Tag Archives: popular culture

A Brief Note On Cardi B’s “WAP” For The Ben Shapiros, Religious Zealots, And Regressive Whiners

When I was a kid, one of the most obscene, deplorable things in media was Mortal Kombat. This video game was deemed so obscene, so violent, and so utterly wrong that it would destroy an entire generation.

Yes, people believed this poorly rendered violence would destroy a generation. Honestly, I’m insulted.

Not long after that, it was the overly sexual attire that Brittney Spears wore in her music videos. Apparently, that was deemed too graphic for a generation to handle. It was going to corrupt everyone with horribly impure thoughts about sexuality.

Again, having been young at the time, I’m insulted. Then again, there was one a time when Elvis’ hips were deemed too sexual. We, as a society, still have a lot of issues to overcome with respect to sex. It still makes us uncomfortable and uptight. It makes adults afraid for their children and children afraid of their own bodies. This is not new.

Now, let me make a quick note on Cardi B’s recent song and music video, “WAP.” For those not up on the acronyms, “WAP” stands for Wet Ass Pussy. I’ll give everyone who had one too many health lessons from priests, rabbis, mullahs, and republicans a moment to stop gasping. I’ll give another for the uptight regressive whiners on the left who think anything overtly sexual is somehow damaging to women.

Everybody okay? Good, because I think we should all take a step back and take a deep breath, while we’re at it.

 

Let me start by saying I’m not a big fan of Cardi B. I don’t like her music or her style, but I totally respect her effort. It’s not easy to achieve the status she has achieved. It’s even harder to stay relevant at a time like this when the dumbest things start trending for no reason.

Even though I’m not a fan, I still find myself respecting her more for the reaction she garnered for this song. From Ben Shapiro to Tucker Carlson, the people who often ally themselves with fun-hating religious zealots who seem to want women to be 1950s housewives are aghast at this song. That shouldn’t surprise anyone. These are the same people who whined about Dungeons and Dragons, for crying out loud.

What should be concerning, though, is how their reaction seems to imply they don’t know how female bodies work. It’s one thing to be ignorant about sexuality in general, but it’s not like Cardi B’s song is breaking new ground. Popular music has had graphic depictions of sex acts and genitalia for decades. Cardi B is just the latest. She just happens to be more overt than most when it comes to depicting female genitalia.

I know that’s going to make a certain crowd very uncomfortable, but so long as they’re thinking about Cardi B and wet ass pussies, I think this is a good time to remind them of something.

Female genitalia gets wet and moist when aroused.

Just like male genitalia getting hard, female genitalia getting wet and moist is part of the process.

In general, that’s a good thing. If a woman is going to enjoy sex, it’s important that she be aroused. That’s why foreplay is so important for both parties during sex. Whether you’re gay, straight, or something in between, this is basic human anatomy. None of this is a medical secret. Anyone can look up the process of female arousal, provided they can sift through the porn.

Cardi B singing a song about why it’s awesome is no different than a male singer celebrating how great it is to have a dick. There’s nothing wrong with, either. We’re all naked underneath our clothes. We all have certain parts of our bodies that garner more attention than others.

It’s okay to celebrate our bodies.

It’s okay to be horny, aroused, or excited.

It’s even okay to know your body well enough to understand what makes it feel good.

I know that’s always been a sore point for some people. The female body is still very taboo. Why else would we still censor female nipples? The idea of women enjoying sex is also taboo, thanks largely to some of those awkward feelings I mentioned earlier. It’s a big reason why we have an orgasm gap.

I’m not saying Cardi B’s song will do anything to mend that gap or temper the taboos surrounding the female body. I’m just think this is a good opportunity to acknowledge how awkward we still are about female genitalia. There are some reasons for that, but few are good or valid.

Female genitalia gets wet when aroused. It’s a good thing, in general. Women understanding how their bodies work is healthy and necessary. There will always be songs and media about the female form, as well as the male form. You can whine about it all you want. That’s not going to change anything.

Also, let this also be a teachable moment for men, women, and everything in between about the value of understanding your partner’s body. At the very least, let us all offer some sympathy and understanding to Ben Shapiro’s wife.

Today, it’s Cardi B’s wet ass pussy.

Yesterday, it was Elvis’ hips.

We have a long way to go with respect to appreciating and understanding sexuality. Let this be a step in that process.

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Filed under censorship, gender issues, health, human nature, outrage culture, political correctness, politics, sex in media, sex in society, sexuality, women's issues

The (Uncertain) Future Of Movie Theaters

Many of us have fond memories of going to the movies. Whether it’s the first time you saw “Jurassic Park” and “Avengers” or the first time you got frisky with your significant other on a date, the movie-going experience has always had a certain charm to it. They’re such an indelible part of modern popular culture that it’s hard to envision modern life without them.

Then, a global pandemic hit and suddenly, we have to envision a lot of things we’ve never contemplated before. That includes the place movie theaters have in our culture and society.

Now, I’m not among the doomsayers claiming that movie theaters are doomed, although I can’t fault anyone for thinking that. The news surrounding the movie industry has been grim on an unprecedented level. As someone who often organizes his summer around which movies to see and when, it’s undeniably dire on so many levels.

However, I feel like there’s room for something better to come out of this for theaters. There’s just too much uncertainty to surmise what it is at the moment. I don’t feel that qualified to speculate. Many people much smarter than me already have. I’m bringing this up now because last weekend gave me a taste of what that future might entail.

For me, that future involves a lot less nights when I go to the movies and more nights of me renting a movie at home. That’s what I attempted last weekend. Specifically, I rented the movie “Bloodshot” on Saturday night. While the movie wasn’t exactly a huge blockbuster when it came out, I was still curious about it. Being a fan of comic book movies in general, I wanted to give it a chance.

I’m glad I did. I enjoyed the movie and not just because it was better than the reviews claimed. I enjoyed it because I got to craft my own movie-going experience. I ordered some pizza, bought a six-pack of beer, and had some skittles on the side. I basically created my own mini-movie theater in my living room and I had a genuinely pleasant time.

It also helped that it was much cheaper than going to a theater. To rent Bloodshot,” I only paid $6. That’s half the price of a regular movie ticket on a weekend. The price of pizza and snacks was considerably less, as well. I probably saved money by just renting the movie and, given the state of the pandemic-hit economy, I imagine there are many more people out there looking to save where they can.

It has me re-thinking how I’ll see movies, even after theaters open up again. My experience with Bloodshot” has me re-considering which movies I’ll see in theaters and which I’ll rent. I’ll still see big blockbuster movies like “Black Widow” and “New Mutants” in the theaters, but I’m going to be less inclined to see other movies in that setting. I just can’t justify the cost at this point.

That situation could change. I suspect that movie theaters will have to adapt their place in the movie/media complex. I don’t think it can survive solely on the success of big budget blockbusters. I also don’t think that’s good for the industry because it makes movies that bomb much more damaging to studios and theaters, alike. That means less risks, less innovation, and more generic movies made solely to turn a profit.

As much as I love those kinds of movies, there has to be room for innovative movies like “The Blair Witch Project” or “Clerks.” There also has to be a place for the bigger budget movies that Netflix has released. If you need proof of how good those movies can be, check out “Extraction.” It’s a movie that could’ve been another generic action movie in theaters, but works even better as a streaming exclusive.

In the same way Netflix is getting into the big budget movie business, some theaters are expanding beyond movies. Last year, the theater I live nearby played the Super Bowl and several major pay-per-view fights. Only a handful of other theaters did the same. I have a feeling more and more theaters will opt for something like that, if only to get more foot traffic.

The challenge is balancing all these dynamics in a world where people are less inclined to go to theaters and pay bloated ticket prices. I believe there is a way to do that. It’s just not clear what that is. I think there will still be movie theaters in a post-pandemic economy. They just won’t look or operate like they did in 2019.

It’s exciting, but distressing.

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Filed under Current Events, movies, superhero movies

Ode To “Hold My Hand” By Hootie And The Blowfish: My First Favorite Love Song

When we’re kids, we rarely listen closely to the songs we love. It starts almost immediately after we graduate from singing along to nursery rhymes to singing along to whatever song is on the radio. We rarely understand the meaning of the song, the lyrical structure, or any subtext or innuendo. We just like how it sounds.

As a result, some of the songs we love as kids age better than others. Kids who sung the lyrics of Prince probably didn’t pick up on the incredibly sensual undertones to his lyrics. As adults, it can be somewhat jarring to learn just what those lyrics meant.

On the other end of the spectrum are the songs that only seem to get better with age. They’re not nearly as common or appreciated, but they hold a special place in our hearts, none-the-less. For me, one song in particular stands out. It’s a song that I think everyone who was alive and had a radio in 1994 probably heard at least once. It’s “Hold My Hand” by Hootie and the Blowfish.

I know they’re not the coolest band from that era. In fact, they’re one of those bands who people love to hate for shallow reasons. They’re an easy band to be cynical about. They had one massively successful album, but they never duplicated it. Their songs are cheerful, upbeat, and fun. That kind of thing just doesn’t work in a world steeped in cynicism, pessimism, and internet trolls.

However people might feel about them, they’ll always have a special place in my heart for one simple reason. That song, “Hold My Hand,” was the first love song I ever genuinely liked as a love song.

That matters a lot to me because, at the time, I was still a young kid. I was just starting to develop a taste for romance. I started noticing the romantic subplots of my favorite cartoons. I began appreciating romance in a way that set me apart from others. Then, this song came out.

It was a simple, genuine love song. The lyrics were easy to understand and follow. The tune and rhythm was catchy. Everything about it just clicked with me. While it’s not my favorite love song right now, it’s always been in my top ten. Even if you’re not a fan of the music of that era, I encourage you to appreciate the sentiment of the song.

What makes it stand out even more is just how well this song has aged. Whereas some love songs have gained a more creepy, if not stalker-like subtext, the sentiment in “Hold My Hand” actually works better today than it did in the mid-90s.

The song doesn’t involve someone professing complete and utter captivation.

It doesn’t rely on the kind of fairy tale love that exists only in Disney movies and bad romantic comedies.

It relies on love that feels real. Just read the lyrics.

With a little love and some tenderness
We’ll walk upon the water
We’ll rise above the mess
With a little peace and some harmony
We’ll take the world together
We’ll take them by the hand
‘Cause I’ve got a hand for you, oh
‘Cause I wanna run with you
Yesterday, I saw you standing there
Your head was down, your eyes were red
No comb had touched your hair
I said, get up, and let me see you smile
We’ll take a walk together
Walk the road awhile, ’cause
‘Cause I’ve got a hand for you
I’ve got a hand for you
‘Cause I wanna run with you
Won’t you let me run with you, yeah
Want you to hold my hand
(Hold my hand)
I’ll take you to a place
Where you can be
(Hold my hand)
Anything you wanna be because
I wanna love you the best that
The best that I can
See I was wasted, and I was wasting time
‘Til I thought about your problems
I thought about your crimes
Then I stood up, and then I screamed aloud
I don’t wanna be part of your problems
Don’t wanna be part of your crowd, no
‘Cause I’ve got a hand for you
I’ve got a hand for you
‘Cause I wanna run with you
Won’t you let me run with you
Want you to hold my hand
(Hold my hand)
I’ll take you to the promised land
(Hold my hand)
Maybe we can’t change the world but
I wanna love you the best that
The best that I can, yeah
Let me walk, oh won’t you let me, let me
(Hold my hand)
Want you to hold my hand
(Hold my hand)
I’ll take you to a place where you can be
(Hold my hand)
Anything you wanna be because
I oh no, no, no, no, no
(Hold my hand)
Want you to hold my hand
(Hold my hand)
I’ll take you to the promised land
(Hold my hand)
Maybe we can’t change the world but
I wanna love you the best that
The best that I can
Oh, best that I can

It feels like an honest, sincere love letter. It says I’m not going to try and love you like a queen, goddess, angel, or something other than human. I’m just going to try and love you the best that I can. I don’t want to take you far away and do all these strange, lurid things. I just want to hold your hand.

As a romantic sentiment, it’s hard to have something as simple and sweet.

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Filed under Jack Fisher's Insights, romance

A Quick Perspective On Controversy, Scandals, Politics, And Elvis’ Hips

Every controversy seems absurd when you look at it with enough hindsight. Think of all the big social and political controversies going on right now. From mansplaining and safe spaces to all-female movie remakes to sexy Super Bowl Halftime shows, there’s no shortage of outrage and moral panics. In general, I try to avoid contributing, but I’d be lying if I said I wasn’t affected to some extent.

Even if the issues feel genuinely serious, it’s worth taking a step back and maintaining a certain perspective. What seems serious now won’t always end up being that serious in the grand scheme of things. Things like the Cuban Missile Crisis were serious. The impact of playing Dungeons and Dragons don’t even come close. For the most part, these controversies become obscure footnotes in the history of pop culture.

In the interest of preserving a balanced perspective, I find it helpful to think back to Elvis’ hips. For anyone under the age of 50, I’m sure that sounds strange, but make no mistake. At one point in time, Elvis’ hips were the most controversial thing in the world.

It’s hard to imagine now, given the accessibility of sexy music videos and internet porn, but there was a time when Elvis Presley shaking his hips on live TV was the most scandalous thing in the free world. People at the time deemed his dancing too sexual and obscene. There was serious, genuine concern that this was just too shocking and lurid for innocent eyes to see.

Granted, this took place in 1956. The world was a very different place in 1956. However, that’s not exactly an ancient time period. There are plenty of people alive today who were alive in 1956. They lived through that controversy. They might have even watched that fateful episode of the Ed Sullivan show where Elvis dared to shake his hips in too sexy a way. Now, compared to a standard Beyoncé video, it almost seems quaint.

Even if it sounds absurd now, take a moment to appreciate the context of this controversy. There was a time when people genuinely thought Elvis shaking his hips was too obscene. These same people genuinely thought such overt sexuality would do serious damage to society.

Now, look at everything we deem too obscene, controversial, or damaging today. How much of it will seem just as absurd as the sexiness of Elvis’ hips several decades from now? We may think that our standards have been fully refined, but history has shown time and again that this rarely holds. What is obscene today may be mundane tomorrow and obscene again a decade from now.

Controversies are fleeting, petty, and often build on a foundation of absurdity.

People are often irrational, following emotions over logic while claiming every emotion is perfectly logical.

Trends are unpredictable and fleeting. In 1956 it was Elvis’ hips. In 2003 it was Janet Jackson’s nipple. Who knows what it’ll be this year or in the years that follows?

With time and perspective, it rarely ends up being as serious as we thought. Even if it was, people and society adapt. That’s what we have to do, as a species. We might make fools of ourselves along the way, getting worked up over something that ended up being so petty and contrived. The best we can do is laugh and learn from it.

Think about that the next time someone complains about a halftime show or a music video. Remember Elvis’ hips and the perspective they offer. It’s every bit as powerful as his music.

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Filed under censorship, human nature, media issues, outrage culture, political correctness, politics, psychology, sex in society, sexuality, Uncategorized

Who Will Be The First (Digitally) Immortal Celebrity?

Back in 2012, Tupac Shakur appeared in concert at Coachella in 2012. That’s quite a feat, considering he died in 1996. The Tupac at the concert was just a hologram, but even his digital presence helped make that concert an experience to remember.

In 2019, Samuel L. Jackson played a young Nick Fury in the “Captain Marvel” movie. That too is quite a feat, considering Mr. Jackson was 70 years old at the time. He was able to appear young, thanks to advanced CGI that effectively de-aged him.

Other dead celebrities have shown up in other media. The since deceased Peter Cushing reprised his role as Grand Moff Tarken in “Star Wars: Rogue One” thanks to similar CGI technology. Paul Walker was able to get a proper send-off in “Fast and Furious 7” after his tragic death thanks to this technology. As the technology improves and other famous celebrities pass on, this practice is likely to continue and expand.

That raises some interesting questions that has some profound, yet disturbing implications. Some of those questions are easier to answer than others. This is the easy one.

Will there eventually be a celebrity who becomes digitally immortal?

The short answer is yes.

The long answer is eventually, but there will be some complications along the way.

Modern CGI technology is amazing. We’ve come a long way from the flashy, but wholly unrealistic graphics of “Tron.” Through the development of technology like artificial intelligence deep fakes, which has its own mix of dystopian uses, it’s possible to replicate someone’s appearance, voice, and mannerisms. This replication isn’t perfect, but it’s getting to a point where it’s hard to tell it’s fake.

As this technology improves, it’ll get to a point where a rendering of a celebrity isn’t just indistinguishable from the real celebrity. It’ll be capable of saying, doing, and acting in any way a studio or producer would want. While that has some dangerous possibilities for political ads and porn, it could also completely change the entertainment industry.

That Tupac hologram I mentioned earlier was basically just a recording synched to a projection. Even though Samuel L. Jackson was de-aged in Captain Marvel,” the actor still had to be there to give him the necessary voice, mannerisms, and attitude. He couldn’t have been a hologram and be believable. The technology just isn’t there yet.

It will get there, though. There doesn’t need to be some huge leap in computer technology or artificial intelligence to make an entirely digital celebrity. It’s just a matter of processing power, data crunching, and better hardware. It will happen. It might even happen within the next couple decades. That raises another key question.

Who will be the first digitally immortal celebrity?

By digitally immortal, I don’t just mean recordings set to holograms or faces projected onto body doubles. A truly digitally immortal celebrity will be capable of starring in new movies and TV shows long after their dead. They’ll be able to make new music and perform it, albeit through a hologram. While their bodies might be gone, they’ll never stop contributing to pop culture.

That definitely has some legal implications. I doubt any studio could get away with creating a digital rendering of Carrie Fisher to star in a new movie. However, I suspect one celebrity will eventually license their figure and likeness so that they can keep being celebrities, long after they’re dead. Maybe they’ll do it so their families can be fincianlly set for life. Maybe they’ll do it because they never want to leave the public eye.

Whatever their reasons, someone will eventually do this. It’s just a question of who.

Will it be Taylor Swift?

Will it be Tom Cruise?

Will it be Jennifer Lopez?

Will it be Samuel L. Jackson?

It’s hard to say. If I had to bet money, I’d put it on Samuel L. Jackson. Knowing Disney and their vast resources, I’d be shocked if they weren’t investing in this technology this instant. Bankable celebrities are an increasingly precious commodity in the entertainment world. The incentives are there. It’s just a matter of time and a matter of whom.

Personally, I’d love to hear Samuel L. Jackson call people motherfuckers for generations to come. That’s just me.

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Filed under Artificial Intelligence, Celebrities and Celebrity Culture, futurism

Five Overused Romantic Sub-Plots (And How To Fix Them)

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Being a self-professed romance fan, I know more about the intricacies of romantic sub-plots than most men would ever dare admit. I’ve consumed an absurd amount of romantic media over the years and I’ve noticed more than a few common themes, some more endearing than others.

However, by consuming so much romantic content, I’ve also seen certain themes get overused and badly mishandled. I could list countless instances promising romantic sub-plots collapsing because it fell into a narrative trap. Sometimes, it’s because of poor writing. Sometimes, it’s because the story has too many constraints. I’ve even cited a few famous cases that exhibit both.

Whatever the case, it’s not hard to screw up a romantic sub-plot. I’ve done that more than a few times with the stories I’ve written. Lately, though, there are certain types of sub-plots that have lost their luster. They’ve either been done too many times or haven’t innovated in way too long.

Overused or not, I believe there are elements of these sub-plots that are worth saving. They just need some refinement and polish. What follows is a list of five overdone romantic sub-plots, why they’ve become so bland, and how to fix them. I’ve covered some of these elements before. This is just the romance lover in me offering some tips for future romance stories.


Romantic Sub-Plot #1: Best Friends Turned Lovers

Why It’s Overdone

I think you can thank sitcoms like “Friends” and movies like “Clueless” for this sub-plot to fall out of favor. Personally, I blame Ross and Rachel for giving this theme a bad name. They took the whole friends-falling-in-love plot way too far. Towards the end, it was more annoying than compelling.

These days, this sub-plot isn’t as common as it used to be. I think a lot of romance fans were burned out on it in the 1990s and early 2000s. There’s only so many times a character can say in so many words “I didn’t realize that what I was looking for was right here in front of me” and sound genuine.

How To Fix It

Simply put, this sub-plot needs to shake up the setting. Too many times, a story about friends becoming lovers is built around one friend having had feelings for the other over many years. That can be sweet when done right, but it’s way too easy to be done wrong. These days, it almost comes off as a long con or stalking.

To fix it, the emphasis needs to shift towards two characters undergoing major upheavals. Perhaps they go through a tragedy or trauma that changes the way they feel about other people. It can’t just be restricted to their friend/lover, either. This upheaval should affect their entire world and from there, they come together in a new way.

It has the potential to show two characters go through major growth as individuals, which eventually turns into growth as a couple. That kind of growth can work wonders for any romance and could offer something more meaningful than old friends hiding their feelings.


Romantic Sub-Plot #2: Love Triangles

Why It’s Overdone

I’ve already made my hatred of love triangles very clear. I’ve gone so far as to cite one from the X-men as the worst of all time. Beyond the comics, though, it’s not hard to see cases of this sub-plot done horribly wrong. Even contemporary romance like “Twilight” and “The Hunger Games” have made this troubled trope more insufferable.

Simply put, love triangles reduce everyone involved to prizes or plot devices. It’s next to impossible to make every character in a love triangle feel like a real character. It turns romantic development into a competition and in the long run, nobody wins and certain characters lose badly.

How To Fix It

I’m tempted to say that love triangles should be abandoned and killed with a 12-gauge shotgun, but I’m not a fan of throwing away romantic themes, no matter how much I despise them. For this particular theme, I think it needs more than just a fix. It needs a complete overhaul.

By that, it can’t just involve two people competing for someone else’s affection. That gets old fast. If there is going to be a love triangle, then it should actually take the time to show why someone is torn in the first place. It needs to be clear that someone genuinely loves more than one person and there’s a reason for that love.

This is also a sub-plot that may benefit from shifting taboos. Non-monogamy is becoming more mainstream and there aren’t many real romance stories about that idea that aren’t bad pornos. A love triangle has to stop being an either/or plot and become a why/how plot. There needs to be a concerted effort to ensure everyone involved gets some sort of emotional resolution that doesn’t involve someone getting screwed over.


Romantic Sub-Plot #3: Destined Lovers

Why It’s Overdone

If you’ve gone through any high school English class or are just familiar with certain literary traditions, you’ve probably seen this in all kinds of media. “Romeo and Juliet” is probably the most famous, but it still shows up frequently throughout romantic media. It’s prevalent in movies like “Titanic” and comics like “Superman.”

Don’t get me wrong. I have a soft spot for star-crossed lovers who are destined to fall in love, but it’s a very bland sub-plot. There’s no real sense of conflict. You know two characters are going to end up together and where’s the intrigue there?

How To Fix It

For this sub-plot, I think a simple shift in context would help. Most romance featuring destined lovers emphasis how they come together, despite the obstacles in front of them. I think it might be more compelling to explore why these characters are star-crossed to begin with. Is it just destiny or are there other forces at work?

There are a lot of factors that go into romance, even those of the non-destined variety. Why not explore the concept of destiny, as it relates to love? Why not dig a little deeper into the intricacies of how it unites people so completely? That wouldn’t just offer a meta-perspective of love, as a plot device. It would give us all an opportunity to reconsider what it means to be in love.


Romantic Sub-Plot #4: Love At First Sight

Why It’s Overdone

This sub-plot is very similar to the destined lovers trope. It’s often a pre-cursor to two people finding out they’re destined to be together. For many of the same reasons, it’s pretty bland and basic. One character sees another, some sappy music starts playing, and the love story is effectively laid out.

We see it happen very overtly in “Romeo and Juliet” and “Titanic.” We see it manifest in some form in most romantic comedies. A character just sees someone they find attractive and that becomes the catalyst for their love. It’s sweet, but not very deep and it has just become too predictable at this point. When two people fall in love at first sight, what other story is there to tell?

How To Fix It

This one can’t be fixed with the same methods as the destined lovers sub-plot. This is one of those plots that doesn’t have to be radically altered, but definitely needs fresh nuance. Finding that nuance means injecting more than just love into the mix when two characters first meet.

The first encounter between two characters is always pivotal. It helps set the tone for their relationship, romantic and otherwise. To make this sub-plot work in new ways, characters need to intrigue each other in new ways. It can’t be enough that they’re attractive. There has to be something else about them.

Maybe the character has a skill that someone has never seen before. Maybe the character causes someone to re-think a past assumption. Maybe it sends them on a new journey that their love interest can join. There are many opportunities here. There doesn’t have to just be one.


Romantic Sub-Plot #5: Sex Complicating Love

Why It’s Overdone

This one is probably the most overtly sexual romantic sub-plot that also happens to be the most predictable. Ironically, it’s “Austin Powers: The Spy Who Shagged Me” that summed it up best. Things go from “Don’t worry, it won’t get weird” to “It got weird, didn’t it?” That’s every sex-complicating-love story in a nutshell.

This one also has the burden of being weighed down by long-standing sexual taboos. While it may seem like those taboos have faded in the 21st century, it’s still the slutty women and stud men who die first in slasher movies. Sex, even in a romance story, still comes off as something dirty that somehow undermines a romance.

Even though sexual attitudes have evolved a great deal, the idea that sex complicates/ruins a relationship hasn’t moved very far. It’s why sex tends to be an afterthought in modern romances. Sometimes, it’s ignored or assumed and that’s just a waste of quality sexual chemistry.

How To Fix It

As an aspiring erotica/romance writer, I’ve been working on that for years. While I can’t claim to have a definitive answer, I have surmised a few ideas turn sex from a complication to a catalyst. It doesn’t have to be overly titillating or pornographic, although that can work. It just has to supplement the romance rather than subvert it.

Sex in romance is often treated like an endgame. It’s marks the culmination rather than the progression of a relationship. I believe that’s a missed opportunity. In any romance, sex should function as a progression, of sorts. It takes the relationship to a new stage, one where new opportunities for emotional and personal growth emerge.

When two characters have sex, it can be more than just a chance to depict genitals and female breasts. It can be an exercise of intimacy where two characters strengthen their bond, rather than sully it. That gives greater meaning to the sexiness and nothing makes romance hotter than genuinely meaningful sex.

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Filed under Marriage and Relationships, media issues, polyamory, romance, sex in media, sexuality

Why Men Remain Single: The Science, Lies, And Logistics

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There’s an emerging crisis. To most, it’s just another distressing trend among the many we have in this chaotic world. More men are staying single. Some do it by choice. Some just do it because they’ve given up and decided to take themselves out of the dating pool. Whatever their reason, the results are the same.

Men aren’t seeking love, getting married, or having children. According to both Gallup and data from the United Kingdom, the number of single adults is increasing, especially among the younger generations. Even the number of couples cohabitating aren’t increasing. In the United States alone, 64 percent of young adults report being single. That’s nearly two-thirds of the youth population.

Naturally, the abundance of single men is causing more concern than single women. To governments, demographers, religious leaders, conservatives, and women looking for romance, that’s a major issue with enormous ramifications. They see perpetually single men as a danger that threatens to undercut the current social fabric. Some societies are already having to deal with it, albeit for different reasons.

There are plenty of theories as to why these men are opting to remain single. Conservatives claim they’ve lost touch with tradition. Feminists blame lingering misogyny. They’ll often cite the emerging incel phenomenon as proof that these men are toxic burdens who will hold everyone back.

To all those various groups and their theories, I respectfully disagree. Speaking as a man who is currently single, but very open to finding love, I like to think I have more insight than most on single male mentality. I can’t claim to speak for all men, single or otherwise. However, I can offer my personal take while also citing some actual research.

In August 2018, the Journal of Evolutionary Psychological Science published a study that surveyed approximately 13,400 men on this issue. The methods weren’t exactly sophisticated. They used Reddit as a source of data. As a regular user of Reddit, I can attest that there are some meaningful insights from commenters. I can also attest that there’s a lot of trolling and misinformation.

That said, the study still provides some insights into this phenomenon that has so many people worried. I won’t say it’s definitive. No study is. The author of the paper freely admits that. However, there’s still some truth to be gleaned from the data, as well as a few lies.

To appreciate both, here are the top five reasons that men in the study gave for being single.

1: Poor Looks

2: Low Self-Esteem/Confidence

3: Not Putting Much Effort Into Seeking Relationships

4: Not Being Interested In A Relationship

5: Poor Social Skills With Women

There were a total of 43 other categories of reasons/excuses that men gave, but these were the most common. I feel they’re worth highlighting because they identify some of the inherent complications men deal with in today’s relationship scene.

Of those five stated reasons, three of them reflect traits that a person can actually control to some extent. Looks, confidence, and social skills can all be improved through work and effort. I, myself, am a testament to that. It’s not easy, but it is possible. It’s the other two reasons, though, namely the third and fourth most common response, that are the most telling.

In those cases, being single is a choice. The men don’t want to seek out companionship. They want to stay single. That notion seems off-putting to a lot of people, implying that there’s something wrong with them. How could men not be miserable staying single? That concept just feels flawed in the context of our current culture.

It’s a concept that doesn’t apply equally to women. The idea of a single woman isn’t seen as a societal problem. It’s even glorified in the media. There are popular songs about it. The entire “Sex in the City” franchise is built around it. That’s understandable, to some extent. Historically, women have had very few opportunities for independence. I don’t think anyone should be surprised that some are celebrating it.

With men, though, there’s a disconnect between those who have certain assumptions about masculinity and the mentality of those who don’t abide by those assumptions. This is where some of the lies surrounding the study show. It isn’t explicitly stated in the data, but it is implied.

It all comes back to incentives. If you look at the current structure of relationships, as reflected in popular culture and social norms, men don’t necessarily have much incentive to pursue a relationship. To understand why, just consider the expectations men face in those relationships.

Men are expected to set aside their interests, hobbies, and passions for their partner. They need to stop playing video games, hanging out with friends, and watching sports all day so they can tend to their lover’s needs. They’re expected to support their partner emotionally and financially at every turn. In return, they get love, intimacy, sex, and family. To many men, that reward just isn’t sufficient.

What I just described is not an accurate description of how most relationships play out in the real world. It assumes a lot about how much women want to control their partners. Granted, there are some very controlling women out there. I’ve known a few, but they’re not nearly as common as 80s teen movies would indicate.

How common they are doesn’t matter, though. That is the perception men have of relationships. On top of that, many young people are currently swimming in student loan debt, unable to get a high-paying job, and withholding their rage every time older generations blame them for ruining things. From a logistical standpoint, it makes sense for men to protect their independence.

It certainly doesn’t help that young men are one of the easiest demographics to denigrate. They commit most of the crime. They’re the ones spreading hate, misogyny, and outrage throughout our hyper-connected culture. Even if they’re more likely to be victimized in violent crime and less likely to garner sympathy, you’re not going to face much stigma for hating them.

That doesn’t even factor in the serious inequities in marriage laws, which I’ve talked about before. A man entering a relationship is taking a chance, but unlike the woman, he’s risking more than just heartbreak. If ever that relationship gets to that stage and binding contracts become involved, he stands to lose more than just a partner.

Again, and I feel it’s worth belaboring, some of the reasons these men give for wanting to remain single are based on flawed assumptions about relationships. However, when it comes to issues surrounding our emotions and the hyper-connected media that evokes them, perception matters more than any data from a study.

The men who participated in this particular study are probably not an accurate reflection of all men. They do provide some important insight, though, on the current state of relationships, gender, and everything in between.

Regardless of the study’s conclusion, though, the romance-lover in me genuinely believes that there’s room for improvement. Whether or not we pursue that improvement depends largely on the choices men make and the incentives they have to make them.

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How Ellie From “The Last Of Us” Does LGBT Characters Right

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In the current state of popular culture, one of the most emotionally-charged words is “diversity.” It gets thrown around like a nuclear hot potato. Anyone who holds it too long gets burned and anyone who doesn’t hold it long enough gets attacked. Whether it’s the handling of female characters or representation of minorities, diversity is one of those buzzwords that creates the wrong kind of buzz.

That’s not to say that it’s always mishandled. From a pure business standpoint, it makes sense for media companies to pursue diversity because the world is becoming an increasingly diverse place. New markets and consumer bases are emerging as people gain greater access to media, thanks largely to global connectivity. Any competent business would want to appeal to the most customers possible.

Economics aside, injecting diversity into a movie, TV, comic book, or video game is fraught with challenges and potential backlash. Movies have felt it. Comic books have felt it. Video games have especially felt it, thanks to scandals that seem to get more frustrating with each passing year.

The number of failed attempts to promote diversity is vast and tends to bring out the worst in many people. The successes, though, often fly under the radar and generate way too little attention. Other than the success ofBlack Panther” and the occasional Supergirl comic, the cases of diversity done right are few and far between.

That’s why I think it’s fitting that one of the best cases of diversity comes from the world of video games, an industry that finds itself in a new controversy every other week. It’s even more fitting that it comes courtesy of “The Last of Us,” a franchise I’ve praised before in how it portrays masculinity in a refreshingly positive way.

Beyond just being an excellent game with amazing characters, it also provides a case study in how diversity can be done effectively. It doesn’t have to be forced. It doesn’t have to be preachy. It doesn’t even have to have a larger agenda. It can just be a bonus on top of a well-made product.

The character in question this time is Ellie, the co-protagonist to Joel in the first game and the main protagonist in the upcoming sequel. Her story is every bit as rich and compelling as Joel’s. Her history, her personality, and even the way she complements the gameplay helps make her distinct. She’s a major reason why this game is so enjoyable and why it sold so well.

She achieved all this as both a female and an LGBT character. It sounds like one of those combinations that has to be forced, but that’s not the case with Ellie. In fact, anyone who plays the entire story of the first game wouldn’t even know about Ellie’s sexuality because it was only revealed through a DLC , or downloadable content.

Even within that content, though, Ellie’s sexual orientation was not a big part of the story it told. It effectively filled in a time gap within the main game while also exploring more of Ellie’s backstory, but at no point did it make her sexuality a bigger issue than it needed to be. You could’ve removed that detail entirely and the story would still work, but it wouldn’t be quite as memorable.

More recently, during a preview of “The Last of Us Part II” at E3 2018, Ellie’s status as a homosexual woman was reaffirmed. Again, it wasn’t critical to making the moment work. The fact she’s attracted to other women doesn’t take anything away from the emotional weight of the scene. It does help enhance it, though.

Therein lies the key. What makes Ellie a great character has nothing to do with her sexuality. It’s not a defining aspect of her persona, nor should it be. It defines her no more than Joel’s heterosexuality defines him. It doesn’t have to be thrown in someone’s face as this huge, all-encompassing feature. It’s just a small part of a much greater whole that is Ellie.

There’s no effort to make her this LGBT icon, which has a tendency obscure a character when forced. Her status as LGBT isn’t belabored, either. She’s not important to the overall narrative in “The Last of Us” because she’s female and gay. She’s important because of factors independent of those traits.

That importance grows throughout the story, but not because of her gender or her sexuality. It’s what she does that helps establish her as an important character and a compelling one, at that. Her story complements Joel’s and the various other characters she encounters.

In the process, she also demonstrates a unique personality. She’s tough and stubborn, but she’s also impulsive and temperamental. Many of those qualities are entirely gender-neutral. Some stand out more because she’s a woman and that’s okay because a girl acting girly isn’t a big deal, which tends to get lost with other female characters.

It may seem so obvious, but the fact that diversity in media is such an issue shows just how difficult it is to pursue. Ellie succeeds because the diversity she represents is never primary to her character. It’s not even secondary, either. That’s not to say her gender and her sexuality are ignored, but it’s never elevated beyond a certain point.

Before any of those diversity-related issues come up, “The Last of Us” works to establish who Ellie is and why she’s important. That process of establishing a good, compelling character without her gender or sexuality being the focal point does a lot to get you to care about her story. It’s a process that can’t be rushed and the game does a masterful job in that respect.

The person Ellie is when you first encounter her early in the game is not the same person by the end. She’s someone who undergoes a lot of growth, encountering more than a few setbacks along the way. There are times she’s easy to root for. There are times when she comes off as an arrogant brat. Before you ever find out about her sexuality, you learn about her as a person.

By the time her sexuality finally comes up, Ellie is already so much more than the gender she’s attracted to. She’s a survivor, a fighter, and someone who has seen everyone she’s ever cared about die or leave her until Joel comes along. She also has a vital part to play in the ongoing apocalypse the world around her faces. All of this, once again, is not dependent on her gender or her sexuality.

I know I keep belaboring that, but it’s worth belaboring because that aspect of character development keeps getting glossed over. Other efforts at diverse characters often rush to the diversity without establishing why anyone should care about them. It’s why all-female remakes rarely resonate. It also leads to characters whose diversity is so blatant that it’s hard to take them seriously.

That’s not to say Ellie is a perfect example of diversity done right. She has her flaws, as does Joel. There are times when she’s too tough for her own good. She has a tendency to push peoples’ buttons for the wrong reasons. She also has questionable tastes in jokes. Even proponents of diversity can find flaws in her.

Despite those flaws, there are many lessons that characters like Ellie and games like “The Last of Us” can teach when it comes to doing diversity and LGBT representation right. The most important can be boiled down to four basic components:

  • Don’t try and force diversity just to fill a quota
  • Develop the character before developing the diversity
  • Don’t make their status as a woman or LGBT their most defining trait
  • Have the character complement their supporting cast, regardless of their diversity status

There are probably many more lessons that I’m not qualified to teach, but I think characters like Ellie do plenty by just being memorable and endearing. She’s a great character within a great story. That wouldn’t change if she were straight, but her being a lesbian does help her stand out, albeit for all the right reasons.

It’s also worth noting that Ellie’s story is still ongoing. “The Last of Us Part II” is set to come out in 2019 and the next part of her story promises to get pretty dark. Whether she maintains the complexity and appeal of her current character remains to be seen, but she has a strong foundation to build on, which is key for any character, regardless of their sexual preferences.

Whether we like it or not, there’s a lot of animosity between both sides, there more diversity in future media because the world is a diverse place. It’s just a matter of going about it in a meaningful, compelling way. Ellie is an example of how an LGBT character can work and when done right, it works pretty damn well.

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My Frustrations And Fondness With Bumbling Dad Tropes

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We know them, love them, laugh at them, and cringe at them every now and then. They entertain us. They educate us. They amuse us in any number of ways, both with real-life antics and those only possible through animation. They are the clumsy, bumbling, oafish father figures of popular culture. Compared to many other tropes, they make up a sizable chunk of the overall comedy footprint in our media landscape.

Don’t get the wrong idea. I don’t write that with disdain or dismay. In fact, I’m quite fond of the bumbling father figures that make up a sizable chunk of sitcoms, animated shows, and movies. I grew up on a steady diet of “The Simpson,” “Family Guy,” and “Married With Children.” Characters like Homer Simpson, Peter Griffin, and Al Bundy have had a profound impact on my world and not just in terms of laughter.

As I get older, though, I find myself scrutinizing the dynamics of these faltering father figures more and more. I also find myself paying more attention to the context and circumstances surrounding them, especially as our media and culture evolves in accord with changing trends, some less positive than others.

Maybe it’s because I’m an adult now. Maybe it’s because, as both an adult and a man, I have too much experience with the larger complexities of the world. I can still laugh every time Homer does something foolish or Peter does something stupid. However, a part of me can’t help but contemplate the larger implications of bumbling dads.

Some of it has to do with double standards, which I’ve talked about many times before. Some of it deals with the struggles/inexperience in developing complex fatherly characters who aren’t blatant rip-offs of Superman, John McClane, Jack Baur, or Ward Cleaver. Most of it simply reflects a sentiment that I find frustrating at times.

Think, for a moment, about the dumbest, most hilariously idiotic antics in a show featuring bumbling dads. “The Simpson,” alone, should give plenty of content to draw from. With those antics in mind, contemplate what those antics say about the bumbling dad as a character and what it says about male characters, as a whole.

Whether he’s Homer Simpson, Peter Griffin, or a guy you know in real life who once threw up in a kiddie pool after doing shots of habenero sauce on a dare, the themes are fairly consistent. At the heart of every conflict in the story is a selfish, moronic, thick-headed guy who, if he didn’t have his wife and kids, would’ve been dead by now.

The bumbling dad isn’t just the catalyst for most of the conflicts in the show. He basically embodies the inherent ineptitude of men, as a whole. Whereas strong, independent women are celebrated as a trope of their own, the bumbling dad acts as a case study as to why men can’t function on their own. Unless they have a woman and a family to restrain them, they’ll collapse under the weight of their own stupidity.

It doesn’t just reflect poorly on male characters. It sends a pretty frustrating message to female characters as well, saying that women basically have to act as referees on top of being spouses and mothers. Their role, in the context of the bumbling dad trope, is to either clean up the mess or reign the man in before he does some serious damage.

In a sense, the bumbling dad is the catalyst for the nagging woman, a character not nearly as hilarious that can be every bit as frustrating. One causes all the chaos and problems in a story. The other whines about it and tries to limit the damage, often while failing to teach the bumbling dad any meaningful lessons that’ll help him be less bumbling.

Granted, there are some exceptions to that dynamic. Compared to Marge Simpson and Lois Griffin, Peggy Bundy from “Married With Childrencompletely subverts this trope. Then again, that whole show went out of its way to undermine every standard sitcom trope that ever existed. As I noted before, it’s the kind of show that could never be made today.

Those exceptions aside, the bumbling dad represents another point of frustration that has more to do with the implications of character development, as a whole. It’s a frustration that even plays out in other forms of media that don’t involve idiot married men who only still have their limbs because their wives won’t let them near fireworks.

When you take a step back and look at the kinds of roles bumbling dads have in so many narratives, you notice a number of recurring themes that don’t just reflect poorly on them as men and fathers. They also help enable a lot of the themes that reflect poorly on certain female characters as well.

Essentially, the bumbling dad is allowed to be an idiot with flaws, ineptitude, and shortcomings of all kinds. It’s okay that he make a fool of himself, getting hurt and causing all sorts of damage with his antics. When Al Bundy and his idiot male friends keep falling off a roof, it’s funny and entertaining. If a female character did that, though, that just wouldn’t have the same impact.

Even in shows like “Married With Children,” the female characters were never allowed to fall off a roof, get hurt, or get into fights of any kind. Even when they’re not nagging or trying to be the voice of reason, the female characters are treated as more fragile, needing to fill a more specific role rather than explore the vast array of buffoonery that their male counterparts get to experience.

A female character can’t be bumbling, idiotic, or self-destructive. That would imply she has too many flaws. Even in the days before the recent push for more female representation, that was considered taboo.

A female character can’t be the catalyst for a problem either, unless it involves the moral crusades of Lisa Simpson. The idea of a female character causing anywhere near the problems as a man would just trigger too much outrage for daring to hint that women can be as flawed as men. That last sentence was sarcasm, by the way.

This, essentially, is the driving force behind the frustration. The bumbling dad trope basically gives the impression that men are the only ones who can be foolish, self-destructive, unreasonable, and unlikable. Women can occasionally do those things, but never to the point of the bumbling dad.

In terms of character development, that’s limiting to characters of any gender. It means all the conflict, plot twists, and memorable story elements have to come from the male characters. All the female characters ever do is react, recover, or rebuild from the male character’s antics.

The bumbling dad basically sets up the expectations alongside the comedy. We expect them to do something stupid. We expect them to make a fool of themselves, get hurt, and not think things through. We also expect the women to basically bring them back in line again because without them, they just couldn’t function.

Beyond the expectations, the bumbling dad is basically the crash test dummy for all the chaos within a plot. They’re the ones that get hurt. They bear the brunt end of the physical comedy, be it a slap in the face or constantly falling down a cliff. The idea of women getting hurt just as much, even in an era where the push for tough female characters has never been greater, still doesn’t sit right with audiences.

That says as much about lingering gender norms as it does about bumbling dads, as a whole. Beyond just relegating the comedy and the personal journey to a particular male character, it gives the impression that women aren’t capable of doing foolish things. Anyone with a stable internet connection knows that’s just not true.

Again, this is not to say the bumbling dad trope is inherently “toxic.” I’ve already made clear how much I despise that terminology. There will always be a place for bumbling dads and the comedy they inspire. There’s also plenty of room for non-male, non-dad characters to be foolish as well. When it comes to gender, age, race, and sexual orientation, stupidity is the ultimate egalitarian.

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How And Why It Became Trendy To Hate “The Big Bang Theory”

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There was once a time in the mid-90s when Hootie and the Blowfish was the hottest band in the world. They’re music was everywhere. You couldn’t listen to the radio for more than five minutes without hearing one of their songs. I didn’t consider myself a huge fan, but I found plenty of their songs catchy and fun. I still have “Hold My Hand” on my phone.

Then, for reasons I still don’t quite understand, it became cool to hate them. Suddenly, admitting that you enjoyed your music was akin to admitting that you did shots of paint thinner to win a five-dollar bet. It got to the point when even “The Simpsonsmade a joke about them in an episode.

The same thing happened to Nickelback in the 2000s. They went through an early period of intense success. Their fourth album, “The Long Road,” sold over five million copies. That’s success that most artists only ever dream of. I even admit I have that album and I love it. Their song, “Feelin’ Way Too Damn Good,” is on my workout playlist.

Then, for reasons that I’d rather not speculate on, it became cool to hate them too. While that hasn’t stopped them from selling over 50 million albums and becoming one of the most successful acts of a decade, it’s still trendy to despise them as everything wrong with music. It doesn’t seem to matter how successful they are. For some strange, esoteric reason, they embody everything wrong with the world.

If I would write that with more sarcasm, I would. However, this piece isn’t about Hootie and the Blowfish or Nickelback. I reference them because they’ve already gone through what’s happening to “The Big Bang Theory” seems to be enduring right now. They’ve risen to the top, defying the odds to achieve a level of success that most can only dream of. Then, it becomes cool to hate them for any number of reasons.

Now, I know I’ve criticized “The Big Bang Theory” before. I’ve cited it as the show that contains one of the worst romances in all of fiction. I don’t deny that it’s brand of humor and reliance on nerdy, socially inept men can be dry at times. That said, I do consider myself a fan of the show.

I watch it regularly. I even laugh at it. It has flaws, but I think the things it does well do plenty to overshadow those flaws. Sheldon is eccentric, but funny. Amy is quirky, but endearing. Howard, while creepy in the early seasons, has really grown up in all the right ways over the years. I would even go so far as to say that the show is worth watching just for Raj Koothrappali.

It’s not the best show on television, but like Nickelback and Hootie and the Blowfish, there’s no denying its success. It’s been syndicated and regularly ranks as one of the highest rated prime-time shows. Then, somewhere along the way, it became cool to hate the show as much as Nickelback.

You don’t have to look far to find articles of people whining about the show. Even Cracked, a site I often reference, once wrote a scathing article that flat out insulted anyone who dared enjoy the show. This is a direct quote.

Who are you people? The people watching The Big Bang Theory, I mean. Show yourselves. The world demands explanation. I mean that, too. In every way, shape, and form, this is the Justin Bieber of television shows.

I know the internet is full of this kind of trolling, but we’re not talking about snuff films and public crucifixion here. It’s a goddamn TV sitcom. It tries to be funny and entertaining. It doesn’t always work for everyone, but it still works for some. Are those people, which I guess includes me, somehow damaged just for liking this show?

I could probably ask the same of those who enjoy music from Nickelback and Hootie and the Blowfish. I could even offer a partial answer if I only use the basis of personal taste. That is, after all, what the consumption of all media is, be it music, movies, or TV. You tend to consume what you like. It’s that simple.

However, for an issue like this, there are added complications when something becomes cool to hate. Suddenly, it’s no longer a matter of just liking something different. It’s a matter of having some inherent personal flaw for liking something that has a vocal contingent of critics.

Call those critics whatever you want. Call them hipsters, trolls, or any number of other names that would warrant fines from the FCC. They’re still driven by the same focused outrage that dominates politics, religious disputes, and Overwatch tournaments. The only real question is why a show like “The Big Bang Theory” gets singled out.

It’s a hard question to answer and I’m not qualified to answer it completely. However, I do think something strange happens to movie, TV show, or band when they get so successful and so acclaimed that those who don’t like the show just can’t stop at not watching it.

It’s rare for any show to achieve the kind of success “The Big Bang Theory” has garnered. Success makes a show a bigger target. If shows like “South Park” or “The Simpsons” weren’t so successful, nobody would care how bad some of their jokes were or how controversial a certain character might be.

Some of that might be out of envy. There’s only so much success to go around. The fact “The Big Bang Theory” is so successful means, in the eyes of those who hate it, that it’s robbing success from shows that might be funnier or more worthy of it. Never mind the fact that the humor and worthiness of a show is completely subjective. Fans of that show will see “The Big Bang Theory” as a thief and a fraud.

Like it or not, envy can be a pretty powerful source of emotion. It’s underrated compared to outrage and hate, but still potent in its own right. However, I don’t think that’s the sole reason why “The Big Bang Theory” gets more hate than most prime-time shows that don’t involve CSI spin-offs.

I suspect there’s a deeper reason driving the hatred towards “The Big Bang Theory” that even Nickelback doesn’t have to deal with. I think part of that reason has to do with the archetypes the show uses. I don’t think it’s a coincidence that the combination of nerdy, socially awkward young men and a cute ditzy blonde conjures some heated emotional reactions, to say the least.

There’s no doubt that combination is contrived and relies heavily on old stereotypes. Then again, you could say that about a lot of other shows. The fact this one uses nerds and cute blondes, though, just makes it seem more overt. It makes every joke, every plot, and every gag seem cheap or forced.

It makes some of the resentment to the show understandable, but I think that resentment is even more compounded by trends in political correctness. Chief among those trends is a growing aversion to stereotypes. Characters and archetypes once considered inoffensive are now controversial. Jokes that were once just in poor taste are now the source of intense outrage.

Since its inception, “The Big Bang Theory” has relied a lot on stereotypes for its characters and its humor. Like all shows, it exaggerates certain personas. Sheldon Cooper, alone, is a testament to a character whose quirks are taken to a ridiculous extreme.

By relying on these stereotypes, though, it makes itself an even bigger target. Laughing at the show, in the eyes of some, means accepting some of these stereotypes and having the audacity to find them funny. That appears to be the undertone of the Cracked article I cited earlier. It seems to be the undertone of a lot of the hatred the show gets.

Now, I don’t deny that “The Big Bang Theory” can go overboard with cliches and stereotypes. There are a number of episodes in “The Big Bang Theory” that even I find bland. However, for the most part, I still laugh. I still find myself enjoying the story. Even when I can apply some of those stereotypes to myself, I still laugh.

At the end of the day, “The Big Bang Theory” is still just a TV show in the same way Nickelback is just a band. Nobody forces anyone to watch it. It’s easy to just change the channel and watch something else. However, when a show becomes so successful while relying on a premise that is getting more politically incorrect with each passing year, it’s bound to attract criticism and not just from the hipster crowd.

I still enjoy the show and I intend to keep watching it. I also intend to keep all the songs by Nickelback and Hootie and the Blowfish on my phone for the foreseeable future. If that makes me uncool in the eyes of some, then so be it. To me, it doesn’t matter if something is cool to hate. Petty hate is still petty hate.

I also expect to see plenty more hatred directed at the show for how it treats nerds, women, minorities, and humor. It’s just too successful and too big a target to avoid that kind of scrutiny. In that situation though, as with Nickelback and Hootie and the Blowfish, sometimes the best you can do is just laugh and enjoy it on your own terms. Bazinga!

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