Tag Archives: Marvel Comics

A Meta-Level Marvel: A Review Of “Deadpool 2”

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When a movie becomes an unexpected hit, both with critics and at the box office, the biggest question isn’t whether or not the studio will make a sequel. Major studios just love money too much. It’s just a matter of whether or not the sequel will be able to capture the magic of what made the first movie so great.

The first “Deadpool” movie was an unexpected hit that Fox didn’t even want to make. It broke so many rules, both with its R-rating and with its unorthodox approach to making superhero movies. In fact, it spent a good chunk of its overly violent first act establishing that “Deadpool” is not a superhero movie and Deadpool, the character, isn’t a traditional superhero.

By daring to be different while also embracing everything that’s lovable and unique  about the character, “Deadpool” found a way to work, despite a paltry budget and an audience that still hadn’t forgotten Deadpool’s disastrous first appearance in “Wolverine Origins.” Now, “Deadpool 2” faces a new, but less daunting challenge in following up the unprecedented success of its predecessor.

Well, I’ll gladly spoil one detail about this movie. It matches, exceeds, and kicks the ever-loving shit out of those challenges. If you enjoyed the first “Deadpool” movie, then you’ll find plenty to enjoy with “Deadpool 2” and then some. Even if you found yourself unsatisfied with the first “Deadpool” movie, “Deadpool 2” will hit leave you feeling content in a way not possible without the aid of heavy stimulants and skilled hookers.

I realize that’s an overly vulgar way of saying that “Deadpool 2” is a great movie, but after seeing it, I think that’s perfectly in keeping with the spirit of the movie. It is, like its predecessor, an R-rated spectacle that does plenty to earn that rating. There’s plenty of profanity, violence, adult themes, and a lot of butt jokes.

Seriously, this movie doubles down on the appeal of butt jokes. It’s not quite in the same cartoonish mold as “South Park,” but it works because it’s a Deadpool movie. It needs to be vulgar and crude for the same reason water needs to be wet.

However, it’s not just the butt jokes, the violence, the crude humor, or the inherent lovability of Ryan “Mr. Blake Lively” Reynolds brings to the table. There are deeper, less juvenile appeals in “Deadpool 2” that help distinguish it from other superhero movies. It’s true to the Deadpool brand, but still finds a way to transcend its genre.

In the same way the first “Deadpool” movie mixed its superhero narrative with that of a genuine, sex-positive romance story, “Deadpool 2” does something similar. Instead of a romance story, though, the movie frames itself as a story about family and how to find one in an unfair, unjust world.

It’s a story that deals with serious issues of abandonment, abuse, and injustice. It does much more than its predecessor to incorporate the struggles minorities face that have played out in previous “X-men” movies. However, “Deadpool 2” never feels too much like an X-men movie. It keeps things personal and that’s key to making its story work.

Besides butt jokes and breaking the 4th wall, the underlying theme that drives the narrative in this movie is how everyone’s family gets shattered by various forces. Deadpool loses his family. Cable loses his family. Russell, also known as Firefist, is basically without a family from the beginning.

Those respective losses are what drive the characters through the story. That gives it a level of emotional weight that you wouldn’t expect for a movie based on a wise-cracking, exceedingly violent character who was heavily derived from an established DC character. That emotional weight is critical for both Deadpool and his supporting cast.

It’s here where “Deadpool 2” further improves on its predecessor. Unlike the first movie, it digs a little deeper into the vast catalog of X-men characters. The most important of those characters is Cable, the time-traveling badass whose convoluted origin story involves a clone of Jean Grey. It’s a character that Josh Brolin brings to life perfectly.

Already riding high from how he played Thanos in “Avengers: Infinity War,” Brolin’s Cable brings a gruff balance to Deadpool’s quirky persona. That’s not just critical for the overall feel of the movie. It’s a critical element to their relationship, as established in the comics.

It’s not at all necessary to be familiar with their history in the comics to appreciate it in this movie, but as a life-long X-men fan, it’s nice bonus to see the spirit of the comics find their way into the movies. Given how often superhero movies take liberties with comic lore these days, that does count for something for fans like me.

As a result, Cable’s gruff, overly serious demeanor complements Deadpool’s eccentricities perfectly. Having both suffered immense personal losses, they both seek the same thing. Their methods are just very different and that makes for some glorious conflict, complete with references to Brolin’s role as Thanos and his role in “The Goonies.”

Aside from Cable, “Deadpool 2” also brings in other familiar X-men characters. That includes Colossus and Negasonic Teenage Warhead, who had significant roles in the first movie. It also involves newcomers Bedlam, Shatterstar, and most notably, Zazie Beetz’s Domino. While not all these characters get a chance to shine, Domino does plenty to steal the show in multiple scenes.

There’s even a lengthy list of cameos throughout the movie and not just of the Stan Lee variety. The movie, even with its more serious themes involving family and loss, still finds plenty of ways to lighten the mood and have fun with itself. It never takes itself too seriously or gets too dark. It finds a way to mix in just the right amount of humor into everything.

By nearly every measure, “Deadpool 2” checks all the necessary boxes for an appropriately uncanny sequel. It offers a rich array of content that builds on what the first movie established along with plenty of bonus material, including one of the best post-credits scene of any superhero movie. Even if you don’t care for the movie, that post-credits scene will put a smile on your face, especially if you hatedWolverine Origins.”

That’s not to say it’s a flawless movie. I wouldn’t put this movie above “Avengers: Infinity War” and not just because it’s a different kind of movie. “Deadpool 2” does a lot of things right, but it leaves some things unfinished. There are times when it rushes certain plot elements. As a result, characters like Vanessa and the lovably under-powered Peter feel wasted.

There are also a few instances where the the story feels choppy. Those instances are minor, though. While it would’ve been nice to establish a few other details about characters like Cable and Domino, the overall structure of the movie still works because it keeps the plot of “Deadpool 2” concise. It never tries to cram too much into the story, which has derailed more than a few superhero movies. See “Spider-Man 3.”

Overall, “Deadpool 2” is awesome because it has an identity and sticks to it. There’s crude humor, violence, and plenty of 4th wall breaking. There’s also genuine heart. In the same way the romance elements in the first movie felt sincere, the themes of family and finding a place in an unjust world feel just as sincere in this movie.

You’ll laugh and you’ll feel throughout “Deadpool 2,” but chances are you’ll probably do more laughing. As a whole package, “Deadpool 2” gives you plenty of reasons to leave the movie with a big smile on your face. Whether you’re an X-men fan, a superhero fan, or a fan of neither, this movie gives you something to enjoy.

If I had to score “Deadpool 2,” I would give it a 9 out of 10. It’s not flawless, but it’s pretty damn close. It’s exactly what you want it to be and then some. The ability to make more butt jokes is just a nice bonus.

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Filed under Comic Books, Jack Fisher, Superheroes, superhero movies, X-men

The following is a review I wrote for PopMatters on X-men: The Wedding Special #1. Enjoy!

Musings on Mutant Matrimony: X-Men: The Wedding Special #1

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May 17, 2018 · 7:31 pm

The following is a review I wrote for PopMatters for Avengers #1. Enjoy!

Marvel’s Avengers #1 Defends Old School Avenging

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May 3, 2018 · 2:06 pm

How Superhero Movies Are Preparing Us For The Future Of Human Enhancement

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As a kid growing up on a healthy diet of superhero comics, video games, and superhero-themed cartoons that were very much ahead of their time on social issues, I often daydreamed about how awesome it would be to have the same powers as my favorite heroes. As an adult, I still daydream every now and then, often when I’m tired, frustrated, or stuck in traffic.

A major component in the overall appeal of the superhero genre is the wish fulfillment fantasy it embodies. Captain America represents the peak of physical conditioning. Iron Man represents the peak of technological know-how. Superman represents the peak of pretty much every possible feat we can imagine, a few of which are even impossible.

It’s a common fantasy of anyone who ever struggled in gym class or couldn’t open a can of pickles. It is, after all, those moments of struggle that remind us of just how limited we are, as humans. Our bodies are remarkable in so many ways, but they’re still frustratingly frail.

That status, however, may very well change. Unlike every other point in the approximately 200,000 year history of the human species, we’re actively working to transcend the limits of evolution through advances in biotechnology, advances in the treatment of disease, and even the integration of cybernetics into our brains and even our genitals.

Some of these advances are closer than others. Chances are that most people alive today won’t live to see the day when they can shape-shift at will like Mystique or fly around like Iron Man in mech suits designed by Elon Musk’s descendants. However, there may be young children alive today who will live long enough to see such wonders.

I’m not the only one who thinks this. There are people out there much smarter than me who believes that the first functionally immortal person is already alive today. They still might be in diapers, but there is a real chance that by the time they’re as old as I am, they’ll live in a world where things like aging, disease, and not being able to run 13 miles in 30 minutes like Captain America is a thing of the past.

A lot has already changed in the time I’ve been alive. I still remember a time when the idea of computers that could fit into your pocket was seen as too futuristic for some people. It was seen as just a fancy gadget from Star Trek. Given that kind of change, it’s hard to imagine what the next several decades holds for the future of humanity.

That’s where superhero media is helping in unexpected ways, though. To some extent, the modern superhero media of today is doing the same thing “Star Trek” did for previous generations. It doesn’t present a fanciful world where big green men can smash monsters or where a sickly young army recruit can be instantly transformed into the ultimate soldier. It offers a tantalizing vision of what the future could be.

It’s a vision that I believe got muddied between the end of the early “Star Trek” era and rise of modern superhero movies that began with “X-men,” “Iron Man,” and Christopher Nolan’s “Batman Begins.” Within that gap, events like Watergate, the the Vietnam War, and the rise of less optimistic, much more cynical generations made it very difficult to look forward to a better future.

Modern superhero movies have not eliminated that cynicism, but I believe it has helped tempered it. Optimism, as a whole, is actually on the rise. As bad as some recent headlines have been, some being downright disturbing, there is an increasing sense that the future is not all doom and gloom. We still dare to daydream about a better tomorrow.

More recent superhero movies, especially those that began with “Iron Man” and the emergence of the Marvel Cinematic Universe, aren’t nearly as fanciful as the old Richard Donner “Superman” movies. They’re not as gritty as Christopher Nolan’s “Batman” movies either. In a sense, this health balance has presented audiences with a world that still feels fanciful, but is also full of possibilities.

The idea that we can use science and biotechnology to turn someone who was once weak and sickly into the pinnacle of strength is not just a product of Jack Kirby’s legendary imagination. There are people working on that as I write this. It’s not out of the realm of possibility that we may one day enhance ourselves to the same level as Captain America.

Chances are we won’t even stop there. As I noted earlier, the human body has a lot of flaws. Also, thanks to the painfully slow progress of evolution, it hasn’t been upgraded in over 100,000 years. From our biology’s perspective, we’re still cavemen roaming the African Savannah with spears and rocks. Our bodies need upgrades, especially if we’re to become a space-faring species like the ones in “Guardians of the Galaxy.”

Some of those upgrades will come sooner than others. The end result, though, will be something far greater than even Captain America’s abilities. Some of those abilities seem impossible now. Remember, though, it wasn’t that long ago that the idea of computers in our pockets seemed just as impossible.

This is where, I believe, modern superhero movies are doing a much greater service than just entertaining the masses and making billions of dollars for Disney. Through heroes like Captain America, Iron Man, Thor, and even “Ant Man,” these movies make the case that such enhancements can do more than just fight invading aliens.

These movies can also help make the case that humanity can use these advancements to become better, as a whole. Characters like Steve Rogers, Tony Stark, Scott Lang, and Peter Parker all have the opportunities to be both destructive and productive with their enhanced abilities. At times, they even lapse into destructive tendencies, as we saw with Tony in “Iron Man 3.”

In the end, though, these characters use those enhanced abilities to do good for the world. They’re still human and they still have human flaws, which they don’t even try to hide. However, even with these flaws, they still feel inclined to do good, heroic things with their abilities.

That doesn’t just make for a good superhero narrative. It sends the message that we, as a species, can aspire to do so much good with the advances the future brings. There are still plenty of dangers, both with existing technology and with emerging technologies. The essence of the superhero narrative, though, tells us that we can confront those dangers and come out of it better than before.

That’s an important mentality to have as we move into an era where human enhancement is both possible and common. By believing we can use it to pursue the same heroics as the superheroes in movies like “The Avengers,” we give our species the push it needs to advance in a way that brings out the best in us.

There will still be villains along the way, as plenty of superhero movies show. The fact we still root for the heroes, though, helps reveal where our aspirations reside. With these movies effecting an entire generation of young people, I believe modern superhero movies are doing plenty to prepare them for the future of human enhancement.

With the staggering success of “Avengers: Infinity War,” a movie that has raised the bar for superhero movies of all kinds, the impact of superhero media has never been greater. That impact may very well be the key to preparing the next generation for unprecedented advancements in technology, society, and progress. That, to some extent, might end up being the most heroic thing this genre can do.

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Filed under Comic Books, Jack Fisher, Superheroes, futurism, human nature, Sexy Future

Infinitely Astounding And Then Some: My Review Of “Avengers: Infinity War”

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We’ve heard it all our lives from parents, teachers, and cartoon characters. Good things come to those who wait. Patience is a virtue. If something is worth having, then taking your time and going through the process will make it that much more rewarding.

As impatient, overly energetic kids, we hated that. As adults, we still hate it to some extent. However, those inane words of wisdom have proven themselves valid time and again.

To some extent, the Marvel Cinematic Universe has a been a decade-long exercise in patience. That patience has already paid off in so many ways with so many memorable moments, raising the bar for cinematic excellence every step of the way. After ten years of that process, though, how could it possibly vindicate all the patience?

Well, having seen “Avengers: Infinity War,” I’m comfortable saying that all the waiting, hype, and post-credits teasers was totally worth it. Never before has a movie come along that required so much build-up and so much connection from other films over such a lengthy period of time. Never before has a film franchise ever achieved such sustained, consistent success that has raked in billions for its Disney overlords.

By nearly every measure, “Avengers: Infinity War” is the culmination of all those efforts. It’s an effort that spans dozens of movies, made and re-birthed entire careers, and dared to tell the kind of story that required such a lengthy, elaborate process. It’s the kind of movie that, a decade ago, seemed impossible. Well, the impossible has been done and the results are nothing short of astounding.

Beyond the hype, setup, and process that went into making this movie, “Avengers: Infinity War” is a ride like no other. It’s not just about superheroes coming together to battle a common enemy. It’s not just about big battle scenes and witty quips between gods and talking raccoons. This is a movie with a powerful, impactful story that strikes so many emotional chords.

That may seem strange for a superhero movie, which have traditionally been big-budget spectacles meant to delight the inner child/fanboy in us all. The idea that a superhero movie could generate real drama and evoke powerful emotions almost seems like a subversion of the underlying appeal of the genre.

It’s for that reason that “Avengers: Infinity War” is so special. It doesn’t just build around the appeal of all these iconic characters, most of which are older than the actors and actresses playing them. It crafts a story that takes all the emotional stakes that had been set up in other movies and pushes them to the absolute limit.

The emotional journey that began in “Iron Man” and “The Avengers” comes to a head in a way that’s both definitive and powerful. There’s no more teasing surrounding Thanos, the Infinity Stones, and all the agendas surrounding them, many of which began in the earliest phases of the MCU. The stakes are clear, the threat is there, and the battles surrounding both are appropriately epic.

Beyond just the spectacle, though, “Avengers: Infinity War” succeeds in what might be the most important aspect for a movie of this scope and scale. The story and the high-octane clashes that fuel it all unfold in a way that makes the last decade of Marvel movies feel even more relevant.

Marvel big-wigs like Kevin Feige love to say it’s all connected. Well, “Avengers: Infinity War” strengthens those connections. Suddenly, the plots involving the infinity stones, going all the way back to “Captain America” and “Guardians of the Galaxy,” matter that much more.

All those plots gain much greater weight as Thanos fights to retrieve all six stones. Now, all the triumphs and failures of these characters more weight. These characters we’ve been cheering for and connecting with now have to push themselves beyond their limits. The end result is an experience that hits as hard as a punch by the Hulk.

Beyond the connections created by the past ten years of Marvel movies, “Avengers: Infinity War” succeeds in another important way. It crafts the conflict around a powerful, compelling villain. After seeing the movie, I think most would agree that Thanos really steals the show and not just because Josh Brolin’s voice gives us all the right shivers.

It was probably the biggest challenge of this movie, beyond having to build it around a decade of overarching plot points. This movie needed to make Thanos more than just a daunting threat. It had to make him compelling. Given his colorful history in the comics, that was more challenging than most non-comic fans realize.

Thanos needed to be adapted, to some extent, in order for him to work. He couldn’t just be this mad, death-obsessed monster. In a universe that has birthed compelling villains like Loki and Erik Killmonger, he has to have some level of complexity. “Avengers: Infinity War” gives him more than any CGI-generated character could ever hope for.

It’s not just that Thanos is menacing, powerful, and able to subdue the Hulk. It’s that he has a clear, unambiguous motivation. He’s very overt about what he’s doing and why he’s doing it. What makes it all the more remarkable is that he finds a way to justify it that doesn’t come off as outright villainous. I would argue that he justifies his actions are better than any other villain in the MCU.

That doesn’t just make Thanos compelling, as both a character and a villain. It helps create moments that establish he’s not just some overwhelming force of evil. He’s a being who has feelings and emotions. Even in the comics, Thanos is a very emotion-driven character. The emotions, in this case, are directed towards something other than wanting to hook up with the living embodiment of death.

As menacing as Thanos is, though, he’s driven by his passions and those passions push him to the kinds of extremes that make all villains so dangerous. It’s not the same kind of greed and ego that makes Lex Luthor’s villainy so overt. As a result, the Avengers have to tap into their own passions to stop him.

This brings out the best in them as well. There are moments between Iron Man, Spider-Man, Vision, the Scarlet Witch, Starlord, Gamora, and Thor that really elevate the drama. There are moments of romance, building on romantic sub-plots from previous movies. There are moments of heart-wrenching loss, more so than any other Marvel movie to date. Most importantly, though, those moments carry weight and impact.

That, more than anything, is what makes “Avengers: Infinity War” a special cinematic experience that was worth waiting a decade for. To some extent, the movie makes clear that it needed those ten years to build up the drama and story. It also needed those ten years to make us, the audience, really care about all these characters. That way, when the final credits roll, we all feel the true breadth of that impact.

You could, in theory, still watch “Avengers: Infinity War” without having seen any other Marvel movie or superhero movie, in general. Even in that context, it’s still a great movie full of action, drama, and memorable moments featuring gods, super soldiers, and talking raccoons. However, without all the movies that came before it and all the connections from them, it just doesn’t carry the same weight.

If “Avengers: Infinity War” has any flaws, it’s that. To truly appreciate the impact of the movie, it’s necessary to know and somewhat care about the other movies in the MCU that helped set it up. Without that, the movie is just another spectacle. It’s still an amazing spectacle full of quality acting and stunning effects. It just relies so much on the foundation that other movies have crafted.

I’ve no problem saying that “Avengers: Infinity War” is one of the greatest superhero movies ever made. It may very well go onto become the highest-grossing superhero movie of all time. However, it’s not without flaws. They are very minor, but they are there.

If there’s one glaring flaw in this masterful superhero saga, though, it’s that the movie is clearly organized to be in two parts. Like “Kill Bill” or the latest “Star Wars” trilogy, the story is incomplete, by necessity. As a result, the ending feels abrupt. It’s still more impactful than gut punch by an army of Hulks, but it’s one of those endings that never comes off as an endpoint.

This movie is presented very much in the mold of “The Empire Strikes Back” in that it hits the heroes hard, allows the villains to make devastating gains, and really raises the stakes for the sequel. Just as that movie made you want to see Luke Skywalker battle Dearth Vader again, “Avengers: Infinity War” makes you want to see the Avengers take down Thanos.

There’s so many things to love about “Avengers: Infinity War” and what it managed to accomplish. It is definitely a historic achievement for movies and the superhero genre, as a whole. If I had to score it, I’d give it a 9.5 out of 10. It’s not perfect because it’s incomplete, but it’s as close to perfect as anything can get after ten years of build-up.

The wait was long and agonizing, but so worth it. The wait for “Avengers 4” will likely be agonizing as well, but Marvel Studios has made a glorious habit of rewarding such patience so I certainly don’t mind waiting. “Avengers: Infinity War” once again raised the bar. I look forward to seeing how Marvel and Disney raise it again.

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Filed under Comic Books, Jack Fisher, Superheroes, Movie Reviews

Why Superman Is An Icon And Why He Still Matters After 80 Years

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Take a moment and think about how many artifacts of popular culture have endured for 80 years. Even if you’ve got an extensive knowledge of culture or just spend a lot of time browsing Wikipedia, it shouldn’t take long to realize how short that list is. That makes the icons on that list all the more endearing.

Near the top of that list is Superman. Even if you’re not a comic book nerd and can’t stand to watch more than five minutes of a superhero movie, it’s impossible to deny the special place Superman has in our culture. He’s not just a comic book character. He’s not just a superhero either. He’s in a league of his own that transcends any one genre.

That became abundantly clear this past week when Superman celebrated his historic 80th anniversary with the release of Action Comics #1000. As an admitted comic book fan who goes out of his way to explore the deeper messages and implications of comics, this was a pretty big deal for me.

Now, I don’t consider myself as big a Superman fan as I am an X-men fan. I like to think I’ve made my love of X-men quite apparent on this site. However, I still enjoy my share of Superman content. Beyond the comics, I grew to love Superman through his animated series and the Justice League cartoon that was produced by Bruce Timm. To date, those and the Richard Donner “Superman” movie are the definitive Superman for me.

As much as I love those incarnations, though, I understand that Superman’s history is much broader than that. A character doesn’t endure for 80 years without having a rich history and Superman certainly has plenty of that. In that history, he’s evolved a lot in terms of style and portrayal. From battling Nazis in the early 1940s to ditching his iconic red trunks for a while, Superman has had his share of reinvention over the years.

Through all these changes, though, Superman has always embodied a specific set of ideals that helps cement his status as an icon. From his earliest days to his most recent movie version, Superman at his core is an inspiration. He’s epitomizes just how good a hero can be and how profoundly he can influence others.

Some call him the ultimate Boy Scout. Some call him the perfect goody-two-shoes. Some even go so far as to claim that his nauseatingly good nature that Christopher Reeves captured so perfectly in the movies makes him a boring character. Given the sheer breadth of his power, which include some truly insane feats, I can understand that to some degree.

At the same time, though, I would also argue that same annoyingly wholesome nature is part of what makes Superman something much greater than an overpowered superhero. I would even go so far as to say that’s part of what has helped him endure for 80 years and made him an icon that transcends comic books, movies, and heroics in general.

There’s a long, if not bloated, list of superheroes of varying degrees of power. Some are even more powerful than Superman. However, just having power isn’t enough, as any Batman fan will tell you. It’s how a hero uses that power and why they do what they do that helps define them.

By that standard, Superman is the gold standard. His heroism is very much the standard by which all others are measured. He has the power to do things that aren’t just incredible. They’re outright impossible. He still does them, though, because he’s Superman. However, it’s why he does them that’s more important.

Compared to why other heroes do what they do, Superman’s reasons for using all that power for good is as simple as it is profound. It’s the right thing to do. He doesn’t need someone to kill his parents. He doesn’t need to be bound by duty or driven by guilt. He just does the right thing because it’s the right thing. That’s all there is to it.

It’s so simple that it’s almost inane, but it’s profound in its implications. I even explored some of those implications when I explored the nihilistic implications of Superman’s morality, drawing comparisons to Rick Sanchez from “Rick and Morty” of all characters. Regardless of how strong those comparisons are, it doesn’t undercut the impact of that idea.

It’s a big part of what helps Superman inspire others. It’s very much a part of why he still matters today, especially in an era where every heroic character needs some sort of catalyst to become a hero, whether it’s a princess getting kidnapped or someone shooting their dog. Superman doesn’t need any of that. He just does the right thing with his powers because it’s the right thing. That’s all there is to it.

That might not seem like a big deal, especially compared to the more elaborate journeys that other characters go on the path of heroism. Why would someone even want to follow a journey of someone who just does the right thing from the start and doesn’t need to team up with any talking raccoons along the way?

The answer to such a cynical question comes back to inspiration. It’s something that has only become more valuable as we get bombarded by countless bleak headlines. Superman is capable of so much, both in terms of his immense power and altruistic persona. He has such an immense impact when he saves the world, whether by outsmarting Lex Luthor or snapping General Zod’s neck.

However, it’s how those actions inspire others that elevates Superman’s heroics. He doesn’t wear a mask. He doesn’t hide in the shadows. He lets people see his face. He smiles and talks towards civilians, fellow heroes, and even other villains, as Action Comics #1000 so fittingly explored. It’s not just enough to do heroic things. Superman seeks to inspire the heroism in others.

That sentiment is beautifully echoed through the iconic voice of Marlon Brando in Richard Donner “Superman” movie. Even today, after 80 years, they still help define the spirit of Superman.

Live as one of them, KalEl. Discover where you strength and your power are needed. Always hold in your heart the pride of your special heritage. They can be a great people, KalEl, they wish to be. They only lack the light to show the way. For this reason above all, their capacity for good, I have sent them you, my only son.

These are the words of Superman’s biological father, Jor-El. They don’t just lay the foundation for a hero. They reflect the spirit that eventually becomes Superman. They don’t just encourage Superman to use his immense power to help people. They encourage him to inspire.

That inspiration, the idea that a being of such immense power can do the right thing just because it’s the right thing, is why Superman endures. It’s also why he matters now more than ever. We’ve become so accustomed to seeing other iconic heroes and people in the real world get corrupted by power. Superman sets himself apart, showing that it is possible to have great power and still do the right thing.

In a world full of cynical people who may be getting more nihilistic with each frustrating headline, that’s an important concept to preserve. Having power doesn’t have to corrupt someone in the same way that doing the right thing doesn’t require some elaborate motivation, be they dead parents or some failed prophecy. It’s possible to just do the right thing because it’s the right thing.

It’s not enough to just save the day. Superman gives others the hope, strength, and drive to make a better tomorrow. Say what you will about the ending of “Dawn of Justice,” but the breadth of the impact that Superman had on the world through his sacrifice was powerful. It shows why his greatest power is, and always has been, doing the right thing.

That spirit of incorruptible goodness was critical in 1938 and it’s just as critical now in 2018. I would argue it’ll still be critical in 2118, even if we’ve all evolved into cyborgs at that point. Doing the right thing for others in the spirit of pure, untainted altruism is a powerful message and one that Superman embodies to the utmost. That’s what makes him an icon now. That’s why he’ll be an icon for years to come.

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Filed under Comic Books, Jack Fisher, Superheroes, human nature

The following is a review I wrote for PopMatters for Domino #1.

Luck Be A Lady (And Then Some): Domino #1

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April 18, 2018 · 5:32 pm

The following is my review for Venomized #1 that I wrote for PopMatters. Enjoy!

The Poison and Perils of Symbiotic Plots in Marvel’s ‘Venomized #1’

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April 6, 2018 · 10:42 am

“X-Men: Dark Phoenix” DELAYED Until 2019 (Along With Several Other Movies)

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I normally try not to report the news too much on this blog, unless it’s extremely urgent or extremely sexy. Sadly, this is more in line with the former rather than the latter.

Just this morning, Entertainment Weekly reported that “X-Men: Dark Phoenix” is being delayed until 2019. It had been originally scheduled for release this coming November, just in time for the holidays, no less. I even went out of my way to explain why I’m more excited for this movie than I am “Avengers: Infinity War.” It now seems I’ll have to temper that excitement.

Thankfully, unlike a few other movies that keep getting delayed, this change doesn’t seem to have much to do with the movie itself and has more to do with Fox’s scheduling. “X-Men: Dark Phoenix” is just one of several Fox movies getting delayed or pushed up, some of which aren’t related to superhero movies, including the upcoming biopic on Freddy Mercury, “Bohemian Rhapsody.”

While it’s still only minor comfort for me, as a comic book fan and an X-men fan desperate to erase memories of “X3,” I’m willing to be patient for this movie. To see Sophie Turner do justice to one of the greatest X-men stories of all time is definitely worth waiting for.

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Filed under Comic Books, Jack Fisher, Superheroes, X-men

The following is a review I wrote for PopMatters. Enjoy!

Mixing, Mashing, and Monsters in Marvel’s ‘Weapon H #1’

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March 23, 2018 · 5:45 pm