Tag Archives: 90s nostalgia

Why I Don’t Miss Blockbuster Video (For The Most Part)

Everyone has something they’re nostalgic for. There’s nothing wrong with that, for the most part. There are some people nostalgic for the kind of things that require massive social regression that would do immense harm to every marginalized minority you can think of. That kind of nostalgia isn’t healthy. It’s just for entitled assholes.

For me, personally, my nostalgia is pretty limited. I have a soft spot for old school Saturday morning cartoons. They made waking up early on the weekends fun. I’m also nostalgic for a time when the only people trying to cancel stuff were uptight conservative Christians who opposed anything fun, new, or sexy

It almost seems quaint now. I think many of us still long for the days when everything didn’t have a political agenda or bias. It’s getting to a point where it’s hard to remember a time when politics wasn’t so damn tribal. I miss those days too.

However, I don’t want to focus too much on the things I miss. Instead, I want to highlight something that I honestly don’t miss for the most part, but it’s something a lot of people have fond memories over.

That something is Blockbuster video.

Now, most people over the age of 30 remember Blockbuster video. I certainly remember it. In fact, it was once a regular ritual for my dad to take us all to Blockbuster on Friday evening to rent a movie. At one point, I lived within walking distance of a Blockbuster. Those were good times.

Those times eventually came to an end. Blockbuster’s rise and fall from its position as an institution of the movie business is relatively well-documented. It’s also well-known that there was a point where Blockbuster could’ve bought Netflix for just $50 million, but chose not to.

That choice has since gone down in infamy as one of the dumbest decisions in the history of business. To understand just how dumb it was, Netflix as of this writing is worth over $30 billion. Take a moment to appreciate just how much history changed with that fateful choice.

At the same time, there are people out there still nostalgic for Blockbuster. Recently, there was even a mini-documentary on the last Blockbuster video in operation in Bend, Oregon. Fittingly enough, that documentary is on Netflix.

Having watched that documentary recently, I found myself thinking back to those times I mentioned earlier. I also thought about how the stories that people in the documentary told about going to Blockbuster or video stores, in general. They remembered it so fondly. When they visited the last Blockbuster, they looked downright enamored.

I can’t say I blame them. It probably took them back to a time in their lives that they remember fondly. I can certainly appreciate that.

At the same time, I can’t avoid one simple fact.

I really don’t miss Blockbuster that much.

That’s not to denigrate the people who do or the experiences I had in my youth. When I look back on Blockbuster in its totality, both in terms of the good times and the not-so-good times, I just don’t miss it. As a hub for movies, it had its place at a certain point in time. That time has long past and I’d rather not go back.

As much as I enjoyed browsing movie racks and chatting it up with the people who worked at Blockbuster, I can’t overlook the shortcomings. There were plenty of times in which I really wanted to see a particular movie, but there were just no copies available. That happened constantly with certain shows I followed closely. It got to a point where I just stopped trying.

Then, there were the late fees.

I promise that nobody misses the late fees.

I recall more than one occasion where my parents scolded me and my siblings for not returning a movie on time. Even without inflation, those fees really added up. They were a constant point of frustration and I really don’t miss having to deal with them.

There were still parts of the Blockbuster experience that I enjoyed. The stores themselves were great to be in. My brother and I spent a lot of time losing ourselves in that store. While it was nice to just come across some obscure movie or game every now and then, I feel like that was the exception rather than the norm.

Since I got Netflix, I find it a lot easier to come across some obscure movie I’ve never seen or heard of. Last Halloween, I spent an entire afternoon just browsing the Horror section of Netflix and found several movies that I probably couldn’t have found in a Blockbuster. It was a great experience.

I don’t deny that Netflix is a lot more impersonal. There’s none of that social aspect you get by visiting a Blockbuster store. That certainly had its moments, but I feel like other social spaces have more than compensated, at least for me.

I’ll always have a soft spot for Blockbuster for making Friday nights more fun with my family. I’ll always remember that distinct smell of buttered popcorn that every Blockbuster seemed to have. Beyond that, though, I’m not all that nostalgic for it. Blockbuster had a good run. It just didn’t adapt to changing times. That being said, just imagine how different the world would be if they had bought Netflix.

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Jack’s World: Why You Should Be Reading Boom Studios’ Power Rangers

The following is a video I made for my channel, Jack’s World. It was originally going to be one of my comic gems, but given the scope and scale of the Power Rangers comics in recent years, I felt it warranted something bigger and mightier. Enjoy!

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Helga Pataki: Profile Of A Tragic Love Story (From A 90s Kids Cartoon)

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I was lucky to be a kid in the 1990s. Talk to most people my age and they’ll agree. The 1990s was a golden age for cartoons. That may seem somewhat egocentric, but I’ve yet to hear a convincing counter-argument. This was the era that brought us the animated classes for “X-Men,” “Batman,” “Daria,” “Animaniacs,” and so much more.

As a kid during that era, there were many great shows that I still hold dear to my heart. I’ve mentioned a few of them in the past. A few of these shows hold up, even by today’s standards. I contend that the “Batman” animated series only gets better with age. One show, however, has taken on a very different meaning over the years the air and, being an aspiring romance writer, it still resonates with me.

That show is “Hey Arnold!” and for most cartoon-loving kids in the 1990s, this was one of the best shows that didn’t involve talking babies. It was a unique show that followed a diverse cast of characters, each with their own unique connection to the titular Arnold. By almost any measure, Arnold was a lovable, relateable idealist who you just can’t help but root for.

How can you not love that football shaped head?

He’s loyal, altruistic, friendly, compassionate, and empathetic. Even as a 4th grader, he’s the kind of kid you want to be friends with. He’ll go to bat for you. He’ll stand by you when the chips are down. When the whole world around him is wrong, he’ll stand for what’s right. Whether it’s the 90s or today, there’s a lot to like about a character like that.

However, the best part of “Hey Arnold!” isn’t how inherently likable Arnold is. In fact, one of the most endearing sub-plots of the show is built around a character who, on paper, couldn’t be more different. That character is Helga Pataki, the short-tempered, overly hostile, overly dramatic girl who often threatens others with her fists.

She’s also secretly in love with Arnold. It’s not just a childish crush, either. She’s really in love with Arnold.

When I watched this show as a kid, I thought that crush was kind of odd. It’s not that I didn’t care for romantic sub-plots. Even as a kid, I enjoyed romance, even in cartoons. It was one of the reasons I loved the 90s Marvel cartoons so much. I just didn’t understand the romance in “Hey Arnold!” Then, when I watched it with a more refined perspective, it gained a whole new context.

In essence, the love story of Helga and Arnold is built around tragedy, but somehow manages to feel sincere and genuine. It’s a love story that initially comes off as obsessive and unhealthy. However, as we learn more about each character, they gain more complexity. With each subsequent refinement, it becomes clear just how much these two complement each other.

It’s worth reiterating that this is a kids show from the 1990s. Things like tragedy, romance, and chemistry are things that usually don’t fit into a show within the pre-Spongebob Nickelodeon era. Even within those limitations, the complicated love story between Helga and Arnold is surprisingly mature.

To appreciate the depth of that story, it’s necessary to understand some of Helga’s story. Even by the skewed standards of a kids cartoon, it’s pretty sad. Helga does not come from a nurturing, supportive environment. Her parents are a wreck. Her father is a self-centered blowhard who cares more about his business than his family. Her mother is a dazed alcoholic who always seems hung over.

Then, there’s her older sister, Olga. She’s basically the perfect daughter who sucks up all the attention in her family. She’s sweet, successful, kind, and an overachiever. She sets the bar so high that Helga has no chance of ever matching it, so she doesn’t even try. As such, her parents barely notice her. Her father often forgets her name. Most of the time, she just calls her “the girl.”

This pretty much sums it up.

This is not a happy home life for anyone, let a lone a 4th grade kid. Nobody pays attention to her. Nobody shows her any semblance of affection or love. Nobody is even nice to her. Then, she meets Arnold. He’s the first person to show her real, sincere kindness. It’s not out of pity, either. That’s just the kind of person Arnold is. Naturally, it makes an impression.

It’s a tragic foundation for any love story, but it’s one that isn’t fully fleshed out until later seasons. If there’s one episode that defines Helga’s character, it’s Season 4, Episode 78, entitled “Helga on the Couch.” This is the episode that lays bare just how tragic her life was and still is. It also puts all the obsessive feelings she has for Arnold into a larger context.

It’s almost disturbing how sad things were for her. As early as pre-school, we see just how neglected she was. We also see just how big an influence Arnold was for her at that moment.

Again, it’s worth reiterating that this is a kids show. If there were a story about a pre-school kid who was that neglected by her family, it would make headlines and stir plenty of outrage on social media. However, “Hey Arnold!” managed to make this distressing story feel genuine and heartfelt.

The romance isn’t entirely one-sided, either. In the early seasons of the show, Arnold mostly saw Helga as his bully. He rarely saw her as anything more than that. However, as the show went on, he starts noticing her complexities. He even manages to get through her tough, hostile exterior on a few occasions.

While there are more than a few occasions when she comes close to confessing her feelings for him, it’s not until the series finale/movie that they actually become an item, at least as much as a couple of 4th graders can be. The way they go about is part of what makes the romance feel genuine.

It doesn’t just revolve around Helga finally coming clean. Without getting too heavy into spoilers, Arnold gets to see first-hand just how far Helga is willing to go for him. She shows him with her actions how much she cares. It’s not something she could ever put into words and not just because she’s a kid. Remember, she comes from a home where she never got a shred of affection from anyone.

This moment, which was a culmination of many hints and sub-plots that developed over many seasons, is incredibly cathartic. Even my inner 90s kid could appreciate it. It effectively completed a journey that started with the first episode. Helga starts off as this obsessive, stalker-like bully. Then, over time, we understand why she feels the way she does and why Arnold reacts to it so strongly.

It’s still tragic on many levels. As a foundation for romance, Helga and Arnold don’t start off on the right foot. This is a relationship that could’ve easily become a one-sided affair that quickly devolved into stalking. Somehow, “Hey Arnold!” managed to make it work. It even managed to make it feel sweet.

The fact that such a complicated, yet genuine romance could manifest in a kids show is further evidence that the 1990s truly was a golden age for cartoons. For that reason, and many others, “Hey Arnold!” and the unique love story it told will have a special place in my heart.

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