Tag Archives: Kelly Thompson

Jack Fisher’s Weekly Quick Pick Comic: Captain Marvel #10

 

Captain Marvel (2019-) #10

Every so often, a new character comes along that you just know in your gut is going to be a big deal. I certainly felt it the first time I read about Kamala “Ms. Marvel” Khan back in 2014. I also felt it the first time I saw X-23 show up in a fateful episode of “X-Men Evolution.” It may be a bit premature on my part, but I definitely got that feeling about Ripley “Star” Ryan “Captain Marvel #10.”

For the past few issues of this series, writer Kelly Thompson has been teasing a new hero to challenge Carol Danvers in ways beyond who looks better in skin-tight outfits. Like Carol, she’s got blond hair, superpowers, and a fondness for punching the giant monsters that seem to invade New York City at least once a week. Marvel has even teased her as being the next big thing in their ever-evolving pantheon of heroes.

I admit, I was skeptical. Whenever a comic company goes out of their way to push a new hero like this, it tends to be hit or miss. Some, like Kamala Khan, work out wonderfully. Others become so forgettable that they’re relegated to punchlines for an entire era. For the most part, Star came off as just some generic woman trying to take advantage of Carol’s recent hardship. That all changed in Captain Marvel #10.”

After reading this book, I believe Star has the potential to be something special for both Captain Marvel and the larger Marvel universe. I’m not saying that potential could include a future phone call from Kevin Feige at Marvel Studios, but if I were Ms. Thompson, I would start preparing for that conversation.

Captain Marvel (2019-) #10

Whereas the past few issues have been full of questions, setbacks, and failures for Carol, “Captain Marvel #10” offers a fair amount of answers. Thanks to Tony Stark and an old adversary, Dr. Minn-Erva, who fans of the movie should recognize, Carol finds out why her powers have been acting up lately.

It has nothing to do with stress, mental blocks, or one too many grabs from Rogue. Someone infected her with a Kree-engineered virus and Dr. Minn-Erva doesn’t even try to make a mystery of it. She’s not exactly subtle and she gives Carol plenty of reasons to punch her senseless. On top of that, Dr. Minn-Erva is asking for Carol’s help. Let that sink in for a moment.

It’s not the charitable kind of help, either. It has been canon for a while that the Kree really screwed themselves, going all the way back to the “Black Vortex” event in 2015. They’re scattered, broken, and desperate. That gave Dr. Minn-Erva more than enough excuses to start experimenting with Kree and human DNA.

On paper, it seems like a good idea. Carol Danvers is half-Kree and she has proven on plenty of occasions that she can kick ass on an inter-stellar level. That’s exactly what the Kree needs in such desperate times.

As often happens with alien biology experiments in comics, things don’t go as planned.
Captain Marvel (2019-) #10

Without getting too deep into spoilers, I’ll note that Dr. Minn-Erva’s plans go beyond infecting Carol. I’ll also confirm that Star, who is revealed as Ripley Ryan, is a big part of those plans. Now, Ripley is very much a blank slate. Her first appearance was in “Captain Marvel #1” and she was just a sweet, hipster journalist looking to interview Carol.

Now, as Star, she’s a lot more than that. Between her powers and how she got them, her story is indelibly tied to Carol’s, more so than Kamala Khan’s. It’s also because of that connection that she has the potential to be Carol’s greatest ally or worst enemy. She proved in previous issues how capable she can be as an ally. In Captain Marvel #10,” she proves what she can do as an enemy.

Once the answers are laid out and the truth is revealed, the fighting starts. That’s where artist Carmen Carnero gives both Star and Captain Marvel the colorful spectacle that they deserve. It’s not just a clash between a new hero and an experienced veteran, either. There’s drama in this fight that you just can’t get from a typical rampaging monster or superhero brawl.

Captain Marvel (2019-) #10

The events of Captain Marvel #10 put Star at a unique crossroad. She can still become a hero. She can also become a dangerous new rival capable of challenging Captain Marvel, the Avengers, and anyone else who gets in her way. It’s not the least bit clear which path she’ll take, but the final pages hint that she’s willing to cross a few lines to realize her potential.

Thompson has achieved something special with both Star and Captain Marvel, which will likely make this comic a valuable collector’s item. Star isn’t the kind of superhero who got dragged into it by accident or circumstance. She chose to pursue it. She sought the kind of power and abilities that help make Carol Danvers the hero she is.

Star would not be on this path if someone like Captain Marvel hadn’t inspired her. It offers a unique perspective on the influence of superheroes. By doing what she does so well, Captain Marvel might have created her greatest rival. Like it or not, she’s a part of Star’s journey and “Captain Marvel #10” marks a critical stage of that journey.

It’s still hard to say whether Star will become the kind of character who will one day fight alongside Brie Larson in a Captain Marvel movie, but the potential is there. Since the world can never have too many charismatic female heroes, I’m certainly rooting for her.

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Jack Fisher’s Weekly Quick Pick Comic: Captain Marvel #9

If you want to know the true character of a superhero, then just look at how they handle themselves when their powers are weakened or removed. The heroes with the strongest character won’t change in the slightest. They’ll keep being a hero. They just have to adapt to their limitations. The lousy ones tend to cower and whine like a kid who lost their binkie.

Carol Danvers has a history of losing her powers, her identity, and her bodily autonomy. Her character has been tested more than most and, through many setbacks and losses, she never stops being the hero she strives to be. Now, Kelly Thompson and Carmen Carnero are testing her again in “Captain Marvel #9,” but it’s a different test of character.

For the past few issues, Carol has been having issues with both her powers and her public image. She couldn’t handle a standard tentacle monster that seems to attack New York every other day in the Marvel universe. On top of that, news got out of her Kree Heritage, as revealed in “The Life of Captain Marvel.” Now, her status in the Air Force and the public trust she’s worked so hard to earn is in question.

If that weren’t challenging enough, there’s a new female hero in town named Star who may or may not be tied to her recent issues, but is already becoming more popular. That’s a lot of challenges, to say the least.

However, “Captain Marvel #9” does not devolve into another story about a superhero becoming paralyzed by vulnerability and self-doubt. It certainly has all the right ingredients for that kind of struggle, but that’s not the direction that Thompson goes and that’s refreshing. There are enough stories about superheroes losing their powers and whining about it. Carol Danvers doesn’t whine. She confronts that shit.

She even finds time to squeeze in a little sexy time with her boyfriend, James “War Machine” Rhodes. Powers and reputation are important, but so is spending quality time with her significant other. Say what you want about Carol, but she knows how to prioritize. That, alone, is a strong measure of her character.

It also establishes that Carol isn’t going to deal with these challenges alone. She accepts help from the likes of Rhodes, Tony Stark, and her long-time friend, Jessica “Spider-Woman” Drew. She doesn’t always accept it immediately, but she does accept it in the spirit of finding answers.

That’s not to say she does so without an attitude. She’s still Carol Danvers. She has an attitude, regardless of what’s going on with her powers and reputation. She may lose her strength, but she doesn’t lose her edge. Thompson makes it a point to demonstrate that on many occasions and not all of them involve a shirtless James Rhodes.

There’s a bigger mystery at work and it’s not just about Carol’s powers. There are issues surrounding the tentacle monster that Carol fought, as well as the recent appearance of Star. Some of those issues are explored more than others, but they all seem to have a common link.

Carol is still trying to be the same Carol she’s always been, but that’s just not possible anymore. She’s half-Kree. She knows this and now the entire world knows this. In a perfect world, that wouldn’t matter. She would still be the same person she’s always been and the people who adore her would just shrug it off.

However, the Marvel Universe is not a perfect world. It may have Deadpool and Squirrel Girl, but it’s far from perfect. People are still paranoid and untrusting for all the wrong reasons. It’s the same world that takes J. Jonah Jameson seriously. It has many flaws and they do put a strain on Carol’s efforts.

That’s what helps give “Captain Marvel #9” the necessary impact. Carol doesn’t lament or whine about the declining state of her powers, but she does show moments of frustration. It’s a fitting reminder that she still has a human side. It still bothers her when a part of her identity is taken because the public is uncomfortable with her heritage. It also bothers her that a new hero is in town to show her up in her weakened state.

She could whine about it like a teenage Peter Parker. She could use it as an excuse to be an asshole to her friends, as well. Plenty of other A-list superheroes have made similar excuses for less valid reasons. That’s not what she does, though. Thompson and Carnero don’t let Carol fall into that same trap. It’s a reflection of the kind of hero she is.

Beyond just providing Carol with a test of character, “Captain Marvel #9” also deepens the mystery surrounding her new Kree heritage. There are a few unexpected twists that add both complications and intrigue. For a story that could’ve easily become a predictable diatribe about a hero losing their powers, it’s both relieving and refreshing.

If nothing else, “Captain Marvel #9” proves that Carol Danvers has the character of a hero, regardless of superpowers or public perception. Having all those traits and still finding time to get sexy with James Rhodes further affirms that she deserves our admiration and respect.

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Jack Fisher’s Weekly Quick Pick Comic: Captain Marvel #5

Every Wednesday, passionate comic book fans like myself wake up early to take in a fresh batch of awesome. I can’t think of a better way to start a morning that doesn’t involve a hot tub, a massage, and fresh donuts. In the spirit of making those mornings that much more special, I select one comic from that batch that I feel carries the satisfaction of a thousand hot tub massages.

This week, “Captain Marvel #5” delivers just that much satisfaction as writer, Kelly Thompson, caps off her first arc on this series. It’s a story that began just as all things Carol Danvers began ascending into the stratosphere, thanks to the “Captain Marvel” movie. Now, as Carol is still flying higher than ever, Thompson affirms why she soars like no other female superhero.

The stakes in this story aren’t quite as high as they were in her movie or in “Avengers Endgame,” but that actually helps her shine even more in some ways. For the past several issues, she’s been trapped inside a barrier that has covered Roosevelt Island in New York. Inside that barrier, she’s been waging a tough and gritty war alongside several fellow female heroes against Nuclear Man.

Now, you don’t need to know who Nuclear Man is. In terms of overall threats, he’s definitely no Thanos. He’s also an unlikable douche-bag by every measure. He’s equal parts King Joffrey, Ramsey Bolton, and Kanye West. He’s the kind of guy you want to see Carol punch, but he doesn’t make it easy for her. What he lacks in Thanos-level power, he makes up for with his ability to push Carol’s buttons.

For the past several issues, Nuclear Man has pushed, strained, and tested Carol in ways that don’t involve how hard she can punch an incoming asteroid. He certainly has enough power to fight her one-on-one, but that’s not his style, nor is it his goal.

He’s not out to defeat Carol. He wants to enslave her, along with every other woman who stands against him. He created the barrier to trap them, strain them, and wear down their ability to oppose him. Carol just happens to be his ultimate prize. He sees her as the strongest, most capable woman in the world. He’s not entirely wrong.

For him, enslaving her means forcing her to be his wife and bearing his future children. Given Carol’s distressing history with being manipulated by devious men, that just makes the fight more personal. Now, she has even more reasons to kick his ass. However, Nuclear Man still finds a way to hit her every bit as hard as Thanos.

That’s where Rogue comes in. Make no mistake. She makes “Captain Marvel #5” worth reading every bit as much as Carol.

Rogue’s history with Carol is not a good one, to say the least. These two may be superheroes in their own right, but they’re not friends. They’ll never be friends. Carol even says as such at one point. That’s exactly why them having to work together to fight Nuclear Man is so satisfying.

That fight takes up a good chunk of the story, but Thompson goes out of her way to emphasize why Rogue still makes her feel vulnerable. Some of her weakest moments came by Rogue’s hand, literally in some cases. A sizable chunk of her journey as a superhero is defined by Rogue and Nuclear Man used that against her.

It helps give the battle the kind of dramatic weight that makes every punch, quip, and thought bubble feel more impactful. Both Carol and Rogue have to push themselves and each other to get through the final showdown against Nuclear Man. It’s not easy. Victory still comes at a cost, but the end result will still put a smile on your face, especially if you like seeing insufferable douche-bags fail.

If you’re a fan of Captain Marvel from the movie, “Captain Marvel #5” will give you plenty to enjoy. It’s a story in which you can easily imagine Brie Larson handling the action and drama, as only she could.

If you’re primarily a fan of Carol Danvers in the comics, then you’ll have plenty to enjoy as well. By bringing Rogue into the picture, Thompson connects Carol’s past struggles with her ongoing ascension. It’s a connection that feels overdue and welcome, if only to affirm why she’s such a great character.

Captain Marvel #5” doesn’t try to reinvent Carol Danvers, nor does it try to turn her into someone she’s not. It’s the culmination of a story that gives Carol a chance to rise up, affirm her status as Marvel’s premier female superhero, and battle some old demons that still haunt her. Between Thompson’s skilled quips and Carmen Carnero’s vibrant artwork, it’s a complete superhero experience that anyone can appreciate.

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Jack Fisher’s Quick Pick Comic: Uncanny X-men #10

Every Wednesday, fans of comic books and superheroes are blessed with fresh batch of comics. It’s like Christmas every week and you don’t have to suck up to some jolly fat guy who lives at the North Pole. You just have to have a few extra bucks and a Comixology account.

This week, however, those extra bucks go a lot further than usual for X-men fans. That’s because “Uncanny X-men #10,” the final issue in a story arc that assembled almost every notable character associated with X-men has come out. Some weeks are harder than others when it comes to picking the most worthy comic from the bunch. This was not one of those weeks.

Make no mistake. “Uncanny X-men #10” is both a game-changer and a major upheaval for the X-men. It acts as a culmination of a battle that began with the return of Nate “X-man” Grey, but in a powerful new form. He’s not just another displaced character from a dystopian timeline, of which there are many in comics. His agenda is different and his personal connections to the X-men make him a daunting foe.

He’s not Apocalypse. He’s not Magneto. He’s not even some uneasy ally who was once an enemy and the X-men have had plenty of those. Nate Grey is out the save the world, but not by protesting injustice or signing an online petition. He literally wants to destroy it and remake it. Given the insane breadth of his power, that’s entirely possible.

For the past nine issues, he’s gone about his plan with the subtly of a hurricane. He’s abducted senators, mind-controlled powerful mutants, and waged war on anyone who might stand between him and a better world. The X-men, who have a strict policy against over-powered mutants destroying the world to remake it, oppose him at every turn.

Uncanny X-men #10” is just the final showdown and it’s a battle for the ages. The writing talents of Matthew Rosenberg, Ed Brisson, and Kelly Thompson team up with the artistic talents of Pere Perez to craft a mutant-powered spectacle that never slows down. It’s the most powerful mutants in the Marvel universe against a threat who wasn’t just a close friend. To characters like Jean Grey, he’s family.

This is where “Uncanny X-men #10” shines in a special way. While a good chunk of the comic is dedicated to epic mutant battles, there’s never a point where the action is mindless and impersonal. In between all the fighting, there are major personal stakes for Nate and his alternate universe mother, Jean Grey.

Their interactions is what really gives dramatic weight to the spectacle. I won’t spoil the details of their exchange. I’ll just say that it’s beautifully done. It’s genuinely heart-wrenching to see Jean having to battle her own son. Even if he’s from an alternate universe, she sees him as family and that makes fighting him all the more difficult.

That kind of heavy drama is what brings out the best in the X-men. It’s what makes for the best moments in superhero comics, as a whole. However, what really makes “Uncanny X-men #10” worth getting is how it sets up the future of the series.

Again, I won’t spoil it. I’ll just say that the aftermath of the battle creates a very different world for mutants, humans, the X-men, and everyone in between. It’s a world where all the hopes and dreams of the X-men are effectively moot. What does that mean for them and those they protect? There are some telling hints, but there’s definitely an impact when all is said and done.

I’m sure there will be plenty of X-men fans who feel both excitement and dread after reading “Uncanny X-men #10.” If you’ve been following X-men comics in any capacity for the past several decades, then you know that’s not unusual. However, this feels like one of those issues that people will be referring to for years to come. Whether they love it or hate it, this comic marks a major turning point for the X-men.

Most X-men fans knew that 2019 was going to be a major year for the Children of the Atom. Between two movies, the pending Disney/Fox merger, and the return of multiple major characters, there’s a lot get hyped about. “Uncanny X-men #10” is just the latest catalyst that can only help the X-men’s prospects in 2019.

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Jack Fisher’s Weekly Quick Pick Comic: Captain Marvel #1

It’s Wednesday and if you’re a lifelong comic book fan like me, you know that’s the most magical day of the week. Screw sleeping in on Saturday or going out to party on Fridays. Wednesday is new comic day, that magical day when a fresh batch of comics enter the world and make it more awesome. In celebration of this day, I offer my pick of a single comic that I feel makes new comic day that much more awesome.

This week was easier than most. If you were up late watching the College Football Championship Game, you saw the latest trailer for the upcoming “Captain Marvel” movie. This year is already shaping up to be an awesome year for Captain Marvel, Carol Danvers, Brie Larson, and everyone affiliated with this marvelous character. Writer, Kelly Thompson, helps do her part with “Captain Marvel #1.”

Even if you’ve never read a Captain Marvel comic and only know the bare minimum about Carol Danvers, this comic is for you. It’s the latest relaunch of the series and after recent upheavals in her life, the timing is perfect. I know a lot of comic fans whine about the number of relaunches that occur these days, but sometimes it’s appropriate when a character undergoes a major transition.

The Carol Danvers in “Captain Marvel #1” is more grounded and self-aware than the Carol Danvers of recent years. She’s focusing less on high-flying space battles and more on events unfolding on Earth. Since Earth also has the occasional Kraken attack in Lower Manhattan, it’s not like she’s short on things to punch.

Beyond just punching monsters, this comic establishes that Carol Danvers isn’t just a hero, an icon, and the star of an upcoming movie that seeks to challenge “Wonder Woman.” She’s an actual person who has thoughts, feelings, insecurities, and even pet peeves. Granted, most of those peeves center around how annoying Tony Stark can be, but that just helps show how human she is, at heart.

Only a small chunk of this comic is spent with her fighting monsters or saving the day. A lot more of it shows Carol rebuilding and reconnecting with the people in her life that matter. That includes her best friend, Jessica “Spider-Woman” Drew, and her frequent love interest, James “War Machine” Rhodes.

It makes for plenty of small, meaningful moments that bring out Carol’s humanity. It helps make the larger, more action-packed moments that much more enjoyable. There is a larger conflict unfolding. There are new threats emerging for Carol that have little to do with space aliens, superhero civil wars, or pre-ordering tickets to her movie.

The nature of those threats aren’t resolved in a few punches. In fact, it sets the stage for a larger story that’ll require Carol to raise the bar for heroes, as only she can. It shows Carol Danvers at her best in addition to showing her at her most human. It’s a perfect balance for a Captain Marvel comic.

It really is a great time to be a Captain Marvel fan. Even if you’re not, “Captain Marvel #1” makes a strong case on why she deserves to be in the upper ranks of Marvel’s greatest heroes. That makes my quick pick this week easier than usual. If you buy only one comic this week, make it “Captain Marvel #1.”

If nothing else, it’ll help tide fans over until the debut of her movie on March 8, 2019.

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The Distressing (But Relevant) Questions Raised In Uncanny X-men #1

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The most relevant stories are often the ones that ask the most difficult questions. The nature of those questions vary among places, people, cultures, and whatever happens to be pissing off a significant chunk of the population. Regardless of the circumstances, those questions are important and sometimes they come from unexpected places.

I wasn’t expecting such questions when I picked up “Uncanny X-men #1,” the latest relaunch in the most iconic X-men brand of all time. I was just glad to see Uncanny X-men return to prominence after an extended absence dating back to 2016. This first issue was over-sized and priced at $7.99, which is a lot for a single comic. I still feel like I got my money’s worth.

In addition to telling a great story that brought many prominent X-men characters to the forefront, “Uncanny X-men #1” did something unique in terms of how it established a conflict. For once, it didn’t involve killer robots, preventing a genocide, mutant terrorist, or alien space gods. Instead, it asked one profound question.

What if there was a way to preventing people from becoming mutants in the first place?

That may sound like a question that has come up in other X-men stories, but that’s only partially correct. This isn’t about curing mutants, a story that Joss Whedon brilliantly told during his run on Astonishing X-men and that “ X-men: The Last Stand” botched horribly. This is about inoculating children the same way we do for polio.

Specifically, a lab develops a vaccine that prevents the X-gene from expressing. Technically, they would still be mutants in that they would still have this gene. It just wouldn’t express itself. It would be akin to turning off the gene responsible for cystic fibrosis or sickle-cell anemia. It essentially treats mutation the same way we would treat any other genetic-based disease.

Naturally, the X-men and many other mutants don’t like this idea and not just because it’s akin to treating homosexuality as a mental illness. It reeks too much of genocide, something they’ve faced on more than one occasion. It would’ve been easy for “Uncanny X-men #1” to present it in that way, but that’s not how it plays out.

The all-star creative team of Ed Brisson, Kelly Thompson, Matthew Rosenberg, and Mahmud Asrar frame the issue in a very different way. Instead of some anti-mutant racist like Graydon Creed or William Stryker calling for mutant extermination, we get Senator Ashton Allen. He’s as generic a politician as can be in a superhero comic, but what he says and how he says is revealing.

Amidst a crowd of humans, mutants, and X-men, he talks about this mutant vaccine as a tool to alleviate suffering. He doesn’t rant about the dangers of evil mutants like Magneto or Apocalypse. He talks only about mutant children developing powers that could be dangerous to themselves or others. In that context, a vaccine might actually help them.

When you consider the mutant powers of characters like Rogue and Cyclops, who have mutant abilities that do real damage when uncontrolled, it seems entirely reasonable to make this vaccine available. Senator Allen never says anything about forcing it on kids or on mutants that already exist. He only ever emphasizes making it an option for concerned parents.

That’s distressing for the X-men because they don’t need to be omega-level psychics to imagine the implications. They can easily envision a concerned parent who doesn’t want their child to deal with the possibility that they may shoot lasers out of their eye one day. Any parent who cares for their child will want to mitigate the chances of them enduring such hardships.

In a world populated by mutant-hunting robots, parents already have plenty of incentive to use this vaccine. Given the damage that mutant-led conflicts often incur, the government has just as much incentive to make that vaccine available to everyone, free of charge and tax deductible. Governments less concerned with things like human rights could force it on children and that has some real-world parallels.

For mutants and the X-men, though, that means a permanent loss of their identity. Considering how mutants act as a metaphor for other oppressed minorities, this has implications for the real world, as well. I would even argue that the question will become increasingly relevant in the coming decades.

To appreciate just how relevant it could be, you need only look up the heartbreaking stories of parents who have disowned their children because they’re gay or transgender. In tragic some cases, people are driven to suicide. Even for those who aren’t parents, anything that might avert this kind of hardship is worth considering.

Given the complex causes of homosexuality, as well as the many factors behind transsexuality, it’s unlikely that there could ever be a vaccine to prevent it. The same can be said for conditions like Dwarfism. It’s not just genes, hormones, or radioactive spider bites that shape an individual’s persona. It’s a complex confluence of many things.

However, we are getting very close to a point where it’s possible to design children at the genetic level. Thanks to tools like CRISPR, it might even be possible one day to cut out entire traits from the human genome. That could, in theory, eradicate both cystic fibrosis and Dwarfism. More than a few people have expressed concern about that possibility.

Homosexuality and transsexuality are a bit different since there is no one gene or hormone that causes it, but most contemporary research suggests that genetics do play at least some role. Using similar technology, it might be possible for parents in the future to minimize or eliminate the chances of their children being homosexual or transsexual.

I imagine many in the LGBT community feel the same way about those efforts that the X-men felt about Senator Allen’s efforts in “Uncanny X-men #1.” Even if it only extends to giving parents this option for children and provides strict protections for those already born with these traits, it still treats who and what they are as a disease.

It’s dehumanizing and demeaning. More than one X-men in “Uncanny X-men #1” makes that abundantly clear. They don’t see being a mutant as a disease any more than homosexuality, transsexuality, or dwarfism. The fact that there’s now a way to prevent this makes for an existential crisis with some pretty heavy implications for the real and fictional world.

In the world of Marvel comics, a world without mutants has its own set of issues, the least of which would be the loss of a top-selling comic series. In the real world, though, the stakes are even higher. What would we, as a society, do if we suddenly had the tools to prevent homosexuality, transsexuality, and dwarfism in children before they’re even born?

I’ll even ask a more controversial question that’s sure to draw plenty of ire. What if those same tools could be used to modify the skin color, facial features, and overall appearance of our children? We already understand how genetics affects our appearance to some extent. What happens when we’re able to determine that for someone before they’re ever born?

These are objectively distressing questions. I’m glad “Uncanny X-men #1” dared to ask them. I doubt they’ll get debated or resolved completely in the proceeding issues, mostly because such resolutions are impossible in superhero comics. It still presents the X-men with a unique issue to confront and one that we will likely have to confront in the real world.

As is often the case with difficult questions, the answers are likely to anger some and distress many. Most people genuinely and sincerely want what’s best for their children. In the world of Marvel Comics, that could mean preventing them from gaining the kind of superpowers that makes them targets for Sentinels. In the real world, that could mean removing an entire class of people from the gene pool.

In issues like this, there are no heroes or villains. There are just difficult choices that we must make before someone else makes them for us.

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The following is a review I wrote for PopMatters on Uncanny X-men #1. Enjoy!

An Uncanny Deconstruction of Superheroes in ‘Uncanny X-men #1’

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November 15, 2018 · 10:09 pm