The following is a video from my YouTube channel, Jack’s World. It’s a video I never thought I’d get to make. In it, I review Zack Snyder’s “Justice League,” a movie that legions of fans, as well as the cast, fought for. I didn’t think it would succeed, but after years of advocacy, it came out on HBO Max. I made it a point to build my Saturday night around watching it and I’m glad I did. Watch this video to see why. Enjoy!
Tag Archives: superhero movies
Zack Snyder’s Justice League: Celebrating An (Overdue) Vision
Filed under DC Comics, Jack's World, Movie Reviews, movies, superhero comics, superhero movies, Wonder Woman, YouTube
Jack’s World: Why Most Critics Of Superhero Media Are Wrong, Misguided, And Stupid
The following is a video from my YouTube channel, Jack’s World. I’ve been working on this for a while now. I’m aware of the various criticisms that superhero media has received in recent years, from political pundits to former writers like Alan Moore. I’ve been wanting to respond to that criticism in some comprehensive way. This video is my way of addressing it, as well as reaffirming why I love superheroes and why they mean so much to so many people. Enjoy!
Captain America: Civil War And Its Overlooked (And Understated) Flaws
The following is a video from my YouTube channel, Jack’s World. It’s a video I’ve been working on for a while now. It breaks down “Captain America: Civil War,” a movie that’s held in high regard in the pantheon of superhero movies. I saw it too. I enjoyed it. However, I feel there were some significant flaws that got glossed over and overlooked.
This video is my way of highlighting those flaws, as well as a deeper exploration into what made the Civil War event in the comics so impactful. Enjoy!
Jack’s World: How “Wonder Woman” Celebrates Love And Humanity
The following is a video from my YouTube channel, Jack’s World. It’s a video essay/celebration of the first “Wonder Woman” movie, a film that will always be near and dear to my heart. I know I recently did a review of “Wonder Woman 1984” and I was tempted to do a video about that, but I wanted to first pay tribute to the movie that started Diana’s wondrous journey into film. Enjoy!
Filed under Jack's World, Movie Reviews, movies, superhero comics, superhero movies, Wonder Woman, YouTube
Disney Investors Day Announcements: The Five Shows/Movies I’m Most Excited For
It’s almost over, people. We’re almost out of 2020 and the end of this global pandemic that has hurt so many is finally in sight. For that reason, it’s okay to start looking forward to 2021. As long as this year doesn’t bring us a new pandemic or an alien invasion, it should be better by default.
We should all be excited at the prospect of the world getting back to some sense of pre-pandemic normalcy. It’ll never be the same, but it’ll be nice to sit in a movie theater or go to a restaurant without having to wear a mask. The world will recover and many are looking to ride onto that wave of recovery.
Chief among them is our Disney overlords. It’s no secret that the pandemic has hit Disney harder than most. Once the envy of the entertainment world, this pandemic hit it with a gut punch that would down the Hulk.
However, those predicting the fall of Disney are exceedingly premature. This is a company that has navigated dark times before. They have too many resources and incentives to just give in, even in the face of a once-in-a-century pandemic.
They’re already making the effort. A while back, Disney had their big Investors Day presentation in which they pitched their future plans to investors and the public. Among those plans were a host of movies and TV shows from.
It was ambitious, even by Disney’s lofty standards. I even dared to let myself get excited again. There was so much to take in, but for the best possible reasons. It made surviving 2020 that much more paramount.
Of the many announcements made during the call, a few stuck out to me. Here are just a few of the shows and movies that have invigorated my spirit once more. For that, I thank our Disney overlords.
Ms. Marvel
Don’t act surprised.
Seriously, have I not made my love of all things Ms. Marvel clear enough?
If this had been the only thing Disney announced, I would’ve been excited. Kamala Khan is exactly what Marvel Studios, their Disney overlords, and the world needs right now. We already got confirmation of the casting of Iman Vellani for the titular role. This time, we also got a teaser trailer for what we can expect from her and from this show.
I’m not going to lie. I watched this trailer at least 10 times and I couldn’t stop smiling.
This is a character who endeared herself in the comics with just one issue. This is also someone who channels the same spirit of the fans who love all things Marvel. She’s young and idealistic. She sees superheroes through the same lens as us, the fans. Now, we get to see her navigate the MCU in a world where the Avengers assembled, saved the day, and Tony Stark made the ultimate sacrifice.
There’s so much to explore and so much to embrace. I think this show will do for Marvel Studios what “The Mandalorian” did for Star Wars. After a year like 2020, we need that.
Star Wars: Ahsoka
This shouldn’t surprise anyone, either. I’ve made my love for Ahsoka Tano known before. She’s also a fan favorite among legions of Star Wars fans and for good reason. Her story is so vast and dramatic. She started as the brash, immature Padawan of a pre-Darth Vader Anakin Skywalker. She then became a key player in the secret war against the Empire.
Even though she has never appeared in any Star Wars movies, she has still found a way to endear herself to so many, myself included. That’s an accomplishment worthy of her own show and the timing couldn’t be better.
Most recently, she made her live-action debut in Season 2 of “The Mandalorian.” Played by Rosario Dawson, she’s made her presence known in the emerging Star Wars canon that’s unfolding on Disney Plus. This show will give her a chance to shine like never before.
She’s no longer someone’s Padawan.
She’s no longer some shadowy agent for the Rebellion.
She’s just Ahsoka being Ahsoka. Sign me up!
Fantastic Four (By Marvel Studios)
When it comes to movies from Marvel Studios, I’m in the same boat as most lifelong Marvel fans. No matter what they put out, I’ll likely be first in line to see it, whether it opens out in theaters or debuts on streaming. While we don’t know what the movie theater scene will be like in 2021, we can be certain that studios will keep making movies and those movies will find an audience.
While Marvel Studios has revealed its movie plans before, this event was special because it confirmed what many of us hoped the day we found out Disney was buying Fox. Marvel Studios is officially making a Fantastic Four movie.
Now, I’m tempted to recount all the ways the Fantastic Four have been butchered by previous movies. Believe me, I could spend hours talking about how 2015’s “Fant4stic” was botched at every turn. However, I prefer to look to the future rather than the past.
Finally, Marvel’s first family will be in the hands of Marvel Studios and Kevin Feige. They’ve shown time and again that they know what they’re doing. They love these characters every bit as much as the fans. They will do them justice.
With John Watts from “Spider-Man: Homecoming” set to direct, the stage is set for the Fantastic Four to arrive in the MCU. It took a long time and a huge media acquisition, but the wait is almost over. Fantastic things are worth waiting for and I hope this is one of them.
She-Hulk
It shouldn’t surprise anyone that Disney is going all-in on streaming. Given the current state of the movie business and the large catalog of content they have, that’s the best route they can take at this point. While I have high hopes for “WandaVision” as Marvel Studios’ first foray into streaming shows, I’m still more excited about She-Hulk.
I’ve mentioned this series before and I stand by my excitement. I believe this show is more critical to the continued success of Marvel Studios than “WandaVision” or even some of its movies.
Since the somewhat forgettable “Incredible Hulk” movie with Edward Norton, the jolly green rage giant has been relegated to a supporting character in pretty much every subsequent story. When he’s not teaming up with Thor or providing muscle for the Avengers, he’s basically just there.
In the comics, Hulk has his own world of sorts and She-Hulk has always been a big part of that. I believe this show can start building that world and with Tatiana Maslany in the starring role, I think this show could be special.
Plus, it’s a show with a beautiful woman smashing things. How can I not be excited about that?
Star Wars: Rogue Squadron
This announcement was an unexpected treat. Among many other Star Wars announcement, this one stood out to me almost as much as the Ahsoka show. Those who didn’t own a Nintendo 64 in the late 90s and early 2000s may not understand, but trust me. Those who did were very intrigued.
There was a time when Star Wars: Rogue Squadron was the pinnacle of Star Wars gaming. This video game essentially ditched the light sabre duels in favor of X-Wings, Y-Wings, and plenty of other exotic spaceships. It involved plenty of space battles, secret missions, and blowing stuff up on alien planets.
Good times, indeed.
Now, we find out Disney is making it into a movie. On top of that, they tapped Patty Jenkins, the woman who brought “Wonder Woman” to the big screen, to do it. I love everything about this. The same woman who tapped Wonder Woman’s wonder is now in charge of a fleet of X-wings. What’s not to love?
Besides, we’ve already had plenty of Star Wars content involving light sabers. Why not focus on elaborate space battles? I know my excitement for all this still assumes that 2021 will be less chaotic and more functional than 2020. At this point, assumptions like that are risky. However, I’m choosing to embrace hope and optimism once more. This past year has left my spirit broken, but I’m ready to start putting the pieces back together. These movies and shows can only help in that process.
Jack’s World: Homelander: The Perfect Villain For A Cynical Era
The following is a video for my YouTube channel, Jack’s World. It’s just a brief video essay on why Homelander from “The Boys” is the perfect villain for this particularly messed up era. Enjoy!
“Wonder Woman: 1984” To Be Released In Theaters AND HBO Max On Christmas: Why This Is A BIG Deal
More often than not, we don’t realize when a fateful decision is a big deal that has ramifications for years to come. Those kinds of moments are rare, but powerful. I doubt the first person to use a cell phone knew just how big a deal that breakthrough was when they made that first call.
Other decisions are more obvious. You know from the get-go that this is one of those choices that might not be surprising, but you get the sense it’ll be one of those moments that you can cite as a major turning point years from now.
This Christmas, we may just experience one of those moments because that’s the day “Wonder Woman 1984” is set to come out, both in theaters and on streaming. I don’t think it’s a stretch to claim this decision could change movies, entertainment, and media for years to come.
It finally became official. After being originally set for release in June 2020, Warner Brothers decided that, rather than simply wait for this once-in-a-century pandemic to end, they’re going to release “Wonder Woman 1984” in theaters and on HBO Max on the same day. This is what The Hollywood Reporter had to say.
THR: ‘Wonder Woman 1984’ Heading to HBO Max, Theaters Dec. 25
With a second wave of COVID-19 impacting many parts of the globe, Wonder Woman 1984 is changing course yet again.
The tentpole is all but giving up on a traditional theatrical release and will instead bow in whatever cinemas remain open Dec. 25 as well as stream on HBO Max in the U.S. for one month beginning on Christmas Day. In international markets where HBO Max is not available, the film starts rolling out Dec. 16.
“At some point you have to choose to share any love and joy you have to give, over everything else,” director Patty Jenkins said in a statement Wednesday. “We love our movie as we love our fans, so we truly hope that our film brings a little bit of joy and reprieve to all of you this holiday season.”
Jenkins urged audiences to watch the $200 million tentpole in theaters where it was safe to do so, and on HBO Max where it is not. In a note echoing Jenkins, star Gal Gadot added, “It wasn’t an easy decision and we never thought we’d have to hold on to the release for such a long time but COVID rocked all of our worlds.”
Growing the number of HBO Max customers is of huge import to TimeWarner, even if it means giving up on potential box office ticket sales that Wonder Woman 1984 would have earned had it been pushed to sometime in 2021. The hope is that a high-profile Christmas Day title such as the superhero sequel will lure new subscribers (HBO Max is pricier than most other streamers, at $15.99 a month).
That’s just the basics. “Wonder Woman 1984” is still coming out in theaters, as it was always meant to. However, with theaters on the brink of collapse in wake of the pandemic, Warner Brothers is opting to gamble on the future of streaming media. They’re dropping this big name blockbuster that cost $200 million to make on their signature streaming service, HBO Max.
Logistically speaking, it’s understandable. The news surrounding the pandemic has been bleak, even by 2020 standards. Even though a vaccine seems imminent, it might be too late to save the movie industry as we know it. The damage has been done. That industry must change. This may very well be the biggest change we’ve seen since in decades.
This is not some forgettable movie like “Trolls World Tour” skipping theaters for streaming. That could’ve been written off as a calculated risk for a movie that was never going to make much at the box office to begin with. This is a tentpole blockbuster from a studio’s biggest franchise skipping over what many see as the most critical part of a movie’s life.
The first “Wonder Woman” movie made north of $800 million on a budget of $150 million during its theatrical run. That’s a lot of profit, but may be a profit that even a blockbuster movie just can’t make anymore in a post-pandemic world. Even after the pandemic ends, who’s to say that the theater industry will just go back to the way it used to be?
Now, it seems Warner Brothers are prepared to leveraging their future on their HBO Max streaming service. “Wonder Woman 1984” is, by far, their biggest chip and most valuable asset. It, more than any other movie they had in the can, was most likely to get their studios’ profits going again once the pandemic waned.
Instead, this movie that has so many excited and eager, myself include, is going to be Warner Brothers’ boldest gamble at turning HBO Max into a viable Netflix competitor. They’re not just looking to do for HBO Max what “The Mandalorian” did for Disney Plus. They want to go a step further and make streaming the new avenue for big title blockbusters.
It’s impossible to overstate how big a shift this is for the movie industry. Whereas “Trolls World Tour” on streaming was a sign, releasing “Wonder Woman 1984” on the same day it comes out in theaters is a monumental shift.
It’s essentially sacrificing potential profits at the box office for a new host of subscribers to HBO Max. Will that ultimately make more money in the long run? It’s possible.
After all, those who buy a movie ticket to see “Wonder Woman 1984” are only going to pay for that ticket. From that purchase, Warner Brothers will only see a fraction. If a bunch of people subscribe to HBO Max, they may ultimately pay much more to the studio through its monthly $16 fee.
Even if most just buy an HBO MAX subscription for a single month and cancel, it’s very likely that plenty will stay subscribed, keep paying, and keep coming back for more wonderful blockbusters. In the long run, “Wonder Woman 1984” might make more money for its studio overlord than it ever would have in the theaters.
That’s still a big if. So much of a movies profits is still tied to its box office. Nobody quite knows how this new model of releasing a movie will work. Streaming a movie on the same day it comes out in theaters may help widen the audience, but without those profits, the idea of footing the bill for a $200 million movie might be less tenable.
Would that mean that big budget blockbusters like “Wonder Woman 1984” became less rare?
Would that mean that theaters as a whole would diminish both in numbers and in importance for the industry?
Would that mean that blockbusters will ultimately have to cater to a streaming audience instead of a casual movie-goer?
It’s hard to say. Nobody knows. I certainly don’t know. I doubt anyone knows, but most can already sense that this could be the start of a much larger trend. Releasing “Wonder Woman 1984” on streaming and in theaters could ultimately be the point of no return for the movie industry.
This could be the future of entertainment and movies. Theaters are no longer the center of all things film and there’s no going back. Whether other blockbusters follow suit remains to be seen. I have a feeling Disney will be watching how “Wonder Woman 1984” performs closely, given how it opted to delay “Black Widow” until May 2021.
If it proves profitable in the long run, I suspect that Disney will follow suit and so will every other studio. At that point, the movie industry will have permanently changed and we’ll be able to cite this announcement as the moment it began.
There’s only one certainty at this point. On Christmas this year, I’ll be curled up on my couch to watch “Wonder Woman 1984” through my current HBO MAX subscription. Whatever monumental changes this movie inspires in the industry, it’s still Wonder Woman. I still intend to partake in her wonder, no matter what form it takes.
Filed under Current Events, movies, superhero comics, superhero movies, Wonder Woman
Jack’s World: How “Megamind” Gave Us The Ultimate Incel Villain
The following is a vide for my YouTube channel, Jack’s World. It once again explores “Megamind,” a movie I’ve highlighted in the past for it’s colorful subversion of the superhero genre. It felt like the time was right to discuss it on my channel. This time, I explore how “Megamind” gave us the first true Incel villain before the concept of an “incel” was a thing.
Like anything involving incels, it’s a distressing topic and bound to generate some less-than-comfortable feelings. I still welcome comments and discussion. Enjoy!
Filed under gender issues, human nature, Jack's World, men's issues, movies, politics, superhero movies, YouTube
A Note On The Criticisms Of THAT Scene From “Avengers: Endgame”
I love the internet. In general, I think it does more good than harm. Our lives are objectively better because of it. I know it has its share of baggage and drawbacks. Like anything, you take the good with the bad.
However, there are times when taking the bad is just annoying as hell. I’m fine with challenges and struggle. Those help us become stronger, in the long run. The same can’t be said of annoyance. That helps no one. It just makes you want to bang your head against the wall.
This brings me to what I feel is one of the weakest, emptiest, most pathetic displays of internet outrage I’ve seen in recent years. It unfolded last year, but has become relevant again this year. Even in the midst of a global pandemic, certain people still find the time and energy to be so insanely petty about something so banal.
It stems largely from that scene in “Avengers: Endgame.” You probably know the scene I’m referring to. I doubt I have to be too specific. For general reference, here it is.
Just playing it again, I can easily imagine a certain group of people whining like babies, as though someone just stole a piece of their birthday cake. It’s a shot of some of Marvel’s most notable female characters, all in the same scene, getting ready to kick more ass in the final battle against Thanos.
Yes, people actually got upset over this.
Yes, it’s as dumb, pathetic, and petty as it sounds, and then some.
They’re not just men who complain about a female superhero’s bra size. They’re not just women who complain how these costumes are woefully impractical. They call this scene cringy. That’s usually code for, “This doesn’t pander exclusively to me and it hurts my precious feelings!”
Many probably whine about other people who whine about things they don’t agree with, be it politics, video games, or which celebrity had an opinion that hurt their precious feelings. This scene just caught more attention than most, being part of the highest grossing movie of all time.
The outrage unfolded as soon as the movie came out. Here’s just one of the responses on Twitter.
Trust me, this is tame compared to some of the other rage tweeting that went on. Most of it boiled down to people saying the scene was so forced and tried too hard to make a political statement. Naturally, you can’t make political statements these days without attracting trolls, assholes, idiots, and narcissists.
I say that as someone who has made his share of political statements, some of which I know won’t age well. I know I make certain people cringe with what I say and how I say it. Most of the time, it’s understandable. I have enough empathy to realize that hearing something you don’t agree with can be distressing.
This scene, however, is not one of those instances. To see this scene and assume Marvel Studios is making this bold political statement about feminism, female characters, and how men should be ashamed for not letting women shine isn’t just contrived. It’s just plain goddamn stupid.
I’m sorry. I wish there was a more articulate way to say that. Sometimes, you just have to be as blunt and straightforward as possible. There are things worth cringing over. There are things worth getting outraged over. This isn’t one of them.
It’s just a very brief, very colorful moment within a two-and-a-half hour movie that took all but seven second. Somehow, that was enough to evoke whining, outrage, and trolls? Seriously, how does that make sense?
The reason I’m bringing this up now is because this scene has become relevant again, thanks to Amazon Prime’s “The Boys.” Now, I love that show and the comic that inspired it. I hope I’ve made that clear. I love the scene that re-opened this old wound, too. It was a great scene. Watching Starlite, Maeve, and Kimiko beat up Stormfront was very satisfying.
There was nothing political about it, but now it’s getting political because of how it supposedly contrasts with the “Avengers: Endgame” scene. I say supposedly because they’re both very different scenes with very different stories told in a very different context. Linking one to the other to make a larger political statement is just asinine.
When I see the “Avengers: Endgame” scene, I don’t see anything political. I just see an epic shot of Marvel’s female heroes. That’s it. That’s all there is to it. It’s just a fun scene that nicely depicts how many great female characters have developed over the years in the MCU. Can’t it just be that?
The same goes for the scene in “The Boys.” Can’t that scene just be a fun display of three of the show’s best characters beating up some Nazi-loving bitch? There’s no politics in, either. It’s entertainment. It’s fun.
If you’re going ascribe politics to either scene, then you’re missing the point. You’re also whining like an immature child, incapable of accepting a world that doesn’t always pander to every one of your sensibilities at every hour of every day. I don’t care where you lean politically. That sort of misguided outrage isn’t the least bit justified. It’s just flat out pathetic.