Tag Archives: Vision

WandaVision Trailer: My Reactions And (Renewed) Hopes

This year has been a lost year for many things. I don’t think I need to go into reasons why or to what extent. It’s awful. We don’t need to be reminded of that. This is especially true for fans of superhero movies. To some extent, this year almost feels like karma after movies like “Avengers Endgame” dominated the box office for so long.

As bad as things have been, we’re still trying our best to inject a little awesome into this increasingly dystopian landscape. Like it or not, superhero movies and media still have a place in the entertainment landscape. This past year might have been a huge loss for the box office, but there’s still reason to be excited about the future of the genre.

That includes the entertainment behemoth that is the Marvel Cinematic Universe. When this year began, it promised to be a time of transition. With the rise of Disney Plus, Marvel Studios has a new medium to explore and evolve. Among those crop of shows is mini-series called “WandaVision.”

Given Vision’s fate in “Avengers: Infinity War,” the setup alone for this show is odd. Not being a fan of how their relationship was handled in the movies, I admit I wasn’t that excited about this show. However, I was curious.

Then, the trailer dropped and my curiosity has only grown. If you haven’t seen it yet, I highly recommend you check it out.

It looks weird. The setup is very strange. The visuals are all over the place. It’s hard to tell whether Vision is alive, dead, or part of some strange fever dream. There’s a lot of strange humor and odd mysteries. This show looks downright crazy.

That’s exactly why my hope and excitement for this show has been renewed.

To explain, it’s necessary to know a few things about Wanda Maximoff. Before she helped make Elizabeth Olson a star, she was a very controversial and very unstable character in the comics. She had a nasty history of warping reality in distressing ways, often at the cost of her sanity.

If this trailer is any indication, she has not been coping well with Vision’s death at the hands of Thanos. That reaction would be perfectly in line with what happened to her in the comics during the infamous House of M event. That event is still a bit of a touchy issue for many comic fans, but it’s a perfect foundation for this show.

It puts Wanda in a position to deal with her many issues. However, given her powers and her unstable nature, that process is bound to be messier than series of intense therapy. It wouldn’t even be the first show that explored reality-warping people dealing with mental health issues.

Legion,” a short lived, yet well-done show on FX did something similar. For Wanda, creating these pocket realities in which she’s still with Vision, living this ideal life with her lover, feels exactly like something she’d do. Giver her upcoming role in “Dr. Strange: In The Multiverse Of Madness,” it could act as a precursor for things to come.

I hope this sets the stage. I also hope this makes Elizabeth Olson’s take on the character more complex. To date, all she’s done is fail to protect her loved ones and lash out. I think she has room to do so much more. I hope she succeeds with this show.

I think Marvel and Disney need this show to succeed, too. With the world still such a mess, they can’t rely totally on the cuteness and merchandizing potential of Baby Yoda to see them through.

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New Comic Book Day March 18, 2020: My Pull List And Pick Of The Week

During times of crisis, be they global or just a string of bad days, you got to make the most of what little good you can find. One major benefit of being a comic book fan is that you get a nice shot of good once week, every Wednesday. For us, New Comic Day is like a free massage, a free meal, or a free lap dance that adds a silver lining to an otherwise shitty time.

Let’s be honest. It’s been a long time since things have been this shitty. The news surrounding the Coronavirus/COVID-19 is historically bad and keeps finding ways to get worse. For the foreseeable future, there can be no sports, no concerts, and no major gatherings of any kind. It sucks, but that shouldn’t stop anyone from enjoying a fresh stack of comics.

This feels like one of those weeks where every comic fan is entirely justified in spending more than they usually do. When you’re stuck at home or are looking for new ways to combat boredom, it’s the best possible time to pick up a new series or take advantage of one of Comixology’s many sales. You might just find something awesome.

The world will continue. The news will likely get worse before it gets better. Until then, every bit of awesome we can find is all the more precious. Below is my pull list for the week and my pick. A new batch of comics may count for much for some people, but in my experience, there aren’t many bad situations that cannot be improved by great comics.


My Pull List

Iron Age 2020 #1

Amazing Mary Jane #6

Aquaman #58

Batman #91

Captain Marvel #19

Deadpool #4

Excalibur #9

Fantastic Four #20

Ghost Spider #8

Guardians of the Galaxy #3

Justice League #43

Outlawed #1

Spider-Woman #1

X-Force #9


My Pick of the Week

Teenage superheroes are among the high risk/high reward ventures of superhero comics. When done right, teenage superheroes can create great characters who grow to become iconic heroes. Peter Parker is the gold standard for just how great those characters can be, as evidenced by his merchandising sales. However, he’s the exceedingly rare exception.

Most of the time, teenage superhero end up being superheroes with teenage angst. That’s why so few go onto become iconic. In recent years, Marvel has been reaping the rewards of putting considerable effort into their teenage heroes. Characters like Ms. Marvel, who is destined for her own Disney+ series, is probably their greatest success story. However, a comic like “Outlawed #1” reminds us that her success extends beyond her character.

A big reason why teenage superheroes have become so prominent at Marvel lately is because the adult heroes aren’t exactly raising the bar. Between superhero civil wars and mass Hydra infiltration, they’ve been letting the younger generation of heroes down a lot lately. They’ve been trying to make up for those shortcomings and it’s led to some remarkable stories and character growth, especially in books like Champions.

All those efforts finally hit an adamantium wall in “Outlawed #1.” Writer Eve Ewing does something different in taking a step back to see the bigger picture surrounding teenage superheroes. The story raises an important question that probably should’ve been asked much sooner.

Should teenagers even be superheroes?

That’s a question that Marvel’s top teen heroes, including Nova, Ironheart, Moon Girl, and Miles Morales try to answer. Even other adult heroes like Captain Marvel and Captain America chime in. Unfortunately, there’s a messy context to the question and it badly affects the answer.

Outlawed #1” effectively sets the stage for the teenage superheroes of the Marvel universe to prove themselves. Like teenagers who have to prove they can be trusted with their parent’s car, they have to show that they can handle the duties and responsibilities of being heroes. On top of that, they have to do so after striking out on an incident that went so poorly, the government got involved.

Even the most irresponsible teenagers rarely let it escalate to that extent. While their intentions were always good and their ideals always solid, their youth and inexperience showed. The authorities they rarely respect have successfully made the case that teenagers cannot be responsible superheroes. Now, they have to prove that notion wrong.

It’s a daunting prospect that gives “Outlawed #1” a level of dramatic weight we haven’t seen in superhero comic for a while. It doesn’t just raise questions about teenagers being superheroes. It doesn’t frame them completely as one of those simplistic concepts that involves adults lecturing teenagers on responsibility.

There will always be a place for teenage superheroes, but it’s worth questioning how capable these young heroes can be when they lack experience, maturity, and perspective. They’re difficult questions, but “Outlawed #1” gives these heroes an opportunity to answer in a way that makes this book an easy pick.

Regardless of how you feel about irresponsible teenagers, they’re going to do crazy things that adults don’t approve of. That includes being superheroes. Let’s face it, there are worse things they could do with their powers.

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Vision, the Scarlet Witch, and the MCU’s Romance Problem

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Trying to find flaws in the Marvel Cinematic Universe these days is like trying to find a flaw in Mr. Rogers. It’s pretty much impossible, unless you’re willing to be exceedingly petty. Even the most ardent critic can’t deny the success of this now iconic cinematic universe. Such a franchise doesn’t make over $7 billion at the box office by having many egregious flaws.

That said, the MCU is not without its shortcomings and I’m not just talking about underperforming outliers like “The Incredible Hulk” or outright failures like “Inhumans.” One such shortcoming, which I feel has not had sufficient scrutiny, has to do with romance in the MCU. As someone who is a lifelong comic book fan and an admitted romantic, this stands out to me more than most.

It only became more apparent with the upcoming a TV series starring Vision and the Scarlet Witch on the Disney+ streaming service. The romance fan and the comic book fan in me initially liked that idea because Vision and the Scarlet Witch are one of the Avenger’s most endearing and colorful romances in the comics. This is definitely one of those relationships that can carry an entire show.

However, given that this takes place in the MCU, the concept is already on a shaky foundation. While the events of “Avengers: Infinity War” established that these two characters are romantically involved, there’s little in terms of how that relationship developed. As a result, the tragedy that played out in the Battle of Wakanda had little dramatic weight.

It’s one of the few glaring flaws in an otherwise stellar narrative. However, the lack of romantic depth between Vision and the Scarlet Witch is only the most obvious symptom of a much larger problem that has been unfolding in the MCU since the days of “Iron Man” and “Thor.”

Some parts of that problem are pure logistics. Building a cinematic universe on the scale of the MCU requires a lot of moving parts and, as a result, romance was often a secondary concern. Kevin Feige and the creative minds at Marvel Studios opted to prioritize other aspects of character development. Given the MCU’s unprecedented winning streak, it’s safe to say those priorities were well-placed.

It’s only recently that the lack of emphasis on romance has caught up to the MCU. From having Thor break up with Jane Foster prior to “Thor Ragnarok” to horribly mismatched romance between Hulk and Black Widow, there’s a glaring absence of successful, well-developed romances in the MCU.

Even the successful romances, namely Tony Stark and Pepper Pots or Ant Man and Wasp, had much of that success unfold off-screen. At most, a movie would show them getting together or enduring a major conflict, but there would rarely be any moments that fleshed out the romance in a meaningful way. Every bit of development only centered around defeating a villain, which is good catalyst for romance, but not much else.

Now, we’re getting an entire show about a couple who were on opposite sides of the conflict in “Captain America: Civil War” and inexplicably together in “Avengers: Infinity War.” In terms of meaningful romance, this is not a trivial oversight. If someone didn’t know their romantic history in the comics, then they would be understandably confused as to why they ended up together.

Not seen here is ANY hint that these two have been flirting.

It’s the same problem that the original “X-Men” movies made when developing the horribly flawed love triangle between Cyclops, Jean Grey, and Wolverine. The narrative in the movies relied too heavily on assuming peoples’ knowledge of the source material in lieu of providing an understandably reason as to why this romance is occurring. Again, that’s not a trivial oversight.

How is anyone who only saw “Captain America: Civil War” and “Avengers: Infinity War” supposed to buy into the relationship between Vision and the Scarlet Witch? The movies only establish that they’re together. They don’t establish why, how, or what they went through in establishing their relationship. Everyone is just left to assume, which is rarely a good strategy for developing meaningful romance.

Even if the relationship between Vision and the Scarlet Witch were entirely platonic, it would still be quite a stretch to believe that they have a genuinely intimate connection. It’s possible that the upcoming show will help develop that connection, but there’s no getting around how underdeveloped it has been to this point.

The same could be said for other relationships throughout the MCU. Some are so underdeveloped that when intimate moments do occur, they rarely have much impact. Captain America’s relationship with Peggy Carter in his first movie probably had the best foundation, of all the MCU romances, but that only made him kissing her niece, Sharon, feel downright wrong. Haley Atwell herself has said as such.

Romance, even among fictional characters, requires some level of chemistry to go along with the narrative. While that can be difficult to fit into a single movie, it’s not impossible. Movies like “Man of Steel” and the first “Spider-Man” movie were able to establish the necessary chemistry with only a handful of scenes. Such scenes have been absent or underdeveloped in the MCU.

Ironically, the most fleshed out romance in the MCU is between Starlord and Gamora, two characters who aren’t an endearing love story in the comics. I would even argue that the scene in which Starlord sacrifices himself to save Gamora in the first “Guardians of the Galaxy” movie shows more romantic depth than any other MCU movie to date.

It didn’t take much to show that Starlord and Gamora have chemistry. From their first interactions to the many challenges they overcame over the course of two movies, they developed a powerful connection that just isn’t there for Vision and the Scarlet Witch. That connection is part of what made the events between them in “Avengers: Infinity War” so heart-wrenching.

That same sentiment just wasn’t there with Vision. We knew from the events of two previous movies that Starlord genuinely loved Gamora. We understood how strong it was by the time Thanos entered the picture. There’s none of that present with Vision and the Scarlet Witch. When they face a similar situation, it just doesn’t have the same impact.

It probably helps that Guardians of the Galaxy was a relatively obscure series before the first movie and has little history of iconic romances compared to the Avengers. However, it does show that the MCU is capable of meaningful romance. It just seems incapable of applying it to the more notable couples from the comics.

While such flaws haven’t stopped the MCU from succeeding on so many other levels, it still ensures that Vision and the Scarlet Witch have an uphill battle in terms of proving their romance is more than an assumed contrivance. It’s certainly not impossible, but there’s a lot to develop in terms of chemistry and depth.

Given on how “Avengers Endgame” played out, it may not matter how poorly past romances have been handled. However, the impact it has had in the “Guardians of the Galaxy” movies shows that there is a place for romance in the MCU. Perhaps Vision and the Scarlet Witch can be part of that with the upcoming show, but it has lot to overcome before it can be the iconic romance that the MCU needs.

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