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A Fitting Endpoint: My (Spoiler-Free) Review For “Avengers Endgame”

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Starting an epic journey is a daunting challenge. Keeping people engrossed in that journey for over a decade is exceedingly difficult. Ending that journey in a way that’s dramatic, appropriate, and satisfying is damn near impossible. Despite those insane stakes, that’s the primary goal of “Avengers Endgame.” It attempts to cap off the story that began in 2008 with “Iron Man.”

Without spoiling the many dramatic details of this three-hour cinematic experience, I can safely confirm that it did. “Avengers Endgame” achieved that seemingly impossible goal of completing a decade-spanning story that included 22 movies, a cast of top-notch actors, and one talking raccoon. It’s one of those feats that shouldn’t be possible, even with Disney’s deep pockets, but Marvel Studios pulled it off.

It isn’t hyperbole to say that “Avengers Endgame” is a historic cinematic achievement that fundamentally changes the standards for just how bold a movie can be. All the praise from fans and critics alike that this movie has garnered is well-earned, but still doesn’t do justice to what this movie achieved.

It’s not just another step in the ever-expanding saga that is the Marvel Cinematic Universe. This movie does not set the stage for another sequel or lay the groundwork for the next big battle between the Avengers and the next Thanos-level threat. The movie is true, polished ending that manages to beautifully encapsulate the scope and scale of the story it told.

As a life-long comic book fan and a fan of superhero media, going back to the days of Saturday morning cartoons, this movie was both satisfying and impactful. I came out of the theater with my heart still racing and my mind still reeling from what I just witnessed. Part of me was sad. Part of me was elated. In all, though, I felt like I’d completed a journey alongside these beloved characters.

Even if you’re not a fan of comics and only know these characters through the movies, “Avengers Endgame” still succeeds in terms of raw storytelling. Years of world-building and character development really come to ahead in this movie. The shared journeys of characters like Tony Stark, Steve Rogers, Thor, Black Widow, Hawkeye, and Bruce Banner provide plenty of dramatic weight to everything that happens.

Make no mistake, though. A lot happens. This movie will test your bladder almost as much as it tests your heart. There are so many characters to juggle and many of them have their own arcs. Tony, Steve, Thor, and Hawkeye are all in wildly different places throughout the story, literally and figuratively. Coming together again in a cohesive plot takes time and effort, something the Russo brothers do not shy away from.

As a result, “Avengers Endgame” is very different structurally from “Avengers Infinity War.” Whereas “Avengers Infinity War” played out like unfolding battle with Thanos leading the charge, “Avengers Endgame” is very much a reaction to the aftermath of that battle. To say it left some traumatic scars would be the understatement of all understatements.

There’s no getting around it. Thanos won and the Avengers failed. Before anyone can even contemplate undoing the damage, these characters have to adjust to a world that has been decimated on an unimaginable scale. Processing, exploring, and reacting to that decimation is a big part of what makes that final showdown sufficiently epic.

That means are sizable parts of this movie that don’t involve Hulk smashing things, Captain America fighting Hydra agents, or Iron Man blowing stuff up. “Avengers Endgame” puts much more time and energy into character moments and interpersonal drama, which were fewer and less developed in “Avengers Infinity War.” However, none of this time ever feels wasted or drawn out.

It helps make that final showdown all the more meaningful. It’ll get you to cheer, gasp, cry, and cringe every step of the way. I can even attest that there are moments in this movie that got the people in the theater out of their seats and cheering. In all my experience with superhero movies, I can’t remember the last time a movie got people that emotional.

There’s a lot I can say about how “Avengers Endgame” succeeds in making the emotional investment of the past 22 movies pay off. I don’t think I need to belabor how important this component was in making this movie work in a satisfying, climactic manner. While the movie succeeds in this critical aspect, there are other noteworthy details.

In terms of pure entertainment value, it is not as great as “Avengers Infinity War.” I would even argue the first “Avengers” movie had more spectacle and was more cohesive, overall. There were times when “Avengers Endgame” felt somewhat chaotic, due to all the character arcs it had to balance. While it managed to juggle them all effectively, there’s only so much that can be done to keep that narrative concise.

It’s also worth noting that some character narratives were managed better than others. I won’t cite specific characters for spoiler reasons, but they fairly obvious within the first hour of the movie. I’m sure fans of certain characters will be conflicted by how things play out, but I doubt those same fans will be too disappointed.

Fans of the distinct humor that often shows up in Marvel Studios productions will also have plenty to laugh at. Granted, the bleak circumstances of the movie make that tricky, but moments are there and they never feel too forced. They’re not quite as numerous as they are in other MCU movies, but given the various plots of the story, I’d say there’s just enough to balance the overall tone.

There are some other flaws within this movie, but the extent of those flaws is never more than minor. It would require an extreme level of pettiness and nit-picking to use those flaws to undercut the movie. “Avengers Endgame” is not perfect, nor does it try to be. Its primary goal is to end this era of the MCU and it does so beautifully.

The ending will leave many with tears in their eyes, both from joy and sorrow. There’s equal amounts of tragedy and triumph. Certain characters get a happy ending. Others must deal with loss and tragedy. Overall, it’s a perfect blend of satisfying conclusion and bittersweet finality. It reinforces the notion that these characters are true heroes.

For a movie that begins under such bleak circumstances, the ultimate conclusion really solidifies “Avengers Endgame” as an incredible cinematic experience. If I had to score the movie, I would give it a 9 out of 10. It hits all the right dramatic notes, evokes all the right emotions, and succeeds on a level that few could’ve imagined 11 years ago.

Like Captain America himself, this movie was willing to do whatever it takes to complete this superhero saga for the ages. Moving forward, it’s hard to say what will come of the MCU, especially in wake of the Disney/Fox merger, but it’s safe to say that “Avengers Endgame” has set a bold new standard for just how great a superhero movie can be.

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Jack Fisher’s Weekly Quick Pick Comic: Thanos #1

Every Wednesday, a new batch of comic books comes out to bring a badly-needed dose of awesome to a world that can never have too much. Not all of them are generic superhero comics. Not all of them are cheap kid-friendly comics full of talking animals and princesses, either. However, they all contribute to the overall awesome in their own unique way.

This week has more going for it than most. While new comics are certainly a joy to fans of superhero media, the upcoming release of “Avengers Endgame” is, by far, the bigger event. I would go so far as to argue that it’s the biggest event in the history of the superhero genre. However, that event wouldn’t be possible without the comics that birthed these iconic characters.

This week, one character is destined to stand out over everyone else and he’s definitely not a hero. He is Thanos, the Mad Titan who brings death, destruction, and wrath wherever he goes. He brought the Marvel Cinematic Universe to its knees in “Avengers Infinity War.” He’s done it more than a few times in the comics as well. However, “Thanos #1” dares to tell a different kind of story.

In this story, Thanos is still the death-loving, power-mad titan he’s always been. A good chunk of the narrative is spent reinforcing this in ways as brutal as anyone would expect of the Mad Titan. That brutality is important, but not just to Thanos. This story is more about Gamora than it is about him.

Thanos #1” isn’t just some extended flashback that reinforces how menacing Thanos is or why he’s one of Marvel’s greatest villains. This is Gamora telling her story about how she became the most dangerous woman in the universe under his guidance. It’s definitely a story worth telling and writer, Tini Howard, doesn’t gloss over the gruesome details.

Through Gamora, we see that Thanos isn’t just a cruel, mass murderer. He really is mad on many levels. There are times when he kills with a goal in mind. While that goal isn’t always logical, he does show that he knows how to employ tactics and he knows how to lead other killers into battle.

Then, there are the times when he just kills because he is not a stable mind. It doesn’t matter if it costs him valuable soldiers and crew members. He kills for the same reason other people collect Star Wars toys. He’s obsessed with it. In the same way some fans can never have too many Darth Vader action figures, Thanos can never have too much death.

Howard does plenty to flesh out this side of Thanos. By reinforcing the extent of Thanos’ madness, it makes Gamora’s role a lot more meaningful. That meaning is important because Thanos shows, time and again, that he’ll kill anyone and everyone without a second thought. Whether it’s an entire planet of pacifists or his own crew of murder-happy minions, he does not hesitate for a second when that murder itch strikes.

However, he does hesitate when he encounters Gamora. It’s not out of compassion or pity, either. Something about her stands out that sets her apart from the countless victims Thanos has killed throughout the cosmos. It’s not immediately apparent. It’s also substantially different than what we saw in “Avengers Infinity War,” but the underlying theme is the same.

It still carries dramatic weight and the artwork of Ariel Olivetti nicely captures that drama. Gamora, who narrates the story, doesn’t portray herself as an impressionable victim who was eager for a power-hungry madman to corrupt her. She was, by and large, just a young girl trying to escape a massacre with her family.

She didn’t come from a warrior culture. She didn’t have a violent streak in her. She was, by all accounts, just an ordinary alien woman who wanted to live peacefully in the only world she’d ever known. For her to become the most deadly woman in the universe, she had to be forced down that path and molded in the most brutal way possible.

It’s yet another testament to just how devious Thanos is, both in the comics and the movies. He’s not just capable of leading a team of murderers from one slaughter to another. He’s also capable of turning an otherwise innocent woman into one of the most deadly killers in the universe.

Thanos #1” is one of those comics that came out at the best possible time. Thanks to the events of “Avengers Infinity War” and the upcoming release of “Avengers Endgame,” the extent of Thanos’ villainy has become a major component of the superhero genre. He is the standard by which other villains are measured now and, like the movies, Gamora is part of that story.

Despite the differences between Thanos in the movies and Thanos in the comics, they share a common link through Gamora. She is an integral part of his journey, as a villain. She embodies just how much Thanos’ cruelty can shape and mold those around him. She is who she is because of Thanos and, as much as she hates it, he defines her.

Gamora’s story is not a pleasant one, but “Thanos #1” proves that it’s worth telling. At a time when all things Marvel are fueled by all things Thanos, the timing couldn’t be better for such a story.

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Chris Pratt, Religious Celebrities, And Why We Should Be Concerned

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In general, celebrities operate on an entirely different level of reality than non-celebrities. Their concept of normal is so skewed, so distorted, and so out of touch that it’s hard to relate to them. Just read up on the weird things Gwyneth Paltrow has said in recent years for proof of that.

Even if they are out of touch, it is possible for celebrities to be genuinely decent people and succeed in an industry known for horrendous corruption. Some celebrities do work that legitimately makes the world a better place. By most measures, Chris Pratt of “Parks and Recreation” and “Guardians of the Galaxy” fame is one of them.

I consider myself a fan of his. Mr. Pratt has done many things that have won him the respect and admiration of many. Just read the stories about him visited children’s hospitals and try not to like him. While he has undergone some unfortunate upheavals in recent years after his divorce from actress Anna Farris, he has generally managed himself well in the world of celebrity culture.

However, recent events surrounding Mr. Pratt may be cause for concern. While I doubt he’s heading towards the kind of celebrity meltdowns that have doomed others, I think there is reason to worry about the effects that continued fame, celebrity, and wealth will have on him. That’s because those effects may be compounded by another huge complication, namely that of organized religion.

While Mr. Pratt has not hidden the fact that he’s religious, it recently became an issue when Ellen Page, a noted LBGT activist, called him out for attending a church that has a history of anti-gay rhetoric. Now, as someone who has levied plenty of criticism about religion before, I generally support pointing out the injustices and absurdities of religion. In this case, I’m surprised by the backlash.

In general, Ms. Page was subject to significant attacks for her criticism. She was made out to be the bully here and she’s someone who was subject to deplorable treatment by the director who botched X3. In general, people are siding with Mr. Pratt, saying that Ms. Page was out of line for criticizing him for the church he attended.

Personally, I don’t think Ms. Page went about her criticism the right way. Given the horrendous attacks religious organizations have orchestrated against the LGBT community, I don’t blame her for being vocal. This incident, however, and the way Mr. Pratt responded to it leaves me concerned about the cumulative impact that celebrity and religion will have on him.

To understand the extent of those concerns, you need look no further than another famous Hollywood actor who was also respected, popular, and religious. That actor is Mel Gibson. Today, he’s more a joke and an internet meme. However, it wasn’t that long ago when he was Hollywood’s golden boy.

Like Mr. Pratt now, Mel Gibson a successful action star who could also do comedy and drama. For a time, he was the actor many women in and outside of Hollywood swooned over. I know because at one point, my mother admitted to having a major crush on him and having seen some of his old movies, I honestly can’t blame her.

While Mr. Gibson didn’t make a big deal of his religion for the most part, it did rear its influence when he went through his infamous meltdown in 2006. Even after he apologized for that incident, his streak of making anti-Semitic comments has become somewhat normal. As a result, his once-impeccable reputation is a distant memory.

That’s not a fate that anyone deserves, especially Mr. Pratt. Now, I would argue that he’s in a better position than Mr. Gibson was. The various stories surrounding him and the people who work with him paint him as someone who manages himself very well. I would be genuinely surprised if Mr. Pratt ever underwent a similar meltdown.

That said, there is still a distressing history of religion having a less-than-beneficial impact on celebrities. Whether it’s Kirk Cameron encouraging people to not use their critical thinking skills in the name of Christianity or Tom Cruise bashing psychiatry in the name of Scientology, religion can turn respectable celebrities into an embodiment of perverse religious dogma.

In certain circumstances, they can even help compound that dogma. Celebrities already wield more influence than most priests, mullahs, monks, or rabbis. Religious organizations have a strong incentive to cater to and hold onto celebrity adherents. That way when these celebrities say something about their religion, people are more inclined to listen.

Some celebrities do this willingly and freely. Others are guided towards it. It’s well-documented that Tom Cruise gets special treatment in the Church of Scientology. While we don’t know if Mr. Pratt’s church does something similar for him, they certainly have a reason to do whatever they need to do for him to maintain his support and his money, by default.

At the moment, Mr. Pratt’s church is not on the same level as Scientology or even the Catholic Church. By most measures, it’s a fairly standard conservative Christian church that holds positions that won’t surprise anyone who know anything about religiously-motivated morality. It still holds questionable beliefs and wields more influence than most local churches.

Depending on how Mr. Pratt manages that influence, he could either keep his religious affairs private or go down the path of someone like Kirk Cameron, celebrities whose excessive religiosity hinders their respectability. On top of that, it could lead to him starring in some exceedingly awful movies.

The worst case scenario for Mr. Pratt would be something on the level of Mel Gibson, a meltdown that permanently taints his once-golden image as a likable pretty boy who visits children’s hospitals. I don’t think he deserves that. No celebrity deserves a downfall like that, but religion does tend to make that slope a little steeper.

I haven’t met Chris Pratt and I probably never will, but based on what is publicly known, he’s a good man who has done plenty to deserve our respect. Religion, for the most part, doesn’t change that. However, when taken to extremes, as some celebrities have shown, it can reveal just how corrosive certain dogma can be to otherwise decent people.

As Stephen Weinberg once said of religion, “With or without it you would have good people doing good things and evil people doing evil things. But for good people to do evil things, that takes religion.” Mr. Pratt is a good person and it would be nothing short of tragic if his sincerely held faith did something to undermine that. Even if you don’t agree with Ms. Page for calling him out, her concerns are still valid.

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Filed under Celebrities and Celebrity Culture, gender issues, human nature, LGBTQ, outrage culture, psychology, religion

Understanding The Recent Changes (And Upheavals) In The Life Of Carol Danvers

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Some characters are iconic from the get-go. Spider-Man, Superman, Wonder Woman, and Batman all managed to establish themselves as special early on in their history. They’re the lucky ones, though. Most characters have to go through a long, arduous process to reach the top tier of superhero icons. A lot of them never make it, but those that do are special in their own right.

These days, the character who best embodies that spirit is Carol Danvers. You don’t have to go back too far to remember a time when she was relegated to the superhero B-list. As Ms. Marvel, she had her share of fans. I was one of them. She also had her place in the annuls of Marvel lore. However, she was never able to break through and join that elite club occupied almost exclusively of Stan Lee creations.

That all changed when Kelly Sue DeConnick came along and reinvented Carol Danvers as Captain Marvel in 2012. That process, which has since become one of my favorite runs on a comic book series of the past 10 years, helped Carol finally break into the upper echelon of superheroes. With a movie coming out in 2019 staring Brie Larson, it’s safe to say she’s entrenched.

I could write a dozen articles about why Carol Danvers’ character resonates more now than it did when she first showed up in 1968. I’ve already mentioned some of the unique challenges she faces as she enters rarefied air among Marvel heroes and female superheroes, in general. However, I want to focus on one particular aspect of her character that helps her stand out.

As it just so happens, it’s also part of her character that recently underwent a major upheaval in the comics. Among other comic book fans, it has been controversial. I’ve certainly seen more than a little whining on message boards and Reddit. I have my share of criticisms too, but I intend to justify why I believe this is a promising new era for Carol “Captain Marvel” Danvers.

The upheaval in question occurred in a recently-launched mini-series called “The Life of Captain Marvel.” Written by Margaret Stohl, who has been guiding Carol’s journey for several years now, I cannot recommend this series enough. It is, by far, one of the best Carol Danvers stories ever written. Years from now, it will likely mark a major turning point for her story.

That’s because Stohl does something that’s both critical and controversial to Carol’s history. She makes a major alteration to an aspect of Carol’s life that doesn’t change her past, but puts it in a very different perspective. That change, in my opinion, makes Carol a much more intriguing character.

If you want to avoid spoilers, you should probably stop reading here and check out the series. Again, I highly recommend it. The big change, however, takes place in the fourth issue. Here, her mother, Marie, drops a bombshell revelation on Carol that rocks her world. She reveals that she’s half-human and half-alien. Specifically, she’s half-Kree.

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Anyone who saw “Guardians of the Galaxy” knows why that’s a big deal.

Anyone who has a passing knowledge of Marvel history knows why that’s a huge deal.

The fact that she’s half-alien isn’t that unique. Peter “Starlord” Quill has a similar heritage. The reason it’s such a big deal for Carol is because it changes the context of how she got her powers and the role she plays in the greater Marvel universe.

Before this change, Carol’s powers were somewhat of an afterthought. Like Spider-Man, they were the result of an accident. Her’s just involved alien device called the Psyche Magnetron. She got caught in an explosion and that explosion allegedly fused her DNA with Kree DNA to give her superpowers. It’s not the most contrived origins story, but it’s not exactly epic.

To some extent, getting her powers by accident undercut all the work she did before that. Even without powers, she managed to carve out a successful career in the air force and NASA. That work became somewhat superfluous once she got superpowers. Unlike Peter Parker, she was already on a heroic path. Getting powers just seemed like skipping a bunch of steps.

With the revelation by her mother, there’s more connective tissue between her journey as Carol Danvers and her journey as Captain Marvel. Her mother, who comes out as a full-blooded Kree warrior, tells Carol that the accident wasn’t the sole cause of her abilities. It was just the catalyst. These are her exact words.

“What humans see as Kree powers are just our biological adaptations to a life of combat. They’re triggered in battle, usually around adolescence. Sadly, most of us have known war by then.”

This implies that even if she hadn’t been caught in the crossfire of the Psyche Magnetron, her Kree abilities would’ve come out at some point. For some fans, including die-hard Captain Marvel fans, it feels like this is denigrating her origins. I respectfully disagree with that notion. I believe this gives Carol’s story a new kind of appeal.

In terms of how superheroes become iconic, how they get their powers and how they choose to use them plays a huge part in their appeal. I would argue that just making Carol an ordinary human who got caught in an accident has limited appeal. Like I said before, she’s not Peter Parker. She’s not an average person. She’s more like Batman in that she’s an overachiever who strives to do more.

Her being half-Kree adds a new dynamic to the mix because it makes Carol a product of two different worlds. She is born on Earth and lives her whole life as a human. However, she now has this alien heritage that has already influenced her life in ways she didn’t understand. You need only look at the mass appeal of Superman to see why that story is compelling.

Being half-Kree means Carol suddenly has a connection to a race that has waged war on Earth before. She also has a connection to a world that has blatantly experimented on humans before. At the same time, her human life wasn’t exactly ideal. Unlike Superman, she was not raised by picture perfect parents like the Kents.

Her mother, despite being a Kree warrior, was in an unstable relationship with Carol’s very human father. Their family suffered a devastating loss when Carol’s brother, Steve, died in combat. They never really recovered from that and, for most of Carol’s history, that loss kept her parents as a side-note at best in her journey.

With Carol’s mother being a Kree warrior, it changes her into something more than a woman who stayed in a bad marriage. It adds more layers to why she and her husband clashed. Even in the first few issues of “The Life of Captain Marvel,” her father comes off as a generic asshole. Finding out he was dealing with an alien wife makes his struggles a lot less generic.

In many ways, Carol’s parents represent her divided heritage. Her father didn’t want her embracing her Kree side and fighting alien wars. Having already lost a son, who can blame him? Her mother didn’t want to stop Carol from embracing both sides of her heritage, even though that was sure to leave her conflicted.

It effectively connects Carol’s superhero journey with that of her family. Those journeys involve some heavy losses, painful secrets, and destructive alcoholism. It’s something you’re not going to find with Superman, Spider-Man, Batman, or any of the X-men. It leaves Carol Danvers in an uncertain, but promising state.

It’s not yet clear how much of Stohl’s revisions will find their way into the “Captain Marvel” movie. To some extent, it helps that Carol’s origin isn’t as iconic as that of other heroes. The Marvel Cinematic Universe has already done some considerable tweaks to certain characters to make them fit the narrative. I have a feeling we’ll see plenty of that in the movie.

However things plays out on the big screen for Carol, I think her story in the comics just became a lot more interesting. I know there are some fans upset by this. I’ll even concede there are some parts of this revision I don’t care for. There was some appeal to Carol just being an ordinary human who worked her ass off to achieve what she did.

Every major revelation or retcon in a comic or movie comes at a price. You’re bound to upset some people. That’s unavoidable in a world full of such diverse tastes. However, I believe that Carol gained much more than she lost in “The Life of Captain Marvel.” I believe she’s bound to gain a whole lot more, both through her movie and through the new host of stories that can be told.

Whatever the case, I hope Brie Larson takes plenty of notes.

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Filed under Comic Books, Jack Fisher, Superheroes, superhero comics, superhero movies

Why We Should Accept James Gunn’s Apology And Support His Re-Hiring

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In the spirit of honesty and transparency, I’m going to admit something that should surprise no one.

I, Jack Fisher, have said horrible, offensive things in the past. For that, I sincerely apologize.

I’ll give everyone a moment to recoil in shock. Now, I’ll turn off the sarcasm and get serious because this is an issue I’ve already done plenty to belabor. People say offensive things. People write offensive things. I know I have, given some of the sensitive topics I’ve covered.

I’m certainly not alone. These days, it’s hard to go more than a day without reading something horribly offensive on social media. Not all of the offense warrants the same outrage, though. Some comments are just trolling. Some trigger reactions that lead to actual crimes. Not all offensive speech warrants immense outrage is what I’m saying.

That brings me to James Gunn, the man who made movies about a talking raccoon, a talking tree, and the goofy guy from “Parks and Recreation” that went onto make over $1.6 billion at the box office. His star really rose fast after the unexpected success of “Guardians of the Galaxy.” He’s credited with taking the Marvel Cinematic Universe to cosmic heights. He has accomplished a lot in the past four years.

Now, he’s been fired. He’ll have no part in “Guardians of the Galaxy 3.” The circumstances, context, and fallout from this huge turn of events is astonishing, but for all the wrong reasons.

The particulars here are striking. Mr. Gunn was not fired because he committed a serious crime or got embroiled in a disturbing scandal. He got fired because someone who didn’t agree with his political views dug up some old social media posts from 10 years ago that were lewd, offensive, and downright disgusting.

Not surprisingly, Mr. Gunn apologized for it immediately. He didn’t make excuses. He didn’t whine about fake news. He didn’t claim his account was hacked. He took ownership of the things he said and apologized.

Many people who have followed my career know when I started, I viewed myself as a provocateur, making movies and telling jokes that were outrageous and taboo. As I have discussed publicly many times, as I’ve developed as a person, so has my work and my humor.

It’s not to say I’m better, but I am very, very different than I was a few years ago; today I try to root my work in love and connection and less in anger. My days saying something just because it’s shocking and trying to get a reaction are over.

In the past, I have apologized for humor of mine that hurt people. I truly felt sorry and meant every word of my apologies.

For the record, when I made these shocking jokes, I wasn’t living them out. I know this is a weird statement to make, and seems obvious, but, still, here I am, saying it.

Anyway, that’s the completely honest truth: I used to make a lot of offensive jokes. I don’t anymore. I don’t blame my past self for this, but I like myself more and feel like a more full human being and creator today. Love you to you all.

It still wasn’t enough, though. He still got fired and there’s a very good chance that the career he worked so hard for has been damaged beyond repair. It’s all because of horrible things he said 10 years ago. That’s worth emphasizing because the person someone is now and the person they were 10 years ago can be very different.

People grow, develop, and change over the course of their lives. I certainly have. In that time, people will say and do things that they don’t realize will have major consequences 10 years down the line. We can’t even know what kind of person we’ll be a week from now, let alone 10 years.

We’re going to do and say dumb things. That’s just a part of being human. However, now that the internet and social media document these things, our worst moments and most ill-advised decisions are there for all to see. We can no longer trust people to just forget. In Mr. Gunn’s case, someone went out of their way to dig up these horrible comments and that continues a dangerous precedent.

That precedent was already set with Rosanne Barr and this effectively raises the stakes. Now, even when you don’t blame sleep medications and give a sincere apology, you can still lose everything you’ve worked for. All it takes is someone with enough free time, resources, and hatred to do it. For celebrities, these are dangerous and unforgiving times, indeed.

Now, I know it’s hard to feel sympathy for celebrities, who live in big mansions, get preferential treatment wherever they go, and never have to worry about their next mortgage payment. Mr. Gunn is probably going to be okay thanks to the millions he’s already made. At the same time, though, what does undermining his career accomplish?

It doesn’t undo the things he said. It doesn’t undo any of the offense people felt. If anything, it sends a message to aspiring celebrities that anything they say and do will be used against them in the future. Even if that makes some people more careful about what they say online, it doesn’t change the fact that people will say and do dumb things every now and then.

It’s a no-win situation. If you can’t make excuses or offer a sincere apology, then what is the recourse? What was Mr. Gunn’s alternative? Short of going back in time and punching himself in the throat, there was nothing he could’ve done. How is that fair? How is that even logical?

On some levels, I don’t blame Marvel Studios and Disney for cutting ties with Mr. Gunn. They’re a multi-billion dollar media conglomerate that is very sensitive to the value of their brand. They’re also a private entity and not a government so the first amendment does not necessarily apply to them. They can fire whoever they want for whatever reason they want.

Even so, there doesn’t appear to be much effort to accept Mr. Gunn’s apology. While some have expressed understanding, there isn’t much effort in terms of undoing the damage. It’s as though this is the new normal. This is what happens to anyone who dares to let their stupidity end up on the internet. There’s no forgiveness. There are no second chances, either. If you mess up once, you’re finished and your career is over.

Think about the larger implications of that situation. If that’s how we’re going to deal with people who say offensive things, then where’s the real incentive for people to learn from their mistakes? Why would anyone even try to apologize or show regret if the end result is the same?

That’s not to say the situation is hopeless. There is already a Change.org petition to urge Marvel and Disney to rehire Mr. Gunn. As of this writing, it has over 150,000 signatures. Whether that’s enough remains to be seen and the fact that something like that is necessary to accept someone’s apology is still saying a lot.

I already worry that the next time a well-known celebrity says or does something offensive, they won’t even bother with apologizing. Why would they if it’s just going to sink their career or require a petition to keep it going? What kind of excuses will they resort to and how much more damaging will they be?

Accepting apologies aren’t just good values to live by. They’re critical to helping people grow as human beings. I believe Mr. Gunn meant it when he apologized, but I worry that he and other celebrities like him will come to see it as an empty gesture that won’t save their careers.

There are plenty of cases where accepting someone’s apology just isn’t warranted, especially if they have a history of saying and doing terrible things. Mr. Gunn is not such a case. If ever there was a time to set a precedent for accepting someone’s sincere apology, this is it. Even if it’s too late for Mr. Gunn, it’s still a precedent worth setting.

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How Captain Marvel Can Be The Future Of The MCU (And How It Can Go Horribly Wrong)

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When a team is on an epic winning streak, it creates the perception that they have some supernatural ability to defy the law of averages and bend reality to their will. It happened to the 2007 New England Patriots. It happened to the 2016 Golden State Warriors. They had this aura of invincibility that made it seem as though they could never lose.

That made their eventual loss, both in championship games no less, that much more painful. However, I would argue that the winning aura of those teams pales in comparison to that of the Marvel Cinematic Universe. If the MCU were a sports team, it would include the likes of Michael Jordan, Tom Brady, LeBron James, Wayne Gretzky, Tiger Woods, and Muhammad Ali in their primes and on crack.

To say that Marvel’s movie franchises are on a winning streak would be like saying a hungry lion has a slight edge over a wounded squirrel. The Marvel Cinematic Universe hasn’t just made superhero movies the gold standard of the box office by raking in $16.8 billion worldwide to date. It has set the bar so high that even close rivals have essentially given up.

Disney, Marvel Studios, and Kevin Feige are riding higher than anyone thought possible, especially for those who still have nightmares about “Batman and Robin.” With both “Black Panther” and “Avengers: Infinity War” breaking a fresh round of records this year, it seems as though that winning streak is only accelerating.

I say all this not just to belabor how much the MCU has accomplished over the past ten years. I say it as a fan who loves Marvel comics and wants to see it keep winning. However, even with “Avengers 4” set to come out next year and make another couple billion, I believe this streak of superhero movie excellence is vulnerable.

It’s no secret that “Avengers 4” will likely mark the end of an era. Kevin Feige has gone on record as saying that this movie will act as an endgame, of sorts. While makes clear that the MCU will continue, with movies planned out until 2025, he also indicates that there will be major upheavals.

That’s somewhat necessary because with the conclusion of “Avengers 4,” many of the contracts for MCU stalwarts like Robert Downy Jr., Chris Evans, and Chris Hemsworth are set to expire. While it’s possible that some may find a way to keep going, others like Chris Evans have made clear that their time in the MCU is almost over.

That means for the MCU to continue its winning streak, it needs to move forward with new characters, new actors, and new ideas. It has to find a way to keep this world moving forward, potentially without the likes of Captain America, Iron Man, and Thor. That’s a huge challenge, even for a franchise on an unprecedented winning streak, and the comics have already failed to fill those voids.

That’s where Carol “Captain Marvel” Danvers comes in. If you saw the post-credits scene for “Avengers: Infinity War,” you know why she’s about to become very relevant to the MCU. I’ve talked about her before and established how things could easily go wrong with her upcoming movie. I imagine I’ll have a lot more to talk about in the coming months.

I don’t think it’s unreasonable to say that Carol Danvers and her upcoming movie, which is slated for release in March 2018, is the most important movie in the history of the genre. I believe this movie may very well determine whether the winning streak of the Marvel Cinematic Universe continues or finally falters.

I say that as someone who loves Carol Danvers as Captain Marvel. Back in 2012, Kelly Sue DeConnick effectively reinvented the character in a way that convinced me that she deserves a prominent role in any Marvel universe. In my opinion, she’s essentially Marvel’s version Wonder Woman.

Her movie has so much going for it. “Wonder Woman” established that female superhero movies could be a hit at the box office and garner critical acclaim, despite the scars left by “Catwoman.” On some levels, “Captain Marvel” is facing a lot less pressure and it has the momentum of “Avengers: Infinity War” behind it.

However, the stakes are actually higher for this movie compared to everything “Wonder Woman” faced. Recently, Kevin Feige stated that Carol Danvers will be the new face of the MCU. From a purely logistical standpoint, that makes sense. The MCU needs a new unifying force if Chris Evans’ Captain America is to make his final stand in “Avengers 4.”

I believe Carol can pull it off, as well. She has taken on more leadership roles in the comics and has become a central member of the Avengers’ main team. Combine that with Brie Larson’s charisma and Carol Danvers has all the tools she needs to keep the MCU’s winning streak going.

I believe she can do this simply by being the kind of character that Kelly Sue DeConnick molded six years ago. That version of Carol Danvers emerged from years of being a secondary character in Ms. Marvel who rarely got a chance to achieve the same recognition as her peers. She’s a classic case of a character who elevated themselves by embracing a new identity, a new purpose, and greater ambition.

DeConnick established Carol as someone who achieves so much in one field, but dares to seek greater challenges beyond. She contributed to the Avengers for years, but never pursued a greater vision until she became Captain Marvel. That idea of someone looking to the stars, seeking to achieve more, and pursuing it with unmatched drive is what will help her succeed in ways on par with Wonder Woman.

At the same time, though, there are potential risks and Captain Marvel may be more vulnerable to them than Wonder Woman. While Kelly Sue DeConnick did a lot to reinvent Carol Danvers for a new era, she has faltered somewhat. Recent events in the comics have put her heroic merits into question for all the wrong reasons. Some of Brie Larson’s politically-charged rhetoric hasn’t helped either.

To some extent, Carol’s reputation has faltered because in elevating her status in the comics, she has been hit with the dreaded Galbrush Paradox. The quirks that DeConnick introduced, such as Carol being a Star Wars fan and having a love interest in James Rhodes, have eroded in recent years. In addition, even her artistic depictions have devolved by reducing her feminine features for no apparent reason.

In wake of the vitriol that Star Wars received for its portrayal of female characters, I worry that “Captain Marvel” runs the risk of inviting a similar backlash. If Carol Danvers is not sufficiently compelling, she runs the risk of getting hit with the Mary Sue label that has plagued Rey since “Star Wars: The Force Awakens.”

The worse case scenario, in my opinion, involves turning Carol Danvers into a Captain America or Iron Man stand-in. In the absence of these iconic characters, and their top name actors, Feige and those at Marvel Studios may be tempted to make her too much like them. That would be a huge mistake, especially for an organization on such a huge winning streak.

Carol Danvers is not Steve Rogers, nor is she Tony Stark. She’s not just a woman who takes on a man’s role either. She’s still a woman and, especially under DeConnick, her womanly traits were on display alongside her more badass features. It’s not groundbreaking because Wonder Woman struck just the right balance, having her fight alongside men while still acting like a woman.

In the best case scenario, Carol Danvers follows Wonder Woman’s example and establishes herself as someone worthy of carrying the MCU forward. Unlike Rey, she’s a character with plenty of compelling lore to work with. The key is finding the right blend that’ll help her fit into the Marvel Cinematic Universe.

At this point, without a trailer and only a few teases to go on, it could go either way for “Captain Marvel.” It could be the next in a long line of successes or it could be the MCU’s first failure. To date, Kevin Feige and those at Marvel Studios have shown time and again that they know what they’re doing.

Hell, they took an obscure series involving a talking raccoon and made it a global brand. Until they show they’re capable of screwing up, I’ll continue to give them the benefit of the doubt. At the same time, though, I think it’s worth bracing for that inevitable setback. All winning streaks come to an end. I just hope “Captain Marvel” isn’t the one that ends it.

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Infinitely Astounding And Then Some: My Review Of “Avengers: Infinity War”

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We’ve heard it all our lives from parents, teachers, and cartoon characters. Good things come to those who wait. Patience is a virtue. If something is worth having, then taking your time and going through the process will make it that much more rewarding.

As impatient, overly energetic kids, we hated that. As adults, we still hate it to some extent. However, those inane words of wisdom have proven themselves valid time and again.

To some extent, the Marvel Cinematic Universe has a been a decade-long exercise in patience. That patience has already paid off in so many ways with so many memorable moments, raising the bar for cinematic excellence every step of the way. After ten years of that process, though, how could it possibly vindicate all the patience?

Well, having seen “Avengers: Infinity War,” I’m comfortable saying that all the waiting, hype, and post-credits teasers was totally worth it. Never before has a movie come along that required so much build-up and so much connection from other films over such a lengthy period of time. Never before has a film franchise ever achieved such sustained, consistent success that has raked in billions for its Disney overlords.

By nearly every measure, “Avengers: Infinity War” is the culmination of all those efforts. It’s an effort that spans dozens of movies, made and re-birthed entire careers, and dared to tell the kind of story that required such a lengthy, elaborate process. It’s the kind of movie that, a decade ago, seemed impossible. Well, the impossible has been done and the results are nothing short of astounding.

Beyond the hype, setup, and process that went into making this movie, “Avengers: Infinity War” is a ride like no other. It’s not just about superheroes coming together to battle a common enemy. It’s not just about big battle scenes and witty quips between gods and talking raccoons. This is a movie with a powerful, impactful story that strikes so many emotional chords.

That may seem strange for a superhero movie, which have traditionally been big-budget spectacles meant to delight the inner child/fanboy in us all. The idea that a superhero movie could generate real drama and evoke powerful emotions almost seems like a subversion of the underlying appeal of the genre.

It’s for that reason that “Avengers: Infinity War” is so special. It doesn’t just build around the appeal of all these iconic characters, most of which are older than the actors and actresses playing them. It crafts a story that takes all the emotional stakes that had been set up in other movies and pushes them to the absolute limit.

The emotional journey that began in “Iron Man” and “The Avengers” comes to a head in a way that’s both definitive and powerful. There’s no more teasing surrounding Thanos, the Infinity Stones, and all the agendas surrounding them, many of which began in the earliest phases of the MCU. The stakes are clear, the threat is there, and the battles surrounding both are appropriately epic.

Beyond just the spectacle, though, “Avengers: Infinity War” succeeds in what might be the most important aspect for a movie of this scope and scale. The story and the high-octane clashes that fuel it all unfold in a way that makes the last decade of Marvel movies feel even more relevant.

Marvel big-wigs like Kevin Feige love to say it’s all connected. Well, “Avengers: Infinity War” strengthens those connections. Suddenly, the plots involving the infinity stones, going all the way back to “Captain America” and “Guardians of the Galaxy,” matter that much more.

All those plots gain much greater weight as Thanos fights to retrieve all six stones. Now, all the triumphs and failures of these characters more weight. These characters we’ve been cheering for and connecting with now have to push themselves beyond their limits. The end result is an experience that hits as hard as a punch by the Hulk.

Beyond the connections created by the past ten years of Marvel movies, “Avengers: Infinity War” succeeds in another important way. It crafts the conflict around a powerful, compelling villain. After seeing the movie, I think most would agree that Thanos really steals the show and not just because Josh Brolin’s voice gives us all the right shivers.

It was probably the biggest challenge of this movie, beyond having to build it around a decade of overarching plot points. This movie needed to make Thanos more than just a daunting threat. It had to make him compelling. Given his colorful history in the comics, that was more challenging than most non-comic fans realize.

Thanos needed to be adapted, to some extent, in order for him to work. He couldn’t just be this mad, death-obsessed monster. In a universe that has birthed compelling villains like Loki and Erik Killmonger, he has to have some level of complexity. “Avengers: Infinity War” gives him more than any CGI-generated character could ever hope for.

It’s not just that Thanos is menacing, powerful, and able to subdue the Hulk. It’s that he has a clear, unambiguous motivation. He’s very overt about what he’s doing and why he’s doing it. What makes it all the more remarkable is that he finds a way to justify it that doesn’t come off as outright villainous. I would argue that he justifies his actions are better than any other villain in the MCU.

That doesn’t just make Thanos compelling, as both a character and a villain. It helps create moments that establish he’s not just some overwhelming force of evil. He’s a being who has feelings and emotions. Even in the comics, Thanos is a very emotion-driven character. The emotions, in this case, are directed towards something other than wanting to hook up with the living embodiment of death.

As menacing as Thanos is, though, he’s driven by his passions and those passions push him to the kinds of extremes that make all villains so dangerous. It’s not the same kind of greed and ego that makes Lex Luthor’s villainy so overt. As a result, the Avengers have to tap into their own passions to stop him.

This brings out the best in them as well. There are moments between Iron Man, Spider-Man, Vision, the Scarlet Witch, Starlord, Gamora, and Thor that really elevate the drama. There are moments of romance, building on romantic sub-plots from previous movies. There are moments of heart-wrenching loss, more so than any other Marvel movie to date. Most importantly, though, those moments carry weight and impact.

That, more than anything, is what makes “Avengers: Infinity War” a special cinematic experience that was worth waiting a decade for. To some extent, the movie makes clear that it needed those ten years to build up the drama and story. It also needed those ten years to make us, the audience, really care about all these characters. That way, when the final credits roll, we all feel the true breadth of that impact.

You could, in theory, still watch “Avengers: Infinity War” without having seen any other Marvel movie or superhero movie, in general. Even in that context, it’s still a great movie full of action, drama, and memorable moments featuring gods, super soldiers, and talking raccoons. However, without all the movies that came before it and all the connections from them, it just doesn’t carry the same weight.

If “Avengers: Infinity War” has any flaws, it’s that. To truly appreciate the impact of the movie, it’s necessary to know and somewhat care about the other movies in the MCU that helped set it up. Without that, the movie is just another spectacle. It’s still an amazing spectacle full of quality acting and stunning effects. It just relies so much on the foundation that other movies have crafted.

I’ve no problem saying that “Avengers: Infinity War” is one of the greatest superhero movies ever made. It may very well go onto become the highest-grossing superhero movie of all time. However, it’s not without flaws. They are very minor, but they are there.

If there’s one glaring flaw in this masterful superhero saga, though, it’s that the movie is clearly organized to be in two parts. Like “Kill Bill” or the latest “Star Wars” trilogy, the story is incomplete, by necessity. As a result, the ending feels abrupt. It’s still more impactful than gut punch by an army of Hulks, but it’s one of those endings that never comes off as an endpoint.

This movie is presented very much in the mold of “The Empire Strikes Back” in that it hits the heroes hard, allows the villains to make devastating gains, and really raises the stakes for the sequel. Just as that movie made you want to see Luke Skywalker battle Dearth Vader again, “Avengers: Infinity War” makes you want to see the Avengers take down Thanos.

There’s so many things to love about “Avengers: Infinity War” and what it managed to accomplish. It is definitely a historic achievement for movies and the superhero genre, as a whole. If I had to score it, I’d give it a 9.5 out of 10. It’s not perfect because it’s incomplete, but it’s as close to perfect as anything can get after ten years of build-up.

The wait was long and agonizing, but so worth it. The wait for “Avengers 4” will likely be agonizing as well, but Marvel Studios has made a glorious habit of rewarding such patience so I certainly don’t mind waiting. “Avengers: Infinity War” once again raised the bar. I look forward to seeing how Marvel and Disney raise it again.

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