Tag Archives: TV

Lucifer Season 6: A Devilishly Divine Finale

The following is a video from my YouTube channel, Jack’s World. It is both a reaction and review to the final season of one of my favorite shows, “Lucifer.” I’ve been following this show since it debuted on Fox. I was among those who celebrated when it was saved by Netflix. Now, after six seasons, it has come to an end.

It was an emotional, dramatic ending to say the least. It brought with it many feelings and emotions, which I try to explore and celebrate in this video. Enjoy!

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“Rick And Morty” Season 5 Finale: What Do We Make Of Rick Sanchez’s (Confirmed) Backstory?

Rick and Morty season 5 finale broke Rick to save the show from burnout -  Polygon

When it comes to season finales, most TV shows are hit-or-miss. More often than not, we get more misses than hits. That’s to be expected. Capping off a season of any show, no matter how acclaimed or celebrated it might be, is exceedingly hard. There’s bound to be a sizable portion of fans who don’t care for it.

When a finale does turn out to be a hit, though, it’s all the more precious. Most of us can count on one hand how many genuinely incredible finales we’ve seen over the years. Some shows are better at it than others and even they’re not always consistent.

Then, there’s “Rick and Morty.” Between its colorful fanbase and unique approach to adult animation, it’s one of those rare shows that dares to raise the bar in unexpected ways. It can be obscenely absurd one minute and genuinely heartfelt the next. You just don’t know what you’re going to get, but you often find yourself wanting more.

I’ve praised this show before for is eclectic insights on everything from romance to nihilism. I’ll probably praise it again in the future for its uncanny ability to raise the bar for absurdity, insight, and pickle-based humor. I consider myself a big fan of the show and the events of Season 5 only made me a bigger fan.

Now, I know I haven’t touched on “Rick and Morty” that much since Season 5 began. A while back, I did post my overall reaction to the Season 4 finale and the intrigue it offered. The underlying theme of that season seemed to revolve around Rick gradually losing control over his family and his ability to manipulate Beth, Morty, Summer, and even Jerry.

Relative to previous seasons, this was a major shift. For the first three seasons of the show, we got used to seeing Rick being nigh-invincible in his ability to control a situation. It seemed like nothing anyone did, including his family, could hope to escape is influence.

Then, after Jerry came back into the picture, it seemed to unravel. We saw Rick becoming more and more vulnerable. He could no longer hold his own against big time threats. It all came to ahead when Space Beth returned in “Star Mort: Rickturn of the Jerri.” This episode established clearly that Rick, as brilliant and capable as he is, cannot handle everything by himself.

While I thought that finale was good, I didn’t think it was great, especially compared to the dramatic finale we got at the end of Season 2. I honestly didn’t know what to expect from the Season 5 finale. That’s the main reason why I didn’t speculate on it or post my reactions to the various episodes leading up to it.

I was tempted. Believe me.

This season had some incredibly memorable episodes. Between giant incest babies and replicants, “Rick and Morty” once again pushed the envelope, as only it could. However, it was the finale that made this season one of the most memorable to date. A big part of what made it so impactful was how it finally confirmed the details of Rick’s backstory.

It played out in a recorded memory that had some elements from “The Rickshank Rickdemption,” but we were led to believe that was mostly fabricated. Now, we know the truth and it’s actually a lot more tragic than we thought.

In case you haven’t seen it, here is what Morty saw of Rick’s story when it played out in his mind.

There’s no way around it. This revelation about Rick’s history has a lot of implications. Suddenly, Rick’s behavior and outlook on life throughout the course of this show has a whole new context to it. This is one of those scenes that can completely change the way you watch previous episodes.

Now, we know what makes this Rick, also known as Rick C-137, unique within a vast multiverse full of Ricks. He was once similar to the many Ricks like him. He was a super-genius capable of creating his portal gun to traverse the multiverse. Many other Ricks walked this same path.

Then, another Rick entered the picture. He offers him a chance to join other Ricks, explore the multiverse, and become godlike in his abilities. However, he rejects that offer, choosing instead to remain close to his wife and daughter. That’s not a trivial decision in the grand scheme of things.

The bigger picture implies that no other Rick has walked this path. They all freely abandon their families and their home universe in order to join this unique segment of the multiverse where they reign supreme. Together, these Ricks ensure that they remain at the top of the pecking order.

Then, this one Rick dares to defy that.

He dares to go against what everyone else does.

Unfortunately, he pays a price for that choice. It costs him his family.

Once again, we see a more emotional side of Rick. We see that this version of Rick that we’ve been following since Season One really did love his family. He really did opt to eschew the multiverse in exchange for a simple life with Beth and Diane. However, the rest of the Ricks couldn’t have that.

It leaves him broken, angry, jaded, and driven. Suddenly, his animosity towards other Ricks and the role he played in various interstellar wars has greater meaning. The same could be said with the general callousness and reckless disregard he often displays towards Morty and his family.

It’s not that he doesn’t care on some levels. The flashbacks make clear that he clearly does. However, no matter how much or how little he cares, they’re not the same as the family he lost. He never even found the Rick who killed them. It’s easy to see how that could break a man, even one as smart and capable as Rick Sanchez.

On top of how this re-contextualizes everything that has happened in the past, it has larger implications for the future. The finale ended with Morty opting to help his Rick and reject “evil” Morty’s offer to join him in venturing to a part of the multiverse where Rick isn’t the smartest being. It’s eerily similar to the decision Rick himself made, choosing his family over a chance at greater power.

This effectively gives new importance to Rick and Morty’s connection. Back in Season One, we’re led to believe Rick only hangs around Morty because Morty’s brainwaves block Rick’s from the various other multiverse threats that constantly seek him out. That might have been true to some extent, but this flashback offers greater insight into why he’s such a threat.

Whereas Season 4 made clear that Rick is vulnerable when he has nobody supporting him, Season 5 also makes clear that he’s still capable of so much chaos. After losing his family, he will cross lines that even other Ricks won’t cross. He’s willing to hurt himself and others to get what he wants because he’s already lost everything.

This opens the door for many more upheavals in future seasons. The Rick who killed his family is still out there. “Evil” Morty is now in a part of the multiverse where beings stronger than Rick exist. What happens if one of those beings finds their way back to Rick? What happens if “Evil” Morty is further broken by his journey?

I keep putting “Evil” Morty in quotes because this finale also accomplished something critical in that part of story. At this point, I don’t think it’s fair to call this Morty evil. He’s just sick of Rick and sick of living in a universe where he’s constantly manipulated by Ricks like him. All he wants to do is escape. If that means sacrificing other Ricks and Mortys in the process, so be it.

That final scene is ominous, but intriguing in so many ways. It leads me to wonder where this will take Rick in his never-ending struggle to maintain what little control he has over is world, his family, and all those around him. This finale reminded us that, despite all his genius and know-how, he tends to lose control easily. When he has no support from Morty or his family, losing control seems inevitable.

Even with all these revelations, Rick is still an asshole. There’s no getting around that. However, he’s now an asshole we can understand on a level that wasn’t possible until this finale. His various struggles and myriad of issues are far from over.

I has left me more excited and intrigued for the future of “Rick and Morty” than ever before. I know it may be a while before we get any details on Season 6, but after this finale, I’m willing to be patient.

To everyone else out there who saw the finale and Rick’s confirmed backstory, what do you think? How do you see Rick and Morty’s story playing out from here? Let me know in the comments.

Wubba Lubba Dub Dub!

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Malcolm In The Middle: Dynamics Of Poverty And Dysfunction

The following is a video from my YouTube channel, Jack’s World. It explores the depths, dynamics, and chaotic humor of one of my favorite shows of all time, “Malcolm In The Middle.” It also expands on a piece I wrote about this show a while back on what makes people deviant. In addition to being funny, this show reveals a lot about what fuels dysfunction. It also manages to be oddly uplifting in the end. Enjoy!

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Filed under Jack's World, psychology, television, YouTube

How HBO Max May Prompt Me To Get A Bigger TV

TCL 6-Series (55R625, 65R625) QLED TV Review - Reviewed

In general, I try to budget my money carefully when it comes to big purchases. By big, I don’t mean things you’d splurge on like fancy shoes, custom suits, jewelry, or a lap dance at a strip club. Those are more akin to casual indulgences. There’s nothing wrong with those in moderation.

For me, a single guy who has a mortgage and his own place, major purchases tend to involve large appliances and utility upgrades. Those upgrades can be expensive. One of the biggest purchases I had to make after buying my place was a new HVAC system. That purchase cost thousands. I had to taper some indulgences, as a result.

It was still worth doing. I feel like those purchases have paid for themselves many times over, in terms of quality of life. That’s how I gauge every major purchase. If it has an overall positive effect on quality of life, then it’s worth budgeting for. I learned in college that sometimes you need to endure a few nights of Ramen noodles before you can enjoy a good steak dinner.

This brings me to what could be my next major purchase. Earlier this year, I had a few things in mind that I considered saving for. My plan was to re-evaluate my priorities around the summer before I made a choice. Well, after watching Zack Snyder’s “Justice League” and “Godzilla vs. Kong,” those plans may have changed.

These past few weeks, I’ve documented how watching these movies as they debut on HBO Max has changed the way I’ve consumed new movies. I think it’s safe to say that my approach to viewing new movies has changed in a big way. Now, when a new movie is set to come out, I’ll have to weigh whether I want to see it in a theater or create my own experience at home.

I’ll be facing that choice quite a bit this year. Warner Brothers and HBO Max have a very promising slate of movies. Some of these were movies I planned on seeing in theaters. Now, after “Justice League” and “Godzilla vs. Kong,” I’m not so sure. To complicate the choice even more, I’m no considering a major upgrade to my living room in the form of a new TV.

At the moment, I have a 55-inch HDTV that has served me well for about five years. It’s not the highest end TV, but it gets the job done. It has seen me through multiple NFL seasons and plenty superhero movie marathons. However, I know I’ll have to upgrade at some point. With more and more content coming out in 4K, the incentives are there and growing.

However, given my recent efforts to re-create the theater experience in my living room, those incentives increased considerably. After watching “Godzilla vs. Kong,” I really felt the limits of my current TV. It still looks great and thanks to the sound bar I bought a couple years ago, the sound felt very similar to that of a movie theater.

The only thing that didn’t quite match that experience was the screen itself. It was good, but not great. For that reason, a newer, larger TV might very well be the kind of major purchase that pays off big time, in terms of quality of life. It may ultimately change even more how I determine whether I’ll see a new movie in a theater or at home.

Before this year, a new TV was a low priority for me. It’s not that I don’t want a bigger, better TV in general. I just didn’t see much value, given how few shows or events are broadcast in 4K. That may be changing, but it just wasn’t happening fast enough to justify the cost.

For me, the tipping point was whether NFL games would be broadcast in 4K. Thus far, that hasn’t happened. I was waiting until that announcement became official before I got serious about a new TV. Now, I don’t think sports are the tipping point anymore. HBO Max has suddenly changed the whole value structure for a new TV.

It’s exciting. I love the idea of being able to watch new movies on HBO Max or some other streaming service on a bigger, better TV. Whenever the NFL or baseball joins the 4K party, then that’ll only add to the value.

There’s still a real chance that I might find there’s a limit to recreating the movie experience in my living room. Once the novelty wears off, I might find there’s just now re-creating that theater or IMAX experience. No matter what I do to my living room, it just can’t measure up. I’m prepared to accept that outcome, should that be the case.

On the other hand, there’s also a chance I might recreate that experience a bit too well. If I get a good enough TV with a good enough picture, then going to the movies might end up being a last resort instead of an option. If I find that the experience in my living room is more enjoyable than any movie theater, then that will be my first choice for new movies.

That raises the stakes even more for this new TV. For once, it’s not just about seeking a better way to watch football games. It’s about turning my living room into something that can recreate that cinematic experience in the best possible way.

I’ll certainly keep everyone updated on this effort. As of this writing, I haven’t made any purchases, nor have I set a date for making one. For now, I’m just focusing on budgeting my money appropriately so that when the time comes, I’ll be ready to take that plunge. If anyone has any tips or insights into creating that special theatrical experience in their living room, please share it in the comments. Like any major purchase, I value the expertise and experiences of others. If all goes well, then I hope to be watching “The Matrix 4” on an awesome new TV by Christmas this year.

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Filed under HBO Max, Jack Fisher's Insights, movies, technology, television

Paradise PD: Obscene, Disgusting, And Hilarious

The following is a video from my YouTube channel, Jack’s World. It’s a full review of the first three season of “Paradise PD,” a raunchy animated show on Netflix. I’ve covered this show before during previous seasons. I also don’t deny the crude, obscene humor that this show employs. However, it’s still one of those rare shows that makes the obscenity work.

This video is a more comprehensive effort to celebrate the show’s crude humor, as well as the unexpected heart it explores in the latest season. If you have a strong stomach and a good sense of humor, I highly recommend checking out this show. Hopefully, this video will convince you to give it a shot. Enjoy!

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My Review Of The First Two Episodes Of “WandaVision”

Before I talk about “WandaVision” or anything related to the Marvel Cinematic Universe, I need to disclose one thing.

I’ve been in major withdraw of MCU content after 2020.

I say that because it’s likely to color my perceptions and bias, so I won’t bother hiding it. I imagine others share it, too. That being the case, let’s just put it out there. A lot of things got derailed in 2020 because of the pandemic, including several movies that were supposed to kick-start the next phase of the MCU.

These delays were understandable, given the state of the world. That didn’t make them any less painful. It marked the first year in nearly a decade that we had to go an entire year without any MCU content. As a lifelong fan of comics and superhero movies, words cannot describe how agonizing that was.

Now, the wait is over. The MCU is back. While it’s not in the form of a billion-dollar blockbuster, Kevin Feige and our Disney Overlords are adapting this wondrous franchise for the world of streaming. The first step in that process finally arrived last week in the form of “WandaVision,” the first ever MCU content built exclusively for streaming.

It marks a bold new era for the MCU, as well as another incentive for people to invest in a Disney+ subscription. Like it or not, “The Mandalorian” cannot do it alone, but it still set a high bar. Does “WandaVision” match that bar in the first two episodes?

The short answer is yes, for the most part.

The long answer is yes, it’s on the right track, but only time will tell.

Two episodes is simply not enough to assess the full quality of any show, but it does help create a foundation. In that sense, “WandaVision” definitely starts strong. It takes the winning formula of the MCU and adapts it into a quirky sitcom full of humor, mystery, and a glut of Easter Eggs.

I’ll get to the Easter Eggs later, but I want to focus more on the unique format of the show. Make no mistake. It is unique, if not downright weird. Then again, both Wanda and Vision are weird characters with a strange, but endearing connection. That has always been the case with their relationship in the comics. This show does plenty to channel that weirdness and to that end, a sitcom format works beautifully.

There’s no build or setup for that format. When the first episode begins, it runs like an old episode of “I Love Lucy” or “Dick Van Dyke.” It’s black and white. The setting is an idyllic suburb. Wanda and Vision are newlyweds, but they’re still very aware of their powers, abilities, and status as a couple in which one of them is an android.

Naturally, the MCU brand of humor emerges naturally from that setup. There’s all sorts of comments and quips that poke fun at their status, which is milked for plenty of entertainment value. In addition to plenty of classic sitcom tropes from that era, it’s a potent formula. You don’t expect it to work as well as it does, but it still works.

The first episode involves Vision and Wanda trying to host a dinner for Vision’s boss. There’s plenty of misunderstandings and mishaps, but it ultimately pans out.

The second episode builds on that, having Wanda and Vision try to integrate with their suburban community and participate in a talent show. Things go horribly and hilariously wrong when Vision finds out he can’t handle chewing gum.

Within these quirky sitcom antics, there are ominous hints and teases as to what’s really going on. This is taking place in the MCU, following the events of “Avengers Endgame.” Something or someone has warped reality around Wanda, who was not in a good place after the death of Vision. That instability comes into play on multiple occasions throughout the first two episodes, but nothing major is revealed.

This is where “WandaVision” shines and stalls at the same time. The sitcom format works beautifully and provides plenty of entertainment value. However, when it comes to explaining how they got there and who’s involved, the hints are exceedingly vague.

I ended up having to watch both episodes multiple times to really understand those hints. If you’ve been following the movies and are familiar with the comics, you’ll definitely appreciate them. If not, you will likely be quite lost.

This is not the kind of show you can come in blind and appreciate fully. It’s still fun, but you can’t get the most out of it without having a moderate knowledge of Marvel Comics and the MCU.

That brings me to the Easter Eggs in both episodes. There are a lot of them, too many for me to mention. Other sites have already highlighted them, but the sheer volume Marvel Studios threw in is both impressive and revealing. Some offer hints of past events in the MCU. Others hint at things only comic fans will recognize.

These Easter Eggs definitely enhance the experience. Again, if you don’t have that working knowledge, they’re easy to miss and they do limit that experience. Even without that knowledge, though, some of those hints are quite overt. It’s very clear that something is very off in this world and others are trying to get into it.

It’s still not clear if Wanda is trapped or if this whole world is just her own doing. There are plenty of hints that someone with less-than-noble intentions is playing a part. There are also some familiar faces, namely Monica Rambeau, who make their presence felt. What role she and others will play is still unclear, but the stage is definitely set for something big, literally and figuratively.

In just two episodes, “WandaVision” effectively establishes its own unique style. It has that familiar MCU polish, but it’s also very different from the big budget blockbusters we’re used to. That’s not a bad thing. Like I said, this show marks Disney and Marvel Studios’ efforts to adapt to the world of streaming.

It’s still too early to say for sure whether it’s a full-fledged success. After the first two episodes, I’d say it’s well on its way. I’m not going to give a score for “WandaVision” just yet. It’s too early to fully assess the show. I’ll just say that I’m so glad and so relieved to see the MCU back in action. I still miss going to the movies, but this show promises to tide me and my fellow Marvel fans over in the meantime.

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Filed under Marvel, Marvel Cinematic Universe, superhero comics, superhero movies, television

Jack’s World: Homelander: The Perfect Villain For A Cynical Era

The following is a video for my YouTube channel, Jack’s World. It’s just a brief video essay on why Homelander from “The Boys” is the perfect villain for this particularly messed up era. Enjoy!

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Filed under Jack's World, political correctness, politics, psychology, superhero comics, superhero movies, television, YouTube

WandaVision Trailer: My Reactions And (Renewed) Hopes

This year has been a lost year for many things. I don’t think I need to go into reasons why or to what extent. It’s awful. We don’t need to be reminded of that. This is especially true for fans of superhero movies. To some extent, this year almost feels like karma after movies like “Avengers Endgame” dominated the box office for so long.

As bad as things have been, we’re still trying our best to inject a little awesome into this increasingly dystopian landscape. Like it or not, superhero movies and media still have a place in the entertainment landscape. This past year might have been a huge loss for the box office, but there’s still reason to be excited about the future of the genre.

That includes the entertainment behemoth that is the Marvel Cinematic Universe. When this year began, it promised to be a time of transition. With the rise of Disney Plus, Marvel Studios has a new medium to explore and evolve. Among those crop of shows is mini-series called “WandaVision.”

Given Vision’s fate in “Avengers: Infinity War,” the setup alone for this show is odd. Not being a fan of how their relationship was handled in the movies, I admit I wasn’t that excited about this show. However, I was curious.

Then, the trailer dropped and my curiosity has only grown. If you haven’t seen it yet, I highly recommend you check it out.

It looks weird. The setup is very strange. The visuals are all over the place. It’s hard to tell whether Vision is alive, dead, or part of some strange fever dream. There’s a lot of strange humor and odd mysteries. This show looks downright crazy.

That’s exactly why my hope and excitement for this show has been renewed.

To explain, it’s necessary to know a few things about Wanda Maximoff. Before she helped make Elizabeth Olson a star, she was a very controversial and very unstable character in the comics. She had a nasty history of warping reality in distressing ways, often at the cost of her sanity.

If this trailer is any indication, she has not been coping well with Vision’s death at the hands of Thanos. That reaction would be perfectly in line with what happened to her in the comics during the infamous House of M event. That event is still a bit of a touchy issue for many comic fans, but it’s a perfect foundation for this show.

It puts Wanda in a position to deal with her many issues. However, given her powers and her unstable nature, that process is bound to be messier than series of intense therapy. It wouldn’t even be the first show that explored reality-warping people dealing with mental health issues.

Legion,” a short lived, yet well-done show on FX did something similar. For Wanda, creating these pocket realities in which she’s still with Vision, living this ideal life with her lover, feels exactly like something she’d do. Giver her upcoming role in “Dr. Strange: In The Multiverse Of Madness,” it could act as a precursor for things to come.

I hope this sets the stage. I also hope this makes Elizabeth Olson’s take on the character more complex. To date, all she’s done is fail to protect her loved ones and lash out. I think she has room to do so much more. I hope she succeeds with this show.

I think Marvel and Disney need this show to succeed, too. With the world still such a mess, they can’t rely totally on the cuteness and merchandizing potential of Baby Yoda to see them through.

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Filed under Marvel, Marvel Cinematic Universe, romance, superhero comics, superhero movies

My (Early) Thoughts On Pandemic-Era Live Sports

This past weekend felt like a turning point for the world of sports. For sports lovers like me, it was a weekend we thought might never come. This past year and the global pandemic that has consumed it has ruined so many things, canceling so much of what we love. It got to a point where some of us seriously wondered if sports would go the way of concerns, indoor restaurants, and strip clubs.

As a lifelong lover sports who builds spring and summer afternoons around watching baseball games, this was a terrifying thought. I was already bracing myself for the worst, thinking that 2020 might become a year without sports. For once, the worst didn’t entirely come to pass. Baseball, hockey, and basketball all made a comeback and sports fans everywhere could breathe a bittersweet sigh of relief.

Having spent the past few days watching a little of everything, from late night ball games to the new NBA playoffs, I certainly share that relief. I am very happy to see sports return. It feels like a real sign that we’re navigating this pandemic. We’re making a genuine effort to get our lives back. That said, the experience of watching sports is very different during a pandemic.

The most jarring thing, at least for me, was watching a Red Sox vs. Yankees game with no fans. Even though the broadcast tried to pump in crowd noise, it just felt so off. This is one of the most heated rivalry in the history of sports. It doesn’t matter whether it’s the playoffs or the regular season. When these two teams play, it has real dramatic stakes.

You can hear it in the crowd.

You can feel it with every home run, lead change, and scoring opportunity.

It’s part of the experience, even if you’re watching from home. Without real fans and real visceral crowd noise, it just felt incomplete.

Don’t get me wrong. I still enjoyed watching the game. After several months with no sports outside of Korean Baseball, it was incredibly cathartic. You could just tell that this is an incomplete product, but for very good reasons. The subsequent outbreaks that followed opening day were proof of that. I have a feeling that won’t be the last outbreak before the season is done.

That season might even get cancelled. That’s a real possibility and one that doesn’t bode well for football season, which is just a month away.

It seems basketball and hockey are faring somewhat better. They still had the benefit of nearly being done with their season by the time the pandemic hit. I managed to watch a few basketball and hockey games. It wasn’t quite as jarring as baseball, but it still felt very incomplete.

If you’ve ever seen how the Las Vegas Golden Knights put together an opening show, you know why. It also changes the stakes, somewhat. When the both the NBA and NHL seasons were put on hold, teams were still fighting for playoff positions. Those positions matter because higher ranking means a chance at home field advantage.

Well, since both leagues are playing in a bubble in limited locations with no fans, there’s no such thing as home field advantage. There’s no crowd energy. There’s no real sense that any team has an advantage, besides the record they earned before all this happened. For some, that’s disappointing. At the same time, this might be the most level playing field these teams have ever had.

In those circumstances, how do we treat the team that ultimately wins it all? How can you judge any team that wins a championship when an entire season got disrupted by a global pandemic? Does that championship deserve an asterisk? Will people and players alike see it as legitimate? Will the fans even be able to celebrate it? It’s not like parades are conducive to social distancing.

These are sentiments I still find myself contemplating as I celebrate a return of sports. I’m sure those sentiments will change as the rest of the year unfolds. If baseball gets cancelled or football season gets delayed, that’ll be another sign of just how bad this pandemic is and how terrible we’ve been at dealing with it.

Again, I’m still bracing for the worst. For me, the worst-case scenario is the NFL season getting canceled or cut short, due to an outbreak. I suspect, with billions of dollars on the line, everyone involves will try to avoid that. However, if this pandemic has taught us anything, it’s that the unthinkable is more possible than we care to admit.

I don’t know how it’s going to play out. I’m just glad sports are back, in some capacity. I just worry about what the end results will be when all is said and done.

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Filed under Current Events, football, health, sports

Violence Vs. Nipples: A Rant On (Misguided) Censorship

First off, I need to apologize in advance because I’m about to go on a rant. I promise it’s related to current events, relatively speaking. I can’t promise it’s the most serious issue in the world, but I still think it’s worth saying.

Let’s face it. We’ve seen a lot of terrible things these past few months. That includes, but isn’t restricted to, images of mass graves, angry protests, and videos of people committing egregious atrocities. It’s all over the internet, broadcast daily on network TV, and streaming in on news feeds of all kinds. We’ve seen so much violence and injustice. We’re outraged by it, and rightly so. It’s horrible. Most everyone agrees with that.

With all that in mind, I have one simple question that I think needs answering at some point.

With all this horrific imagery, why is it still so obscene to depict a female nipple?

I’m serious. I’m not trying to be funny or cute. I’d like an explanation.

Why the hell are we still censoring female nipples? What good does it do? What purpose does it serve? Blurring genitals? Okay, I can accept that to some degree. At least it’s blurred for everyone, regardless of gender. But why blur female nipples at this point?

We know what they look like. They’re not some graven images that’ll make people burst into flames. Granted, female nipples look different than male nipples, but not so radically different that they’re fucking alien. So, why censor them?

On TV, they’re still blurred. On social media, they immediately get labeled as porn, as though female nipples, by default, make something porn. That makes no sense. We’re not talking hardcore sex acts here. We’re talking about the slightest glimpse of female nipples.

Why, in a world where extreme violence finds its way into cable news, are female nipples so egregiously obscene? This isn’t the 1950s. This isn’t Victorian England. Anyone with an internet connection can see an unlimited number of uncensored nipples. Are they really that shocking anymore?

To those who whine about the innocence of children, here’s a quick anatomy lesson. They know what nipples look like too. They have them. They’ve probably been breast fed at some point. You really think they can’t handle it?

To those who think it’s too sexy, I have to ask why do you think that is? Do you really think censoring a basic body part makes it less sexy? I’m sorry to be the one to tell you this, but it doesn’t. It just doesn’t.

At most, you’re just fetishizing it, treating it as this powerful trigger that will turn anyone into perverts. People don’t work like that. You’re not doing them any favors by treating them like they’re that sensitive.

Also, if you’re a woman who hates being objectified, I have to ask. How do you feel about this? How do you feel that a part of you is deemed too obscene for network TV, yet that same network has no problem depicting people getting choked to death? How is it fair that a man can walk around a park without a shirt, but if a woman does the same, she gets arrested? That’s not just objectification. It’s insane!

Seriously, after everything we’ve experienced in 2020, isn’t it time we get over our hang-ups about female nipples? I know it won’t solve much, but we cannot be strong as a people, yet still too weak to handle depictions of female nipples. We’re better than that. We need to be.

Thanks for bearing with me on this rant. Again, I apologize. I just wanted to get that out. If nothing else, I hope this gives everyone something less awful to think about.

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