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Wonder Woman Earth One Volume 3: Triumph Of A (Loving) Philosophy

Whenever there’s an alternate version of an iconic character, writers often try to give them their own unique twist. Most of the time, it’s distinct, but still subtle. They try not to veer too far from the established canon of the character. Unless they’re writing weird fan fiction, writers stick to whatever is most prominent version of the character within the cultural zeitgeist.

However, Grant Morrison is not like most writers.

He doesn’t follow along with the cultural zeitgeist. Instead, he reverses it. When he writes iconic characters, he reshapes and reimagines them in big ways. All the cultural zeitgeist can do is try and keep up.

He did it for Superman in his critically acclaimed run on “All-Star Superman.”

He did it again with “Wonder Woman: Earth One.”

These stories didn’t simply tell new stories with DC Comics’ most iconic characters. They channeled every element from every era to mold a unique narrative. That’s difficult enough for Superman, given his 80-year history. With Wonder Woman, the challenge is even greater.

Before I get too heavy into spoiler territory, I’ll just say this. Morrison successfully rose to the challenge when reimagining Wonder Woman in the first volume of “Wonder Woman: Earth One.” He succeeds even more in completing that story in “Wonder Woman Earth One: Volume 3.”

It’s challenging because most Wonder Woman fans, including older fans more familiar with her lengthy history, know her mostly as a proud warrior woman. They think Wonder Woman and they see Lynda Carter in the classic 70s show, Gal Gadot in the recent movies, and even the animated version in “Justice League Unlimited” that was voiced by Susan Eisenberg.

These are all great versions of this iconic character. That warrior spirit that makes her one of the fiercest fighters in the DC Universe is a major part of her persona. However, there are other aspects of that persona that have been either retconned or ignored. Morrison makes it a point to embrace those aspects in “Wonder Woman: Earth One.”

Yes, that does include some of the kinkier aspects of Wonder Woman’s origins, which I’ve highlighted before. Namely, it embraces some of the BDSM elements that were woven into the early lore of Wonder Woman by her creator, William Marston.

However, it would be wrong, shallow, and short-sighted to call this aspect of Wonder Woman’s character too crude for modern tastes. These elements aren’t just for sex appeal and titillation. They reflect an important element to Wonder Woman’s philosophy, as defined by Marston.

To use power to dominate over others is inherently cruel and repressive.

To willingly submit with love and compassion is the truth path to peace and justice.

This is the core philosophy that Grant Morrison spends the first two volumes of “Wonder Woman: Earth One” exploring. That philosophy faces its ultimate test in “Wonder Woman Earth One: Volume 3.” I’ll spoil another detail here. It passes with flying colors and in a way that makes for a satisfying conclusion to such a uniquely wonderful story.

The story isn’t just about Wonder Woman facing the worst elements of domination at the hands of arrogant men and powerful gods. It’s about how this unique philosophy ultimately wins.

Now, contrary to what a bunch of whiny trolls may say, this effort is not about “smashing the patriarchy.” Seriously, don’t give these trolls any attention. They’ll say that about any comic that doesn’t cater exclusively to their narrow tastes, which usually involve Wonder Woman being a glorified warrior/stripper.

The story in “Wonder Woman Earth One: Volume 3” is more ambitious. It also has an unusual structure, although not too unusual for Morrison. His writing style often takes advantage of different time periods, using future events to give context to the past. It’s what he did in the first volume of “Wonder Woman: Earth One.” He uses it again, but to tell a very different story.

In the past, Wonder Woman is still sharing her philosophy with man’s world. She continues her fight against what she sees as an endless cycle of domination by the powerful. To her, it’s no different than how the old Greek Gods attempted to dominate the Amazons. It just leads to more conflict and suffering for men and women alike.

This ideology of power domination isn’t exclusive to men, either. Early in the story, it’s established there are women who still fall into this trap, namely Artemis. She doesn’t care for Wonder Woman’s more compassionate approach to dealing with men. She sees them as extensions of Hercules, the man who once brutalized her sisters.

It’s a not-so-subtle nod to the more radical elements of feminism that tend to espouse the same hatred as their anti-feminist counterparts. It’s ironic, but one that Wonder Woman confronts with a unique blend of love, understanding, and warrior spirit.

That’s a potent, but critical combination. It’s very much in line with the persona that William Marston created for her in the early years of her story. While she is certainly capable of fighting with the tenacity of an Amazon warrior, she doesn’t approach conflict the same way as her male counterparts.

For her, fighting isn’t about dominating or subduing an opponent. It’s a way of countering and subsequently tempering their misguided passions. Whether it’s Artemis or Ares, she doesn’t win the battle by knocking them out. She wins it by convincing them to willingly submit. When they do, she embraces them with love and compassion.

This works well for Artemis, but the men outside her homeland are a lot harder to persuade. In both the past and the future, we see male characters trying to cling to or re-establish the domination that they once enjoyed.

In the past, it’s Ares trying to continue his war machine with help from the American military. In the future, it’s a member of an extremist faction of angry men who long for the days when they could dominate women. Given the atrocities committed by angry, misguided men in the real world, this struggle is more relevant now than ever before.

I won’t spoil all the details of how that conflict is confronted and resolved. Those simply looking for Wonder Woman to fight her way through the conflict are only going to get half of what they seek. There is plenty of fighting, courtesy of Ares, but the way those fights end don’t follow the same script as your standard superhero slugfest.

There’s always a larger conversation at play.

There’s always an effort by Wonder Woman and those who support her to confront these misguided passions.

It’s never with force, contempt, or scorn. They all listen with compassion, even to those who spew hate. They let angry men and angry gods voice their grievances, even while fighting back. However, they always counter with love. They understand that you can’t counter anger with more anger or hate with more hate.

Again, that’s a very relevant principle. Anyone who has visited 4chan or a Reddit comments thread understands that.

There’s also a larger story about this world’s version of Steve Trevor. He may not look like Chris Pine from the “Wonder Woman” movie, but the role he plays is just as critical. What he does and what he chooses is instrumental in helping Wonder Woman win the day.

Again, winning in this world doesn’t mean blowing up the bad guys or their weapons. It means winning the argument about which philosophy is more just. More than anything else, “Wonder Woman Earth One: Volume 3” makes the case that a philosophy of loving submission is more palatable than one of angry domination.

Morrison even refines some of Marston ideas from the early Wonder Woman comics. In this world, it’s not men or masculinity that’s the problem. It’s the domineering ideology they’ve embraced and relied on for so long. Letting it go isn’t easy, but convincing men to do so cannot be done with force. That realization must come from within.

In many respects, the philosophy in “Wonder Woman Earth One: Volume 3” transcends gender. Whether you’re a warrior woman or just some normal man with a family, there’s something to be gained by these insights. Loving submission offers something that angry domination does not. Embracing it comes with sacrifices, but Wonder Woman demonstrates that they’re worth making.

It makes for a powerful combination to a power story. Morrison really makes the extra effort to flesh out these ideas that Marston first established while artist, Yanick Paquette, crafts a beautifully colorful world that does justice to all its wonders.

It’ll challenge you perceptions while providing plenty of classic Wonder Woman type entertainment. It’ll also present a different kind of Wonder Woman, one that embraces both her modern iterations and the those of her past. The end result is a true wonder that does justice to this iconic character in a very unique way. If, by the end, you aren’t willing to submit to the loving authority of Wonder Woman, then you’re missing the point.

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Zack Snyder’s Justice League: Celebrating An (Overdue) Vision

The following is a video from my YouTube channel, Jack’s World. It’s a video I never thought I’d get to make. In it, I review Zack Snyder’s “Justice League,” a movie that legions of fans, as well as the cast, fought for. I didn’t think it would succeed, but after years of advocacy, it came out on HBO Max. I made it a point to build my Saturday night around watching it and I’m glad I did. Watch this video to see why. Enjoy!

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New Comic Book Day March 10, 2021: My Pull List And Pick Of The Week

Even in a year not heavily impacted by a global pandemic, this time of year tends to be a real drag. It’s a time devoid of major holidays for which you can get a day off work or school. The weather isn’t always nice. Depending on where you live, it can still be cold, dreary, and miserable for weeks on end. It’s just not an eventful time of year for anyone.

However, if you’re a lifelong comic book fan like me, it doesn’t matter what time of year it is. You’re only ever a week away from New Comic Book Day, a weekly holiday that all comic fans cherish. Thanks to the wonders of Comixology, it doesn’t matter how bad the weather is. You’re never more than a few clicks away from new comics. It’s a beautiful thing.

I like to think it has also helped me endure this time of year better than most. For weeks on end, there just seems to be no relief or distraction from the drudgery. A fresh stock of comics gives me something to look forward to every week.

This is also usually the time of year when major publishing companies start teasing their major summer events. It’s like a preview for summer Hollywood blockbusters and it’s often the most exciting time for fans of major crossover events. This year has more than its share and those first steps towards those events are starting now.

March often feels like the longest month of the year. With new comics, it’s that much easier to endure. To help in that effort, here’s my pull list and pick for the week. Enjoy and endure, my fellow comic fans! Enjoy and endure!


My Pull List

Amazing Spider-Man #61

Batman: Urban Legends #1

Children Of The Atom #1

Daredevil #28

Deadpool Nerdy 30 #1

Eternals #3

Grimm Fairy Tales #46

Immortal Hulk #44

The Joker #1

Star Wars #12

Superman #29

Wolverine: Black, White & Blood #4

Wonder Woman #770

X-Factor #8


My Pick Of The Week
Joker #1

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Jack’s Comic Gems: Batman White Knight

The following is a video from my YouTube channel, Jack’s World. It’s another entry into my Jack’s Comic Gems series, in which I highlight uniquely awesome gems from the world of comics. This time, I single out Sean Murphy’s brilliant series, “Batman White Knight.” If you’re a Batman fan, I think you’ll love this. Enjoy!

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New Comic Book Day January 13, 2021: My Pull List And Pick Of The Week

We all have our things that put us in this special zen-like state. One of my old college friends got into that state by listening to heavy metal music at nearly full volume. I don’t know why that relaxed him as much as it did, but it worked. I’m not sure how good it was for his ears, but I don’t aruge with results.

For me, comics are that special thing that puts me in that special state of serenity. I download all my new books onto my iPad. I put my feet up and then I proceed to partake in the weekly joy that is New Comic Book Day. I challenge anyone to find someone as content and focused.

It’s a great feeling. No matter how my week is going, reading new comics puts me in that special state where everything seems balanced. It’s my shortcut to inner peace and contentment within a world that has been increasingly stressful over the past year.

Since that world doesn’t seem to want to settle, my weekly trips to comic book Zen will be all the more important. Even in the middle of winter, it’s easy to find something from the vast library that is Comixology that will warm your body and soul. This week is no exception.

Here is my pull list and pick for the week. Enjoy!


My Pull List

Amazing Spider-Man #57

Chris Claremont Anniversary Special #1

Future State: Justice League #1

Future State: Superman/Wonder Woman #1

Immortal Hulk #42

King In Black: Gwenom vs. Carnage #1

Marauders #17

Mighty Morphin #3

S.W.O.R.D #2

Star Wars: Darth Vader #9


My Pick Of The Week
Future State: Justice League #1

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New Comic Book Day December 2, 2020: My Pull List And Pick Of The Week

I am so ready for this year to be over. I doubt I’m the only one who feels that way. I don’t think I need to remind everyone why.

As awful as it has been, we should take some comfort that we made it all the way to December. We have both the holidays to look forward to, as well as the start of a new year. That’s promising. It’s an objectively good outlook to have.

We still have to make it through December, though. There’s still plenty of time left for something awful to happen. Aliens may or may not invade, but if an asteroid struck tomorrow, I wouldn’t be the least bit surprised.

In the meantime, the best we can do is find a way of making it through this final month. For me, comics have always been a great way to endure tough times and extract a little basic joy from life. They helped me get through high school. They also helped me get through some dark, unpleasant times in my life.

For that reason, and many others, I’ll always be grateful. Given how much my spirits have been crushed and maimed by 2020, I’ll need them more than ever to make it through this final month. Thankfully, the fine publishers of the industry are still hard at work and I gladly patronize them every Wednesday. I encourage others to do the same.

To that end, here is my pull list and pick for the week. Enjoy and hang in there people! We’re on the final lap.


My Pull List

Batman #104

Batman/Catwoman #1

Black Widow #4

Champions #3

Daredevil #25

Fantastic Four: Road Trip #1

Hellions #7

King In Black #1

Red Sonja #22

Savage Avengers #15

Thor #10

X-Factor #5


My Pick Of The Week
Batman/Catwoman #1

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Jack’s Comic Gems: Superman Unchained

The following is a video from my YouTube channel, Jack’s World. It’s another entry into my ongoing series, Jack’s Comic Gems. In it, I highlight some of the brightest gems of the comic book world. This entry is “Superman Unchained,” a rare blockbuster of a comic that had the highest production values, but still delivered. Enjoy!

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New Comic Book Day October 7, 2020: My Pull List And Pick Of The Week

This is usually the time of year when comic fans like me are gearing up for the New York Comic Con. Around this time last year, I was making my final preparations. I got my costume ready, picked out the comics I wanted to get signed, and mapped out my plan to maximize my NYCC experience. It was a wonderful trip, to say the least.

Now, that seems so long ago. It might as well be another lifetime.

This week just feels so weird, not having New York Comic Con to look forward to. I know it was cancelled months ago, but it still hurts. It still just feels so wrong to be in the first week of October and not planning my trip to New York.

I don’t doubt that New York Comic Con will be back to its former glory at some point. It probably won’t be next year, but eventually, I will return in full costume, ready to enjoy the wonders that is NYCC. Right now, it just feels so distant. It sucks in ways I cannot put into words.

I’m sorry if it feels like I’m being negative on New Comic Book Day of all days, but I just had to get that off my chest. I’m glad to have a (digital) stack of new comics to enjoy. It does help take the sting out of not being able to go to New York this year. It just feels so bittersweet, remembering how excited I was at this time last year and how much fun I had.

I’ll try to be more upbeat next week. For now, here is my pull list and pick. To all those as upset as I am that there’s no New York Comic Con to go to this year, I feel your pain. Let’s lessen that burden as best we can and new comics is a damn good way to start.


My Pull List

Batman #100

Black Widow #2

Champions #1

Cyberpunk 2077: Trauma Team #2

DCeased: Hope At World’s End #11

Deadpool #7

Justice League #54

Legend of the Swamp Thing: Halloween Spectacular #1

Marauders #13

Red Sonja #20

Star Wars #7

Thor #8

Wolverine #6

X-Force #13


My Pick Of The Week
Batman #100

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New Comic Book Day September 9, 2020: My Pull List And Pick Of The Week

It’s official. We made it through the summer of 2020. In most years, that’s hardly cause for celebration. In fact, around this time last year, I was lamenting over the end of warm bikini-enabling weather. This year is different because this year just objectively sucks for reasons we’re all painfully aware of.

We all have our own way of getting through awful years like this. For me, a weekly dose of new comics has been critical to keeping my broken sprits relatively intact. It’s not just about escapism and distractions, either. Comics are a good reminder that these ideals we still cherish are relevant, even when a pandemic comes so close to breaking us.

In years past, they’ve provided a sense of comfort and reprieve for when school started up. It was still much harder back then because I didn’t have Comixology or day-and-date digital releases. I like to think if I did have it, I would’ve coped better with my circumstances.

However, I don’t want to focus too much on the past or how awful this year has been. Summer may be over, but with another season behind us, we’re that much closer to leaving this awful year behind us. In the meantime, I want to focus on the present and how new comics make it objectively more awesome.

To that end, here is my pull list and picks of the week. Enjoy!


My Pull List

Amazing Spider-Man #48

Captain Marvel #21

Cyberpunk 2077: Trauma Team #1

DCeased: Hope At World’s End #9

Empyre: Aftermath Avengers #1

Empyre: Fallout Fantastic Four #1

The Flash #761

Marauders #12

Superman #25

Wonder Woman #762

X-Force #12

X-Factor #3


My Pick Of The Week
Superman #25

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Upheavals At DC Comic: My Concerns And Hopes

Let’s face it. Pretty much every industry not associated with health care, masks, streaming media, and Zoom calls has been hit hard this year. That’s especially true for certain segments of the entertainment industry. Basically, if you’re a movie studio, a movie theater, a comic shop, or a mall, this year has been like 100 punches to the gut, jaw, and genitals by a crack-fueled Ivan Drago.

That’s how bad global pandemics are. They pull no punches and will hit anything that attempts to prosper, both directly and indirectly.

Those blows extended to the comics industry, as well. As a lifelong comic book fan, I certainly felt it. I haven’t forgotten the weeks on end of having no new comics to enjoy for the first time in over a decade. It was not a pleasant experience. As elated as I was to see New Comic Book Day return, I didn’t doubt for a second that there would be some lasting scars.

Well, now it seems some of those scars are starting to fester and the first one to feel the pain is DC Comics. According to The Hollywood Reporter, the entire DC Comics operation has been hit with major layoffs and restructuring. It’s still intact, but make no mistake. This is the single biggest purging of personnel from a major comics publisher since the mid-1990s.

THR: DC Comics, DC Universe Hit By Major Layoffs

Monday’s WarnerMedia layoffs have affected a significant number of high-level figures at comic book powerhouse DC, multiple sources tell The Hollywood Reporter.

Among those said to be losing their positions are editor-in-chief Bob Harris, senior VP of publishing strategy and support services Hank Kanalz, VP of marketing and creative services Jonah Weiland, VP global publishing initiatives and digital strategy Bobbie Chase, senior story editor Brian Cunningham, and executive editor Mark Doyle, who oversaw the rollout of the Black Label graphic novels. Jim Lee remains the CCO.

Roughly one third of DC’s editorial ranks are being laid off, according to sources.

Insiders also say the majority of the staff of the streaming service DC Universe has been laid off, a move that had been widely expected as WarnerMedia shifts its focus to new streaming service HBO Max.

I can’t understate how big a deal this is to the larger world of comics, but I don’t want to overstate it, either. This situation is objectively bad. There’s no way around it. It’s also not the definitive end of DC Comics. That’s a narrative I don’t want to fuel.

That hasn’t stopped some of the whiniest, dumbest segments of the comics crowd from claiming otherwise. I won’t name names, but they are affiliated with a certain movement in comics that has only become less credible and more insufferable with time. The box office return of the “Captain Marvel” movie is proof enough of that.

Don’t be fooled by what some asshole voices on social media claim. This restructuring is not because DC Comics had too much diversity. It’s more a byproduct of DC Comics having lost its sense of vision, scale, and identity. This is something that happens from time to time in comics. After a while, the whole line loses its sense of self and needs some revitalization.

I can say, as a longtime comic fan, that DC has become somewhat stale in recent years. Even before the pandemic, I felt as though it had lost momentum outside its mainstays. It has primarily been relying on the strength of Batman, Wonder Woman, Superman, Green Lantern, and Flash. As iconic as those characters are, they just can’t sustain the entire line.

There are many reasons for that. I think DC Comics, as a whole, hasn’t had a consistent vision since the days of DC Rebirth. It just got bogged down too much with competing visions, like DCeased and Injustice: Gods Among Us. It also endured way too many delays with its last big crossover event, Doomsday Clock.

The onset of the pandemic just exacerbated a problem that was starting to grow. As bad as things are now, there’s also an opportunity to set things on a better path. That’s my greatest hope for whatever restructuring DC pursues next. It still has plenty to build on. The success of the Harley Quinn show is proof enough of that. It’s just a matter of what form that will take.

That said, I do have major concerns. Comic lines have gone through upheavals before, but never during a global pandemic. This is uncharted territory for the comics industry, as a whole. This is not the era of newsstands and comic shops where top books could easily sell hundreds of thousands of copies. Paperbacks alone are not going to make this industry succeed.

Comics, in the current system, work best as a garden from which new characters, stories, and ideas can blossom. The fruits of that system can later become the basis for TV shows, movies, merchandise, and so much more. DC Comics already has a major media partner in its owner, AT&T. The structure is there. They just have to carve their niche into it.

I understand that’s easier said than done. Right now, a lot of factors are working against DC and the comics industry, as a whole. When all is said and done, comic shops may become much more diminished and trade paperback sales may dwindle to just a handful of titles. I’m not looking forward to that kind of status quo.

The ultimate setup may one day involve DC Comics just abandoning its publishing system, as a whole, and shift to licensing its characters to other companies, such as IDW. That’s very much a last resort, but one that may be more likely if DC can’t get its comics in order.

I want to be hopeful, but I’m also going to brace for the worst. If 2020 has taught me anything, it’s that things can always get worse and the things we love are always capable of succumbing to forces beyond our control. It’s a sad, nihilistic mindset, but one that a global pandemic tends to affirm. Only time will tell and I’ll be waiting with baited breath.

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