The following is a video from my YouTube channel, Jack’s World. I know this is a bit of a break from my usual video release schedule, but after the events of Episode 8 of “WandaVision,” I just couldn’t wait. I had to do a reaction video and honestly, I’m starting to enjoy making these videos. As with my first, this one contains spoilers and a revised fan theory that is very likely wrong. At the rate this show is going, I’ll be sure to develop plenty more. Enjoy!
Tag Archives: Monica Rambeau
I apologize for posting this several days after the fact. I know I’m late to the party with respect to reactions to Episode 5 of “WandaVision.” I don’t have a very good reason for that, other than being pre-occupied with my Super Bowl LV preparations.
In hindsight, that might have been for the best because the events of this episode were incredible. It was, without a doubt, the most impactful episode of this show to date. Both the fan reactions and the IMDB scores are proof of that.
I can safely confirm that my reactions mirrored the shock, glee, and astonishment that got this show trending the day it debuted. As excited as I was to watch the Super Bowl, I found myself more caught up in the implications of this episode.
Now, before I go any further, I want to disclose that there will be talks of spoilers for this episode. If you haven’t seen it yet, I highly recommend you do. If you’re at all a fan of Marvel and the Marvel Cinematic Universe, this is one episode you do not want to miss. It has implications that could likely impact future movies in the best possible way.
If you’re still here, then here’s a brief rundown of the events.
- Wanda and Vision’s kids start as infants, but rapidly age to toddlers and then to pre-teens
- Vision starts to suspect that something is amiss in their cheerful life
- Outside Westview, SWORD is trying to make sense of the anomaly and starts sending drones inside
- Wanda doesn’t like the intrusion and goes so far as to step out and warn SWORD not to interfere with the world she’s created
- Vision is able to free some people from Wanda’s manipulations and confronts her about it
- Before they can come to blows, a surprise guest arrives at the door and it’s Wanda’s dead brother, Pietro
- However, it’s not the Pietro that died in “Avengers: Age of Ultron.” It’s the Pietro from the X-Men Fox movies, played by Evan Peters.
After four episodes of teasing, mystery, and build-up, this episode gave us the first major payoff. Now, it’s a bit clearer as to what’s going on and what’s driving this story.
We know now that it’s not some outside agent who has hijacked Wanda’s mind and powers. She’s the one doing this on her own. She’s the one who created this strange anomaly around Westview, creating her own pocket reality that mirrors that of American sitcoms throughout the decades.
That’s a critical and potentially revealing detail, one that even Vision finds distressing. In addition to finding out that she’s the source of all this, we also learn that she’s the one who took Vision’s body from SWORD and she wasn’t polite about it.
She’s clearly not in a very understanding state of mind. Visions death at the hands of Thanos did not go over well and him not coming back in “Avengers Endgame” only made it worse. At this point, she has lost too many people that she loves and she’s willing to break reality to get it back.
That moment when she steps out of the bubble and confronts SWORD makes this clear. She has what she wants in this pocket reality. She has Vision, a family, and a life in which she hasn’t lost everyone who matters to her. That’s powerful in that it shows how much she was hurt by the events leading up to this show.
However, the biggest moment, by far, came at the end with the arrival of Quicksilver. However, the fact that the Quicksilver we saw was not the Quicksilver played by Aaron Taylor-Johnson in “Avengers: Age of Ultron” was the most jarring. It also has the greatest implications.
This is the part where I’m going to start exploring some fan theories, some of which others have already developed. I think after this episode, we have enough details to make some less-than-wild speculations about where this is leading.
We know from the previous episode that Vision was indeed killed. It’s very possible that he’s only alive because Wanda is animating him. We also find out that as powerful as Wanda is, she has limits. She couldn’t make baby Tommy and Billy stop crying. She also couldn’t bring their dog, Sparky, back to life.
This would imply that, even if she wanted to bring the Aaron Taylor-Johnson Quicksilver back, she couldn’t. It seems that if someone dies in her universe, then they stay dead. She cannot bring them back. However, this may not apply to version of her brother from other universes.
We already know from “Dr. Strange” that the multiverse is a thing. Wanda may also be aware of this on some level, even if she didn’t consciously reach into another universe to find another version of her brother. The fact she found the same version we saw in “X-Men: Days of Futures Past” could be another telling hint.
However, I don’t think that means that the MCU is about to do a direct crossover with the Fox era X-Men movies. I think trying to incorporate that messy continuity into the MCU will be too cumbersome, even for someone like Kevin Feige.
I suspect that we’re getting this particular version of Quicksilver because he, and other mutants like him, have been in a pocket universe of their own. It’s why we haven’t seen any mutants show up in the MCU, at least with respect to the story. I understand the movie rights were the logistical reason for that.
The fact that Wanda created a pocket reality of her own means that someone or something taught her. I don’t know who it could be. Perhaps, it involves someone like Agatha Harkness, a witch from the comics who helped Wanda master her powers. Maybe it involves someone far more powerful, like Mephisto.
Whatever the source, I think pocket realities are going to be what plays into the events of “Dr. Strange and the Multiverse of Madness.” They’ll be akin to the disruptions or wrinkles in the larger fabric of reality, which was already disrupted by the events of “Avengers Endgame.” That domain could be where mutants reside.
Now, I could be dead wrong about that. In fact, I’m not entirely confident in that theory being true. However, there’s one other theory that I think is a bit more plausible. It’s not so much a theory as it is an observation of trends.
Wanda is becoming a villain and she will likely play the part of the MCU’s main villain in Phase 4.
I think, thematically, this makes sense. After Thanos, the MCU needs a new villain to warrant a massive assembly of the Avengers. We’ve already seen this big, menacing villains who look, act, and sound evil. We got Ronan, Thanos, Dormammu, and Ultron. I think the MCU needs a change of pace after that.
Wanda would act as an entirely different kind of villain. This isn’t someone who is just an outright villain from the get-go. She’s a friend. She’s an Avenger. She’s someone who has lost nearly everyone she has ever cared about. If ever there was a hero you could understand breaking bad, it’s her. That’ll make fighting against her that much harder.
The moment in this episode when she confronted SWORD made it clear. She can bend reality to her whim and she’s willing to use it to get what she wants. That’ll make her both dangerous and volatile. She may end up being the main villain of “Dr. Strange and the Multiverse of Madness.”
If that’s the case, then Phase 4 of the MCU is going to be very chaotic indeed.
I’ve been in major withdraw of MCU content after 2020.
I say that because it’s likely to color my perceptions and bias, so I won’t bother hiding it. I imagine others share it, too. That being the case, let’s just put it out there. A lot of things got derailed in 2020 because of the pandemic, including several movies that were supposed to kick-start the next phase of the MCU.
These delays were understandable, given the state of the world. That didn’t make them any less painful. It marked the first year in nearly a decade that we had to go an entire year without any MCU content. As a lifelong fan of comics and superhero movies, words cannot describe how agonizing that was.
Now, the wait is over. The MCU is back. While it’s not in the form of a billion-dollar blockbuster, Kevin Feige and our Disney Overlords are adapting this wondrous franchise for the world of streaming. The first step in that process finally arrived last week in the form of “WandaVision,” the first ever MCU content built exclusively for streaming.
It marks a bold new era for the MCU, as well as another incentive for people to invest in a Disney+ subscription. Like it or not, “The Mandalorian” cannot do it alone, but it still set a high bar. Does “WandaVision” match that bar in the first two episodes?
The short answer is yes, for the most part.
The long answer is yes, it’s on the right track, but only time will tell.
Two episodes is simply not enough to assess the full quality of any show, but it does help create a foundation. In that sense, “WandaVision” definitely starts strong. It takes the winning formula of the MCU and adapts it into a quirky sitcom full of humor, mystery, and a glut of Easter Eggs.
I’ll get to the Easter Eggs later, but I want to focus more on the unique format of the show. Make no mistake. It is unique, if not downright weird. Then again, both Wanda and Vision are weird characters with a strange, but endearing connection. That has always been the case with their relationship in the comics. This show does plenty to channel that weirdness and to that end, a sitcom format works beautifully.
There’s no build or setup for that format. When the first episode begins, it runs like an old episode of “I Love Lucy” or “Dick Van Dyke.” It’s black and white. The setting is an idyllic suburb. Wanda and Vision are newlyweds, but they’re still very aware of their powers, abilities, and status as a couple in which one of them is an android.
Naturally, the MCU brand of humor emerges naturally from that setup. There’s all sorts of comments and quips that poke fun at their status, which is milked for plenty of entertainment value. In addition to plenty of classic sitcom tropes from that era, it’s a potent formula. You don’t expect it to work as well as it does, but it still works.
The first episode involves Vision and Wanda trying to host a dinner for Vision’s boss. There’s plenty of misunderstandings and mishaps, but it ultimately pans out.
The second episode builds on that, having Wanda and Vision try to integrate with their suburban community and participate in a talent show. Things go horribly and hilariously wrong when Vision finds out he can’t handle chewing gum.
Within these quirky sitcom antics, there are ominous hints and teases as to what’s really going on. This is taking place in the MCU, following the events of “Avengers Endgame.” Something or someone has warped reality around Wanda, who was not in a good place after the death of Vision. That instability comes into play on multiple occasions throughout the first two episodes, but nothing major is revealed.
This is where “WandaVision” shines and stalls at the same time. The sitcom format works beautifully and provides plenty of entertainment value. However, when it comes to explaining how they got there and who’s involved, the hints are exceedingly vague.
I ended up having to watch both episodes multiple times to really understand those hints. If you’ve been following the movies and are familiar with the comics, you’ll definitely appreciate them. If not, you will likely be quite lost.
This is not the kind of show you can come in blind and appreciate fully. It’s still fun, but you can’t get the most out of it without having a moderate knowledge of Marvel Comics and the MCU.
That brings me to the Easter Eggs in both episodes. There are a lot of them, too many for me to mention. Other sites have already highlighted them, but the sheer volume Marvel Studios threw in is both impressive and revealing. Some offer hints of past events in the MCU. Others hint at things only comic fans will recognize.
These Easter Eggs definitely enhance the experience. Again, if you don’t have that working knowledge, they’re easy to miss and they do limit that experience. Even without that knowledge, though, some of those hints are quite overt. It’s very clear that something is very off in this world and others are trying to get into it.
It’s still not clear if Wanda is trapped or if this whole world is just her own doing. There are plenty of hints that someone with less-than-noble intentions is playing a part. There are also some familiar faces, namely Monica Rambeau, who make their presence felt. What role she and others will play is still unclear, but the stage is definitely set for something big, literally and figuratively.
In just two episodes, “WandaVision” effectively establishes its own unique style. It has that familiar MCU polish, but it’s also very different from the big budget blockbusters we’re used to. That’s not a bad thing. Like I said, this show marks Disney and Marvel Studios’ efforts to adapt to the world of streaming.
It’s still too early to say for sure whether it’s a full-fledged success. After the first two episodes, I’d say it’s well on its way. I’m not going to give a score for “WandaVision” just yet. It’s too early to fully assess the show. I’ll just say that I’m so glad and so relieved to see the MCU back in action. I still miss going to the movies, but this show promises to tide me and my fellow Marvel fans over in the meantime.