Tag Archives: Wonder Woman Movie

Gal Gadot’s Message To Misogynists (And Why It’s Incomplete)

It has been a good year for Gal Gadot. When you’re the woman who brought Wonder Woman to life in one of the most successful movies of 2017, as well as the highest grossing superhero origins movie of all time, you can objectively say you’re doing pretty damn well for yourself.

Ms. Gadot has every reason to be confident and not just because she’s the second woman since Lynda Carter who can call herself Wonder Woman with a straight face. She didn’t just make the “Wonder Woman” movie an unmitigated success while also getting Chris Pine naked in the process. She did it in a way that was truly empowering to women, female superheroes, and guys who just appreciate women who can kick ass.

As such, Ms. Gadot’s words carry a lot more weight than most people, regardless of their gender. She could say tomorrow that pineapples and beaver testicles are the greatest pizza topping of all time and we, as a society, would still take her seriously. That’s how much power you get from making an awesome “Wonder Woman” and doing part of it while pregnant, no less.

That’s why when, during a promotional interview with IGN with her “Justice League” co-star, Ezra Miller, Ms. Gadot made a bold proclamation. Granted, it wasn’t entirely serious and Miller had goaded her, but since she’s Gal “Wonder Woman” Gadot, these words still carry weight.

“Misogynist sexists, your wrath upon this world is over!”

If you want to see the full interview in order to get the full context of the statement, which is important here, you can watch the video here.

Again, the statement wasn’t on the same level as a full-blown protest, complete with bra burning. This is her and a co-star goofing around, but some of that sentiment stems directly from some distressing recent events involving powerful men being dicks to women. These issues are serious, bringing out the best and worst in people.

That’s why Ms. Gadot’s message matters. As I write these words, there are probably people out there taking them far more seriously than she intended. Some may even use it as a rallying cry to wage war against everyone with a penis who dared to have a dirty thought about a beautiful woman. While those people may be a fringe minority, the message still resonates, due to the unique time we find ourselves in, as a culture.

There’s no question that 2017 is a turning point and not just for female superhero movies like “Wonder Woman.” USA Today is already calling it “The Harvey Weinstein Effect” and has been maintaining a list of powerful men who have lost their jobs and/or reputations, due to sexual misconduct.

At this point, even if you’re a card-carrying member of the patriarchy, you can’t deny the growing trend. It’s gotten to a point where anytime you see a male public figure’s name trending on social media, there’s a good chance that they’re somehow involved in some sordid sexual misconduct. Say what you will about the merits of this trend, but it’s happening.

Going back to Ms. Gadot’s bold proclamation, I think it’s partially accurate in that it’s already being fulfilled. Powerful men who have harassed women are losing power, reputation, and influence. Influential organizations are cutting ties with those who are embroiled in sex scandals.

If you’re a powerful man who loves using his power to coerce sexual favors, this is not a good time for you and Ms. Gadot’s words should strike fear in you. While that part of her statement is valid, and most people would probably agree with it, there is one issue with it. It’s incomplete.

By that, I don’t mean Ms. Gadot misspoke. I am not foolish enough to tell Wonder Woman herself how she should talk when she could probably kill me with her pinkie toe. In terms of the overall substance of her message, though, it’s one of those instances where the rhetoric is more ambitious than the words.

The problem is that the message gives the impression that there’s an actual war going on. Coming from Gal Gadot, who served in the Israeli army before becoming Wonder Woman, it makes sense for her to frame it in such a way.

However, when it comes to powerful men exploiting vulnerable women, that’s not a war. That’s an societal problem on top of a leverage problem on top of a biological problem within the ongoing problem that is our caveman brains. Granted, that’s a lot of problems, but framing it as a war only compounds them.

That’s because wars, and wraths by default, are chaotic and bloody. Wars have casualties and most of the time, they’re not just enemy soldiers. Declaring a war on something, even if it’s an objectively bad thing, is bound to stir chaos that will affect others than the intended targets. Just look at the casualties in the ongoing war on drugs for distressing proof of that.

Ms. Gadot’s comment also implies there’s some shadowy army of evil Harvey Weinstein clones, each plotting and planning to create a world where they can harass and assault women with impunity. That may very well be a plot for another Wonder Woman movie, but it’s not reflective of the real world.

The kind of misogyny that creates men like Harvey Weinstein is not the result of some shadowy conspiracy that only Alex Jones would buy into. They’re largely a result of unequal power structures, outdated ideas about gender roles, and people generally taking advantage of opportunities that other horny men can only dream of.

It’s not an agenda or a wrath that’s in play here. It’s injustice and exploitation, coupled with greed and corruption. That, in and of itself, is a pretty toxic combination that affects people of any gender. It can get pretty bad at every levels of power, but it’s not just restricted to misogyny or general sexism.

Now, there’s no question that there’s still a lot of injustice and sexism in the world. If Ms. Gadot wants to fight that, both as an advocate and as Wonder Woman, I would gladly fight beside her, along with anyone else who would heed her call. That call, however, can’t be the same as a war cry against a secret cabal of misogynist sexists. It has to have more substance than that.

For the most part, people already despise misogynist sexists. Neither Ms. Gadot nor Wonder Woman need to convince anyone of that. Men with sordid pasts are already seeing their reputations and authority being undermined by recent efforts. Ms. Gadot herself even played a part in one of them involving Brett Ratner.

However, it can’t be like Wonder Woman’s final battle against Ares in the “Wonder Woman” movie. That’s not how sexism manifests in the real world. It’s not one of those things that can be fought with fists and godly powers. It’s one of those things that can only be fought with understanding, knowledge, and compassion, all of which are among Wonder Woman’s core tenants.

I don’t know what a better rallying cry would be for Ms. Gadot. Even if I did, it wouldn’t mean much coming from a male erotica/romance writer. Sexual harassment, sexual assault, and sexism are all serious issues. As such, any effort to confront them needs to start with the right message and I hope Gal Gadot is among those who delivers that message.

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When A Controversy (That Involves Scantily Clad Women) Should NOT Be A Controversy

We live in a controversial time within a controversial place surrounded by all sorts of high-tech tools that allow us to spread controversy in every direction. It may very well be the first time in human history where controversy of any kind has a chance to spread discord among large swaths of people with too much free time and a cell phone.

That can be a good and a bad thing in that it makes us more aware of the world outside our immediate surroundings. However, when it’s a bad thing, it’s bad for frustratingly insipid reasons. Lately, whenever those reasons involve beautiful women, the people who admire them, and sexism, it becomes even more frustrating.

Like many other self-professed comic book fans, I’ve been eagerly following the news surrounding “Justice League.” After the success of “Wonder Woman,” this movie marks a huge step in the development of DC’s evolving cinematic universe, which Warner Brothers is hoping will compete directly with the cinematic juggernaut known as the Marvel Cinematic Universe.

That kind of competition is bound to attract some controversy, if only from angry fans trash-talking each other about whether Wonder Woman could beat up Thor. Sometimes, that controversy is healthy. This is not one of those times.

Just days before the movie came out, this little incident sparked the wrong kind of controversy for all the wrong reasons. Unfortunately, it involves beautiful women in sexy attire. It’s something that should be innately fun, enjoyable, and positive for everyone who isn’t a celibate monk seeking to avoid temptation. Instead, it sparks Round 8,839,272,093 of another angry debate about gender and sexism.

Now, I’m as sick of these debates as everyone else. I’d much rather be focusing on enjoying this movie and seeing how it measures up to “Wonder Woman,” but certain people just can’t help themselves whenever they see an opportunity to evoke some fresh outrage.

This time, it has to do with how the Amazons are dressed. After their introduction in “Wonder Woman,” which made for some truly wonderful moments, they’re set to participate again in “Justice League.” That should be a good thing. They’re a tribe of powerful ancient warriors. Why shouldn’t they participate in a battle to save the world?

That fact might as well be an afterthought for some people because apparently, they’re not dressed appropriately. I must have missed a meeting because at some point, someone passed a rule that said you couldn’t look sexy while saving the world. As an aspiring erotica/romance writer, I oppose such a rule with every fiber of my being.

Wherever it came from, it seems to be an issue now. There are real people who insist on making this a major issue, which requires them to ignore the fact that a tribe of badass warrior women is involved in the first place. Instead, they’re just focusing on how they’re dressed. Seriously, is this really worth that level of outrage?

Never mind the fact that warrior women kind of have to be really fit and being fit is a major factor in sex appeal. The fact that “Justice League” dares to offer that kind of sex appeal in any capacity is somehow an affront to women, feminism, and progress in the 21st century. If I could write that with more sarcasm, I would.

Before I go on too angry a rant, it’s worth noting that this sort of thing stands in direct contract to Gal Gadot’s own message that women should dress however the hell they want. It’s also worth noting that one of the actresses, Brooke Ence, who plays one of the Amazons, did not see much controversy with the attire. In a USA Today interview, she said this:

As she recalls, not every warrior wore a two-piece, and “the girls on set, we never thought of (the new costumes) as a sexy version. It felt a little more glamorous, if anything, because we had bigger, beautiful hair, which I loved.”

In fact, the CrossFit champion, who gets a heroic scene in the new movie, added, “I’m an athlete first, right? (Usually) I can’t wear anything without someone commenting about my (muscular) body. So for me, it was actually really cool to be able to show it and not immediately feel masculine, but still very feminine.”

By the actual words of a woman who actually wore that attire, she liked that sexy attire. She thought it was glamorous and showed off the body that she clearly worked so hard to sculpt. There’s no hint, whatsoever, that she was forced to dress this way to appeal to horny men.

That implies, shockingly enough, that sometimes women want to dress sexy. It implies that it’s okay to look sexy and it’s okay for men to appreciate that. I even made a formal announcement about it last year. I guess some people didn’t get the memo.

I’ll try to limit the sarcasm from here on out, but this is the key factor in determining whether a controversy involving scantily-clad women even warrants controversy to begin with. This is not an old Carl’s Junior ad or necessarily softcore standards utilized by Victoria’s Secret. These are female characters in a movie that is trying to appeal to everyone, including men.

The women wearing that attire never claimed they were being exploited. There was no noticeable uptick in sex crimes as a result of this attire being worn. The only offense anyone took were those claiming to be offended on behalf of all women. Therein lies the problem, though.

If one of the actresses had come out and said they felt degraded by that attire, that would be one thing. If it came out that some asshole producer forced them to wear it after they’d objected, that would be quite another. Given the recent climate surrounding sexual exploitation, they probably would’ve had a lot of allies.

That didn’t happen, though. Instead, those allies jumped the gun. They didn’t wait to hear from the women wearing the sexy attire. They didn’t even ask how they felt about wearing it. They just assumed, outright, that it was degrading, offensive, and sexist. That’s not just arrogant and presumptuous. It’s counterproductive because it turns allies in the fight against sexism into assholes.

In order to be offended for everyone, you have to assume everyone feels the same way you do. That’s a flawed, egotistical, narcissistic assumption. That’s exactly the kind of selfishness that Wonder Woman and Gal Gadot oppose with their emphasis on compassion and understanding. Anyone who feels as though they have to be offended for someone other than themselves is basically forcing unwarranted outrage.

This is the kind of thing that gives feminism, men’s rights activists, and people who make excuses for being arrogant dicks a bad name. It’s not that they react to something that’s controversial. They have to either create it or bend it to fit their agenda. I guarantee that as I type this, there are countless debates going on about the merits of sexism, scantily clad women, and sex appeal that aren’t making anyone horny.

That’s not to say that scantily clad women are always positive. Even an aspiring erotica/romance writer understands there’s a line between beauty and gratuity. There’s nothing about the Amazons’ attire that’s so gratuitous that it should require someone’s credit card number and a quick clearing of their browser history. The fact that it has been addressed by those who participated in it should be the end of the story.

Sadly, I suspect this won’t be the end. Even after the outrage over this issue passes, there will be another. For reasons that I wish I didn’t have to discuss, there will still be controversy every time a beautiful woman decides to show more skin than a priest, monk, or mullah deems appropriate.

Until we’re all comfortable in our own skin, or find a way to upgrade our brains to avoid the outrage before it starts, I suspect these kinds of controversies will continue. Just remember that if it has to be forced by those not involved, it’s not a controversy of merit. All it does is take away from those who just want to enjoy being sexy or admire those who are.

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Professor Marston & The Wonder Women Trailer (A Non-Traditional Love Story)

When we look back on 2017, I think it’s safe to say that many will see it as the year that Wonder Woman shined and the year that the “mic drop” officially became overused.

There’s no doubt about it. This has been a damn good year for Wonder Woman. Her movie was a hit with critics and fans alike. Her comic raised the bar for female heroes while also letting her get laid. She’s on a winning streak right now that we don’t usually see unless the New York Yankees and the New England Patriots are involved.

However, 2017 isn’t done with Wonder Woman just yet. It’s not enough that her movie may have single-handedly saved the DC Extended Universe, established Gal Gadot as an A-list actress with A-list sex appeal, and raised the bar for female directors like Patty Jenkins. Wonder Woman, being the iconic female hero that she is, just has to go the extra distance.

That brings me back to the man who created this sexy female icon, William Marston. In a sense, Wonder Woman is one of those characters that could never have emerged from a traditional mind looking to create a traditional hero. For her to become the icon she is now, she needed an unconventional mind and William Marston was definitely that.

I’ve talked a bit about the origins of Wonder Woman and the not-so-secret BDSM elements within that origin. A lot of that is a direct result of the non-traditional thinking that William Marston used in creating Wonder Woman. It was also the product of a very non-traditional life, some of which had some very kinky connotations.

The story behind that kinky life is now about to get some overdue attention and at the best possible time. Wonder Woman’s star couldn’t be flying higher. Why shouldn’t the man behind the sexy icon get a little attention? It’s 2017. Kink is already mainstream, thanks to internet porn and best selling novels based on Twilight fan fiction. The timing couldn’t be better.

That leads me to the upcoming quasi-biopic on William Marston, “Professor Marston & The Wonder Women.” Admit it. You probably didn’t know that a movie like this was being made. Even ardent Wonder Woman fans probably didn’t know.

It’s happening, though. This is not some weird fan film or parody to poke fun at Wonder Woman’s BDSM origins. This is a real movie starring Luke EvansRebecca Hall, and JJ Feild. It’s even being directed by a woman, Angela Robinson, who was a writer/producer on the sexy bloody spectacle that was “True Blood.” This movie is coming out later this year and last week, the trailer dropped.

It’s a very different trailer compared to “Wonder Woman.” It’s supposed to be different. It might not have as many warrior women. It might not have a naked Chris Pine. However, it does have some sexy, but kinky connotations.

Unlike Stan Lee, Bob Kane, or Jack Kirby, who are icons in their own right for the characters they created, William Marston kind of gets forgotten. Granted, he didn’t create nearly as many iconic characters as Stan Lee and Jack Kirby. However, it was his non-traditional views and the non-traditional life he lived that might have made it easier for people to dissociate the man from his creation.

As the trailer shows, Marston was an unusual voice at a time in history before the modern feminist movement and before the sexual revolution. He believed in peace through submission, seeing submission as an act of love. He also believed that women were more honest than men in certain situations. He never said they were superior, but he made it a point to highlight female strengths, as often revealed in Wonder Woman.

On top of those unusually progressive views at a time when women were still seen as nurses, teachers, and baby-makers, Marston had a non-traditional view of love. He was married to Elizabeth Holloway Marston, but theirs was a somewhat open marriage in that he also had a relationship with a woman named Olive Byrne.

It was not at all akin to the kinds of open relationships that make for raunchy TV shows about Mormons or the kinky softcore porn series that used to play on premium cable. It was a real relationship and, as the trailer showed, it was very different in terms of substance and approach. In a sense, you can say that Marston had a non-traditional relationship to match his non-traditional views.

Even today, his views on men, women, and the ways they relate to one another would be odd. Chances are, he would evoke protests from the overly politically correct crowd. That probably wouldn’t dissuade him, though. If anything, those protests would prove a part of the point he was trying to make, which was reflected somewhat in the trailer.

He claimed that there was peace and happiness to be found in submission. To the ardent individualist, which is very much at the heart of western culture, that sounds abhorrent. That sounds like something slave-masters would say to keep their slaves content, which was a thing, sadly. However, that’s not the kind of submission Marston was talking about.

In Marston’s kinky world, to submit to someone willingly is an act of love and to accept that submission with love is the apex of human connection. He sees the endless struggle to dominate everything around you, be it a person, a job, a pet, or World of Warcraft, as the source of conflict.

He also labels that kind of dominating persona as a very masculine trait. While it’s not exclusively masculine, he sees it as a common thread among male-driven narratives. Conversely, he sees women as having a greater capacity for that kind of loving submission. Wonder Woman is, in his point of view, embodies the greatest capacity for that kind of love.

Wonder Woman loves and embraces everyone around her. Her capacity for love, regardless of gender, is well-documented over her 70-year history. Sure, the kink has been largely filtered out with a few notable exceptions, namely “Wonder Woman: Earth One.” That only makes the elements Marston used in creating her all the more profound.

In some ways, William Marston was ahead of his time in creating a female hero that emphasized what he saw as female traits. He never tried to make Wonder Woman as strong or as capable in the same way as Superman or Batman. She wasn’t supposed to prove that women could be as strong as men. Just being a woman gave her a unique strength all her own.

You could also say he was ahead of his time, with respect to how he conducted his personal life. He didn’t bother with the ideal of monogamy, one man and one woman being in love until the day they died. He and the two women in his life forged their own brand of love and family. They followed their own romantic path.

They never claimed their non-traditional brand of love made them superior. That would’ve defeated the point. In Marston’s kinky world, any effort to dominate others through force, shame, or debate was pointless. In the end, the best way to bring peace is to conduct yourself in a way that makes others want to submit to your loving authority.

That’s not just my interpretation. When he was once asked by The American Scholar in 1943 about why Wonder Woman would appeal to men, he said this.

“Give them an alluring woman stronger than themselves to submit to, and they’ll be proud to become her willing slaves!”

As a comic book fan, a fan of beautiful women, and a fan of female strength in general, I whole-heartedly agree. The success of the “Wonder Woman” movie, over 70 years of comics, and a top place in the pantheon of iconic female heroes says a lot about our willingness to submit. Perhaps “Professor Marston & The Wonder Women” will help us appreciate that even more.

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Wonder Woman Exceeds Deadpool At The Box Office (And Deadpool Is Okay With That)

I talk about movies fairly frequently on this blog, especially the sexy kind. Sometimes I talk about the sex appeal they have in the present. Sometimes I explore the potential for sex appeal in the future. When it comes to specific movies though, the two I’ve discussed most are “Deadpool” and “Wonder Woman.”

The reasons for this should be obvious. They’re both awesome movies with an insane amount of sex appeal. One of them has the most iconic female hero of the past century coming to life in her first, big-budget solo movie. The other has a naked Ryan Reynolds. It’s hard to get more awesome and sexy than that.

Recently, though, both movies made the news in a wonderfully fitting way. First, the “Wonder Woman” box office total achieved a milestone, raking in $373 million domestically. That puts it beyond the $363 million that “Deadpool” pulled in. While “Wonder Woman” still hasn’t matched the international total for “Deadpool,” it’s closing the gap fast and has a good chance of matching it.

Now, that’s not to say both movies are entirely on an equal footing. Remember, “Deadpool” was a bloody, R-rated poop joke that included Ryan Reynolds getting naked and enough F-bombs to make a Mormon faint. It managed to rake in nearly $800 million worldwide despite this rating, not being released in China, and on a paltry $58 million budget.

That’s not to undermine the accomplishments of “Wonder Woman” in any way. This movie, despite having nearly three times the budget, was made for $100 million less than “Batman v. Superman: Dawn of Justice” and still managed to make more domestically.

In addition, Gal Gadot did not have the same profile as Ryan Reynolds did when he made Deadpool. Other than her role in “Batman v. Superman: Dawn of Justice,” she hadn’t established herself as a draw like Reynolds did. She also accomplished all this with a female director in Patty Jenkins, who had proven herself in TV, but not in movies.

For “Wonder Woman,” a female superhero starring in her own movie after “Catwoman” nearly killed the genre, that’s still a hell of an accomplishment. Deadpool actor, Ryan Reynolds, understands this as well as anyone who has been following superhero movies for the past two decades. Being the awesome, formerly sexiest man alive that he is, he even responded.

 

That’s right. In the spirit of good sportsmanship and dirty jokes about body odor, Reynolds congratulated “Wonder Woman” for accomplishing so much. In such a highly competitive, cocaine-fueled world, that just warms my heart.

Gal Gadot, being badass beauty that brought Wonder Woman to life, responded as well on Twitter. True to the heart of her character, she acknowledges and accepts the loving sentiment of others, regardless of whether they’re male, female, or used to be married to Scarlett Johanssen.

After talking about such dire topics like fascism on this blog, this really made my week. As a fan of superhero movies and people being decent to each other, it just put a smile on my face in the best possible way.

Deadpool and Wonder Woman may be two characters owned by different companies. They may be very different in how they operate, what they stand for, and how they go about making awesome movies. However, for them to unite in the spirit of making awesome superhero movies is just too fitting.

Excuse me. I just teared up a little.

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Wonder Woman And Sex Positivity

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I know I’ve been talking about Wonder Woman a lot lately. No, I’m not going to apologize for that. I’ve had a perfectly valid reason and no need for excuses. It’s not unreasonable to say that Wonder Woman is having the best year she’s had in her 75-year history and that includes the era in which she made Lynda Carter a sex symbol.

The “Wonder Woman” movie is an unabashed success. Just this past week, it surpassed both “Batman v. Superman: Dawn of Justice” and “Suicide Squad” to become the highest-grossing DC Comics movie to date on the domestic front. It managed to do all this with a female director in Patty Jenkins, a strong female lead in Gal Gadot, and a naked Chris Pine. I think ladies everywhere deserve to flex their ovaries this year.

As great a year as she’s had, there’s been another major development with Wonder Woman that will likely slip under the radar. That’s a shame too because it’s an important development, which is another way of saying it has very sexy implications. Given the nature of this blog, it would be a professional failure on my part if I didn’t talk about it.

In this case, it has to do with what’s been going on with Wonder Woman in the comics. Now, I don’t deny that a very small percentage of the people who saw the “Wonder Woman” movie actually follow the current comics. Most have probably read Wonder Woman comics in the past, seen her in various cartoons, or watched the old Lynda Carter TV show.

The current comics, however, are kind of an afterthought. That’s understandable in some cases. If you only saw the “Captain America” movie, you might be a little confused to find out he’s a Hydra agent in the comics. If you only ever saw the “Iron Man” movie, you might even more confused to find out that Tony Stark is in a coma and Iron Man is a 15-year-old black girl from Chicago.

The comics are confusing, convoluted, and frustrating to say the least. I say that as someone who has been closely following comics for nearly two decades. There are so many different interpretations, alternate universes, and re-launches that most reasonable people would decide it’s not worth the aggravation. I like to think I’m reasonable in most instances, but I guess my love of comics is just that strong.

For those Wonder Woman fans who do follow DC’s iconic comics, they got an overdue, but extra-satisfying treat. As part of DC’s ongoing Rebirth initiative, Wonder Woman’s comic was re-launched and revamped in a way that helped streamline a mess of conflicting continuities and scrambled timelines. Trust me, it’s much more complicated than it sounds. Just look up something called “Flashpoint” to see what I mean.

If you’re a Wonder Woman fan, though, you don’t need to know the cow shit to appreciate the flowers. Under the pen of Greg Rucka, an accomplished comic book writer who has written Wonder Woman in the past, and Liam Sharp, an equally-accomplished comic book artist, Wonder Woman’s entire story underwent an overhaul.

That story is one that I cannot recommend enough to Wonder Woman fans. If you loved the movie, then you’ll love these comics. They cover everything that makes Wonder Woman great. Her heart, her compassion, her warrior spirit, and her sex appeal is all on highlighted in all the right ways for all the right reasons. It may very well be the most balanced she’s ever been as a character.

However, it’s the conclusion of that story, which culminated just last week with the release of Wonder Woman #25, that introduces an important element to Wonder Woman’s story. It goes beyond simply capping off a successful run on an iconic comic book series in a satisfying way. That alone is pretty remarkable, especially at a time when comic companies can’t resist killing major characters for a sales boost.

Specifically, it has to do with Wonder Woman’s sexuality. I know that’s a favorite topic of mine and for good reason. Her sexuality is actually pretty broad compared to other male heroes who simply want to bang supermodels all day. Her origins have strong ties to the world of BDSM and in recent years, she has been revealed to be bisexual.

Despite these details, Wonder Woman has been one of those characters who has been sexually nullified, so to speak. For a good chunk of her history, she’s never been allowed to be overtly sexy. Sure, her attire is sexy and she’s not exactly shy about showing off her body. When it comes to having an actual sex life, though, it might as well be on par with the Hulk’s penis. We know it’s there. It’s just not something we talk about.

Sure, she’s allowed to have love interests. Steve Trevor, who was played by Chris Pine in the movie, is her most famous. She’s had others, including Batman in the Justice League cartoon and Superman in the comics at one point. However, the sexuality in all those relationships is severely muted, if not outright ignored.

That changed somewhat in Wonder Woman #25. Greg Rucka and Liam Sharp actually acknowledged that Wonder Woman can be sexual and it doesn’t have to be some big, shocking ordeal. She’s a powerful woman and she has sex. That should not be shocking on any level.

On top of that, Rucka and Sharp make it a point to mix Wonder Woman’s sexual inclinations with her romantic inclinations. Remember, Steve Trevor? Well, now he’s not just the man who managed to get Chris Pine naked in  the “Wonder Woman” movie. He’s the one who makes love with Wonder Woman in Wonder Woman #25. I’m sure both Chris Pine and Gal Gadot would approve.

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It was a sweet, beautiful scene that mixed both romance and sexuality. After a long journey that had many heart-wrenching moments, Wonder Woman returns to Steve, who prepared a romantic night for them. She opted to skip most of it, head into the bedroom, and make love. I’m not going to lie or apologize. That moment made me shed tears of joy and gave me a boner.

It may not seem like a big deal, Wonder Woman getting frisky with her oldest and most well-known love interest. Trust me, both as an erotica/romance writer and a comic book fan. It’s a huge deal and it adds a critical dimension to Wonder Woman’s character that tends to get censored way too often, which is sex positivity.

I’ve talked about sex positivity before, namely how it stands in contrast to sex negative feminism. I’ve even talked about distinctly sex positive superheroes like Starfire. Given Wonder Woman’s status as a feminine ideal, you’d think she would be naturally sex positive. That thinking wouldn’t be dead wrong, but it wouldn’t be right either.

It may be a result of her having not-so-subtle BDSM origins. It may also be a byproduct of the heavy censorship comics endured for most of its history, thanks largely to a bullshit moral panic from the 1950s that nearly killed the industry. Whatever the reasons, Wonder Woman’s BDSM origins were purged and her sexuality was effectively ignored.

She was still a woman, but her sexuality was about as prominent as her appendix. Her entire persona, even into the modern era, emphasized her warrior woman status. She only fought and looked good while doing it. That was pretty much the core of her character.

Now that’s not to say she had no other appeals. She most certainly did. However, her sexuality, and even her attitudes towards sex, were either ignored or circumvented. That’s why this new development in Wonder Woman #25 is so critical.

In this case, Wonder Woman actually did something even Starfire struggles to accomplish. She created a perfect balance of sexuality and love. Starfire may have a very healthy attitude towards sex and nudity, but she tends to be too casual when it comes to romance. She’s perfectly comfortable having sex, but expressing love through sex is a bit trickier.

For Wonder Woman, it’s a natural manifestation of her loving, compassionate personality. She has love for her friends, her fellow heroes, and Steve Trevor. Rucka and Sharp just let her express it through her sexuality in a way that was sincere, meaningful, and perfectly appropriate for the context of the story.

That kind of sex positivity is exceedingly rare these days. I’ve said before that the world needs more of it. There are ominous signs that society is becoming more sexually uptight. Sexuality, especially of the female variety, is still very much a taboo. Men and women alike seem to have conflicting attitudes that can manifest in unhealthy ways.

How fitting is it that Wonder Woman, the most iconic female hero of the last century, finds a way to achieve a beautiful balance between sexuality and romance? It’s a powerful element that I hope DC Comics doesn’t censor once more. A female hero knows how to fight, love, and make love in a meaningful, compelling way is a beautiful story in its own right. You could even say it’s a true wonder.

Yes, I know that sounds cheesy as hell. No, I’m not going to apologize for that either.

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Five Female Superheros That Deserve Their Own Movie

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It’s been a damn good week for female superheroes. Whether you’re a man, woman, or something in between, it’s hard to deny the historic significance of this past weekend. “Wonder Woman” is officially a hit. The glass ceiling for superhero movies is shattered. We can all finally lay the failures of “Catwoman” and “Elektra” to rest.

It’s sad that it took over a decade to make another female superhero movie that succeeded, but good things are worth waiting for. Anyone still waiting for a decent Fantastic Four movie should take comfort in that.

For Wonder Woman, at least, the wait is over. She has proven that female superheroes can succeed. They can carry their own movie. The fact that Wonder Woman had to prove this in the first place is kind of asinine, but that’s a trivial detail at this point. “Wonder Woman” succeeded and that doesn’t just break the myth that female superheros can’t succeed on their own. It opens the door for other female superheroes to shine.

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As I write this, there is only one other female superhero besides Wonder Woman who is set to star in her own movie. That character is Carol “Captain Marvel” Danvers, whose movie is set for release in 2019. With Brie Larson having been cast, the movie is already in the works. Wonder Woman’s success can only help.

Unlike Wonder Woman, though, Captain Marvel does not have the kind of iconic status as Wonder Woman. In fact, she only recently gained a surge in popularity when writer, Kelly Sue DeConnick, launched “Captain Marvel: In Pursuit Of Flight.” This series, which any Wonder Woman fan would love, effectively revamped a character who had only ever been a secondary character in the Avengers.

Since that run, Captain Marvel has become the closest character Marvel has to Wonder Woman. As such, it makes perfect sense for her to get a solo movie, if only to keep up with DC.

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However, as excited as I am to see more female superheroes get their own movie, there aren’t many others to look forward to. Earlier this year, Avengers director, Joss Whedon, announced that he was pursuing a “Batgirl” movie. As exciting as it sounds, though, this movie is tentative at best. With no release date or cast, this movie could languish in development hell, as Whedon’s own Wonder Woman movie did in 2007.

With “Wonder Woman,” the floodgates have been opened. There’s a new avenue for pursuing big bucks with superhero movies and, seeing as how Hollywood values money over all else, we’re likely to see plenty more female superhero movies in the future.

With that in mind, I’d like to offer my own wishlist of sorts. Wonder Woman is a great female hero and a pop culture icon in the highest degree, but she is far from alone. There’s a wealth of great female heroes in the world of comics who would thrive in their own movie. Below is my personal list of female superheroes who I feel should get their own movie.


#1: Laura “X-23” Kinny

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This one is, by far, the most obvious and logical. After the success of “Logan,” in which X-23 was the breakout star, there’s already a lot of buzz around this possibility. Both Dafne Keen, the actress who played her, and director James Mangold have expressed interest in pursuing an X-23 solo movie.

Given the performance we saw in “Logan,” it would be foolish not to capitalize on X-23’s breakout success. Hugh Jackman gave X-men fans 17 wonderful years as Wolverine. X-23 is in a perfect position to carry on the mantel. She already did so in the comics, adopting both the title and the costume of Wolverine. Why not do the same in the movies?


#2: Thor (Jane Foster)

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This one might be the most controversial. Back in 2014, Marvel made a decision that still has some comic fans whining to this day. They made Thor unworthy of wielding his hammer, Mjolnir. Since the world still needed a Thor, Jane Foster stepped in and took up the mantle, which she’s wielded effectively ever since.

Controversial or not, there’s no denying the strength of the story that followed. Jane Foster had always been a supporting character for Thor. Putting her as the main lead was a bold, but powerful move. Jane isn’t just some glorified arm-candy for any Chris Hemsworth look-alike, though. She’s very much her own character.

In the comics, Jane was dying of cancer before she picked up the hammer. By becoming Thor, she’s trying to make the most of whatever time she has left. That’s a powerful struggle and a meaningful story, especially to anyone who has lost someone to cancer. Plus, being played by Natalie Portman can only help her cause.


#3: Black Canary

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When most people think of DC’s most iconic female heroes, they almost immediately think of Wonder Woman and rightfully so. She is, and likely always will be, the standard by which all female superheroes are measured.

That said, some female heroes make it a point to set themselves apart. That’s what Black Canary does. Dinah Lance is not a demigod warrior like Wonder Woman. She’s not a brooding vigilante like Batman either. She has her own set of superhuman abilities. She’s a tough fighter who’s gone toe-to-toe with some of the most capable fighters in the DC universe. She also looks damn sexy in fishnets.

In addition, Black Canary has a track record of sorts as a supporting character in “Arrow.” Being a successful character in TV doesn’t always translate well into movies, as Baywatch recently learned, but someone with Black Canary’s skill and sex appeal can certainly make that transition.


#4: Starfire

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Admit it. You knew I was going to put her on this list. It was just a matter of how I’d be able to justify giving a solo movie to a female hero that is so comfortable with nudity. I went out of my way to praise Starfire as a sex-positive superhero, one whose open sexuality is both fun and heroic in its own unique way.

Now, I know this one would be a real stretch. However, the success of the “Deadpool” movie has given me hope that there is a future for R-rated, sex-positive superhero movies. It may take a while, given the recent trend in outrage over any female character that dares to be sexy. Remember, people made a big deal about Wonder Woman’s armpits for crying out loud.

At some point, though, there will be a market for a female hero that just doesn’t give a flying fuck about nudity. At some point, fans are going to get sick of being shamed for wanting to see a sexy female hero in a bikini. When that day comes, Starfire will be the perfect female superhero for a generation in need of a sex-positive icon.


#5: She-Hulk

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To date, there have been two lackluster Hulk movies. In both cases, the story was fairly the same. You’ve got a man dealing with serious anger issues, struggling to function in a world that just keeps finding ways to piss him off. Most people are familiar with that story. Those same people, however, are less familiar with She-Hulk’s story.

Jennifer “She-Hulk” Walters is not just a female version of the Hulk. If anything, she’s a very different kind of Hulk. She’s Bruce Banner’s cousin who became the Hulk due to a blood transfusion. Unlike Bruce, she doesn’t need to get angry to become big, strong, and green. She’s pretty much stuck in her Hulk form.

That means she’s more in control of her faculties, so much so that she manages to continue her work as a lawyer. That’s right. This Hulk has a day job and it doesn’t involve smashing. Now most lawyer-driven movies since “My Cousin Vinny” have had limited entertainment value. Add a big, strong, sexy green female hero to the mix and suddenly, there’s a lot more value to go around.

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My (Spoiler Free) Wonder Woman Movie Review

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I’ve been obsessing over it. I’ve been anticipating it. I’ve found any possible excuse to talk about it on this blog, including those involving hidden BDSM undertones. If you still weren’t convinced of how excited I was about the “Wonder Woman” movie, then I can’t help you and neither can Superman. Well, after years of waiting and agonizing over the failures of lesser female heroes, it happened. The “Wonder Woman” movie has arrived.

I’ve been following this movie since the release of its first trailer, making it clear along the way that this is one of the most important movies of the past decade. It’s not just an important step towards making us forget about “Catwoman.” It’s an overdue, understated milestone in the growth of female superheroes and female characters in general.

Wonder Woman is, by most measures, the most iconic female character of the past century. She is the standard by which all female heroes, and many female characters in general, are measured. She embodies the ideals of womanhood, generating hope for some and conflict for others. For her to have waited this long to get a movie while Ant Man of all characters got one is a travesty.

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However long it took and whatever controversy emerged along the way, including those involving armpits, doesn’t matter anymore. The movie has arrived and I made it a point to see it, despite the crowds and overpriced candy. That leaves just one pressing question that doesn’t need the lasso of truth for an answer.

Is the “Wonder Woman” movie actually good?

Well, I’m here to say as part of my official review that yes. It is good. It’s every bit as good as its Rotten Tomatoes and Metacritic score would indicate. This is not a “Dawn of Justice” type scenario where critics and fans don’t see eye-to-eye. The consensus is clear. “Wonder Woman” is a damn good movie.

What makes it good, though? Well, that’s where it helps to understand the challenge this movie faced, as well as the scope of the story it told. Unlike Batman and Superman, Wonder Woman’s origins aren’t as universally known and again, I’m not just referring to the BDSM elements.

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Most people know she’s an iconic female superhero. Most know she’s a warrior princess from an island populated solely by women. Few people actually know the details of that story or the emotional undertones behind it. Even fans of the old Lynda Carter TV series only ever got part of the story.

This movie doesn’t assume that the audience knows the core of Wonder Woman history or what makes her who she is. Patty Jenkins, the director tasked with deciding which assumptions to make, made a concerted effort to explore both who Diana is and where she came from.

The parts about her being a warrior on an island of female warriors is still there. What makes it resonate is how the movie adds emotional elements to the story. There’s an undeniable innocence at first, seeing Diana as a child, running around her paradise island of Themyscira, eager to see more than others allow her to see.

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This establishes and important tone for the story and for Wonder Woman’s character, as a whole. Even on an island paradise run by women, Wonder Woman dares to break with tradition and do more than what others would dare. She’s willing to test the rules of the Amazons and the rules of men alike. She is, at her core, a free spirit who seeks out wrongs to right and will step up when others won’t.

This makes her emergence as a warrior all the more meaningful because it gives her the strength and means break with tradition and fight the battles that no one dares. She doesn’t just become strong for the sake of being strong. Her training, her desire, and her capacity to kick ass has purpose. She makes the audience want her to succeed.

That kind of emotional resonance never wanes as the larger conflicts unfold. This is where Wonder Woman’s supporting cast really shines, especially in Chris Pine’s portrayal of Steve Trevor.

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It might have been the trickiest part of the movie, handling how Wonder Woman’s long-time companion and frequent love interest, Steve Trevor, was handled. There have been instances in the comics and cartoons where Steve Trevor has been a beta male. There have also been times where he’s just been an glorified nanny to Wonder Woman, trying to keep her on a leash and not in a kinky sort of way.

That doesn’t happen in this movie. Chris Pine’s take on Steve Trevor is one that men and women alike can appreciate. He’s very much his own character who earns the respect of both Wonder Woman and everyone he works with. He doesn’t just show that he’s worthy of Wonder Woman’s affection. He earns it.

It’s probably the greatest accomplishment of the movie. Wonder Woman’s partnership with Steve Trevor and his allies is all about complementing one another, not hindering one another. Trevor isn’t just some man trying to put Wonder Woman in her place. He and his friends try to guide her through the conflict, doing their part whenever they can and letting Wonder Woman do hers.

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Those looking for a movie that shows Wonder Woman attacking male oppression and exposing men for the pig-headed brutes they are will be disappointed. There are heroic men and villainous women in this movie. There’s no gender agenda at work here. There are times when gender dynamics are explored, but it’s never done with the impression that one is worse than the other.

The movie gets the message and the dynamics right. It gets the characters and their personalities right. Needless to say, Gal Gadot gets Wonder Woman right and looks absolutely stunning in that outfit in every single frame. On top of that, the various fight scenes and acrobatics that go with any hardened Amazonian warrior are a spectacle to behold.

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It checks so many boxes. It has so many satisfying moments from beginning to end. There are moments of humor, including those of the crude, sexual kind. Chris Pine even gets naked at one point. Granted, he’s no Hugh Jackman, but I think most heterosexual women and gay men will be happy with what they see.

So are there any issues with this movie? Is “Wonder Woman” the most flawless work of cinema since “Godfather II?” Well, this is the part where I have to be somewhat petty because this movie isn’t perfect. It does have some flaws, but none of them are overly egregious.

If there are any shortcomings, it’s in the limited time it spends exploring Themyscira and its culture. There is some time spent on the mother/daughter dynamics between Wonder Woman and her mother, but it feels somewhat minimized, as do the rest of the Amazons. Many do get to shine in a few fight scenes, but none get a chance to be all that memorable.

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There’s also the matter of the mythology behind the main conflict. Wonder Woman has always drawn heavily from Greco-Roman Mythology, so much so that it fuels a great deal of Wonder Woman’s iconic stories. However, the mythology in this movie is fairly flat and streamlined. It presents a very simple, bland view of the gods that are so integral to the Amazons. It feels like an oversight, but one that doesn’t derail the story.

Overall, I would not proclaim “Wonder Woman” to be the greatest superhero movie of all time. I would still put movies like “Deadpool” and “The Avengers” above it, but not by much. It is still very much in the top echelon of superhero movies. It is also groundbreaking in that it is the first female solo movie that succeeded where too many others have failed.

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It’s impossible to overstate how critical this movie was for DC Comics, Warner Brothers, and superhero movies in general. “Wonder Woman” had so much riding on it from the get go, but it succeeded. It rose to the challenge. Much like Wonder Woman herself, this movie dared to defy convention and do something special.

If I had to score this movie, I would give it a solid 4.5 out of 5. It has all the right elements. It’s concise, compelling, and satisfying. It is a wonder unto itself. It was a long time coming, but like so many things, it was worth the wait.

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Why Wonder Woman Matters Now More Than Ever

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Today’s the big day. For comic book fans, superhero movies, and those who appreciate seeing beautiful women kick ass, it has been a long time coming. It shouldn’t have taken so long, but there were a few setbacks along the way. Well, we can forget about those now because the wait is over. The “Wonder Woman” movie has arrived.

I can safely say as a self-proclaimed comic book fan and a fan of sexy female superheros, I’ve been looking forward to this movie more than any other in a decade. I’ve said it before as I’ve tracked this movie’s approach, but I believe that “Wonder Woman” is the most important superhero movie since the original “X-men” movie made us forget about Joel Shumacher.

It’s not just that Wonder Woman is the most iconic female superhero of the past century. It’s not just that Wonder Woman can give female superhero movies some badly-needed credibility, especially after debacles like “Catwoman” and “Elektra.” The ideals and themes of Wonder Woman, as a character and an icon, are more important now than they’ve ever been. For once, though, it has nothing to do with her BDSM origins.

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At the moment, we live in some very volatile times. I won’t get into the breadth and scope of that volatility. Pretty much anyone who has watched the news for more than five minutes understands what I mean. While I have argued that the world is getting better by most objective measures, there’s no denying that there’s still plenty of conflict.

Whether it’s wars in the middle east or uproars over comic book covers, there are so many things dividing us, as a species. We get into fights, both online and the real world, over both serious and trivial issues. We can never be too content as a society. We always have to be fighting a battle somewhere. We always have to be playing the hero to someone.

This manifests in everything from clashes over identity politics to gender-based double standards to real-world wars that take a horrific human toll. Improvements and context aside, the world is still a scary place and we’re still a bunch of scared children looking for anything or anyone to comfort us.

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That’s where Wonder Woman comes in. Like Superman or Captain America, she represents an ideal. Hers, however, is a unique ideal, one that embodies the greatest aspects of female strength. She stands for all that is good about women. Regardless of culture or creed, she represents the love and strength that brings out the best in women.

Regardless of whether you’re a man, woman, or something in between, Wonder Woman stands for a unique set of values that make her both a hero and an icon. She is someone every gender can look up to, but one that uniquely resonates with women. It’s not just that she can fight, fly, and wield power on the same level as Superman. She embodies a different kind of strength, one that sets her apart from other male heroes.

It’s this strength that her creator, William Marston, focused on when he created Wonder Woman. Beyond the BDSM themes, Marston was very ahead of his time in crafting Wonder Woman’s ideals. It wasn’t just about putting women in power. It was about rethinking the very concept that power should rule in the first place.

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Wonder Woman, at her core, does not seek domination or destruction. She is, at her core, a voice for peace and love between innocents. She is also a warrior, but one who reserves her skills for those who would dare destroy such innocents. She will fight those who would harm innocent lives, but she won’t just use her fists.

In a very timely move by DC Comics, a recent issue of Wonder Woman’s ongoing comic series demonstrated that. In Wonder Woman #23, by Greg Rucka and Liam Sharp, Wonder Woman goes up against Phobos and Deimos, the devious sons of Ares, the God of War. They try to provoke Wonder Woman into freeing their imprisoned father. It’s a situation where Superman or Batman would’ve tried to fight their way out of.

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However, that’s not what Wonder Woman does. She doesn’t defeat Phobos and Deimos through violence. She understands that such power with more power is bound to cause destruction, pain, and loss. Instead, she fights them in a different, wholly unique way. She fights them with love.

It’s not nearly as corny as it sounds. It’s a culmination of many conflicts that had been building over the course of a dozen issues, which included more than a few major clashes along the way. In the end, though, fighting power with more power wasn’t the answer. Wonder Woman understood this and chose a different path. It worked too. Phobos and Deimos were defeated and no innocents had to suffer.

Wonder Woman #23 is a perfect demonstration of what sets Wonder Woman apart from other heroes and why she’s such a strong female icon. Sure, the uptight asshats at the United Nations may think she’s too sexy to be an icon, but they’re dead wrong. Wonder Woman’s beauty is a reflection of her heart. That heart, and her ability to use it as well as her fists, is what makes her message more important than ever.

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We currently live in an era where everything from feminism to beauty standards is becoming more and more tribal. It’s not enough to just fight for equality and understanding. Everyone has to form their tribe and help it dominate in some way, either by having it play the victim or resort to excessive virtue signaling.

That’s exactly the kind of endless power struggle that Marston criticized when he created Wonder Woman. It’s also the kind of struggle that Wonder Woman rises above. She may be a feminist icon, but she does not carry herself as one who favors one gender dominating the other.

She champions love and understanding for all. She seeks not domination of one idea over the other, but loving submission to the idea that none need dominate. It is possible for everyone, male and female, to humble themselves and open their hearts. We don’t need power over others to achieve peace.

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Her message is one that should resonate now more than ever. With her movie finally released, that message has a chance to spread. Sure, there will be controversy. People make up controversies all the time. There was a controversy over Wonder Woman’s armpit hair, for crying out loud. That’s all the more reason to heed her ideals of fighting conflict with love.

It’s been a long, arduous journey for Wonder Woman to get to this point. I’m not equipped to document the sheer breadth of that journey, but the fine folks at Midnight’s Edge have already done the work for me. They recently released a chronicle, of sorts, on how Wonder Woman got to this point and why her movie is so vital to the future of DC and superhero movies in general.

However you feel about Wonder Woman or superhero movies, today is still an important day in our culture. There are still so many issues that plague men and women alike. Now, more than ever, we need heroes like Wonder Woman to show that there’s a better way for us to forge our future.

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Wonder Woman, Gal Gadot, And A Positive Feminist Message

It’s hard to believe it’s almost here. In less than one month, the “Wonder Woman” movie starring Chris Pine and Gal Gadot will finally be released. It’s been a long time coming. For comic book and superhero fans of every age, race, and gender, this is a movie we’ve been waiting for with baited breath and wet panties.

I’ve already made my love of Wonder Woman quite clear on this blog. She is, beyond dispute, the most iconic female hero of the last 100 years. She isn’t just a symbol for female power that spans generations. She represents a unique heart, spirit, and passion that appeals just as much to 1950s housewives as it does to latte-loving millennials in 2017.

Of all the many superhero movies I’m excited for, “Wonder Woman” is at the top of a very long list. She already made her presence felt in last year’s “Batman v. Superman: Dawn of Justice.” While that movie was critically panned to no end for all the wrong reasons, there was one sentiment than most agreed on. Wonder Woman was one of the best parts of that movie.

Gal Gadot, who also happens to be a former Israeli soldier in addition to being drop-dead gorgeous, proved that she is worthy of this iconic role. She can be Wonder Woman and kick an insane amount of ass while doing it. She can do all of this while having a level of sex appeal that Lynda Carter herself would be proud of.

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This is all wonderful news for fans of comics, superheroes, and beautiful kick-ass women. This is also usually where I turn the tables in a post and bring up an issue that tends to bring down your spirits faster than a dead kitten in a graveyard for orphans.

Well, if you’re looking for me to put another dent in your soul, I’m going to have to disappoint you this time. Instead, I wanted to bring up Wonder Woman, Gal Gadot, and all the wonders that come with her for a genuinely good reason that should put a smile on your face and fill your heart with a cradle of baby puppies.

That’s because, as the marketing machine ramps up for Wonder Woman, Gal Gadot and the director, Patty Jenkins, are hitting the media circuit. Naturally, that’s going to lead to a few fake controversies and out-of-context quotes. Just look at any interview ever done with Ben Affleck. It’s as inevitable as a child star needing therapy.

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It’s a dangerous game, throwing yourself out there in a world where the internet will crucify you for using the wrong pronouns. If anyone can do it and be sexy as hell, though, it’s Gal Gadot. She ended up proving herself in a way that any Amazon warrior would be proud of.

She did so by addressing an issue that tends to infuriate the internet, people, and the very forces of nature if it’s ever mentioned above a whisper. That’s right, Gal Gadot talked about feminism. I’ll give everyone a moment to stop gasping, but don’t head for your safe space just yet. This one actually has a happy ending.

I’ve made multiple posts on how hard it is to talk about this issue, especially when there are so many frustrating double standards. Gal Gadot didn’t attempt to address everything. Even Wonder Woman has her limits. However, she did address one issue that seems to divide feminists, conservative Christians, and men who have a hard time hiding their boners. Specifically, she talked about her attire.

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Usually, when people talk about women’s attire, it turns into a pay-per-view caliber whining fight where one side argues it’s too sexy and the other side argues it’s too repressive. Wear too little and you’re being too slutty. Wear too much and you’re propagating the grand patriarchal conspiracy to relegate all women to making sandwiches. You just can’t win.

Gal Gadot, being the wonderful woman she is, proved that wrong. In an interview with the New York Times, she addressed the issue of Wonder Woman’s attire and did so in a way that every self-proclaimed feminist should learn from. Here’s what she said.

“I think as a feminist, you should be able to wear whatever you like!” Ms. Gadot said. “In any case, there is such a misunderstanding of the concept. Feminism is about equality and choice and freedom. And the writers, Patty and myself all figured that the best way to show that is to show Diana as having no awareness of social roles. She has no gender boundaries. To her, everyone is equal.”

It almost makes too much sense. It’s almost too logical. If you’re for feminism, you should be for wearing whatever the fuck you want. If you want to wear a G-string and a tube top made out of duct tape, then wear it. If you want to wear a burka or a bear costume, then wear it. That is the perfect feminist message, one that men, women, and those of unspecified gender can get behind.

It’s wonderfully refreshing because feminism, be it radical or otherwise, has been somewhat schizophrenic when it comes to women’s attire. On one hand, you’ll have feminists protesting their right to sunbathe topless. On the other, you’ll have feminists whining about video game characters dressing too sexy.

It’s a painfully asinine conflict, one that reduces feminism to glorified virtue signaling coupled with excessive excuse banking. It’s the main reason why feminism has become such a toxic buzzword that’s less associated with equality and more associated with mean-spirited bitchiness.

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What Gal Gadot says helps put things in perspective. It’s also the perfect response to the bullshit decision the United Nations made earlier this year to rescind her status as an ambassador to girls because she was too sexy. She’s able to frame feminism in a context where only genuinely uptight, misogynistic, patriarchal asshats can disagree. By every measure, that’s a win for Wonder Woman and feminism.

I’m sure Gal Gadot and Wonder Woman will still have her detractors from feminists, men, and even other comic book fans. That’s just the nature of a world full of diverse, erratic, and often misguided opinions. That’s why it’s so refreshing for someone like Gal Gadot to use your position to make a positive contribution.

There will still be those who complain that Wonder Woman’s attire is too sexy. There will also be those who complain that she’s not sexy enough and that she’s not a good role model. However, those same people would complain about the sky being too blue if they had nothing else so their opinions deserve less credibility than their farts.

Gal Gadot didn’t need to say what she said. She didn’t need to prove to anyone that she deserves the role of Wonder Woman. She still did it and for that, on behalf of Wonder Woman fans and fans of those who say things that actually make sense, I thank her.

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Wonder Woman Origins Trailer

It’s almost here! In just a few more months, Wonder Woman, the most iconic female superhero of all time and secret BDSM icon, is going to release her first live-action movie. Despite what the assholes at the United Nations may claim, this has been a long time coming.

There have been multiple Superman movies. There have been dozens of Batman movies. Hell, even Ant Man got his own movie. That’s right. A hero named Ant Man got a movie before Wonder Woman. What’s that say about us as a culture?

We’ve had to ensure some pretty nasty moments to get to this point and I’m not just talking about the poor reviews that Batman v. Superman: Dawn of Justice got. We’ve had a Catwoman movie that has since become infamous. There has even been an Elektra movie that has since become as forgettable as Ben Affleck’s performance as Daredevil.

There’s no question that the road to this movie has been long and hard, but it’s finally almost here. The Wonder Woman movie is poised to join the world of superhero movies at a time when raccoons and talking trees are finding their way into this genre.

With only a few months left, Warner Brothers released another trailer this past weekend. I would’ve made a big deal of it sooner, but being sick kind of got in the way of that. I’m better now so I’m ready to make a big fucking deal of it now.

Are you done cheering like a school-girl on crack? Good. As a long-time comic book fan, seeing this trailer puts a smile on my face and a boner in my pants. I couldn’t be happier that superhero movies have become the alpha and omega of box office blockbusters. However, I have been somewhat frustrated by the lack of successful female superhero movies.

Wonder Woman can change that. Wonder Woman, being the first and most iconic female hero of the last 70 years, can bring some much-needed balance and sex-appeal to superhero movies. While I doubt the BDSM elements of her history are going to show up in this movie, I’m glad she’s joining the crowded crop of superhero movies that has one too many talking racoon and actors named Chris.

This trailer specifically focuses on Wonder Womans origins. Again, there’s no hint of BDSM, but the core elements are there. There’s Themyscira, her homeland. There’s the Amazons, a society of warrior women blessed by the gods. There’s a weapon that no woman on Themyscira is worthy to wield. Those are all key elements of an awesome Wonder Woman story.

That story will commence this June. Expect me to be among the first in line. Also expect me to write a thorough assessment on this blog, especially if any BDSM moments show up. I imagine they’ll be well-hidden if they do, but at this point, I’ll just gladly accept an awesome Wonder Woman movie that’ll remind the assholes at the UN why she’s one of the most iconic female heroes of all time.

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Filed under Comic Books, Jack Fisher, Superheroes