The following is a video I made about how “Star Wars: Rise of Skywalker” fixed Rey’s character and made me love her. I was inspired by an article I wrote earlier this year. I tried to expand on it in this video. Enjoy!
Since this pandemic began, everyone keeps asking when we’ll return to “normal.” I use quotes because I’ve since accepted that “normal” is a flawed concept at this point. I don’t think we’ll ever go back to the way things were before terms like social distancing became a thing. I question whether we’ll go back to shaking hands.
Flawed or not, we will return to some semblance of “normal” eventually. Movie theaters will re-open. Sports will return, even if it means playing games without fans. For comic book fans, the biggest return will be the release of new comics. Last week, I reported that there were some tentative signs of a break. This week, those signs are no longer tentative.
While none of the major publishers are set to return to full production, they have announced their plan to get New Comic Book Day rolling again. Some series are still on hold. Others are ready to return. Both Marvel and DC have announced new release schedules. Assuming aliens don’t invade or another pandemic doesn’t take hold, we now have dates to look forward to.
For this week, however, the pickings are still limited. There’s not enough to compile a standard pull list, but there are enough new releases to make a pick. Again, the books that came out today are largely digital releases, but there’s still quality awesome to be found. Hopefully, the industry will get going again and Wednesdays will be awesome once more.
It’s not quite the “normal” I fondly remember, but it’s getting close to it. After over a month without comics, I’ll gladly take it.
What do you get when you take a gleefully amoral archaeologist/adventurer and put them in a galaxy far, far away? The short answer is a uniquely lovable woman named Dr. Chelli Lona Aphra. The long answer is an incredibly elaborate, but wonderfully fascinating story.
In the vast landscape of Star Wars lore, Dr. Aphra is a relative newcomer. She debuted in the pages of Darth Vader #3 in 2015. I vividly remember reading that comic. I had a feeling that she’d go on to have a major impact on the galaxy. In the brief time that Marvel has been producing Star Wars comics, she certainly has. I would argue that she’s one of the greatest achievements of this modern Star Wars comics.
If you need convincing, then “Dr. Aphra #1” makes a solid case. What Kieron Gillen created five years ago, writer Alyssa Wong and artist Marika Cresta run with in this issue. It effectively demonstrates who Dr. Aphra is, what she’s about, and how she conducts herself in the middle of a galactic war.
In terms of canon, the events of this issue take place after the Battle of Hoth from “Empire Strikes Back.” However, Dr. Aphra is no Rebel agent or Imperial operative. In fact, since her debut, she’s done plenty to piss both sides off. Darth Vader wants to kill her. The Rebel Alliance wants to kill her. She’s ticked off so many people in the galaxy that a lesser character would’ve been frozen in carbonite by now.
The fact that she isn’t and is still pissing off imperial and rebels alike is a testament to her skill. She’s part Indiana Jones, part Lara Croft, part Boba Fett, and part Black Widow. She doesn’t have a political agenda and she doesn’t take sides in wars. She’s just out to explore the galaxy, find new artifacts, and steal massive amounts of credits along the way.
“Dr. Aphra #1” has her do a little of everything. It starts with stealing from the Empire on Hoth. From there, it becomes a setup for a heist that requires a bit of archaeology and a crew that’s as brazen as her. Wong takes every opportunity to highlight Dr. Aphra’s most defining traits along the way.
She might be an amoral thief who hangs out with questionable characters and pursues unhealthy romantic interests, but she has a charm to her that’s unique in the galaxy. She’ll push buttons, break rules, and draw the wrath of Darth Vader himself, all while having fun along the way. “Dr. Aphra #1” dares you to have a little fun with her while exploring a less scrupulous side of a galaxy far, far away.
I love Star Wars.
I love watching the movies on a lazy afternoon.
I love talking about Star Wars with my friends.
However, I generally avoid talking about Star Wars online.
It’s a frustrating, but inescapable fact of life these days. Being a Star Wars fan online is like unknowingly entering a street fight, being given a rusty knife, and having to pick a side on the spot. No matter which side you pick, you’re going to piss off the other side who will forever claim that you’re not a true Star Wars fan. That usually comes after being hurled with enough insults to make you want to punch your computer screen.
It’s why I’ve rarely written about Star Wars. I did write a few pieces on Ahsoka Tano and the sequel trilogy, but I’ve resisted writing more. The current state of the fandom is just not conducive to meaningful discussions or criticism. Unless you’re talking about how adorable Baby Yoda is, you’re bound to get caught up in discussions about how “The Last Jedi” ruined the franchise forever.
I don’t care for those discussions. I have my opinions on the original, prequel, and sequel trilogy. I try not to share or discuss them online because it’s just too frustrating to deal with people who think Star Wars has become some liberal plot to spread hatred over anyone with a penis. There’s no reasoning with that crowd. Even Obi-Wan Kanobi would say those people are lost.
Despite my reservation about discussing Star Wars online, I’d like to share a sentiment in the spirit of “Star Wars Day,” also known as May the 4th be with you. As it just so happens, that sentiment involves one of the most controversial characters to come out of the sequel trilogies since Jar Jar Binks. It’s bound to earn me plenty of hatred and resentment, but I’m going to channel the strength of a Jedi and share it anyway.
“Rise of Skywalker” made Rey a great character.
I’ll give everyone a minute or so to fume.
I’ll give several more to those who despise “The Last Jedi” to insult me through their computer screen and claim I’m not a true Star Wars fan.
Are you done? Good, because this is something that really made the sequel trilogies work for me. It’s what elevated them above the sub-par prequels while also making Rey one of my favorite characters in all of Star Wars. She’s still no Ahsoka Tano, but “Rise of Skywalker” made her a character worth rooting for.
Since the movie has been out for months now, I’ll spoil the reveal that made this movie so powerful to me. Rey finds out that she’s not a nobody who was abandoned on Jakku for drinking money. She’s the granddaughter of Emperor Palpatine, also known as Darth Sidious.
It’s not the most jarring revelation in the history of Star Wars. It’s nowhere near as shocking as Darth Vader revealing to Luke that he’s his father. However, it doesn’t have to be shocking to have an impact. More than anything, this revelation gives Rey’s character greater meaning to the first two movies.
Before this revelation, I was somewhat indifferent on Rey. I didn’t hate her, but I didn’t like her as much as Finn or Kylo Ren. I know she was frequently bemoaned as a Mary Sue. While I don’t agree with that sentiment, I understand why some painted her with that label.
Even without that dreaded label, which I think is a bullshit label to begin with, I didn’t find her story that interesting. After “The Last Jedi,” she became this weird anomaly within the Star Wars universe. She just happens to be this orphan of drunks who has incredible power with the Force. Even without any formal training, she’s able to use advanced skills and take down experienced Force users like Kylo Ren.
Before “Rise of Skywalker,” I thought she just didn’t have an interesting character arc. I got that she was a good soul who wanted to do good in the galaxy. I respect that. There’s certainly a place for those characters in any story. I just didn’t find it very compelling.
Then, “Rise of Skywalker” changes that by making her the granddaughter of Emperor Palpatine. Suddenly, that arc becomes a lot more interesting. She’s not just a sad little orphan girl. She carries the legacy of the galaxy’s most infamous despot. All that good she sought to do now becomes a lot more meaningful.
It also becomes a lot more dramatic in that it give greater weight to her journey in the previous movies. When I go back and watch the previous two movies, I don’t just see Rey as this hapless soul who got caught up in this galaxy-wide conflict. I see someone who carries the burden of being a Sith Lord’s granddaughter.
It’s a burden similar to what Luke Skywalker endured in the original trilogy. I would argue it’s greater for Rey because Darth Vader wasn’t pure evil. He was a fallen Jedi who Luke fought to redeem, eventually succeeding in “Return of the Jedi.” There’s no redeeming someone like Palpatine.
He’s not just a powerful Sith Lord. He’s the embodiment of hate and tyranny. He’s never going to see the light. He can only ever be stopped and Rey has to be the one who stops him. To save the galaxy and break free of this burden, she has to kill her grandfather. It a powerful struggle, which she even tries to run from at one point. When she ultimately succeeds, it’s as beautiful as it is satisfying.
I went into “Rise of Skywalker” with mixed feelings about Rey. I came out a genuine fan of hers. Now, I see her as one of the best parts of the sequel trilogy. I also count “Rise of Skywalker” as one of my favorite Star Wars movies. I know that’s not a popular sentiment, but I’m not apologizing for it.
What made “Rise of Skywalker” feel even more satisfying over time was how some fans managed to figure out her heritage. Below is a video from the YouTube channel, Nerd Soup, that predicted Rey’s link to Palpatine with brilliant detail. The fact that this movie was uploaded on December 10, 2017, nearly two years before “Rise of Skywalker” came out, makes it even more impressive.
Regardless of how hostile certain fans get, Star Wars will always be near and dear to my heart. Thanks to “Rise of Skywalker,” Rey is one of my favorite characters. She’s still not my favorite, as that title still belongs to Ahsoka Tano, but she’s proven herself worthy of this wondrous galaxy far, far away. If you don’t agree with me, then that’s fine.
With that said, Happy Star Wars Day to all. May the 4th be with you.
Every now and then, a narrative trend comes along that I neither care for nor understand. I get why many trends catch on. I’ve even been caught up in a few. I remember when stories about asteroid impacts became popular, as well as romance stories that relied on best friends falling in love. Some lasted longer than others. Some burn out. I think “Friends” alone killed the whole friends-falling-in-love-gimmick.
However, certain trends seem to catch on for all the wrong reasons. I’m not just referring to the gimmicky tropes of every sitcom attempting to rip off “Seinfeld,” either. These are narratives that attempt to troll the audience in hopes of a bigger reaction, as though that can somehow take the place of a compelling story.
Lately, the trend that I’ve found particularly frustrating is the idea of subverting expectations. It’s become a major buzzword in recent years, but not for good reasons. It became a big deal after the fan reaction to “Star Wars: The Last Jedi” and only intensified with the final season of “Game of Thrones.”
Now, I don’t want to get into extensive discussions about those emotionally charged subjects. I’ll let the fan bases continue to debate that in whatever way they see fit. Instead, I want to take a moment to look at this trend, note how it can be done well, and highlight why recent attempts are misguided and counterproductive.
While subverting expectations sounds cunning on paper, it’s one of those concepts that’s difficult to make work. The concept is simple. You take an audience’s expectations about a story, build up some narrative tension, and then go in an unexpected direction that changes and enhances the impact of that story.
It sounds simple, but it’s not. When it works, it’s amazing. When it fails, it’s downright toxic to itself. I would argue that neither “Star Wars: The Last Jedi“ nor the final season of “Game of Thrones” succeeded in that effort. However, one movie did succeed in this effort and it did so back in 2010, long before this trend even began.
That movie is “Megamind,” a film I’ve praised before for how it parodies the superhero genre. There’s a lot more I can say about this underrated gem, but this is one element that I feel is more relevant now than it was when the movie first came out. To date, I’ve yet to see a movie subvert expectations as well as this one.
The way “Megamind” goes about this is not at all subtle, but it’s still powerful. It’s in the premise of the movie. It asks what happens when the evil genius supervillain actually defeats the handsome, square-jawed superhero? What do they do afterwards? Why did they pursue this goal in the first place?
The first 15 minutes of the movie do an excellent job of setting up the basic, generic premise of every superhero narrative since Superman. Metro Man is the hero. That’s how he carries himself. That’s how others see him. That’s how he’s perceived. Conversely, Megamind is the villain. That’s how everyone sees him. The prison warden himself says it before the opening title screen. He’ll always be a villain.
Everything is in place for a traditional hero-versus-villain struggle. Old concepts like justice, hero worship, and public perception come into play. Then, in the first real battle we see between Megamind and Metro Man, the unthinkable happens. Megamind, despite his grandiose boasting and casual bumbling, defeats Metro Man.
It’s not framed as some M. Knight Shamalyan twist. It’s not an attempt to shock the audience. It’s not some minor plot point, either. In fact, the rest of the movie is built around this sudden subversion of standard superhero stories. Every event, choice, and character moment stems directly from this subversion. It’s not just a minor element of the plot. It is the plot.
What makes it work is how this subversion helps tell a very different kind of superhero story. It’s not just about flipping the script for the sake of novelty. It makes a case that superhero narratives are capable of doing much more than simply having the hero save the day from the villain.
Throughout the movie, Megamind finds himself playing a part in every tried and true trope we’ve come to expect in a superhero movie. He starts off being a villain because that’s what he assumes he’s meant to be. He starts questioning that assumption because by defeating Metro Man, he finds himself without a greater purpose. In pursuing that purpose, he find out that those assumptions had serious flaws.
Such assumptions weren’t inherently right or wrong. It was a matter of digging a little deeper into the concept of heroes and villains, finding out along the way that the role he thought was right for him wasn’t the one he ultimately wanted. By the end, he still dresses like a villain. He’s still not nearly as handsome or powerful as Metro Man. However, he still chooses to become Metro City’s greatest hero.
This subversion of expectation works because it’s used to build a story rather than just tweak a few details. Moments like the revelation about Rey’s parents being nobodies or Arya Stark killing the Night King had only minor shock value, but they didn’t really factor into the larger plot.
If someone other than Arya had killed the Night King, then it wouldn’t have changed much in terms of how the last few episodes of “Game of Thrones” panned out.
If Rey’s parents turned out to be someone important in “Star Wars: The Last Jedi,” it wouldn’t have substantially altered how the events that followed played out. Rey still wouldn’t have joined Kylo.
Ultimately, those subversions just felt like trolling. These details that people thought were important just turned out to be tricks or ploys meant to get a reaction. It comes off as both dishonest and insincere. They might not have been intended as such, but given the fan reactions, I can understand that sentiment to some extent.
You thought all those prophecies about Jon Snow and the Night King meant something? Well, that turned out to be a big waste of time.
You thought Rey’s parents would impact the course of the movie? Well, that was just a complete waste of time, at least until “Star Wars: Rise of Skywalker” changed that.
At times, it felt like the story was tempting people to get engaged and then slapped them in the face the second the plot went in a different direction. As a result, it didn’t feel at all surprising or engaging. It just felt insulting.
Contrast that with “Megamind.” At no point does the plot attempt to demean the audience or anyone who enjoys the traditional superhero narrative. The subversion is in the synopsis. That same subversion is used to build a larger story that fleshes out characters who started out in generic roles, but ultimately embraced a different role.
This shift never feels forced or contrived. It’s not done just to get a cheap thrill or to stand out. At its core, “Megamind” uses the concept of subverting expectations to tell a better story than it could’ve told if it stuck to the traditional superhero narrative. That’s why it works.
Unfortunately, that’s also why other recent attempts keep failing. Whether it’s a movie, a TV show, a comic book, or a video game, the concept has been used in a misguided effort to do something different. Subverting expectations has become synonymous, to some extent, with doing something new and bold. The importance of telling a compelling, coherent story is never more than secondary.
I get the importance of trying new things, especially when that genre has been played out in so many forms. However, doing so does not mean taking audience expectations and defying them in a way that feels blatant. At best, it just makes the story confusing. It’s just different for the sake of being different. At worst, it insults the audience and makes them feel denigrated for enjoying that narrative in the first place.
It can be done and done well. “Megamind” is proof of that. It doesn’t just subvert expectations for the superhero genre. It dares to build a story around it and even have a little fun with it along the way. It doesn’t at all take away from the genre it parodies. It just uses it as a foundation to tell a unique story.
No matter how many expectations you subvert, there’s no substitute for a quality story. “Megamind” gives us that and the undeniable charm of Will Ferrell. That’s what makes it so enjoyable.
At a time when the stream of bad news seems endless and unyielding, you need to embrace the good news as much as you can, no matter what form it takes. Most of the time, you have to focus on the little things. While those can be good, there’s still a place for big, awesome revelations that make the world feel slightly less terrible.
Late yesterday, a uniquely awesome story broke in the world of Star Wars. Say what you will about the movies, but “The Mandalorian” was a perfect manifestation of everything that’s great about Star Wars. It had a little of everything on top of the galactic level of cuteness that is Baby Yoda. It’s hard to imagine this show getting any better.
Well, according to SlashFilm, “The Mandalorian” is about to raise the bar once again. This time, it comes from a familiar source and one that has a special place in my heart. That source is Ahsoka Tano, a character I go out of my way to praise and chrish with every midichlorian in my being. If SlashFilm’s report is true, she’s about to make her live-action debut in the next season of “The Mandalorian,” courtesy of Rosario Dawson.
We have exclusively learned that Rosario Dawson will appear in The Mandalorian season 2 and are excited to report that she will be playing a fan-favorite character previously only seen in the Star Wars animated productions. Dawson will be playing a live-action version of Ahsoka Tano, Anakin Skywalker’s Jedi padawan apprentice who appeared in Star Wars: The Clone Wars and Star Wars: Rebels. This would be the character’s first appearance in live-action.
I cannot put into words how excited I am. I’m already a fan of Rosario Dawson, having grown fond of her character in “Daredevil” and “The Defenders.” She has what it takes to bring Ahsoka to life. While Ashley Eckstein will always be Ahsoka’s true voice, I believe Rosario Dawson can bring her spirit to life.
Ahsoka reflects the best of what Star Wars can be. She embodies the journey, the struggle, and the hardship that comes with doing the right thing when everyone else is doing so much wrong. Her instincts aren’t always right and her attitude isn’t always endearing, but there’s no denying her spirit.
She’s a special soul and one that the world of Star Wars needs right now. I really hope this report turns out to be true. I look forward to seeing Ms. Dawson don her Togruta attire. Between her and Baby Yoda, the future of Star Wars looks both bright and adorable.
Back in 2012, Tupac Shakur appeared in concert at Coachella in 2012. That’s quite a feat, considering he died in 1996. The Tupac at the concert was just a hologram, but even his digital presence helped make that concert an experience to remember.
In 2019, Samuel L. Jackson played a young Nick Fury in the “Captain Marvel” movie. That too is quite a feat, considering Mr. Jackson was 70 years old at the time. He was able to appear young, thanks to advanced CGI that effectively de-aged him.
Other dead celebrities have shown up in other media. The since deceased Peter Cushing reprised his role as Grand Moff Tarken in “Star Wars: Rogue One” thanks to similar CGI technology. Paul Walker was able to get a proper send-off in “Fast and Furious 7” after his tragic death thanks to this technology. As the technology improves and other famous celebrities pass on, this practice is likely to continue and expand.
That raises some interesting questions that has some profound, yet disturbing implications. Some of those questions are easier to answer than others. This is the easy one.
Will there eventually be a celebrity who becomes digitally immortal?
The short answer is yes.
The long answer is eventually, but there will be some complications along the way.
Modern CGI technology is amazing. We’ve come a long way from the flashy, but wholly unrealistic graphics of “Tron.” Through the development of technology like artificial intelligence deep fakes, which has its own mix of dystopian uses, it’s possible to replicate someone’s appearance, voice, and mannerisms. This replication isn’t perfect, but it’s getting to a point where it’s hard to tell it’s fake.
As this technology improves, it’ll get to a point where a rendering of a celebrity isn’t just indistinguishable from the real celebrity. It’ll be capable of saying, doing, and acting in any way a studio or producer would want. While that has some dangerous possibilities for political ads and porn, it could also completely change the entertainment industry.
That Tupac hologram I mentioned earlier was basically just a recording synched to a projection. Even though Samuel L. Jackson was de-aged in “Captain Marvel,” the actor still had to be there to give him the necessary voice, mannerisms, and attitude. He couldn’t have been a hologram and be believable. The technology just isn’t there yet.
It will get there, though. There doesn’t need to be some huge leap in computer technology or artificial intelligence to make an entirely digital celebrity. It’s just a matter of processing power, data crunching, and better hardware. It will happen. It might even happen within the next couple decades. That raises another key question.
Who will be the first digitally immortal celebrity?
By digitally immortal, I don’t just mean recordings set to holograms or faces projected onto body doubles. A truly digitally immortal celebrity will be capable of starring in new movies and TV shows long after their dead. They’ll be able to make new music and perform it, albeit through a hologram. While their bodies might be gone, they’ll never stop contributing to pop culture.
That definitely has some legal implications. I doubt any studio could get away with creating a digital rendering of Carrie Fisher to star in a new movie. However, I suspect one celebrity will eventually license their figure and likeness so that they can keep being celebrities, long after they’re dead. Maybe they’ll do it so their families can be fincianlly set for life. Maybe they’ll do it because they never want to leave the public eye.
Whatever their reasons, someone will eventually do this. It’s just a question of who.
Will it be Taylor Swift?
Will it be Tom Cruise?
Will it be Jennifer Lopez?
Will it be Samuel L. Jackson?
It’s hard to say. If I had to bet money, I’d put it on Samuel L. Jackson. Knowing Disney and their vast resources, I’d be shocked if they weren’t investing in this technology this instant. Bankable celebrities are an increasingly precious commodity in the entertainment world. The incentives are there. It’s just a matter of time and a matter of whom.
Personally, I’d love to hear Samuel L. Jackson call people motherfuckers for generations to come. That’s just me.
Last week, I expressed my genuine excitement about the final season of “Star Wars: The Clone Wars.” A big part of that excitement is due to the prospect of seeing more Ahsoka Tano, a character I’ve praised before and will likely praise again in the future. I make no apologies for that excitement. I also won’t apologize for calling Ahsoka one of the greatest characters in Star Wars.
By that, I don’t just mean the greatest female character. I know great female characters have become politically charged in recent years, sometimes for all the wrong reasons. However, Ahsoka’s greatness transcends that whole debate. I’ll go so far as saying that she’s one of the best characters in Star Wars, period.
That’s not a slight against fans of Han Solo, Princess Leia, Rey, Kylo Ren, Boba Fett, Darth Vader, or Darth Maul. I understand why those characters have dedicated fans. For me, personally, Ahsoka is the character who best reflects everything that is great about Star Wars. Between her and Luke Skywalker, they help make this galaxy-spanning saga as epic as it deserves to be.
I could write countless articles on why Ahsoka is such a great character. I doubt that would be enough to cover everything. Other than binge-watching the show on Disney-plus, it’s hard to grasp everything that makes her such a compelling character. Thankfully, others who are more talented and articulate than me have already done a much better job than I’ll ever do.
For those who don’t have time to binge-watch six seasons of “Star Wars: The Clone Wars,” here are a couple of video essays from a user named XBadgerKnightX, who has made some quality Star Wars themed content over the years. However, it’s his videos on Ahsoka Tano that really stand out.
There are plenty of other articles and videos that highlight Ahoska’s journey and why she’s such a compelling character. These two are the best I could find. If you’re not convinced about Ahsoka’s value to the Star Wars mythos, I encourage you to watch both videos.
Here is Part 1.
Here is Part 2.
If, after all that, you’re still not convinced, then I don’t know what will. I can only assume you’ve been corrupted by the Sith.
Some things are worth waiting for. At the top of that list are things like finding the love of your life, going on a dream vacation, or having your first legal glass of whiskey. For Star Wars fans, the seventh and final season of “The Clone Wars” is likely at the top of that list.
I’m not talking about the sub-par movie that Hayden Christiansen will never live down. I’m talking about the incredible animated TV show it spawned. Say what you will about the quality of the prequel Star Wars trilogy, and many things have been said, but it still brought us the “The Clone Wars.” For me, that was worth enduring Jar Jar Binks.
This show encapsulates everything that’s awesome about Star Wars. Even if you never saw the movies or are only marginally familiar with them, this show has plenty of appeal. From the animation to the story to the voice acting, every details is perfectly refined to maximize everything that’s great about Star Wars.
It’s only flaw was that it ended abruptly after Season 6. There’s a long, convoluted reason for that. It’s not worth getting into, but it doesn’t matter now. The Disney overlords that now own Star Wars are giving “The Clone Wars“ the last season it needed to complete the story.
As someone who fell in love with this show, I couldn’t be more excited. Given that I’ve seen all the Star Wars movies, I know how it ends and where it leads. Anakin Skywalker is still going to become Darth Vader. The republic will fall and Emperor Palpatine will rise to power. However, I’m still excited and the reason for that can be summed up in two words.
I’ve mentioned her before. I’ve made my case as to why she’s one of the best characters in all of Star Wars. Everything that made her great began in this show. She became the kind of character that Star Wars fans of every generation can root for within this show. Now, she’ll have a chance to further demonstrate her strength in one more season.
Watch the trailer. See all the ominous signs of what’s to come. See the emerging darkness within Anakin. Most importantly, watch how Ahsoka sets herself up for an battle that’s sure to be another epic struggle.
Say what you will about Baby Yoda, but to see Ahsoka Tano battle Darth Maul in a light sabre duel is more than worth a Disney Plus subscription.