The following is a video from my YouTube channel, Jack’s World. I know this is a bit of a break from my usual video release schedule, but after the events of Episode 8 of “WandaVision,” I just couldn’t wait. I had to do a reaction video and honestly, I’m starting to enjoy making these videos. As with my first, this one contains spoilers and a revised fan theory that is very likely wrong. At the rate this show is going, I’ll be sure to develop plenty more. Enjoy!
Tag Archives: WandaVision
I had a plan in place for my next video for my YouTube channel, Jack’s World. It was a good plan. Then, I saw Episode 5 of “WandaVision” and I just had to change it. If you’ve been following this show, you probably know why. There have been a lot of strong reactions to it, as well as new fan theories.
Now, I was going to wait until the end in order to formulate my own theories and do a proper review. I just can’t wait that long. I’m sorry. I’m weak, in that respect. This video was a bit rushed, but it’s my own quick reaction to what’s been going on in “WandaVision” and the possible implications for mutants in the MCU. Enjoy!
I apologize for posting this several days after the fact. I know I’m late to the party with respect to reactions to Episode 5 of “WandaVision.” I don’t have a very good reason for that, other than being pre-occupied with my Super Bowl LV preparations.
In hindsight, that might have been for the best because the events of this episode were incredible. It was, without a doubt, the most impactful episode of this show to date. Both the fan reactions and the IMDB scores are proof of that.
I can safely confirm that my reactions mirrored the shock, glee, and astonishment that got this show trending the day it debuted. As excited as I was to watch the Super Bowl, I found myself more caught up in the implications of this episode.
Now, before I go any further, I want to disclose that there will be talks of spoilers for this episode. If you haven’t seen it yet, I highly recommend you do. If you’re at all a fan of Marvel and the Marvel Cinematic Universe, this is one episode you do not want to miss. It has implications that could likely impact future movies in the best possible way.
If you’re still here, then here’s a brief rundown of the events.
- Wanda and Vision’s kids start as infants, but rapidly age to toddlers and then to pre-teens
- Vision starts to suspect that something is amiss in their cheerful life
- Outside Westview, SWORD is trying to make sense of the anomaly and starts sending drones inside
- Wanda doesn’t like the intrusion and goes so far as to step out and warn SWORD not to interfere with the world she’s created
- Vision is able to free some people from Wanda’s manipulations and confronts her about it
- Before they can come to blows, a surprise guest arrives at the door and it’s Wanda’s dead brother, Pietro
- However, it’s not the Pietro that died in “Avengers: Age of Ultron.” It’s the Pietro from the X-Men Fox movies, played by Evan Peters.
After four episodes of teasing, mystery, and build-up, this episode gave us the first major payoff. Now, it’s a bit clearer as to what’s going on and what’s driving this story.
We know now that it’s not some outside agent who has hijacked Wanda’s mind and powers. She’s the one doing this on her own. She’s the one who created this strange anomaly around Westview, creating her own pocket reality that mirrors that of American sitcoms throughout the decades.
That’s a critical and potentially revealing detail, one that even Vision finds distressing. In addition to finding out that she’s the source of all this, we also learn that she’s the one who took Vision’s body from SWORD and she wasn’t polite about it.
She’s clearly not in a very understanding state of mind. Visions death at the hands of Thanos did not go over well and him not coming back in “Avengers Endgame” only made it worse. At this point, she has lost too many people that she loves and she’s willing to break reality to get it back.
That moment when she steps out of the bubble and confronts SWORD makes this clear. She has what she wants in this pocket reality. She has Vision, a family, and a life in which she hasn’t lost everyone who matters to her. That’s powerful in that it shows how much she was hurt by the events leading up to this show.
However, the biggest moment, by far, came at the end with the arrival of Quicksilver. However, the fact that the Quicksilver we saw was not the Quicksilver played by Aaron Taylor-Johnson in “Avengers: Age of Ultron” was the most jarring. It also has the greatest implications.
This is the part where I’m going to start exploring some fan theories, some of which others have already developed. I think after this episode, we have enough details to make some less-than-wild speculations about where this is leading.
We know from the previous episode that Vision was indeed killed. It’s very possible that he’s only alive because Wanda is animating him. We also find out that as powerful as Wanda is, she has limits. She couldn’t make baby Tommy and Billy stop crying. She also couldn’t bring their dog, Sparky, back to life.
This would imply that, even if she wanted to bring the Aaron Taylor-Johnson Quicksilver back, she couldn’t. It seems that if someone dies in her universe, then they stay dead. She cannot bring them back. However, this may not apply to version of her brother from other universes.
We already know from “Dr. Strange” that the multiverse is a thing. Wanda may also be aware of this on some level, even if she didn’t consciously reach into another universe to find another version of her brother. The fact she found the same version we saw in “X-Men: Days of Futures Past” could be another telling hint.
However, I don’t think that means that the MCU is about to do a direct crossover with the Fox era X-Men movies. I think trying to incorporate that messy continuity into the MCU will be too cumbersome, even for someone like Kevin Feige.
I suspect that we’re getting this particular version of Quicksilver because he, and other mutants like him, have been in a pocket universe of their own. It’s why we haven’t seen any mutants show up in the MCU, at least with respect to the story. I understand the movie rights were the logistical reason for that.
The fact that Wanda created a pocket reality of her own means that someone or something taught her. I don’t know who it could be. Perhaps, it involves someone like Agatha Harkness, a witch from the comics who helped Wanda master her powers. Maybe it involves someone far more powerful, like Mephisto.
Whatever the source, I think pocket realities are going to be what plays into the events of “Dr. Strange and the Multiverse of Madness.” They’ll be akin to the disruptions or wrinkles in the larger fabric of reality, which was already disrupted by the events of “Avengers Endgame.” That domain could be where mutants reside.
Now, I could be dead wrong about that. In fact, I’m not entirely confident in that theory being true. However, there’s one other theory that I think is a bit more plausible. It’s not so much a theory as it is an observation of trends.
Wanda is becoming a villain and she will likely play the part of the MCU’s main villain in Phase 4.
I think, thematically, this makes sense. After Thanos, the MCU needs a new villain to warrant a massive assembly of the Avengers. We’ve already seen this big, menacing villains who look, act, and sound evil. We got Ronan, Thanos, Dormammu, and Ultron. I think the MCU needs a change of pace after that.
Wanda would act as an entirely different kind of villain. This isn’t someone who is just an outright villain from the get-go. She’s a friend. She’s an Avenger. She’s someone who has lost nearly everyone she has ever cared about. If ever there was a hero you could understand breaking bad, it’s her. That’ll make fighting against her that much harder.
The moment in this episode when she confronted SWORD made it clear. She can bend reality to her whim and she’s willing to use it to get what she wants. That’ll make her both dangerous and volatile. She may end up being the main villain of “Dr. Strange and the Multiverse of Madness.”
If that’s the case, then Phase 4 of the MCU is going to be very chaotic indeed.
I’ve been in major withdraw of MCU content after 2020.
I say that because it’s likely to color my perceptions and bias, so I won’t bother hiding it. I imagine others share it, too. That being the case, let’s just put it out there. A lot of things got derailed in 2020 because of the pandemic, including several movies that were supposed to kick-start the next phase of the MCU.
These delays were understandable, given the state of the world. That didn’t make them any less painful. It marked the first year in nearly a decade that we had to go an entire year without any MCU content. As a lifelong fan of comics and superhero movies, words cannot describe how agonizing that was.
Now, the wait is over. The MCU is back. While it’s not in the form of a billion-dollar blockbuster, Kevin Feige and our Disney Overlords are adapting this wondrous franchise for the world of streaming. The first step in that process finally arrived last week in the form of “WandaVision,” the first ever MCU content built exclusively for streaming.
It marks a bold new era for the MCU, as well as another incentive for people to invest in a Disney+ subscription. Like it or not, “The Mandalorian” cannot do it alone, but it still set a high bar. Does “WandaVision” match that bar in the first two episodes?
The short answer is yes, for the most part.
The long answer is yes, it’s on the right track, but only time will tell.
Two episodes is simply not enough to assess the full quality of any show, but it does help create a foundation. In that sense, “WandaVision” definitely starts strong. It takes the winning formula of the MCU and adapts it into a quirky sitcom full of humor, mystery, and a glut of Easter Eggs.
I’ll get to the Easter Eggs later, but I want to focus more on the unique format of the show. Make no mistake. It is unique, if not downright weird. Then again, both Wanda and Vision are weird characters with a strange, but endearing connection. That has always been the case with their relationship in the comics. This show does plenty to channel that weirdness and to that end, a sitcom format works beautifully.
There’s no build or setup for that format. When the first episode begins, it runs like an old episode of “I Love Lucy” or “Dick Van Dyke.” It’s black and white. The setting is an idyllic suburb. Wanda and Vision are newlyweds, but they’re still very aware of their powers, abilities, and status as a couple in which one of them is an android.
Naturally, the MCU brand of humor emerges naturally from that setup. There’s all sorts of comments and quips that poke fun at their status, which is milked for plenty of entertainment value. In addition to plenty of classic sitcom tropes from that era, it’s a potent formula. You don’t expect it to work as well as it does, but it still works.
The first episode involves Vision and Wanda trying to host a dinner for Vision’s boss. There’s plenty of misunderstandings and mishaps, but it ultimately pans out.
The second episode builds on that, having Wanda and Vision try to integrate with their suburban community and participate in a talent show. Things go horribly and hilariously wrong when Vision finds out he can’t handle chewing gum.
Within these quirky sitcom antics, there are ominous hints and teases as to what’s really going on. This is taking place in the MCU, following the events of “Avengers Endgame.” Something or someone has warped reality around Wanda, who was not in a good place after the death of Vision. That instability comes into play on multiple occasions throughout the first two episodes, but nothing major is revealed.
This is where “WandaVision” shines and stalls at the same time. The sitcom format works beautifully and provides plenty of entertainment value. However, when it comes to explaining how they got there and who’s involved, the hints are exceedingly vague.
I ended up having to watch both episodes multiple times to really understand those hints. If you’ve been following the movies and are familiar with the comics, you’ll definitely appreciate them. If not, you will likely be quite lost.
This is not the kind of show you can come in blind and appreciate fully. It’s still fun, but you can’t get the most out of it without having a moderate knowledge of Marvel Comics and the MCU.
That brings me to the Easter Eggs in both episodes. There are a lot of them, too many for me to mention. Other sites have already highlighted them, but the sheer volume Marvel Studios threw in is both impressive and revealing. Some offer hints of past events in the MCU. Others hint at things only comic fans will recognize.
These Easter Eggs definitely enhance the experience. Again, if you don’t have that working knowledge, they’re easy to miss and they do limit that experience. Even without that knowledge, though, some of those hints are quite overt. It’s very clear that something is very off in this world and others are trying to get into it.
It’s still not clear if Wanda is trapped or if this whole world is just her own doing. There are plenty of hints that someone with less-than-noble intentions is playing a part. There are also some familiar faces, namely Monica Rambeau, who make their presence felt. What role she and others will play is still unclear, but the stage is definitely set for something big, literally and figuratively.
In just two episodes, “WandaVision” effectively establishes its own unique style. It has that familiar MCU polish, but it’s also very different from the big budget blockbusters we’re used to. That’s not a bad thing. Like I said, this show marks Disney and Marvel Studios’ efforts to adapt to the world of streaming.
It’s still too early to say for sure whether it’s a full-fledged success. After the first two episodes, I’d say it’s well on its way. I’m not going to give a score for “WandaVision” just yet. It’s too early to fully assess the show. I’ll just say that I’m so glad and so relieved to see the MCU back in action. I still miss going to the movies, but this show promises to tide me and my fellow Marvel fans over in the meantime.
It’s almost over, people. We’re almost out of 2020 and the end of this global pandemic that has hurt so many is finally in sight. For that reason, it’s okay to start looking forward to 2021. As long as this year doesn’t bring us a new pandemic or an alien invasion, it should be better by default.
We should all be excited at the prospect of the world getting back to some sense of pre-pandemic normalcy. It’ll never be the same, but it’ll be nice to sit in a movie theater or go to a restaurant without having to wear a mask. The world will recover and many are looking to ride onto that wave of recovery.
Chief among them is our Disney overlords. It’s no secret that the pandemic has hit Disney harder than most. Once the envy of the entertainment world, this pandemic hit it with a gut punch that would down the Hulk.
However, those predicting the fall of Disney are exceedingly premature. This is a company that has navigated dark times before. They have too many resources and incentives to just give in, even in the face of a once-in-a-century pandemic.
They’re already making the effort. A while back, Disney had their big Investors Day presentation in which they pitched their future plans to investors and the public. Among those plans were a host of movies and TV shows from.
It was ambitious, even by Disney’s lofty standards. I even dared to let myself get excited again. There was so much to take in, but for the best possible reasons. It made surviving 2020 that much more paramount.
Of the many announcements made during the call, a few stuck out to me. Here are just a few of the shows and movies that have invigorated my spirit once more. For that, I thank our Disney overlords.
Don’t act surprised.
Seriously, have I not made my love of all things Ms. Marvel clear enough?
If this had been the only thing Disney announced, I would’ve been excited. Kamala Khan is exactly what Marvel Studios, their Disney overlords, and the world needs right now. We already got confirmation of the casting of Iman Vellani for the titular role. This time, we also got a teaser trailer for what we can expect from her and from this show.
I’m not going to lie. I watched this trailer at least 10 times and I couldn’t stop smiling.
This is a character who endeared herself in the comics with just one issue. This is also someone who channels the same spirit of the fans who love all things Marvel. She’s young and idealistic. She sees superheroes through the same lens as us, the fans. Now, we get to see her navigate the MCU in a world where the Avengers assembled, saved the day, and Tony Stark made the ultimate sacrifice.
There’s so much to explore and so much to embrace. I think this show will do for Marvel Studios what “The Mandalorian” did for Star Wars. After a year like 2020, we need that.
Star Wars: Ahsoka
This shouldn’t surprise anyone, either. I’ve made my love for Ahsoka Tano known before. She’s also a fan favorite among legions of Star Wars fans and for good reason. Her story is so vast and dramatic. She started as the brash, immature Padawan of a pre-Darth Vader Anakin Skywalker. She then became a key player in the secret war against the Empire.
Even though she has never appeared in any Star Wars movies, she has still found a way to endear herself to so many, myself included. That’s an accomplishment worthy of her own show and the timing couldn’t be better.
Most recently, she made her live-action debut in Season 2 of “The Mandalorian.” Played by Rosario Dawson, she’s made her presence known in the emerging Star Wars canon that’s unfolding on Disney Plus. This show will give her a chance to shine like never before.
She’s no longer someone’s Padawan.
She’s no longer some shadowy agent for the Rebellion.
She’s just Ahsoka being Ahsoka. Sign me up!
Fantastic Four (By Marvel Studios)
When it comes to movies from Marvel Studios, I’m in the same boat as most lifelong Marvel fans. No matter what they put out, I’ll likely be first in line to see it, whether it opens out in theaters or debuts on streaming. While we don’t know what the movie theater scene will be like in 2021, we can be certain that studios will keep making movies and those movies will find an audience.
While Marvel Studios has revealed its movie plans before, this event was special because it confirmed what many of us hoped the day we found out Disney was buying Fox. Marvel Studios is officially making a Fantastic Four movie.
Now, I’m tempted to recount all the ways the Fantastic Four have been butchered by previous movies. Believe me, I could spend hours talking about how 2015’s “Fant4stic” was botched at every turn. However, I prefer to look to the future rather than the past.
Finally, Marvel’s first family will be in the hands of Marvel Studios and Kevin Feige. They’ve shown time and again that they know what they’re doing. They love these characters every bit as much as the fans. They will do them justice.
With John Watts from “Spider-Man: Homecoming” set to direct, the stage is set for the Fantastic Four to arrive in the MCU. It took a long time and a huge media acquisition, but the wait is almost over. Fantastic things are worth waiting for and I hope this is one of them.
It shouldn’t surprise anyone that Disney is going all-in on streaming. Given the current state of the movie business and the large catalog of content they have, that’s the best route they can take at this point. While I have high hopes for “WandaVision” as Marvel Studios’ first foray into streaming shows, I’m still more excited about She-Hulk.
Since the somewhat forgettable “Incredible Hulk” movie with Edward Norton, the jolly green rage giant has been relegated to a supporting character in pretty much every subsequent story. When he’s not teaming up with Thor or providing muscle for the Avengers, he’s basically just there.
In the comics, Hulk has his own world of sorts and She-Hulk has always been a big part of that. I believe this show can start building that world and with Tatiana Maslany in the starring role, I think this show could be special.
Plus, it’s a show with a beautiful woman smashing things. How can I not be excited about that?
Star Wars: Rogue Squadron
This announcement was an unexpected treat. Among many other Star Wars announcement, this one stood out to me almost as much as the Ahsoka show. Those who didn’t own a Nintendo 64 in the late 90s and early 2000s may not understand, but trust me. Those who did were very intrigued.
There was a time when Star Wars: Rogue Squadron was the pinnacle of Star Wars gaming. This video game essentially ditched the light sabre duels in favor of X-Wings, Y-Wings, and plenty of other exotic spaceships. It involved plenty of space battles, secret missions, and blowing stuff up on alien planets.
Good times, indeed.
Now, we find out Disney is making it into a movie. On top of that, they tapped Patty Jenkins, the woman who brought “Wonder Woman” to the big screen, to do it. I love everything about this. The same woman who tapped Wonder Woman’s wonder is now in charge of a fleet of X-wings. What’s not to love?
Besides, we’ve already had plenty of Star Wars content involving light sabers. Why not focus on elaborate space battles? I know my excitement for all this still assumes that 2021 will be less chaotic and more functional than 2020. At this point, assumptions like that are risky. However, I’m choosing to embrace hope and optimism once more. This past year has left my spirit broken, but I’m ready to start putting the pieces back together. These movies and shows can only help in that process.
This year has been a lost year for many things. I don’t think I need to go into reasons why or to what extent. It’s awful. We don’t need to be reminded of that. This is especially true for fans of superhero movies. To some extent, this year almost feels like karma after movies like “Avengers Endgame” dominated the box office for so long.
As bad as things have been, we’re still trying our best to inject a little awesome into this increasingly dystopian landscape. Like it or not, superhero movies and media still have a place in the entertainment landscape. This past year might have been a huge loss for the box office, but there’s still reason to be excited about the future of the genre.
That includes the entertainment behemoth that is the Marvel Cinematic Universe. When this year began, it promised to be a time of transition. With the rise of Disney Plus, Marvel Studios has a new medium to explore and evolve. Among those crop of shows is mini-series called “WandaVision.”
Given Vision’s fate in “Avengers: Infinity War,” the setup alone for this show is odd. Not being a fan of how their relationship was handled in the movies, I admit I wasn’t that excited about this show. However, I was curious.
Then, the trailer dropped and my curiosity has only grown. If you haven’t seen it yet, I highly recommend you check it out.
It looks weird. The setup is very strange. The visuals are all over the place. It’s hard to tell whether Vision is alive, dead, or part of some strange fever dream. There’s a lot of strange humor and odd mysteries. This show looks downright crazy.
That’s exactly why my hope and excitement for this show has been renewed.
To explain, it’s necessary to know a few things about Wanda Maximoff. Before she helped make Elizabeth Olson a star, she was a very controversial and very unstable character in the comics. She had a nasty history of warping reality in distressing ways, often at the cost of her sanity.
If this trailer is any indication, she has not been coping well with Vision’s death at the hands of Thanos. That reaction would be perfectly in line with what happened to her in the comics during the infamous House of M event. That event is still a bit of a touchy issue for many comic fans, but it’s a perfect foundation for this show.
It puts Wanda in a position to deal with her many issues. However, given her powers and her unstable nature, that process is bound to be messier than series of intense therapy. It wouldn’t even be the first show that explored reality-warping people dealing with mental health issues.
“Legion,” a short lived, yet well-done show on FX did something similar. For Wanda, creating these pocket realities in which she’s still with Vision, living this ideal life with her lover, feels exactly like something she’d do. Giver her upcoming role in “Dr. Strange: In The Multiverse Of Madness,” it could act as a precursor for things to come.
I hope this sets the stage. I also hope this makes Elizabeth Olson’s take on the character more complex. To date, all she’s done is fail to protect her loved ones and lash out. I think she has room to do so much more. I hope she succeeds with this show.
I think Marvel and Disney need this show to succeed, too. With the world still such a mess, they can’t rely totally on the cuteness and merchandizing potential of Baby Yoda to see them through.
Trying to find flaws in the Marvel Cinematic Universe these days is like trying to find a flaw in Mr. Rogers. It’s pretty much impossible, unless you’re willing to be exceedingly petty. Even the most ardent critic can’t deny the success of this now iconic cinematic universe. Such a franchise doesn’t make over $7 billion at the box office by having many egregious flaws.
That said, the MCU is not without its shortcomings and I’m not just talking about underperforming outliers like “The Incredible Hulk” or outright failures like “Inhumans.” One such shortcoming, which I feel has not had sufficient scrutiny, has to do with romance in the MCU. As someone who is a lifelong comic book fan and an admitted romantic, this stands out to me more than most.
It only became more apparent with the upcoming a TV series starring Vision and the Scarlet Witch on the Disney+ streaming service. The romance fan and the comic book fan in me initially liked that idea because Vision and the Scarlet Witch are one of the Avenger’s most endearing and colorful romances in the comics. This is definitely one of those relationships that can carry an entire show.
However, given that this takes place in the MCU, the concept is already on a shaky foundation. While the events of “Avengers: Infinity War” established that these two characters are romantically involved, there’s little in terms of how that relationship developed. As a result, the tragedy that played out in the Battle of Wakanda had little dramatic weight.
It’s one of the few glaring flaws in an otherwise stellar narrative. However, the lack of romantic depth between Vision and the Scarlet Witch is only the most obvious symptom of a much larger problem that has been unfolding in the MCU since the days of “Iron Man” and “Thor.”
Some parts of that problem are pure logistics. Building a cinematic universe on the scale of the MCU requires a lot of moving parts and, as a result, romance was often a secondary concern. Kevin Feige and the creative minds at Marvel Studios opted to prioritize other aspects of character development. Given the MCU’s unprecedented winning streak, it’s safe to say those priorities were well-placed.
It’s only recently that the lack of emphasis on romance has caught up to the MCU. From having Thor break up with Jane Foster prior to “Thor Ragnarok” to horribly mismatched romance between Hulk and Black Widow, there’s a glaring absence of successful, well-developed romances in the MCU.
Even the successful romances, namely Tony Stark and Pepper Pots or Ant Man and Wasp, had much of that success unfold off-screen. At most, a movie would show them getting together or enduring a major conflict, but there would rarely be any moments that fleshed out the romance in a meaningful way. Every bit of development only centered around defeating a villain, which is good catalyst for romance, but not much else.
Now, we’re getting an entire show about a couple who were on opposite sides of the conflict in “Captain America: Civil War” and inexplicably together in “Avengers: Infinity War.” In terms of meaningful romance, this is not a trivial oversight. If someone didn’t know their romantic history in the comics, then they would be understandably confused as to why they ended up together.
It’s the same problem that the original “X-Men” movies made when developing the horribly flawed love triangle between Cyclops, Jean Grey, and Wolverine. The narrative in the movies relied too heavily on assuming peoples’ knowledge of the source material in lieu of providing an understandably reason as to why this romance is occurring. Again, that’s not a trivial oversight.
How is anyone who only saw “Captain America: Civil War” and “Avengers: Infinity War” supposed to buy into the relationship between Vision and the Scarlet Witch? The movies only establish that they’re together. They don’t establish why, how, or what they went through in establishing their relationship. Everyone is just left to assume, which is rarely a good strategy for developing meaningful romance.
Even if the relationship between Vision and the Scarlet Witch were entirely platonic, it would still be quite a stretch to believe that they have a genuinely intimate connection. It’s possible that the upcoming show will help develop that connection, but there’s no getting around how underdeveloped it has been to this point.
The same could be said for other relationships throughout the MCU. Some are so underdeveloped that when intimate moments do occur, they rarely have much impact. Captain America’s relationship with Peggy Carter in his first movie probably had the best foundation, of all the MCU romances, but that only made him kissing her niece, Sharon, feel downright wrong. Haley Atwell herself has said as such.
Romance, even among fictional characters, requires some level of chemistry to go along with the narrative. While that can be difficult to fit into a single movie, it’s not impossible. Movies like “Man of Steel” and the first “Spider-Man” movie were able to establish the necessary chemistry with only a handful of scenes. Such scenes have been absent or underdeveloped in the MCU.
Ironically, the most fleshed out romance in the MCU is between Starlord and Gamora, two characters who aren’t an endearing love story in the comics. I would even argue that the scene in which Starlord sacrifices himself to save Gamora in the first “Guardians of the Galaxy” movie shows more romantic depth than any other MCU movie to date.
It didn’t take much to show that Starlord and Gamora have chemistry. From their first interactions to the many challenges they overcame over the course of two movies, they developed a powerful connection that just isn’t there for Vision and the Scarlet Witch. That connection is part of what made the events between them in “Avengers: Infinity War” so heart-wrenching.
That same sentiment just wasn’t there with Vision. We knew from the events of two previous movies that Starlord genuinely loved Gamora. We understood how strong it was by the time Thanos entered the picture. There’s none of that present with Vision and the Scarlet Witch. When they face a similar situation, it just doesn’t have the same impact.
It probably helps that Guardians of the Galaxy was a relatively obscure series before the first movie and has little history of iconic romances compared to the Avengers. However, it does show that the MCU is capable of meaningful romance. It just seems incapable of applying it to the more notable couples from the comics.
While such flaws haven’t stopped the MCU from succeeding on so many other levels, it still ensures that Vision and the Scarlet Witch have an uphill battle in terms of proving their romance is more than an assumed contrivance. It’s certainly not impossible, but there’s a lot to develop in terms of chemistry and depth.
Given on how “Avengers Endgame” played out, it may not matter how poorly past romances have been handled. However, the impact it has had in the “Guardians of the Galaxy” movies shows that there is a place for romance in the MCU. Perhaps Vision and the Scarlet Witch can be part of that with the upcoming show, but it has lot to overcome before it can be the iconic romance that the MCU needs.