Tag Archives: Domino

Jack Fisher’s Weekly Quick Pick Comic: X-Force #1

Even the cleanest communities need a functioning sewer system. That’s something that even the most wide-eyed, Utopian-seeking idealists understand. Throughout the history of the X-Men comics, Professor Charles Xavier and his X-Men have had to learn this lesson on many occasions. While they don’t outright abandon the idealism at the heart of Charles Xavier’s dream, they understand that less ideal methods are necessary.

That’s where X-Force comes in. Whereas the X-Men are the public photogenic faces of their heroic exploits, X-Force is the secretive, less scrupulous team that fights the ugly battles that need fighting. They are, in essence, the sewer system of Charles Xavier’s dream. Where heroes and idealism fails, they step in.

It’s a tradition that has gone through many eras, dating back to the X-Men’s heyday in the early 1990s. The threats and the circumstances have changed, but the tactics don’t. Even though the X-Men and the entire mutant race are in the best position they’ve been in since the Clinton Administration, there’s still a need for X-Force.

Writer Benjamin Percy, along with an impressive cast of artists, establishes the extent of that need in “X-Force #1” and does so in an appropriately brutal fashion. Charles Xavier may have set up an ideal environment for mutants to thrive, but that environment is still vulnerable to major threats who don’t stop at throwing killer robots at them.

The nature of these threats are vague, as is often the case with X-Force, but their motivations are clear. The new order that Jonathan Hickman built in “House of X” and “Powers of X” has shaken up the geopolitics of the Marvel universe. Mutants are no longer a disorganized hodgepodge of scared mutants, costumed heroes, and Deadpool. They’re a sovereign nation with valuable resources.

While this has set mutants up to prosper like never before, it also makes them a much bigger target. Instead of hunting mutants in dark alleys, there’s an entire country full of them and not all of them have trained in the Danger Room. It doesn’t take long for a shadowy group of masked mutant-haters to take advantage of that.

Initially, it’s hard to know how serious this threat even is. There have been all sorts of shadowy organizations who wear funny masks and dream of slaughtering every last mutant with a smile.  A few have a notable place in the X-Men’s history. However, they’ve never had to face mutants that are this well-organized.

These aren’t just mutant struggling to survive anymore. They have a living island to protect them. They have standing in the international community and they didn’t even need to threaten the planet to get it this time. On top of that, they have powerful psychics, living weapons, and Emma Frost’s sex appeal on their side. How can anyone threaten them?

This is where “X-Force #1” really makes its mark. It doesn’t just set up a new threat for X-Force to combat. It shows that this threat is capable of hitting the X-Men where it hurts. Their elaborate defenses, their legions of powerful mutants, and their emerging place in the international community isn’t enough. They can still be attacked. They can still suffer casualties.

It’s a rude awakening, especially after everything Charles Xavier did to make Krakoa the ultimate haven. It’s also shocking at how successful this attack is. Even those who aren’t traditionally associated with X-Force, such as Jean Grey and Beast, see first-hand how devious their enemies can be.

It’s a harsh reminder that they’re still living in a world that isn’t swayed by their idealism. While some might have their attitudes tempered by diplomacy, life-saving drugs, and Wolverine’s claws, others won’t stop until they’re dancing atop a mountain of mutant corpses.

Those aren’t people that the X-Men can confront through heroic means. This is the kind of challenge that needs X-Force and their less-than-ideal tactics. The last page of “X-Force #1” makes that abundantly clear. The only question is how far are they willing to go in order to respond?

Through its many iterations, X-Force has always had a darker tone to go along with its darker themes. Percy captures that tone perfectly in “X-Force #1.” He crafts a story that isn’t entirely built around X-Force’s harsher tactics and the lines they’re willing to cross. More than anything else, the story reaffirms the need for X-Force.

It lays a foundation that includes characters who are no stranger to X-Force’s methods, such as Wolverine and Domino. It also sets the stage for other characters to play a role, like Jean Grey and Black Tom Cassidy. In other eras, these same characters would oppose the very existence of X-Force or actively fight against them. However, in this new emerging order with Krakoa, they cannot avoid it.

X-Force #1” has most the defining traits that X-Force comics have always had. What makes it stand out is how it builds those traits around a world in which mutants have never had it better. This is as close as they’ve ever gotten to fully realizing Charles Xavier’s dream, but X-Force is still necessary.

It’s a sobering reminder. You could even argue that it’s a necessary reminder. After what happened on the final page, nobody in X-Force is going to forget that anytime soon.

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The following is a review I wrote for PopMatters for “Hunt For Wolverine: Mystery In Madripoor #1.” Enjoy!

Friends Matter in ‘Hunt for Wolverine: Mystery In Madripoor #1’

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May 29, 2018 · 10:07 pm

A Meta-Level Marvel: A Review Of “Deadpool 2”

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When a movie becomes an unexpected hit, both with critics and at the box office, the biggest question isn’t whether or not the studio will make a sequel. Major studios just love money too much. It’s just a matter of whether or not the sequel will be able to capture the magic of what made the first movie so great.

The first “Deadpool” movie was an unexpected hit that Fox didn’t even want to make. It broke so many rules, both with its R-rating and with its unorthodox approach to making superhero movies. In fact, it spent a good chunk of its overly violent first act establishing that “Deadpool” is not a superhero movie and Deadpool, the character, isn’t a traditional superhero.

By daring to be different while also embracing everything that’s lovable and unique  about the character, “Deadpool” found a way to work, despite a paltry budget and an audience that still hadn’t forgotten Deadpool’s disastrous first appearance in “Wolverine Origins.” Now, “Deadpool 2” faces a new, but less daunting challenge in following up the unprecedented success of its predecessor.

Well, I’ll gladly spoil one detail about this movie. It matches, exceeds, and kicks the ever-loving shit out of those challenges. If you enjoyed the first “Deadpool” movie, then you’ll find plenty to enjoy with “Deadpool 2” and then some. Even if you found yourself unsatisfied with the first “Deadpool” movie, “Deadpool 2” will hit leave you feeling content in a way not possible without the aid of heavy stimulants and skilled hookers.

I realize that’s an overly vulgar way of saying that “Deadpool 2” is a great movie, but after seeing it, I think that’s perfectly in keeping with the spirit of the movie. It is, like its predecessor, an R-rated spectacle that does plenty to earn that rating. There’s plenty of profanity, violence, adult themes, and a lot of butt jokes.

Seriously, this movie doubles down on the appeal of butt jokes. It’s not quite in the same cartoonish mold as “South Park,” but it works because it’s a Deadpool movie. It needs to be vulgar and crude for the same reason water needs to be wet.

However, it’s not just the butt jokes, the violence, the crude humor, or the inherent lovability of Ryan “Mr. Blake Lively” Reynolds brings to the table. There are deeper, less juvenile appeals in “Deadpool 2” that help distinguish it from other superhero movies. It’s true to the Deadpool brand, but still finds a way to transcend its genre.

In the same way the first “Deadpool” movie mixed its superhero narrative with that of a genuine, sex-positive romance story, “Deadpool 2” does something similar. Instead of a romance story, though, the movie frames itself as a story about family and how to find one in an unfair, unjust world.

It’s a story that deals with serious issues of abandonment, abuse, and injustice. It does much more than its predecessor to incorporate the struggles minorities face that have played out in previous “X-men” movies. However, “Deadpool 2” never feels too much like an X-men movie. It keeps things personal and that’s key to making its story work.

Besides butt jokes and breaking the 4th wall, the underlying theme that drives the narrative in this movie is how everyone’s family gets shattered by various forces. Deadpool loses his family. Cable loses his family. Russell, also known as Firefist, is basically without a family from the beginning.

Those respective losses are what drive the characters through the story. That gives it a level of emotional weight that you wouldn’t expect for a movie based on a wise-cracking, exceedingly violent character who was heavily derived from an established DC character. That emotional weight is critical for both Deadpool and his supporting cast.

It’s here where “Deadpool 2” further improves on its predecessor. Unlike the first movie, it digs a little deeper into the vast catalog of X-men characters. The most important of those characters is Cable, the time-traveling badass whose convoluted origin story involves a clone of Jean Grey. It’s a character that Josh Brolin brings to life perfectly.

Already riding high from how he played Thanos in “Avengers: Infinity War,” Brolin’s Cable brings a gruff balance to Deadpool’s quirky persona. That’s not just critical for the overall feel of the movie. It’s a critical element to their relationship, as established in the comics.

It’s not at all necessary to be familiar with their history in the comics to appreciate it in this movie, but as a life-long X-men fan, it’s nice bonus to see the spirit of the comics find their way into the movies. Given how often superhero movies take liberties with comic lore these days, that does count for something for fans like me.

As a result, Cable’s gruff, overly serious demeanor complements Deadpool’s eccentricities perfectly. Having both suffered immense personal losses, they both seek the same thing. Their methods are just very different and that makes for some glorious conflict, complete with references to Brolin’s role as Thanos and his role in “The Goonies.”

Aside from Cable, “Deadpool 2” also brings in other familiar X-men characters. That includes Colossus and Negasonic Teenage Warhead, who had significant roles in the first movie. It also involves newcomers Bedlam, Shatterstar, and most notably, Zazie Beetz’s Domino. While not all these characters get a chance to shine, Domino does plenty to steal the show in multiple scenes.

There’s even a lengthy list of cameos throughout the movie and not just of the Stan Lee variety. The movie, even with its more serious themes involving family and loss, still finds plenty of ways to lighten the mood and have fun with itself. It never takes itself too seriously or gets too dark. It finds a way to mix in just the right amount of humor into everything.

By nearly every measure, “Deadpool 2” checks all the necessary boxes for an appropriately uncanny sequel. It offers a rich array of content that builds on what the first movie established along with plenty of bonus material, including one of the best post-credits scene of any superhero movie. Even if you don’t care for the movie, that post-credits scene will put a smile on your face, especially if you hatedWolverine Origins.”

That’s not to say it’s a flawless movie. I wouldn’t put this movie above “Avengers: Infinity War” and not just because it’s a different kind of movie. “Deadpool 2” does a lot of things right, but it leaves some things unfinished. There are times when it rushes certain plot elements. As a result, characters like Vanessa and the lovably under-powered Peter feel wasted.

There are also a few instances where the the story feels choppy. Those instances are minor, though. While it would’ve been nice to establish a few other details about characters like Cable and Domino, the overall structure of the movie still works because it keeps the plot of “Deadpool 2” concise. It never tries to cram too much into the story, which has derailed more than a few superhero movies. See “Spider-Man 3.”

Overall, “Deadpool 2” is awesome because it has an identity and sticks to it. There’s crude humor, violence, and plenty of 4th wall breaking. There’s also genuine heart. In the same way the romance elements in the first movie felt sincere, the themes of family and finding a place in an unjust world feel just as sincere in this movie.

You’ll laugh and you’ll feel throughout “Deadpool 2,” but chances are you’ll probably do more laughing. As a whole package, “Deadpool 2” gives you plenty of reasons to leave the movie with a big smile on your face. Whether you’re an X-men fan, a superhero fan, or a fan of neither, this movie gives you something to enjoy.

If I had to score “Deadpool 2,” I would give it a 9 out of 10. It’s not flawless, but it’s pretty damn close. It’s exactly what you want it to be and then some. The ability to make more butt jokes is just a nice bonus.

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Filed under Comic Books, Jack Fisher, Superheroes, superhero movies, X-men

The following is a review I wrote for PopMatters for Domino #1.

Luck Be A Lady (And Then Some): Domino #1

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April 18, 2018 · 5:32 pm