Tag Archives: Tom Taylor

New Comic Book Day October 20, 2021: My Pull List And Pick Of The Week

There are a certain group of people, many of them pundits, trolls, and wannabe celebrities, who whine about adults who love comics. They’ll frequently tell them to grow up or that comics are for children and that clinging to them is akin to clinging to your childhood.

These people are wrong, misguided, and have a general antipathy towards anything fun or fulfilling.

Fuck those people. Fuck them with an adamantimum dildo.

Comics aren’t just for kids anymore. There was a time when they were mostly marketed towards children, but their appeal has never been that narrow. Many of the stories they tell have messages and appeal that transcend age, gender, race, creed, and background. They embody values, ideals, and emotions that impact everyone on some level. We shouldn’t whine about that. We should celebrate it.

That’s what I do every Wednesday with New Comic Book Day. I might have been a kid when I first got into comics, but the joy they give me is every bit as important to me as an adult. Plus, knowing that this enjoyment pisses off the likes of Martin Scorsese and Bill Maher just makes it all the more fulfilling.

Again, fuck those people and fuck their hatred of anything fun and enjoyable.

I encourage all my fellow comic book fans to share in that sentiment. Use today to give those who say comics are for kids an omega level middle finger. Below is my pull list and pick of the week. Enjoy!


My Pull List

Batman #115

Batman/Catwoman #8

Catwoman #36

Death of Doctor Strange #2

Fantastic Four #37

The Flash #775

Grimm Spotlight: Cinderella vs Zombies

King Spawn #3

Nightwing #85

Nubia & the Amazons #1

Phoenix Song: Echo #1

Red Sonja: Black, White, Red #4

Shazam! #4

Star Wars: The High Republic #10

Suicide Squad #8

Superman: Son of Kal-El #4

Thor #18

The United States of Captain America #5

X-Men: The Trial Of Magneto #3


My Pick Of The Week
Nightwing #85

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Celebrating (And Clarifying) The New Bisexual Superman

I’ve been reading comics for most of my life. In that time, I’ve seen many major upheavals and big events. A few of them even made mainstream news. I still remember how big it was when the Death of Superman first came out. That event made for some big headlines and its effect on the comic book industry is still felt today.

At the same time, reading comics for so long has given me a knack for sensing when an event will make mainstream news. It has also helped me get a feel for the kind of reaction it’ll get from those who don’t follow comics that closely. As a result, their reaction tends to be somewhat misguided.

With that in mind, I’d like to talk about Superman coming out as bisexual, a big reveal that made national headlines earlier this week. When I saw this, I was temped to post my immediate reaction. However, I held off because I suspected the oncoming storm of outrage would obscure any sentiment or point I made.

Sadly, it didn’t take long for some of that outrage to take hold.

Plenty of reactionaries whined about it for plenty of non-surprising reasons, ranging from your traditional anti-LGBTQ whining from religious zealots to people who just whine about comics becoming “political.” I put “political” in quotes because by political, it usually denotes “politics I don’t like.” It’s still just whining at the end of the day.

For me, personally, I’m all for this. I love that DC Comics is doing this with one of their characters. It’s something that I think fits the spirit and principles of Superman. He is someone who has love, compassion, and understanding for all. He saves men, women, and everything in between. His capacity for connecting with others knows no gender or preference. That’s what makes him Superman.

That being said, there is some important context to add to this. If you just read the mainstream headlines, you might get the wrong idea. For the most balanced take, I recommend the following NPR piece. It nicely sums up what’s going on here.

NPR: Superman’s son comes out as bisexual in a new comic. It’s a big deal — sort of

By now you’ve likely heard.

He’s queer now.

Yep: Superman, Champion of the Oppressed, the Man of Steel, the Man of Tomorrow, the Last Son of Krypton, the Big Blue Boy Scout, Mr. Not-A-Bird-Nor-A-Plane Himself.

Queer. All of a sudden.

And at 83 years old, no less! Bless his heart.

But that’s not what’s happening here. Comics being comics, the truth is a lot more granular.

We’re not talking about the classic, original-recipe Clark Kent/Kal-El Superman that’s been around since the June 1938 issue of Action Comics #1 first hit the stands. It’s not the Superman who’s infiltrated the global zeitgeist to become a part of our collective consciousness via comics, serials, radio, television, film, toys, roller coasters and the bedsheets I got for Christmas 1979.

No, it’s his son, Jonathan Kent. Whose precise backstory in the comics has been so ruthlessly pummeled by a series of reboots, retcons, space missions, time-travel and rapid aging as to render it so incomprehensible that it sends even diehards like me scurrying to the nearest wiki.

He’s slated to come out as bisexual in the pages of Superman: Son of Kal-El #5, written by Tom Taylor with art by John Timms, which will published on November 9th. Jonathan and his male friend Jay, introduced earlier in the series, will share a kiss.

I hope that clears things up. You don’t need to know all the complex continuity behind the details. You just need to know the basics.

In short, the Superman who came out as bisexual isn’t the primary Superman we’ve known since Action Comics #1. It’s Superman and Lois Lane’s son, Jon Kent. He’s actually a relatively new character, having debuted in 2015 just before DC’s Rebirth event. In that time, he’s grown and developed a lot, becoming one of the best Superman offspring characters we’ve seen in years.

He’s certainly grown on me in that time. This latest twist to his story only makes me love him more. I also encourage everyone curious about Jon Kent to read about him. If you need a starting point, I highly suggest a series called Super Sons. That firmly established Jon as someone who could wear his cape proudly.

In addition, it gives Jon something that further sets him apart from his father. Clark Kent will always be Superman, but that’s a title that need not be restricted to one man. Plenty of other characters have gone by that title and not all of them are directly related to Clark like Jon is. The title and the values behind it have always mattered more than the person.

Clark Kent understands that.

Jon Kent understands that.

The longtime fans of Superman also understand that.

Everyone who wields that cape protects, defends, and champions the values behind that name. Truth, justice, and the American way need not be the exclusive domain of a straight white man from Smallville. Someone like Jon Kent can also fight for them, but doing so doesn’t require that he be exactly like his father.

He can still be his own person and part of that persona just happens to involve bisexuality. That doesn’t at all detract from his ability to fight for those same values. It doesn’t change the importance of those values, either. At the end of the day, what matters most is that he fights for them with the same spirit and passion as his father.

That’s what makes him Superman.

It doesn’t matter whether or not he’s bisexual. He’s still Superman and one worth celebrating.

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New Comic Book Day September 1, 2021: My Pull List And Pick Of The Week

This time of year used to be so bittersweet. The week before Labor Day was often the last week before I went back to school and, as I’ve noted before, I had a less-than-enjoyable experience at school. I would often dread each passing day in this week, knowing that at the start of next week, I’d be going back to a place that made me miserable for seven hours a day. It was nerve-racking, to say the least.

That was often the week I needed new comics the most. It was the week when I needed a quality escape the most. I dreaded school so much that anything I could look forward to was a welcome reprieve. I always made it a point to go to my local comic shop that Wednesday and buy some extra books to get me through. For that, I’ll always thank the owner of that shop for letting me go a little overboard.

Years later, this particular week isn’t nearly as nerve racking. For the most part, it’s just another week. However, I haven’t forgotten how difficult it was in my youth and how comics helped me get through it. I had so many issues back then and I wouldn’t be where I am today if it weren’t for the comics I love. I know that sounds melodramatic, but I swear it’s true.

I know a lot of kids are already back in school. I also know some are poised to return next week. To those kids who dreaded it like I did, I urge you all to hang in there. Be strong and be safe out there. You’ll get through this, just like I did. Hopefully, a stack of new comics will help in some way. Here is my pull list and pick of the week. Enjoy!


My Pull List

Aquaman 80th Anniversary 100-Page Super Spectacular #1

Avengers #48

Basilisk #4

Batman/Superman 2021 Annual #1

Batman: Fear State: Alpha #1

Captain Marvel #32

Dark Ages #1

Harley Quinn 2021 Annual #1

Hellions #15

Infinite Frontier #5

New Mutants #21

Red Sonja #1

Sinister War #4

Star Wars: The High Republic #9

Teen Titans Academy #6

W.E.B. Of Spider-Man #4

Wonder Girl #3


My Pick Of The Week
Dark Ages #1

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New Comic Book Day August 25, 2021: My Pull List And Pick Of The Week

We all need an escape every now and then. Sometimes, the world is just such a mess that we need to take a step back, close our eyes, and pretend we’re not in the middle of an unfolding shit storm. Needless to say, we needed a lot of escapes last year for obvious reasons.

For me, personally, I needed a lot of escapes when I was younger. As I’ve noted before, I was a pretty miserable teenager. I had a lot of issues and whenever I needed an escape, comics were there for me. In my house, the TV wasn’t always available and we didn’t have smartphones yet. Sometimes, the best thing I could do for myself is just dig into my comic collection and forget about the world.

Flash forward a couple decades and things have gotten even easier, at least with respect to diving into comics. Thanks to Comixology, I can access my vast collection of comics through my smartphone and tablet. I don’t have to go digging through any boxes. I just have to have an internet connection. On Wednesdays, it’s even more satisfying with a new batch of comics to choose from.

After this past week, anyone who has followed the news in any capacity probably needs an escape. The world is in an objectively awful place right now and it’s probably going to get worse before it gets better. It’s a depressing thought, I know. That’s why we should all make the most of New Comic Book Day. It’s a temporary escape, but one I think we all need.

To that end, here is my pull list and pick for the week. I hope it helps you escape the awfulness of this world, if only briefly. Enjoy!


My Pull List

Action Comics #1034

Amazing Spider-Man #72

Avengers Annual #1

Batman/Superman #21

Black Widow #10

Cable: Reloaded #1

Conan The Barbarian #24

Detective Comics #1042

Extreme Carnage: Riot #1

Harley Quinn #6

The Invincible Red Sonja #4

Marvel’s Voices: Identity #1

Non-Stop Spider-Man #4

Spider-Man: Life Story Annual #1

Superman ’78 #1

Superman: Son of Kal-El #2

Symbiote Spider-Man: Crossroads #2

Thor #16

Wolverine #15

Wonder Woman #778


My Pick Of The Week
Superman: Son of Kal-El #2

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New Comic Book Day August 4, 2021: My Pull List And Pick Of The Week

When you’re a comic fan like me, comics basically become the spice, the cake frosting, or the hot sauce of life. By that, I mean there really isn’t much you can’t combine with comics that doesn’t make something inherently better. On Wednesday mornings, pairing my morning cup of coffee with new comics is a perfect complement. They each make each other better.

The same applies to combining new comics with lunch.

The same applies to combining new comics with lounging by the pool.

The same applies to combining new comics to snuggling up with your lover on the couch.

Think of any situation that allows you to read something on a phone or tablet. New comics only makes it better. On Wednesday mornings when a glut of new books come out, you’ve got even more to work with. You now have the excitement of reading something new that introduces new characters, moves stories forward, and offers more dazzling art.

Variety may be the spice of life, but comics are my preferred spice. No matter what time of the year it is, comics make it sweeter. Now is as good a time as any to sweeten up your life once week with new comics. As always, I offer my pull list and pick of the week. Enjoy!


My Pull List

Avengers #47

Batman #111

Crime Syndicate #6

Deadpool: Black, White & Blood #1

Guardians Of The Galaxy Annual #1

Hellions #14

Immortal Hulk #49

Justice League #66

Justice league Infinity #2

Miles Morales: Marvel Tales #1

Savage Avengers #23

Silk #5

Suicide Squad #6

Suicide Squad: King Shark #1

W.E.B. Of Spider-Man #3

X-Men #2


My Pick Of The Week
Deadpool: Black, White & Blood #1

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Jack’s Comic Gems: Superior Iron Man

The following is a video for my YouTube channel, Jack’s World. It’s part of my comic gems series that highlights an overlooked or underrated gem from the world of comics. Enjoy!

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New Comic Book Day July 1, 2020: My Pull List And Pick Of The Week

In general, I’m a pretty optimistic person. I look at the future with a sense of hope and wonder. That’s why I enjoy writing about futuristic technology. It allows me to speculate on the amazing things that the future may bring us.

Then, a global pandemic hit. After several months of progressively bad news, my optimism is on life support. That’s exactly why I value New Comic Book Day more than ever.

I’ve gone through plenty of tough times in my life. I’ve lived through plenty of tough periods, as well. One of the ways I coped was through my love of comics. Every Wednesday brought both an escape and some much-needed inspiration. It’s what helped me make it through high school and the Bush years.

Now, I’m not sure it’s enough. Don’t get me wrong. I still love waking up early on Wednesday morning, checking into my Comixology account, and reading a stack of new comics with a hot cup of coffee in hand. It’s still one of my most cherished pleasures, especially after the industry got going again.

That said, every day brings awful news that just keeps compounding. This is not a war, a scandal, or even an election. This is a pandemic and it’s getting worse, just as we thought it was starting to get better. It has significantly changed my hopeful outlook on the future, but it hasn’t changed my love of New Comic Book Day.

I hope it’s enough to get me through this dark time. I’m usually confident that it will. Now, I’m not sure. At the very least, I’m ready to take a break from all the awful news and share my pull list and pick. I encourage everyone else to use this as a reprieve, even if it’s brief.


My Pull List

The Boys: Dear Becky #2

DCeased: Hope At World’s End #4

Harley Quinn Black + White + Red #2

Hawkeye: Freefall #6

Killing Red Sonja #2

Red Sonja #16

Star #5

Supergirl #42

Teenage Mutant Ninja Turtles: Urban Legends #24


My Pick Of The Week
DCeased: Hope At World’s End #4

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Selling (And Exploiting) Human Enhancement: An Ominous Lesson From “Superior Iron Man”

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How much would you be willing to pay for perfect health, perfect beauty, and a greater capacity to enjoy life as you see fit? This is not a rhetorical question. I would even argue that it’s an increasingly relevant question. In the coming years, answering it might even become more urgent.

I’ve talked about the prospects of human enhancement through emerging technology before. From its impact on our concept of beauty to how our society will function, there are many impacts to consider. Some of those impacts are already manifesting before our eyes. Just last year, the first genetically modified babies were born in China. Like it or not, this is happening.

It’s impossible to overstate the benefits, risks, and upheavals that human enhancement will have on our species and our world. Nobody knows for sure what’s going to happen as this technology matures or how societies, economies, and governments will react to it. Even so, it’s worth contemplating. It’s even worth imagining elaborate scenarios in fictional worlds.

While plenty of noteworthy stories have imagined such scenarios, some more dystopian than others, there’s one in particular I’d like to single out. It’s not entirely dystopian, but it does offer some distressing lessons about the larger economics of human enhancement. It also helps that those lessons come through a forgotten, but criminally underrated Iron Man comic.

Given the rapid rise of Iron Man’s star power over the past decade, his character is uniquely qualified to explore these difficult questions surrounding technology and how we use it. He is, at his core, a visionary who uses technology to solve problems, save lives, and occasionally fight invading aliens. In the series, “Superior Iron Man,” he takes that vision several steps further and cross many lines along the way.

While there are some convoluted circumstances surrounding this series, the ideas it explores are profound, even by the standards of superhero comics. You don’t need to know the specifics of those circumstances. They involve forces like magic and inversion spells, which are far too complicated to explain to those who haven’t followed Marvel comics for more than two decades.

The only detail anyone needs to know about “Superior Iron Man” is that the Tony Stark in this story is not the same lovable character that helped make Robert Downy Jr. one of the most lovable stars in Hollywood. This version of Tony is less bound by concepts of heroism, selflessness, and sobriety. That’s not to say he’s evil, but he’s definitely no hero.

Within this ethically bankrupt state, Tony embarks on a new initiative that’s as selfish as it is lucrative. It revolves around Extremis, an exotic cocktail of nanotechnology and biotechnology that effectively rewrites the blueprint of the entire human body into something better, stronger, and more robust. In essence, it is the ultimate tool for human enhancement.

While the initial version of Extremis was lethal to most people who used it, Tony creates a more commercialized version in “Superior Iron Man” that gives everyone a chance to enjoy its benefits. He calls it Extremis 3.0 and people can access it through a simple smartphone app. With it, people can achieve what Tony describes as physical perfection.

Everyone can be perfectly healthy.

Everyone can be young and beautiful.

Everyone can be functionally immortal.

It sounds like a miracle drug and by every measure, it is. This isn’t some Dr. Oz wannabe pitching vitamins that do nothing other than give you false hope. This technology actually works. With it, Tony gives the entire city of San Francisco a chance to experience the fruits of human enhancement.

Understandably, once people get a taste of what Extremis 3.0 has to offer, they love it. They also take full advantage of it. At one point in the story, Pepper Potts says it’s turning the streets of San Francisco into a non-stop parade of debauchery and self-indulgence. Tony does not see this as a bad thing. If anything, it perfectly complements his plans and his renewed appetite for self-indulgence.

This is where “Superior Iron Man” attempts to answer that question about putting a price on physical perfection. Writer Tom Taylor, alongside artist Yildiray Çinar, doesn’t hide from the disturbing parts of that answer. By the end of the first issue, Tony puts a literal price on that perfection. Needless to say, it causes plenty of conflict and it escalates quickly.

When he initially released Extremis 3.0 onto San Francisco, he gives ordinary people a taste of what it’s like to be as fit as Captain America, as beautiful as Emma Frost, and as physically endowed as Thor. It’s not a drug that just attempts to match that feeling. It physically changes their bodies and their capacity for using them. That taste, however, was just a free sample. To keep enjoying it, they must pay $99 a day.

It’s crude trick right out of the playbook of subscription apps. People get a free trial period that’s just long enough to get them hooked. Then, before they even realize they have to pay anything, they get hit with a paywall. It’s a cruel bait-and-switch, but this isn’t just another streaming video service. This is physical perfection and unlimited self-indulgence. Is $99 a day really that unreasonable?

It certainly rubs plenty of people the wrong way, including many of Tony’s long-time friends and allies. Both Daredevil and Pepper Potts turn against him for such devious tactic. It also has some noticeable effects on the people who use it. By the end of the first issue, a stark class divide emerges between those who can afford Extremis 3.0 and those who can’t.

Naturally, it causes crime and conflict among the residents of San Francisco. Tony, now both feared and beloved by these people, takes it upon himself to manage it. He gains power, wealth, status, and an endless supply of eager party guests for whenever he seeks to indulge. It’s a perfect cocktail of recklessness and irresponsibility.

Without spoiling the rest of the story, which ended too soon, I think it’s worth taking a step back and looking at the bigger picture that “Superior Iron Man” presented. If you take away the iconic characters and the superhero themes, you get a story about a selfish business tycoon who has sole possession of the ultimate biotech product.

The goal isn’t to heal the sick, ease suffering, or evolve the human species. The goal is simply to make a lot of money, feed an inflated ego, and indulge in every conceivable vice without consequences. It’s a worst-case scenario for liberals and conservatives, alike. At the same time, it makes a compelling case that our current system can’t handle the impacts of large-scale human enhancement.

That doesn’t mean it can’t succeed in our current system. The size of the current biotech industry is already measured in the hundreds of billions. Overpriced drugs are nothing new, either. Just this past year, the FDA approved a drug called Zolgensma, which costs $425,000 a year for five years to treat a rare genetic disorder called spinal muscular atrophy.

By comparison, Extremis 3.0 is a bargain with far greater value. Even at $99 a day, the yearly cost of enjoying that physical perfection amounts to around $36,500 a year. That still takes up a good chunk of the average income for most Americans, but considering all the benefits of having a perfect body, is it still a bargain?

For anyone who has overpaid for inflated medical expenses, I suspect they would gladly pay that high price for Extremis 3.0. Tony Stark banked on that in “Superior Iron Man” and he was right. People did pay and it was very lucrative for him. The population of the San Francisco Bay Area in which he unleashed Extremis 3.0 is around 4.6 million. At $99 a day, that’s a potential annual revenue of $167 billion.

In terms of business ranking, that would put Tony’s venture in the top 20 in terms of largest companies by revenue. If he were to unleash Extremis on the entire United States, the potential annual revenue would be near $11.8 trillion. That’s a little more than half of the entire US economy.

Imagine one company, let alone one person, having that much money and influence over a population. Tony was already a billionaire before “Superior Iron Man,” but Extremis 3.0 rewarded him with more than just money. Tony, being the sole provider, held a great deal of power and influence over San Francisco. As is often the case in superhero stories, that power goes to his head.

That story plays out in the real world just as often. In some cases, it brings out the worst in people. For a product like Extremis 3.0, which provides human enhancement into a simple commercial package that anyone can access through an app, the potential for abuse is much worse.

Beyond the greed it would inspire and the recklessness it fosters, it would also widen and solidify a gap in society that might be impossible to close. The wealth gap is in the non-superhero world is already egregious. Adding something like Extremis 3.0 to the mix would only make it immeasurably worse.

More than a few people has expressed concern about the prospects of such an enormous societal divide. “Superior Iron Man” showed just how bad it could get and how quickly it could escalate. While the series only managed to explore this conflict to a point before it got canceled, Tom Taylor did enough to get a powerful point across.

In a world where human enhancement is real and commercially available, how do we go about distributing it among a population? Should we put a price on it? How high should that price be? Who should be in control of it?

Worst case scenario.

Superior Iron Man” never got a chance to explore the answers, but these are questions that will become increasingly relevant as advances in biotechnology accelerate. We may not be close to having a product like Extremis 3.0 and it’s uncertain whether we’ll even develop something like it in the next few decades.

Even if we do, “Superior Iron Man” made one thing clear. We, as a species and a society, are not ready for it.

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Jack Fisher’s Weekly Quick Pick Comic: Friendly Neighborhood Spider-Man #11

There’s an old saying for those of us who have read Spider-Man comics for a good chunk of our lives. Behind every strong Spider-Man is a beautiful redheaded woman. Sure, sometimes that woman is a cute blonde or a skilled thief, but it’s the beautiful redheaded woman who often makes Spider-Man the iconic superhero he is.

If ever you’ve doubted that, then “Friendly Neighborhood Spider-Man #11” should provide the definitive proof you’re looking for. Spider-Man, like many iconic heroes, derives as much of his strength from his supporting cast as he does his powers. For years, the bedrock of that power was his Aunt May. Then, Mary Jane Watson entered the picture and his bedrock hit the goddamn jackpot.

While their history, romantic and otherwise, has been convoluted by some rather infamous moments, Mary Jane Watson has proven to be one of the most integral components of Spider-Man’s story. It’s part of the reason why she’s his most iconic love interest and I say that as someone with the utmost respect for Gwen Stacy.

However, like many superhero love interests, Mary Jane often gets caught in the crossfire of Spider-Man’s heroic activities. There are times when she’s more damsel than lover and these days, that trope is prone to all sorts of unpleasantness.

It’s for that reason, and so many others, that “Friendly Neighborhood Spider-Man #11” is uniquely satisfying in how it affirms Mary Jane’s role in Spider-Man’s life. She doesn’t just prove herself and look sexy while doing it. She tells a side of Spider-Man’s story that isn’t often told.

Writer, Tom Taylor, has given plenty for both Spider-Man and Peter Parker to do since he took over the Friendly Neighborhood Spider-Man series. For this issue, however, he keeps Peter Parker on the sideline. Superheroes need rest too and Mary Jane understands that. She also understands that being Spider-Man’s girlfriend requires more than just looking great in skin-tight outfits.

There are responsibilities, as well. Responsibility has always been a big part of the Spider-Man mythos, going all the way back to the days of Stan Lee and Steve Ditko. It doesn’t just apply to Peter, though. Mary Jane has her own share of responsibilities and not just with respect to being a good girlfriend.

She narrates much of this issue. Taylor doesn’t rely heavily on melodrama or standard relationship issues. Much of the dynamic between her and Spider-Man resemble that of a couple who’ve already worked those issues out. They’re just two people, managing their lives, and doing their part.

For a couple whose romance is one of the most iconic in comic book history, that shouldn’t be such a novel concept. It really shouldn’t and yet, Taylor makes it feel like the most refreshing romantic sub-plot in years. That says more about the history of Spider-Man’s love life than it does anything else.

In addition to being the focus of the story, she finds herself in a situation that usually requires superpowers or billion-dollar gadgets to deal with. It’s not the most daunting situation she’s ever been in. There’s no Green Goblin or Sinister Six to deal with. Even so, it has all the traits of a conflict that usually requires her being rescued.

However, that’s not how it plays out. On top of showing why Mary Jane Watson is such a great superhero girlfriend, “Friendly Neighborhood Spider-Man #11” proves she’s just as capable in those situations. She doesn’t have super-powers, unless you count being irresistible to heterosexual men. For this particular story, she doesn’t need them.

Whereas most civilians would just run at the sight of a threat that requires a suit of armor or a magic hammer, Mary Jane steps up to help. She still can’t do it alone, but she still finds a way to seem as capable as any experienced her.

It’s not just her choice. She sees it at her responsibility. It shows that Spider-Man has influenced her every bit as much as she has influenced him. That doesn’t just belabor why she’s so important to both Spider-Man and Peter Parker. It perfectly reflects the larger themes of Spider-Man, as a whole.

While the news surrounding Spider-Man’s movies are making all the headlines, comics like “Friendly Neighborhood Spider-Man #11” prove why his story is so endearing. There have been countless comics that show Peter Parker rising to the occasion, fighting crazy super-villains, and saving the day. This comic shows how taking those responsibilities seriously help inspire others to do the same.

Mary Jane Watson may never win a fight against Rhino or the Green Goblin, but Taylor makes it abundantly clear that if she has the power to help in a situation, she won’t back down. She’ll fight when others run away. She’ll be strong when others can’t. She’ll look sexier than Peter Parker ever will in the process, but that’s more a bonus than a responsibility.

Throughout her history, Mary Jane Watson has shined in many ways, both on her own and as Spider-Man’s top love interest. A book like “Friendly Neighborhood Spider-Man #11” might not be her most iconic moment, but it shows in a single issue why she’s such an amazing part of Spider-Man’s spectacular story.

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Jack Fisher’s Weekly Quick Pick Comic: DCeased #1

It’s Wednesday and for comic book fans, it’s basically a holiday that doesn’t require decorations, greeting cards, or annoying commercials. Every week brings something new and with many people still recovering from the impact of “Avengers Endgame,” myself included, the world needs something to help us move forward.

With that in mind, this week’s quick pick offers something that is the dramatic antithesis of a bittersweet ending to an 11-year movie franchise. “DCeased #1” is not the kind of story that will lift your spirits or trigger tears of joy. It’s a different kind of story that seeks a different impact and, much like “Avengers Endgame,” it succeeds.

The story does not build heavily on recent events in the world of DC Comics so if you haven’t kept up, you won’t be too lost. It’s very much a self-contained story that takes a particular concept that’s unique to the DC Universe and twists it in ways it has never been twisted. The results are brutal, terrifying, and a sight to behold, albeit a morbid one.

Writer, Tom Taylor, has a rich history of taking certain concepts within the superhero genre and re-imagining them in new, compelling ways. He did it with his criminally underrated run on “Superior Iron Man” and “DCeased #1” definitely has traces of those themes.

It starts with something familiar. The Justice League has once again defeated Darkseid. In terms of standard operating procedures in the DC Universe, that’s akin to paying your taxes or getting your driver’s license renewed. However, this typical triumph isn’t the end of the story. It’s just the beginning and it gets very dark, very fast.

At first, it has all the makings of another elaborate plot by Darkseid. He’s always had plenty of that. Being a god-like bringer of death and destruction, he always seems to have something going on and never lets defeat by the Justice League hold him back for long.

Then, his plan goes horribly and shockingly wrong. I won’t spoil the details, but what happens to Darkseid, and later everyone on Earth, strikes at the foundation the DC Universe. Like many other superhero comics, there are a special brand of physics in play, many of which would make Einstein’s head explode. However, when those physics are defied or subverted, bad things tend to happen and this might be the worst.

This isn’t the kind of impact that gives an all-powerful, obscenely-evil character like Darkseid an insane power boost. This is something that torments even the most villainous beings as much as its most virtuous heroes. Gods, demigods, aliens, Amazons, billionaire playboys, and even average people on the street are all equally vulnerable.

For once, there’s no evil figure to fight. There’s no devious villain to outwit or overpower. This is a force of nature that hits anyone and everyone. It’s akin to gravity, light, or taxes. Nobody can escape and nobody is immune.

While the concept of “DCeased #1” may seem like apocalyptic disaster porn, its dramatic structure keeps it from getting too gratuitous. Taylor demonstrates a refined understanding of how certain concepts work in the DC Universe and artwork by James Harren and Tervor Hairsine give rich details to some bleak undertones. Taken together, it creates a dark story that has just the right impact.

Whether you follow the comics or only watch big budget superhero movies, it’s easy to get caught up in the standard tropes of superheros. We expect them to fly in, save the day, or even undo the damage if things get too bad. There are any number of stories like that, especially in the DC Universe. That’s why a story like “DCeased #1” can be so refreshing, even when it deals in such dark themes.

This isn’t a case where we can expect the mightiest heroes in DC to save the day, smile for the cameras, and go back to their lives as mild-mannered reporters. This is a devastating cataclysm for which there is no going back. There’s a uniquely surreal impact to watching this world of mighty superheroes succumb. It’s not just different for the sake of being different. It shows us a different aspect of these characters and this world.

We all know what happens when superheroes save the day. Most people have seen that story in some form or another at some point in their lives. “DCeased #1” dares to ask what happens when superheroes can’t save the world. It’s not that they fail. Technically, they’re not even defeated in the mold of Darkseid beating up Superman. Things just go horribly wrong due to forces beyond their control.

In a world full of god-like super-beings from various planets and universes, this level of destruction has quite an impact. Beyond being the antithesis of the classic hero-saves-the-day narrative, “DCeased #1” presents a story that requires these heroes to reveal a different side of themselves. We know how they are when they’re at their most triumphant. Now, we get to see who they are when all hope is truly lost.

It’s a story worth telling and, if your heart and soul can handle it, “DCeased #1” takes the first step in this utter deconstruction of the DC Universe. It’s a dark, grim sight to behold, but one that brings some welcome novelty to superhero comics.

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