Tag Archives: media issues

My Thoughts On Facebook And #DeleteFacebook

Here is how to delete Facebook | TechCrunch

There are certain people, groups, and companies that are difficult to defends. It’s not impossible, as is the case with tobacco companies, criminal organizations, and whoever designs unskippable video ads. It’s just difficult and I’m certainly not qualified to carry out such with any real expertise.

I’m just not that smart or informed.

I make that disclaimer because I’m about to defend a company that doesn’t have a stellar reputation, to say the least. If anything, their name and its famous founder have gained such a negative connotation that they’re just a few steps away from being a tobacco company. Given how one actually sells products that gives people cancer, that’s saying something.

That company is Facebook. I know that just typing that word out for people to read is going to garner a reaction and not in a good way.

I get that. I really do. I’m very much aware of some of the many scandals and shady dealings that Facebook has engaged in since its inception. I’m also aware of the objectively negative impacts that Facebook has had on certain people. That’s not something I can defend, nor would I want to.

There are any number of bad things about Facebook and its impact that I can go over. However, there is one important aspect to those things that I would like to highlight. I don’t think it constitutes a defense of Facebook or its practices, but some may construe it as such. I’m still going to point it out, if only to add some perspective. It all comes down to this.

Facebook is still just a tool. At some point, all its damaging ills are on us, the users, and not the company.

I understand that’s an unpopular sentiment. It’s not that dissimilar from what gun advocates say about guns. Like any inanimate object, it’s not deadly or damaging until somebody willfully uses it. That’s certainly true to some extent. It’s just a matter of the extent that people disagree on.

However, Facebook is not akin to a firearm or some tool that can actually be used to cause tangible, physical harm to someone. It’s a website/software program. Using it requires people to go out of their way to access it. In addition, getting any meaningful use out of it requires active engagement. It’s not just something you can give to a kid and they would easily figure it out.

It can still be damaging, but in a very different way. Like it or not, some of those ways are ultimately our responsibility and not that of Facebook. I know it’s just a lot easier to criticize the company, its practices, and the conduct of its founder, Mark Zuckerburg. That doesn’t change the actual nature of the product.

Yes, there is objectively toxic content on Facebook that degrades, demeans, and deceives people.

However, that toxic content doesn’t come directly from Facebook. It comes from us.

I bring this up because I saw the hashtag, #DeleteFacebook, trending again. That seems to happen several times a year, often after a new scandal or in wake of an unpopular decision. It’s becoming so routine that it’s hard to take seriously.

On top of that, the hashtag rarely accomplishes anything. Despite all the scandals and negative press, the overall usership of Facebook is still growing. As of this writing, it has approximately 2.85 billion users. Criticism and hashtags aside, it hasn’t kept the company from growing. It hasn’t made Mark Zuckerberg any less rich and influential.

I know hashtags are notorious for presenting a false reality to those who seek it, but this particular hashtag has become more a virtue signal than an actual protest. More and more these days, the hashtag has become less about Facebook’s unscrupulous business practices and more about protesting Big Tech, as they’re called.

While there’s certainly a place for protesting the practices of large, powerful corporations, I feel like the substance of that effort gets lost in virtue signaling. People are more inclined to just whine about how bad Facebook is and say how much better their lives are after deleting it. It’s rare for anyone to actually highlight a substantive policy or practice that warrants protest. It’s all about people saying, “Look at me! I gave up Facebook, so I’m better than you!”

I know that’s a simplistic statement that doesn’t apply to everyone. I’m sure there are people whose lives did improve after deleting their Facebook account. At the same time, there are people whose lives are still enriched by Facebook.

Personally, I’ve met great people through Facebook. I’ve also been able to keep up with friends and family that I never would’ve been able to keep up with. I genuinely value those connections. They even prove critical when there’s a major family crisis that everyone is trying to keep up with. That happened several years back when my grandmother got sick. It happened more recently with helping my father connect with other relatives during the pandemic.

Facebook can be used for good. Like any tool, it can have a positive impact on its users. It’s just a matter of how it’s used.

There will always be people who seek to use any tool for something wrong, deviant, or nefarious. We don’t criticize ski masks the same way we criticize Facebook and for good reason. At the end of the day, it comes back to the individuals using it.

Again, that doesn’t excuse some of the shady things the company has done over the years. I’m not defending that. This extended rant is just me reminding people that some of the worst parts of Facebook only exist because of us, the users. At some point, we have to take responsibility for that. We can’t expect a multi-billion dollar software company to do it for us.

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Filed under Current Events, human nature, media issues, rants, technology

Why I Don’t Miss Blockbuster Video (For The Most Part)

Everyone has something they’re nostalgic for. There’s nothing wrong with that, for the most part. There are some people nostalgic for the kind of things that require massive social regression that would do immense harm to every marginalized minority you can think of. That kind of nostalgia isn’t healthy. It’s just for entitled assholes.

For me, personally, my nostalgia is pretty limited. I have a soft spot for old school Saturday morning cartoons. They made waking up early on the weekends fun. I’m also nostalgic for a time when the only people trying to cancel stuff were uptight conservative Christians who opposed anything fun, new, or sexy

It almost seems quaint now. I think many of us still long for the days when everything didn’t have a political agenda or bias. It’s getting to a point where it’s hard to remember a time when politics wasn’t so damn tribal. I miss those days too.

However, I don’t want to focus too much on the things I miss. Instead, I want to highlight something that I honestly don’t miss for the most part, but it’s something a lot of people have fond memories over.

That something is Blockbuster video.

Now, most people over the age of 30 remember Blockbuster video. I certainly remember it. In fact, it was once a regular ritual for my dad to take us all to Blockbuster on Friday evening to rent a movie. At one point, I lived within walking distance of a Blockbuster. Those were good times.

Those times eventually came to an end. Blockbuster’s rise and fall from its position as an institution of the movie business is relatively well-documented. It’s also well-known that there was a point where Blockbuster could’ve bought Netflix for just $50 million, but chose not to.

That choice has since gone down in infamy as one of the dumbest decisions in the history of business. To understand just how dumb it was, Netflix as of this writing is worth over $30 billion. Take a moment to appreciate just how much history changed with that fateful choice.

At the same time, there are people out there still nostalgic for Blockbuster. Recently, there was even a mini-documentary on the last Blockbuster video in operation in Bend, Oregon. Fittingly enough, that documentary is on Netflix.

Having watched that documentary recently, I found myself thinking back to those times I mentioned earlier. I also thought about how the stories that people in the documentary told about going to Blockbuster or video stores, in general. They remembered it so fondly. When they visited the last Blockbuster, they looked downright enamored.

I can’t say I blame them. It probably took them back to a time in their lives that they remember fondly. I can certainly appreciate that.

At the same time, I can’t avoid one simple fact.

I really don’t miss Blockbuster that much.

That’s not to denigrate the people who do or the experiences I had in my youth. When I look back on Blockbuster in its totality, both in terms of the good times and the not-so-good times, I just don’t miss it. As a hub for movies, it had its place at a certain point in time. That time has long past and I’d rather not go back.

As much as I enjoyed browsing movie racks and chatting it up with the people who worked at Blockbuster, I can’t overlook the shortcomings. There were plenty of times in which I really wanted to see a particular movie, but there were just no copies available. That happened constantly with certain shows I followed closely. It got to a point where I just stopped trying.

Then, there were the late fees.

I promise that nobody misses the late fees.

I recall more than one occasion where my parents scolded me and my siblings for not returning a movie on time. Even without inflation, those fees really added up. They were a constant point of frustration and I really don’t miss having to deal with them.

There were still parts of the Blockbuster experience that I enjoyed. The stores themselves were great to be in. My brother and I spent a lot of time losing ourselves in that store. While it was nice to just come across some obscure movie or game every now and then, I feel like that was the exception rather than the norm.

Since I got Netflix, I find it a lot easier to come across some obscure movie I’ve never seen or heard of. Last Halloween, I spent an entire afternoon just browsing the Horror section of Netflix and found several movies that I probably couldn’t have found in a Blockbuster. It was a great experience.

I don’t deny that Netflix is a lot more impersonal. There’s none of that social aspect you get by visiting a Blockbuster store. That certainly had its moments, but I feel like other social spaces have more than compensated, at least for me.

I’ll always have a soft spot for Blockbuster for making Friday nights more fun with my family. I’ll always remember that distinct smell of buttered popcorn that every Blockbuster seemed to have. Beyond that, though, I’m not all that nostalgic for it. Blockbuster had a good run. It just didn’t adapt to changing times. That being said, just imagine how different the world would be if they had bought Netflix.

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Filed under Current Events, movies, rants, real stories, technology, television

Jack’s World: Why Most Critics Of Superhero Media Are Wrong, Misguided, And Stupid

The following is a video from my YouTube channel, Jack’s World. I’ve been working on this for a while now. I’m aware of the various criticisms that superhero media has received in recent years, from political pundits to former writers like Alan Moore. I’ve been wanting to respond to that criticism in some comprehensive way. This video is my way of addressing it, as well as reaffirming why I love superheroes and why they mean so much to so many people. Enjoy!

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Filed under Celebrities and Celebrity Culture, DC Comics, Jack's World, Marvel, Marvel Cinematic Universe, superhero comics, superhero movies, YouTube

A Message To Those Who Whine About The “Mainstream Media”

There are certain institutions and organization no one wants to defend. Usually, there’s a good reason for that. Who would ever want to stand on the side of the IRS, insurance companies, or oil companies? I don’t deny some will make the effort, but it’s often born of questionable motivations.

Now, I’m not out to defend any of those organizations or the people they pay to protect them. In fact, I’m going to try very hard to not take a side here. That may not be possible because in this case, I’m going to try and be balanced on an institution that has only become more imbalanced over the years.

I’m referring to “the mainstream media.” Yes, I put that term in quotes. There’s a good reason for that.

I’m also aware that people talk about “the mainstream media” the same way they talk about hemorrhoids, traffic jams, and malignant tumors. You’re unlikely to find anyone who will come to their defense. It’s why trust in “the mainstream media” is at an all-time low.

However, is that entirely the media’s fault?

Don’t get me wrong. The modern media is a mess and definitely needs a top-down overhaul, but I’m not smart enough to discuss that at any great length. Instead, I want to focus on those who constantly whine about “the mainstream media.”

You hear it from liberals who claim right-wing news sources peddle disinformation and outright propaganda.

You hear it from conservatives who claim left-leaning news sources basically treats anyone to the right of Jimmy Carter a fascist.

You basically hear it from everyone from every side of the political spectrum. Either “the mainstream media” is actively undermining democracy or they’re an unofficial arm of an oppressive government. There’s no middle-ground or nuance. No matter your politics, you’ll find an excuse to hate them.

I’m sorry, but I have to call bullshit.

Again, this is not me coming the defense of mainstream media. This is just me saying there’s legitimate criticism of modern media institutions and then there’s just bullshit whining. The latter has grossly overwhelmed the former as of late.

I see it in comments section and social media. It takes many forms, but it often boils down to this.

“The mainstream media is covering up the truth!”

“The mainstream media is spreading lies!”

“The mainstream media is attacking [insert favorite politician/pundit/celebrity]!”

“The mainstream media is destroying the country I love!”

Trust me, it gets more hyperbolic and vulgar. In some cases, real people faced outright death threats because of peoples’ hatred for “the mainstream media.” Even after the death of Rush Limbaugh, the hate isn’t subsiding. It’s only going to get worse.

That’s because it’s easier than ever to basically customize your news feed. If you want to only hear news from a right-wing bias, you can do that. If you only want to hear news from a left-wing bias, you can do that too. If you just want news that’s uplifting, there’s even a source for that too.

It’s not entirely a result of the internet. This has been happening since the rise of talk radio. People learned that you could garner a large, loyal audience by telling them the news and opinions that they want to hear. They won’t care how factually accurate it is. They just want to hear what makes them feel good.

That’s not inherently wrong. We’re human. We have our biases. There’s no way around it.

The problem is that, because people are having their biases satiated, they’re becoming more antagonistic towards anything that doesn’t do exactly that. That means any news that isn’t their preferred news is “the mainstream media” and “the mainstream media” is always bad.

I wish I could write that with more sarcasm, but this is a serious issue and one with deeply distressing implications.

This is part of why it’s becoming increasingly harder to convince people that a certain news story has been debunked or discredited. It’s also why people will cling to certain issues, citing only uncredible and bias sources, long after they’ve faded from the headlines.

You cannot reason with someone who clings to an unreasonable source of information. You also cannot have a civil discussion with someone who sees anything that doesn’t agree with them as wrong, evil, or a conspiracy by shape-shifting lizard people. I swear that last one is an actual conspiracy theory. I wish I was joking.

For this reason, I’ve had many unpleasant conversations with people who are otherwise decent human beings.

For that same reason, I’d like to send those people, as well as those who side with me on most arguments, a simple message.

The mainstream media is not out to get you.

The mainstream media is not out to destroy your way of life.

The mainstream media is not some evil organization run by a cabal of supervillains.

In essence, whining about “the mainstream media” has just become code for whining about certain people or organizations that don’t agree with you politically or ideologically. It’s a knee-jerk reaction that gives people an excuse to dismiss every point they make, even if it’s right, accurate, and completely credible.

It’s pathetic that people are that insecure about their politics, but it’s also dangerous. The events of January 6th at the Capitol is proof of that. I’m not saying we should all start trusting the media at every level. I’m just saying that there’s a better, more balanced way to get a clearer view of our world. You’re just not going to get that view if you only ever listen to Infowars.

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Filed under Current Events, media issues, political correctness, politics, psychology, rants

Dear Gina Carano And Her Supporters: Avoid Ben Shapiro (And Everyone Like Him)

Talking about politics is ugly.

Talking about issues like “cancel culture,” which I put in quotes for a reason, is often revolting.

Sometimes, though, we can’t avoid it. When it makes headlines, it’s like a massive traffic accident. We can’t look away. It’s just how we’re wired. It’s a problem that plays right into the flaws of human nature.

It affects us on an emotional level, appealing to tribalism and hate. It brings out the worst parts in some people. For others, it brings out a sense of greedy opportunism that is nothing short of exploitative.

This brings me to the ongoing saga involving Gina Carano, the new face of “cancel culture” after Disney fired her from “The Mandalorian.” She’s been making a lot of noise in the media lately, which is kind of ironic for someone claiming to be silenced or censored, but that’s beside the point.

However, a good chunk of that noise came out of her recent interview with Ben Shapiro of the Daily Wire. Now, I’m inclined to believe that Gina is sincere in her statements. I’m also inclined to believe that she’s not a hateful person, even though her words and tweets tend to the wrong message.

Reasonable people can have reasonable discussions about how justified Disney was in firing her. Those same people can have reasonable discussions about the merits of “cancel culture” and how conservatives are viewed in the media. Those are discussions we should have.

The problem is that Ben Shapiro is not a reasonable person, for the most part, nor are many conservative-leaning blowhards like him. Gina herself might already know the kind of person he is, but I doubt she fully grasps the bigger picture of who this man is and why people like him are not true allies.

It’s fine to be a conservative.

It’s fine to disagree with major liberal talking points.

Men like Ben Shapiro take it several steps further and cross way too many lines. He’s as much a conservative as Bugs Bunny is a real opera singer. He’s nothing more than a mouthpiece funded by a couple of oil billionaires, who are also huge funders of the religious right. These are people who think the only women’s right that matters is the right to obey her husband and pump out babies.

These are not people you want to ally with.

These are not people who have the best interest of America, women, and Star Wars fans in mind.

They have an agenda and Gina is nothing more than a tool, as are her fans. However, I don’t expect anyone to just take my word for it. The YouTube channel, Some More News, actually went through the trouble of creating a one-hour video detailing why Ben Shapiro is not a serious person who should be taken seriously about anything, let alone real conservatism.

Please, I implore both Gina and her supporters to watch this video and think carefully about who they’re throwing their support behind. As multiple Star Wars movies have shown us, making a deal with the dark side rarely works out for anyone who isn’t already in power.

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Filed under Current Events, politics, psychology, Star Wars, YouTube

Why I Think Movie Theaters Will Never (Fully) Recover

The COVID-19 global pandemic is going to have many long-term effects. There’s no way around it. This pandemic will leave lasting scars that will fester for generations. If I ever have kids or grandkids, I’ll likely share harrowing stories about how we survived 2020. I’m sure they’ll have plenty of questions with respect to social distancing, mask wearing, and Zoom calls.

As it stands, those stories aren’t yet complete. We, as a society, are still trying to navigate our way through it. Even if a vaccine is close, it’s going to be a while before we can say with certainty that the pandemic is over. Like many, I eagerly await that day. I’d love to be able to go to a bar, a water park, or a ball game again.

At the same time, we have to face another difficult truth. Some of the things we took for granted before the pandemic are never coming back, at least to the extent we remember. I suspect things like handshakes, poor hygiene, and thoroughly cleaning subway cars only once every 100 years will never be a formality, at least to some extent. Entire industries will have to re-think how they do business form here on out.

Among those many common activities we once took for granted, I believe there’s one in particular that will change more than most. It involves the once-simple act of going to a movie theater. Just a year ago, this activity/industry maintained a special place in our culture. Big summer blockbusters weren’t just an expected market trend. They were a cultural tradition.

Now, having gone an entire summer without those blockbusters, I suspect this experience will never return to its former glory.

By that, I don’t mean big-budget movies will diminish in importance. There’s definitely still a place for those in the near and distant future. The insatiable demand for new content on streaming services will ensure that. However, the long-standing traditions of going to a movie theater to celebrate one of those blockbusters has probably been permanently diminished.

I say that as someone who both loves going to the movies and laments any loss of these blockbuster traditions. I’m the kind of guy who gets in line early for every Marvel movie and has many fond memories of spending an afternoon or evening in a movie theater. Believe me. I don’t want that tradition to end or decline. I just don’t see how it can ever recover from this.

That’s not to say movie theaters will disappear, like video rental stores. I think that, over the next several years, they’re just not going to be as critical a part of the movie industry. We’ve already seen signs of that over the course of this pandemic.

I think the biggest turning point when movies like “Trolls: World Tour,” “Scoob,” and “Mulan” skipped theaters entirely, going straight to video-on-demand. Even if it was done out of necessity, I think it’s simply accelerating a trend that had started before the pandemic. More and more, movies were just skipping theaters entirely and going straight to streaming services.

These weren’t the kind of straight-to-DVD movies that were so bad they couldn’t get into theaters. These were quality movies that have the potential to become solid franchises. There were also cases in which a movie skipping theaters actually turned a profit. It’s not a huge profit on the levels of an Avengers movie, but it is a profit. That’s all any industry innovation needs to get going.

It won’t happen all at once.

It won’t upend the entire movie industry overnight.

It won’t even be obvious until years after we’re past the point of no return.

I still believe it’ll happen. Years from now, a big blockbuster movie coming out in theaters won’t be the kind of seasonal, cultural event it once was. Movies like “Avengers: Endgame” and any “Star Wars” movie will still make headlines, but they’ll be the exceptions rather than the industry standards.

Movie theaters, themselves, will probably look very different. The theater I live near, which I’ve been going to for years, probably won’t look the same. It’ll most likely look more like an IMAX theater, which provides an experience that isn’t easily duplicated within a typical living room.

Only a handful of movies can complement that experience. Low budget, high-concept movies probably won’t come out anymore, except for a select number of theaters, like drafthouses. They’ll go straight to streaming services. That might even work better for long movies like “The Irishman.”

That might open the door to a new type of movie experience for a new generation of movie-goers. I have a feeling that kids who lived through this pandemic, whose entertainment consumption came primarily through streaming media, will see that as their new normal. The whole concept of movie theaters might seem as strange to them as land lines or pagers.

I don’t claim to know what form the movie industry will take several years from now. I don’t even know what kind of world we’ll have six months from now. I question the honesty of anyone who claims otherwise. The only real certainty is uncertainty. We don’t know what kind of world will emerge when this pandemic is over.

Some things will return, but in a different form.

Some things will never be the same.

As much as I love going to the movies, I believe that experience will just be one of the many casualties of this horrible pandemic.

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Filed under Current Events, media issues, movies, technology, television

Violence Vs. Nipples: A Rant On (Misguided) Censorship

First off, I need to apologize in advance because I’m about to go on a rant. I promise it’s related to current events, relatively speaking. I can’t promise it’s the most serious issue in the world, but I still think it’s worth saying.

Let’s face it. We’ve seen a lot of terrible things these past few months. That includes, but isn’t restricted to, images of mass graves, angry protests, and videos of people committing egregious atrocities. It’s all over the internet, broadcast daily on network TV, and streaming in on news feeds of all kinds. We’ve seen so much violence and injustice. We’re outraged by it, and rightly so. It’s horrible. Most everyone agrees with that.

With all that in mind, I have one simple question that I think needs answering at some point.

With all this horrific imagery, why is it still so obscene to depict a female nipple?

I’m serious. I’m not trying to be funny or cute. I’d like an explanation.

Why the hell are we still censoring female nipples? What good does it do? What purpose does it serve? Blurring genitals? Okay, I can accept that to some degree. At least it’s blurred for everyone, regardless of gender. But why blur female nipples at this point?

We know what they look like. They’re not some graven images that’ll make people burst into flames. Granted, female nipples look different than male nipples, but not so radically different that they’re fucking alien. So, why censor them?

On TV, they’re still blurred. On social media, they immediately get labeled as porn, as though female nipples, by default, make something porn. That makes no sense. We’re not talking hardcore sex acts here. We’re talking about the slightest glimpse of female nipples.

Why, in a world where extreme violence finds its way into cable news, are female nipples so egregiously obscene? This isn’t the 1950s. This isn’t Victorian England. Anyone with an internet connection can see an unlimited number of uncensored nipples. Are they really that shocking anymore?

To those who whine about the innocence of children, here’s a quick anatomy lesson. They know what nipples look like too. They have them. They’ve probably been breast fed at some point. You really think they can’t handle it?

To those who think it’s too sexy, I have to ask why do you think that is? Do you really think censoring a basic body part makes it less sexy? I’m sorry to be the one to tell you this, but it doesn’t. It just doesn’t.

At most, you’re just fetishizing it, treating it as this powerful trigger that will turn anyone into perverts. People don’t work like that. You’re not doing them any favors by treating them like they’re that sensitive.

Also, if you’re a woman who hates being objectified, I have to ask. How do you feel about this? How do you feel that a part of you is deemed too obscene for network TV, yet that same network has no problem depicting people getting choked to death? How is it fair that a man can walk around a park without a shirt, but if a woman does the same, she gets arrested? That’s not just objectification. It’s insane!

Seriously, after everything we’ve experienced in 2020, isn’t it time we get over our hang-ups about female nipples? I know it won’t solve much, but we cannot be strong as a people, yet still too weak to handle depictions of female nipples. We’re better than that. We need to be.

Thanks for bearing with me on this rant. Again, I apologize. I just wanted to get that out. If nothing else, I hope this gives everyone something less awful to think about.

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Filed under censorship, political correctness, politics, rants

What Exactly Does “Canceling” Someone Solve?

In general, I try not to comment on “cancel culture.” It’s not because I don’t have an opinion. I just think it’s a waste of time, for the most part. I’ve never seen it lead to a productive conversation on anything. Most of the time, it just amounts to people publicly whining about something they find offensive to a point where others cave, if only to stop the whining.

I am not a fan of this, to put it mildly.

Every time I see it trend, I want to bash my head on my computer screen while telling some of these people to grow thicker skin.

The world is a chaotic, ugly, offensive place. We can only do so much to change it. No matter how much change we manage to implement, it won’t change the past or the context in which it transpired. That’s especially true if the people others are trying to cancel are long dead.

Now, as much as I despite the term and what it represents, I also understand that it’s not as simple as its critics make it out to be. At times, I find the people who whine about cancel culture to be just as insufferable. Their whining can basically be boiled down to, “Other people want to cancel the stuff I like and it hurts my feelings!” That’s just as pathetic as wanting to blackball a celebrity for old tweets from 2009.

Both efforts are equally absurd.

Both efforts do nothing to make the world a safer, more tolerant, more inclusive place.

Most of the time, I find the effects of “cancel culture” to be inconsistent, at best. People will complain about the lack of diversity in media, politics, business, and certain industries, but those same people can’t be bothered to vote or support the things that reflect those preferences. They always revert to whining.

People on both sides of the political spectrum will do this. The same people who laugh at those who complain about a video game character being too sexy while whine just as much because Brie Larson said something that hurt their feelings. They’ll claim their efforts are not contributing to cancel culture, but it’s the same damn concept.

Unfortunately, despite the best efforts of decent human beings with thick skin and a good sense of humor, cancel culture is still a thing. People are going to condemn celebrities and public figures for things they said or did years ago. We saw it with Kevin Hart, which cost him a chance to host the Oscars. We’re seeing that now with celebrities like Jimmy Kimmel and Sarah Silverman, who once did skits involving blackface.

All this is happening as statues of historical figures who did deplorable things are coming down. Never mind the context or bigger picture of why they’re historical in the first place. They did something awful. Any image that exists that may glorify them in any way is just too much for our tender sensibilities.

In addition to people, the urge to cancel all things offensive has extended to art. Movies like “Gone With The Wind,” which definitely had some offensive imagery, was removed from streaming recently. Shows like “Paw Patrol,” which is geared towards children, was seen as too offensive at a time when police brutality is a hot topic.

Now, I’m not going to justify old tweets or outrage about movies from a different era. I know there’s nothing I can say to change the minds of those who are so offended by statutes, celebrities, or the names of football teams that they want them all canceled. There’s also nothing I can say to change the minds who think it’s part of some elaborate censorship effort meant to destroy freedom.

Instead, I’d like to ask a few simple questions for both sides to consider.

What exactly does canceling something achieve in the long run?

At what point does canceling something amount to censorship?

Why is canceling something more viable than simply growing thicker skin?

At what point does context stop mattering for something that’s offensive?

How does condemning the ugly history of the past make the present or future any better?

What right do you have to be offended by the feelings and preferences of someone else?

I won’t claim these are easy questions to answer, but to those who are behind or protesting certain cancel-this hashtags, I hope they offer perspective. Like it or not, cancel culture isn’t going away anytime soon. People are always going to be offended by something or someone.

In years past, it was uptight religious zealots who were aghast at anything that didn’t reflect or promote the values of a 1950s sitcom. Now, it’s uptight activists who are aghast at anything that doesn’t reflect their utopian fever dream that just happens to align with their politics. The passion is real, but the motivations are misguided.

You can tear down every monument.

You can censor every byte of media.

You can rewrite every textbook or novel that ever reflected outdated attitudes.

It won’t change what happened in the past. It won’t prevent people from being assholes in the future. If anything, it sends the message that people are too weak, stupid, or traumatized to handle certain ideas. That, in my opinion, is the most offensive thing of all.

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How “Bojack Horseman” Offers A (Refreshingly) Balanced Take On Addiction

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People are complicated. Every person deals with their own set of complications. Some are more serious than others. A person who suffers from crippling addiction doesn’t face the same challenges as someone who has an extreme fear of clowns. Both require different approaches to deal with it and not every person is going to handle it the same way.

I suspect that most people would agree with everything I just stated. Most have probably endured their share of possible complications or dealt with someone who has. It’s one of those basic, but understated facts of life. However, when it comes to complicated problems like addiction and depression, popular media tends to do a lousy job of portraying those problems.

It’s not just that issues like addiction, drug abuse, or depression are overly simplified. The characters involved rarely reflect the complexities surrounding this issue. Look a most TV shows, movies, or books and you tend to get a stripped-down version of these issues. It usually plays out like this.

A character starts the story happy and healthy, but vulnerable and foolish.

Said character makes a few bad choices that triggers the problem.

That character goes through upheavals, losses, and setbacks.

The character hits rock bottom, realizes they have a problem, and decides to get help.

Whatever help they get magically works, the character’s issue is solved, and the credits roll to some upbeat song meant to sell the soundtrack.

I understand most people don’t expect the complex struggles of real people to be boiled down into a half-hour TV show or a two-hour movie. To some extent, these stories sell the fantasy that difficult problems have simple solutions. It’s comforting, but it can be dangerous to those who need help that doesn’t involve magical solutions that leave time for commercial breaks.

Very few TV shows or movies have the time to get into all the nuance surrounding these issues, especially for problems such as addiction. More than any other issue, TV and movies tend to get the nature of addiction very wrong. Addiction, itself, is already subject to all sorts of myths and misunderstandings. That’s even more troubling in the middle of a serious opioid epidemic.

For that very reason, it’s genuinely refreshing to see a popular TV show handle the subject in a more balanced manner. Even if that show involves anthropomorphic horse men that sound like Will Arnett, a little balance goes a long way, especially when dealing with real issues that impact real people.

That show, of course, is “Bojack Horseman.” It’s a show I’ve mentioned and praised before for how it confronts the myth of happy endings. It’s also a show that sets itself apart by lampooning and deconstructing the world of celebrities, happiness, politics, popular culture, and injustice. The fact the show can do this while also being funny, entertaining, and genuine is a testament to the show’s quality and brilliance.

I’ve been following this show since it aired. I’ve watched it grow through several seasons, following a unique path to acclaim and success. I was among those disappointed to hear that the show will be ending after Season 6. I don’t know if there will ever be another show that tackled so many sensitive issues in such a balanced way, but that makes it’s handling of addiction in Season 6 even more impressive.

Since the show’s first season, addiction has been both a common theme and a volatile catalyst. In fact, the very first scene of the first episode makes clear that Bojack has a drinking problem. It’s not subtle in the slightest. When he’s not melting down or mentally torturing himself, he’s drinking heavily or ingesting copious amounts of drugs.

Sometimes, he’s downright creative with drug use.

Throughout the course of the show, this has caused more than a few problems to say the least. People have died. Hearts of been broken. Souls have been crushed, regardless of whether you’re a man, woman, or horseman. These moments have helped give the show a level of dramatic impact that few others have matched.

It has also portrayed addiction with more tact, nuance, and understanding than any show I’ve seen to date. If you or anyone you know have dealt with addiction, then this show “Bojack Horseman” offers a compelling message that’s worth heeding.

Bojack’s addiction issues started off simple, but over the course of five seasons, it has become clear that there’s much more to his self-destructive behavior. It’s not just that he’s a celebrity and celebrities tend to get away with more than most, which the show touches on in some hilariously memorable moments. His life, his upbringing, and his choices have created a complex web of influences that fuel his addiction.

It’s not just that he’s depressed.

It’s not just that his parents were neglectful, hateful, and downright cruel.

It’s not just that he betrayed his best friend, who helped make him a success.

It’s not just that he slept with his best friend’s girlfriend.

There are many other gross misdeeds I could list. A lot happens over course of five seasons and it gets very dark. However, the show never attempts to pin Bojack’s problems with addiction on a singular cause. In Season 6, he attempts to finally confront those problems, but doing so doesn’t mean finding simple solutions. In fact, the solutions are prone to complications of their own.

The first three episodes of Season 6 has Bojack doing something important in the context of treating addiction. It has him look at his life, as a whole, and not just focus on the triggers that inspire his self-destructive behavior. Like addicts in the real world, Bojack learns that there’s no one thing that caused his problems. It’s not a single choice, either. Unlike the light-hearted show that made him famous, life is more complicated than that.

In some respects, drinking gave him the comfort and warmth that his parents never gave him. In others, it allowed him to overcome crippling social anxieties, which only got elevated when he became a celebrity. It wasn’t just that he was dependent on the alcohol to give him a quick dopamine hit to his brain. He came to rely on it, so much so that it incurred more and more complications.

Another part of what makes this portrayal feel balanced is that Bojack’s addictions are never framed as the sole source of his problems. Some of his most regrettable choices in the show happened without the aid of alcohol or drugs. He can’t use addiction as an excuse. Even though he tried to in earlier seasons, he’s not making those same excuses in Season 6.

It’s not a smooth process. Few plots in “Bojack Horseman” play out that way. Bojack struggles with his treatment, which is a novel concept for most shows that tackle the issue. Even when he’s not drinking, it still haunts him. That’s another thing addicts in TV shows rarely show. Once they get treatment, it becomes an afterthought. In real life, treating addiction is an ongoing struggle and always will be.

That’s a tough message for any show to depict, let alone one that needs to resolve things within 22 minutes or 26 episodes. On top of that, the act of not resolving serious issues, such as addiction, means the show can’t have a happy ending. That’s something most shows avoid, but “Bojack Horseman” is different.

On multiple occasions, the show points out how flawed the idea of happy endings are, often in depressing ways. At the same time, though, this is necessary context with which to frame addiction. For someone who has as many issues as Bojack, a happy ending just wouldn’t make sense.

It won’t end like this. It just won’t.

He can’t just come to a profound realization in the backdrop of sad music and suddenly be cured. His story and his struggles keep unfolding. Like real addiction, confronting and treating it is a complicated process that can often last a lifetime. It’s frustrating and depressing, but that’s the nature of life and “Bojack Horseman” doesn’t run from that.

With the second part of Season 6 scheduled for release in January, 2020, the end of “Bojack Horseman” is near. What this means for Bojack, his addiction, and the consequences of his choices remains to be seen. No matter how it ends, the show has achieved a great deal by daring to confront the complications of life that most avoid.

The fact this show can achieve this through a cartoon horse voiced by Will Arnett is an even greater accomplishment. While most people will never be able to relate to a half-man/half-horse former sitcom star, they might be able to relate to his struggles with addiction. Sometimes, being able to deal with things in a quirky, animated show helps make those things less daunting in the real world.

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Five Terrible Life Lessons I Learned From Sitcoms

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As a kid, I loved cartoons and comics. I think I’ve made my love of superhero comics abundantly clear on multiple occasions. However, I had other guilty pleasures as a kid that weren’t as common. Among those pleasures were sitcoms.

I’m not just referring to the popular or iconic ones, either. There was a time in my life where I would literally watch any sitcom that happened to be on TV at the moment. It didn’t matter if the premise was stupid. I still watched and I still enjoyed it. I certainly have my favorites. “Married With Children” and “Malcom in the Middle” are near the top of that list.

A big part of that love came from how I consumed them. My awesome mother also enjoyed sitcoms. I often watched them with her. She even let me watch sitcoms with themes that weren’t exactly kid friendly. That didn’t stop us from laughing hysterically at episodes of “Seinfeld” together. Those were good times.

As fun as they were, I also feel like I gleaned some less-than-helpful lessons from those shows. Unlike cartoons or kids shows, sitcoms involve real people who deal with real situations. I wasn’t the smartest kid, but I knew a show that involved superheroes, killer robots, and talking turtles was wholly unrealistic. Most kids with functional brains know that.

Sitcoms were a bit trickier. When the people are real and the scenarios look real, your inexperienced can’t always make sense of it. Even as an adult, the message of a sitcom can become muddled, even if it’s not based on a ridiculous premise.

Since I probably watched more sitcoms as a kid than most people did as an adult, I think I’ve been exposed to those misguided messages more than most. As a result, I learned plenty of terrible life lessons that did not help when reality hit me with a few gut punches.

I’m not saying that sitcoms were the reasons for my problems, growing up. I don’t blame the sitcoms themselves. I think that, in terms of the bigger picture, the themes of these shows tend to get complicated when it clashes with reality. In the same way fairy tales and porn create unrealistic expectations of romance and sex, sitcoms present false assumptions for making sense of the world.

What follows are five of those terrible lessons that I surmised from my excessive sitcom assumption. If you have other lessons you’d like to add, please share them in the comments. Some sitcoms tell better lessons than others, but these are some of the worst.


Terrible Lesson #1: All Great Romances Begin As Friendships

This lesson preyed off my inherent love of romance. While superhero comics offered plenty in terms of in-depth romance and melodrama, sitcoms were a bit more limited, thanks to their half-hour format. It was a tough, but not insurmountable limitation. Unfortunately, a great many sitcoms relied heavily on flawed, incomplete concepts of romance.

The most common involved romances that begin as friendships. Shows like “Friends” built almost every meaningful romance around this concept. While it wasn’t the only sitcom that did this, it’s by far the worst offender in sending the message that an epic romance starts with a great friendship.

While that makes for good TV, it’s a very flawed approach in the real world. I’m not saying that being friends with someone can’t lead to meaningful romance. It definitely can. However, shows like “Friends” give the impression that this is the only romance that has true depth. Every other romance is just flat and uninspiring, by comparison.

In the real world, seeking friendship is a good thing, but using that as a pre-cursor to romance can come off as deceitful. Sometimes, a person wants a friend more than a love interest and if that’s the only reason you’re friends with them, then that just comes off as insincere and a little creepy.

That’s not to say that sitcoms don’t contain meaningful romance lessons. This just isn’t one of them.


Terrible Lesson #2: Everyone Always Has Ulterior Motives

Chief among the hallmarks of sitcoms are the conflicting motivations of the characters involved. Whether it’s Charlie Harper trying to hook up with a new woman in “Two and a Half Men” or Kelly Bundy trying to win a modeling gig in “Married With Children,” those motivations are rarely that complicated. The only conflict arises when they encounter others whose interests aren’t in line with theirs.

In a half-hour sitcom, there’s little room for characters whose agenda has nothing to do with that of the main characters. Unlike real life, everyone around these characters is either looking to help or thwart their efforts. There’s rarely anyone who just wants to live their life and doesn’t care if someone like Kelly Bundy gets a modeling gig for a pest control company.

While that makes logistical sense within the context of a sitcom, it has some nasty implications for the real world. It further fosters a mentality that anyone who isn’t helping you is actively opposing you. That us versus them mentality already brings out the worst in people, both in the real and fictional world.

At least in the fictional world, that mentality is somewhat justified. It often is the case that the people around you, including close friends and family, have ulterior motives. In many sitcoms, close family members are the ones who screw you over the worst. It’s not a healthy approach to dealing with the world. If you can’t trust your family, then who can you trust?


Terrible Lesson #3: Every Authority Figure Conspires Against You

When it comes to villains or antagonists, there isn’t much room for nuance in sitcoms. You’re not going to find a Walter White within those constraints. Most of the time, the bad guys in a story are painfully obvious. That, in and of itself, isn’t too big a problem. Villains don’t have to be complex to work, even in a sitcom.

However, if a sitcom does have a villain of any kind, it’s almost guaranteed to be an authority figure. They can be a parent, a teacher, or an older sibling. If they have even a shred of authority, no matter how arbitrary, you can assume they’re going to oppose the protagonists in some form or another.

Whether it’s Red Foreman clamping down on the pot smoking in “That 70s Show” or Lois being a tyrannical mom in “Malcom in the Middle,” the authority figures are always the problem. There’s really not much to their villainy. They exist solely to prevent the main characters from having fun and achieving their goals.

Now, I’m not going to claim authority figures can’t be corrupt. There are real cases of authority figures acting like real villains. There are also cases in which authority figures do genuine good. Whether it’s the leader of a country or the chief of a police unit, it is possible for someone to wield authority over others and not be an asshole.

If your understanding of authority comes solely from sitcoms, then that’s like claiming pigs can do algebra. It’s not just that power corrupts. In sitcoms, any kind of power corrupts and it does so completely. It’s as simplistic as it is absurd. In reality, there are authority figures worthy of respect and sitcoms seem to go out of their way to avoid that point.


Terrible Lesson #4: There’s Never A Reason For Someone Being A Bully

In the same way sitcoms present a simplistic view of authority and villains, they take an equally bland approach when it comes to villains. For the most part, bullies in sitcoms aren’t characters. They might as well be robots programmed to insult, denigrate, or annoy the main characters at every turn. There’s no deeper motivation beyond that. They’re just mean, unrepentant assholes.

Characters like Libby Chessler in “Sabrina The Teenage Witch” and Harley Keener in “Boy Meets World” don’t exist to give depth to a sitcom. As bullies, they’re function is to present obstacles and setbacks for others. Giving them a reason for being a bully, be it a personality disorder or past trauma, would hinder their ability to achieve that function.

While this makes sense in the context of plotting a sitcom, it grossly simplifies the concept of bullying. When it happens in the real world, it’s nothing like what we see in a sitcom. I know this because I dealt with bullies in my childhood. It did not play out like any sitcom I ever saw.

Bullies aren’t robots fueled by the whimpering cries of their victims. They are human beings too and while few will sympathize with them, few people are born bullies. They may not even see themselves as one. There are some deeper complexities to the mental makeup of a bully and sitcoms pretend those complexities don’t against.

Granted, it’s difficult for a half-hour TV show to explore and flesh out the personality of a bully. It’s considerably easier to make them an unlikable asshole who helps glorify the main characters. As a result, it’s easy to see bullies as blunt instruments rather than people you need to deal with in your day-to-day life. In such a complicated world full of complicated people, it’s bound to cause problems beyond losing lunch money.


Terrible Lesson #5: Hard Work Is For Suckers

Let’s not lie to ourselves. Growing up, we tend not to appreciate hard work. Most of us go out of our way to avoid it or when we can’t, we take the path of least resistance. Many sitcoms reflect this sentiment. They certainly aren’t the reason why people avoid hard work. That inclination existed long before sitcoms, but they do take it to extremes that can be both hilarious and asinine.

In the world of sitcoms, hard work is tantamount to waterboarding. From Lucy standing on an assembly line in “I Love Lucy” to the over-the-top slacker behavior that plays out in “Workaholics,” hard work is only a step down from bullies. It’s something every major character either avoids or gets crushed by.

Sitcoms build entire plots around characters looking for a way to get out of hard work. Francis in “Malcom in the Middle” is the personification of this struggle. He once spent an entire episode willingly distracting himself from an overdue history assignment. While characters like him often pay a price for their slacking, it’s rarely a worse alternative than hard work.

In the world of sitcoms, you only work hard if you have your dream job. Since most people don’t get their dream job, hard work is basically tantamount to defeat. That’s the main take-away from sitcoms. Anyone with just a small amount of life experience knows how flawed that is.

Even when I was working a part-time job in high school, I learned the value of hard work very quickly. It’s a means to an end. It’s something that, when done right, gives you a sense of accomplishment. While we all can’t approach it with the same passion as Hank Hill, it does have value and sitcoms would have you believe that value doesn’t exist.


I still enjoy sitcoms. I still watch them regularly when there aren’t superhero movies or TV shows to see. While they can be funny and entertaining, they can also present a very flawed concept of life, people, and how to handle it. There are a lot of bad lessons to be learned from even great sitcoms, but if they make us a laugh, then I say that’s a price worth paying.

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