Tag Archives: Superman

Henry Cavill Building A Gaming PC In A Tank Top To Barry White Music: You’re Welcome

The internet can be a sick, twisted place. Depending on where you go, you’ll lose your lunch, your innocence, or your faith in humanity and not necessarily in that order. However, every once in a while, it gives us something that reminds us just how awesome the world can be.

Ladies, gentlemen, and those of unspecified gender, I give you Henry Cavill assembling a gaming PC in a tank top, set to Barry White music. Trust me, it’s as awesome as it sounds and the rest of the internet agrees. Don’t believe me? See for yourself.

You’re welcome.

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Filed under sex in media, sex in society, sexuality, technology, Uplifting Stories

New Comic Book Day July 1, 2020: My Pull List And Pick Of The Week

In general, I’m a pretty optimistic person. I look at the future with a sense of hope and wonder. That’s why I enjoy writing about futuristic technology. It allows me to speculate on the amazing things that the future may bring us.

Then, a global pandemic hit. After several months of progressively bad news, my optimism is on life support. That’s exactly why I value New Comic Book Day more than ever.

I’ve gone through plenty of tough times in my life. I’ve lived through plenty of tough periods, as well. One of the ways I coped was through my love of comics. Every Wednesday brought both an escape and some much-needed inspiration. It’s what helped me make it through high school and the Bush years.

Now, I’m not sure it’s enough. Don’t get me wrong. I still love waking up early on Wednesday morning, checking into my Comixology account, and reading a stack of new comics with a hot cup of coffee in hand. It’s still one of my most cherished pleasures, especially after the industry got going again.

That said, every day brings awful news that just keeps compounding. This is not a war, a scandal, or even an election. This is a pandemic and it’s getting worse, just as we thought it was starting to get better. It has significantly changed my hopeful outlook on the future, but it hasn’t changed my love of New Comic Book Day.

I hope it’s enough to get me through this dark time. I’m usually confident that it will. Now, I’m not sure. At the very least, I’m ready to take a break from all the awful news and share my pull list and pick. I encourage everyone else to use this as a reprieve, even if it’s brief.


My Pull List

The Boys: Dear Becky #2

DCeased: Hope At World’s End #4

Harley Quinn Black + White + Red #2

Hawkeye: Freefall #6

Killing Red Sonja #2

Red Sonja #16

Star #5

Supergirl #42

Teenage Mutant Ninja Turtles: Urban Legends #24


My Pick Of The Week
DCeased: Hope At World’s End #4

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Superman, All-Powerful Gods, And What Sets Them Apart

superman

Superheroes mean many things to many people, especially at a time when superhero movies routinely dominate the box office. For some, they’re just gimmicks, fads, and marketing tools by big media companies. For others, they are akin to modern day mythology. It’s an apt comparison. Even contemporary heroes have a lot in common with the mythological legends of the past.

Some take it even further than that. Some will go so far as to claim that superheroes are filling the same roles as gods and deities. It’s not just the ones based on Norse or Greek mythology, either. In many respects, many iconic heroes fit many of the common traits ascribed to gods.

Superman is all-good.

Thanos wielding the Infinity Gauntlet is all-powerful.

Lex Luthor, Dr. Doom, and even Mr. Fantastic are so smart that they might as well be all-knowing to most people.

Such divine, god-like feats make for iconic stories that offer lessons and insights on everything from morality to justice to society, at large. While superheroes aren’t worshiped within organized institutions or granted tax-exempt status by governments, they utilize a similar structure to that of other holy texts.

The narrative surrounding superheroes revolves around good, evil, and the struggles that occur in between. Both the good and the evil in these stories takes the form of some grand, larger-than-life character who embodies these traits and implements them on a level that’s impossible for ordinary people to comprehend. That’s what helps make the message so powerful.

However, it’s the qualities that set superheroes apart from deities that offers the most insights. I would even argue those insights are more critical now than they were before Superman, Batman, or Iron Man ever showed up on a movie screen. At a time when organized religion continues to exert immense influence on society, we should be scrutinizing these discrepancies.

I hope it goes without saying that modern superheroes can only do so much to compare with the deities of organized religion. No matter how much money “Avengers Endgamemade at the box office, it will never exert the same influence that the three main Abrahamic faiths have imparted over the two millennia. For better or for worse, history, politics, and the entire species has been influenced by these religions.

The most notable and obvious difference between them and superheroes is that the deities of religion aren’t presented as entertaining fiction. To the believers of Christianity, Judaism, Islam, and many other religions, the deities and the characters in their holy texts are real. They’re not myths or legends. They’re real people and real forces that have real effects.

Regardless of how true that is, and I know atheists will point out how none of those effects can be verified, this is the critical difference between superheroes and deities. Adherents don’t just believe that these characters are real. They place their trust and faith in them, believing that doing so will guide them in life and protect them in death.

I understood this difference as a kid. I was both a fan of superhero comics and surrounded by relatives who were devout believers. I knew they didn’t see their holy texts the same way I saw Superman comics. Superman was just another character. They knew who created him. They knew he was a licensed fictional character from DC Comics.

However, even back then, I found myself wondering whether those same relatives would see Superman differently if they didn’t know he was a comic book character. I imagine if there were old stories about him from centuries ago, written as though they actually happened, they might be less inclined to discount him as fiction. Some might actually be more inclined to place their faith in him over other deities.

It’s an interesting thought experiment, but it only scratches the surface of what sets superheroes apart from ancient lore. Aside from how real people think these characters are, and some take it much further than others, the standard superhero narrative reveals something striking about the standard religious narrative.

To illustrate, take a moment to contemplate how Superman goes about being a hero. As the gold standard of superheroes for the past 80 years, he sets the highest bar and embodies the highest ideals for a hero. On top of that, he has powers and abilities on par with many deities. At times, he has been shown as capable of destroying an entire solar system with a single sneeze.

Despite all this power, Superman seeks only to help humanity. He doesn’t ask for praise, worship, payment, or sacrifice. He simply does it because it’s the right thing to do. He’s the ultimate paragon, selfless and compassionate to the utmost. The people of Metropolis, and the world at large, don’t need to have faith in him. They just need to trust that he’ll keep doing the right thing.

Contrast that with the deities in holy texts. Many are every bit as powerful as Superman, but display qualities that aren’t exactly heroic. Certain versions of certain deities have been shown to be petty, jealous, and vindictive, sometimes to an extreme. A deity does often help or guide believers in a conflict like a superhero, but it’s rarely done out of pure altruism.

These deities, many of which are believed to have created humanity and the world, exercise a certain level of authority over people. It’s not always outright forced, but the nature of the story provides plenty of incentives and/or punishments to those who rebel or subvert that authority. Some become cautionary tales or outright villains.

Some villains are sexier than others.

In this context, the religious narrative builds an over-arching theme that has little room for heroics. These deities and super-powered beings aren’t necessarily there to save the day. They’re there to maintain the order that they helped create. They function as the glue that holds the universe and humanity together. Anyone or anything that goes against it requires recourse from both adherents and divine forces.

We often see this manifest in the real world when religious people argue that things like homosexuality, which is often condemned in holy books, are this bigger threat to the world. That’s why you’ll hear plenty of dogmatic preachers claim that homosexuality won’t just give people distressing thoughts. They’ll say it will destroy society.

Religious dogma, by its nature, depends on a strict adherence to what is the status quo for a particular place, people, and time. Defending it isn’t just seen as an act of piety. It’s akin to a superhero saving the day from evil forces. Whether those evil forces are demons from the underworld or a gay couple who want to get married doesn’t matter. It’s all about preserving a system.

Conversely, superheroes like Superman don’t limit themselves to a status quo. They’re less driven about how things are and more focused on how things could be. Superman doesn’t just want to save the day and help people who need it. He seeks to give people an ideal for them to aspire towards. This is perfectly reflected in his father’s message to him, as read by the late Marlon Brando.

It is now time for you to rejoin your new world and to serve its collective humanity.
Live as one of them, Kal-El
Discover where you strength and your power are needed
Always hold in your heart the pride of your special heritage
They can be a great people, Kal-El, they wish to be
They only lack the light to show the way
For this reason above all, their capacity for good
I have sent them you, my only son

It’s in this defining message that the superhero narrative distinguishes itself from religious traditions. These superheroes, as powerful as they are, didn’t create us. They don’t hold any inherent dominion over us. They didn’t create the current situation, however flawed it might be. They still seek to help people, carrying out feats that others cannot. That’s what makes them heroes.

One fights to maintain what society is while the other fights for what society could be. These narratives can exist alongside one another and can carry greater meaning for certain people. There are critical lessons in both, but I believe the lessons of Superman are more relevant than anything offered by the stories of religion.

For much of human history, organized religion was part of that social glue that helped keep society stable. For a good deal of that history, society was only as stable as the conditions around it. People hoped and prayed that there wouldn’t be a famine, a storm, or some other catastrophe that they could not control. Survival, even among kings and emperors, was their primary concern.

Things are different now. At a time when food is abundant, poverty is in decline, and education is more widespread than ever, survival isn’t enough. For a planet of billions to thrive, people need to prosper. Doing so means aspiring to something greater than the status quo. That’s exactly what superheroes embody.

That’s not to say that the rise of superheroes is directly linked to the ongoing decline of religion, but the contrasting narratives reflect just how much priorities have changed. Superheroes don’t demand faith, sacrifice, and reverence, just to keep things as they are. They go out of their way to save a world that they believe is worth saving, hoping that it can better itself.

They can help, but they can’t do it for us. That’s another trait that Superman demonstrates, much to the chagrin of villains like Lex Luthor. Like deities of old, he doesn’t use his powers to achieve everything for humanity. He seeks to empower them to achieve those feats on their own. That process of aspiring to be greater than is often an affront to a religious narrative, but critical to the themes of superheroes.

Even if superhero movies stop making billions at the box office, the over-arching message will still be relevant. Faith in what is just isn’t as appealing as hope for what can be. The gods of religion offer comfort in familiar order, but superheroes can inspire hope in something better. Given the many flaws in this chaotic world, I believe that hope is more valuable than any ancient doctrine.

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“Justice League: The Snyder Cut” Is (Actually) Being Released: My Thoughts, My Hopes, And The Implications

It’s happening.

It’s really happening.

After years of hashtags, billboards, and incessant curiosity, it’s really happening. The fabled “Snyder Cut” of 2017’s “Justice League” is going to be released. Near as I can tell, this is not a joke. It’s not some wild rumor that some renegade trolls concocted. This is real. According to major entertainment news outlets, including The Hollywood Reporter, this is going to happen.

Zack Snyder’s original vision for “Justice League” is coming out in 2021 exclusively on HBO Max, the latest entry to the streaming wars, courtesy of Warner Brothers. I doubt those outside devoted fans of comic books and superhero movies understand why this is such a big deal, but as someone within that circle, I can assure you that this is big.

Rather than explain the whole story, I’ll just cite The Hollywood Reporter, which does a commendable job of summing up the issues. If you need more information on the story of this mythical cut of an otherwise forgettable movie, Forbes also did a decent rundown of the timeline.

THR: Zack Snyder’s $20M-Plus ‘Justice League’ Cut Plans Revealed

In the time since its release, something unusual happened: A growing movement of fans, rallied by the hashtag #ReleasetheSnyderCut, had called, agitated, petitioned — even bought a Times Square billboard and chartered a plane to fly a banner over Comic-Con — for Snyder’s version to be released. And on the film’s second anniversary, the hashtag had its biggest day ever — with even the movie’s stars Gal Gadot and Ben Affleck adding their voices on Twitter.

So here, the morning after, was their agent saying that Toby Emmerich, chairman of Warner Bros. Pictures, was acknowledging the movement, and more importantly, was willing to accede. “This is real. People out there want it. Would you guys ever consider doing something?” was what Emmerich was asking, Zack Snyder recalls.

The answer to Emmerich’s question, a whispered-about secret for months, was revealed Wednesday when Zack Snyder confirmed, at the end of an online screening of his 2013 movie, Man of Steel, that his version of Justice League was indeed real. And that it will be coming to HBO Max, the WarnerMedia digital streaming service launching May 27, and is expected to debut in 2021.

Now, I have my share of opinions about “Justice League” and Zack Snyder. I actually saw the theatrical version of “Justice League” when it came out. While I gave it a respectable review, I don’t deny that the movie has its flaws. I’m not an overall movie buff, but even I could tell that the movie was heavily edited. There was definitely a vision and plenty of potential, but a lot of it got lost on the cutting room floor.

In its current form, Justice League” is one of those movies that gets less compelling with age. You can see it once, have an enjoyable experience, and completely forget that experience within weeks. It’s not a movie that you can re-watch and feel engaged. It’s just too bland and sanitized.

Snyder’s cut of the movie promised to be different. He had a much different vision, but couldn’t realize that vision due to a family tragedy that tore him away from the project. Now, we’ll get to see the essence of that vision.

Personally, I’m curious. I’m not curious enough to shell out money for yet another streaming service, but I’m certainly interested in what Snyder had planned for this movie. A big part of that curiosity stems from Snyder’s history as a filmmaker whose vision tends to get lost on the cutting room floor.

This has happened to him multiple times before and for other superhero movies. There were a lot of heavy criticisms levied against “Batman v. Superman: Dawn of Justice” and some of those criticisms were valid. However, the longer and more complete Ultimate Edition of the movie directly addressed some of those flaws. I honestly think the movie would’ve done better if that edition had come out.

A far more notable example, in my opinion, involves Snyder’s take on “Watchmen.” That movie is somewhat polarizing among fans, although I personally liked it. However, this movie has multiple extended cuts, including a director’s cut that Snyder himself says is most consistent with his vision for the film.

That’s actually the version I own on blu-ray. I think it’s an underrated gem among superhero movies. It’s more complete, concise, and compelling. It better encapsulates the essence of “Watchmen” and the story it tries to tell.

It’s because of these instances that I believe will help Snyder’s cut of Justice League.” History shows that he can tell a great story, so long as the critical details aren’t cut out in the final edit. Granted, editing is a core aspect of finalizing a movie. It’s necessary to get a movie to within a reasonable time-frame for a movie-watching experience. Not everyone wants to sit in a theater for four hours unless it’s something J. R. R. Tolkein wrote.

Snyder’s desire to tell a larger story seems to get away from him. In that sense, it might be a good thing that this isn’t coming out in theaters. Instead, it’s coming out on a streaming platform that people can consume at their own pace. People already consume hours on end of old shows. Consuming a four-hour movie isn’t quite as daunting. Just look at “The Irishman.”

This is where I feel the larger implications of this announcement may come into play. A non-insignificant reason why Snyder’s movies keep getting chopped up into something that doesn’t do well with critics or fans is because they’re so long. His efforts to tell a bold story just don’t fit within that reasonable two to three hour time-frame for a movie. Movies like “Watchmen” reveal that those stories can be compelling.

Beyond the story, the impact of the Snyder Cut could extend beyond Justice League,” superhero movies, and the movie-making process as a whole. This is where I believe there could be larger implications that will likely impact future movies, including those that don’t involve superheroes.

For decades, there has been this idea that movies have to operate within certain restrictions. For the most part, there’s merit to those restrictions. Movies beyond three-and-a-half hours just aren’t feasible for a general audience or their bladder. A trilogy like “Lord of the Rings” was a rare exception, but could never become the norm.

Thanks to streaming platforms like Netflix and HBO Max, this may no longer be the case. Now, there’s a new method for releasing these movies. The current global pandemic, as well as the recent success with direct-to-streaming releases, will further raise the importance of those platforms.

With these new tools and emerging trends, why should movies be confined to the limits imposed by movie theaters? Why can’t there be a four-hour Justice League” movie? Why can’t there be a five-hour Avengers movie? Why does any movie have to be chopped up and edited to such an extent that it loses important aspects of its plot?

The Snyder Cut could make the case that those restrictions need not hinder a bolder vision. There’s still a place for the kinds of popcorn movies we see in theaters, but why not also invest in a place where a movie like Snyder’s cut of “Justice League” can also exist?

The world of movies, media, and story-telling is changing. Regardless of how the Snyder Cut ends up being in the eyes of fans, its impact could be far greater. Hopefully, it leads to bigger, bolder, and better stories. It may not always warrant the cost of another streaming service, but it opens the door to so many possibilities.

Time will tell. Hopefully, we’ll see if the wait was worth it in 2021.

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Filed under DC Comics, movies, superhero comics, superhero movies, Wonder Woman

New (But Still Limited) Comic Book Day: May 20, 2020

Another Wednesday is upon us. Sadly, the world is still an omega level clusterfuck. While some parts of it are re-emerging, the road to something more tolerable is nothing short of glacial. This extends to the world of comics, but there’s still some progress to note. Some is still better than none. At this point, the bar is just that low.

That should pick up, assuming things don’t go to Hell again, in the coming weeks. Both Marvel and DC Comics have finalized release plans for new books, some of which were originally set for release two months ago. That’s a long time to wait in the comic world. Even comic fans like myself have endured agonizing delays before, this is uncharted territory for the industry.

Will comics as we know it return?

Will the industry be able to change and adapt to a new marketplace?

Will stories, plots, and plans have changed as a result?

Will Wednesdays be worth waking up at 4:30 a.m. anymore?

These are all unanswered questions. A lot of it depends on the world becoming less awful in the coming months, which is hardly a guarantee. I’m not going to assume anything at this point. I’m just going to craft a pull list from the limited releases this week and make a pick.

Believe me, I want things to get better too. It’s just going to happen painfully slow. At the very least, New Comic Book Day is taking its first steps.


My Pull List

2020 Ironheart #1

DCeased: Unkillables #3

Hawkeye: Freefall #5

Red Hood and the Outlaws #45

Red Sonja #15

Star #4

Wonder Woman #755


My Pick Of The Week
Wonder Woman #755

Sometimes, it’s just not enough to have your heart in the right place. You could have the best of intentions and do everything you do out of love, but still end up the center of someone’s unflinching hatred. That’s a position Wonder Woman finds herself in more than most and “Wonder Woman #755” perfectly highlights the price that comes with that approach.

There are a great many superheroes in comics whose sincerity you can question, but Wonder Woman isn’t one of them. She’s a warrior, a demigoddess, a feminine ideal, and a beacon of wisdom and truth. You can usually assume that she does what she does out of sincere love and be right every time. For some characters, though, that’s just not enough.

That’s what makes Wonder Woman’s part in Paula Von Gunther’s story so tragic, but revealing. Paula, also known as Warmaster, is someone Wonder Woman attempted to save from a hateful environment full of hateful influences. She did what she did out of love and compassion, as she often does with everything. However, in trying to protect her from hate, Paula comes to hate her.

It’s a tragic setup that reveals what happens when Wonder Woman’s innate sense of compassion fails her. At the same time, Paula rightly points out that her compassion was still built on a lie. On top of that, she had no say in living that lie. Wonder Woman made that decision on her own and with no input whatsoever from Paula. Intentions or not, she had zero agency in this decision.

It poses some difficult questions that Wonder Woman cannot readily answer. Writer Steve Orlando puts her in a very strenuous position where she has to fight someone she cares about, but that battle is never more than secondary. Even as it plays out, courtesy of quality art by Jesus Merino, Paula uses her words to hurt Diana the most.

She’s still not the only target. While the battle is personal for Paula Von Gunther, there’s still a larger war for her to wage as Warmaster. It’s not just about Wonder Woman. She’s poised to wage war on the Amazonian homeland and she’s willing to sacrifice an American city to do it. She is a villain by her own admission, but she never comes off as a villain without depth.

What makes “Wonder Woman #755” great goes beyond the battles, the art, or the heroic struggle it explores. It dares to ask how much we’re willing to entrust our fate, our lives, and our agency in the hands of superheroes. Even if those heroes are as honorable and compassionate as Wonder Woman, is it still the right thing to do? Should heroes ever have that much say in how our lives play out?

These are profound questions. As Warmaster, Paula Von Gunther reveals how bad this can go. It’s a powerful message. It brings out both the best and worst of Wonder Woman, as well as the ideals she embodies.

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New (But Limited) Comic Book Day: May 13, 2020

Comic book fans are in the same boat as everyone with respect to navigating this awful pandemic. We’re just waiting out the worst of the storm. Eventually, it’ll pass. Then, slowly and steadily, life will get back to a new form of normal. Let’s face it. There’s no going back to the way things were before. The best we can do is forge a new normal out of this crisis.

The world of comics is already making an effort. As I noted last week, major comic companies are preparing a gradual relaunch of the industry. That means comic shops will finally get new books in stock. Digital comic outlets like Comixology will get to release mainline titles aside from the usual digital-only series. It’s still nowhere near the size of the traditional stock for New Comic Book Day, but it counts as progress.

As it stands, Marvel is still a couple weeks away from releasing a slate of new books. DC, however, is getting back in the swing of things earlier. This week marks the first week in which they’re releasing some mainline titles to market. Again, it’s not much, but it’s much better than nothing. Rather than showing my pull list, I’ll just offer a list of the releases for today, as well as links to previews.

Harley Quinn #72

Justice League #44

Justice League Odyssey #20

Lois Lane #10

Metal Men #6

After weeks on end with no new comics to speak of, this is the first true taste of a new normal for comics. Unlike major sports or movies, comics have an opportunity to get going and thrive once more. There’s still going to be some major upheavals and restructuring, but that process can finally begin. At a time when good news is hard to come by, I’ll take it.

In what I hope isn’t too minor a celebration, here’s a pick of the week that I hope boosts everyone’s spirits. We all need it.


My Pick Of The Week
Justice League #44

Some comics try to be deep, introspective, and profound. Writers and artists attempt to craft a complex story that they hope will leave a profound impact on reader on the best possible way. I fully support these kinds of comics. It’s part of why “Watchmen” is such a groundbreaking achievement for the genre.

At the same time, however, I support books that take the opposite approach. In lieu of being deep, it sticks to the basics of what makes comics fun, but still leaves room for novelty. That’s exactly where books like “Justice League #44” come in. It doesn’t try to reinvent any genre. It just tries to have fun with DC’s most iconic characters.

After weeks on end with no new comics for mainline books, “Justice League #44” is just what we need to remind us why New Comic Book Day is the best day of the week. Writer Robert Venditti and artist Xermanico stick to a basic formula. Take the Justice League, have them answer a distress call, and then unleash giant mythical monsters for them to fight. It’s every bit as entertaining as it sounds.

That’s not to say its shallow or crude. There is a deeper plot at work here. It’s hinted at through some mysterious monologues throughout the issue. We don’t find out who it is until the end, but they provide that extra bit of novelty that makes “Justice League #44” more than just a generic heroes vs. monster brawl.

Those versed in Greek mythology will recognize some of those monsters. Others versed in Wonder Woman’s lore will also sensed something amiss before the fighting stops. What starts off as a distress call from Aquaman in Antarctica turns into a much larger threat that even the Justice League is ill-equipped to handle. The how and the why are teased, but the extent and breadth of that threat are abundantly clear.

In a sense, Justice League comics are the comic book equivalent of comfort food. They’re what you go to when you want something as warm and familiar as an old pair of sweat pants. Between global pandemics and massive upheavals in the comic book industry, we all need a little bit of that comfort food. Even with a limited selection, that’s exactly what “Justice League #44” provides and it’s delicious.

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Wonder Woman, Relationships, And Misguided Standards For Female Heroes

I love superhero comics. I love romance. Naturally, I love it when they’re combined into a perfect package of super-romantic sentiment. I’ve singled out a few favorites of mine in the past, as well as a few not-so-favorites that act as cautionary tales. Chances are I’ll find plenty more excuses to write about superhero romance in the future.

That said, I’d like to take a step back from the specifics of superhero romance and assess the forest from the trees, so to speak. Instead, I thought I’d highlight something that I’ve been noticing within the pages of some of my favorite comics. It’s not necessarily an egregious flaw, but it is a distressing trend for lovers of romance like myself.

It has to do with how superheroes are portrayed when they’re in romantic relationships. Almost every popular superhero is caught up in a romantic sub-plot. Superman has his ever-iconic love story with Lois Lane. Cyclops and Jean Grey have decades of romance and drama. Spider-Man gets around so much that he has multiple iconic romances.

Not every superhero is defined by their romantic sub-plot, although some are more effected by it than others. It’s hard to tell the story of Sue “Invisible Woman” Richards without involving her husband and children. However, certain characters are held to different standards when it comes to romance.

That’s to be expected, given the diverse circumstances of each hero. Not every hero is going to be affected by their romantic sub-plot in the same way. That effect also changes through different eras. Even the iconic relationship between Superman and Lois Lane has changed a great deal over the years, although not necessarily for the better.

However, this particular era has really twisted the standards for female superheroes in romantic relationships and not in a good way. I won’t go so far as to call it a double standard like the others I’ve cited, but the differences are stark. It goes like this.

A male superhero gets caught up in a romantic sub-plot. The plot progresses, he enters a relationship with his romantic interest, and continues being the same hero he’s always been. The relationship supplements his story.

A female superhero gets caught up in a romantic sub-plot. The plot progresses and she enters a relationship with her romantic interest, but the relationship conflicts with her ability to be a superhero. It gets to a point where the act of her being a hero is detrimental to the relationship. She can have one or the other, but not both.

These scenarios are somewhat generic, but they convey a similar message. Male superheroes can be in romantic relationships without it undermining their heroic persona, but female superheroes can’t have those relationships without it becoming an obstacle.

This strange, unbalanced dynamic played out recently in the pages of “Wonder Woman #754.” I’d even go so far as to argue that Wonder Woman suffers the most from this dynamic, despite being one of the most iconic female superheroes of all time. Given that she’s the ideal that other female superheroes are compared to, I think that’s telling.

The main plot of the issue isn’t important. The side-plot is where this dynamic showed up. There were frequent flashbacks that highlighted Diana’s recent “drama” with her long-time romantic interest, Steve Trevor. I put drama in quotes because it feels less like drama and more like forced excuses.

It’s been an issue for Wonder Woman for decades. Despite being her most iconic love interest, going back to the 1940s, Steve Trevor has never been that official with Diana. Even though they’ve professed their love for one another in many forms and in many timelines, they’re rarely ever shown as being in a functional, mature relationship.

It’s not just with Steve Trevor, either. Even in the classic “Justice League” cartoon in which she was romantically linked to Batman, nothing ever became official. There’s was never a point where Wonder Woman went from being single to being in a real, functioning relationship.

In fact, the only time Wonder Woman was ever in a functional romantic relationship was when she dated Superman during DC’s short-lived New 52 era in the comics. During that time, Wonder Woman and Superman had their own comics and their own stories. Sometimes, those stories became entwined. Sometimes, they didn’t. It never undermined their relationship or vice versa.

I know comic fans have strong opinions about the New 52 as a whole, but I find it telling that this was really the only time Wonder Woman was allowed to be in a relationship while still being Wonder Woman. For her to be someone’s girlfriend and still be the hero she’s always been, her significant other had to be Superman.

Take a moment to think about the scope of that standard. Wonder Woman, the standard-bearer for female superheroes for decades, can be in a functional relationship, but only with someone as capable as Superman. She and Steve Trevor can be in love, but they can’t have a relationship. He’s just an ordinary man. He’d just undermine Wonder Woman’s ability to be the ideal female hero we know and love.

Meanwhile, male heroes like Batman and Spider-Man can become romantically involved with far less capable individuals, many of which don’t have superpowers and can’t fly across the planet to be on time for date night. They’re still allowed to be in those relationships, but Wonder Woman can’t even make the effort with one of her most iconic romances with Steve Trevor.

As a fan of superhero comic, romance, and Wonder Woman, I find this both flawed and frustrating. While the “Wonder Woman” movie did an solid job establishing genuine romance between her and Steve Trevor, they still never got a chance to actually be in a relationship. It’s as though a female hero can’t be in a relationship without losing something. At the same time, a male hero can’t have a complete story without one.

It’s a strange disconnect and I think it’s getting worse. In recent years, superhero comics have made a concerted effort to develop female characters and I applaud that effort. It has led to some major successes. The problem is that, like Wonder Woman, these female characters aren’t really allowed to become anyone’s girlfriend. Being in a relationship is seen as an obstacle to being strong, independent, compelling characters.

Respectfully, I call bullshit.

Being in a relationship isn’t detrimental to any character, male or female, if the relationship is well-written. In addition, female characters don’t have to be completely, 100-percent independent to be great. In fact, making them that emotional single-minded is a good way to make them unlikable and unrelatable because, in the real world, people have relationships. They form bonds, rely on others, and are effected by those close ties.

Now, I don’t deny that writing great female characters is challenging, especially in recent years. It feels like you can’t write female characters without having an agenda anymore, even when it’s not printed on a shirt. Again, I call bullshit. Female characters, like all characters, are deeply affected by the loving bonds they form. They deserve the same development and exploration as their male counterparts.

Why can’t Wonder Woman be in an official relationship with Steve Trevor?

Does being Steve Trevor’s girlfriend make Wonder Woman any less a superhero?

Does any female superhero lose something when they become someone’s girlfriend?

These are relevant questions that are worth asking. If someone as iconic as Wonder Woman can’t be in a relationship with someone without undermining what makes her Wonder Woman, then that’s not a problem with her as a character. That’s a problem with the standards and assumptions we have about superhero romance.

I’m sorry if this rant feels dragged out, but this has been bothering me for a while. I’d be happy to discuss it more. Please share your thoughts in the comments.

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Filed under DC Comics, Marriage and Relationships, romance, superhero comics, Wonder Woman

A Simple Comment On The Criticism/Whining On “Birds Of Prey”

Sometimes, a movie just fails to find an audience.

It’s not because of some larger social agenda that backfired horribly.

It’s not because of some huge backlash caused by misguided marketing strategies, either.

Most of the time, the world isn’t that fanciful. It’s just chaotic, unpredictable, and messy. No matter how much a movie, TV show, or product attempts to appeal to a broad audience, it can just fail. That’s all there is to it.

Trying to fit an agenda into that failure is like trying to build a conspiracy around why you’re stuck in traffic. The world isn’t out to get you or people like you. Most of the time, shit just happens and you’re just caught up in it. That’s not to say that agendas never squeeze themselves into the media. It happens, but it’s effect is often exaggerated. Most of the time, the final product just doesn’t work.

That brings me to “Birds of Prey.” Now, in the interest of full disclosure, I completely forgot about this movie. I had no excitement for it and not just because I was underwhelmed by “Suicide Squad.” I like Margot Robbie. I like Harley Quinn. She’s a great actress who plays a great character. The movie just did not grab my attention.

I saw the trailer. It was fine, but forgettable. I didn’t feel compelled to watch it 10 times in a row, as I did with “Wonder Woman 1984.” I didn’t feel compelled to see the movie, either. Even though it got good reviews, it just didn’t appeal to me. I planned to watch it when it came out on cable. Based on the early box office haul, I’m not alone in that sentiment.

I’d be perfectly fine to leave it at that. In previous years, I wouldn’t even bring it up. However, due to the growing inclination to make everything political, the under-performance of “Birds of Prey” is already getting the wrong people talking about it for all the wrong reasons.

Some are already lumping this movie in the same category as 2016’s “Ghostbusters” or the horrendously bad “Charlie Angels” reboot. Now, I don’t want to get into the politics behind it, mostly because I value the integrity of my brain cells. I’ll just say this. Whether you’re liberal, conservative, feminist, traditionalist, anarchist, or Marxist, there’s one thing to remember.

It’s a goddamn movie. Sometimes, movies just fail to find an audience. That’s it. That’s all there is to it.

Maybe it eventually becomes a cult classic, like “Blade.” Maybe it rebounds with good word of mouth. Either way, it has nothing to do with an agenda. The public, as a whole, just didn’t respond to it. Any criticism/whining beyond that is just asinine.

That’s all I have to say about “Birds of Prey.” Harley Quinn is still a great character and Margot Robbie is still a great actress. Your agenda, whatever it may be, has no bearing on that. It never has. It never will. Get over yourself and just watch the movies you enjoy.

 

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Filed under gender issues, media issues, movies, outrage culture, political correctness, politics, sex in media, sex in society, superhero comics, superhero movies

Jack Fisher’s Weekly Quick Pick Comic: Superman #18

Anyone who has read superhero comics for a sizable chunk of their lives knows the difference between a gimmick and a genuine plot upheaval. Gimmicks are shallow. They’re sales tactics disguised as shocking twists that promise to change a character, world, or team forever. Most of the time, they get retconned within a few years.

Plot upheavals that are real, genuine, and permanent are rarer, but that’s what makes them more precious. They often become defining moments in their own right for a character or a franchise. For comic fans, they’re like major life-changing events.

In the same way you vividly recall your first kiss or your first car, you remember where you were when Superman married Lois Lane.

You remember where you were when the Joker brutally beat up Jason Todd.

You remember where you were when Barry Allen died during Crisis on Infinite Earths.

In that same tradition, you’ll probably remember where you were when you read “Superman #18.” This is a comic that promises to change Superman’s life and his story in major ways. It’s the comic in which he finally reveals his secret identity to the world. It’s not a gimmick this time. This is real and it has an impact that will likely resonate for years to come.

Writer Brian Michael Bendis has built a career on powerful, dramatic moments. He did it for years at Marvel with Spider-Man, the Avengers, and the X-Men. Since he began his run on Superman, he’s taken the Man of Steel through his share of upheavals. Superman’s semi-stable family life with his wife and son became a lot less stable, but he still hung onto the same identity that had kept him grounded for decades.

That finally changes in “Superman #18.” It’s not a snap decision, either. This isn’t Tony Stark going off the cuff at the end of “Iron Man.” That’s not how Superman does things. He’s thoughtful, thorough, and very much aware of the implications. He doesn’t agonize or brood over it, as many other heroes are prone to do, especially if they have egos like Tony Stark. He simply tries to determine the right thing to do.

It’s not easy. Before the big reveal, Bendis takes Superman through a round of self-reflection in which he goes over all the reasons why he maintained his secret identity as Clark Kent. Some of those reasons were entirely valid. They weren’t excuses that kept demanding more excuses. They genuinely felt like the right thing at the time.

Superman lived as Clark Kent so he could be human. That has always been important to him, going back to the Golden Age. He’s an alien from another world, trying to live and be part of this new home that he has come to love. Being Clark helped him be human, even though he is objectively not human.

While that might have been important before, a lot has changed for Superman. He no longer has anything to prove. He’s built a life as Clark Kent. He has established himself as Superman, a hero among heroes who sets the highest standards for humans and aliens alike. He couldn’t have done this without maintaining his secret identity. The only question is what more can he do to justify keeping that identity?

The tipping point in “Superman #18” comes when Superman recounts what happens when others in his life have kept secrets. Even if they were kept for good reasons, it never ended with just that secret. One secret demands another. As they compound over time, they become dangerous.

That’s still only part of the issue. Beyond the secrets, having that identity sends a message to the same people he’s trying to protect. It says that he doesn’t trust them to handle him being both Superman and Clark Kent. Maybe that made sense when he was still winning their trust, but it doesn’t make sense anymore. It also helps make the right thing to do very clear.

That effectively ends the debate. Whenever Superman is faced with a decision, his first and only instinct is to do the right thing. That’s exactly what he does in “Superman #18.”

It’s what helps make the big moment in “Superman #18” feel like something other than a gimmick. Bendis makes sure that Superman revealing his identity to the world is the right thing to do. It never comes off as the end of something, either. Whenever Superman’s identity has been revealed in the past, it has always been a complication or a last resort. That’s not how it’s framed here.

Superman #18” feels like another step in Superman’s journey to be the hero by which all other heroes are measured. He’s lived as a human. He’s become an iconic hero. Those lives no longer need to be separate. In Superman’s eyes, they shouldn’t be. He’s still the same man, whether he’s wearing glasses or his iconic cape.

In principle, it’s a minor distinction. However, at no point in “Superman #18” does it feel trivial. Superman acknowledges that this is going to change things. His life is going to change, both as Superman and as Clark Kent. He knows there will be difficulties, but he’s willing to face them. He’s also willing to trust in the same people he protects to face them with him.

It’s a beautiful, powerful moment made all the more memorable by the art of Ivan Reis. It doesn’t require Superman to save the world, defeat Lex Luthor, or punch a planet into dust. It just requires him to do the right thing. That doesn’t just make him a hero. That’s what makes him Superman.

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“Wonder Woman 1984” Trailer Is Here (And It’s Wonderful)!

We live in a strange, yet wonderful era when it comes to movie trailers. It’s strange in that sometimes, the trailers are basically the movie. It tells you pretty much everything and if you go to see the movie, you don’t get much more than you got out of the trailer. That’s basically how I felt about “Suicide Squad.”

That’s a downside. The upside, however, more than makes up for it. When done right, a great movie trailer can take your excitement for a movie and turn it up to 11. You might have been excited about a movie already. In the internet era, that’s easier than ever. Then, the trailer comes along and suddenly, you feel like there’s liquid awesome flowing into your veins. It’s a great feeling.

That brings me to “Wonder Woman 1984.” It’s the sequel to the first movie that was groundbreaking in so many ways. I did plenty to praise it when it came out. I even made a wish list on what I wanted to see in the sequel. I didn’t know how much I would actually get when more details came out.

Now, those details are here! The first trailer of “Wonder Woman 1984” has officially dropped. All I can say is, it’s a wonder to behold and if you haven’t seen it, do yourself a favor and watch it at least 10 times, like I did.

Sure, other movies can promise a lot, but can they promise a female warrior demigod swinging from bolts of lightning from a magic lasso? I didn’t think so.

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Filed under superhero movies, Wonder Woman