Some movies just never get a fair chance to succeed. It’s sad, but unavoidable sometimes. There are just too many forces working against certain movies and too many people have already primed themselves to hate it before they ever see it.
It had so many things working against it. It just never got a fair chance because of the pending Disney/Fox merger. I feel like it got critically panned for reasons that had nothing to do with the actual quality of the movie. Fans and critics alike just decided to hate this movie because it was part of a dead cinematic universe and it wasn’t in the MCU.
That’s a bullshit reason to hate a movie and most reasonable people understand that.
If you have a Disney+ subscription, I highly recommend adding this movie to your queue. Forget everything you’ve heard from the critics. Forget the popular perceptions surrounding this movie. Just check it out and see for yourselves.
I believe that this movie’s worth will reveal to a new audience. I also believe the time is right because we haven’t had much news about the future of the X-Men movies in the Marvel Cinematic Universe. We know they’re coming. We just don’t know when or what form it’ll take.
Since it’ll likely be a while before we see any mutants show up in the MCU, the time is right to appreciate what the Fox movies gave us. Many of those movies are already on Disney+ and I think “Dark Phoenix” is the hidden gem the franchise needs right now.
Again, just give it a chance. You might be surprised by how much you enjoy it.
Last year, things literally could not have been worse for the movie industry. A once-in-a-generation pandemic had shut down the world. Every industry was affected, but few were hit harder than the movie industry. Suddenly, an industry that relies on people actually getting out of their houses and gathering in enclosed spaces was no longer viable. I personally wondered whether the industry would ever recover.
Then, as the world endured, the industry attempted to adapt. This led to Warner Brother’s landmark decision to release some of their biggest movies on their streaming platform, HBO Max, on the same date as their theatrical release. At the same time, Disney was releasing some of its biggest movies on Disney+, albeit for an extra fee.
I believed, for a time, that this could fundamentally change the industry for good, even after the pandemic was over. I even shared my experience in how this affected my own movie watching habits. I won’t deny that I’ve gotten a lot more out of my HBO Max service, knowing I can watch new movies the day they come out. I did it with both “Space Jam 2” and “The Suicide Squad.”
However, it now seems that this new experience that I’ve been enjoying is about to come to an end. According to The Hollywood Reporter, Warner Brothers is going back to a more traditional model, having its movies come out in theaters first for a 45-day window before going to a streaming service.
In a new deal with mega-cinema chain AMC Theatres, Warner Bros. has agreed to return to an exclusive, 45-day theatrical window in 2022.
AMC CEO Adam Aron unveiled the pact Monday during an earnings call. “We’re especially pleased Warner Bros. has decided to move away from day-and-date,” Aron said. “We are in active dialogue with every major studio.”
WarnerMedia enraged cinema operators when deciding to open its 2021 slate simultaneously on HBO Max and in theaters. The company has since said that the move was in response to the ongoing pandemic, and not permanent. Insiders add that the AMC arrangement was agreed to in March.
For the most part, I’m not too surprised. It’s now abundantly clear that this release method has a significant impact on the box office returns of a movie. The recent release of “The Suicide Squad” is proof enough of that, despite being loved by critics and fans alike. Having seen the movie and enjoyed it immensely, I feel like it definitely deserved a bigger box office than it got.
Given how much these movies cost to produce, it’s unreasonable to expect the studios and the actors involved to be comfortable with this arrangement. Pandemic or not, this is not the same success they’re used to. If movies released simultaneously on streaming make this little at the box office, then that’s just not sustainable. Something has to give.
At the same time, a part of me wonders whether this reversion to a more traditional movie-release schedule will lead to even more change. I get why movie theaters want to go back to the old model where a movie as bad as “Transformers: Dark of the Moon” could still make a billion dollars at the global box office. I just don’t know if we’ll ever see anything like that again.
It doesn’t help that the pandemic isn’t over. In fact, it may never truly be over if things keep going badly. That means things like packed movie theaters just might never come back entirely. We may very well never see another billion-dollar movie again.
In that sense, can we still say that WB’s streaming experiment failed? We don’t yet know how much or how little movies like “Space Jam 2” and “The Suicide Squad” impacted HBO Max subscriptions. We also don’t know how much or how little these types of movies affect the movie-making process or how those involved are compensated. The fact that Scarlett Johansson is suing Disney over releasing “Black Widow” on streaming hints the current system is very flawed.
Maybe there’s a sweet spot between day-and-date releases on streaming and theatrical runs. A part of me thinks that a 45-day release window is basically not too different from the old way of doing things. Personally, I think if studios like WB want to maximize both box office and streaming, they’d make that release window a lot more narrow. That would create a scarcity that could prompt more people to go to the movies.
Perhaps that window needs to be longer to allow bigger budget movies to turn a profit. Maybe a two-month window would accomplish that. I honestly don’t know. I think nobody knows at this point. The industry is just changing so much and chances are there will be more changes by the end of this year. Whether or not they’ll be good for the industry and those who work in it remains to be seen.
In the end, maybe this whole experiment will be just a first step in that change. It might not have worked as well as everyone would’ve liked, but few things ever do. It was something new and bold during a time of unprecedented upheaval. Plenty of good and bad can come out of that.
Also, I will miss turning my living room into my own personal movie theater. It was indeed nice while it lasted. However, for the good of the industry and the movies I love, I understand that the experiment was not a solution. Hopefully, more good comes out of this in the long run.
I apologize for posting this several days after the fact. I know I’m late to the party with respect to reactions to Episode 5 of “WandaVision.” I don’t have a very good reason for that, other than being pre-occupied with my Super Bowl LV preparations.
In hindsight, that might have been for the best because the events of this episode were incredible. It was, without a doubt, the most impactful episode of this show to date. Both the fan reactions and the IMDB scores are proof of that.
I can safely confirm that my reactions mirrored the shock, glee, and astonishment that got this show trending the day it debuted. As excited as I was to watch the Super Bowl, I found myself more caught up in the implications of this episode.
Now, before I go any further, I want to disclose that there will be talks of spoilers for this episode. If you haven’t seen it yet, I highly recommend you do. If you’re at all a fan of Marvel and the Marvel Cinematic Universe, this is one episode you do not want to miss. It has implications that could likely impact future movies in the best possible way.
If you’re still here, then here’s a brief rundown of the events.
Wanda and Vision’s kids start as infants, but rapidly age to toddlers and then to pre-teens
Vision starts to suspect that something is amiss in their cheerful life
Outside Westview, SWORD is trying to make sense of the anomaly and starts sending drones inside
Wanda doesn’t like the intrusion and goes so far as to step out and warn SWORD not to interfere with the world she’s created
Vision is able to free some people from Wanda’s manipulations and confronts her about it
Before they can come to blows, a surprise guest arrives at the door and it’s Wanda’s dead brother, Pietro
However, it’s not the Pietro that died in “Avengers: Age of Ultron.” It’s the Pietro from the X-Men Fox movies, played by Evan Peters.
After four episodes of teasing, mystery, and build-up, this episode gave us the first major payoff. Now, it’s a bit clearer as to what’s going on and what’s driving this story.
We know now that it’s not some outside agent who has hijacked Wanda’s mind and powers. She’s the one doing this on her own. She’s the one who created this strange anomaly around Westview, creating her own pocket reality that mirrors that of American sitcoms throughout the decades.
That’s a critical and potentially revealing detail, one that even Vision finds distressing. In addition to finding out that she’s the source of all this, we also learn that she’s the one who took Vision’s body from SWORD and she wasn’t polite about it.
She’s clearly not in a very understanding state of mind. Visions death at the hands of Thanos did not go over well and him not coming back in “Avengers Endgame” only made it worse. At this point, she has lost too many people that she loves and she’s willing to break reality to get it back.
That moment when she steps out of the bubble and confronts SWORD makes this clear. She has what she wants in this pocket reality. She has Vision, a family, and a life in which she hasn’t lost everyone who matters to her. That’s powerful in that it shows how much she was hurt by the events leading up to this show.
However, the biggest moment, by far, came at the end with the arrival of Quicksilver. However, the fact that the Quicksilver we saw was not the Quicksilver played by Aaron Taylor-Johnson in “Avengers: Age of Ultron” was the most jarring. It also has the greatest implications.
This is the part where I’m going to start exploring some fan theories, some of which others have already developed. I think after this episode, we have enough details to make some less-than-wild speculations about where this is leading.
We know from the previous episode that Vision was indeed killed. It’s very possible that he’s only alive because Wanda is animating him. We also find out that as powerful as Wanda is, she has limits. She couldn’t make baby Tommy and Billy stop crying. She also couldn’t bring their dog, Sparky, back to life.
This would imply that, even if she wanted to bring the Aaron Taylor-Johnson Quicksilver back, she couldn’t. It seems that if someone dies in her universe, then they stay dead. She cannot bring them back. However, this may not apply to version of her brother from other universes.
We already know from “Dr. Strange” that the multiverse is a thing. Wanda may also be aware of this on some level, even if she didn’t consciously reach into another universe to find another version of her brother. The fact she found the same version we saw in “X-Men: Days of Futures Past” could be another telling hint.
However, I don’t think that means that the MCU is about to do a direct crossover with the Fox era X-Men movies. I think trying to incorporate that messy continuity into the MCU will be too cumbersome, even for someone like Kevin Feige.
I suspect that we’re getting this particular version of Quicksilver because he, and other mutants like him, have been in a pocket universe of their own. It’s why we haven’t seen any mutants show up in the MCU, at least with respect to the story. I understand the movie rights were the logistical reason for that.
The fact that Wanda created a pocket reality of her own means that someone or something taught her. I don’t know who it could be. Perhaps, it involves someone like Agatha Harkness, a witch from the comics who helped Wanda master her powers. Maybe it involves someone far more powerful, like Mephisto.
Whatever the source, I think pocket realities are going to be what plays into the events of “Dr. Strange and the Multiverse of Madness.” They’ll be akin to the disruptions or wrinkles in the larger fabric of reality, which was already disrupted by the events of “Avengers Endgame.” That domain could be where mutants reside.
Now, I could be dead wrong about that. In fact, I’m not entirely confident in that theory being true. However, there’s one other theory that I think is a bit more plausible. It’s not so much a theory as it is an observation of trends.
Wanda is becoming a villain and she will likely play the part of the MCU’s main villain in Phase 4.
I think, thematically, this makes sense. After Thanos, the MCU needs a new villain to warrant a massive assembly of the Avengers. We’ve already seen this big, menacing villains who look, act, and sound evil. We got Ronan, Thanos, Dormammu, and Ultron. I think the MCU needs a change of pace after that.
Wanda would act as an entirely different kind of villain. This isn’t someone who is just an outright villain from the get-go. She’s a friend. She’s an Avenger. She’s someone who has lost nearly everyone she has ever cared about. If ever there was a hero you could understand breaking bad, it’s her. That’ll make fighting against her that much harder.
The moment in this episode when she confronted SWORD made it clear. She can bend reality to her whim and she’s willing to use it to get what she wants. That’ll make her both dangerous and volatile. She may end up being the main villain of “Dr. Strange and the Multiverse of Madness.”
If that’s the case, then Phase 4 of the MCU is going to be very chaotic indeed.
Hell, it’s been official for the past several years and 2020 only accelerated it. The battle to dominate digital media in all forms is raging on multiple fronts and while many have their favorites, none can say they’ve won.
It’s Netflix versus Hulu versus Amazon versus Disney versus CBS/Viacom versus YouTube versus whatever other media companies are fighting for every possible eyeball. The stakes are high for consumers and content creators alike. There are billions in profits to be made and plenty of epic, culture-defining content to be made. It’s going to get intense is what I’m saying.
I don’t think I need to remind everyone just how much the streaming market has changed in the past 10 years. Even if you’re still a teenager, chances are you still vaguely remember the days before Netflix and chill. Media back then was movies, TV, and Blu-Ray/DVD collections. I’m not saying it was ideal, but that’s what we had to work with.
Then, every company and their deep-pocketed subsidiaries tried to catch up.
It hasn’t always been smooth. Some people are still not over “The Office” leaving Netflix. Chances are there will be more upheavals like that as companies fight over who streams what and who has the streaming rights to a particular show or movie. That’s sure to get messy and I’m not smart enough to make sense of it.
However, as this war rages, I think there’s a relevant question worth asking. It’s a question that I’m sure both consumers like me and big media companies like Netflix and Disney ask as well. The answer could depend on how the war plays out.
How many streaming services can the average customer have?
Most people already pay for some form of streaming media. Most people subscribe to some form of pay TV, although that trend is in flux. The days of having all the entertainment you want with a simple cable subscription alongside Netflix is long gone and it’s not coming back.
Now, you have to be very selective and self-aware of what you want.
Do you want access to the library of shows from NBC or CBS?
Do you want access to the content from Warner Brothers, Universal, Dreamworks, Discovery, Cartoon Network, or 20th Century Fox?
You can have some, but you can’t have them all without paying way more than you ever would for cable. Even if you did, could you even watch all those streaming services enough to justify the cost? There are only so many hours in a day and there’s only so much attention we have to give. Even if we dedicated half our day to binging movies and TV, we couldn’t watch it all.
That’s the big limiting factor on streaming. It’s also the biggest obstacle any company faces with respect to their effort in the streaming wars. People can only watch so much and they only have so much they can reasonably spend on a streaming service. There comes a point where, even if the content is appealing, they just can’t justify the cost.
Personally, I have subscriptions to five streaming services. They are as follows:
Now, it’s worth noting that I got HBO Max through my cable subscription. I’ve subscribed to HBO for years so it’s not something I consciously sought out. With Amazon Prime, I primarily used it for the 2-day shipping instead of streaming media, but I’ve certainly found some quality shows on that platform.
I’m not sure I can justify another subscription beyond this. Once my subscriptions cannot be counted on one hand anymore, I think that’s too much. I just cannot watch enough content to warrant paying extra. I say that knowing companies like Paramount and NBC have just launched their own streaming services.
Even though both networks include shows that I love, I’ve no intention of buying their streaming service. If my cable company offers it for free, like it did with HBO, then that’s great. I’ll certainly watch it, but I’m not paying extra.
I feel like a lot of people are in that boat. If they don’t have a cable subscription, then they’re already trying to save money and paying more for a streaming package just defeats the purpose. If they do have cable, then they’re probably not willing to pay more for something they’re already paying too much for.
It’s a tougher situation and one that I’m sure will get tougher in the coming years. It’s not cheap to run a streaming service. The profit margins can be thin if you don’t have the content. There’s a good chance that some streaming services will either fail or get absorbed into another, like CBS All Access did.
Then, there are the pirates and no, I’m not talking about the ones with eye-patches.
Before Netflix streaming, pirating copyrighted content was already pretty rampant. Since the streaming wars began, there has been an uptick in pirated streaming content. That is also likely to intensify the more fragmented the streaming market becomes. If people are really that unwilling to pay a whole subscription to watch just a single show, they will resort to piracy. It’s still distressingly easy.
That’s why this question matters, both for us and the companies who provide our entertainment. I don’t claim to know how it’ll play out. By the time it settles, there might be another major upheaval in the media to supplant it. Whatever happens, I feel like I’ve reached the limit on the number of streaming subscriptions I have.
That’s just me, though. What about you?
How many streaming services do you have and are you willing to pay for another? Our collective answer could very well change the course of the streaming wars.
I’ve been in major withdraw of MCU content after 2020.
I say that because it’s likely to color my perceptions and bias, so I won’t bother hiding it. I imagine others share it, too. That being the case, let’s just put it out there. A lot of things got derailed in 2020 because of the pandemic, including several movies that were supposed to kick-start the next phase of the MCU.
These delays were understandable, given the state of the world. That didn’t make them any less painful. It marked the first year in nearly a decade that we had to go an entire year without any MCU content. As a lifelong fan of comics and superhero movies, words cannot describe how agonizing that was.
Now, the wait is over. The MCU is back. While it’s not in the form of a billion-dollar blockbuster, Kevin Feige and our Disney Overlords are adapting this wondrous franchise for the world of streaming. The first step in that process finally arrived last week in the form of “WandaVision,” the first ever MCU content built exclusively for streaming.
It marks a bold new era for the MCU, as well as another incentive for people to invest in a Disney+ subscription. Like it or not, “The Mandalorian” cannot do it alone, but it still set a high bar. Does “WandaVision” match that bar in the first two episodes?
The short answer is yes, for the most part.
The long answer is yes, it’s on the right track, but only time will tell.
Two episodes is simply not enough to assess the full quality of any show, but it does help create a foundation. In that sense, “WandaVision” definitely starts strong. It takes the winning formula of the MCU and adapts it into a quirky sitcom full of humor, mystery, and a glut of Easter Eggs.
I’ll get to the Easter Eggs later, but I want to focus more on the unique format of the show. Make no mistake. It is unique, if not downright weird. Then again, both Wanda and Vision are weird characters with a strange, but endearing connection. That has always been the case with their relationship in the comics. This show does plenty to channel that weirdness and to that end, a sitcom format works beautifully.
There’s no build or setup for that format. When the first episode begins, it runs like an old episode of “I Love Lucy” or “Dick Van Dyke.” It’s black and white. The setting is an idyllic suburb. Wanda and Vision are newlyweds, but they’re still very aware of their powers, abilities, and status as a couple in which one of them is an android.
Naturally, the MCU brand of humor emerges naturally from that setup. There’s all sorts of comments and quips that poke fun at their status, which is milked for plenty of entertainment value. In addition to plenty of classic sitcom tropes from that era, it’s a potent formula. You don’t expect it to work as well as it does, but it still works.
The first episode involves Vision and Wanda trying to host a dinner for Vision’s boss. There’s plenty of misunderstandings and mishaps, but it ultimately pans out.
The second episode builds on that, having Wanda and Vision try to integrate with their suburban community and participate in a talent show. Things go horribly and hilariously wrong when Vision finds out he can’t handle chewing gum.
Within these quirky sitcom antics, there are ominous hints and teases as to what’s really going on. This is taking place in the MCU, following the events of “Avengers Endgame.” Something or someone has warped reality around Wanda, who was not in a good place after the death of Vision. That instability comes into play on multiple occasions throughout the first two episodes, but nothing major is revealed.
This is where “WandaVision” shines and stalls at the same time. The sitcom format works beautifully and provides plenty of entertainment value. However, when it comes to explaining how they got there and who’s involved, the hints are exceedingly vague.
I ended up having to watch both episodes multiple times to really understand those hints. If you’ve been following the movies and are familiar with the comics, you’ll definitely appreciate them. If not, you will likely be quite lost.
This is not the kind of show you can come in blind and appreciate fully. It’s still fun, but you can’t get the most out of it without having a moderate knowledge of Marvel Comics and the MCU.
That brings me to the Easter Eggs in both episodes. There are a lot of them, too many for me to mention. Other sites have already highlighted them, but the sheer volume Marvel Studios threw in is both impressive and revealing. Some offer hints of past events in the MCU. Others hint at things only comic fans will recognize.
These Easter Eggs definitely enhance the experience. Again, if you don’t have that working knowledge, they’re easy to miss and they do limit that experience. Even without that knowledge, though, some of those hints are quite overt. It’s very clear that something is very off in this world and others are trying to get into it.
It’s still not clear if Wanda is trapped or if this whole world is just her own doing. There are plenty of hints that someone with less-than-noble intentions is playing a part. There are also some familiar faces, namely Monica Rambeau, who make their presence felt. What role she and others will play is still unclear, but the stage is definitely set for something big, literally and figuratively.
In just two episodes, “WandaVision” effectively establishes its own unique style. It has that familiar MCU polish, but it’s also very different from the big budget blockbusters we’re used to. That’s not a bad thing. Like I said, this show marks Disney and Marvel Studios’ efforts to adapt to the world of streaming.
It’s still too early to say for sure whether it’s a full-fledged success. After the first two episodes, I’d say it’s well on its way. I’m not going to give a score for “WandaVision” just yet. It’s too early to fully assess the show. I’ll just say that I’m so glad and so relieved to see the MCU back in action. I still miss going to the movies, but this show promises to tide me and my fellow Marvel fans over in the meantime.
It’s almost over, people. We’re almost out of 2020 and the end of this global pandemic that has hurt so many is finally in sight. For that reason, it’s okay to start looking forward to 2021. As long as this year doesn’t bring us a new pandemic or an alien invasion, it should be better by default.
We should all be excited at the prospect of the world getting back to some sense of pre-pandemic normalcy. It’ll never be the same, but it’ll be nice to sit in a movie theater or go to a restaurant without having to wear a mask. The world will recover and many are looking to ride onto that wave of recovery.
Chief among them is our Disney overlords. It’s no secret that the pandemic has hit Disney harder than most. Once the envy of the entertainment world, this pandemic hit it with a gut punch that would down the Hulk.
However, those predicting the fall of Disney are exceedingly premature. This is a company that has navigated dark times before. They have too many resources and incentives to just give in, even in the face of a once-in-a-century pandemic.
They’re already making the effort. A while back, Disney had their big Investors Day presentation in which they pitched their future plans to investors and the public. Among those plans were a host of movies and TV shows from.
It was ambitious, even by Disney’s lofty standards. I even dared to let myself get excited again. There was so much to take in, but for the best possible reasons. It made surviving 2020 that much more paramount.
Of the many announcements made during the call, a few stuck out to me. Here are just a few of the shows and movies that have invigorated my spirit once more. For that, I thank our Disney overlords.
If this had been the only thing Disney announced, I would’ve been excited. Kamala Khan is exactly what Marvel Studios, their Disney overlords, and the world needs right now. We already got confirmation of the casting of Iman Vellani for the titular role. This time, we also got a teaser trailer for what we can expect from her and from this show.
I’m not going to lie. I watched this trailer at least 10 times and I couldn’t stop smiling.
This is a character who endeared herself in the comics with just one issue. This is also someone who channels the same spirit of the fans who love all things Marvel. She’s young and idealistic. She sees superheroes through the same lens as us, the fans. Now, we get to see her navigate the MCU in a world where the Avengers assembled, saved the day, and Tony Stark made the ultimate sacrifice.
There’s so much to explore and so much to embrace. I think this show will do for Marvel Studios what “The Mandalorian” did for Star Wars. After a year like 2020, we need that.
Even though she has never appeared in any Star Wars movies, she has still found a way to endear herself to so many, myself included. That’s an accomplishment worthy of her own show and the timing couldn’t be better.
Most recently, she made her live-action debut in Season 2 of “The Mandalorian.” Played by Rosario Dawson, she’s made her presence known in the emerging Star Wars canon that’s unfolding on Disney Plus. This show will give her a chance to shine like never before.
She’s no longer someone’s Padawan.
She’s no longer some shadowy agent for the Rebellion.
She’s just Ahsoka being Ahsoka. Sign me up!
Fantastic Four (By Marvel Studios)
When it comes to movies from Marvel Studios, I’m in the same boat as most lifelong Marvel fans. No matter what they put out, I’ll likely be first in line to see it, whether it opens out in theaters or debuts on streaming. While we don’t know what the movie theater scene will be like in 2021, we can be certain that studios will keep making movies and those movies will find an audience.
Now, I’m tempted to recount all the ways the Fantastic Four have been butchered by previous movies. Believe me, I could spend hours talking about how 2015’s “Fant4stic” was botched at every turn. However, I prefer to look to the future rather than the past.
Finally, Marvel’s first family will be in the hands of Marvel Studios and Kevin Feige. They’ve shown time and again that they know what they’re doing. They love these characters every bit as much as the fans. They will do them justice.
With John Watts from “Spider-Man: Homecoming” set to direct, the stage is set for the Fantastic Four to arrive in the MCU. It took a long time and a huge media acquisition, but the wait is almost over. Fantastic things are worth waiting for and I hope this is one of them.
Since the somewhat forgettable “Incredible Hulk” movie with Edward Norton, the jolly green rage giant has been relegated to a supporting character in pretty much every subsequent story. When he’s not teaming up with Thor or providing muscle for the Avengers, he’s basically just there.
In the comics, Hulk has his own world of sorts and She-Hulk has always been a big part of that. I believe this show can start building that world and with Tatiana Maslany in the starring role, I think this show could be special.
Plus, it’s a show with a beautiful woman smashing things. How can I not be excited about that?
Star Wars: Rogue Squadron
This announcement was an unexpected treat. Among many other Star Wars announcement, this one stood out to me almost as much as the Ahsoka show. Those who didn’t own a Nintendo 64 in the late 90s and early 2000s may not understand, but trust me. Those who did were very intrigued.
There was a time when Star Wars: Rogue Squadron was the pinnacle of Star Wars gaming. This video game essentially ditched the light sabre duels in favor of X-Wings, Y-Wings, and plenty of other exotic spaceships. It involved plenty of space battles, secret missions, and blowing stuff up on alien planets.
Good times, indeed.
Now, we find out Disney is making it into a movie. On top of that, they tapped Patty Jenkins, the woman who brought “Wonder Woman” to the big screen, to do it. I love everything about this. The same woman who tapped Wonder Woman’s wonder is now in charge of a fleet of X-wings. What’s not to love?
Besides, we’ve already had plenty of Star Wars content involving light sabers. Why not focus on elaborate space battles? I know my excitement for all this still assumes that 2021 will be less chaotic and more functional than 2020. At this point, assumptions like that are risky. However, I’m choosing to embrace hope and optimism once more. This past year has left my spirit broken, but I’m ready to start putting the pieces back together. These movies and shows can only help in that process.
The following is a video from my YouTube channel, Jack’s World. It’s a brief rundown of the recent rumors surrounding the upcoming She-Hulk show on Disney Plus. I discuss the recent news surrounding the casting of Tatiana Maslany, as well as my hopes, fears, and predictions for this show. Enjoy!
In a year so full of objectively awful news, a tiny bit of good news goes a long way. When that news involves superhero comics and upcoming TV shows, it goes even further with me. On that front, such news has been few and far between. This year has been fraught with major delays and cancelled conventions. Fans like me need some good, exciting news for once. We’re due.
Then, this past week, we got it. It’s been in the works for a while now, but now it’s getting real. One of the big Marvel Studios Disney Plus shows that has been in development, “Ms. Marvel,” officially found their Kamala Khan in Iman Vellani. As an unapologetic Ms. Marvel fan who has sung her praises before, this is just the news I needed.
Deadline reported it. Many others in Hollywood circles praised it. Fans like me were just elated that Kamala Khan is set to enter the MCU.
After a long and hard search, Marvel has found its Ms. Marvel. The studio is tapping newcomer Iman Vellani to star in its Disney Plus series based on the comic-book character. Marvel and the streamer recently named Adil El Arbi and Bilall Fallah, Sharmeen Obaid-Chinoy and Meera Menon as directors on the project.
Now, there’s a lot I want to say about this news, this casting, and the prospects for this show. I’ve already touched on some of that before and I have every intention of highlighting even more as the show develops. Ms. Marvel is very near and dear to me as a character. I’ll be among those cheering the loudest for her and for Ms. Vellani to succeed.
Before I get to any of that, though, I want to offer a special message to Ms. Vellani. I doubt she’ll ever read it. I’m sure she’ll hear from plenty of other voices far more prominent and insightful than mine. I still want to put this message out there because I think it’s worth saying.
Dear Ms. Vellani,
First off, congratulations! You just earned yourself the role of a lifetime with an incredible character. On behalf of many other Ms. Marvel fans, I wish you the best. We’ll all be cheering you on as you bring Kamala Khan to life in the Marvel Cinematic Universe.
It will be challenging. Anything worth doing is. I believe you’re up for it. I also don’t doubt that you’ll face obstacles, some of which have nothing to do with your acting abilities or your love for the character.
The world of superhero media is an amazing place. Both on and off the screen, there a lot to take in. Chances are, it will be overwhelming at time, but once the fans embrace you, they’ll be your greatest ally. It’s what helped Ms. Marvel become such a prominent, beloved character. That’ll help you achieve success on a level that will do justice to her legacy.
Now, there are parts of that world that are less pleasant. As in any genre, there are critics and trolls who will try to tear you down. They’ll attack you, just as they’ve done to the likes of Brie Larson, Daisy Ridley, and Kelly Marie Tran. Do not let them get you down. Do not let them stop you from being the best Ms. Marvel you can possibly be.
Also know that Kamala herself has attracted plenty of trolls. Some of the ugliest elements of superhero fandom have been denigrating Ms. Marvel since the day she debuted. Some go so far as to attack her creators. These people are no different than the villains Ms. Marvel fights. They do not deserve an ounce of your attention.
The love people have for this character is many times greater than those who go out of their way to hate her. That love is what makes Ms. Marvel special. We hope you feel that love as you don that now-iconic costume. May it carry you through the challenges that await and may it enrich your world, just as Ms. Marvel has enriched ours.
This year has been a lost year for many things. I don’t think I need to go into reasons why or to what extent. It’s awful. We don’t need to be reminded of that. This is especially true for fans of superhero movies. To some extent, this year almost feels like karma after movies like “Avengers Endgame” dominated the box office for so long.
As bad as things have been, we’re still trying our best to inject a little awesome into this increasingly dystopian landscape. Like it or not, superhero movies and media still have a place in the entertainment landscape. This past year might have been a huge loss for the box office, but there’s still reason to be excited about the future of the genre.
That includes the entertainment behemoth that is the Marvel Cinematic Universe. When this year began, it promised to be a time of transition. With the rise of Disney Plus, Marvel Studios has a new medium to explore and evolve. Among those crop of shows is mini-series called “WandaVision.”
Then, the trailer dropped and my curiosity has only grown. If you haven’t seen it yet, I highly recommend you check it out.
It looks weird. The setup is very strange. The visuals are all over the place. It’s hard to tell whether Vision is alive, dead, or part of some strange fever dream. There’s a lot of strange humor and odd mysteries. This show looks downright crazy.
That’s exactly why my hope and excitement for this show has been renewed.
If this trailer is any indication, she has not been coping well with Vision’s death at the hands of Thanos. That reaction would be perfectly in line with what happened to her in the comics during the infamous House of M event. That event is still a bit of a touchy issue for many comic fans, but it’s a perfect foundation for this show.
It puts Wanda in a position to deal with her many issues. However, given her powers and her unstable nature, that process is bound to be messier than series of intense therapy. It wouldn’t even be the first show that explored reality-warping people dealing with mental health issues.
“Legion,” a short lived, yet well-done show on FX did something similar. For Wanda, creating these pocket realities in which she’s still with Vision, living this ideal life with her lover, feels exactly like something she’d do. Giver her upcoming role in “Dr. Strange: In The Multiverse Of Madness,” it could act as a precursor for things to come.
I hope this sets the stage. I also hope this makes Elizabeth Olson’s take on the character more complex. To date, all she’s done is fail to protect her loved ones and lash out. I think she has room to do so much more. I hope she succeeds with this show.
I think Marvel and Disney need this show to succeed, too. With the world still such a mess, they can’t rely totally on the cuteness and merchandizing potential of Baby Yoda to see them through.
In a year as awful as 2020, the bright spots shine a hell of a light brighter. It’s almost necessary to endure. You take whatever sliver of good you can get and you cherish the hell out of it. This year should be a lesson to an entire generation who will have this global pandemic seared into their collective unconscious.
Those bright spots have been few and far between, but if ever there was a reason to keep enduring 2020, it’s a new season of “The Mandalorian.” It seems so long ago, but it was less than a year ago when this show and Baby Yoda captured the hearts of everyone, and not just Star Wars fans.
It was always set up for another season. Despite all the horrible crap that has happened since this season concluded, fans are still eagerly waiting for this show to return. Well, it’s official now. The show is coming back at the end of October. In addition, just in case people forgot how cute Baby Yoda is, here’s the trailer.
In terms of bright spots, I don’t know how Disney could’ve made this any brighter. No matter how you feel about Star Wars, let’s be honest. We need this. Our world needs this. We need something cute, adorable, and hopeful. This show is all of that and then some.
It also has a chance to become even more with this new season. I think this show caught a lot of people by surprise last year. After all the controversy surrounding “Star Wars: The Last Jedi,” many weren’t sure about the future of the franchise. Then, “The Mandalorian” proved that there was still a place for Star Wars in the current cultural climate.
Now that we have that proof, where does it go from here? That’s not an unreasonable question. The Madalorian is a badass. Baby Yoda is adorable. Cara Dune is awesome. That has all been firmly established. How does it build on that?
I have my theories. I’ll save them for another time. I also have larger hopes for this show. As someone who has a soft spot for Star Wars, I want it to keep succeeding. I want this show to be the template for how Star Wars will continue evolving for a new generation. Will it happen? I don’t know.
Some details can certainly help. The first season of “The Mandalorian” spent much of its time just creating the setting and putting Mando on the path he’s on. The second season has many other paths for him to follow. Here are just a few the things I hope that path includes.