Tag Archives: Wonder Woman

Jack Fisher’s Top Five Romance Comics

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I love comics. I love romance, too. When you put them together, it’s like putting bacon on pizza. It takes two inherently wonderful concepts and combines them, thereby compounding everything that makes them awesome.

I talk a lot about comics and romance. I’ve cited certain relationships that stand out in the current romantic landscape and praise certain comics that raise the bar for romance between superheroes. I think I’ve made the extent of my fondness for both fairly clear. Now, I’d like to offer some specifics.

For a while now, I’ve gotten comments and emails from people asking for recommendations of good romantic comics. I feel like I’ve contemplated this enough to craft a list of the comics I feel have the most to offer in terms of romance. While there are plenty of comics that cater specifically to romance, I’ve left those out in favor of those that offer a broader story that general comics fans can also appreciate.

What follows are my top five picks for the best romance comics. Please note that this is a personal list. I don’t wish to imply that this ranking is definitive. These are just my hand-picked comics that I feel offer the perfect blend of love and comic book level awesome.


Number 5: Spider-Man Loves Mary Jane

This sweet, fun little series from the mid-2000s is one of Marvel’s more underrated gems. There’s a lot of drama, angst, and frustration surrounding the romance between Spider-Man and Mary Jane Watson. I’ve cited some of the “complications” these two have endured on more than one occasion.

This series basically avoids all of that and doesn’t rely on elaborate retcons to do it. The story is less about Spider-Man and more about Mary Jane Watson. Specifically, it’s about a young, pre-supermodel Mary Jane Watson who hasn’t quite become the gold standard for sex redheaded comic book characters. That’s critical to what makes this series so great in terms of story and romance.

For once, Peter Parker being Spider-Man is secondary. That story is unfolding behind the scene, but the real drama comes directly from Mary Jane. She’s at an age where she’s blossoming into a beautiful young woman, but still figuring herself out. She’s not sure of what she wants, how to love, or where she fits into this crazy world. On every level, she’s far more relatable than any superhero.

As she navigates that world, she makes touch choices and even a few mistakes. More than anything else, though, this series shows how and why Mary Jane came to love Peter Parker so much. It doesn’t rely on overt sex appeal or excessive heroics. The story focuses entirely on chemistry and growth.

On paper, it sounds like something that shouldn’t work in a superhero comic, but it totally does. It’s a romance story that’s balanced and well-developed. It also isn’t too mature. Anyone from age 8 to 80 can appreciate the romance here. On top of that, Takeshi Miyazawa’s artwork is gorgeous, bringing light and heart to a romance that badly needs it.


Number 4: Rogue and Gambit

This is a very recent entry on my list, but one that did more than enough to justify its position. Over the course of five issues, “Rogue and Gambit” accomplished something extraordinary. It took a well-known romance that had been deconstructed, denigrated, and mishandled for years and effectively rebuilt it into something truly uncanny.

Kelly Thompson, one of Marvel’s rising stars, took the baggage surrounding the Rogue/Gambit relationship and channeled it in a way that felt both rewarding and sincere. It starts as an undercover mission, but evolves into some overdue couple’s therapy. Thompson doesn’t ignore all the factors that kept them apart. She even lets them argue and agonize over them.

In doing so, this series presents this romance as one you won’t find in any fairy tale. This isn’t a case of star-crossed lovers destined to be together. It’s a romance in which the two people involved have to really work at it. They have to confront their flaws, their failures, and all the excuses they’ve made to avoid their feelings. It gets ugly, but beautiful at the same time.

I would go so far as to cite this series a template for how a modern superhero romance can work, even without an iconic legacy. The Rogue/Gambit romance isn’t ideal, but that’s exactly what makes it so enjoyable and endearing. These are flawed characters who have both found themselves playing villainous roles at some point in their history. Them coming together despite all that just feels so right.

The only reason this series isn’t higher on my list is because it’s so recent. It’s also still evolving through a companion series, “Mr. and Mrs. X.” I’ve reviewed and praised that series too, but it wouldn’t be possible without this series. Whatever complications the Rogue/Gambit relationship faces in the future, this series will remain one of its most defining moments.


Number 3: The Adventures of Cyclops and Phoenix

I’ve made no secret of how much I love the romance between Cyclops and Jean Grey. I’ve cited them as one of those uniquely special relationships that is both iconic and balanced, a rare combination for a romance that has been unfolding for over 50 years now. While they’ve endured plenty of tribulations, complications, and retcons along the way, they remain iconic for a reason.

This series from the late 1990s is a testament to just how strong their romance can be when retcons, cosmic forces, and terrible love triangles are set aside. At their core, Cyclops and Jean Grey are two people don’t just want to love each other. They want to create a better world for their friends, their family, and their future children. They get to do all of that and then some here.

Much of the story takes place in one of the many dystopian futures that plague the X-men, namely one ruled by Apocalypse. It puts Cyclops and Jean in a position where they can’t fall back on their fellow X-men or the support of other superheroes. They have to navigate this wasteland of a world with only each other to fall back on. It’s a true testament to the strength of their relationship.

As the title implies, though, the story emphasizes the adventure more than the romance. While there are plenty of sweet moments between Cyclops and Jean, their relationship is not the primary focus. It’s certainly a factor driving them forward, but the meat of the story is how it drives them through the conflict. If you enjoy adventure with your romance, then this is definitely the series for you.


Number 2: Superman and Wonder Woman Volumes 1 and 2

Yes, I know Superman and Lois Lane are still considered the most iconic superhero couple of all time.

Yes, I know there’s an extremely vocal contingent of Superman fans that believe there’s something missing whenever he’s not with Lois.

No, I do not care. That’s because the run on this series by Charles Soule and Tony Daniel really raised the bar for just how great a romance can be for these two iconic characters.

There’s a lot I can say about the romantic potential between Superman and Wonder Woman. It would probably take me multiple blog posts and several essays to adequately describe what sets it apart from Superman’s relationship with Lois and why it works so beautifully. Thanks to this series, though, I don’t need to do that.

This particular series takes place during the controversial, but endearing New 52 era of DC Comics. During this strange, but amazing period of DC Comics, Superman and Lois aren’t married. They know each other, but they aren’t romantically involved. That opens the door for Superman to explore a relationship with Wonder Woman. However, this series makes clear that this romance is no gimmick.

They’re not forced together, nor is it presented as a gimmick. From the very beginning, as well as the events that led up to it, there’s a distinct sense that Superman and Wonder Woman find one another during tenuous times in their lives. They’re two powerful characters making their way through a world in which they feel isolated. When they’re together, though, they’re at their best.

This story brands them as a power couple and they do plenty to earn it. Together, they face threats from alien tyrants and renegade Greek gods. Their worlds collide, but they guide each other through. They make each other stronger. They make each other better. They fight as individuals and as equals. If that’s not the definition of a power couple, I don’t know what is.

Again, if you’re a die-hard supporter of Superman and Lois, that’s fine. This series does nothing to undercut that. However, it does plenty to prove that Superman and Wonder Woman can share a powerful romance, literally and figuratively. Even after DC has undergone extensive retcons and reboots, this series still captures the power of that romance in the best possible way.


Number 1: Saga

This is probably a controversial selection for those who aren’t familiar with this series. It doesn’t involve superheroes. It’s not a product of Marvel or DC Comics. It’s an entirely different world full of bizarre creatures that include talking cats, a humanoid seal, and an entire race of beings with TVs for heads. I swear I’m not making any of that up.

However, at the heart of this amazing series by Brian K. Vaughan and Fiona Staples is an amazing love story between two characters from warring worlds. That love is very much the driving force between all the conflict and the characters that get caught up in it. It’s one of those romances that has every conceivable force working against it, but it still happens and it’s downright beautiful

Alana and Marko aren’t Superman and Lois Lane. They’re not even Rogue and Gambit. They’re not exactly heroes trying to live up to an ideal. They’re soldiers in a war between two worlds, but they somehow find each other, fall in love, and create a family together.

It’s not a fairy tale romance, though. Their romance involves more than a few explicit sex scenes, as well as a scene where Alana gives birth to their daughter. Nothing is filtered or polished. The sexy and unsexy parts of their relationship is laid bare within a world that is full of fanciful characters and locales.

It’s a genuinely epic journey, but one that all comes back to the romance between Alana and Marko. No matter what kind of romantic you are, these two find a way to check the right boxes. There are many moments of passion, sorrow, and loss. There are also plenty of moments that are funny, cute, and endearing. It has everything a great romance needs and then some.

I should offer a fair warning, though. You will get attached to these characters. You will feel it during certain moments. As a self-professed romantic, I can safely say that it’s worth the risk.

There you have it! These are my top five selections for romance comics. I’m sure some will disagree with my selections. The list may even change as other great romance comics emerge in the coming years. That’s perfectly fine and I welcome any debates on my list.


Romance is in every medium and comics are no exception. I would even argue that the romance in comics is under-appreciated and under-valued. As the genre continues to evolve, I have a feeling that’ll change and I hope to be part of that change.

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Filed under Comic Books, Jack Fisher, Superheroes, Marriage and Relationships, romance, sex in media, superhero comics, X-men

My Top Six Non-Canon Comic Cook Romances Of All Time

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This has been a rough summer for fans of superhero comics, romance, and weddings. For a fan like me, this summer couldn’t have been rougher without adding a broken air conditioner to the mix. Between the depressing outcome in X-men Gold #30 and the disappointment in Batman #50, this summer has been a one-two punch to the heart.

While it’s pretty disheartening, I’m not totally discouraged. Being the admitted romantic I am, I believe love will eventually win out. I know that sounds corny and ripped right out of a Disney movie, but wouldn’t put so much energy into so many sexy love stories if that belief weren’t sincere.

Even so, I feel as though the current mood surrounding romance and superhero comics has a lot of room for improvement. Mr. and Mrs. X #1 was a good start, but only to a point. There’s only so much that I can do as a fan, aside from buying comics that depict quality romances with great sex appeal. Beyond that, my influence is limited.

As such, I’m going to take a moment from complaining about the current state of love in superhero comics and try a little exercise in romantic imagination. By that, I mean I’m going to contemplate the romantic potential of superheroes that will probably never cross paths, due to rights issues and belonging to different publishers.

It’s a sad fact of life and copyright laws that Marvel characters cannot interact with DC characters. However, that doesn’t mean certain characters don’t have romantic potential. In fact, I believe some have more potential than they do with anyone in their current continuity.

What follows is my personal list of the top six non-canon superhero couples. Not every couple on this list is a Marvel and DC character paired together, but given how many iconic characters those two companies control, it’s somewhat unavoidable. Also, please keep in mind that this is just my list. It is by no means definitive. This is just something meant to inject a little romance into a summer that badly needs it.


Number 6: Black Panther and Vixen

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When it comes to healthy romance, it helps when two people share the same quirks. Whether that’s wine tasting or underwater basket weaving, having similar distinctions go a long way towards helping a couple thrive. It’s for that reason that I believe Black Panther and Vixen have the quirks/kinks to make a romance that’s both functional and sexy.

Black Panther’s star has risen quickly thanks to a billion-dollar movie, but his romantic history has been somewhat stagnant. His brief, but bland marriage to Storm of the X-men came off as a gimmick rather than a relationship. While he has chemistry with Nakia, it’s only the very general kind.

That’s where Mari “Vixen” MaCabe sets herself apart. Her powers, abilities, and personality is largely driven by her connection to animal spirits. It’s very similar to the connection that Black Panther has with Wakanda’s native deity, Bast. Being connected to animal spirits and having a fondness for jungle-themed costumes gives these two a unique connection that they haven’t had with their in-universe love interests.

I believe these two would complement each other in unique ways. Vixen is cunning and charismatic. Black Panther is strong and diplomatic. Alone, they’re both pretty strong. Together, they’re even stronger and much sexier.


 Number 5: Dr. Strange and Zatanna

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This is another instance of two people having shared interests, but with Dr. Strange and Zatanna, it goes deeper than that. These two are some of the most recognizable mystical characters in their respective worlds. Dr. Strange is the Sorcerer Supreme in Marvel and Zatanna is one of the most skilled magicians in the DC Universe. Together, their magic can be pretty potent, literally and figuratively.

However, it’s not just because of their mystical skills that I believe they would be good together. In their respective universes, both characters struggle to maintain even a semi-functional relationship. Zatanna often finds herself on the outside looking in with love interests like Batman and John Constantine. Dr. Strange has never had much of a love life outside Clea, who is almost always relegated to a supporting role.

Zatanna is not the kind of woman who is content with a supporting role. She’s someone who fights alongside Batman and the Justice League. She can handle the crazy mystical threats that Dr. Strange deals with on a regular basis.

For Dr. Strange, he finally has someone who can deal with his attitude and arrogance, which is a tough barrier for any potential love interest. Again, Zatanna dealt with Batman. Any woman who can deal with Batman has an edge. The fact she isn’t afraid to show her legs off and be a bit more playful with her magic also helps.

More than anything else, Zatanna is someone who could make a man like Dr. Strange smile while he works. That, in and of itself, is a kind of magic that helps any relationship.


Number 4: Batman and Sara Pezzini (Witchblade)

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This one kind of breaks the mold because it doesn’t pair a Marvel character with a DC character. Sara Pezzini, also known as the bearer of the Witchblade, is not a Marvel character. She’s a product of Top Cow Productions. She comes from a very different world compared to Batman, but that world makes her uniquely equipped to handle being Batman’s lover.

Batman requires that a romance be complicated and prone to tragedy. Few women can handle that. While Catwoman came very close to making it official, it’s a testament to just how tortured Batman is in his love life, among other things.

For Sara Pezzini, that’s exactly the kind of man who brings out the best in her. Unlike Catwoman, Sara was never a thief. She’s a cop and a very dedicated cop. Throughout her long-running series, she defines herself as the kind of hard-nosed, tough-as-nails person who doesn’t hesitate to run into the crossfire of a gang war or a demon army.

Beyond just being a cop, Sara deals with far larger problems that come with being the bearer of the Witchblade, an ancient weapon that tends to attract insane threats, even by NYPD standards. Batman already deals with homicidal clowns and thugs who are half-crocodile. They can handle the craziness in each other’s lives.

More importantly, though, Sara can do something that so few women have ever done for Batman. She can complement him as both Bruce Wayne and Batman. As a cop, she can actually help Batman’s efforts to fight crime in Gotham. He can, in turn, help her deal with the supernatural horror shows that tend to follow her, as only Batman can.

On nearly every level, Batman and Sara Pezzini make each other better. They’re the kind of couple that can work together and be together. That kind of romantic combination is potent. Plus, Sara Pezzini’s hardened attitude might actually help Batman crack a smile every once in a while.


Number 3: Superman and Captain Marvel (Carol Danvers)

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This is probably the most controversial pairing on this list because Superman has one of the most iconic romances of all time with Lois Lane. Carol “Captain Marvel” Danvers, on the other hand, has no relationships that even come close, even if you take into account her affair with alcohol.

The reason I believe these two would forge a powerful romance is because Carol Danvers embodies the best traits of both Lois Lane and Wonder Woman. She’s a skilled fighter like Wonder Woman, having trained in the military and fought in interstellar wars. She’s also uncompromising in her pursuit of truth, much like Lois Lane.

Beyond just having the best traits of two iconic women, Carol brings something else to the table. Unlike Superman, she wasn’t born with her powers. She got them in an accident that merged her DNA with that of an alien. At the heart of her story, she’s a human who becomes an alien. Superman, by contrast, is an alien who becomes human.

That unique dynamic, the struggle between being alien and human, is something that Superman has never been able to share with either Lois or Wonder Woman. Someone like Carol could both help him through that journey and fight by his side. She’s tough enough to go up against anything, be it a mad Titan or an evil super-genius billionaire.

Superman is, at heart, an ideal. He’s an icon because he sets an impossible standard for others to aspire. Carol Danvers defines herself by doing the impossible and fighting for it every step of the way. That shared struggle can create the kind of love that empowers two already powerful characters.


Number 2: Captain America and Wonder Woman

This one is probably the most logical pairing on this list. In fact, Captain America and Wonder Woman are probably the one instance where their potential is greater than that of any in-canon romance and it’s not just because their movies were so similar.

Captain America and Wonder Woman are ideal love interests because they both represent the best of their respective worlds. Captain America is the embodiment of the American spirit of freedom and justice, reality-warping retcons aside. Wonder Woman is the personification of womanhood, compassion, and a warrior’s spirit. They both set high standards and pride themselves on achieving them at every turn.

It’s a standard that Steve Trevor never achieves, despite being Wonder Woman’s primary love interest. With all due respect to him and Chris Pine, he’s not on Captain America’s level. In fact, Captain America is the kind of guy Steve Trevor aspires to be, but never achieves. That elevates him in terms of how he relates with Wonder Woman.

Beyond just showing Wonder Woman the best a man can be, Captain America can hold his own better in a drawn out battle. He may not have Wonder Woman’s level of powers, but he’s also a man who regularly fights alongside the likes of Thor and Hulk. He’s not just capable of working with demigods. He actually leads them. It’s easy to see why Wonder Woman would fall in love with a man like that.

On Wonder Woman’s side, she can do more than just punch the Red Skull harder than most women. She’s the kind of woman whose compassion and love of justice is second to none. Even though she’s not American, she embodies many of the American principles that Captain America champions. She may very well be the only woman he can love as much as his country.


Number 1: Deadpool and Harley Quinn

This one was a no-brainer. In terms of sheer sex appeal and romantic compatibility, Deadpool and Harley Quinn are in another league on top of being from different comic book worlds.

I don’t think I need to say much about Deadpool’s eccentric tastes in romance. Between his overtly raunchy movie and the fact he married a succubus in the comics, the man isn’t just attracted to crazy. It’s practically an omega-level fetish for him. In terms of crazy, sexy, and all the weird fetishes that go with it, Harley Quinn checks every box.

Beyond her fondness for clown makeup and obscenely short pants, Harley has always been defined by her love with madness. Love is what drove her into a world of villainy when she crosses paths with the Joker. While that relationship has many quirks, plenty of which are quite unhealthy, it shows that Harley loves men who aren’t bound by sanity.

Deadpool wouldn’t just fill her crazy quota and then some. He would offer her the healthy kind of crazy. He’s the kind of guy who reserves gratuitous violence to those who deserve it and that has been a major struggle for Harley for much of her history. He wouldn’t just be able to carry her through that struggle. He’d make her laugh just as much as the Joker and with only half the property damage.

Unlike the Joker or a succubus, Harley and Deadpool are also the kind of relationship that would have a level of sex appeal that is literally crazy. Beyond Harley’s love of skin-tight clothes and Deadpool’s “super penis,” these two would know how to have fun and blow things up, in and out of the bedroom. With these two, you never have to worry about things getting boring.


There you have it. That’s my list for the best non-canon comic book couples. I imagine this list will cause some disagreements. That’s okay and I welcome further debate on the issue. If you think there are other couples I should add to the list, please let me know. This is a rich and sexy topic that’s ripe for discussion.

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Filed under Comic Books, Jack Fisher, Superheroes, Jack Fisher's Insights, Marriage and Relationships, romance, Wonder Woman

The Emerging Problem Of Superman And Lois Lane

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I think I’ve made it fairly clear that I’m a big fan of superhero romances. I’m a big fan of romance in general, but romance between superheroes has a special place in my heart. I was a comic book fan before I was a romance fan. As the years have gone by, it has been among my favorite combinations. I put it up there with pizza and a cold beer.

It certainly helps that superhero comics have inspired some of the most iconic romances of the past century. Say what you will about Rose and Jack in “Titanic.” I still find the love story between Batman and Catwoman is much more complex and compelling in terms of depth, not to mention many times sexier.

Superhero comics have informed a lot with respect to my fondness for romance. I also think they offer unique insights into the complexity of romance. Love is complicated enough. Adding superpowers and super-villains into the mix only compounds the drama. Sometimes it can end in tragedy. Sometimes it can make for some truly epic romance that strikes all the right emotional chords.

In some instances, though, mixing romance and superheroes can cause problems. Like relationships in the real world, there are many ways to screw it up. Comics have done plenty to mishandle romance. Just ask any Spider-Man fan about a story called One More Day and watch them recoil with disgust. I’ve even noted a few examples.

However, there are some instances where romance in superhero comics cause unique problems that are subtle in substance, but vast in implications. It doesn’t always involve relationships that are inherently toxic to multiple characters. Sometimes, those problems can emerge in even the most iconic relationship.

In the pantheon of superhero romances, the top spot is usually reserved for Superman and Lois Lane. In terms of romance in superhero comics, they are the gold-encrusted diamond standard by which all others are measured. Their love is isn’t just iconic. It’s a foundational component for both characters.

Superman loves Lois Lane. Lois Lane loves Superman. That romance is established in the pages of Action Comics #1. It’s a critical part of how both characters evolve over the years. You can’t tell Superman’s story without Lois Lane and you can’t tell Lois Lane’s story without Superman.

In the same way Superman always does the right thing and Deadpool always makes the dirtiest joke, this dynamic is fundamental. It establishes the kind of romance that is pure, unconditional, and uncorrupt. There’s no need for a previous love interest to die or a love triangle to provoke drama. Superman and Lois Lane just love each other and that’s all there is to it.

However, even with a romance this iconic, there is a problem and it’s actually a very recent problem. It affects both Superman and Lois Lane, but I believe it affects Lois to a much greater extent. It stems from an issue that I’ve been noticing more and more lately with certain romances. When it shows up in the most iconic romance in the history of comics, though, I take notice.

The nature of the problem has less to do with love and more to do with how a relationship defines certain characters. In both fiction and real life, it’s common and even romantic for two people to become so close that their lives become heavily entwined. There comes a point, though, where it stops being romantic and starts being destructive.

For most of their history, Superman and Lois Lane’s romance was built around simple, but effective dynamics. Lois Lane loved Superman, but not Clark Kent, who she didn’t know was Superman. Superman kept his identity from her to protect her many years, which created plenty of tension and made for some great moments.

Eventually, Superman reveals his identity to Lois and they eventually get married. I remember that moment. It was an amazing milestone for both romance and comics lore. The problem only came when that dynamic was complicated by a new theme that has since permeated the narrative.

It didn’t start at any particular date, but I think “Superman Returns” marked the unofficial turning point. That movie, on top of turning Superman into a deadbeat dad, made a small, but critical tweak to the Superman/Lois romance. In essence, it turned their love from a strength to a liability that is detrimental to the ideals of Superman and romance, as a whole.

At the beginning of that movie, Superman’s actions are the same as they’ve always been. He does the right thing because it’s the right thing. That’s who he is and why he’s so iconic. Towards the end, though, what he does becomes less about doing the right thing and more about resolving his relationship with Lois Lane.

Suddenly, doing the right thing and saving Lois aren’t just supplementary plots. They’re indistinguishable. One is the other and that’s a problem for reasons that go beyond romance and heroism. It wouldn’t have been that big an issue if it had only played out in one sub-par Superman movie, but in recent years, the problem has escalated.

It manifested in its most overt form in “Injustice: Gods Among Us,” a video game with a comic book series tie-in that essentially provides a worst-case-scenario for Superman. In this story, Superman is tricked into killing both Lois and his unborn child by the Joker. It’s not just an atrocity and a tragedy. It fundementally breaks Superman.

I’m not just referring to his spirit either. The death of Lois Lane also marked the death of Superman, as an ideal. In both the game and the tie-in comics, he’s no longer a hero. He’s a tyrant who becomes everything he once fought against. I wouldn’t go so far as to call him a villain, but he’s definitely not the beacon of goodness that so defines his character.

While it makes for a powerful story, the particulars of that transformation are profound and not in a good way. It implies that Superman’s heroism is directly tied to Lois Lane and not supplemented by it. If she dies, then Superman ceases to be that iconic hero who stands for truth and justice.

That sends the message that Superman’s love for Lois Lane isn’t a strength. It’s a crutch. She’s not just his connection to humanity. She’s his lifeline. Beyond putting a burden on a character whose appeal is her ambitious pursuit of truth, it reduces Lois Lane to a singular role and one that’s impossible to maintain.

Unlike Superman, Lois is human. She’s going to age. She’s going to eventually die. Under this dynamic, Superman will eventually lose sight of his ideals. He’ll eventually stop being the hero that fights for truth, justice, and the American Way. Without Lois, he’s destined to give up and for a character who once moved the sun, that’s pretty weak.

This issue came up again in the plot for “Batman v. Superman: Dawn of Justice.” While I enjoyed the movie and don’t think it deserved half the criticism it got, there was one major issue that I felt undercut the story. Once again, it came back to Superman’s relationship with Lois.

Throughout the movie, Superman constantly questions his role and responsibilites as a hero, especially after seeing Batman’s approach to pursuing justice. That’s perfectly appropriate with respect to humanizing his character, but at the end of the day, he bases much of his decision to save the day around saving Lois.

That’s not to say that there isn’t merit to saving a lover, but this is Superman we’re talking about here. This is a hero whose entire appeal is built around him having god-like power, but still doing the right thing. When the right thing is only ever in the context of saving his girlfriend, then that undercuts both the ideals and the romance itself.

It’s largely for that reason, among others, that I find the romance between Superman and Wonder Woman more compelling. Back in 2012, there was a brief period in DC Comics where the timeline was tweaked, which happens fairly often, and Superman’s marriage to Lois Lane was nullified. That gave these two iconic heroes a chance to be together.

I could probably write several more articles about why I think the Superman/Wonder Woman romance is special in its own right. In many respects, I think it’s healthier than the Superman/Lois Lane relationship. It may never be as iconic, but it fundementally avoids this problem.

Wonder Woman can take care of herself. She can save herself and be a hero on her own terms. Lois Lane, however, is becoming more and more defined by how she defines Superman. For the most iconic superhero couple of all time, that’s pretty shallow.

The recent comics have done little to address this issue. With yet another tweak to the timeline, Superman is back with Lois. They even have a child now. However, the nature of their relationship is still on uncertain ground. I still feel it lacks the complementary dynamics that made it work so well for so many years.

There’s a chance it could change. Given the fickle nature of comic book continuity, it’s very likely that the Superman/Lois Lane dynamic will continue to evolve. However, I think it’s going in the wrong direction if Superman’s reasons for doing the right thing are that dependent on Lois.

Whether or not this problem deepens or subsides remains to be seen. Superman and Lois Lane are still the most iconic romance in the history of comics. That will continue to hold true, even if the problem deepens. Superman and Lois Lane are great characters in their own right. That aspect cannot and should not get lost under the weight of their iconic romance.

As much a romantic as I am, I don’t deny that it is possible for a love story to go too far. Loving someone and being dependant on them are not the same thing, especially when superpowers get involved. If a relationship becomes too dependent, then it can be more damaging than a mountain of kryptonite.

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Filed under Comic Books, Jack Fisher, Superheroes, Marriage and Relationships, romance, superhero movies

How To Disappoint (But NOT Destroy) An Iconic Romance In Batman #50

688356-_sx1280_ql80_ttd_It’s been a rough summer for fans of romance, superheroes, and superhero weddings. In fact, in all the years I’ve been reading comics and following romantic sub-plots, I can’t remember a time when there was this much melodrama and heartbreak. I understand that any epic romance is going to involve a healthy bit of emotional strain, especially when it involves superheroes. There comes a point when it just becomes too much.After the deconstruction and denigration of superhero romance that unfolded in X-men Gold #30, I feel like we’re dangerously close to that point. It’s as though everyone involved in making superhero comics is admitting that superheroes can’t get married. They can’t have a functional, compelling romance and still be interesting.That sort of sentiment is basically an affirmation of Marvel’s justification for undoing Spider-Man’s marriage to Mary Jane Watson in the infamous One More Day story. Given the relative infamy of that story line and the recent upheaval with the X-men, many fans of both superheroes and romance were placing a lot of hope that the wedding of Batman and Catwoman could help stop the bleeding in Batman #50.I certainly counted myself among those who was very excited about this event. I even admit I really wanted this to make up for the disheartening outcome of X-men Gold #30. The romantic in me wanted at least one superhero wedding this summer that didn’t end in heartbreak or tragedy.Well, if you saw the same spoilers in the New York Times that I did just two days before Batman #50 came out, you already know that’s not what happened. Bruce Wayne and Selina Kyle did not get married. That means in terms of superhero weddings, the summer of 2018 is now 0 for 2.However, that outcome did not compound my lingering disappointment from X-men Gold #30. I’ll even go so far as to say that Batman #50 didn’t send the state of superhero romance past the point of no return. It didn’t improve the state of affairs. It was disappointing, but not to the point where it damaged a story or a romance beyond repair.Before I explain, I want to establish that many of the details beyond this point are heavy spoilers. Seeing as how this comic was already spoiled a couple days prior to its release, much to the chagrin of comic retailers, I don’t think I need to place too many warnings. I still recommend that people buy the comic, but there’s more going on here than a wedding that didn’t happen, much more so than what we saw in X-men Gold #30.By nearly every measure, Batman #50 approaches the concept of a superhero wedding differently than X-men Gold #30. The wedding of Kitty Pryde and Colossus was set up as this big, momentous affair between an established couple that overcame a lot just to have the opportunity to get married. They brought in friends, family, and fellow superheroes from across the X-men comics.In contrast, the ceremony in Batman #50 was very small. In fact, there wasn’t much of a ceremony to speak of. The only ones who were present besides Batman and Catwoman were Aflred, Bruce Wayne’s butler and long-time confidante, and a lone judge who was already drunk so that he wouldn’t remember his or Catwoman’s identity. Batman always has a plan for that sort of thing. That’s why he’s Batman.On top of that, Batman is the one who proposed to Catwoman back in Batman #24. He’s the one who pitched the idea of getting married in the first place. That’s critical because Kitty Pryde was the one who proposed to Colossus in X-men Gold #20. That matters because she’s also the one who broke it off and at the last second, no less. Things were a bit less cruel in Batman #50 and that’s saying something for a Batman comic.At one point in the story, Batman makes clear that he still wants to marry Catwoman. He’s not having second thoughts. It’s Catwoman who makes the fateful decision to break it off and she doesn’t wait until half-way through the ceremony, either. To put that another way, an admitted jewel thief who enjoys having sex on rooftops showed more decency than Kitty Pryde on her failed wedding day.It’s not a public spectacle that turns into an equally public debacle. It’s a private affair that simply doesn’t pan out. There’s no awkward reception. There’s no attempt to salvage it by shoehorning another romance into the mix just so someone gets married, as though such romances can be swapped out like batteries. It just doesn’t happen.Moreover, Catwoman actually gives a reason for not going through with the wedding and, unlike Kitty Pryde, it’s not a wholly contrived. She establishes throughout Batman #50, through a series of montages documenting their romance over the years, why she loves him and why he’s such an effective hero. In the process, she reveals something profound about Batman.What makes Batman both effective and iconic is how he takes the pain of a tragedy, namely the death of his parents, and turns it into strength. The same pain that would break a lesser man drives him to do so much more. He’s the Dark Knight who defends Gotham. He’s a hero who deserves to fight alongside demigods and aliens on the Justice League. For him to be Batman, he needs that pain to fuel him.From Catwoman’s perspective, Batman finding happiness means denying him the fuel he needs to be Batman. That’s not a realization that just randomly pops into her mind at the last second, though. This is something the Joker actually points out to her in Batman #49. It has less to do with whether or not she loves him and more to do with him being the hero that Gotham needs.That doesn’t make Catwoman’s decision any less disappointing, but it’s still nowhere near as callous or selfish as Kitty Pryde’s decision in X-men Gold #30. I know it’s somewhat unfair to keep comparing the two, given the different circumstances of their relationship, but those distinctions highlight an important element that the failed Batman/Catwoman wedding has that the Colossus/Kitty Pryde wedding didn’t.What happens in Batman #50 is definitely a setback for Batman and Catwoman’s relationship, but it doesn’t fundamentally destroy it. In fact, there’s a very critical detail at the end of the issue that leaves the door open for this romance to keep evolving. I won’t spoil it, but it unfolds in such a way that makes romance fans like me want to root for this relationship.The same definitely cannot be said for the Colossus/Kitty Pryde relationship. After the way things played out during their wedding, it really feels as though their romance is damaged beyond repair. It’s no longer a love story. It’s an outright tragedy, one that would need an even greater contrivance to repair at this point. In a universe with shape-shifting aliens, though, that’s not wholly unfeasible.In the grand scheme of things, Batman #50 is still disappointing in the sense that it doesn’t let Batman and Catwoman take their love story to another level. In fact, not a whole lot changes. The way it plays out feels more like a setback rather than a tragedy. The writer of the comic, Tom King, even claims it’s just part of a much larger narrative between Batman and Catwoman.How that story will play out remains to be seen. Given how long it took Batman and Catwoman to get to a point where they try to get married, Batman #50 already gives the impression that their romance is being dragged out. For a couple who has been off and on again since the 1940s, that’s saying something.If I had to score Batman #50, as both a comic book fan and a romance fan, I’d give it a 6 out of 10. It’s a bit of a letdown, but it’s not nearly as soul-crushing as X-men Gold #30. It still leaves the state of superhero romance in a very precarious state, but at the very least, this book gives me reason for hope.I’ll still be very skeptical of any future superhero wedding for the foreseeable future, though.

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Filed under Comic Books, Jack Fisher, Superheroes, Marriage and Relationships, romance

The following is a review I wrote for PopMatters for Justice League #1. Enjoy!

Justice in Its Totality: Justice League #1

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June 12, 2018 · 9:43 pm

The following is a review I wrote for PopMatters for Wonder Woman #46. Enjoy!

Dark Connections and Darker Divinity in ‘Wonder Woman #46’

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May 11, 2018 · 10:00 pm

Why Superman Is An Icon And Why He Still Matters After 80 Years

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Take a moment and think about how many artifacts of popular culture have endured for 80 years. Even if you’ve got an extensive knowledge of culture or just spend a lot of time browsing Wikipedia, it shouldn’t take long to realize how short that list is. That makes the icons on that list all the more endearing.

Near the top of that list is Superman. Even if you’re not a comic book nerd and can’t stand to watch more than five minutes of a superhero movie, it’s impossible to deny the special place Superman has in our culture. He’s not just a comic book character. He’s not just a superhero either. He’s in a league of his own that transcends any one genre.

That became abundantly clear this past week when Superman celebrated his historic 80th anniversary with the release of Action Comics #1000. As an admitted comic book fan who goes out of his way to explore the deeper messages and implications of comics, this was a pretty big deal for me.

Now, I don’t consider myself as big a Superman fan as I am an X-men fan. I like to think I’ve made my love of X-men quite apparent on this site. However, I still enjoy my share of Superman content. Beyond the comics, I grew to love Superman through his animated series and the Justice League cartoon that was produced by Bruce Timm. To date, those and the Richard Donner “Superman” movie are the definitive Superman for me.

As much as I love those incarnations, though, I understand that Superman’s history is much broader than that. A character doesn’t endure for 80 years without having a rich history and Superman certainly has plenty of that. In that history, he’s evolved a lot in terms of style and portrayal. From battling Nazis in the early 1940s to ditching his iconic red trunks for a while, Superman has had his share of reinvention over the years.

Through all these changes, though, Superman has always embodied a specific set of ideals that helps cement his status as an icon. From his earliest days to his most recent movie version, Superman at his core is an inspiration. He’s epitomizes just how good a hero can be and how profoundly he can influence others.

Some call him the ultimate Boy Scout. Some call him the perfect goody-two-shoes. Some even go so far as to claim that his nauseatingly good nature that Christopher Reeves captured so perfectly in the movies makes him a boring character. Given the sheer breadth of his power, which include some truly insane feats, I can understand that to some degree.

At the same time, though, I would also argue that same annoyingly wholesome nature is part of what makes Superman something much greater than an overpowered superhero. I would even go so far as to say that’s part of what has helped him endure for 80 years and made him an icon that transcends comic books, movies, and heroics in general.

There’s a long, if not bloated, list of superheroes of varying degrees of power. Some are even more powerful than Superman. However, just having power isn’t enough, as any Batman fan will tell you. It’s how a hero uses that power and why they do what they do that helps define them.

By that standard, Superman is the gold standard. His heroism is very much the standard by which all others are measured. He has the power to do things that aren’t just incredible. They’re outright impossible. He still does them, though, because he’s Superman. However, it’s why he does them that’s more important.

Compared to why other heroes do what they do, Superman’s reasons for using all that power for good is as simple as it is profound. It’s the right thing to do. He doesn’t need someone to kill his parents. He doesn’t need to be bound by duty or driven by guilt. He just does the right thing because it’s the right thing. That’s all there is to it.

It’s so simple that it’s almost inane, but it’s profound in its implications. I even explored some of those implications when I explored the nihilistic implications of Superman’s morality, drawing comparisons to Rick Sanchez from “Rick and Morty” of all characters. Regardless of how strong those comparisons are, it doesn’t undercut the impact of that idea.

It’s a big part of what helps Superman inspire others. It’s very much a part of why he still matters today, especially in an era where every heroic character needs some sort of catalyst to become a hero, whether it’s a princess getting kidnapped or someone shooting their dog. Superman doesn’t need any of that. He just does the right thing with his powers because it’s the right thing. That’s all there is to it.

That might not seem like a big deal, especially compared to the more elaborate journeys that other characters go on the path of heroism. Why would someone even want to follow a journey of someone who just does the right thing from the start and doesn’t need to team up with any talking raccoons along the way?

The answer to such a cynical question comes back to inspiration. It’s something that has only become more valuable as we get bombarded by countless bleak headlines. Superman is capable of so much, both in terms of his immense power and altruistic persona. He has such an immense impact when he saves the world, whether by outsmarting Lex Luthor or snapping General Zod’s neck.

However, it’s how those actions inspire others that elevates Superman’s heroics. He doesn’t wear a mask. He doesn’t hide in the shadows. He lets people see his face. He smiles and talks towards civilians, fellow heroes, and even other villains, as Action Comics #1000 so fittingly explored. It’s not just enough to do heroic things. Superman seeks to inspire the heroism in others.

That sentiment is beautifully echoed through the iconic voice of Marlon Brando in Richard Donner “Superman” movie. Even today, after 80 years, they still help define the spirit of Superman.

Live as one of them, KalEl. Discover where you strength and your power are needed. Always hold in your heart the pride of your special heritage. They can be a great people, KalEl, they wish to be. They only lack the light to show the way. For this reason above all, their capacity for good, I have sent them you, my only son.

These are the words of Superman’s biological father, Jor-El. They don’t just lay the foundation for a hero. They reflect the spirit that eventually becomes Superman. They don’t just encourage Superman to use his immense power to help people. They encourage him to inspire.

That inspiration, the idea that a being of such immense power can do the right thing just because it’s the right thing, is why Superman endures. It’s also why he matters now more than ever. We’ve become so accustomed to seeing other iconic heroes and people in the real world get corrupted by power. Superman sets himself apart, showing that it is possible to have great power and still do the right thing.

In a world full of cynical people who may be getting more nihilistic with each frustrating headline, that’s an important concept to preserve. Having power doesn’t have to corrupt someone in the same way that doing the right thing doesn’t require some elaborate motivation, be they dead parents or some failed prophecy. It’s possible to just do the right thing because it’s the right thing.

It’s not enough to just save the day. Superman gives others the hope, strength, and drive to make a better tomorrow. Say what you will about the ending of “Dawn of Justice,” but the breadth of the impact that Superman had on the world through his sacrifice was powerful. It shows why his greatest power is, and always has been, doing the right thing.

That spirit of incorruptible goodness was critical in 1938 and it’s just as critical now in 2018. I would argue it’ll still be critical in 2118, even if we’ve all evolved into cyborgs at that point. Doing the right thing for others in the spirit of pure, untainted altruism is a powerful message and one that Superman embodies to the utmost. That’s what makes him an icon now. That’s why he’ll be an icon for years to come.

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Filed under Comic Books, Jack Fisher, Superheroes, human nature

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How’s this for timing? A few days ago, I write an article about all the reasons why Cheetah should be the main villain in “Wonder Woman 2.” Earlier today, director Patty Jenkins announces that Kristin Wigg will play Cheetah. I’m not saying my article had anything to do with this news, but some coincidences are just uniquely satisfying.

CBR: Patty Jenkins Confirms Kristen Wiig For Wonder Woman 2

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March 9, 2018 · 11:04 pm

Why Cheetah Should Be The Main Villain In Wonder Woman 2

It’s been a while since I talked about Wonder Woman, DC Comics, or developments surrounding the planned sequel to her first movie, which I praised to no end last year. Even though a sequel was announced shortly after the movie’s historically successful debut, not much news has come from it.

There’s a reason for that, albeit a distressing one. The news surrounding anything related to DC’s movie universe has been pretty grim since “Justice Leagueunder-performed at the box office. While I enjoyed the movie and gave it a glowing review, I can’t deny that it’s perceived shortcomings have caused all sorts of problems for the DC movie universe.

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Those problems aside, Wonder Woman is still seen as the lone bright spot in a bleak outlook, especially as Marvel keeps raising the bar with their movies. To date, “Wonder Woman” remains the highest rated, highest grossing DC Comics movie. That makes the success of the sequel, still only known as “Wonder Woman 2,” of paramount importance to the future of superhero movies.

To date, there hasn’t been much news surrounding “Wonder Woman 2.” The only official details we have thus far are that Gal Gadot will continue to play Wonder Woman as only she can and Patty Jenkins is once again set to direct it. According to Jenkins herself, it will to be a very different movie compared to the first one. These are her words:

“We’re actually making a totally different film with a lot of the same, similar like things that we love, but it is its own movie completely, so it’s not ‘two’ to us. It’s an entirely new adventure together that we couldn’t be luckier [to do].”

I’m certainly excited about it, as I am with all things related to Wonder Woman. However, there’s one element that I believe will determine whether “Wonder Woman 2” is a “Dark Knight” level success or a “Batman and Robin” sized disaster. By just referencing “Dark Knight,” I think most superhero movie fans know where I’m going with this.

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It’s all about the villains. Regardless of the studio making the movie, the heroes involved, or the sex appeal of said heroes, the movie often succeeds or fails by how compelling or forgettable the villain is. Nobody will ever forget Health Ledger’s Joker in “Dark Knight.” Conversely, I’m pretty sure everyone has already forgotten Steppenwolf in “Justice League.”

Wonder Woman” may not have had an iconic villain on the same level as Heath Ledger’s Joker, but the combined narratives of both Ares and Dr. Poison worked because they supplemented Diana’s journey towards becoming Wonder Woman. Since the core of “Wonder Woman” was built around that journey, she didn’t really need a villain of Joker caliber.

However, she’ll need one for “Wonder Woman 2” and that’s where Cheetah comes in. She has already been rumored to be the villain of the movie. She’s no Joker, but she is probably Wonder Woman’s most well-known villain. The fact that she isn’t an embittered child of Zeus, a story so old that it pre-dates movies, comics, and the printing press, makes that status all the more remarkable.

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From a pure comic book stand point, Cheetah makes the most sense as the main villain for “Wonder Woman 2” because she’s also one of Wonder Woman’s oldest foes. Her origins go all the way back to the earliest, and also kinkiest, era forged by Wonder Woman’s creator, William Marston.

Like many other classic villains, Cheetah’s persona mirrors Wonder Woman’s in many respects. In her earliest incarnation, Priscilla Rich, she’s an aristocrat woman born to a powerful family. Her mother isn’t a queen, like Diana, but just being in that privileged position from birth puts a great many expectations and temptations on her. It brought out the best in Diana, but it brought out the worst in Cheetah.

From a purely thematic standpoint, that’s an important component for Wonder Woman’s journey. In the same way characters like General Zod embody the kind of person Superman might have become, Cheetah shows Wonder Woman the much darker path she could’ve walked.

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That path already has a very lengthy gap for Patty Jenkins to work with. The conclusion of “Wonder Woman” and the events of “Batman Vs. Superman: Dawn Of Justice” reveal that Diana had been secretly living in the modern world since the end of World War I. That’s a lot of time for her journey to take many turns, some of them darker than others.

That significant breadth of time actually plays to Cheetah’s advantage because her title is not tied to one person. In some instances, it’s a legacy that others take on. In others, it’s a curse that gets transferred from one person to the other. In every case, though, Cheetah embodies a persona that directly clashes with everything Wonder Woman’s stands for.

Wonder Woman fights for compassion. Cheetah fights for herself.

Wonder Woman believes in blessings. Cheetah believes in curses.

Wonder Woman is deeply empathic. Cheetah is exceedingly callous.

Wonder Woman is loyal to her friends. Cheetah betrays them.

Wonder Woman believes in love. Cheetah is driven by hate.

These contrasts were best embodied in Cheetah’s earliest incarnations, but it’s actually her more modern persona in Barbara Ann Minerva that, I believe, has the most potential for “Wonder Woman 2.”

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Like other Cheetah’s before her, Barbara is a privileged woman from a powerful family in which she has all these expectations thrust upon her. As a result, she shares many of the selfish, arrogant, neurotic traits of Priscilla Rich and every spoiled rich brat that ever lived. However, what makes Barbara’s story more compelling is that in her most recent incarnation, she started off as a close friend of Diana.

It’s an element to the villain’s journey that makes their story more entwined with that of the hero. By starting off as a friend, it makes the inevitable clash that much more dramatic. Given the high drama we got in Diana’s final battle against Ares in “Wonder Woman,” it makes sense to take a similar approach with “Wonder Woman 2.” Diana, as we’ve seen, is at her best when drama and passions run high.

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The Barbara Ann Minerva that Diana knows in the most recent comics can come off as a spoiled brat at times, but she has a genuine fascination with gods, mythology, and the divine. In that context, it’s only natural that Diana would start out as an ally and a friend.

For Diana, especially after how her first movie ended, she would need a friend. After losing Steve Trevor, she would need someone to connect with in a world that is still very new to her. Conversely, Diana can give Barbara the connection she seeks to the world of gods, demigods, and magical lassos that make for hilariously awkward moments.

These two women have everything they need to forge a powerful friendship. At the same time, though, they have everything necessary to create a bitter rivalry as well. In the comics, Barbara’s ambitions and bad choices are what turns her into the feral, villainous Cheetah. It’s those differences in choices doesn’t just make their clash dramatic. It makes it genuinely heartbreaking for Diana.

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To some extent, making a new friend and seeing them become an enemy would be even worse than losing Steve Trevor. It would also provide a legitimate explanation as to why Wonder Woman remained hidden from the world for so long, up until the events of “Batman Vs. Superman: Dawn Of Justice.”

Cheetah can do for Diana what Killmonger has recently done for Black Panther. She can give Wonder Woman an enemy that forces her to confront the harsher parts of a world that is still new to her. Back home on her paradise island of warrior women, she was sheltered from all these hardships. Now, she’s all alone in having to face them. That struggle is what will forge her into the iconic female hero that we know and love.

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This is, of course, my own personal sentiment and I understand that doesn’t account for much. I’ve already made a wish list of all the things I want to see in “Wonder Woman 2” with the understanding I’ll probably only get a fraction of it, at most. After the first movie, both Gal Gadot and Patty Jenkins have done plenty to earn my trust.

It’s simply my hope that a sequel to such a wonderful, ground-breaking movie will find new ways to raise the bar for superhero movies and female superheroes, in general. That bar is still rising and I believe a character like Cheetah can help raise it for Wonder Woman.

 

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Filed under Comic Books, Jack Fisher, Superheroes, Wonder Woman

Can “Tomb Raider” Succeed Like “Wonder Woman” (And Begin A Larger Trend)?

Tomb-Raider-Poster-Alicia-Vikander

It seems so long ago, but there was a time when movies based on superheroes were in the same sorry state as those based on video games. The fact I’m old enough to remember those days makes me feel way older than I want, but it’s still remarkable to consider at a time before big budget superhero movies like “The Avengers” and “Iron Man 3” grossed over a billion dollars.

That’s a huge shift from the mid to late 1990s, an era where such craptacular cinematic turds like “Batman and Robin” and “Super Mario Brothers” created the sentiment that those kinds of movies were box office poison. I’m sure some have yet to forgive Joel Shumacher and whoever thought casting Dennis Hopper as Bowser was a good idea.

That all changed, at least for superhero movies, when “X-men” hit theaters in 2000. Even with the stench of Shumacher’s failure lingering, that film proved that superhero movies can be both good and make a lot of money. As a result, the modern era of superhero movies was born.

While that has been great for the superhero movie genre, the video game genre didn’t fare as well. It’s not just because “Super Mario Brothers” was that bad, though. It’s more a matter of bad timing, bad execution, and movie studios just plain not knowing how to make a decent video game movie.

There have been attempts, including one “Doom” movie and fiveResident Evil” movies. None of them were the kind of hit that could kick-start an entire genre. Granted, Milla Jovovich made a respectable effort. Like the nipples on George Clooney’s Batman costume, though, it just didn’t take. As such, video game movies remain a punchline instead of a genre.

That may be about to change, though. Just this past week, a second trailer dropped for a movie that could do for video games what “X-men” did for superheroes. That movie is “Tomb Raider,” the same title of one of the most successful video game franchises of the past 20 years, which also happens to star one of the most famous, not to mention sexiest heroines of all time.

Unlike “Resident Evil” or “Super Mario Brothers,” Lara Croft is the kind of character who can work just as well in an action movie as she does a video game. Her being a digital sex symbol is just a nice bonus. The fact that Warner Brothers cast Alicia Vikander to play her role, an Oscar winning actress who did plenty to establish her sex appeal in “Ex Machina,” shows they’re really trying this time.

Just watch the trailer. Even for those who have never played a “Tomb Raider” game or cared much for Lara Croft can’t deny the potential. I still hesitate to say it, but this might just be a true video game movie that doesn’t suck.

I say that not just because of the trailer. Modern audience have learned since “Snakes on a Plane” that an awesome trailer rarely makes for an awesome movie. I’m daring to have confidence in this movie because it looks like it’s trying to capture the theme and spirit of the game without sacrificing the quality of the movie. For video game movies, that’s unprecedented.

Beyond the apparent effort, though, there’s something else “Tomb Raider” has going for it. Thanks to the success of “Wonder Woman” last year, which I so happily documented, this movie is coming along at the best possible time.

It’s not just generic male heroes or John McClane rip-offs that appeal to audiences anymore. “Wonder Woman” proved that there is a market for female heroes. Not only was that movie critically praised. It made a lot of money, more than all five “Resident Evil” movies combined. Nobody can argue that female heroes don’t sell anymore. Wonder Woman proved they do and “Tomb Raider” can take it a step further.

I believe this because the Lara Croft that’s set to show up in this movie is not the same Lara Croft that once drew so much ire from whiny pop culture critics who think every attractive female character is just fodder for horny male gamers. This a different, more complex Lara Croft than the one that Angelina Jolie tried to bring to life in two previous “Tomb Raider” movies.

Now, I don’t want to dwell too much on those movies or the associated flaws with them. I’ll just say that, while I don’t consider those movies bad, they really were just generic action movies slapped with a “Tomb Raider” logo. Angelina Jolie certainly had the sex appeal, but it did little to make Lara Croft that interesting, which showed in the critical response and the box office for both movies.

The Lara Croft that Alicia Vikander is playing in this movie has more complexity and nuance to her. That version of Lara came to life in the 2013 “Tomb Raider” video game that rebooted her story. Having played that game multiple times and joined the chorus of its many critical praises, I can say with confidence that this trailer captured those critical elements from that game.

In the 2013 game, Lara doesn’t start out as the sexy, sassy archaeology enthusiast who loves to shoot guns and run around in hot pants. She’s an ambitious, but inexperienced young woman who is still growing into that persona and over the course of the game, she eventually develops into that character that so many video game fans know and love.

As other successful movies have shown, establishing growth in a character and making them someone we can root for goes a long way towards making a movie compelling. Part of what made “Wonder Woman” so great was that we got to see her grow into the beautiful female icon that so many cherish. The previous “Tomb Raider” movies, and most video game movies in general, barely tried.

Instead, most video game movies make the mistake of assuming the audience already knows the characters and just plops them into an action-heavy story with no purpose, heart, or major drama. If there is any drama, it’s usually forced or contrived. This version of “Tomb Raider” looks like it will take those same dramatic elements that made the 2013 game so compelling and translate them into the movie.

This version of “Tomb Raider” also has the benefit of coming out at a time when there’s a legitimate push for female-led movies. It’s very different from the Angelina Jolie era, whose movies came out a time when legendary flops like “Elektra” and “Catwoman” were setting back female heroes for a decade. Studios can’t get away with being that reckless with female characters anymore.

It’s for that reason that I have genuinely high hopes for this movie. It’s also because of the success of “Wonder Woman” that I believe there’s already an audience that’s eager to help “Tomb Raider” succeed.

Hollywood is already trying to capture that audience with movies like “Atomic Blond” and “Red Sparrow.” The recent announcement of a “Black Widow” movie being in development by Marvel Studios is only adding more momentum to the future of female heroes in movie.

Tomb Raider” succeeding will do even more than just build upon that momentum. It will establish that the success of “Wonder Woman” was not a fluke. It is possible to build a successful, lucrative franchise around more than one powerful woman. Lara Croft may not be an amazon warrior, but she has the potential to carve a place for herself in an increasingly competitive market.

Now, I don’t discount the potential that this movie could also fail. Like I said, video game movies have an abysmal track record, to say the least. That legacy is going to be difficult to overcome, but as “X-men” showed in 2000, it only takes one hit to start a trend. It’s a trend that I believe needs to happen for the good of the entire movie industry.

Even if you’re among the crowd who thinks the media is trying way too hard to push diversity in movies, video games, comics, and whatever other form of media is trying to turn a quick buck, it’s better for everyone that we have heroes who actually vary from time to time. There shouldn’t be that many similarities between John McClane, Luke Skywalker, and James Bond and every major movie icon of the past 50 years.

There is room for female heroes. There’s also room for movies based on video games. It’s not good for the industry, as a whole, if the only successful franchises come from Disney, Marvel, and the collective minds of Jack Kirby and Stan Lee. By succeeding, “Tomb Raider” will open the door for a broader array of movies and female character.

That added variety need not come at the expense of the established male characters that we all know and love. “Wonder Woman” didn’t have to knock Superman or Batman down a peg in order to succeed. She found a way to succeed on her own and the superhero movie genre is better because of it. Lara Croft is fully capable of succeeding as well and the video game movie genre will be better too.

I’ll be keeping a close eye on this movie. Like “Wonder Woman,” it’s success will have far-reaching implications beyond the movie itself. It has everything it needs to succeed, from quality source material to an Oscar-winning actress to a market that’s recently demonstrated that iconic female characters can make millions at the box office. It just needs to follow through.

It’s doubtful that “Tomb Raider” will succeed at the same level as “Wonder Woman,” but it doesn’t have to. It just needs to turn a profit and capture all the elements that make Lara Croft great. If it can achieve that, then the future for both video game movies and female heroes is brighter than ever. It may not make us forget “Super Mario Brothers,” but it’ll help us move forward.

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Filed under Comic Books, Jack Fisher, Superheroes, gender issues, Movie Reviews, sex in media, Wonder Woman