Tag Archives: Gal Gadot

My Wish list For “Wonder Woman 2”

I know it’s been a while since I talked about Wonder Woman. In my defense, there have been a lot of distractions between the holidays, the response to the “Justice League” movie, and recent news stories to which I just couldn’t resist responding. Make no mistake, though. I haven’t forgotten about Wonder Woman or the fact that she had a breakout year in 2017.

In many respects, Wonder Woman was one of the best parts of 2017. She didn’t just amaze audiences by proving that there is a market for female superheroes, even after “Catwoman.” She raised the bar for the entire genre, both in terms of critical and commercial success. That bodes well for other female-led superhero movies.

While other female superheroes play catch-up, though, Wonder Woman is set to continue rising the bar. She’s Wonder Woman. That’s what she does through Gal Gadot’s charisma and she does it with uncanny grace. Shortly after her movie came out, a sequel was announced to the surprise of no one. At the moment, “Wonder Woman 2” is slated for release on November 1, 2019.

While that date seems so far away, some details are already starting to trickle in. Director, Patty Jenkins, has already started teasing details. At the recent Palm Springs Film Festival, she indicated that the sequel would be a very different film compared to its predecessor. Naturally, she didn’t give too many details, but it’s enough to get Wonder Woman fans excited.

Since I consider myself among those fans, I already find myself contemplating what a “Wonder Woman” sequel will entail. It wouldn’t be the first time I’ve contemplated such things, either. While it’s too early to know or even speculate what “Wonder Woman 2” will bring, we can still hope and imagine the wondrous possibilities.

In that spirit, here is a brief, but basic wish list for what I hope to see in “Wonder Woman 2.” Granted, if Ms. Jenkins is serious about this being a very different movie, chances are not much on this list will apply. I understand and accept that. This is just the giddy Wonder Woman fan in me daring to imagine how wonderful this movie can be.


Wish #1: Establish More Villains (And Make It Personal)

If Wonder Woman has any flaws, beyond those that assholes and trolls point out, it’s that her list of villains isn’t quite as iconic as that of Batman or Superman. For much of her history, Wonder Woman’s greatest battles have been tied to those of the Justice League or those of her fellow Amazons. She’ll be a major force in those battles, but they rarely have major personal stakes.

Wonder Woman 2” presents a golden opportunity to change that because there are a few villains with strong personal ties to Diana. While Ares was more built up boss battle in the first movie, villains like Cheetah can test Diana’s heart, as well as her skill.

The recent Wonder Woman comics have done an excellent job establishing the deep personal struggle between Wonder Woman and Cheetah. While there are multiple women who have gone by Cheetah, the overall theme is the same. She is Diana’s rival, but there was a time when she was also her friend.

Having to fight her friends is an agonizing challenge for Wonder Woman, which we saw play out in the “Justice League” movie. It brings out her heart and her passions for all the right reasons. A more personal villain can only help expand that appeal in “Wonder Woman 2.”


Wish #2: Maintain A (Very) Distant Connection From The Other DCEU Films

While I stand by my statement that “Justice League” did not deserve the negative reviews it got, I don’t deny that the “Justice League” movie has become somewhat of a toxic brand. It’s not quite on the same levels as “Batman and Robin,” but at this point there’s just no way to salvage the backlash.

It’s for that reason, among many others, that I hope “Wonder Woman 2” maintains an extremely distant connection from the larger DC Extended Universe. I’m not saying it should cut itself off entirely. Even the first movie made it a point to establish that this movie was part of a larger world. The sequel should reflect that.

However, the events of “Justice League,” however big they might have been, shouldn’t be a major driving force in the narrative. Whether it takes place in the modern day or in the past, like the first movie, it can’t be too beholden to the events of other major DC movies.

A big part of the success of “Wonder Woman” was its ability to stand on it its own, apart from the rest of DC’s main superheroes. “Wonder Woman 2” should build on that and I imagine Patty Jenkins isn’t going to want to be too constrained by the burdens of other movies. For Wonder Woman, despite her kinky past, there can be no such restraints.


Wish #3: Build On The Amazons’ Mythology (And Diana’s Family Ties)

There were a lot of positives in “Wonder Woman” and I went out of my way to acknowledge them in my review of the movie. However, if there was one flaw in the overall narrative, it had to do with the limited exposure of the Amazons. That’s because in nearly every medium, Wonder Woman’s story is inherently enriched by her Amazon heritage.

The first movie did enough to establish who the Amazons were, why they are so important, and how important they are to Wonder Woman. Unfortunately, it didn’t do much more than that. After Diana left Paradise Island, we didn’t hear from them again. That’s why I hope “Wonder Woman 2” takes the time to expand on the story of the Amazons.

They already showed how badass they can be in “Justice League.” I sincerely hope they get more opportunities in “Wonder Woman 2.” Between Diana’s mother and her more notable siblings, there’s a wealth of material for Wonder Woman to build on. It further raises those personal stakes I mentioned earlier, which can only help expand the appeal of Wonder Woman’s world.


Wish #4: Let Wonder Woman Address Social Issues (In Her Own Unique Way)

Given Wonder Woman’s iconic status as a female icon, it’s unavoidable that she’s going to provoke discussions about social issues. These days, that leads to many heated, hateful, and downright counterproductive conversations. However, that’s exactly why I still want Wonder Woman to address those issues in “Wonder Woman 2.”

Gal Gadot has already shown that she gets the unique spirit of love and compassion that Wonder Woman espouses. Sure, she is prone to making a few controversial remarks, but overall she gets what Wonder Woman is about. She even showed this in the first movie, having Diana navigate the very patriarchal world of the early 20th century, but without using that as an excuse to hate it.

Like it or not, there are a lot of social issues going on in the world. For the most part, we do a poor job debating those issues, as a society. Wonder Woman, with her emphasis on compassion and love for all, is the perfect antidote to that.

I don’t know how she’d go about it in “Wonder Woman 2.” A lot of that depends on the setting, the time period, and the conflicts involved. Whatever form it takes, though, I think it’ll be good for the audience and for the superhero genre to see Wonder Woman confront these social issues as only she can.


Wish #5: Expand The Emotional Stakes (And Let Gal Gadot Channel Her Passions)

This is more of a broader hope for “Wonder Woman 2.” While there are quite a few specific things I’d love to see in this movie, I think it’s more important that it embody the necessary theme that makes Wonder Woman so endearing. Like with some of my other wishes, those themes revolve heavily around the emotional stakes of Wonder Woman’s journey.

We didn’t see too much of that in “Justice League,” but we saw plenty of that in the first movie. Every battle she fought was an emotional struggle. That struggle gave Gal Gadot the opportunity to emote in a way that would make any Amazon warrior proud. Wonder Woman has never just been about fighting injustice or kicking ass. That is always secondary to her heart.

Some of the best moments in “Wonder Woman” just involved her taking a moment to smile, explore, and share herself with others. Whether it was making Steve Trevor feel awkward or making friends with Etta Candy, we got to see Wonder Woman share her passions with others outside the battlefield. That helped make her endearing on so many levels.

Wonder Woman is already a very likable, very passionate character. She’s the kind of person that men and women, alike, can rally behind. Any successful sequel will take those themes and run with them. There’s so much to love about Wonder Woman and how Gal Gadot brought her to life. If “Wonder Woman 2” can build on those themes, then it already has the most important ingredient for more wonderful success.

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Gal Gadot’s Message To Misogynists (And Why It’s Incomplete)

It has been a good year for Gal Gadot. When you’re the woman who brought Wonder Woman to life in one of the most successful movies of 2017, as well as the highest grossing superhero origins movie of all time, you can objectively say you’re doing pretty damn well for yourself.

Ms. Gadot has every reason to be confident and not just because she’s the second woman since Lynda Carter who can call herself Wonder Woman with a straight face. She didn’t just make the “Wonder Woman” movie an unmitigated success while also getting Chris Pine naked in the process. She did it in a way that was truly empowering to women, female superheroes, and guys who just appreciate women who can kick ass.

As such, Ms. Gadot’s words carry a lot more weight than most people, regardless of their gender. She could say tomorrow that pineapples and beaver testicles are the greatest pizza topping of all time and we, as a society, would still take her seriously. That’s how much power you get from making an awesome “Wonder Woman” and doing part of it while pregnant, no less.

That’s why when, during a promotional interview with IGN with her “Justice League” co-star, Ezra Miller, Ms. Gadot made a bold proclamation. Granted, it wasn’t entirely serious and Miller had goaded her, but since she’s Gal “Wonder Woman” Gadot, these words still carry weight.

“Misogynist sexists, your wrath upon this world is over!”

If you want to see the full interview in order to get the full context of the statement, which is important here, you can watch the video here.

Again, the statement wasn’t on the same level as a full-blown protest, complete with bra burning. This is her and a co-star goofing around, but some of that sentiment stems directly from some distressing recent events involving powerful men being dicks to women. These issues are serious, bringing out the best and worst in people.

That’s why Ms. Gadot’s message matters. As I write these words, there are probably people out there taking them far more seriously than she intended. Some may even use it as a rallying cry to wage war against everyone with a penis who dared to have a dirty thought about a beautiful woman. While those people may be a fringe minority, the message still resonates, due to the unique time we find ourselves in, as a culture.

There’s no question that 2017 is a turning point and not just for female superhero movies like “Wonder Woman.” USA Today is already calling it “The Harvey Weinstein Effect” and has been maintaining a list of powerful men who have lost their jobs and/or reputations, due to sexual misconduct.

At this point, even if you’re a card-carrying member of the patriarchy, you can’t deny the growing trend. It’s gotten to a point where anytime you see a male public figure’s name trending on social media, there’s a good chance that they’re somehow involved in some sordid sexual misconduct. Say what you will about the merits of this trend, but it’s happening.

Going back to Ms. Gadot’s bold proclamation, I think it’s partially accurate in that it’s already being fulfilled. Powerful men who have harassed women are losing power, reputation, and influence. Influential organizations are cutting ties with those who are embroiled in sex scandals.

If you’re a powerful man who loves using his power to coerce sexual favors, this is not a good time for you and Ms. Gadot’s words should strike fear in you. While that part of her statement is valid, and most people would probably agree with it, there is one issue with it. It’s incomplete.

By that, I don’t mean Ms. Gadot misspoke. I am not foolish enough to tell Wonder Woman herself how she should talk when she could probably kill me with her pinkie toe. In terms of the overall substance of her message, though, it’s one of those instances where the rhetoric is more ambitious than the words.

The problem is that the message gives the impression that there’s an actual war going on. Coming from Gal Gadot, who served in the Israeli army before becoming Wonder Woman, it makes sense for her to frame it in such a way.

However, when it comes to powerful men exploiting vulnerable women, that’s not a war. That’s an societal problem on top of a leverage problem on top of a biological problem within the ongoing problem that is our caveman brains. Granted, that’s a lot of problems, but framing it as a war only compounds them.

That’s because wars, and wraths by default, are chaotic and bloody. Wars have casualties and most of the time, they’re not just enemy soldiers. Declaring a war on something, even if it’s an objectively bad thing, is bound to stir chaos that will affect others than the intended targets. Just look at the casualties in the ongoing war on drugs for distressing proof of that.

Ms. Gadot’s comment also implies there’s some shadowy army of evil Harvey Weinstein clones, each plotting and planning to create a world where they can harass and assault women with impunity. That may very well be a plot for another Wonder Woman movie, but it’s not reflective of the real world.

The kind of misogyny that creates men like Harvey Weinstein is not the result of some shadowy conspiracy that only Alex Jones would buy into. They’re largely a result of unequal power structures, outdated ideas about gender roles, and people generally taking advantage of opportunities that other horny men can only dream of.

It’s not an agenda or a wrath that’s in play here. It’s injustice and exploitation, coupled with greed and corruption. That, in and of itself, is a pretty toxic combination that affects people of any gender. It can get pretty bad at every levels of power, but it’s not just restricted to misogyny or general sexism.

Now, there’s no question that there’s still a lot of injustice and sexism in the world. If Ms. Gadot wants to fight that, both as an advocate and as Wonder Woman, I would gladly fight beside her, along with anyone else who would heed her call. That call, however, can’t be the same as a war cry against a secret cabal of misogynist sexists. It has to have more substance than that.

For the most part, people already despise misogynist sexists. Neither Ms. Gadot nor Wonder Woman need to convince anyone of that. Men with sordid pasts are already seeing their reputations and authority being undermined by recent efforts. Ms. Gadot herself even played a part in one of them involving Brett Ratner.

However, it can’t be like Wonder Woman’s final battle against Ares in the “Wonder Woman” movie. That’s not how sexism manifests in the real world. It’s not one of those things that can be fought with fists and godly powers. It’s one of those things that can only be fought with understanding, knowledge, and compassion, all of which are among Wonder Woman’s core tenants.

I don’t know what a better rallying cry would be for Ms. Gadot. Even if I did, it wouldn’t mean much coming from a male erotica/romance writer. Sexual harassment, sexual assault, and sexism are all serious issues. As such, any effort to confront them needs to start with the right message and I hope Gal Gadot is among those who delivers that message.

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Filed under Celebrities and Celebrity Culture, Comic Books, Jack Fisher, Superheroes, gender issues

My Justice League Review (And Why The Criticisms Are Unwarranted)

When I did my review for the “Wonder Woman” movie earlier this year, I did so under fairly favorable circumstances. The movie was already getting a lot of positive buzz from critics and general word-of-mouth. I was excited to see it in any case, but that buzz certainly set a positive tone when assessing the merits of that movie.

With “Justice League,” I face the polar opposite of those circumstances. While I generally try not to give much weight to critics or Rotten Tomatoes scores, it was hard to avoid this time. Unlike “Wonder Woman,” the buzz for this movie was entirely negative and it showed in the box office returns, also known as the only real measure that studios care about.

For a movie that was set to be a major milestone, finally putting DC’s most iconic heroes into one movie, it has since become an outright scandal. How can a movie with so much superhero star power do this poorly? That’s a question I am not equipped to answer, especially since people much smarter and more well-connected than me already have.

Instead, I’m going to walk right into this ongoing firestorm of whining and anger to give my spoiler-free review of this movie. I wanted to do it sooner, but I decided to let that firestorm die down just a bit before I offered my take. That might have been a mistake on my part. There’s a lot of noise surrounding “Justice League,” but not much insight.

With that in mind, I’m going to keep my review simple. I’m not going to try and extrapolate a bigger picture, like I did with “Wonder Woman.” I’m just going to focus my review on one simple question.

Is “Justice League” a good movie?

Before I go into detail and try to talk over all the noise, I want to answer this question with my honest and sincere sentiment. Given how much I’ve talked about comic books, superheroes, and superhero movies, including the sexy parts, I like to think my answer has at least some weight. However much stock you put into my opinion, here’s my ultimate conclusion on “Justice League.”

It is a good movie.

Yes, I realize that sentiment doesn’t reflect its Tomatometer score. Keep in mind, though, that score reflects the opinions of critics who are paid to see and/or overthink movies. It doesn’t reflect how actual fans feel about it, which actually shows in the response for this movie.

Even critics can’t deny that this movie went out of its way to please fans, especially those who were dissatisfied with “Batman v. Superman: Dawn Of Justice.” It directly dealt with the aftermath of that movie, as well as the characters’ reaction to it. It even dealt with the aftermath of “Wonder Woman,” building upon a foundation and creating connections, exactly like a real movie universe should.

Those connections weren’t too critical to appreciate the movie as a whole. It also works very well on its own, creating a simple, concise plot that really ramps up the scale. Again, it’s entirely consistent with the effort to make a large, inter-connected movie universe, just as Marvel has done with so much acclaim.

However, that’s not my primary reason for me saying that “Justice League” is a good movie. In simplest terms, this movie is good because it sticks to the basics and does them very well. It doesn’t try to be overly elaborate. It doesn’t attempt to reinvent the characters to an excessive degree. Yes, those characters have some variations, compared to their comic counterparts, but it’s nothing that warrants confusion or outrage.

Superman is still Superman. Wonder Woman is still Wonder Woman. Batman is still Batman, even if it is through the brooding demeanor of Ben Affleck. Getting those three right is critical to the success of any “Justice League” movie and this one makes it a point to do that early on.

It doesn’t stop there, though. It puts time and energy into developing the rest of the league, namely Flash, Aquaman, and Cyborg. These three characters had only brief cameos in “Batman v. Superman: Dawn Of Justice,” but they achieved much greater depth here.

These supporting members weren’t just there to fill out the ranks. They each had their own personal story to follow. Through that story, Flash, Aquaman, and Cyborg gain a personal stake in “Justice League.” It’s not just about saving the world for them. They’re struggling for something greater and, through the story, they achieve it.

At times, there are a lot of plots unfolding simultaneously. The personal stories of all those involved tend to mix. While it does get somewhat messy, it never gets chaotic. The story never goes off-track and it never becomes too confusing, which was a common criticism levied against “Batman v. Superman: Dawn Of Justice.”

A major reason why the story remained so concise was because of the main villain, Steppenwolf. While he’s not as iconic a villain as Lex Luthor, Loki, or Darkseid, who is mentioned multiple times, he does plenty to establish himself as a powerful threat and a highly motivated villain.

Like the other members of the league, his role in the plot has a personal component. He doesn’t just show up, wanting to destroy the world for shits and giggles. There’s an actual reason behind his actions and those reasons never become excuses, something that should carry weight for any character.

On top of those reasons, Steppenwolf’s story helps build the bigger picture of the DC Extended Universe. Through it, we learn that there are much larger conflicts in this universe that go beyond the Justice League. It helps establish a larger role for the Amazons, who showed their strength in “Wonder Woman.” It also establishes the Atlanteans and Green Lantern Corp, who are set to show theirs in future movies.

If the secondary goal of “Justice League” was to build a world and expand the possibilities, it certainly succeeded. If its primary goal was to bring each hero together in a way that was entertaining, flashy, and dramatic, then it succeeded as well.

There were plenty of powerful moments. There were plenty of dramatic moments. There were even some funny moments, most of which involved Ezra Miller’s Flash. Few of the moments felt forced or contrived. None felt empty either. There was purpose in every moment, decision, and action. By those most basic of standards, “Justice League” works.

I would even argue that this movie works better than a lot of Marvel movies. I would certainly put it above titles like “Avengers: Age Of Ultron” and “Iron Man 3,” movies that I think get more praise than they deserve. “Justice League” even makes the effort to improve on the mistakes of its predecessor, something few franchises even try, as “Amazing Spider-Man” can attest.

None of this is to say that “Justice League” is without flaws. It certainly has a few. The effects aren’t as flashy or colorful as other movies. Even “Man Of Steel” had better effects, by comparison. It’s also worth belaboring that Ben Affleck is no Christian Bale and Steppenwolf is no Darkseid. It really did feel as though the movie held back, at times.

If that’s the biggest shortcoming of “Justice League,” though, then I still say it qualifies as a good movie. It tells a story. It fleshes out characters. It tells a big, flashy story, full of big battles and satisfying conclusions. There’s a sense of emotional catharsis at the end that is much more uplifting than what we got in “Batman v. Superman: Dawn Of Justice.” When put in the context of the greater DCEU, it acts like frosting on the cake.

Why, then, does it receive such hate and scorn from critics? If this movie does have a major crime, it’s that it isn’t crafted in the same mold as Marvel with their cinematic universe. I don’t deny that Marvel sets a very high bar. However, this movie cannot and should not operate by those same standards. If it did, then those same critics would just whine that it’s ripping off Marvel too much.

There are other criticisms of “Justice League,” but when so many of them revolve around Henry Cavill’s digitally-removed mustache, those criticisms are downright petty. It is possible to hate and criticize this movie by focusing on those petty issues, but that’s hardly a fair way to judge the actual substance of the movie.

In terms of actual substance, “Justice League” has it and plenty more. It Superman being Superman, Batman being Batman, and Wonder Woman being Wonder Woman, just in case her movie didn’t give you enough of that. For that reason, “Justice League” deserves far more praise than it has gotten and far less petty criticism.

In the end, it still gives us a satisfying, live-action Justice League movie. That, in and of itself, makes it inherently awesome

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Filed under Comic Books, Jack Fisher, Superheroes, Movie Reviews, Wonder Woman

Wonder Woman Exceeds Deadpool At The Box Office (And Deadpool Is Okay With That)

I talk about movies fairly frequently on this blog, especially the sexy kind. Sometimes I talk about the sex appeal they have in the present. Sometimes I explore the potential for sex appeal in the future. When it comes to specific movies though, the two I’ve discussed most are “Deadpool” and “Wonder Woman.”

The reasons for this should be obvious. They’re both awesome movies with an insane amount of sex appeal. One of them has the most iconic female hero of the past century coming to life in her first, big-budget solo movie. The other has a naked Ryan Reynolds. It’s hard to get more awesome and sexy than that.

Recently, though, both movies made the news in a wonderfully fitting way. First, the “Wonder Woman” box office total achieved a milestone, raking in $373 million domestically. That puts it beyond the $363 million that “Deadpool” pulled in. While “Wonder Woman” still hasn’t matched the international total for “Deadpool,” it’s closing the gap fast and has a good chance of matching it.

Now, that’s not to say both movies are entirely on an equal footing. Remember, “Deadpool” was a bloody, R-rated poop joke that included Ryan Reynolds getting naked and enough F-bombs to make a Mormon faint. It managed to rake in nearly $800 million worldwide despite this rating, not being released in China, and on a paltry $58 million budget.

That’s not to undermine the accomplishments of “Wonder Woman” in any way. This movie, despite having nearly three times the budget, was made for $100 million less than “Batman v. Superman: Dawn of Justice” and still managed to make more domestically.

In addition, Gal Gadot did not have the same profile as Ryan Reynolds did when he made Deadpool. Other than her role in “Batman v. Superman: Dawn of Justice,” she hadn’t established herself as a draw like Reynolds did. She also accomplished all this with a female director in Patty Jenkins, who had proven herself in TV, but not in movies.

For “Wonder Woman,” a female superhero starring in her own movie after “Catwoman” nearly killed the genre, that’s still a hell of an accomplishment. Deadpool actor, Ryan Reynolds, understands this as well as anyone who has been following superhero movies for the past two decades. Being the awesome, formerly sexiest man alive that he is, he even responded.

 

The Merc May Be Filthier, but Her B.O. is Stronger. Congrats #WonderWoman #BoxOfficeBoss

A post shared by Ryan Reynolds (@vancityreynolds) on

That’s right. In the spirit of good sportsmanship and dirty jokes about body odor, Reynolds congratulated “Wonder Woman” for accomplishing so much. In such a highly competitive, cocaine-fueled world, that just warms my heart.

Gal Gadot, being badass beauty that brought Wonder Woman to life, responded as well on Twitter. True to the heart of her character, she acknowledges and accepts the loving sentiment of others, regardless of whether they’re male, female, or used to be married to Scarlett Johanssen.

After talking about such dire topics like fascism on this blog, this really made my week. As a fan of superhero movies and people being decent to each other, it just put a smile on my face in the best possible way.

Deadpool and Wonder Woman may be two characters owned by different companies. They may be very different in how they operate, what they stand for, and how they go about making awesome movies. However, for them to unite in the spirit of making awesome superhero movies is just too fitting.

Excuse me. I just teared up a little.

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Filed under Comic Books, Jack Fisher, Superheroes

Wonder Woman And Sex Positivity

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I know I’ve been talking about Wonder Woman a lot lately. No, I’m not going to apologize for that. I’ve had a perfectly valid reason and no need for excuses. It’s not unreasonable to say that Wonder Woman is having the best year she’s had in her 75-year history and that includes the era in which she made Lynda Carter a sex symbol.

The “Wonder Woman” movie is an unabashed success. Just this past week, it surpassed both “Batman v. Superman: Dawn of Justice” and “Suicide Squad” to become the highest-grossing DC Comics movie to date on the domestic front. It managed to do all this with a female director in Patty Jenkins, a strong female lead in Gal Gadot, and a naked Chris Pine. I think ladies everywhere deserve to flex their ovaries this year.

As great a year as she’s had, there’s been another major development with Wonder Woman that will likely slip under the radar. That’s a shame too because it’s an important development, which is another way of saying it has very sexy implications. Given the nature of this blog, it would be a professional failure on my part if I didn’t talk about it.

In this case, it has to do with what’s been going on with Wonder Woman in the comics. Now, I don’t deny that a very small percentage of the people who saw the “Wonder Woman” movie actually follow the current comics. Most have probably read Wonder Woman comics in the past, seen her in various cartoons, or watched the old Lynda Carter TV show.

The current comics, however, are kind of an afterthought. That’s understandable in some cases. If you only saw the “Captain America” movie, you might be a little confused to find out he’s a Hydra agent in the comics. If you only ever saw the “Iron Man” movie, you might even more confused to find out that Tony Stark is in a coma and Iron Man is a 15-year-old black girl from Chicago.

The comics are confusing, convoluted, and frustrating to say the least. I say that as someone who has been closely following comics for nearly two decades. There are so many different interpretations, alternate universes, and re-launches that most reasonable people would decide it’s not worth the aggravation. I like to think I’m reasonable in most instances, but I guess my love of comics is just that strong.

For those Wonder Woman fans who do follow DC’s iconic comics, they got an overdue, but extra-satisfying treat. As part of DC’s ongoing Rebirth initiative, Wonder Woman’s comic was re-launched and revamped in a way that helped streamline a mess of conflicting continuities and scrambled timelines. Trust me, it’s much more complicated than it sounds. Just look up something called “Flashpoint” to see what I mean.

If you’re a Wonder Woman fan, though, you don’t need to know the cow shit to appreciate the flowers. Under the pen of Greg Rucka, an accomplished comic book writer who has written Wonder Woman in the past, and Liam Sharp, an equally-accomplished comic book artist, Wonder Woman’s entire story underwent an overhaul.

That story is one that I cannot recommend enough to Wonder Woman fans. If you loved the movie, then you’ll love these comics. They cover everything that makes Wonder Woman great. Her heart, her compassion, her warrior spirit, and her sex appeal is all on highlighted in all the right ways for all the right reasons. It may very well be the most balanced she’s ever been as a character.

However, it’s the conclusion of that story, which culminated just last week with the release of Wonder Woman #25, that introduces an important element to Wonder Woman’s story. It goes beyond simply capping off a successful run on an iconic comic book series in a satisfying way. That alone is pretty remarkable, especially at a time when comic companies can’t resist killing major characters for a sales boost.

Specifically, it has to do with Wonder Woman’s sexuality. I know that’s a favorite topic of mine and for good reason. Her sexuality is actually pretty broad compared to other male heroes who simply want to bang supermodels all day. Her origins have strong ties to the world of BDSM and in recent years, she has been revealed to be bisexual.

Despite these details, Wonder Woman has been one of those characters who has been sexually nullified, so to speak. For a good chunk of her history, she’s never been allowed to be overtly sexy. Sure, her attire is sexy and she’s not exactly shy about showing off her body. When it comes to having an actual sex life, though, it might as well be on par with the Hulk’s penis. We know it’s there. It’s just not something we talk about.

Sure, she’s allowed to have love interests. Steve Trevor, who was played by Chris Pine in the movie, is her most famous. She’s had others, including Batman in the Justice League cartoon and Superman in the comics at one point. However, the sexuality in all those relationships is severely muted, if not outright ignored.

That changed somewhat in Wonder Woman #25. Greg Rucka and Liam Sharp actually acknowledged that Wonder Woman can be sexual and it doesn’t have to be some big, shocking ordeal. She’s a powerful woman and she has sex. That should not be shocking on any level.

On top of that, Rucka and Sharp make it a point to mix Wonder Woman’s sexual inclinations with her romantic inclinations. Remember, Steve Trevor? Well, now he’s not just the man who managed to get Chris Pine naked in  the “Wonder Woman” movie. He’s the one who makes love with Wonder Woman in Wonder Woman #25. I’m sure both Chris Pine and Gal Gadot would approve.

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It was a sweet, beautiful scene that mixed both romance and sexuality. After a long journey that had many heart-wrenching moments, Wonder Woman returns to Steve, who prepared a romantic night for them. She opted to skip most of it, head into the bedroom, and make love. I’m not going to lie or apologize. That moment made me shed tears of joy and gave me a boner.

It may not seem like a big deal, Wonder Woman getting frisky with her oldest and most well-known love interest. Trust me, both as an erotica/romance writer and a comic book fan. It’s a huge deal and it adds a critical dimension to Wonder Woman’s character that tends to get censored way too often, which is sex positivity.

I’ve talked about sex positivity before, namely how it stands in contrast to sex negative feminism. I’ve even talked about distinctly sex positive superheroes like Starfire. Given Wonder Woman’s status as a feminine ideal, you’d think she would be naturally sex positive. That thinking wouldn’t be dead wrong, but it wouldn’t be right either.

It may be a result of her having not-so-subtle BDSM origins. It may also be a byproduct of the heavy censorship comics endured for most of its history, thanks largely to a bullshit moral panic from the 1950s that nearly killed the industry. Whatever the reasons, Wonder Woman’s BDSM origins were purged and her sexuality was effectively ignored.

She was still a woman, but her sexuality was about as prominent as her appendix. Her entire persona, even into the modern era, emphasized her warrior woman status. She only fought and looked good while doing it. That was pretty much the core of her character.

Now that’s not to say she had no other appeals. She most certainly did. However, her sexuality, and even her attitudes towards sex, were either ignored or circumvented. That’s why this new development in Wonder Woman #25 is so critical.

In this case, Wonder Woman actually did something even Starfire struggles to accomplish. She created a perfect balance of sexuality and love. Starfire may have a very healthy attitude towards sex and nudity, but she tends to be too casual when it comes to romance. She’s perfectly comfortable having sex, but expressing love through sex is a bit trickier.

For Wonder Woman, it’s a natural manifestation of her loving, compassionate personality. She has love for her friends, her fellow heroes, and Steve Trevor. Rucka and Sharp just let her express it through her sexuality in a way that was sincere, meaningful, and perfectly appropriate for the context of the story.

That kind of sex positivity is exceedingly rare these days. I’ve said before that the world needs more of it. There are ominous signs that society is becoming more sexually uptight. Sexuality, especially of the female variety, is still very much a taboo. Men and women alike seem to have conflicting attitudes that can manifest in unhealthy ways.

How fitting is it that Wonder Woman, the most iconic female hero of the last century, finds a way to achieve a beautiful balance between sexuality and romance? It’s a powerful element that I hope DC Comics doesn’t censor once more. A female hero knows how to fight, love, and make love in a meaningful, compelling way is a beautiful story in its own right. You could even say it’s a true wonder.

Yes, I know that sounds cheesy as hell. No, I’m not going to apologize for that either.

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My (Spoiler Free) Wonder Woman Movie Review

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I’ve been obsessing over it. I’ve been anticipating it. I’ve found any possible excuse to talk about it on this blog, including those involving hidden BDSM undertones. If you still weren’t convinced of how excited I was about the “Wonder Woman” movie, then I can’t help you and neither can Superman. Well, after years of waiting and agonizing over the failures of lesser female heroes, it happened. The “Wonder Woman” movie has arrived.

I’ve been following this movie since the release of its first trailer, making it clear along the way that this is one of the most important movies of the past decade. It’s not just an important step towards making us forget about “Catwoman.” It’s an overdue, understated milestone in the growth of female superheroes and female characters in general.

Wonder Woman is, by most measures, the most iconic female character of the past century. She is the standard by which all female heroes, and many female characters in general, are measured. She embodies the ideals of womanhood, generating hope for some and conflict for others. For her to have waited this long to get a movie while Ant Man of all characters got one is a travesty.

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However long it took and whatever controversy emerged along the way, including those involving armpits, doesn’t matter anymore. The movie has arrived and I made it a point to see it, despite the crowds and overpriced candy. That leaves just one pressing question that doesn’t need the lasso of truth for an answer.

Is the “Wonder Woman” movie actually good?

Well, I’m here to say as part of my official review that yes. It is good. It’s every bit as good as its Rotten Tomatoes and Metacritic score would indicate. This is not a “Dawn of Justice” type scenario where critics and fans don’t see eye-to-eye. The consensus is clear. “Wonder Woman” is a damn good movie.

What makes it good, though? Well, that’s where it helps to understand the challenge this movie faced, as well as the scope of the story it told. Unlike Batman and Superman, Wonder Woman’s origins aren’t as universally known and again, I’m not just referring to the BDSM elements.

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Most people know she’s an iconic female superhero. Most know she’s a warrior princess from an island populated solely by women. Few people actually know the details of that story or the emotional undertones behind it. Even fans of the old Lynda Carter TV series only ever got part of the story.

This movie doesn’t assume that the audience knows the core of Wonder Woman history or what makes her who she is. Patty Jenkins, the director tasked with deciding which assumptions to make, made a concerted effort to explore both who Diana is and where she came from.

The parts about her being a warrior on an island of female warriors is still there. What makes it resonate is how the movie adds emotional elements to the story. There’s an undeniable innocence at first, seeing Diana as a child, running around her paradise island of Themyscira, eager to see more than others allow her to see.

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This establishes and important tone for the story and for Wonder Woman’s character, as a whole. Even on an island paradise run by women, Wonder Woman dares to break with tradition and do more than what others would dare. She’s willing to test the rules of the Amazons and the rules of men alike. She is, at her core, a free spirit who seeks out wrongs to right and will step up when others won’t.

This makes her emergence as a warrior all the more meaningful because it gives her the strength and means break with tradition and fight the battles that no one dares. She doesn’t just become strong for the sake of being strong. Her training, her desire, and her capacity to kick ass has purpose. She makes the audience want her to succeed.

That kind of emotional resonance never wanes as the larger conflicts unfold. This is where Wonder Woman’s supporting cast really shines, especially in Chris Pine’s portrayal of Steve Trevor.

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It might have been the trickiest part of the movie, handling how Wonder Woman’s long-time companion and frequent love interest, Steve Trevor, was handled. There have been instances in the comics and cartoons where Steve Trevor has been a beta male. There have also been times where he’s just been an glorified nanny to Wonder Woman, trying to keep her on a leash and not in a kinky sort of way.

That doesn’t happen in this movie. Chris Pine’s take on Steve Trevor is one that men and women alike can appreciate. He’s very much his own character who earns the respect of both Wonder Woman and everyone he works with. He doesn’t just show that he’s worthy of Wonder Woman’s affection. He earns it.

It’s probably the greatest accomplishment of the movie. Wonder Woman’s partnership with Steve Trevor and his allies is all about complementing one another, not hindering one another. Trevor isn’t just some man trying to put Wonder Woman in her place. He and his friends try to guide her through the conflict, doing their part whenever they can and letting Wonder Woman do hers.

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Those looking for a movie that shows Wonder Woman attacking male oppression and exposing men for the pig-headed brutes they are will be disappointed. There are heroic men and villainous women in this movie. There’s no gender agenda at work here. There are times when gender dynamics are explored, but it’s never done with the impression that one is worse than the other.

The movie gets the message and the dynamics right. It gets the characters and their personalities right. Needless to say, Gal Gadot gets Wonder Woman right and looks absolutely stunning in that outfit in every single frame. On top of that, the various fight scenes and acrobatics that go with any hardened Amazonian warrior are a spectacle to behold.

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It checks so many boxes. It has so many satisfying moments from beginning to end. There are moments of humor, including those of the crude, sexual kind. Chris Pine even gets naked at one point. Granted, he’s no Hugh Jackman, but I think most heterosexual women and gay men will be happy with what they see.

So are there any issues with this movie? Is “Wonder Woman” the most flawless work of cinema since “Godfather II?” Well, this is the part where I have to be somewhat petty because this movie isn’t perfect. It does have some flaws, but none of them are overly egregious.

If there are any shortcomings, it’s in the limited time it spends exploring Themyscira and its culture. There is some time spent on the mother/daughter dynamics between Wonder Woman and her mother, but it feels somewhat minimized, as do the rest of the Amazons. Many do get to shine in a few fight scenes, but none get a chance to be all that memorable.

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There’s also the matter of the mythology behind the main conflict. Wonder Woman has always drawn heavily from Greco-Roman Mythology, so much so that it fuels a great deal of Wonder Woman’s iconic stories. However, the mythology in this movie is fairly flat and streamlined. It presents a very simple, bland view of the gods that are so integral to the Amazons. It feels like an oversight, but one that doesn’t derail the story.

Overall, I would not proclaim “Wonder Woman” to be the greatest superhero movie of all time. I would still put movies like “Deadpool” and “The Avengers” above it, but not by much. It is still very much in the top echelon of superhero movies. It is also groundbreaking in that it is the first female solo movie that succeeded where too many others have failed.

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It’s impossible to overstate how critical this movie was for DC Comics, Warner Brothers, and superhero movies in general. “Wonder Woman” had so much riding on it from the get go, but it succeeded. It rose to the challenge. Much like Wonder Woman herself, this movie dared to defy convention and do something special.

If I had to score this movie, I would give it a solid 4.5 out of 5. It has all the right elements. It’s concise, compelling, and satisfying. It is a wonder unto itself. It was a long time coming, but like so many things, it was worth the wait.

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Why Wonder Woman Matters Now More Than Ever

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Today’s the big day. For comic book fans, superhero movies, and those who appreciate seeing beautiful women kick ass, it has been a long time coming. It shouldn’t have taken so long, but there were a few setbacks along the way. Well, we can forget about those now because the wait is over. The “Wonder Woman” movie has arrived.

I can safely say as a self-proclaimed comic book fan and a fan of sexy female superheros, I’ve been looking forward to this movie more than any other in a decade. I’ve said it before as I’ve tracked this movie’s approach, but I believe that “Wonder Woman” is the most important superhero movie since the original “X-men” movie made us forget about Joel Shumacher.

It’s not just that Wonder Woman is the most iconic female superhero of the past century. It’s not just that Wonder Woman can give female superhero movies some badly-needed credibility, especially after debacles like “Catwoman” and “Elektra.” The ideals and themes of Wonder Woman, as a character and an icon, are more important now than they’ve ever been. For once, though, it has nothing to do with her BDSM origins.

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At the moment, we live in some very volatile times. I won’t get into the breadth and scope of that volatility. Pretty much anyone who has watched the news for more than five minutes understands what I mean. While I have argued that the world is getting better by most objective measures, there’s no denying that there’s still plenty of conflict.

Whether it’s wars in the middle east or uproars over comic book covers, there are so many things dividing us, as a species. We get into fights, both online and the real world, over both serious and trivial issues. We can never be too content as a society. We always have to be fighting a battle somewhere. We always have to be playing the hero to someone.

This manifests in everything from clashes over identity politics to gender-based double standards to real-world wars that take a horrific human toll. Improvements and context aside, the world is still a scary place and we’re still a bunch of scared children looking for anything or anyone to comfort us.

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That’s where Wonder Woman comes in. Like Superman or Captain America, she represents an ideal. Hers, however, is a unique ideal, one that embodies the greatest aspects of female strength. She stands for all that is good about women. Regardless of culture or creed, she represents the love and strength that brings out the best in women.

Regardless of whether you’re a man, woman, or something in between, Wonder Woman stands for a unique set of values that make her both a hero and an icon. She is someone every gender can look up to, but one that uniquely resonates with women. It’s not just that she can fight, fly, and wield power on the same level as Superman. She embodies a different kind of strength, one that sets her apart from other male heroes.

It’s this strength that her creator, William Marston, focused on when he created Wonder Woman. Beyond the BDSM themes, Marston was very ahead of his time in crafting Wonder Woman’s ideals. It wasn’t just about putting women in power. It was about rethinking the very concept that power should rule in the first place.

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Wonder Woman, at her core, does not seek domination or destruction. She is, at her core, a voice for peace and love between innocents. She is also a warrior, but one who reserves her skills for those who would dare destroy such innocents. She will fight those who would harm innocent lives, but she won’t just use her fists.

In a very timely move by DC Comics, a recent issue of Wonder Woman’s ongoing comic series demonstrated that. In Wonder Woman #23, by Greg Rucka and Liam Sharp, Wonder Woman goes up against Phobos and Deimos, the devious sons of Ares, the God of War. They try to provoke Wonder Woman into freeing their imprisoned father. It’s a situation where Superman or Batman would’ve tried to fight their way out of.

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However, that’s not what Wonder Woman does. She doesn’t defeat Phobos and Deimos through violence. She understands that such power with more power is bound to cause destruction, pain, and loss. Instead, she fights them in a different, wholly unique way. She fights them with love.

It’s not nearly as corny as it sounds. It’s a culmination of many conflicts that had been building over the course of a dozen issues, which included more than a few major clashes along the way. In the end, though, fighting power with more power wasn’t the answer. Wonder Woman understood this and chose a different path. It worked too. Phobos and Deimos were defeated and no innocents had to suffer.

Wonder Woman #23 is a perfect demonstration of what sets Wonder Woman apart from other heroes and why she’s such a strong female icon. Sure, the uptight asshats at the United Nations may think she’s too sexy to be an icon, but they’re dead wrong. Wonder Woman’s beauty is a reflection of her heart. That heart, and her ability to use it as well as her fists, is what makes her message more important than ever.

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We currently live in an era where everything from feminism to beauty standards is becoming more and more tribal. It’s not enough to just fight for equality and understanding. Everyone has to form their tribe and help it dominate in some way, either by having it play the victim or resort to excessive virtue signaling.

That’s exactly the kind of endless power struggle that Marston criticized when he created Wonder Woman. It’s also the kind of struggle that Wonder Woman rises above. She may be a feminist icon, but she does not carry herself as one who favors one gender dominating the other.

She champions love and understanding for all. She seeks not domination of one idea over the other, but loving submission to the idea that none need dominate. It is possible for everyone, male and female, to humble themselves and open their hearts. We don’t need power over others to achieve peace.

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Her message is one that should resonate now more than ever. With her movie finally released, that message has a chance to spread. Sure, there will be controversy. People make up controversies all the time. There was a controversy over Wonder Woman’s armpit hair, for crying out loud. That’s all the more reason to heed her ideals of fighting conflict with love.

It’s been a long, arduous journey for Wonder Woman to get to this point. I’m not equipped to document the sheer breadth of that journey, but the fine folks at Midnight’s Edge have already done the work for me. They recently released a chronicle, of sorts, on how Wonder Woman got to this point and why her movie is so vital to the future of DC and superhero movies in general.

However you feel about Wonder Woman or superhero movies, today is still an important day in our culture. There are still so many issues that plague men and women alike. Now, more than ever, we need heroes like Wonder Woman to show that there’s a better way for us to forge our future.

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