Tag Archives: social justice warriors

Marvel’s “New Warriors” Brings Out The Dumbest Criticisms (From Whiny Losers)

A big part of being a fan of anything is enduring the hard times. Whether you’re a fan of a sports team, a celebrity, or a particular author, there are going to be missteps. For every “Dark Knight,” there’s going to be a “Batman and Robin” that’ll make even the hardest of hardcore fans cringe.

It’s no different for superhero comics. There have been times when being a fan of X-Men, Justice League, the Avengers, or Batman have not been pleasant. Sometimes, the quality of the material being produced just isn’t that great. Sometimes, it’s downright infuriating. Just ask any Spider-Man fan about One More Day or the Clone Saga.

However, there’s a big difference between enduring hard times and just whining about something. There’s a big difference between criticism and whining, but some people who claim to be fans can’t seem to tell the difference. A few even manage to whine loud enough to draw an audience, albeit for the wrong reasons.

If you follow comics as closely as I do, you know who I’m talking about. They’re the kind of people who find a comic, single out a few particular elements, and go on these long whiny rants that basically say the same thing.

It’s all blah-blah-blah-SJW-blah-blah-blah-political correctness-blah-blah-blah-it’s too damn woke-blah-blah-blah-the industry is doomed-blah-blah-blah-they’re insulting older fans. I won’t single out any of these frail, emotionally-stunted losers by name or handle. They don’t deserve the extra attention and I refuse to give it to them.

They’ll claim they’re defending the industry they love. They’re just whining loudly and hoping to attract clicks in the process. It’s pathetic. It’s also predictable. That’s why I groaned when I saw this recent news from Marvel regarding a relaunch of their New Warriors series.

Marvel: Introducing The New ‘New Warriors’

When Kamala’s Law goes into effect in the highly anticipated one-shot, OUTLAWED, super heroics will be left to the adults and underage heroes will be banned unless they have official government assigned mentors. That’s where THE NEW WARRIORS come in.

Now, I’m not the biggest fan of New Warriors. I’ve heard of them before and I know their history to some extent, but this is hardly the most outrageous thing Marvel could’ve done. They’re not killing off older characters and replacing them with young, diverse characters, a la Riri Williams. They’re not radically changing the background or history of established characters, like they did with the Maximoff Twins.

In fact, they’re doing exactly what these same whiny losers always say they should do. They’re creating entirely new characters with diverse backgrounds instead of forcing them into roles that others have occupied. They’re not canceling, changing, or undermining the characters we’ve loved since the days of Stan Lee and Jack Kirby. They’re just creating something new to supplement those characters.

Despite that, these same “critics” still whine about it. They whine the same way they whined endlessly about “Star Wars: Rise of Skywalker.” The mere fact that this new title exists, especially its two non-binary characters, Snowflake and Safespace, is enough to make them cry like immature babies who just had their blanket taken away.

It’s one thing to criticize Marvel for trying to force new characters into the roles of established characters. That rarely works out. It’s quite another to complain when companies like Marvel try to make new characters from scratch who don’t resemble the many other characters around them. It’s almost as if characters aren’t allowed to be different beyond a certain point.

If that weren’t bad enough, these same whiny losers are judging this book before they’ve even read it. I admit it doesn’t look too appealing to me, but I haven’t read it. How am I supposed to know if it’s good? How will I know that Snowflake and Safespace aren’t good characters?

There’s a word for people who judge things before they actually give it a chance. It’s not a very flattering word, but I doubt the same whiners will admit to knowing it. They’ll still claim they’re defending their preferred genre, but all they’re doing is trying to justify their prejudice by whining.

Once again, the wise words of Abraham Simpson sum it up best.

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Nuff said!

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Filed under Marvel, outrage culture, political correctness, superhero comics

Every “Star Wars: Rise Of Skywalker” Criticism In A Nutshell

Recently, I saw “Star Wars: Rise of Skywalker.” People tried to spoil it for me. People tried to give me reasons not to go see it. I still saw it and I loved it. It was, in my opinion, the best of the sequel trilogy.

Having said that, there’s a reason why I haven’t written about it or done a full review, as I’ve done before. That reason has less to do with why I loved the movie and more to do with all the whining about it by a small, but vocal segment of the fandom. I won’t name names or cite outlets because they don’t deserve the publicity. The most they deserve is pity and a galactic-sized middle finger.

The most I’ll say about this movie is it’s great. It caps off the story. It has so many wonderful moments that are worth celebrating and if you like it, don’t let some asshole tell you you’re flawed because of it. You’re not. You like what you like and others don’t. Some people are just assholes about it.

That said, you’ll find plenty of YouTube videos and articles criticizing this movie to no end. They say a lot without telling you anything of substance. So, as a service to both Star Wars fans and people who are generally opposed to assholes, here’s all their criticism summed up in a single gif.

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You’re welcome and may the Force be with you.

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Filed under movies, outrage culture, superhero movies

Why Extremists (Of All Kinds) Seek To Destroy Sex And Love

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Whenever a tyrannical power gains influence, it’s only a matter of time before it attempts to control sex and subvert love. Whether it’s a theocracy like “The Handmaid’s Tale” or a communist dictatorship like North Korea, those in power will eventually get to it. It’s just a matter of how repressive they dare to be.

When it comes to the extremes of authoritarianism, those envisioned by George Orwell are the standards by which all are measured. Whether they’re fictional tyrannies like those in “Star Wars” or real-life autocracies like Nazi Germany, the extent of their repression is best measured by contrasting it with the one Orwell crafted in “1984.”

This isn’t the first time I’ve cited that book or Orwell’s writing, but I do so for a reason and it’s not just because it’s one of my favorite novels. The narrative Orwell envisioned took our understanding of repression and pushed it to its greatest extremes. On every level, the world of “1984” is a worst-case-scenario for anyone who values freedom.

Under the ruling party, Ingsoc, every aspect of human life is controlled, managed, or outright subverted. That includes sex, but it’s certainly not limited to it. Through institutions like the ironically-named Ministry of Love and the Junior Anti-Sex League, people aren’t just shamed or bullied into certain sexual practices. They’re tortured, brainwashed, and forced into it.

It’s a level of control that the Catholic Church, the religious right, and even conservative Muslims would find excessive. It’s also an important part of the story because so much of the events surrounding “1984” emerge from Winston’s relationship with Julia. In fact, the love they share is framed one of the biggest threats to the party.

That, in and of itself, is extremely telling of the power of sex and the love that emerges from it. Even in a world in which the repression is so complete that the party can convince people that two plus two equals five, it still has a problem dealing with sex. If Big Brother can’t manage it, then what hope does the Vatican have?

I ask that question within the context of “1984” because I’m seeing more and more issues inevitably link back to sexuality. It’s not just from religious institutions, though. They’ve made their eagerness to shape sexuality to serve their interests known for centuries. They aren’t always overt about it, but it’s not too hard to understand why they want their adherents having sex only for procreation.

For them, linking sex to making babies means all those sexual thoughts people have will result in more adherents. More adherents means more money. More money means more power and influence. It’s often cloaked in sin and morality, but this is the ultimate byproduct of their sexual morals.

However, it’s at the other end of the spectrum where a different, but powerful kind of sexual subversion is at work. The link isn’t quite as obvious as those espoused by religious institutions, but it is there in that the byproduct is the same and the underlying themes are richly reflected in “1984.”

On that end of the spectrum are those who identify as secular, but still hold extreme ideologies. This includes extreme brands of feminism, social justice ideology, and even old school communism. These are people who don’t just want to reform the current system through political and social discourse. They seek to overthrow the system and replace it with their own Utopian ideal.

Like the religious zealots they often clash with, they see the current order as oppressive. Whether it’s a religious sect facing persecution or the historical oppression against anyone who isn’t part of a historic majority, these individuals see revolution as the only way to right these wrongs. Part of that revolution involves destroying sex, albeit indirectly.

Whereas religious zealots rely on outright censorship, those on the opposite end employ a more subtle approach. They denigrate and bemoan sexual imagery, be it in video game characters or a shirt somebody happens to be wearing. They obsess over inequities and victimization, singling out egregious crimes while ignoring others that don’t fit the narrative.

Some will go so far as to claim sex as inherently oppressive. A few radical feminists have gone so far as to say that the fundamentals of sex can only ever be oppressive. In the same way some religious preachers will shame someone for looking at anyone with lust, this ideology identifies anyone who has or pursues sex as an oppressor.

That might have been absurd several decades ago, but in the current state of outrage culture where the dress Jennifer Lawrence wears to a movie premier becomes a controversy, it’s steadily creeping into the discourse. Concepts like beauty are now oppressive to those not born with beautiful bodies. Anything that may titillate or excite is seen as dangerous or damaging to the oppressed.

It’s at a point where the idea of people seeking any kind of release outside the narrative espoused by extremists is pathologized. For religious zealots, it’s sinful. For the non-religious extremists, it’s oppressive. Both see it as something that needs to be reformed or envisioned.

Chances are these individuals don’t see themselves as the authoritarians depicted in “1984.” They still see themselves as the underdogs in a “Rocky” movie, fighting to win an epic battle against an oppressive bully. Beyond being an absurd conflation of what they’re fighting for, this very approach is envisioned by Orwell and is key to empowering Ingsoc.

In the world of “1984,” the Ministry of Truth builds a similar narrative for the masses. They’re told that prior to Ingsoc taking power, the world was a terrible, oppressive place. It was only by rallying around the party and Big Brother that they were able to triumph. Moreover, it’s through the wisdom and guidance of the party that they escape this oppression.

Part of that process involves reshaping/subverting sex. In “1984,” the party isn’t just looking to control it. They seek to destroy it. The Junior Anti-Sex League even says it outright at one point.

“The sex inherent aptitude will be eradicated. Reproduction will be a one-year formality like the reclamation of a ration card. We shall get rid of the orgasm.”

Even by extreme repression standards, this seems extreme. It might even seem like something that would give zealots of all types pause. However, Orwell’s way of justifying such extremes reveal more than just a twisted ideology. He ends up exposing why sex is such a huge concern for any extreme ideology.

“When you make love you’re using up energy; and afterwards you feel happy and don’t give a damn for anything. They can’t bear you to feel like that. They want you to be bursting with energy all the time. All this marching up and down and cheering and waving flags is simply sex gone sour. If you’re happy inside yourself, why should you get excited about Big Brother?”

Read over that quote again, but replace Big Brother with the name of any religious sect or political ideology. It has the same meaning and the same implications. In order for both the zealots and the radicals to achieve their goal, they have to destroy sex. It’s the only way they can achieve their Utopian ideal.

Religious zealots can’t shame or guilt people entirely out of wanting to enjoy sex for non-procreative purposes. They can certainly make it difficult and painful for many, even to the point of serious abuse, but it never works in the long run. The drive to just want to hump for fun is too strong.

Certain brands of radical feminism have a similar issue. They can’t stop straight men from enjoying the sight of a beautiful woman. They can’t stop anyone from wanting to enjoy something different in their sex lives that they don’t like. No matter how much they’re triggered, it doesn’t turn off that powerful, instinctual drive.

In “1984,” the party actively works towards destroying that drive through technology. This is a lot scarier now because that kind of technology is already in the works. In theory, an extremely repressive religious zealot or a very regressive feminist could turn the implants in development at Neuralink into something that removes all pleasure from sex.

From there, they could redirect that energy into serving their ideology/religion. The procreative function could still be utilized, but only to the extent that it’s necessary. That may not be the ultimate goal. It’s not even the ultimate goal of Ingsoc. It’s just necessary in the grand scheme of pursuing and securing power.

As it stands, those in the religious right and other extremist circles aren’t remotely close to gaining the influence and control exercised by Big Brother in “1984.” Logistically speaking, it’s impossible for them because subverting human nature requires an understanding of it and the scientific process for achieving that understanding rarely adheres to ideology.

It still says something about their goals when the only way to achieve them in the long run requires that they destroy sex. I don’t think it’s a coincidence that Orwell built a major part of “1984” around two characters falling in love and experiencing the joys of the sex act. That proved to be one of most powerful ways for them to oppose the party.

To that extent, Orwell’s understanding of sexuality is nothing short of prophetic in terms of how revolutionaries on both ends of the political spectrum view it. In an Orwellian world, sex and love aren’t just a hindrance to a revolution. They’re an outright threat.

The fact that it took repression on the level of Big Brother to confront that threat is a testament to the power of sex and love. If Big Brother couldn’t contain it, then what hope does any religion or ideology have?

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Filed under gender issues, human nature, Marriage and Relationships, men's issues, outrage culture, religion, sex in society, sexuality, women's issues

The Hard Consequences Of Soft Censorship

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If you walked up to any random person on the street and asked them how they feel about censorship, chances are they would say they’re against it. Absent any context, most people equate censorship with tyranny and rightly so. Historically speaking, tyrannical societies are not beacons of free speech.

When you add context to that same question, though, then people are a bit more diverse in their response. They may say they’re against censorship, but they’ll also oppose hate speech and even support efforts to remove it from certain venues or platforms. It’s not the same as government-suppressed speech, but it’s still censorship on some levels.

A government’s effort to prohibit or punish speech is more daunting. That’s exactly why we have things like the First Amendment. Governments are big, powerful entities with armies and tax collectors. Their brand of censorship is a lot more concrete than others. That’s why such extensive legal protections are necessary.

When it comes less overt forms of censorship, though, the line isn’t as clear and neither are the legal protections. It can take the form of de-platforming a controversial speaker, which has happened on college campuses. It can also take the form of banning certain websites or certain subgroups within a website. These efforts aren’t usually called censorship. They’re usually referred to as preventing the spread of hate.

Personally, I don’t buy that excuse. As much as I abhor some of the things people say, both online and in person, any attempt to indirectly silence them is still censorship in my book. I call it “soft censorship” because it doesn’t involve government force. In many cases, it’s a grass roots effort to combat certain ideas that many find offensive.

That seems to be the most notable standard these days, the offensiveness of certain speech. That’s understandable, given how the world is more connected than it has ever been in human history. It’s now easier than ever for hateful, offensive speech to spread. Conversely, it’s also easy for the outrage to that speech to spread as well.

As a result, the forces behind that outrage are often the most powerful forces behind soft censorship. That outrage takes many forms too. It can be driven by political correctness, religious dogma, and general trolling. Censorship or suppression of speech is not always the stated goal, but it is often a desired result.

Given the ongoing changes to the media landscape, this brand of censorship seems to be getting more prominent than anything government effort. In fact, the reason I chose to bring this issue up is because of a few notable incidents that highlight the growing disconnect between free speech and movements to combat hate speech.

The first incident happened earlier this year and came from the gaming world, a domain that is no stranger to censorship and targeted outrage. The outrage in this case, though, had nothing to do with how beautiful women are depicted and everything to do with the policy of the popular Steam platform by Valve.

The particulars of the issue are simple. Valve was getting criticism for allowing too many violent, adult-oriented games on their platform, including those with overtly erotic themes. For a while, it looked like they would follow the same policy as Nintendo and Apple, who don’t allow anything that can’t be shown in a Disney movie.

Surprisingly, and refreshingly for some, Valve opted for a more libertarian policy. The standards are simple. As long as the content isn’t illegal or outright trolling, then it’s permitted. In the context of freedom of speech and creative freedom, this should count as a victory. However, that’s not how some saw it.

Almost immediately, Valve was heavily criticized for this freedom-centric policy and for all the wrong reasons. Some went so far as to call it irresponsible and cowardly, daring to permit games on their platform that might be overly graphic, crude, or sexy. Being a private company and not a government, that’s certainly their right.

Even so, it generated outrage. People didn’t see it as an act to promote free expression. They see it as a means of spreading hateful, offensive, sexist content and profiting from it. At at time when the video game industry sparks outrage every time it depicts a female character, Valve really took a chance by taking this approach and it’s sure to generate plenty more controversy, albeit for the wrong reasons.

Those same reasons showed up in another incident involving Reddit, a site on which I’m very active. Specifically, it involved a subreddit called KotakuInAction, which emerged in wake of the infamous GamerGate controversy in 2014. As a result, it has a reputation for being pretty brutal in its criticisms of regressive, far-left attitudes.

It’s oftent cited as one of the most “toxic” places on Reddit. There have been more than a few efforts to ban it. At one point, for reasons that I’d rather not get into, it was actually removed by its original creator. However, it was saved and put back up within less than a day, much to the relief of the nearly 100,000 subscribers.

Few will call that a victory for free speech. Those who criticize Valve and Reddit for permitting it don’t see their actions as suppressing speech. They see it as combating harassment and hate. Therein lies the problem with that effort, though. Harassment and hate are serious issues, but attacking only the speech is like attacking a single symptom of a much larger disease.

Even if Reddit had permanently banned KotakuInAction and Valve had opted to censor offensive games, it wouldn’t have made the ideas behind them disappear. Like putting a censor bar in front of female breasts, it doesn’t change the fact that they’re there and that they have an impact.

You could turn off the internet, burn every book, and shut down every newspaper tomorrow. That still wouldn’t stop people from thinking and feeling the things that lead them to want to say something offensive or create an offensive game. Speech is just a byproduct of ideas. Attacking the speech is not the same as confronting the source.

In fact, doing so can be counterproductive. There’s a real phenomenon called the Streisand Effect wherein efforts to hide, remove, or cenors something ends drawing more attention to it. The fact that Area 51 is a super-secret government facility that everyone knows about shows how powerful that effect can be.

In the context of combating hate, efforts to censor those behind it can end up elevating their message. When someone is censored, there’s an application of force implied. Whether it’s from a government or a moderator on a message board, censorship requires some level of force. Applying it to anyone is going to put them in a position to feel oppressed and that oppression tends to fuel hatred.

Harassment is different because when it comes to free speech, the line between discourse and threats is a bit less ambiguous. The Supreme Court has established a criteria for what constitutes “fighting words,” but it’s when things happen on a computer screen where it gets tricky.

Like hate, though, there’s a right and wrong way to deal with harassment. The right way to deal with a direct threat is to contact local law enforcement. The wrong way is to make it into a spectacle that requires that both the harasser and the platform they used to be condemned.

It’s an inescapable fact of life in any functioning society. The same platforms we use to interact will be used by others for disgusting, hateful, and offensive activities. We may feel disgust and revulsion for these things, but trying to silence both the people and the platform doesn’t make the sentiment behind it go away.

That’s the ultimate danger of soft censorship. It’s not like a censorship-loving government that can be overthrown or reformed. It’s a mentality that seeks to remove content from certain mediums in hopes that it will subsequently discourage the mentality behind it. Unfortunately, human beings aren’t wired that way.

That’s the ultimate danger of soft censorship. It’s not like a censorship-loving government that can be overthrown or reformed. It’s a mentality that seeks to remove content from certain mediums in hopes that it will subsequently discourage the mentality behind it. Considering the impact of the the Streisand Effect, it’s utterly backwards.

I’m all for confronting hate and combating harassment, but not through censorship, hard or soft. It’s hard enough trying to change someone’s mind in an era where they can customize their news feeds. At the end of the day, we can only truly affect someone’s heart and mind by focusing on the person and not what’s on their computer screens.

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Filed under censorship, Current Events, human nature, media issues, political correctness

How The Idea Of “Toxic Fandom” Is Fundamentally Flawed

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The internet is a vast, wonderful place full of mesmerizing gifs, amazing stories, and the collective knowledge of our entire species. I would argue that the internet is one of humanity’s most important tools since the invention of fire. I strongly believe that is has done more good any other tool we’ve created.

I have a feeling that this rosy view of the internet is a minority opinion. These days, all the good the internet does tends to get lost in the stories that highlight its many dangers. I don’t deny that there are dangers there. The internet does have some dark places where hate, harassment, and outright depravity are on full display.

More and more, it seems, the internet is becoming an enabler of a new manifestation of popular culture. It’s called “toxic fandom” and it relies on the greatest strengths of the internet to bring out the absolute worst in people. It didn’t start with the heated fan reaction of “Star Wars: The Last Jedi,” but it certainly made it relevant.

Before I go any further, I want to make one thing clear. There are assholes on the internet. There are also assholes in real life. The internet doesn’t make them that way. It just gives them a platform to be an asshole on a larger scale. That’s an unfortunate side-effect of the internet, but one that tends to obscure a larger narrative.

That’s because, much like inane terms such as “toxic masculinity,” the idea of toxic fandom relies on a series of assumptions that only ever have a sliver of truth behind them. It builds around this idea of there’s this grand, over-arching effort by immature, angry young men who secretly wish they could sexually harass women with impunity. It’s not quite on the level of an Alex Jones type conspiracy, but it’s close.

There have always been overly-passionate fans. It existed long before the internet and would still exist if the internet disappeared tomorrow. “Toxic fandom,” and there’s a reason I’m putting it in quotes, is something very different.

This doesn’t involve obsession with a particular celebrity. It involves a particular type of media like a movie, a TV show, or a video game. In some respects, this sort of fandom is a byproduct of overwhelming success. When something like “Star Wars” or “Star Trek” comes along, it resonates with an audience on a profound level. That sort of impact can last a lifetime.

I can attest to the power of that impact through my love of comic books. I’ve even cited a few that I find deeply moving, both in good ways and in not-so-good ways. Most everybody has had an experience like that at some point in their life, whether it’s their reaction to seeing “Titanic” for the first time or the feeling they get after they binge-watch “Breaking Bad.”

The toxic part usually comes when the media they’ve come to love manifests in a way that’s not just disappointing. It undermines those powerful feelings they’ve come to associate with that media. The results can be very distressing and until recently, the only way to express that distress was to sulk quietly in a darkened room.

Then, the internet comes along and suddenly, fans have a way to voice their feelings, for better and for worse. They can even connect with fans who feel like they do so that they don’t feel alone. The human tendency to form groups is one of the most fundamental acts anyone can do as a member of a highly social species.

Now, there’s nothing inherently “toxic” about that behavior. It has only made the news because the passions/vitriol of fans is more visible, thanks to the internet. Just browse any comments section of any movie or show on IMDB. Chances are you’ll find a few people who claim that this thing they once loved has been ruined and will use every possible medium to voice their displeasure.

This is where the “toxic” aspects of fandom start to have real-world consequences. Most recently, Kelly Marie Tran became the face of those victimized by toxic fandoms. After her portrayal of Rose Tico in “Star Wars: The Last Jedi,” she became the most polarizing figure in the history of Star Wars since Jar Jar Binks.

The story surrounding Ms. Tran’s harassment, which was objectively horrible, became vindication for those who believed that the Star Wars fanbase had become a mess of angry, hate-filled fanboys. They didn’t like that something they loved was changing and becoming more diverse. As such, their criticisms don’t matter. They may as well be wounded storm troopers in a room full of angry wookies.

The problem with this assumption is the same problem we get when someone writes off facts as fake news or diversity efforts as a neo-Marxist conspiracy. It’s a simple, convenient excuse to ignore possible flaws and justify personal assumptions. It also conflates the inescapable truth that assholes exist in the world and there’s nothing we can do about it.

None of this is to imply that harassment is justified or that fans can be exceedingly unreasonable. By the same token, this doesn’t imply that studios don’t deserve criticism when they attempt to revamp a beloved franchise in a way that does not keep with the spirit of the original. It’s only when criticism gets lost in the outrage that the “toxic” behaviors become more prominent.

It’s within that outrage, though, where the true flaws in the “toxic fanbase” narrative really break down. To a large extent, the “toxicity” that many complain about aren’t a product of unhealthy attitudes. They’re a manifestation of an inherent flaw in the relationship between fans and those who produce the iconic media they love.

To illustrate that flaw, think back to a recent controversy involving a “toxic fanbase.” Before the reaction “Star Wars: The Last Jedi” became the poster child for this issue, the all-female “Ghostbusters” remake was the most prominent example. It earned a lot of hatred for reasons that I’d rather not scrutinize.

With that hatred in mind, imagine a long-time Ghostbusters fan seeking to express their dismay. They decide to write a kind, detailed, and thoughtful letter to the studio, the director, and anyone else involved detailing their dismay and their criticisms. They may even cite specific examples on what they felt was wrong with the movie.

Chances are this sort of thoughtful, well-worded message would get deleted, ignored, or just plain lost in the digital landscape. Even if the head of Sony studios read it and agreed with every point made, they wouldn’t respond. They wouldn’t do anything ot change it. That would just be too inconvenient and it would look bad publicly.

From the perspective of the fan writing the letter, though, it sends the message that their sentiment doesn’t matter. Their passion for the media doesn’t matter. They might as well not even exist in the eyes of the producers. The only way for them to even acknowledge their existance is to be louder, angrier, and even a little meaner. Even if the reponse is negative, it at least acknowledges their existence.

It’s not the same as trolling. Trolls just want upset people for the fun of it. Fans voicing their displeasure are more sincere in the sense that they believe they’re protecting something they love. Whether or not that’s misguided is debatable. Some, namely those who harass and make threats, are more misguided than others. However, they only ever make up a very small percentage of fans.

In the end, that’s the most important perspective to have when it comes to fandom. Those who are the loudest tend to be the most obnoxious, but they’re loud because they feel like they have to be. The internet just gives them a way to be heard, which is something most fans haven’t had before.

That’s still not an excuse for being an asshole, but it’s also not an excuse for using those same assholes to call an entire fanbase toxic. It overlooks and undermines the genuine and sincere love people have of these cultural icons. As as a result, when someone feels like their love is being ignored, that’s when toxic hate often finds a way to fill that void.

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Filed under Celebrities and Celebrity Culture, Current Events, human nature, media issues, movies, political correctness, Star Wars

Why I Don’t Use The Term “Social Justice Warrior” And Ideas For A Better Label

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Every now and then, I get comments and criticisms about my writing style. Some are constructive. Some are just angry rants that I’m perfectly content to ignore. There is one criticism, though, that I feel is worth addressing.

Specifically, it involves some specific terms I avoid using. Most people with an internet connection or access to cable news have probably heard the term “social justice warrior” at least once. It’s rarely in a positive light. It’s often used as an insult or a signal that you’re about to say something that’s going to evoke a lot of angry comments on social media.

I’ve been tempted to use it in the past. I’ve discussed many topics involving feminism, men’s issues, and social inequality that often get people throwing that term around as though it were a demonic chant. There’s a reason I’ve avoided it, though, and I hope to demonstrate that it’s a good reason.

First off, I want to make clear that I despise the term “social justice warrior” almost as much as I despise “toxic masculinity,” a phrase I believe cannot fade from our language fast enough. I see this label as one of the worst manifestations of the English language since the hippie era and at least they could blame psychedelic drugs.

I also believe that its continued usage will do more to breed hatred, outrage, and division at a time when we’re already more divided than ever. It derails a conversation and detracts from discussions about serious issue involving society, justice, and gender. This term is literally holding back progress, which is ironic given the nature of its definition.

The actual definition of a social justice warrior, or SJW as it’s colloquially used, is somewhat vague. It’s a modern-day catch-all term for a particular brand of politics and social attitudes. According to Wikipedia, the definition is as follows:

A pejorative term for an individual who promotes socially progressive views, including feminism, civil rights, and multiculturalism, as well as identity politics. The accusation that somebody is an SJW carries implications that they are pursuing personal validation rather than any deep-seated conviction, and engaging in disingenuous arguments.

I think that definition covers most of the most common ways the term is used, but I think it underscores how much vitriol it inspires. Spend any amount of time on social media and you’ll find some of the most hateful, demeaning, and divisive rhetoric you can imagine.

However, it’s not just the extreme rhetoric this term inspires that discourages me from using it. It’s not even the tendency for a conversation to devolve rapidly as soon as the words “social justice warrior” show up in a sentence. What I find most objectionable about this term is how fundamentally dishonest it is.

To illustrate how, look at the anti-abortion movement, another extremely divisive issue that tends to evoke all the wrong emotions. There are some pretty passionate opponents to abortion, but they don’t call themselves anti-abortion. They call themselves “pro-life.” It’s a disingenuous term, but from a marketing standpoint, it’s brilliant.

That’s because, if you go by the literal meaning of the words, it means you’re for life in general. It doesn’t directly imply anything about abortion. By calling themselves “pro-life,” they skew the meaning so that they can claim they’re on the side of all things alive and good.

Again, it’s a smart ploy, but it’s also dishonest and George Carlin did a brilliant job of explaining why. Those who use the “social justice” label use a similar tactic. They use words that denote inherently positive concepts like society and justice. However, I would argue that this ploy is even more dishonest than those hiding behind the “pro-life” table.

Most reasonable people are for justice. They’re also for a functional society in which people of any race, gender, religion, or ethnic background can live in peace and enjoy the same protections under the law. On paper, we have that. In practice, there’s room for improvement.

However, whenever I listen to someone who adheres to the Wikipedia definition of “social justice warrior,” I never get the impression that their ideas of justice are genuine. They tend to reflect a personal, selfish brand of justice that is more concerned with how the world makes them feel and less with how it really works.

A “social justice warrior” will look at issues like female depictions in video games, cultural appropriation in media, and proper pronoun usage and not see the full picture. In fact, they’ll go out of their way to ignore that picture and focus only on the parts that sends their emotions into overdrive.

It’s not enough to just criticize these injustices. A “social justice warrior” has to treat them like some grand conspiracy by wannabe fascists who bathe in the tears of orphans and wish they could still own slaves. It becomes a potent blend of holier-than-thou grandstanding and virtue signaling. To say that brings out the worst in some people would be an understatement.

Talk to most people outside a 4chan board and chances are, they’ll be in favor of a just society whether they’re liberal, conservative, progressive, feminist, or whatever other political affiliation they may have. The fact that “social justice” now has more to do with misguided outrage and little to do with actual justice is downright tragic.

The term gets thrown around so often that I’ve made a conscious decision to just avoid using it in my writing. After this article, I intend to use different words that I feel are more reflective of the outrageous attitudes that “social justice warrior” evokes.

I’m not doing that because using words gives them power and I don’t want to give “social justice warrior” more power than it already has. While I doubt that’ll reduce the vitriol it currently carries, I still prefer terminology that’s more reflective of these damaging attitudes.

In the name of offering some potential solutions to this issue, I want to put forth a new approach to dealing with the “social justice warrior” phenomenon. I believe that it reflects an ideology that’s worth confronting. It espouses attitudes that promote censorship, infantilize groups of people, and elevates one person’s feelings over another for all the wrong reasons.

These are people and attitudes that will continue to make noise and push bad ideas on a society that already has too many circling around. For that reason, I believe that warrants creating some new labels for them, one that I think is more descriptive of what they truly area. Here are just a few.

Professional Whiner

Regressive Whiner

Weakly Whiner

Sad Whiner

I think the theme here is pretty obvious. Most of the time, “social justice warriors” don’t really protest. They whine. They whine in a way that’s worse than any child. They don’t try to solve a problem. They don’t try to learn the facts and figure out a better process for doing something. They just whine.

That’s not just pathetic. That makes whole “warrior” part of their label hypocritical. Warriors are supposed to fight and not whine. When reality doesn’t cater to your feelings, whining never changes that. A “social justice warrior” may even understand that, but they also understand that without validation of some sort, their outrage is empty.

That, I believe, is the key to confronting the misguided attitudes of the “social justice warrior” phenomenon. Attitudes that have little to do with actual justice or a healthy society need to be called out for what they are. I say that as someone who does have attitudes that some may consider progressive, but I understand that whining about them won’t do much to further those ideals.

At the end of the day, if all “social justice warriors” have to go on is whining, then the harsh reality of the world will do plenty to undercut their attitudes in the long run. Calling them what they truly are will just help remind them a little sooner.

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Filed under Current Events, gender issues, philosophy, political correctness, sex in society

How Ellie From “The Last Of Us” Does LGBT Characters Right

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In the current state of popular culture, one of the most emotionally-charged words is “diversity.” It gets thrown around like a nuclear hot potato. Anyone who holds it too long gets burned and anyone who doesn’t hold it long enough gets attacked. Whether it’s the handling of female characters or representation of minorities, diversity is one of those buzzwords that creates the wrong kind of buzz.

That’s not to say that it’s always mishandled. From a pure business standpoint, it makes sense for media companies to pursue diversity because the world is becoming an increasingly diverse place. New markets and consumer bases are emerging as people gain greater access to media, thanks largely to global connectivity. Any competent business would want to appeal to the most customers possible.

Economics aside, injecting diversity into a movie, TV, comic book, or video game is fraught with challenges and potential backlash. Movies have felt it. Comic books have felt it. Video games have especially felt it, thanks to scandals that seem to get more frustrating with each passing year.

The number of failed attempts to promote diversity is vast and tends to bring out the worst in many people. The successes, though, often fly under the radar and generate way too little attention. Other than the success ofBlack Panther” and the occasional Supergirl comic, the cases of diversity done right are few and far between.

That’s why I think it’s fitting that one of the best cases of diversity comes from the world of video games, an industry that finds itself in a new controversy every other week. It’s even more fitting that it comes courtesy of “The Last of Us,” a franchise I’ve praised before in how it portrays masculinity in a refreshingly positive way.

Beyond just being an excellent game with amazing characters, it also provides a case study in how diversity can be done effectively. It doesn’t have to be forced. It doesn’t have to be preachy. It doesn’t even have to have a larger agenda. It can just be a bonus on top of a well-made product.

The character in question this time is Ellie, the co-protagonist to Joel in the first game and the main protagonist in the upcoming sequel. Her story is every bit as rich and compelling as Joel’s. Her history, her personality, and even the way she complements the gameplay helps make her distinct. She’s a major reason why this game is so enjoyable and why it sold so well.

She achieved all this as both a female and an LGBT character. It sounds like one of those combinations that has to be forced, but that’s not the case with Ellie. In fact, anyone who plays the entire story of the first game wouldn’t even know about Ellie’s sexuality because it was only revealed through a DLC , or downloadable content.

Even within that content, though, Ellie’s sexual orientation was not a big part of the story it told. It effectively filled in a time gap within the main game while also exploring more of Ellie’s backstory, but at no point did it make her sexuality a bigger issue than it needed to be. You could’ve removed that detail entirely and the story would still work, but it wouldn’t be quite as memorable.

More recently, during a preview of “The Last of Us Part II” at E3 2018, Ellie’s status as a homosexual woman was reaffirmed. Again, it wasn’t critical to making the moment work. The fact she’s attracted to other women doesn’t take anything away from the emotional weight of the scene. It does help enhance it, though.

Therein lies the key. What makes Ellie a great character has nothing to do with her sexuality. It’s not a defining aspect of her persona, nor should it be. It defines her no more than Joel’s heterosexuality defines him. It doesn’t have to be thrown in someone’s face as this huge, all-encompassing feature. It’s just a small part of a much greater whole that is Ellie.

There’s no effort to make her this LGBT icon, which has a tendency obscure a character when forced. Her status as LGBT isn’t belabored, either. She’s not important to the overall narrative in “The Last of Us” because she’s female and gay. She’s important because of factors independent of those traits.

That importance grows throughout the story, but not because of her gender or her sexuality. It’s what she does that helps establish her as an important character and a compelling one, at that. Her story complements Joel’s and the various other characters she encounters.

In the process, she also demonstrates a unique personality. She’s tough and stubborn, but she’s also impulsive and temperamental. Many of those qualities are entirely gender-neutral. Some stand out more because she’s a woman and that’s okay because a girl acting girly isn’t a big deal, which tends to get lost with other female characters.

It may seem so obvious, but the fact that diversity in media is such an issue shows just how difficult it is to pursue. Ellie succeeds because the diversity she represents is never primary to her character. It’s not even secondary, either. That’s not to say her gender and her sexuality are ignored, but it’s never elevated beyond a certain point.

Before any of those diversity-related issues come up, “The Last of Us” works to establish who Ellie is and why she’s important. That process of establishing a good, compelling character without her gender or sexuality being the focal point does a lot to get you to care about her story. It’s a process that can’t be rushed and the game does a masterful job in that respect.

The person Ellie is when you first encounter her early in the game is not the same person by the end. She’s someone who undergoes a lot of growth, encountering more than a few setbacks along the way. There are times she’s easy to root for. There are times when she comes off as an arrogant brat. Before you ever find out about her sexuality, you learn about her as a person.

By the time her sexuality finally comes up, Ellie is already so much more than the gender she’s attracted to. She’s a survivor, a fighter, and someone who has seen everyone she’s ever cared about die or leave her until Joel comes along. She also has a vital part to play in the ongoing apocalypse the world around her faces. All of this, once again, is not dependent on her gender or her sexuality.

I know I keep belaboring that, but it’s worth belaboring because that aspect of character development keeps getting glossed over. Other efforts at diverse characters often rush to the diversity without establishing why anyone should care about them. It’s why all-female remakes rarely resonate. It also leads to characters whose diversity is so blatant that it’s hard to take them seriously.

That’s not to say Ellie is a perfect example of diversity done right. She has her flaws, as does Joel. There are times when she’s too tough for her own good. She has a tendency to push peoples’ buttons for the wrong reasons. She also has questionable tastes in jokes. Even proponents of diversity can find flaws in her.

Despite those flaws, there are many lessons that characters like Ellie and games like “The Last of Us” can teach when it comes to doing diversity and LGBT representation right. The most important can be boiled down to four basic components:

  • Don’t try and force diversity just to fill a quota
  • Develop the character before developing the diversity
  • Don’t make their status as a woman or LGBT their most defining trait
  • Have the character complement their supporting cast, regardless of their diversity status

There are probably many more lessons that I’m not qualified to teach, but I think characters like Ellie do plenty by just being memorable and endearing. She’s a great character within a great story. That wouldn’t change if she were straight, but her being a lesbian does help her stand out, albeit for all the right reasons.

It’s also worth noting that Ellie’s story is still ongoing. “The Last of Us Part II” is set to come out in 2019 and the next part of her story promises to get pretty dark. Whether she maintains the complexity and appeal of her current character remains to be seen, but she has a strong foundation to build on, which is key for any character, regardless of their sexual preferences.

Whether we like it or not, there’s a lot of animosity between both sides, there more diversity in future media because the world is a diverse place. It’s just a matter of going about it in a meaningful, compelling way. Ellie is an example of how an LGBT character can work and when done right, it works pretty damn well.

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Filed under gender issues, political correctness, sex in media, sex in society, sexuality, video games