Category Archives: television

Blame Us (Not Netflix) For What Movies Are Becoming

In January 2026, Matt Damon recounted how Netflix, one of the biggest distributers of movies on the planet, wants filmmakers to restate plot multiple times for an audience. Their reason for doing this has nothing to do with the content or artistic vision of a film. It’s just Netflix accommodating the sizable chunk of their audience who stream movies while also looking at their phones or tablets.

For accomplished filmmakers, this probably feels like studios and executives tampering with their art. It’s people in offices completely detached from the creative process trying to micromanage a product for consumers. The mere idea of changing their vision to accommodate a studio may seem inherently dirty. Since few creatives have the same influence as Matt Damon or Ben Affleck, they would probably capitulate to these demands.

A lot has been made of these remarks. Filmmakers, movie buffs, and general audiences of all kinds recoil at the idea of Netflix making such demands. The idea of studios and profit-hungry executives undermining art in the name of shareholders feels wrong on so many levels. But let’s take a step back from those feelings and share a brief bit of introspection.

Say what you want about Netflix, their business model, and capitalism in general. But they are not to blame for making such demands of filmmakers.

We are to blame.

We are the reason for this ongoing trend in movies and TV.

We are actively making it worse and companies like Netflix are just responding to this.

This isn’t a matter of opinion or principle. This is a well-documented phenomenon among the average consumer. People don’t just watch a movie or TV show anymore. They turn it on, watch for a bit, and casually do things on their phones or tablets as it plays. It rarely has anything to do with the quality or coherence of a movie. It’s just what people do these days.

I freely admit I do this. There are times when I’ll turn on a movie or TV show and casually do things on my iPad. Most of the time, I do this with movies or shows I’ve already seen multiple times. I also do it frequently while watching live sports, mostly during commercials or breaks in the action. Sometimes, if something comes up, I’ll just pause it so I can focus. But that’s fairly rare.

There have even been times where I don’t really engage with what I’m watching at all. I’ll have a movie, show, or sport on while I’m actively playing a video game. But I only do this with certain types of content. For something like a baseball game in the early innings or stand-up comedy specials, you don’t need to be continually watching. You can do other things and people did so before smartphones. It’s just more common now because smartphones enable us to do more things.

And I know I’m not the only one who does this. I’ve observed this with friends, relatives, and even people in a movie theater. Call it what you want. Lament how our attention spans are shrinking and our appreciation for real art is faltering. But that’s overly simplistic. It’s just another way of whining about people using their phones all the time.

I don’t deny that can be a problem. But it also ignores the bigger picture. People who complain act like humans thought, acted, and felt differently in the past. I imagine if people had smartphones at Woodstock in 1969, they would’ve used them the same way. If the average movie-goer had smartphones in the 1980s, they probably would’ve casually scrolled their social media feeds while Indiana Jones outran a boulder. To claim otherwise is to just be out of touch and smug.

No matter how you feel about this phenomenon, it’s misguided to blame Netflix. They didn’t create the smartphone. They didn’t put the idea in our heads to just use movies and TV shows as background noise while doomscrolling. They’re just responding to what their customers’ behavior. That’s what capable, competent businesses do.

If you want them to do something else, then it’s on us, the customer, to give them new incentives. If we are unwilling or unable to do so in an organized manner, then that’s not the fault of Netflix. It’s our fault. We either acknowledge that or we continue to make it worse by whining.

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AI Jay Sherman Reviews “Donnie Darko” (2001) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, I have Jay review “Donnie Darko,” one of the most confusing and unhinged movies of the past 30 years. This is a movie that’s either the dumbest thing you ever saw or the most brilliant, with no in-between. It has a cult following, but even members of that following don’t know what to make of this movie. But there’s still one burning question after all these years. Does it stink? That’s up to Jay. Enjoy!

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AI Jay Sherman Reviews “Sonic The Hedgehog” (2020) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, I have Jay review “Sonic The Hedgehog,” the movie that finally broke the curse of video game movies. After the much-maligned trailer, Paramount took the time to fix this movie and it went onto become a phenomenon that spawned multiple sequels. But does it hold up? Does it stink? That’s up to Jay. Enjoy!

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Strip Law: Better Than Expected?!

This is a video from my YouTube channel, Jack’s World.

Adult animation can be very hit or miss. And for over a decade now, Netflix can boast a winning record. They’ve produced some of the best shows in adult animation. They’ve also produced outright trash.

When I first saw the trailer for Stirp Law, I didn’t have high expectations. It looked like another show destined for irrelevance and disappointment.

But that’s not what happened. I gave it a chance and I found it strangely good. It’s not great, but it ended up avoiding pitfalls it easily could’ve fallen into. And it’s worth giving a chance.

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AI Jay Sherman Reviews “Batman & Robin” (1997) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, I have Jay review “Batman & Robin.” This movie is often cited as the movie that almost killed superhero movies, as a genre. It’s infamous for its goofy puns, cartoonish settings, and Bat Nipples. But does it stink? That’s up to Jay. Enjoy!

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AI Jay Sherman Reviews “The Beekeeper” (2024) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, I have Jay review “The Beekeeper.” It’s a Jason Stathem movie with every trait you could possibly want in a Jason Stathem movie. It’s weird, it’s violent, and it’s action packed, as you would expect from Jason Stathem. But does it stink? That’s up to Jay. Enjoy!

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AI Jay Sherman Reviews “Waterworld” (1995) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, I have Jay take on “Waterworld.” It’s a movie with a strange reputation. When it came out in 1995, it was one of the most expensive movies ever made. It was panned critically and the logic of the plot was questionable at best. But it somehow found its way to being a cult classic. But does it stink? That’s up to Jay. Enjoy!

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AI Jay Sherman Reviews “Wolverine Origins” (2009) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, I challenge Jay with “Wolverine Origins,” one of the most critically panned superhero movies of all time. This movie almost single-handedly derailed all of Fox’s X-Men projects. Most agree it stinks. But let’s see if Jay can quantify it, as only he can. Enjoy!

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AI Jay Sherman Reviews “The Day After Tomorrow” (2004) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, it’s the start of a new year and it’s freezing cold outside. So, why not have Jay review a movie that takes that to an absurd extreme? That’s exactly why he’s reviewing “The Day After Tomorrow,” a disaster movie that treats science, logic, and subtlety like afterthoughts. But does it stink? That’s up to Jay. Enjoy!

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AI Jay Sherman Reviews “Violent Night” (2022) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, in the spirit of the holiday season, Jay reviews “Violent Night,” a Christmas movie that mixes Home Alone, Die Hard, and several Tarantino movies into one. It’s more bloody than sentimental for a Christmas movie, but does it stink? That’s up to Jay. Enjoy!

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