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New Comic Book Day September 9, 2020: My Pull List And Pick Of The Week

It’s official. We made it through the summer of 2020. In most years, that’s hardly cause for celebration. In fact, around this time last year, I was lamenting over the end of warm bikini-enabling weather. This year is different because this year just objectively sucks for reasons we’re all painfully aware of.

We all have our own way of getting through awful years like this. For me, a weekly dose of new comics has been critical to keeping my broken sprits relatively intact. It’s not just about escapism and distractions, either. Comics are a good reminder that these ideals we still cherish are relevant, even when a pandemic comes so close to breaking us.

In years past, they’ve provided a sense of comfort and reprieve for when school started up. It was still much harder back then because I didn’t have Comixology or day-and-date digital releases. I like to think if I did have it, I would’ve coped better with my circumstances.

However, I don’t want to focus too much on the past or how awful this year has been. Summer may be over, but with another season behind us, we’re that much closer to leaving this awful year behind us. In the meantime, I want to focus on the present and how new comics make it objectively more awesome.

To that end, here is my pull list and picks of the week. Enjoy!


My Pull List

Amazing Spider-Man #48

Captain Marvel #21

Cyberpunk 2077: Trauma Team #1

DCeased: Hope At World’s End #9

Empyre: Aftermath Avengers #1

Empyre: Fallout Fantastic Four #1

The Flash #761

Marauders #12

Superman #25

Wonder Woman #762

X-Force #12

X-Factor #3


My Pick Of The Week
Superman #25

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Upheavals At DC Comic: My Concerns And Hopes

Let’s face it. Pretty much every industry not associated with health care, masks, streaming media, and Zoom calls has been hit hard this year. That’s especially true for certain segments of the entertainment industry. Basically, if you’re a movie studio, a movie theater, a comic shop, or a mall, this year has been like 100 punches to the gut, jaw, and genitals by a crack-fueled Ivan Drago.

That’s how bad global pandemics are. They pull no punches and will hit anything that attempts to prosper, both directly and indirectly.

Those blows extended to the comics industry, as well. As a lifelong comic book fan, I certainly felt it. I haven’t forgotten the weeks on end of having no new comics to enjoy for the first time in over a decade. It was not a pleasant experience. As elated as I was to see New Comic Book Day return, I didn’t doubt for a second that there would be some lasting scars.

Well, now it seems some of those scars are starting to fester and the first one to feel the pain is DC Comics. According to The Hollywood Reporter, the entire DC Comics operation has been hit with major layoffs and restructuring. It’s still intact, but make no mistake. This is the single biggest purging of personnel from a major comics publisher since the mid-1990s.

THR: DC Comics, DC Universe Hit By Major Layoffs

Monday’s WarnerMedia layoffs have affected a significant number of high-level figures at comic book powerhouse DC, multiple sources tell The Hollywood Reporter.

Among those said to be losing their positions are editor-in-chief Bob Harris, senior VP of publishing strategy and support services Hank Kanalz, VP of marketing and creative services Jonah Weiland, VP global publishing initiatives and digital strategy Bobbie Chase, senior story editor Brian Cunningham, and executive editor Mark Doyle, who oversaw the rollout of the Black Label graphic novels. Jim Lee remains the CCO.

Roughly one third of DC’s editorial ranks are being laid off, according to sources.

Insiders also say the majority of the staff of the streaming service DC Universe has been laid off, a move that had been widely expected as WarnerMedia shifts its focus to new streaming service HBO Max.

I can’t understate how big a deal this is to the larger world of comics, but I don’t want to overstate it, either. This situation is objectively bad. There’s no way around it. It’s also not the definitive end of DC Comics. That’s a narrative I don’t want to fuel.

That hasn’t stopped some of the whiniest, dumbest segments of the comics crowd from claiming otherwise. I won’t name names, but they are affiliated with a certain movement in comics that has only become less credible and more insufferable with time. The box office return of the “Captain Marvel” movie is proof enough of that.

Don’t be fooled by what some asshole voices on social media claim. This restructuring is not because DC Comics had too much diversity. It’s more a byproduct of DC Comics having lost its sense of vision, scale, and identity. This is something that happens from time to time in comics. After a while, the whole line loses its sense of self and needs some revitalization.

I can say, as a longtime comic fan, that DC has become somewhat stale in recent years. Even before the pandemic, I felt as though it had lost momentum outside its mainstays. It has primarily been relying on the strength of Batman, Wonder Woman, Superman, Green Lantern, and Flash. As iconic as those characters are, they just can’t sustain the entire line.

There are many reasons for that. I think DC Comics, as a whole, hasn’t had a consistent vision since the days of DC Rebirth. It just got bogged down too much with competing visions, like DCeased and Injustice: Gods Among Us. It also endured way too many delays with its last big crossover event, Doomsday Clock.

The onset of the pandemic just exacerbated a problem that was starting to grow. As bad as things are now, there’s also an opportunity to set things on a better path. That’s my greatest hope for whatever restructuring DC pursues next. It still has plenty to build on. The success of the Harley Quinn show is proof enough of that. It’s just a matter of what form that will take.

That said, I do have major concerns. Comic lines have gone through upheavals before, but never during a global pandemic. This is uncharted territory for the comics industry, as a whole. This is not the era of newsstands and comic shops where top books could easily sell hundreds of thousands of copies. Paperbacks alone are not going to make this industry succeed.

Comics, in the current system, work best as a garden from which new characters, stories, and ideas can blossom. The fruits of that system can later become the basis for TV shows, movies, merchandise, and so much more. DC Comics already has a major media partner in its owner, AT&T. The structure is there. They just have to carve their niche into it.

I understand that’s easier said than done. Right now, a lot of factors are working against DC and the comics industry, as a whole. When all is said and done, comic shops may become much more diminished and trade paperback sales may dwindle to just a handful of titles. I’m not looking forward to that kind of status quo.

The ultimate setup may one day involve DC Comics just abandoning its publishing system, as a whole, and shift to licensing its characters to other companies, such as IDW. That’s very much a last resort, but one that may be more likely if DC can’t get its comics in order.

I want to be hopeful, but I’m also going to brace for the worst. If 2020 has taught me anything, it’s that things can always get worse and the things we love are always capable of succumbing to forces beyond our control. It’s a sad, nihilistic mindset, but one that a global pandemic tends to affirm. Only time will tell and I’ll be waiting with baited breath.

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“Zack Snyder’s Justice League” Teaser Is Here And Why I’m So Hopeful

This past weekend was a damn good weekend if you’re a fan of all things DC Comics. The festivities surrounding DC FanDome, a showcase of the revamped future of DC Comics, was truly a sight to behold. As someone who is genuinely concerned about the future of DC Comics, and the comics industry in general, this was an incredible experience that gives me some tangible hope.

In a year like 2020, hope is almost as precious as a vaccine. Let’s not lose sight of that.

There were many highlights. I already cited the new “Wonder Woman 1984” trailer as a wonder to behold. However, the one teaser that got me most excited was the first full teaser of Zack Snyder’s Justice League, which is set for release on HBO Max in 2021.

Now, the story and politics surrounding this movie are way too complicated, not to mention distressing, for me to go over. I’ve already touched on it before, so I’ll simply present the teaser for those who haven’t seen it. Hopefully, it evokes in others the same excitement I felt.

Now, I want to make one thing clear. I was not among those loudly protesting for the release of this movie. I saw the first “Justice League” movie in theaters. I didn’t hate it, but I could tell that it was not a well-organized movie. While I may not have joined the #ReleaseTheSnyderCut movement, I did hope that we’d get some sort of extended cut at some point, if only because there’s a solid precedent for it.

Solid doesn’t mean good, but in Zack Snyder’s case, I think there’s a context worth considering here. Snyder’s record as a filmmaker is mixed, but the man clearly knows how to think big. For a franchise like DC Comics and Justice League, you need that kind of vision and scale to do justice to these characters. That’s why I thought he was such a good choice to turn DC Comics into a major film franchise.

Snyder approaches movies as a huge, over-arching vision. He’s great at making spectacles. His work on “300” is proof of that. However, Snyder also has a nasty habit of clashing with studios who want to chop his vision up into something people can see in a movie theater without taking one too many bathroom breaks. Oftentimes, that grand vision is difficult to condense into a commercially viable product.

It happened with both “Batman v. Superman: Dawn of Justice” and “Watchmen.” Each movie came out in theaters to mixed reviews by both fans and critics, to put it mildly. However, each movie also has an extended version that came out later. In both cases, the extended product was far superior. They include additional plots and details that make the overall vision more complete and satisfying.

This is especially true of “Watchmen.” Seriously, if you haven’t seen the Ultimate Cut of that movie, I highly recommend it. Even if you hated the theatrical cut, this one is a lot more satisfying, even if it’s over three-and-a-half hours long.

The same goes for “Batman v. Superman: Dawn of Justice.” Its extended cut is far more complete and concise than what we saw in theaters. No, it doesn’t make Jessie Eisenberg any less annoying as Lex Luthor, but it is a more competent and complete movie. It’s just longer and more fleshed out.

There’s also an extended version of Zack Snyder’s other film, “Sucker Punch.” Now, I’m not a big fan of that movie and that extended version doesn’t add much, especially compared to “Watchmen.” However, those extra minutes of footage add critical context to the movie that make it work better, as a story. Even if you don’t like how the movie plays out, you can at least appreciate the context.

In every case, it shows that Snyder had a solid vision for these stories. Too much of that vision got left on the cutting room floor. With “Justice League,” we’re not just talking about an extra half-hour of footage. Basically, this version of the movie contains footage that was almost entirely scrapped for the theatrical cut. It’s the same cast and concept, but a very different vision.

It’s also a vision that will have the time and space to be complete. According to Deadline, this cut of the movie will be nearly four hours long, divided into hour-long segments. That’s a hell of a vision and if history is any indication, it’ll be a spectacle worth seeing.

I, for one, will be eager to see the finished product. Snyder has shown in the past that he can tell a damn good story when he has enough time, space, and energy. HBO Max may be a more fitting platform than a standard movie theater. It may also open the door to a bolder vision for DC Comics in the future.

Only time will tell. All I’ll say from here on out is that the Snyder Cut is almost here. Hallelujah!

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Wonder Woman 1984 Final Trailer!

This year has been objectively terrible, but there’s still time to for it to end feeling slightly less awful. Among the many casualties of this year has been the release of “Wonder Woman 1984.” This movie was supposed to come out back in May. Then, a global pandemic hit and everything wonderful was either cancelled or pushed back.

However, there’s only so much you can do to push back Wonder Woman. Pandemic or not, her wonder is worth fighting for. That includes pushing through with a theatrical release. I don’t care how many masks I have to wear. I don’t care how many times I need to dip my hands in soap and/or hand sanitizer. I’m going to see this movie in a goddamn theater. This final trailer only proves why.

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Henry Cavill Building A Gaming PC In A Tank Top To Barry White Music: You’re Welcome

The internet can be a sick, twisted place. Depending on where you go, you’ll lose your lunch, your innocence, or your faith in humanity and not necessarily in that order. However, every once in a while, it gives us something that reminds us just how awesome the world can be.

Ladies, gentlemen, and those of unspecified gender, I give you Henry Cavill assembling a gaming PC in a tank top, set to Barry White music. Trust me, it’s as awesome as it sounds and the rest of the internet agrees. Don’t believe me? See for yourself.

You’re welcome.

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New Comic Book Day July 1, 2020: My Pull List And Pick Of The Week

In general, I’m a pretty optimistic person. I look at the future with a sense of hope and wonder. That’s why I enjoy writing about futuristic technology. It allows me to speculate on the amazing things that the future may bring us.

Then, a global pandemic hit. After several months of progressively bad news, my optimism is on life support. That’s exactly why I value New Comic Book Day more than ever.

I’ve gone through plenty of tough times in my life. I’ve lived through plenty of tough periods, as well. One of the ways I coped was through my love of comics. Every Wednesday brought both an escape and some much-needed inspiration. It’s what helped me make it through high school and the Bush years.

Now, I’m not sure it’s enough. Don’t get me wrong. I still love waking up early on Wednesday morning, checking into my Comixology account, and reading a stack of new comics with a hot cup of coffee in hand. It’s still one of my most cherished pleasures, especially after the industry got going again.

That said, every day brings awful news that just keeps compounding. This is not a war, a scandal, or even an election. This is a pandemic and it’s getting worse, just as we thought it was starting to get better. It has significantly changed my hopeful outlook on the future, but it hasn’t changed my love of New Comic Book Day.

I hope it’s enough to get me through this dark time. I’m usually confident that it will. Now, I’m not sure. At the very least, I’m ready to take a break from all the awful news and share my pull list and pick. I encourage everyone else to use this as a reprieve, even if it’s brief.


My Pull List

The Boys: Dear Becky #2

DCeased: Hope At World’s End #4

Harley Quinn Black + White + Red #2

Hawkeye: Freefall #6

Killing Red Sonja #2

Red Sonja #16

Star #5

Supergirl #42

Teenage Mutant Ninja Turtles: Urban Legends #24


My Pick Of The Week
DCeased: Hope At World’s End #4

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Superman, All-Powerful Gods, And What Sets Them Apart

superman

Superheroes mean many things to many people, especially at a time when superhero movies routinely dominate the box office. For some, they’re just gimmicks, fads, and marketing tools by big media companies. For others, they are akin to modern day mythology. It’s an apt comparison. Even contemporary heroes have a lot in common with the mythological legends of the past.

Some take it even further than that. Some will go so far as to claim that superheroes are filling the same roles as gods and deities. It’s not just the ones based on Norse or Greek mythology, either. In many respects, many iconic heroes fit many of the common traits ascribed to gods.

Superman is all-good.

Thanos wielding the Infinity Gauntlet is all-powerful.

Lex Luthor, Dr. Doom, and even Mr. Fantastic are so smart that they might as well be all-knowing to most people.

Such divine, god-like feats make for iconic stories that offer lessons and insights on everything from morality to justice to society, at large. While superheroes aren’t worshiped within organized institutions or granted tax-exempt status by governments, they utilize a similar structure to that of other holy texts.

The narrative surrounding superheroes revolves around good, evil, and the struggles that occur in between. Both the good and the evil in these stories takes the form of some grand, larger-than-life character who embodies these traits and implements them on a level that’s impossible for ordinary people to comprehend. That’s what helps make the message so powerful.

However, it’s the qualities that set superheroes apart from deities that offers the most insights. I would even argue those insights are more critical now than they were before Superman, Batman, or Iron Man ever showed up on a movie screen. At a time when organized religion continues to exert immense influence on society, we should be scrutinizing these discrepancies.

I hope it goes without saying that modern superheroes can only do so much to compare with the deities of organized religion. No matter how much money “Avengers Endgamemade at the box office, it will never exert the same influence that the three main Abrahamic faiths have imparted over the two millennia. For better or for worse, history, politics, and the entire species has been influenced by these religions.

The most notable and obvious difference between them and superheroes is that the deities of religion aren’t presented as entertaining fiction. To the believers of Christianity, Judaism, Islam, and many other religions, the deities and the characters in their holy texts are real. They’re not myths or legends. They’re real people and real forces that have real effects.

Regardless of how true that is, and I know atheists will point out how none of those effects can be verified, this is the critical difference between superheroes and deities. Adherents don’t just believe that these characters are real. They place their trust and faith in them, believing that doing so will guide them in life and protect them in death.

I understood this difference as a kid. I was both a fan of superhero comics and surrounded by relatives who were devout believers. I knew they didn’t see their holy texts the same way I saw Superman comics. Superman was just another character. They knew who created him. They knew he was a licensed fictional character from DC Comics.

However, even back then, I found myself wondering whether those same relatives would see Superman differently if they didn’t know he was a comic book character. I imagine if there were old stories about him from centuries ago, written as though they actually happened, they might be less inclined to discount him as fiction. Some might actually be more inclined to place their faith in him over other deities.

It’s an interesting thought experiment, but it only scratches the surface of what sets superheroes apart from ancient lore. Aside from how real people think these characters are, and some take it much further than others, the standard superhero narrative reveals something striking about the standard religious narrative.

To illustrate, take a moment to contemplate how Superman goes about being a hero. As the gold standard of superheroes for the past 80 years, he sets the highest bar and embodies the highest ideals for a hero. On top of that, he has powers and abilities on par with many deities. At times, he has been shown as capable of destroying an entire solar system with a single sneeze.

Despite all this power, Superman seeks only to help humanity. He doesn’t ask for praise, worship, payment, or sacrifice. He simply does it because it’s the right thing to do. He’s the ultimate paragon, selfless and compassionate to the utmost. The people of Metropolis, and the world at large, don’t need to have faith in him. They just need to trust that he’ll keep doing the right thing.

Contrast that with the deities in holy texts. Many are every bit as powerful as Superman, but display qualities that aren’t exactly heroic. Certain versions of certain deities have been shown to be petty, jealous, and vindictive, sometimes to an extreme. A deity does often help or guide believers in a conflict like a superhero, but it’s rarely done out of pure altruism.

These deities, many of which are believed to have created humanity and the world, exercise a certain level of authority over people. It’s not always outright forced, but the nature of the story provides plenty of incentives and/or punishments to those who rebel or subvert that authority. Some become cautionary tales or outright villains.

Some villains are sexier than others.

In this context, the religious narrative builds an over-arching theme that has little room for heroics. These deities and super-powered beings aren’t necessarily there to save the day. They’re there to maintain the order that they helped create. They function as the glue that holds the universe and humanity together. Anyone or anything that goes against it requires recourse from both adherents and divine forces.

We often see this manifest in the real world when religious people argue that things like homosexuality, which is often condemned in holy books, are this bigger threat to the world. That’s why you’ll hear plenty of dogmatic preachers claim that homosexuality won’t just give people distressing thoughts. They’ll say it will destroy society.

Religious dogma, by its nature, depends on a strict adherence to what is the status quo for a particular place, people, and time. Defending it isn’t just seen as an act of piety. It’s akin to a superhero saving the day from evil forces. Whether those evil forces are demons from the underworld or a gay couple who want to get married doesn’t matter. It’s all about preserving a system.

Conversely, superheroes like Superman don’t limit themselves to a status quo. They’re less driven about how things are and more focused on how things could be. Superman doesn’t just want to save the day and help people who need it. He seeks to give people an ideal for them to aspire towards. This is perfectly reflected in his father’s message to him, as read by the late Marlon Brando.

It is now time for you to rejoin your new world and to serve its collective humanity.
Live as one of them, Kal-El
Discover where you strength and your power are needed
Always hold in your heart the pride of your special heritage
They can be a great people, Kal-El, they wish to be
They only lack the light to show the way
For this reason above all, their capacity for good
I have sent them you, my only son

It’s in this defining message that the superhero narrative distinguishes itself from religious traditions. These superheroes, as powerful as they are, didn’t create us. They don’t hold any inherent dominion over us. They didn’t create the current situation, however flawed it might be. They still seek to help people, carrying out feats that others cannot. That’s what makes them heroes.

One fights to maintain what society is while the other fights for what society could be. These narratives can exist alongside one another and can carry greater meaning for certain people. There are critical lessons in both, but I believe the lessons of Superman are more relevant than anything offered by the stories of religion.

For much of human history, organized religion was part of that social glue that helped keep society stable. For a good deal of that history, society was only as stable as the conditions around it. People hoped and prayed that there wouldn’t be a famine, a storm, or some other catastrophe that they could not control. Survival, even among kings and emperors, was their primary concern.

Things are different now. At a time when food is abundant, poverty is in decline, and education is more widespread than ever, survival isn’t enough. For a planet of billions to thrive, people need to prosper. Doing so means aspiring to something greater than the status quo. That’s exactly what superheroes embody.

That’s not to say that the rise of superheroes is directly linked to the ongoing decline of religion, but the contrasting narratives reflect just how much priorities have changed. Superheroes don’t demand faith, sacrifice, and reverence, just to keep things as they are. They go out of their way to save a world that they believe is worth saving, hoping that it can better itself.

They can help, but they can’t do it for us. That’s another trait that Superman demonstrates, much to the chagrin of villains like Lex Luthor. Like deities of old, he doesn’t use his powers to achieve everything for humanity. He seeks to empower them to achieve those feats on their own. That process of aspiring to be greater than is often an affront to a religious narrative, but critical to the themes of superheroes.

Even if superhero movies stop making billions at the box office, the over-arching message will still be relevant. Faith in what is just isn’t as appealing as hope for what can be. The gods of religion offer comfort in familiar order, but superheroes can inspire hope in something better. Given the many flaws in this chaotic world, I believe that hope is more valuable than any ancient doctrine.

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“Justice League: The Snyder Cut” Is (Actually) Being Released: My Thoughts, My Hopes, And The Implications

It’s happening.

It’s really happening.

After years of hashtags, billboards, and incessant curiosity, it’s really happening. The fabled “Snyder Cut” of 2017’s “Justice League” is going to be released. Near as I can tell, this is not a joke. It’s not some wild rumor that some renegade trolls concocted. This is real. According to major entertainment news outlets, including The Hollywood Reporter, this is going to happen.

Zack Snyder’s original vision for “Justice League” is coming out in 2021 exclusively on HBO Max, the latest entry to the streaming wars, courtesy of Warner Brothers. I doubt those outside devoted fans of comic books and superhero movies understand why this is such a big deal, but as someone within that circle, I can assure you that this is big.

Rather than explain the whole story, I’ll just cite The Hollywood Reporter, which does a commendable job of summing up the issues. If you need more information on the story of this mythical cut of an otherwise forgettable movie, Forbes also did a decent rundown of the timeline.

THR: Zack Snyder’s $20M-Plus ‘Justice League’ Cut Plans Revealed

In the time since its release, something unusual happened: A growing movement of fans, rallied by the hashtag #ReleasetheSnyderCut, had called, agitated, petitioned — even bought a Times Square billboard and chartered a plane to fly a banner over Comic-Con — for Snyder’s version to be released. And on the film’s second anniversary, the hashtag had its biggest day ever — with even the movie’s stars Gal Gadot and Ben Affleck adding their voices on Twitter.

So here, the morning after, was their agent saying that Toby Emmerich, chairman of Warner Bros. Pictures, was acknowledging the movement, and more importantly, was willing to accede. “This is real. People out there want it. Would you guys ever consider doing something?” was what Emmerich was asking, Zack Snyder recalls.

The answer to Emmerich’s question, a whispered-about secret for months, was revealed Wednesday when Zack Snyder confirmed, at the end of an online screening of his 2013 movie, Man of Steel, that his version of Justice League was indeed real. And that it will be coming to HBO Max, the WarnerMedia digital streaming service launching May 27, and is expected to debut in 2021.

Now, I have my share of opinions about “Justice League” and Zack Snyder. I actually saw the theatrical version of “Justice League” when it came out. While I gave it a respectable review, I don’t deny that the movie has its flaws. I’m not an overall movie buff, but even I could tell that the movie was heavily edited. There was definitely a vision and plenty of potential, but a lot of it got lost on the cutting room floor.

In its current form, Justice League” is one of those movies that gets less compelling with age. You can see it once, have an enjoyable experience, and completely forget that experience within weeks. It’s not a movie that you can re-watch and feel engaged. It’s just too bland and sanitized.

Snyder’s cut of the movie promised to be different. He had a much different vision, but couldn’t realize that vision due to a family tragedy that tore him away from the project. Now, we’ll get to see the essence of that vision.

Personally, I’m curious. I’m not curious enough to shell out money for yet another streaming service, but I’m certainly interested in what Snyder had planned for this movie. A big part of that curiosity stems from Snyder’s history as a filmmaker whose vision tends to get lost on the cutting room floor.

This has happened to him multiple times before and for other superhero movies. There were a lot of heavy criticisms levied against “Batman v. Superman: Dawn of Justice” and some of those criticisms were valid. However, the longer and more complete Ultimate Edition of the movie directly addressed some of those flaws. I honestly think the movie would’ve done better if that edition had come out.

A far more notable example, in my opinion, involves Snyder’s take on “Watchmen.” That movie is somewhat polarizing among fans, although I personally liked it. However, this movie has multiple extended cuts, including a director’s cut that Snyder himself says is most consistent with his vision for the film.

That’s actually the version I own on blu-ray. I think it’s an underrated gem among superhero movies. It’s more complete, concise, and compelling. It better encapsulates the essence of “Watchmen” and the story it tries to tell.

It’s because of these instances that I believe will help Snyder’s cut of Justice League.” History shows that he can tell a great story, so long as the critical details aren’t cut out in the final edit. Granted, editing is a core aspect of finalizing a movie. It’s necessary to get a movie to within a reasonable time-frame for a movie-watching experience. Not everyone wants to sit in a theater for four hours unless it’s something J. R. R. Tolkein wrote.

Snyder’s desire to tell a larger story seems to get away from him. In that sense, it might be a good thing that this isn’t coming out in theaters. Instead, it’s coming out on a streaming platform that people can consume at their own pace. People already consume hours on end of old shows. Consuming a four-hour movie isn’t quite as daunting. Just look at “The Irishman.”

This is where I feel the larger implications of this announcement may come into play. A non-insignificant reason why Snyder’s movies keep getting chopped up into something that doesn’t do well with critics or fans is because they’re so long. His efforts to tell a bold story just don’t fit within that reasonable two to three hour time-frame for a movie. Movies like “Watchmen” reveal that those stories can be compelling.

Beyond the story, the impact of the Snyder Cut could extend beyond Justice League,” superhero movies, and the movie-making process as a whole. This is where I believe there could be larger implications that will likely impact future movies, including those that don’t involve superheroes.

For decades, there has been this idea that movies have to operate within certain restrictions. For the most part, there’s merit to those restrictions. Movies beyond three-and-a-half hours just aren’t feasible for a general audience or their bladder. A trilogy like “Lord of the Rings” was a rare exception, but could never become the norm.

Thanks to streaming platforms like Netflix and HBO Max, this may no longer be the case. Now, there’s a new method for releasing these movies. The current global pandemic, as well as the recent success with direct-to-streaming releases, will further raise the importance of those platforms.

With these new tools and emerging trends, why should movies be confined to the limits imposed by movie theaters? Why can’t there be a four-hour Justice League” movie? Why can’t there be a five-hour Avengers movie? Why does any movie have to be chopped up and edited to such an extent that it loses important aspects of its plot?

The Snyder Cut could make the case that those restrictions need not hinder a bolder vision. There’s still a place for the kinds of popcorn movies we see in theaters, but why not also invest in a place where a movie like Snyder’s cut of “Justice League” can also exist?

The world of movies, media, and story-telling is changing. Regardless of how the Snyder Cut ends up being in the eyes of fans, its impact could be far greater. Hopefully, it leads to bigger, bolder, and better stories. It may not always warrant the cost of another streaming service, but it opens the door to so many possibilities.

Time will tell. Hopefully, we’ll see if the wait was worth it in 2021.

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New (But Still Limited) Comic Book Day: May 20, 2020

Another Wednesday is upon us. Sadly, the world is still an omega level clusterfuck. While some parts of it are re-emerging, the road to something more tolerable is nothing short of glacial. This extends to the world of comics, but there’s still some progress to note. Some is still better than none. At this point, the bar is just that low.

That should pick up, assuming things don’t go to Hell again, in the coming weeks. Both Marvel and DC Comics have finalized release plans for new books, some of which were originally set for release two months ago. That’s a long time to wait in the comic world. Even comic fans like myself have endured agonizing delays before, this is uncharted territory for the industry.

Will comics as we know it return?

Will the industry be able to change and adapt to a new marketplace?

Will stories, plots, and plans have changed as a result?

Will Wednesdays be worth waking up at 4:30 a.m. anymore?

These are all unanswered questions. A lot of it depends on the world becoming less awful in the coming months, which is hardly a guarantee. I’m not going to assume anything at this point. I’m just going to craft a pull list from the limited releases this week and make a pick.

Believe me, I want things to get better too. It’s just going to happen painfully slow. At the very least, New Comic Book Day is taking its first steps.


My Pull List

2020 Ironheart #1

DCeased: Unkillables #3

Hawkeye: Freefall #5

Red Hood and the Outlaws #45

Red Sonja #15

Star #4

Wonder Woman #755


My Pick Of The Week
Wonder Woman #755

Sometimes, it’s just not enough to have your heart in the right place. You could have the best of intentions and do everything you do out of love, but still end up the center of someone’s unflinching hatred. That’s a position Wonder Woman finds herself in more than most and “Wonder Woman #755” perfectly highlights the price that comes with that approach.

There are a great many superheroes in comics whose sincerity you can question, but Wonder Woman isn’t one of them. She’s a warrior, a demigoddess, a feminine ideal, and a beacon of wisdom and truth. You can usually assume that she does what she does out of sincere love and be right every time. For some characters, though, that’s just not enough.

That’s what makes Wonder Woman’s part in Paula Von Gunther’s story so tragic, but revealing. Paula, also known as Warmaster, is someone Wonder Woman attempted to save from a hateful environment full of hateful influences. She did what she did out of love and compassion, as she often does with everything. However, in trying to protect her from hate, Paula comes to hate her.

It’s a tragic setup that reveals what happens when Wonder Woman’s innate sense of compassion fails her. At the same time, Paula rightly points out that her compassion was still built on a lie. On top of that, she had no say in living that lie. Wonder Woman made that decision on her own and with no input whatsoever from Paula. Intentions or not, she had zero agency in this decision.

It poses some difficult questions that Wonder Woman cannot readily answer. Writer Steve Orlando puts her in a very strenuous position where she has to fight someone she cares about, but that battle is never more than secondary. Even as it plays out, courtesy of quality art by Jesus Merino, Paula uses her words to hurt Diana the most.

She’s still not the only target. While the battle is personal for Paula Von Gunther, there’s still a larger war for her to wage as Warmaster. It’s not just about Wonder Woman. She’s poised to wage war on the Amazonian homeland and she’s willing to sacrifice an American city to do it. She is a villain by her own admission, but she never comes off as a villain without depth.

What makes “Wonder Woman #755” great goes beyond the battles, the art, or the heroic struggle it explores. It dares to ask how much we’re willing to entrust our fate, our lives, and our agency in the hands of superheroes. Even if those heroes are as honorable and compassionate as Wonder Woman, is it still the right thing to do? Should heroes ever have that much say in how our lives play out?

These are profound questions. As Warmaster, Paula Von Gunther reveals how bad this can go. It’s a powerful message. It brings out both the best and worst of Wonder Woman, as well as the ideals she embodies.

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New (But Limited) Comic Book Day: May 13, 2020

Comic book fans are in the same boat as everyone with respect to navigating this awful pandemic. We’re just waiting out the worst of the storm. Eventually, it’ll pass. Then, slowly and steadily, life will get back to a new form of normal. Let’s face it. There’s no going back to the way things were before. The best we can do is forge a new normal out of this crisis.

The world of comics is already making an effort. As I noted last week, major comic companies are preparing a gradual relaunch of the industry. That means comic shops will finally get new books in stock. Digital comic outlets like Comixology will get to release mainline titles aside from the usual digital-only series. It’s still nowhere near the size of the traditional stock for New Comic Book Day, but it counts as progress.

As it stands, Marvel is still a couple weeks away from releasing a slate of new books. DC, however, is getting back in the swing of things earlier. This week marks the first week in which they’re releasing some mainline titles to market. Again, it’s not much, but it’s much better than nothing. Rather than showing my pull list, I’ll just offer a list of the releases for today, as well as links to previews.

Harley Quinn #72

Justice League #44

Justice League Odyssey #20

Lois Lane #10

Metal Men #6

After weeks on end with no new comics to speak of, this is the first true taste of a new normal for comics. Unlike major sports or movies, comics have an opportunity to get going and thrive once more. There’s still going to be some major upheavals and restructuring, but that process can finally begin. At a time when good news is hard to come by, I’ll take it.

In what I hope isn’t too minor a celebration, here’s a pick of the week that I hope boosts everyone’s spirits. We all need it.


My Pick Of The Week
Justice League #44

Some comics try to be deep, introspective, and profound. Writers and artists attempt to craft a complex story that they hope will leave a profound impact on reader on the best possible way. I fully support these kinds of comics. It’s part of why “Watchmen” is such a groundbreaking achievement for the genre.

At the same time, however, I support books that take the opposite approach. In lieu of being deep, it sticks to the basics of what makes comics fun, but still leaves room for novelty. That’s exactly where books like “Justice League #44” come in. It doesn’t try to reinvent any genre. It just tries to have fun with DC’s most iconic characters.

After weeks on end with no new comics for mainline books, “Justice League #44” is just what we need to remind us why New Comic Book Day is the best day of the week. Writer Robert Venditti and artist Xermanico stick to a basic formula. Take the Justice League, have them answer a distress call, and then unleash giant mythical monsters for them to fight. It’s every bit as entertaining as it sounds.

That’s not to say its shallow or crude. There is a deeper plot at work here. It’s hinted at through some mysterious monologues throughout the issue. We don’t find out who it is until the end, but they provide that extra bit of novelty that makes “Justice League #44” more than just a generic heroes vs. monster brawl.

Those versed in Greek mythology will recognize some of those monsters. Others versed in Wonder Woman’s lore will also sensed something amiss before the fighting stops. What starts off as a distress call from Aquaman in Antarctica turns into a much larger threat that even the Justice League is ill-equipped to handle. The how and the why are teased, but the extent and breadth of that threat are abundantly clear.

In a sense, Justice League comics are the comic book equivalent of comfort food. They’re what you go to when you want something as warm and familiar as an old pair of sweat pants. Between global pandemics and massive upheavals in the comic book industry, we all need a little bit of that comfort food. Even with a limited selection, that’s exactly what “Justice League #44” provides and it’s delicious.

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