The following is a video from my YouTube channel, Jack’s World. This video is my personal exploration and celebration of Laura “X-23” Kinney, a character who became an icon in the X-Men comics, and later the Logan movie. But it was one fateful episode of X-Men: Evolution that began her journey. And to this date, this episode a testament to what makes this character so special.
Tag Archives: Weapon X
When you’re a comic fan like me, comics basically become the spice, the cake frosting, or the hot sauce of life. By that, I mean there really isn’t much you can’t combine with comics that doesn’t make something inherently better. On Wednesday mornings, pairing my morning cup of coffee with new comics is a perfect complement. They each make each other better.
The same applies to combining new comics with lunch.
The same applies to combining new comics with lounging by the pool.
The same applies to combining new comics to snuggling up with your lover on the couch.
Think of any situation that allows you to read something on a phone or tablet. New comics only makes it better. On Wednesday mornings when a glut of new books come out, you’ve got even more to work with. You now have the excitement of reading something new that introduces new characters, moves stories forward, and offers more dazzling art.
Variety may be the spice of life, but comics are my preferred spice. No matter what time of the year it is, comics make it sweeter. Now is as good a time as any to sweeten up your life once week with new comics. As always, I offer my pull list and pick of the week. Enjoy!
My Pull List
My Pick Of The Week
Deadpool: Black, White & Blood #1
The following is a video from my YouTube channel, Jack’s World. It covers some recent rumors that have been circulating about the future of the X-Men in the MCU. Please note that these rumors are not substantiated. There is no inside source at work here. Most of this information comes from the site, BGR. So, please take them with a grain of salt.
That disclaimer aside, I made this video as a general reaction of sorts. This is also the first time I used my new video editing software. Please let me know if you can see a difference in the overall quality. Enjoy!
Marvel Studios, the alpha and omega of superhero movies, is going to produce “Deadpool 3” and it will be R-Rated, just like its predecessors. I think I speak for all fans who saw the first two Deadpool movies multiple times when I say we’re both excited and relieved.
That said, this wasn’t exactly a long shot. Marvel Studios making “Deadpool 3” was very likely to begin with. The first two movies made a combined $1.5 billion on a total budget of $268 million. That’s a damn good return on investment and after 2020, Disney needs that badly. That may mean doing some R-Rated things that Disney isn’t used to, but when they’re badly in need of cash, they won’t dare change the winning formula.
Even if it was inevitable, it’s still always comforting to get confirmation. We can finally stop speculating. Marvel Studios’ big boss, Kevin Feige, confirmed it with his own words.
Marvel Studios president Kevin Feige has said that the next Deadpool movie will be R-rated, and be part of the MCU – with Ryan Reynolds working on a script right now.Speaking to Collider during a WandaVision press event, Feige went into a little more detail about the project:
“It will be rated R and we are working on a script right now, and Ryan [Reynolds is] overseeing a script right now… It will not be [filming] this year. Ryan is a very busy, very successful actor. We’ve got a number of things we’ve already announced that we now have to make, but it’s exciting for it to have begun. Again, a very different type of character in the MCU, and Ryan is a force of nature, which is just awesome to see him bring that character to life.”
This is all great news for me. I love every word of this. I’m already very excited to see the X-Men join the Marvel Cinematic Universe at some point. The prospect of seeing Deadpool in the same world that Kevin Feige so masterfully created over the course of a decade is just too awesome for words.
Rest assured, I’ll be first in line to see “Deadpool 3” in its R-Rated glory. I sincerely hope it includes plenty of quirky references about the MCU, other Marvel characters, and the kind of crude humor that makes Deadpool and actor Ryan Reynolds so inherently lovable.
As excited as I am, I do have some burning questions that I’d like to put out there. I imagine my fellow Deadpool fans are asking these questions as well. Most of them boil down to this.
What does an R-Rated Deadpool movie produced by Disney even look like?
It’s not an unreasonable question. Let’s not forget that the first two Deadpool movies contained content that never would’ve been authorized by Disney.
There were multiple F-Bombs and plenty of poop jokes.
There was gratuitous, blood-soaked violence that involved guns, katanas, and even a Zamboni.
There were multiple scenes that involved raucous sex, including one that involved Ryan Reynolds getting fucked with a strap-on.
This is all par for the course with Deadpool. What we saw in the movies is not that different from what regularly happens in the comics. This is stuff that does not at all jive with Disney’s family friendly, princess loving image. The Marvel movies in the MCU are great, but they have strict PG-13 lines that they’ve never dared cross.
So, how are they going to make that work? That’s not a rhetorical question. Seriously, how are they going to pull it off?
This is what Ryan Reynolds had to say.
Oh Mr. Reynolds, don’t ever change.
It’s adorable, but it still leaves the question unanswered. We probably won’t know for sure until more details come out, which could take years. In the meantime, I’ll continue to wait and agonize over this issue. If nothing else, I take comfort in the knowledge that Disney badly needs another billion-dollar blockbuster and if that means dropping some F-Bombs, I think they’re willing to pay that price.
Deadpool is worth it.
The current state of the world is still awful. Let’s not sugarcoat that. As much an optimist I try to be most of the time, you can only try so hard during a global pandemic. I don’t deny these past few months have utterly killed my optimism with a force of a thousand pissed off Hulks.
Even without optimism, we’re all still adapting. We’re learning to live our lives without the luxury of going to a movie theater, hanging out in a crowded restaurant, or just browsing through a mall without someone whining about having to wear a mask. It’s frustrating, but it’s bearable. For me, new comics help make this new normal bearable.
I say that as someone who knows that the whole comic industry has had to adapt a lot these past few months. Between comic shops facing enormous hardship and the San Diego Comic Con being reduced to a glorified series of Zoom calls, things have been very difficult for this industry I love so dearly.
More changes are likely, but I’m still grateful for the efforts of those working in this industry to keep New Comic Book Day awesome. Whether you’re a writer, an editor, an artist, or an IT person working at Comixology, I can’t thank you enough for your tireless effort. The world needs this right now. I certainly need it too.
As always, I show my appreciation by dropping plenty of money on digital comics and assorted merchandise. I encourage others who struggle to adapt in this awful world to do the same. Once again, here’s my pull list and pick of the week.
My Pull List
My Pick Of The Week
Certain characters will always be defined by tragedy. This is especially true of superheroes. What happened to Bruce Wayne’s parents was a tragedy. What happened to Peter Parker’s uncle was a tragedy. The impact of that tragedy is what helped send them down the path of being a superhero. It’s a common narrative and it’s powerful on so many levels.
On the other end of that spectrum, though, are characters defined by their choices. They weren’t being mind controlled. They weren’t replaced by clones or blackmailed by a villain. They do what they do out of choice. When you’re Superman, that helps make you an iconic hero and a paragon by which all others are measured. However, when you’re someone like Wolverine, those same choices only complicate his standing as a hero.
To say that Wolverine has made some questionable choices over his long and colorful history would be like saying Deadpool has a quirky sense of humor. Whether he’s Logan or James Howlett, he’s not some tragic figure of circumstance. He makes choices, they screw him over, and then he makes things worse by stabbing things.
There are many stories that demonstrate Wolverine’s questionable decision-making process. “Wolverine Annual #1” is just the latest and writer, Jody Houser, once again demonstrates why Wolverine’s journey to being the best there is at what he does tends to get so messy. On top of that, it’s his own damn fault.
It helps that annual comics are among my favorite types of comics. They’re just simple one-shots that tell a single, self-contained story. For a character like Wolverine, these stories don’t always follow the traditional superhero narrative.
The first act effectively establishes Wolverine in the present time. At this point in his journey, he’s a full-fledged hero. He’s a member of the X-Men. He has close ties to the Avengers. He also occasionally teams-up with Spider-Man and resists the urge to stab him. By most measures, his status as one of Marvel’s top tier heroes is secure.
It’s in the same context that Houser digs a little deeper into Wolverine’s colorful past. Like so many other parts that got bloody, this is one he deeply regrets. As he often tries to do, with varying degrees of success, he confronts it. Things only get messier from there, but in the best possible way.
Houser doesn’t just build a story around Wolverine’s propensity to make bad choices. She also demonstrates what happens when the people around him make as many bad choices as him. It’s not just him that screws up. Sometimes, good people make bad choices and they drift away from being good people.
Throughout his history, Wolverine has always been in danger of becoming that person. His status as a major superhero shows that he avoided it. Not everyone was as lucky and that’s where Celia Stroud comes in.
On the surface, her story has all the traits of the many other women who got romantically involved with Wolverine and suffered because of it. They got together. Things got heated. They decide to leave where they are and build a new life. Then, things get messy. Usually, that means things get bloody and stab-happy as well, but that’s not entirely the case in “Wolverine Annual #1.”
Granted, there is plenty of stabbing and plenty of bloodshed. However, how it plays out is very different from the typical Wolverine-fueled tragedy. He still makes questionable choices, but it’s Celia Stroud’s choices that gives this story such a unique impact. Houser sets up Wolverine to face a similar backlash to his choices, but this time, his choices aren’t the most questionable.
It’s still tragic in a sense, but not in the way most Wolverine fans have come to expect from his stories. Celia Stroud comes off as the kind of character who seems destined to be corrupted by Wolverine. She’s romantically involved with him and history shows that rarely ends well.
Then, her questionable choices are revealed. For once, Wolverine’s judgment isn’t the worst. While there are other forces involved, her choices are still the thing that gives “Wolverine Annual #1” its impact.
I won’t spoil the details. I’ll just say that “Wolverine Annual #1” puts Wolverine in an unfamiliar position. Once again, he tries to confront his past. Once again, it doesn’t give him the closure he seeks. However, it’s not entirely his fault. If anything, he’s the only one who takes responsibility for his choices. For someone with his sordid history, that’s saying something.
When I read the first half of “Wolverine Annual #1,” I thought I knew how things were going to play out. I was pleasantly surprised by how Houser switched things up. It wasn’t overly shocking. It wasn’t one of those cases where a story went out of its way to subvert expectations, as has become so popular in recent years. It just told a different kind of Wolverine story and still found a way to make it work.
Wolverine is never going to be the kind of character who conducts himself like a paragon of virtue. It’s just not his style. He’s also never going to stop making bad choices. It’s just the nature of his personality. That’s a big part of what makes his story and his legacy so compelling.
“Wolverine Annual #1” adds another chapter to that story. It also makes the case that other people in Wolverine’s life are just as capable of making bad choices and getting stabbed with adamantium claws isn’t the only possible consequence.
Every week, a new crop of comics enters this world to make the world a better place and/or help tide fans over until the release of “Avengers Endgame.” Whether you’re a fan of superheroes, melodrama, or just pretty artwork from artists not afraid to draw gaudy costumes, there’s something for everyone.
Every Wednesday, I take it upon myself to select one comic that I feel offers something extra beyond the price tag. Historically, few characters offer a wider range of appeals than Laura “X-23” Kinney.
Some know her as the daughter of Wolverine. Some know her as the breakout star of the “Logan” movie who helped make Dafne Keen a star. Regardless of how you know her or the medium in which she comes, she often brings a diverse story of violence, brutality, melodrama, and heartbreak. This week’s pick, “X-23 #11,” delivers on all of this, and then some.
Since writer Mariko Tamaki took over the series, Laura has gotten back to basics in terms of her mission. While she served admirably as Wolverine for a while, her priorities often change when she finds out some mad scientist wannabe is trying to make living weapons again. Considering how often this results in a blood bath, such efforts should count as an elaborate suicide attempt.
It’s a bigger deal to Laura than most. Like Logan, these programs have brought her nothing but pain. Unlike Logan, though, she doesn’t have the benefit of having holes in her memory. She remembers all the horrible crap that these programs did to her, which included the murder of her mother. She has more incentive than most to take these programs down as quickly and brutally as her father would have.
This is the primary goal in “X-23 #11,” but there’s a lot more at work than just someone with adamantium claws tearing through a weapons facility. In X-men comics, that’s basically a typical Monday. What makes this typical part of Laura’s mission harder than usual is the growing divide between her and her clone sister, Gabby “Honey Badger” Kinney.
That divide began several issues earlier. Like a pissed off Wolverine chasing the last can of beer, things have been getting anxious between the two. Since her debut in All-New Wolverine, Gabby has been a wonderful ray of sunshine mixed with omega-level cuteness for Laura. I’ve documented the breadth of that cuteness before, but it has never worked against Laura until now.
Laura knows it’s happening. She even senses that there’s some simmering resentment in Gabby, so much so that it affects her tastes in music. This isn’t just sisters bickering over what to binge-watch on a Friday night, though. “X-23 #11” establishes a fundemental divide between Laura and Gabby that may very well send the two sisters in a very different direction.
Tamaki has been setting up that divergence for several issues, but now there’s no putting it off any longer. It started with a debate over what to do when a shady company called Harvest made an army of X-23 clones that had been augmented/hijacked by cybernetics. While it made for some pretty brutal battles, it also highlighted the difference in Laura’s approach to dealing with other living weapons compared to Gabby’s.
Gabby, being the glowing ball of lovable cuteness that she is, wants to save these weapons. She sees them like other sisters. Even when it they come off as brain dead, like the cyborg X-23 army they battled, her first instinct is to save them and not destroy them. Laura, having seen too many clones cause too much suffering, favors a more direct solution that involves adamantium claws.
What makes the drama in those issues, as well as “X-23 #11,” so compelling is that it’s easy to see both points of view. Gabby knows that she wouldn’t even be alive if Laura hadn’t shown compassion when dealing with the clones that these living weapons programs produce. She also wasn’t subject to the same tragedies as Laura so she still has that wide-eyed optimism about helping other clones.
Laura, being older and a lot more damaged from her experiences, knows that the real world tends to crush optimism the same way Logan crushes beer cans. She has suffered and lost a great deal in dealing with these living weapon programs. She understands that not every clone can be saved. She knew that was the case with the cyborg clones that she and Gabby battled, but also knew Gabby was not going to agree with her.
Now, as the aftermath of that conflict sets in through “X-23 #11,” they both face some difficult, heart-breaking choices. For once, few of those choices can be made while stabbing heavily armed henchmen. There is some of that in this story and Diego Olortegui’s artwork does plenty to make that a visual spectacle. However, it’s the family drama that really sets this issue apart.
If you’ve been following the evolution of Laura and Gabby’s relationship since her debut, then the events of “X-23 #11” are genuinely heartbreaking. These two have steadily become a real family in their brief time together. Now, they’re being torn apart by bitter disagreements and painful choices.
Both Laura and Gabby experience the heartache. Even if you haven’t been following their respective stories, it’s easy to appreciate the bitter divide between two sisters. It happens in the real world and without mutant powers. Sometimes, things between siblings go bad and they drift apart. Seeing that happen with Laura and Gabby is nothing short of tragic.
It’s bittersweet, but it also helps set the stage for the future of both characters. “X-23 #11” is one of those comics that doesn’t avoid a difficult moment between two characters who no longer see eye-to-eye on an important issue. Even within family, these moments happen. This one was inevitable, but Tamaki and Olortegui made sure this one hit hard in all the right ways.
With Logan back from the dead, it promises a very divided Wolverine family, to say the least. For a family that has been subject to cloning experiments, constant torture, and even a trip to Hell, it’s a tough situation, but one that tends to make them all more badass in the long run.