The following is a video from my YouTube channel, Jack’s World. It’s a video essay/celebration of the first “Wonder Woman” movie, a film that will always be near and dear to my heart. I know I recently did a review of “Wonder Woman 1984” and I was tempted to do a video about that, but I wanted to first pay tribute to the movie that started Diana’s wondrous journey into film. Enjoy!
Tag Archives: Princess Diana
In general, I’m an optimist. When a new year begins, I approach it with the hope and desire to make it better than the previous year. After the first half of 2020, I may need to change my approach. As much an optimist I try to be, even I have my limits.
This year has sucked the biggest set of elephant balls that it’s possible to suck. I hope I don’t need to explain why. Between a pandemic that has shut entire parts of society down and major riots protesting racial injustice, this year has been a massive kick in the balls for every optimist that dared approach this year with a sense of hope.
That said, I’ve yet to abandon that hope entirely. I credit my long-time love of superhero comics as a reason for that. Beyond the marketing gimmicks and wish fulfillment, superheroes embody an ideal. They dare to envision how good we can be in a world that many are determined to destroy. I take real comfort and joy in that. It’s just part of what makes New Comic Book Day so refreshing every week.
I know the news has been awful on so many levels these past few months. I won’t say the worst is behind us, but I will encourage everyone to keep pushing through the despair. A fresh batch of comics isn’t a cure-all, but it can help lift our wounded spirits. To that end, below is my pull list and my pick of the week.
My Pull List
My Pick Of The Week
Wonder Woman #756
A true measure of someone’s honor is how they handle defeat. If internet comments sections and debates with creationists are any indication, people can get very ugly when they have no honor. With superheroes, there’s a similar dynamic. A characters heroism carries a lot more weight in defeat than it does in triumph. Those who don’t handle defeat well aren’t very heroic.
By that measure, Wonder Woman is in the uppermost percentile when it comes to honorable heroes and “Wonder Woman #756” further affirms that. Recent issues of Wonder Woman have really put her in questionable positions and these aren’t positions that she can fight her way out of. Where some heroes would’ve broken or whined, Wonder Woman’s unique capacity for honor and compassion continue to shine.
It has to against a foe like Warmaster. Writer Steve Orlando puts Wonder Woman in a difficult position. She lied to this woman. Even if it was to save her from her hateful upbringing, she lied to Paula Von Gunther. It wasn’t a small lie, either. Her entire life was a lie. Once the truth came out, she was not the least bit understanding.
Now, the same hate that Wonder Woman tried to save her from fuels her in a violent clash. Even for a warrior like her, it gets messy and artist Jesus Merino makes it especially visceral. As the fighting unfolds, one thing becomes painfully clear. The hate that Wonder Woman tried to protect Paula from has never been harsher. Now, everyone she loves is in danger.
In addition to fighting Wonder Woman, Warmaster’s plan starts to accelerate in “Wonder Woman #756.” She’s not just targeting Wonder Woman. She’s joined the four Horsewomen to exact a bloody revenge on everyone she cares about. That includes both her home, Themyscira, and all her friends in the outside world.
A lot is at stake for her, but she still holds back. Even when Warmaster tries to force impossible choices on her, Wonder Woman keeps fighting. That’s what she does. That’s what makes her both a warrior and a hero. However, it’s still not enough. Paula’s hatred is stronger than Wonder Woman’s compassion in this case.
However, Orlando stops short of putting Wonder Woman in a dire position. If anything, the way she conducts herself while having to fight someone she cares about shows just how heroic she can be in these situations. At the same time, her willingness to love and connect with others proves critical in helping her rise up after the beating she took.
I don’t want to spoil too much, but the last page of “Wonder Woman #756“ offers the kind of uplifting catharsis that we all need right now. That’s what an honorable hero does, even after they’ve lost. They still find a way to inspire.
That’s what Wonder Woman does.
That’s what makes her Wonder Woman.
Life is hard. Some days are harder than others. Unless you’re rich, beautiful, or a combination of both, it’s a never-ending challenge to navigate those hardships. You got to take the good with the bad and make the most of the good. For me, and other life-long comic book fans like me, New Comic Book Day can take something good and make it awesome.
A new glut of fresh comics is like fresh-brewed coffee, a box of donuts, and a massage on a Wednesday morning. For a comic book fan, it’s difficult to make any day much better without getting street drugs involved. No matter how hard life has been for me, a Wednesday built around new comics helps make the past, present, and future better.
Some weeks are more active than others, but when you’ve got tastes as broad as mind, it’s easy to find something to enjoy. This week has an impressive list of new comics, some of which I’ve been looking forward to for quite some time. In the interest of enjoying this day with my fellow comic fans, here’s my pull list and my overall pick of the week. Enjoy!
My Pull List
My Pick of the Week
Is there such a thing as too much Wonder Woman? As someone who saw the “Wonder Woman” movie at least 20 times, I can safely say that’s a trick question. Those who say you can’t have too much of a good thing have obvious never been fans of Wonder Woman and milestone comics like “Wonder Woman #750” perfectly demonstrate why she’s great in any quantity.
These days, any comic that makes it past 50 issues is considered a milestone. The era of comics that go on for dozens of issues at a time is long gone. The many relaunches and retcons, which DC Comics has contributed to in the past, have changed the comic book market to such an extent that it’s just not possible for most titles to sustain that longevity.
However, Wonder Woman is not most titles.
She’s Wonder Woman. She’s the standard by which all female superheroes are measured. She’s one of the most iconic superheroes of all time, regardless of gender. She’s in a special pantheon of iconic characters. Her legacy, which spans back to the dark days of World War II, is one worthy of celebration and admiration.
That’s exactly what “Wonder Woman #750” does. It’s a giant-sized issue that costs a few extra bucks, but rest assured. It’s worth every penny. If you’ve been following the Wonder Woman comics, this book helps cap off a story that brings Diana head-to-head once more with Cheetah while Hera shows up to offer divine complications. However, that’s not all this book offers.
In addition to completing a long-running story, this giant-sized dose of all things Wonder Woman adds in some extra side-stories. They range from events spinning out of the recent comics to cute little stories involving kids, families, and monster hunting. Wonder Woman never misses a chance to kick ass, but she also never misses a chance to offer love, compassion, and hugs.
It’s a testament to her strength, her spirit, and her heart. With multiple writers and multiple artists, many of which are among the comic world’s top talent, there’s something for everyone here. If you want to see Wonder Woman fight gods and monsters, you’ll get plenty of that. If you want to see Wonder Woman offer love and compassion to those who need it, you’ll get that too.
At its core, “Wonder Woman #750” is a perfect reminder of why Wonder Woman is such an iconic character. It’s not just that she can fight villains, gods, and monsters. It’s not just that she can give compassion that few can match. It’s not just that she looks beautiful while doing it, either.
Wonder Woman embodies an ideal and spirit that resonates with everyone. Whether you’re a man, a woman, a god, or an alien, you see her doing all these wonderful things and can’t help but admire her. She’s a special character and one whose strength has resonated for decades and promises to keep resonating for decades more.
If you only pick up one Wonder Woman comic all year, make it “Wonder Woman #750.” It’s a true wonder to behold and one worthy of such an iconic character.
Once a week, comic book fans rejoice as pencil, ink, and imagination come together to bring us a batch of new comics. Whether they involve superheroes, gritty crime drama, sappy romance, or talking ducks in ties, great comics take many forms.
As someone who awaits every Wednesday like Christmas, I make it a point to select one comic from this crowded field that helps make the day feel uniquely festive. It doesn’t always involve superheros gods, demigods, and talking animals. This week, however, that’s exactly what “Wonder Woman #71” contains. That’s not an exaggeration. This comic contains all of that, along with a uniquely impactful story.
The Wonder Woman comics have always been more fanciful than most, even without its former allusions to BDSM. When Wonder Woman isn’t fighting alongside the Justice League or going toe-to-toe against cosmic threats like Darkseid, she often deals with the divine mischief caused by her divine heritage. Since the arrival of writer, G. Willow Wilson, there has been plenty of mischief to go around.
For the past few issues, Diana has been investigating some decadent happenings in a small town called Summergrove. At first, it doesn’t look quite as dire as some of the other godly influences that Wonder Woman has dealt with. The people of this typical community have just become a bunch of free-wielding hippies, randomly pursuing every decadent desire that enters their mind, among other things.
It’s not quite as pornographic as it sounds. Wilson manages to keep things PG-13, for the most part. However, the free loving and utter disregard for Western propriety are just part of the issue. This major disruption in a community not used to public nudity isn’t due to some sudden realization that Puritan traditions are asinine. It’s a direct result of Atlantiades, the god of lust and desire.
Aside from being the offspring of Aphrodite, as well as the kind of deity that aspiring erotica/romance writers could worship, Atalantiades presents a unique challenge to Wonder Woman. Yes, she’s causing real harm to innocent people and their families by exercising her divine power, but she’s not doing it directly, nor is she doing it out of malice.
She is, like many gods in both the world of DC Comics and beings of mythology, unaware of how her power influences frail mortal minds. She doesn’t see ordinary humans with the same care and concern as Wonder Woman. Whereas Diana respects and protects them, gods like Atalantiades pity and manipulate them.
It puts Wonder Woman in a tricky position of convincing Atalantiades that what she’s doing to the people of Summergrove is wrong. The past couple issues have steadily revealed how bad things have gotten. Families are being torn apart and the community is collapsing around itself as people just abandon their responsibilities and ignore all consequences to their action.
It may seem fun, but even the most free spirit of individuals can’t avoid consequences. That’s what it means to be human. However, Atalantiades and the rest of her divine brethren don’t understand that the way Wonder Woman does. Their divinity means they don’t have to deal with the same consequences. They only have to worry when those consequences impact other gods.
That’s another lesson that Atalantiades has to learn the hard way. While Wonder Woman helps her deal with the damage she did to Summergrove, her activities obscure another emerging conflict centered around her mother, Aphrodite. This conflict has higher stakes and greater consequences, mainly because it involves unleashing a mythical beast.
It’s this culmination of consequences that helps “Wonder Woman #71” stand out. There are plenty of stories that involve Wonder Woman fighting mythical beasts and protecting people from unholy manipulations. However, she ends up having to do both here and she can’t resolve both solely through fighting.
Wonder Woman can do a lot of incredible feats, but she doesn’t absolve people or gods of consequences, nor would she if she could. She can’t fight Atalantiades or the people she has influenced, but she can convince her to take responsibility. That’s not as easy as a simple scorn or lecture, but it does make for some revealing exchanges.
Wilson, like many other accomplished Wonder Woman writers, explore the unique and strange perspective of divine beings like Atalantiades. That’s understandable because they’re not mortal. They don’t see mortality, desire, and consequences the same way an ordinary person in the suburb sees it. In many respects, it reveals just how unique Wonder Woman is because she goes out of her way to relate to ordinary people.
Atalantiades makes clear that she doesn’t see love and desire the same way as Diana. Throughout this story arc, even other gods like Aphrodite go out of their way to denigrate Diana’s perspective on matters of love and mortals. She sees it as something empowering and intimate. They see it as something chaotic and corrupt.
“Wonder Woman #71” doesn’t entirely resolve that argument, but it does make a compelling case for each side. Atalantiades demonstrates what happens when love and desire run rampant. It’s sexy and even humorous, at times, but it’s also flawed and Wonder Woman helps belabor that.
As more consequences of Atalantiades’ actions play out, Wonder Woman has a chance to make her point in other, more direct ways. This is also where the artwork of Tom Derenick and Xermanico get more vibrant as divine debates turn into divine clashes. It helps highlight how strong Wonder Woman can be with both her words and her fists.
“Wonder Woman #71” is not the endgame of this larger story surrounding Atalantiades and Aphrodite, but it is definitely the most dramatic. Wilson explores some pretty heavy topics in this story, touching on gods, love, and the frail mortal beings that get caught in the crossfire. It puts Wonder Woman in some difficult situations in which her compassion has to be as strong as muscles.
As always, she rises to the occasion and inspires more awe and wonder in the process. That’s what makes her Wonder Woman.
I’m going to try a little something new here so please, if possible, tell me what you think. Every Wednesday, a crop of new comics come out. I’m usually up bright and early to read them, thanks to digital subscriptions through Comixology. It makes for many restless nights, but it’s worth it to start my day with an awesome comic. As such, I want to single out a particular comic that I feel really stood out.
This week, it’s Wonder Woman #55. Granted, I’ve written plenty about Wonder Woman and the many reasons why she’s an iconic female hero. Sometimes it’s easy to forget that she still has comic coming out regularly come out and this week, we got an especially wondrous treat.
Steve Orlando and Raul Allen capped off a story that began several issues ago that had Wonder Woman reunite with her renegade Amazon sister, Artemis of Bana-Mighdall. While this isn’t the first time they’ve clashed, this particular comic beautifully demonstrated what sets Wonder Woman apart from her fellow Amazons and so many other heroes in general.
While Wonder Woman’s power set makes her one of the most powerful figures in the entire DC Universe, even those immense abilities don’t reflect her greatest strength. Sure, they come in handy whenever Darkseid invades Earth, but those are not the most important weapons in her arsenal.
More than anything else, Wonder Woman’s greatest power is winning battles with truth and compassion. She doesn’t seek to solve problems through domination. She seeks peace through truth and loving submission, a theme with some kinky undertones. She wields that power with effective grace in this, albeit not in too kinky away.
I could go on and on about the non-kinky aspects of the story that make it so awesome, but I’d rather let the book speak for itself. That’s why I’m proud to make this comic my first quick pick. Even if it doesn’t make you submit, it’ll fill your heart with Wonder Woman’s love and compassion. Any comic that can do that is a true wonder.
There’s a lot that can be said about the “Justice League” movie. Granted, not a lot of it has been good lately. The horrendous critical reception, despite the solid audience reception, has effectively muted the sheer accomplishment of creating this movie in the first place.
It is a hell of an accomplishment, creating a live-action “Justice League” movie just two decades after “Batman and Robin” nearly ruined the genre completely. While the success of movies like “The Avengers” has undermined the novelty of the concept, it still means something to those like me who grew up loving these characters in comics and cartoons.
I could spend multiple blog posts discussing and dissecting the issues with the “Justice League” movie, but I’ll save them for another time. For now, I want to take a moment to highlight an important point that the “Justice League” made, despite all the controversies and shortcomings that hounded it. That point is this.
Wonder Woman is THE most important member of the Justice League.
I know that sounds like something a hopeless fanboy would say, particularly those who enjoy talking about the kinkier elements of Wonder Woman’s history. It’s probably something most Wonder Woman fans would agree with and not give much thought to. However, I’d like to take a moment to make my point, even to those die-hard fans of Superman, Batman, and even Plastic Man. You know who you are.
Even among those die-hard fans, there’s no denying that Wonder Woman is part of DC’s superhero trinity. For decades, Superman, Wonder Woman, and Batman have been the anchor of DC’s entire superhero universe, both in terms of popularity and importance. That superhero foundation is unlikely to change anytime soon.
Most of the time, though, Superman or Batman wield the most influence. Between Batman’s cast of iconic villains and Superman’s iconic status, they have a lot going for them, in terms of influence and depth. I don’t deny the strength of their status, nor do I think Wonder Woman trumps them on every level.
However, I still contend that Wonder Woman is the most important member of DC’s superhero pantheon in terms of impact, theme, and narrative. She may never get as many movies as Batman. Considering she has the same number of movies as Catwoman, though, I don’t think that’s a fair measure of Wonder Woman’s importance.
The reason I believe she is that important has less to do with her role within the world of DC and more to do with how she goes about being a hero and an icon. Her situation is very different from that of Batman, Superman, or any other hero in the DC universe, male or female.
Wonder Woman didn’t enter a flawed world that needs heroes by accident or tragedy. In fact, she had every possible reason to not join that world. Her situation before becoming a hero was as ideal as it gets without ripping off a Disney movie.
She was a princess on Themyscira, a literal island paradise. As the daughter of Hippolyta, she wanted for nothing. She was surrounded by love, support, and luxury of every kind. Who would ever be inclined to leave such a place to begin with? Those who saw the “Wonder Woman” movie remember that her mother did not want Diana to leave and did what she could to dissuade her.
Despite this, Diana still left her paradise home. She chose to enter a world full of gender inequality, oppression, and bad reality TV. She chose to confront all those flaws and fight them, both with her fists and her heart. She didn’t need to lose someone or be forced by tragedy. That alone makes her a greater hero than most can hope to be.
Contrast that with Batman or Superman. Batman became who he is because of tragedy. Crime took his parents so he built his entire heroic persona out of a response to that tragedy. It helped drive him to become the hero he is. It also led to some pretty insane feats, even by comic book standards.
Superman’s heroic persona wasn’t built on quite as much tragedy, but like Batman, he was somewhat guided into the heroic role. From the time he was an infant, these ideals were in stilled in him. Those who saw the classic 1978 “Superman” movie remember the message his father gave him, through the famous voice of Marlon Brando.
Live as one of them, Kal-El, to discover where your strength and your power are needed. Always hold in your heart the pride of your special heritage. They can be a great people, Kal-El; they wish to be. They only lack the light to show the way. For this reason above all, their capacity for good, I have sent them you…my only son.
Whether by accident or luck, Superman ended up with perfect loving parents who helped nourish those ideals in him. Between those ideals and his immense powers, him not being a hero was never really an option.
With Wonder Woman, she didn’t need circumstances or guidance. She chose the path that led her to becoming a hero. She even chose that path when there were obstacles in her way, namely her mother. Beyond that choice, though, Wonder Woman’s heroism takes on an even greater context when you look at how she goes about it.
Superman may be the ideal when it comes to heroic values. Batman may be the ideal when it comes to seeking justice. However, Wonder Woman’s ideals are even greater in the sense that they’re concepts that ordinary people can relate to. Despite all her power, her approach is something that is wonderfully unifying, if that’s not too fitting a term.
She doesn’t just provide a standard with which to measure heroism. She goes out of her way to confront the good, the bad, and the frustrating of the modern world and not always with her firsts.
In the “Wonder Woman” movie, she doesn’t just criticize the attitudes of early 20th century England, which weren’t very progressive to say the least. She smiled and cheered when she saw a woman with her baby. She also went from fighting alongside men on a bloody battlefield to celebrating with them afterwards.
Along the way, she always wore her heart and her emotions on her sleeve. However, they weren’t a weakness, as they’ve been with Superman. They weren’t her primary motivation either, as is often the case with Batman. She channels her emotions and her passions to win over the hearts of men, women, children, and everyone in between. That’s a power that far exceeds anything form Superman’s strength or Batman’s gadgets.
That ability to embrace a flawed world, confronting its ugliness and its beauty, is something that everyone can do and not just Wonder Woman. She just does it better than most and inspires others to join her. She certainly inspired Steve Trevor in the “Wonder Woman” movie. The fact it got Chris Pine naked was just a nice bonus.
It’s an approach she utilizes in every other medium, from comics to cartoons. For those who enjoyed seeing Wonder Woman’s capacity for heart and strength, I urge you to check out the “Justice League Unlimited” cartoon from the early 2000s. There’s no naked Chris Pine, but Wonder Woman still shines in so many meaningful ways.
Every one of those ways comes back to her heart and her willingness to embrace a flawed world with love and compassion. It’s not just about what is right and wrong, just and unjust, or masculine or feminine. It’s about tempering hate and oppression with love and compassion. Those are powerful principles that work just as well in the real world as they do the fictional one.
While those principles might not help the critical reception of “Justice League,” those who’ve seen the movie have likely seen all the ways Wonder Woman uses her heart and her skills to the utmost. It may not convince everyone that she’s the most important member of the Justice League, but I hope it makes a powerful case.
It’s a concept that will likely carry over into future movies in the DC Extended Universe, but has already shown itself to be true throughout the comics, especially in recent years. Superman and Batman have their place and their status among the world of superheroes. However, Wonder Woman’s impact extends far beyond any comic book or movie. It’s an impact that we would all be wise to learn from.
I’ve been obsessing over it. I’ve been anticipating it. I’ve found any possible excuse to talk about it on this blog, including those involving hidden BDSM undertones. If you still weren’t convinced of how excited I was about the “Wonder Woman” movie, then I can’t help you and neither can Superman. Well, after years of waiting and agonizing over the failures of lesser female heroes, it happened. The “Wonder Woman” movie has arrived.
I’ve been following this movie since the release of its first trailer, making it clear along the way that this is one of the most important movies of the past decade. It’s not just an important step towards making us forget about “Catwoman.” It’s an overdue, understated milestone in the growth of female superheroes and female characters in general.
Wonder Woman is, by most measures, the most iconic female character of the past century. She is the standard by which all female heroes, and many female characters in general, are measured. She embodies the ideals of womanhood, generating hope for some and conflict for others. For her to have waited this long to get a movie while Ant Man of all characters got one is a travesty.
However long it took and whatever controversy emerged along the way, including those involving armpits, doesn’t matter anymore. The movie has arrived and I made it a point to see it, despite the crowds and overpriced candy. That leaves just one pressing question that doesn’t need the lasso of truth for an answer.
Is the “Wonder Woman” movie actually good?
Well, I’m here to say as part of my official review that yes. It is good. It’s every bit as good as its Rotten Tomatoes and Metacritic score would indicate. This is not a “Dawn of Justice” type scenario where critics and fans don’t see eye-to-eye. The consensus is clear. “Wonder Woman” is a damn good movie.
What makes it good, though? Well, that’s where it helps to understand the challenge this movie faced, as well as the scope of the story it told. Unlike Batman and Superman, Wonder Woman’s origins aren’t as universally known and again, I’m not just referring to the BDSM elements.
Most people know she’s an iconic female superhero. Most know she’s a warrior princess from an island populated solely by women. Few people actually know the details of that story or the emotional undertones behind it. Even fans of the old Lynda Carter TV series only ever got part of the story.
This movie doesn’t assume that the audience knows the core of Wonder Woman history or what makes her who she is. Patty Jenkins, the director tasked with deciding which assumptions to make, made a concerted effort to explore both who Diana is and where she came from.
The parts about her being a warrior on an island of female warriors is still there. What makes it resonate is how the movie adds emotional elements to the story. There’s an undeniable innocence at first, seeing Diana as a child, running around her paradise island of Themyscira, eager to see more than others allow her to see.
This establishes and important tone for the story and for Wonder Woman’s character, as a whole. Even on an island paradise run by women, Wonder Woman dares to break with tradition and do more than what others would dare. She’s willing to test the rules of the Amazons and the rules of men alike. She is, at her core, a free spirit who seeks out wrongs to right and will step up when others won’t.
This makes her emergence as a warrior all the more meaningful because it gives her the strength and means break with tradition and fight the battles that no one dares. She doesn’t just become strong for the sake of being strong. Her training, her desire, and her capacity to kick ass has purpose. She makes the audience want her to succeed.
That kind of emotional resonance never wanes as the larger conflicts unfold. This is where Wonder Woman’s supporting cast really shines, especially in Chris Pine’s portrayal of Steve Trevor.
It might have been the trickiest part of the movie, handling how Wonder Woman’s long-time companion and frequent love interest, Steve Trevor, was handled. There have been instances in the comics and cartoons where Steve Trevor has been a beta male. There have also been times where he’s just been an glorified nanny to Wonder Woman, trying to keep her on a leash and not in a kinky sort of way.
That doesn’t happen in this movie. Chris Pine’s take on Steve Trevor is one that men and women alike can appreciate. He’s very much his own character who earns the respect of both Wonder Woman and everyone he works with. He doesn’t just show that he’s worthy of Wonder Woman’s affection. He earns it.
It’s probably the greatest accomplishment of the movie. Wonder Woman’s partnership with Steve Trevor and his allies is all about complementing one another, not hindering one another. Trevor isn’t just some man trying to put Wonder Woman in her place. He and his friends try to guide her through the conflict, doing their part whenever they can and letting Wonder Woman do hers.
Those looking for a movie that shows Wonder Woman attacking male oppression and exposing men for the pig-headed brutes they are will be disappointed. There are heroic men and villainous women in this movie. There’s no gender agenda at work here. There are times when gender dynamics are explored, but it’s never done with the impression that one is worse than the other.
The movie gets the message and the dynamics right. It gets the characters and their personalities right. Needless to say, Gal Gadot gets Wonder Woman right and looks absolutely stunning in that outfit in every single frame. On top of that, the various fight scenes and acrobatics that go with any hardened Amazonian warrior are a spectacle to behold.
It checks so many boxes. It has so many satisfying moments from beginning to end. There are moments of humor, including those of the crude, sexual kind. Chris Pine even gets naked at one point. Granted, he’s no Hugh Jackman, but I think most heterosexual women and gay men will be happy with what they see.
So are there any issues with this movie? Is “Wonder Woman” the most flawless work of cinema since “Godfather II?” Well, this is the part where I have to be somewhat petty because this movie isn’t perfect. It does have some flaws, but none of them are overly egregious.
If there are any shortcomings, it’s in the limited time it spends exploring Themyscira and its culture. There is some time spent on the mother/daughter dynamics between Wonder Woman and her mother, but it feels somewhat minimized, as do the rest of the Amazons. Many do get to shine in a few fight scenes, but none get a chance to be all that memorable.
There’s also the matter of the mythology behind the main conflict. Wonder Woman has always drawn heavily from Greco-Roman Mythology, so much so that it fuels a great deal of Wonder Woman’s iconic stories. However, the mythology in this movie is fairly flat and streamlined. It presents a very simple, bland view of the gods that are so integral to the Amazons. It feels like an oversight, but one that doesn’t derail the story.
Overall, I would not proclaim “Wonder Woman” to be the greatest superhero movie of all time. I would still put movies like “Deadpool” and “The Avengers” above it, but not by much. It is still very much in the top echelon of superhero movies. It is also groundbreaking in that it is the first female solo movie that succeeded where too many others have failed.
It’s impossible to overstate how critical this movie was for DC Comics, Warner Brothers, and superhero movies in general. “Wonder Woman” had so much riding on it from the get go, but it succeeded. It rose to the challenge. Much like Wonder Woman herself, this movie dared to defy convention and do something special.
If I had to score this movie, I would give it a solid 4.5 out of 5. It has all the right elements. It’s concise, compelling, and satisfying. It is a wonder unto itself. It was a long time coming, but like so many things, it was worth the wait.