk and Black Widow, there’s a glaring absence of successful, well-developed romances in the MCU.

Even the successful romances, namely Tony Stark and Pepper Pots or Ant Man and Wasp, had much of that success unfold off-screen. At most, a movie would show them getting together or enduring a major conflict, but there would rarely be any moments that fleshed out the romance in a meaningful way. Every bit of development only centered around defeating a villain, which is good catalyst for romance, but not much else.

Now, we’re getting an entire show about a couple who were on opposite sides of the conflict in “Captain America: Civil War” and inexplicably together in “Avengers: Infinity War.” In terms of meaningful romance, this is not a trivial oversight. If someone didn’t know their romantic history in the comics, then they would be understandably confused as to why they ended up together.

Not seen here is ANY hint that these two have been flirting.

It’s the same problem that the original “X-Men” movies made when developing the horribly flawed love triangle between Cyclops, Jean Grey, and Wolverine. The narrative in the movies relied too heavily on assuming peoples’ knowledge of the source material in lieu of providing an understandably reason as to why this romance is occurring. Again, that’s not a trivial oversight.

How is anyone who only saw “Captain America: Civil War” and “Avengers: Infinity War” supposed to buy into the relationship between Vision and the Scarlet Witch? The movies only establish that they’re together. They don’t establish why, how, or what they went through in establishing their relationship. Everyone is just left to assume, which is rarely a good strategy for developing meaningful romance.

Even if the relationship between Vision and the Scarlet Witch were entirely platonic, it would still be quite a stretch to believe that they have a genuinely intimate connection. It’s possible that the upcoming show will help develop that connection, but there’s no getting around how underdeveloped it has been to this point.

The same could be said for other relationships throughout the MCU. Some are so underdeveloped that when intimate moments do occur, they rarely have much impact. Captain America’s relationship with Peggy Carter in his first movie probably had the best foundation, of all the MCU romances, but that only made him kissing her niece, Sharon, feel downright wrong. Haley Atwell herself has said as such.

Romance, even among fictional characters, requires some level of chemistry to go along with the narrative. While that can be difficult to fit into a single movie, it’s not impossible. Movies like “Man of Steel” and the first “Spider-Man” movie were able to establish the necessary chemistry with only a handful of scenes. Such scenes have been absent or underdeveloped in the MCU.

Ironically, the most fleshed out romance in the MCU is between Starlord and Gamora, two characters who aren’t an endearing love story in the comics. I would even argue that the scene in which Starlord sacrifices himself to save Gamora in the first “Guardians of the Galaxy” movie shows more romantic depth than any other MCU movie to date.

It didn’t take much to show that Starlord and Gamora have chemistry. From their first interactions to the many challenges they overcame over the course of two movies, they developed a powerful connection that just isn’t there for Vision and the Scarlet Witch. That connection is part of what made the events between them in “Avengers: Infinity War” so heart-wrenching.

That same sentiment just wasn’t there with Vision. We knew from the events of two previous movies that Starlord genuinely loved Gamora. We understood how strong it was by the time Thanos entered the picture. There’s none of that present with Vision and the Scarlet Witch. When they face a similar situation, it just doesn’t have the same impact.

It probably helps that Guardians of the Galaxy was a relatively obscure series before the first movie and has little history of iconic romances compared to the Avengers. However, it does show that the MCU is capable of meaningful romance. It just seems incapable of applying it to the more notable couples from the comics.

While such flaws haven’t stopped the MCU from succeeding on so many other levels, it still ensures that Vision and the Scarlet Witch have an uphill battle in terms of proving their romance is more than an assumed contrivance. It’s certainly not impossible, but there’s a lot to develop in terms of chemistry and depth.

Given on how “Avengers Endgame” played out, it may not matter how poorly past romances have been handled. However, the impact it has had in the “Guardians of the Galaxy” movies shows that there is a place for romance in the MCU. Perhaps Vision and the Scarlet Witch can be part of that with the upcoming show, but it has lot to overcome before it can be the iconic romance that the MCU needs.

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Why “Joker” Is Brilliant, But Controversial (For The Wrong Reasons)

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Every now and then, a movie comes along that’s brilliant in so many ways, but undermined by the circumstances of its release. In the same way certain movies come along at just the right time to become a cultural phenomenon, others hit theaters with unexpected forces working against them.

When “The Dark Knight” came out in 2008, its timing was perfect. It struck all the right notes from a cinematic, narrative, and cultural perspective. On top of that, Heath Ledger’s performance as the Joker went down as one of the greatest displays of acting prowess of all time, and not just for a superhero movie. For many, myself included, Ledger’s version of the Joker will always be the one by which all others are measured.

By contrast, “Joker” couldn’t have been timed worse. The current social, political, and cultural landscape is vulnerable and hypersensitive to every one of the themes it explores. On top of that, the movie explores those things very well, so much so that it warrants being in the same conversation as “The Dark Knight” in terms of how it portrays the Joker.

While Heath Ledger’s Joker is still superior in almost every way, what Joaquin Phoenix accomplished in this movie deserves plenty of praise. At the very least, it helps cleanse the memories of those still cringing at Jared Leto’s rather eccentric take on the character in “Suicide Squad.”

This movie, as well as Phoenix’s performance, comes at a time when taboos about mental health and disturbed lonely men are hot-button topics. On top of that, a string of mass shootings perpetrated by disturbed men, some with disturbing manifestos, has created real-life horror while stoking genuine fears. The story in “Joker” neither avoids nor downplays those issues.

This movie also dares to do something that few beyond Alan More has been able to achieve, which is to give the Joker a backstory. For many lifelong comic fans, especially Batman fans, the very concept of fleshing out this character undermines the core of his appeal. He has always functioned better as a chaotic force of nature rather than a person with a tangible history.

Ever since his creation in 1940, his life and his story have been vague. He has been defined as a perfect counter to Batman’s never-ending crusade. Whereas Batman seeks justice through clear, defined rules, the Joker seeks chaos and laughs at such rules. He can never be too defined, as a character, if he’s to personify that chaos.

Despite these challenges, “Joker” finds a way to tell his story and, like “The Dark Knight” before it, actually manages to make the Joker even more terrifying. Through the character of Arthur Fleck, we see a disturbed mind trapped within an environment that does everything to make his condition worse. Through both unavoidable circumstances and fateful choices, we see this broken mind become something far more dangerous.

It doesn’t happen all at once. There’s no single trigger, like falling into a vat of chemicals. There’s a cumulative effect to Arthur Fleck’s transformation. It’s not always logical or smooth, which comes off as intentional from the beginning. The only constant is that Fleck gets more twisted and unhinged with each escalating event.

This is where Phoenix’s performance really shines. He carries himself with a presence that feels very close to what Ledger captured in “The Dark Knight.” He starts off as simply being mentally ill and struggling with it. However, what he does with his illness and what it does to him turns him into something more than just another disturbed loner.

It’s here where the controversy behind the “Joker” takes hold. I would argue it’s a dumb controversy, but it was serious enough for Aurora, Colorado to cancel screenings of the movie. While it feels like an overreaction, it’s somewhat understandable, given what happened in Aurora in 2012.

If that were the extent of the controversy, then “Joker” would only be a passing concern for most people. Then came the idea the movie celebrates or glorifies “incel culture” through Fleck’s story. While I usually try to be balanced when scrutinizing certain ideas, even if they’re absurd, I can’t do that this time.

Simply put, this part of the controversy is just plain stupid. There’s no better way to say it.

Worrying that this movie might somehow inspire lonely, disturbed men to go on killing sprees is completely without merit. It’s akin to worrying that “Friday the 13th” will inspire anyone who wears a hockey mask to brutally murder camp counselors. Moreover, the absurdity of this controversy undercuts the more substantive messages of this movie.

There is a real message in “Joker” and it has nothing to do with incels, masculinity, or even violence. In this world, Gotham City is the perfect symbol of a grossly flawed society that tries to pretend those flaws can be fixed by staying the course. From the perspective of people like Arthur Fleck, this notion is a complete joke.

Much like our world, there’s a small segment of very rich, very powerful people who benefit the most from this society. The Wayne family is the perfect manifestation of this joke. Even when they carry themselves as responsible, upstanding pillars of the community, they still look down at those who are dissatisfied. On top of that, they think their dissatisfaction is a flaw.

Arthur Fleck is as caught up as anyone in this decaying society. Then, through details I won’t spoil, he starts something that inspires chaos that would make Heath Ledger’s Joker proud. That chaos may or may not be entirely justified, but it’s understandable. In a sense, the Joker is just an extreme manifestation of something that seemed inevitable.

If there is a real controversy with “Joker,” it’s that the wrong issues became controversial. This movie conveys a message to the rich, powerful people who benefit the most from society that things aren’t as rosy as they seem. Those same people who think they know the solutions have no idea what people at the bottom are going through and dismissing them as “clowns” only makes things worse.

We’ve already seen this happen in the real world. The powerful who seek greater power call those who lash out as unimportant or misguided. They think those who protest loudly have nothing of merit to say, which only feels like an excuse to not listen. In that sense, it’s probably not surprising that many media outlets have turned on this movie, albeit for the wrong reasons.

At its core, “Joker” highlights the craziness that compounds craziness. In a world that’s unfair, unjust, and full of lies, how can sane person not be driven insane by their circumstances? Arthur Fleck had more circumstances than most and his mental illness only compounded the situation.

There are times when it’s not entirely clear when the events unfolding are real or vivid delusions. It nicely reflects the uncertain nature of the Joker’s origins, as both the Killing Joke and “The Dark Knight” have previously established. There’s a point in the movie where it becomes unclear where Arthur Fleck truly comes from or whether that name is truly his.

In the end, his name doesn’t matter because once he becomes the Joker, he becomes something more than just a mentally ill loner. For certain people who have seen mentally ill loners commit atrocities in the real world, it sparks real fear. At the same time, “Joker” makes clear that’s the wrong target.

After seeing “Joker,” I feel like I just saw a movie that people are going to be talking about for years to come. It’s a movie that can be interpreted in many ways, which is perfectly befitting of the Joker’s chaotic nature. At the same time, I knew some of those interpretations would be used in the name of an agenda and not in a good way.

In another time, “Joker” would be hailed as a movie worthy of praise on the level of “The Dark Knight.” However, because it came out at a time when people fear the lonely, deranged men more than the society that creates them, it’s not able to have the same impact. It’s still an excellent movie and one that will have a unique place in cinematic history for years to come.

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