Tag Archives: Avengers Infinity War

Jack Fisher’s Weekly Quick Pick Comic: Thanos #1

Every Wednesday, a new batch of comic books comes out to bring a badly-needed dose of awesome to a world that can never have too much. Not all of them are generic superhero comics. Not all of them are cheap kid-friendly comics full of talking animals and princesses, either. However, they all contribute to the overall awesome in their own unique way.

This week has more going for it than most. While new comics are certainly a joy to fans of superhero media, the upcoming release of “Avengers Endgame” is, by far, the bigger event. I would go so far as to argue that it’s the biggest event in the history of the superhero genre. However, that event wouldn’t be possible without the comics that birthed these iconic characters.

This week, one character is destined to stand out over everyone else and he’s definitely not a hero. He is Thanos, the Mad Titan who brings death, destruction, and wrath wherever he goes. He brought the Marvel Cinematic Universe to its knees in “Avengers Infinity War.” He’s done it more than a few times in the comics as well. However, “Thanos #1” dares to tell a different kind of story.

In this story, Thanos is still the death-loving, power-mad titan he’s always been. A good chunk of the narrative is spent reinforcing this in ways as brutal as anyone would expect of the Mad Titan. That brutality is important, but not just to Thanos. This story is more about Gamora than it is about him.

Thanos #1” isn’t just some extended flashback that reinforces how menacing Thanos is or why he’s one of Marvel’s greatest villains. This is Gamora telling her story about how she became the most dangerous woman in the universe under his guidance. It’s definitely a story worth telling and writer, Tini Howard, doesn’t gloss over the gruesome details.

Through Gamora, we see that Thanos isn’t just a cruel, mass murderer. He really is mad on many levels. There are times when he kills with a goal in mind. While that goal isn’t always logical, he does show that he knows how to employ tactics and he knows how to lead other killers into battle.

Then, there are the times when he just kills because he is not a stable mind. It doesn’t matter if it costs him valuable soldiers and crew members. He kills for the same reason other people collect Star Wars toys. He’s obsessed with it. In the same way some fans can never have too many Darth Vader action figures, Thanos can never have too much death.

Howard does plenty to flesh out this side of Thanos. By reinforcing the extent of Thanos’ madness, it makes Gamora’s role a lot more meaningful. That meaning is important because Thanos shows, time and again, that he’ll kill anyone and everyone without a second thought. Whether it’s an entire planet of pacifists or his own crew of murder-happy minions, he does not hesitate for a second when that murder itch strikes.

However, he does hesitate when he encounters Gamora. It’s not out of compassion or pity, either. Something about her stands out that sets her apart from the countless victims Thanos has killed throughout the cosmos. It’s not immediately apparent. It’s also substantially different than what we saw in “Avengers Infinity War,” but the underlying theme is the same.

It still carries dramatic weight and the artwork of Ariel Olivetti nicely captures that drama. Gamora, who narrates the story, doesn’t portray herself as an impressionable victim who was eager for a power-hungry madman to corrupt her. She was, by and large, just a young girl trying to escape a massacre with her family.

She didn’t come from a warrior culture. She didn’t have a violent streak in her. She was, by all accounts, just an ordinary alien woman who wanted to live peacefully in the only world she’d ever known. For her to become the most deadly woman in the universe, she had to be forced down that path and molded in the most brutal way possible.

It’s yet another testament to just how devious Thanos is, both in the comics and the movies. He’s not just capable of leading a team of murderers from one slaughter to another. He’s also capable of turning an otherwise innocent woman into one of the most deadly killers in the universe.

Thanos #1” is one of those comics that came out at the best possible time. Thanks to the events of “Avengers Infinity War” and the upcoming release of “Avengers Endgame,” the extent of Thanos’ villainy has become a major component of the superhero genre. He is the standard by which other villains are measured now and, like the movies, Gamora is part of that story.

Despite the differences between Thanos in the movies and Thanos in the comics, they share a common link through Gamora. She is an integral part of his journey, as a villain. She embodies just how much Thanos’ cruelty can shape and mold those around him. She is who she is because of Thanos and, as much as she hates it, he defines her.

Gamora’s story is not a pleasant one, but “Thanos #1” proves that it’s worth telling. At a time when all things Marvel are fueled by all things Thanos, the timing couldn’t be better for such a story.

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Higher, Further, Faster, And Fun: A (Spoiler-Free) Review Of “Captain Marvel”

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Soaring to new heights, venturing into uncharted territory, and achieving greater things always requires a great deal of risk. If you do what you’ve always done, you’ll only get what you’ve always gotten and that’s just not enough for some people. For Marvel Studios, the gold standard by which all other movie studios are measured, it has to take those risks in order to expand its dominance into another decade.

A movie as big as “Avengers: Infinity War” or as diverse as “Black Panther” had high stakes on top of higher aspirations. They had to keep raising the bar that Marvel Studios had already raised to unprecedented heights. Those movies both succeeded and raked in record profits, but even those movies never faced challenges like the ones faced by “Captain Marvel.”

Without a doubt, this movie will go down as one of the riskiest movies Marvel Studios has ever made, which is saying something for the same studio that made an “Ant Man” movie. It’s not just because “Captain Marvel” is Marvel’s first female-led superhero movie, nor is it because DC set a pretty high bar with “Wonder Woman.”

Captain Marvel” arrives with more baggage than any other superhero movie not associated with Joel Shumacher. In some respects, it’s coming out at the worst possible time. This is an era where gender politics are on a hair-trigger and features an actress who has been outspoken on where her political affiliations lie. It’s like bringing a tank of gasoline to a growing wildfire.

The context of this movie and its politics are already well-documented and I’ve made my opinions on it known. Beyond the politics, the heated gender debates, and coordinated efforts to tank this movie, there’s still one critical question that overrides all the baggage and burdens.

Is “Captain Marvel” a good movie?

Having seen it at a midnight showing in which the theater was quite packed, I can say in my humble opinion that yes. It is a good, entertaining movie. It doesn’t deviate too far from the Marvel Studios tradition of making superhero movies that are fun, entertaining, and heartfelt. However, “Captain Marvel” ends up achieving much more than that.

Before I go any further, I want to make a few comments about the heated politics surrounding this movie. I’m not going to focus too much on them, but I’m not going to avoid them, either. I get that some people will go into this movie with certain expectations and look for any excuse to justify those expectations. This is my response to those specific individuals.

No, this movie is not laced with radical feminist undertones.

No, this movie does not denigrate men or a specific race of men.

No, this movie does not make overtly political statements.

No, Carol Danvers is not a Mary Sue who is never allowed to fail or be wrong.

Yes, the movie is entertaining and fun in the tradition of good superhero movies.

Yes, the movie is respectful of the history and personality of the character.

Having said all that, I understand that there are a number of people who may disagree with every one of those statements. However, after seeing the movie and having time to digest all its high-flying details, I believe that doing so requires a level of outright pettiness that obscures just how good this movie is.

 

This movie does not have the luxury of expanding on a character who was previously introduced. Unlike Black Panther, Carol has nothing to build on when the movie starts. However, things move quickly once the action gets going. We find out early on that Carol is in a difficult situation, but tenuous situation. In addition, that situation helps further the world-building that is so distinct of the MCU.

We learn more about the Kree in the first 20 minutes of this movie than we have in any other Marvel movie, to date. They’ve been mentioned before in “Guardians of the Galaxy,” but who they are and what they’re like is firmly established in “Captain Marvel.” Their iconic rivals, the Skrulls, are also introduced and it’s here where the movie really shines.

If you’re not familiar with the history of comics, it’s hard to overstate how critical the Kree/Skrull war is to the cosmic side of the Marvel universe. This massive war is something that Carol finds herself in the middle of and her role in it evolves over the course of the movie. Without getting too heavy into spoiler territory, it’s safe to say that this evolution is what helps make her Captain Marvel.

Carol’s story isn’t just about her seeking to fly higher, further, and faster. Through both flashbacks to her past and struggles in the present, her journey from being a loyal Kree warrior to Captain Marvel feels personal, even as it moves the story forward. At first, it feels like the story is on a predictable path. However, that changes, thanks largely to Carol’s the supporting cast.

This is where Samuel L. Jackson’s role as Nick Fury and Ben Mendelson’s role as Talos really complements the story. Their choices and their actions put Carol in a situation where she comes to some difficult realizations and has to make difficult decisions. In doing so, she becomes the hero that she needs to be, both for this movie and for the MCU.

It’s not unlike the evolution that other characters like Tony Stark and Thor have undergone. They start off with one particular outlook on their world. Then, they find themselves in a situation that undermines and even shatters what they thought was right and true. Rather than avoid the unpleasant implications, they confront them. That’s what heroes do and that’s what Carol Danvers does.

By the end of “Captain Marvel,” it’s easy to root for Carol. As she realizes her true power, she becomes the kind of hero that fits right in with the Avengers. The source of that power is not something she inherits or pursues. True to her comic book origins, her high-flying aspirations lead to an accident that comes close to destroying her. Also like the comics, it renders her vulnerable in unexpected ways.

Throughout the movie, Carol is guided and often frustrated by her limits. Some of those limits are things she puts on herself. Some are limits that others impose on her. Overcoming such limits, be they her own emotions or the actions of others, is the true strength of her character. It’s a strength that anyone, regardless of race, gender, or anything of the sort, can respect.

That’s not to say there aren’t flaws in that journey, along the way. In terms of a superhero origin movie, I would not put “Captain Marvel” above the ranks of “Batman Begins” or “Iron Man.” The movie does feel somewhat congested in several areas and the pacing, especially in the early parts of the movie, are a bit erratic.

There’s also an issue with villains in this movie, to the extent that they’re vague. Both the Skrulls and Jude Law’s, Yon-Rogg, aren’t going to give Thanos or Erik Killmonger a run for their money. Even the presence of a young Ronan the Accuser feels like a missed opportunity. While Carol has plenty of fights to pick in this movie, the lack of a major villain is somewhat glaring.

Let’s face it. Nobody was going to top THIS guy.

However, this doesn’t keep “Captain Marvel” from succeeding in the ways we’ve come to expect from Marvel Studios. The distinct bits of humor and tone are definitely there. The use of 90s nostalgia, from grunge rock to Blockbuster, works at every turn. The choice of music is spot on for every scene. Like “Captain America” and “Wonder Woman,” the time and place fits perfectly with the story.

By nearly every measure, “Captain Marvel” checks all the right boxes, in terms of a quality product from Marvel Studios. Again, it is possible for someone to single out certain scenes as proof that the movie is trying to make a political statement. However, I would argue that you could find similar scenes in movies like “Wonder Woman” and even “Deadpool.”

At the end of the day, if you’re really determined to hate this movie and label it as some sort of hit piece against a particular race or gender, you’ll find multiple excuses. However, it still requires a level of pettiness that requires someone to actively look for a reason to be offended and there’s already too much of that in this world.

If you watch “Captain Marvel” with the sole desire to be entertained and see the MCU evolve before your eyes, this movie will deliver in all the right ways. If I had to score this movie, I would give it a 4 out of 5. It’s a fun ride with a few bumps along the way, but is ultimately satisfying by the end. On top of that, the post-credits scene help further build the excitement for “Avengers: Endgame.”

Also, no matter your politics, the Stan Lee tribute at the beginning of the movie is beautiful.

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“Captain Marvel” Second Trailer

Another glorious preview for “Captain Marvel” has dropped. Let’s all take a moment to soak in its marvelous glory. She’s destined to fly higher, farther, and faster than any hero before her. Thanos is fucked. Nuff said!

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The Future Of Villains And Villainy

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What is happening to villains these days? That’s an entirely reasonable question to ask. Over the past decade, we’ve seen a remarkable shift in how we approach villainy in movies, TV, comic books, and video games. I’m not just talking about the superhero media, either. However, that happens to be the most visible manifestation of this change.

As a long-time fan of both superheroes and quality villains, I welcome this change. At the same time, I’m curious about where it’s leading and what it means for the future. Villains are as old as storytelling itself. From the Bible to “Star Wars,” these stories work best when there’s villainy to oppose the unfolding narrative. Villains have always evolved alongside the heroes that oppose them, but that evolution seems to be accelerating.

I’ve discussed the unique journey that villains undergo and how they set themselves apart from heroes. Traditionally, a villain’s primary purpose was to both oppose the hero and highlight how heroic they are. The sheer malice of characters like Lex Luthor help contrast the pure selflessness of characters like Superman. It’s easier to appreciate those heroes knowing they have to deal such malicious opponents.

Then, something remarkable happened. Audiences began demanding more of their villains. It wasn’t enough to just have a villain oppose a hero. People began wanting villains who were understandable and even relatable to some extent. Ironically, they wanted a villain they could root for.

That helped lead to characters like Walter White from “Breaking Bad.” His impact was so profound that I even called his influence the Walter White effect. However, I think there were others who paved the way for Walter White. If I had to pick one villain that helped kick-start this trend in villainy, it would be Heath Ledger’s Joker from “The Dark Knight.”

From this portrayal of villainy, the emerging state of villains emerged and it may very well set the tone for the future. On the surface, this version of the Joker wasn’t too different from the one who had existed in the comics for years. He’s dangerous, destructive, murderous, and callous, like many villains. Unlike most, though, he does what he does with a laugh and a smile.

What made this version of the Joker so memorable was the principles behind his madness. To him, society is corrupt and people aren’t inherently good. As such, he seeks to point out how laughable it is when others try to save it. Batman’s crusade against crime is the biggest joke of all, which helps drive their rivalry.

It’s a philosophy that few other than terrorists and extreme nihilists would buy into, but it’s one that’s understandable to some extent. We don’t have to agree with them or their methods. We just have to see their twisted logic. They can’t just be standard James Bond villains whose motives are indistinguishable from fascists, communists, or terrorists. There needs to be something more personal at work.

We saw plenty of that in 2018’s biggest movies. From “Black Panther” to “ Avengers: Infinity War” to “Incredibles 2,” the villains all had something personal at stake. Erik Killmonger saw his villainous actions as heroic. He wasn’t out to just take over Wakanda. He had a vision in mind that felt justified to some extent, especially to those familiar with real-world historical injustices.

Thanos raised the bar even more in “Avengers: Infinity War.” He never tries to come off as a hero, but he never sees his actions as villainous, either. In fact, when heroes like Dr. Strange call him out, he frames his desire to cull half the population in the universe as mercy. For him, it’s simple math. Half a population is better than no population at all.

These motivations, as devious they might be on paper, have some semblance of merit to it. Both Thanos and Killmonger think they’re doing the right thing. That significantly impacts how the heroes in their stories go about thwarting them, although I would argue that one story was more complete while the other remains unresolved.

In “Black Panther,” T’Challa doesn’t just stop at defeating Killmonger. He actually sees some of his enemy’s points and takes steps to address them. He doesn’t revert things back to the way they were. Wakanda doesn’t return to the same isolated state it had been at the start of the movie. Instead, he seeks to find a middle ground. That, I would argue, is the new template for how heroes defeat this kind of villain.

The resolution in “Avengers: Infinity War,” however, is not as clear. That’s largely due to the story not being complete. There is a sequel planned, but at no point in the three-hour spectacle did the Avengers attempt to prove Thanos wrong. They only ever tried to stop him. That oversight has not gone unnoticed by audiences.

This, in many ways, sums up the new dynamic between heroes in villains. It’s no longer enough for heroes to just defeat their adversaries. It’s not even enough for villains to be exceptionally devious. There have to be larger principles at work. It can’t just be reduced to general greed, ego, or bullying.

Thanos seeks to kill have the population because he believes that it’ll prevent the complete extinction of all life.

Erik Killmonger seeks to empower oppressed minorities to right past injustices.

Dr. Doom seeks to conquer the world because a world under his rule is the only one free of suffering and want. That’s actually canon in the comics.

It’s makes crafting compelling villains more difficult, but at the same time, it opens the door to more complexity. On top of that, it demands that audiences think beyond the good versus evil dynamic that has defined so many stories, going back to the days of fairy tales. It’s a challenge that some are certain to fail. Some already have, sadly.

It also sets the tone for future forms of villainy. How that villainy manifests is impossible to predict, but given the current trends, I think there’s room to speculate. At the heart of this emerging villainy is the idea that the current system just isn’t working. It’s so bad that the only viable option is to destroy and rebuild it. There’s no room, whatsoever, for reform.

This is where the heroes will have to evolve, as well. They can’t just play “Super Friends” and save the day. They have to actually make meaningful changes to move society forward. King T’Challa did that at the end of “Black Panther.” Other heroes need to be as willing. Otherwise, they won’t be able to call themselves heroes. They’re just defenders of a status quo may not be working as well as they think.

It’s an ideological struggle that parallels many real-world struggles. People today have less and less faith in established institutions. As a result, more people are falling sway to populist rhetoric that promises to break down the current system entirely. By and large, people today aren’t content with just preserving things as they are. They seek more meaningful change.

That presents a serious problem for heroes and a golden opportunity for villains. Historically, heroes haven’t been able to effect change beyond a certain point. Some of that is for logistical reasons. A hero can never create a functioning utopia without ending the story completely, which is something major media companies cannot have. There’s too much money to be made.

Logistics aside, the future of villainy will have plenty of raw materials to work with and plenty of societal angst to draw upon. Heroes who save the day, but do little else won’t be able to call themselves heroes in the world currently unfolding. Villains who have a real vision with understandable motivations will find themselves with more supporters than before.

It’s no longer taboo to root for the villain, especially when the heroes don’t confront the flaws in their rhetoric. In what seems prophetic now, “Avengers: Age of Ultron” may have put it best when Ultron stated:

“I’m sorry, I know you mean well. You just didn’t think it through. You want to protect the world, but you don’t want it to change.”

That’ll be the key to the future of villainy, change in a world that resists too much of it happening at once. It’ll make for some complicated villains, but it will definitely make the struggle of heroes even harder. However it plays out, I believe it’ll be worth watching.

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How The Captain Marvel Movie Could Actually Fail

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I hope everyone has had a chance to catch their breath after the release of the “Captain Marveltrailer. I certainly needed a day or two. It was one of those experiences in which it takes time to process every wondrous detail. I don’t know how many times I watched it. I just know that March 8, 2019 cannot get here fast enough.

The response to the trailer has been overwhelmingly positive, which has become the norm for all things affiliated with Marvel Studios. The bar for this movie is high, but matching and exceeding high bars is exactly what Carol Danvers does. The Marvel Cinematic Universe is already on an unprecedented win streak, both in terms of acclaim and box office. By all accounts, “Captain Marvel” is poised to continue that streak.

If I had to bet on it, I would place a hefty wager on “Captain Marvel” succeeding. Marvel Studios is riding such a huge wave of hype after “Avengers: Infinity War” that the idea of one of their movies failing seems unthinkable. However, it wasn’t that long ago that people felt the same way about “Star Wars.” Then, “Solo: A Star Wars Story” came along and shattered that notion with the force of a thousand Death Stars.

Like it or not, the law of averages dictates that Marvel Studios will fail at some point. Whether or not that happens with “Captain Marvel” remains to be seen. For the moment, that doesn’t seem likely, but the possibility is definitely there. I would go so far as to say that “Captain Marvel” is more vulnerable than previous Marvel movies and not just because the bar for success is so ridiculously high.

Kevin Feige, the President of Marvel Studios, has gone on record as saying that Captain Marvel will be one of the most powerful characters in the MCU. Her presence will be a game-changer for the immediate and distant future. That means the margin for error is ridiculously small. Marvel Studios literally cannot afford for “Captain Marvel” to fail. That may end up being what makes this movie so vulnerable.

As a lifelong fan of superhero comics and a Captain Marvel fan, I feel like it’s worth contemplating this most distressing possibility. Never mind the implications for Marvel, Disney, and the entire superhero genre that may unfold in the event that “Captain Marvel” fails. How could a movie with so much going for it and an Oscar-winning actress in Brie Larson end up failing in the first place?

After watching the new trailer multiple times, reading multiple articles, and contemplating my previous comments on this movie, I’ve surmised a handful of concerns that I believe could derail this movie. Some of these concerns assume certain details that may very well be dead wrong by the time the movie comes out. I have no insight beyond the trailers I’ve seen and the details that have been made public.

I don’t expect everyone to share these concerns. Some may even have entirely difference concerns and I’d be happy to discuss them in the comics. For now, this is just me, as a fan of both Carol Danvers and superhero comics, contemplating what could go wrong for a movie that aspires to do so much.


Reason #1: Limiting The Extent Of Carol’s Agency (Inadvertently)

One of the biggest revelations from the second trailer had to do with an important plot point that was ripped directly from the comics. In the first minute, we find out that Carol’s memory has been erased and she’s caught up in the agenda of the Kree. Given how the only notable Kree character in the MCU to date has been Ronan the Accuser, this does not bode well for her.

This is a critical detail because in the comics, Carol lost both her memories and her powers at one point and had to effectively rebuild herself. That struggle helped establish how resilient she was, as a character. It also helped build her appeal. More importantly, though, it emphasized her struggle to regain her sense of agency.

Being mind-wiped is always a tricky plot point, as was nicely demonstrated in “Captain America: Civil War.” The biggest problem is being mind-wiped really hinders a character’s ability to make weighty choices. For Bucky Barnes, that isn’t too controversial. For Carol Danvers, a female hero in an era where female heroes have become fodder for identity politics, it could be an issue.

If, from the get-go, Carol is just a puppet of the Kree and her entire story revolves around her escaping their control, then that doesn’t just narrow the plot. It limits her agency because it makes her choices predictable. If, at any point in the story, she’s faced with a choice to follow the agenda of the Kree or go against them, it’s not going to surprise anyone when she chooses to go against the aliens trying to use her.

By making too much of the story about Carol re-asserting her agency, it makes the movie less about her fighting shape-shifting aliens and more about her regaining her independence. While that too can be a compelling story, and one in line with her history in the comics, it hinders the plot by making every choice obvious. When none of the choices in a story seem difficult, it can get boring fast.


Reason #2: Not Allowing Carol To Be Wrong

This is another factor that could make “Captain Marvel” too predictable and boring. Marvel Studios has made it clear that they want Carol Danvers to be the future of the MCU. Like Captain America, she’s poised to become the face of Marvel and their Disney overlords. For that very reason, it’s important that they allow her to be wrong.

To understand why, think back to “Wonder Woman,” the movie that set the gold standard for female superhero movies. In this movie, Wonder Woman doesn’t just make a fateful choice when she leaves Paradise Island. She also ends up being dead wrong about the identity of Ares. It made for a powerful moment that genuinely surprised me.

That moment didn’t just establish that Wonder Woman was fallible, despite being this overpowered badass warrior princess. It humanized her in a critical way. You could argue that this trait is more integral to Marvel’s heroes because they end up being wrong in a wide variety of ways. Tony Stark’s journey to becoming Iron Man started with him being wrong about something.

My concern for Carol is that making her this overpowered female hero who can defeat Thanos will take priority over everything else. The story won’t even give her a chance to be wrong or make a bad decision. That won’t just make the plot predictable and boring. It could earn Carol Danvers the dreaded “Mary Sue” label that has plagued characters like Rey.

That, more than anything, could derail Carol’s ascension to the upper echelons of the MCU. If she becomes a joke more than an icon, then she won’t be able to do carry out the bold plans that Marvel Studios has laid out for her. Part of what makes characters like Iron Man and Wonder Woman so popular is that they’re so easy to cheer for. Cheering for an annoyingly flawless character who is never wrong is much harder.


Reason #3: Not Effectively Explaining Carol’s Absence From The MCU

This is more a logistical concern than anything else. Before the first trailer ever dropped, it was established that “Captain Marvel” was going to take place in the 1990s. As a result, it would unfold within a world before the Avengers ever assembled and before superheroes ever became mainstream. It would also explore the origin of pre-eye patch Nick Fury, something that “Captain America: The Winter Soldier” only hinted at.

That’s an intriguing idea that digs into an unexplored aspect of the MCU. At the same time, it does raise a major question. If Carol has been Captain Marvel since the 1990s, where has she been? Why wasn’t she available when Loki or Ultron attacked? While it makes sense outside the movies in that a “Captain Marvel” movie wasn’t even scheduled before 2012, those questions are still relevant in the story.

The end of “Avengers: Infinity War” somewhat compounds this issue because Nick Fury reveals that he has had a way of contacting Carol all this time. A tie-in comic also hints at his past dealings with Carol, but is vague on why he chose not to summon her. Chances are “Captain Marvel” will try to answer that question more in depth, but that answer might not be adequate.

It’s not a trivial detail that can be glossed over. If Carol doesn’t have a good reason for not being on Earth during invasions from aliens and genocidal robots, then that makes it harder to get behind her as the most powerful hero in the MCU. It can’t come off as an excuse because Marvel Studios hadn’t planned that far ahead. Without a good reason, Carol just wouldn’t come off as heroic.


Reason #4: Making Her A Female Superhero BEFORE Making Her A Great Female Characters

This is where the stakes for “Captain Marvel” get frustratingly political. I’ve mentioned before how creating quality female characters has become mired in identity politics. This movie has already been affected somewhat by those corruptive forces. “Wonder Woman” managed to avoid it from a plot perspective and that’s the most “Captain Marvel” can do.

This means that before Carol Danvers becomes the super-powerful, high-flying badass we saw in the trailer, she needs to establish herself as a character, first. This is something I’ve seen movies, comics, and TV shows get completely backwards in recent years. There’s such an emphasis on making someone a “strong female character” that they forget the part where they’re a compelling character.

Carol Danvers has decades of character development in the comics. She’s someone who has deal with upheavals in her personal life, her superhero life, and everything in between. It’s hard to fit all of that into a two-and-a-half hour movie, but both “Wonder Woman” and “Captain America: The First Avenger” showed that it’s possible.

I can easily imagine Marvel Studios feeling tempted to make “Captain Marvel” the kind of cosmic spectacle we saw in “Guardians of the Galaxy.” I wouldn’t blame them for taking that approach, but having that without establishing the depths behind Carol Danvers would only be half a movie. Visual spectacles are great, but without quality characters, it’s just flashy images and nothing else.


Reason #5: Trying Too Hard To Make Carol Too Powerful

This issue is part logistics and part agenda. The events of “Avengers: Infinity War” were astonishing in terms of scope and scale. In the end, the collective might of dozens of Avengers could not stop Thanos. He was stronger than Thor, the Hulk, and the entire army of Wakanda. By default, taking him down requires a new level of power.

Carol Danvers promises to wield such power. Before the movie finished shooting, Kevin Feige dubbed her the most powerful Avengers in the MCU. That power may be necessary to defeat Thanos, but getting Carol that power could be tricky. Her power levels are already pretty extreme in the comics, but the MCU deals with different circumstances and scales.

The second trailer offers some clues as to how Carol gets her powers. Like the comics, they’re tied to her biology getting mixed up with that of the Kree. Beyond that, the scope and extent of her powers are vague. It’s not clear whether there’s something unique about her or the process that gives her so much power. At some point, she’ll have to level up and expanding powers in superhero media is always tricky.

When powers don’t have defined limits or are left vague, they tend to resolve every story in the spirit of a Deus Ex Machina trope. In short, there’s a supremely powerful threat. Then, by some contrived happenstance, the good guys gain access to power at or greater than the threat. It’s simple, but contrived. A DC movie may get a pass, but the bar for Marvel Studios is higher.


Again, I believe that “Captain Marvel” will be a great movie. Most of these concerns are just a byproduct of only knowing the movie through a couple of trailers. None of these reasons are inescapable. Given the impressive track record of Marvel Studios, there’s no reason to believe they won’t find a way to make it work and raise the bar even more.

One way or another, “Captain Marvel” is set to be a major turning point for the MCU. Whether it succeeds or fails, it will have a significant impact on the overall genre. However, it’s in the best interest for the MCU, Marvel, and superhero media, in general, that this movie succeeds.

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Filed under Comic Books, Jack Fisher, Superheroes, gender issues, Marvel, movies, political correctness, superhero comics, superhero movies, women's issues, Wonder Woman

Marveling At The Second “Captain Marvel” Trailer

The second “Captain Marvel” trailer has dropped. There’s a lot I’d love to talk about. For now, though, let’s just take a moment to marvel at what awaits us in March 2019.

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Understanding The Recent Changes (And Upheavals) In The Life Of Carol Danvers

Carol

Some characters are iconic from the get-go. Spider-Man, Superman, Wonder Woman, and Batman all managed to establish themselves as special early on in their history. They’re the lucky ones, though. Most characters have to go through a long, arduous process to reach the top tier of superhero icons. A lot of them never make it, but those that do are special in their own right.

These days, the character who best embodies that spirit is Carol Danvers. You don’t have to go back too far to remember a time when she was relegated to the superhero B-list. As Ms. Marvel, she had her share of fans. I was one of them. She also had her place in the annuls of Marvel lore. However, she was never able to break through and join that elite club occupied almost exclusively of Stan Lee creations.

That all changed when Kelly Sue DeConnick came along and reinvented Carol Danvers as Captain Marvel in 2012. That process, which has since become one of my favorite runs on a comic book series of the past 10 years, helped Carol finally break into the upper echelon of superheroes. With a movie coming out in 2019 staring Brie Larson, it’s safe to say she’s entrenched.

I could write a dozen articles about why Carol Danvers’ character resonates more now than it did when she first showed up in 1968. I’ve already mentioned some of the unique challenges she faces as she enters rarefied air among Marvel heroes and female superheroes, in general. However, I want to focus on one particular aspect of her character that helps her stand out.

As it just so happens, it’s also part of her character that recently underwent a major upheaval in the comics. Among other comic book fans, it has been controversial. I’ve certainly seen more than a little whining on message boards and Reddit. I have my share of criticisms too, but I intend to justify why I believe this is a promising new era for Carol “Captain Marvel” Danvers.

The upheaval in question occurred in a recently-launched mini-series called “The Life of Captain Marvel.” Written by Margaret Stohl, who has been guiding Carol’s journey for several years now, I cannot recommend this series enough. It is, by far, one of the best Carol Danvers stories ever written. Years from now, it will likely mark a major turning point for her story.

That’s because Stohl does something that’s both critical and controversial to Carol’s history. She makes a major alteration to an aspect of Carol’s life that doesn’t change her past, but puts it in a very different perspective. That change, in my opinion, makes Carol a much more intriguing character.

If you want to avoid spoilers, you should probably stop reading here and check out the series. Again, I highly recommend it. The big change, however, takes place in the fourth issue. Here, her mother, Marie, drops a bombshell revelation on Carol that rocks her world. She reveals that she’s half-human and half-alien. Specifically, she’s half-Kree.

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Anyone who saw “Guardians of the Galaxy” knows why that’s a big deal.

Anyone who has a passing knowledge of Marvel history knows why that’s a huge deal.

The fact that she’s half-alien isn’t that unique. Peter “Starlord” Quill has a similar heritage. The reason it’s such a big deal for Carol is because it changes the context of how she got her powers and the role she plays in the greater Marvel universe.

Before this change, Carol’s powers were somewhat of an afterthought. Like Spider-Man, they were the result of an accident. Her’s just involved alien device called the Psyche Magnetron. She got caught in an explosion and that explosion allegedly fused her DNA with Kree DNA to give her superpowers. It’s not the most contrived origins story, but it’s not exactly epic.

To some extent, getting her powers by accident undercut all the work she did before that. Even without powers, she managed to carve out a successful career in the air force and NASA. That work became somewhat superfluous once she got superpowers. Unlike Peter Parker, she was already on a heroic path. Getting powers just seemed like skipping a bunch of steps.

With the revelation by her mother, there’s more connective tissue between her journey as Carol Danvers and her journey as Captain Marvel. Her mother, who comes out as a full-blooded Kree warrior, tells Carol that the accident wasn’t the sole cause of her abilities. It was just the catalyst. These are her exact words.

“What humans see as Kree powers are just our biological adaptations to a life of combat. They’re triggered in battle, usually around adolescence. Sadly, most of us have known war by then.”

This implies that even if she hadn’t been caught in the crossfire of the Psyche Magnetron, her Kree abilities would’ve come out at some point. For some fans, including die-hard Captain Marvel fans, it feels like this is denigrating her origins. I respectfully disagree with that notion. I believe this gives Carol’s story a new kind of appeal.

In terms of how superheroes become iconic, how they get their powers and how they choose to use them plays a huge part in their appeal. I would argue that just making Carol an ordinary human who got caught in an accident has limited appeal. Like I said before, she’s not Peter Parker. She’s not an average person. She’s more like Batman in that she’s an overachiever who strives to do more.

Her being half-Kree adds a new dynamic to the mix because it makes Carol a product of two different worlds. She is born on Earth and lives her whole life as a human. However, she now has this alien heritage that has already influenced her life in ways she didn’t understand. You need only look at the mass appeal of Superman to see why that story is compelling.

Being half-Kree means Carol suddenly has a connection to a race that has waged war on Earth before. She also has a connection to a world that has blatantly experimented on humans before. At the same time, her human life wasn’t exactly ideal. Unlike Superman, she was not raised by picture perfect parents like the Kents.

Her mother, despite being a Kree warrior, was in an unstable relationship with Carol’s very human father. Their family suffered a devastating loss when Carol’s brother, Steve, died in combat. They never really recovered from that and, for most of Carol’s history, that loss kept her parents as a side-note at best in her journey.

With Carol’s mother being a Kree warrior, it changes her into something more than a woman who stayed in a bad marriage. It adds more layers to why she and her husband clashed. Even in the first few issues of “The Life of Captain Marvel,” her father comes off as a generic asshole. Finding out he was dealing with an alien wife makes his struggles a lot less generic.

In many ways, Carol’s parents represent her divided heritage. Her father didn’t want her embracing her Kree side and fighting alien wars. Having already lost a son, who can blame him? Her mother didn’t want to stop Carol from embracing both sides of her heritage, even though that was sure to leave her conflicted.

It effectively connects Carol’s superhero journey with that of her family. Those journeys involve some heavy losses, painful secrets, and destructive alcoholism. It’s something you’re not going to find with Superman, Spider-Man, Batman, or any of the X-men. It leaves Carol Danvers in an uncertain, but promising state.

It’s not yet clear how much of Stohl’s revisions will find their way into the “Captain Marvel” movie. To some extent, it helps that Carol’s origin isn’t as iconic as that of other heroes. The Marvel Cinematic Universe has already done some considerable tweaks to certain characters to make them fit the narrative. I have a feeling we’ll see plenty of that in the movie.

However things plays out on the big screen for Carol, I think her story in the comics just became a lot more interesting. I know there are some fans upset by this. I’ll even concede there are some parts of this revision I don’t care for. There was some appeal to Carol just being an ordinary human who worked her ass off to achieve what she did.

Every major revelation or retcon in a comic or movie comes at a price. You’re bound to upset some people. That’s unavoidable in a world full of such diverse tastes. However, I believe that Carol gained much more than she lost in “The Life of Captain Marvel.” I believe she’s bound to gain a whole lot more, both through her movie and through the new host of stories that can be told.

Whatever the case, I hope Brie Larson takes plenty of notes.

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