Tag Archives: streaming

Day-And-Date Streaming Movie Releases: Did The Experiment Fail?

Movie Releases You Can Stream This Week: 'The Suicide Squad', 'Jungle  Cruise', and More | Entertainment Tonight

Last year, things literally could not have been worse for the movie industry. A once-in-a-generation pandemic had shut down the world. Every industry was affected, but few were hit harder than the movie industry. Suddenly, an industry that relies on people actually getting out of their houses and gathering in enclosed spaces was no longer viable. I personally wondered whether the industry would ever recover.

Then, as the world endured, the industry attempted to adapt. This led to Warner Brother’s landmark decision to release some of their biggest movies on their streaming platform, HBO Max, on the same date as their theatrical release. At the same time, Disney was releasing some of its biggest movies on Disney+, albeit for an extra fee.

I believed, for a time, that this could fundamentally change the industry for good, even after the pandemic was over. I even shared my experience in how this affected my own movie watching habits. I won’t deny that I’ve gotten a lot more out of my HBO Max service, knowing I can watch new movies the day they come out. I did it with both “Space Jam 2” and “The Suicide Squad.”

However, it now seems that this new experience that I’ve been enjoying is about to come to an end. According to The Hollywood Reporter, Warner Brothers is going back to a more traditional model, having its movies come out in theaters first for a 45-day window before going to a streaming service.

THR: Warner Bros., AMC Strike 45-Day Exclusive Theatrical Window Deal for 2022

In a new deal with mega-cinema chain AMC Theatres, Warner Bros. has agreed to return to an exclusive, 45-day theatrical window in 2022.

AMC CEO Adam Aron unveiled the pact Monday during an earnings call. “We’re especially pleased Warner Bros. has decided to move away from day-and-date,” Aron said. “We are in active dialogue with every major studio.”

WarnerMedia enraged cinema operators when deciding to open its 2021 slate simultaneously on HBO Max and in theaters. The company has since said that the move was in response to the ongoing pandemic, and not permanent. Insiders add that the AMC arrangement was agreed to in March.

For the most part, I’m not too surprised. It’s now abundantly clear that this release method has a significant impact on the box office returns of a movie. The recent release of “The Suicide Squadis proof enough of that, despite being loved by critics and fans alike. Having seen the movie and enjoyed it immensely, I feel like it definitely deserved a bigger box office than it got.

Given how much these movies cost to produce, it’s unreasonable to expect the studios and the actors involved to be comfortable with this arrangement. Pandemic or not, this is not the same success they’re used to. If movies released simultaneously on streaming make this little at the box office, then that’s just not sustainable. Something has to give.

At the same time, a part of me wonders whether this reversion to a more traditional movie-release schedule will lead to even more change. I get why movie theaters want to go back to the old model where a movie as bad as “Transformers: Dark of the Moon” could still make a billion dollars at the global box office. I just don’t know if we’ll ever see anything like that again.

It doesn’t help that the pandemic isn’t over. In fact, it may never truly be over if things keep going badly. That means things like packed movie theaters just might never come back entirely. We may very well never see another billion-dollar movie again.

In that sense, can we still say that WB’s streaming experiment failed? We don’t yet know how much or how little movies like “Space Jam 2” and “The Suicide Squad” impacted HBO Max subscriptions. We also don’t know how much or how little these types of movies affect the movie-making process or how those involved are compensated. The fact that Scarlett Johansson is suing Disney over releasing “Black Widow” on streaming hints the current system is very flawed.

Maybe there’s a sweet spot between day-and-date releases on streaming and theatrical runs. A part of me thinks that a 45-day release window is basically not too different from the old way of doing things. Personally, I think if studios like WB want to maximize both box office and streaming, they’d make that release window a lot more narrow. That would create a scarcity that could prompt more people to go to the movies.

Perhaps that window needs to be longer to allow bigger budget movies to turn a profit. Maybe a two-month window would accomplish that. I honestly don’t know. I think nobody knows at this point. The industry is just changing so much and chances are there will be more changes by the end of this year. Whether or not they’ll be good for the industry and those who work in it remains to be seen.

In the end, maybe this whole experiment will be just a first step in that change. It might not have worked as well as everyone would’ve liked, but few things ever do. It was something new and bold during a time of unprecedented upheaval. Plenty of good and bad can come out of that.

Also, I will miss turning my living room into my own personal movie theater. It was indeed nice while it lasted. However, for the good of the industry and the movies I love, I understand that the experiment was not a solution. Hopefully, more good comes out of this in the long run.

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Filed under Current Events, HBO Max, Marvel, Marvel Cinematic Universe, movies

Why I Don’t Miss Blockbuster Video (For The Most Part)

Everyone has something they’re nostalgic for. There’s nothing wrong with that, for the most part. There are some people nostalgic for the kind of things that require massive social regression that would do immense harm to every marginalized minority you can think of. That kind of nostalgia isn’t healthy. It’s just for entitled assholes.

For me, personally, my nostalgia is pretty limited. I have a soft spot for old school Saturday morning cartoons. They made waking up early on the weekends fun. I’m also nostalgic for a time when the only people trying to cancel stuff were uptight conservative Christians who opposed anything fun, new, or sexy

It almost seems quaint now. I think many of us still long for the days when everything didn’t have a political agenda or bias. It’s getting to a point where it’s hard to remember a time when politics wasn’t so damn tribal. I miss those days too.

However, I don’t want to focus too much on the things I miss. Instead, I want to highlight something that I honestly don’t miss for the most part, but it’s something a lot of people have fond memories over.

That something is Blockbuster video.

Now, most people over the age of 30 remember Blockbuster video. I certainly remember it. In fact, it was once a regular ritual for my dad to take us all to Blockbuster on Friday evening to rent a movie. At one point, I lived within walking distance of a Blockbuster. Those were good times.

Those times eventually came to an end. Blockbuster’s rise and fall from its position as an institution of the movie business is relatively well-documented. It’s also well-known that there was a point where Blockbuster could’ve bought Netflix for just $50 million, but chose not to.

That choice has since gone down in infamy as one of the dumbest decisions in the history of business. To understand just how dumb it was, Netflix as of this writing is worth over $30 billion. Take a moment to appreciate just how much history changed with that fateful choice.

At the same time, there are people out there still nostalgic for Blockbuster. Recently, there was even a mini-documentary on the last Blockbuster video in operation in Bend, Oregon. Fittingly enough, that documentary is on Netflix.

Having watched that documentary recently, I found myself thinking back to those times I mentioned earlier. I also thought about how the stories that people in the documentary told about going to Blockbuster or video stores, in general. They remembered it so fondly. When they visited the last Blockbuster, they looked downright enamored.

I can’t say I blame them. It probably took them back to a time in their lives that they remember fondly. I can certainly appreciate that.

At the same time, I can’t avoid one simple fact.

I really don’t miss Blockbuster that much.

That’s not to denigrate the people who do or the experiences I had in my youth. When I look back on Blockbuster in its totality, both in terms of the good times and the not-so-good times, I just don’t miss it. As a hub for movies, it had its place at a certain point in time. That time has long past and I’d rather not go back.

As much as I enjoyed browsing movie racks and chatting it up with the people who worked at Blockbuster, I can’t overlook the shortcomings. There were plenty of times in which I really wanted to see a particular movie, but there were just no copies available. That happened constantly with certain shows I followed closely. It got to a point where I just stopped trying.

Then, there were the late fees.

I promise that nobody misses the late fees.

I recall more than one occasion where my parents scolded me and my siblings for not returning a movie on time. Even without inflation, those fees really added up. They were a constant point of frustration and I really don’t miss having to deal with them.

There were still parts of the Blockbuster experience that I enjoyed. The stores themselves were great to be in. My brother and I spent a lot of time losing ourselves in that store. While it was nice to just come across some obscure movie or game every now and then, I feel like that was the exception rather than the norm.

Since I got Netflix, I find it a lot easier to come across some obscure movie I’ve never seen or heard of. Last Halloween, I spent an entire afternoon just browsing the Horror section of Netflix and found several movies that I probably couldn’t have found in a Blockbuster. It was a great experience.

I don’t deny that Netflix is a lot more impersonal. There’s none of that social aspect you get by visiting a Blockbuster store. That certainly had its moments, but I feel like other social spaces have more than compensated, at least for me.

I’ll always have a soft spot for Blockbuster for making Friday nights more fun with my family. I’ll always remember that distinct smell of buttered popcorn that every Blockbuster seemed to have. Beyond that, though, I’m not all that nostalgic for it. Blockbuster had a good run. It just didn’t adapt to changing times. That being said, just imagine how different the world would be if they had bought Netflix.

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WandaVision Trailer: My Reactions And (Renewed) Hopes

This year has been a lost year for many things. I don’t think I need to go into reasons why or to what extent. It’s awful. We don’t need to be reminded of that. This is especially true for fans of superhero movies. To some extent, this year almost feels like karma after movies like “Avengers Endgame” dominated the box office for so long.

As bad as things have been, we’re still trying our best to inject a little awesome into this increasingly dystopian landscape. Like it or not, superhero movies and media still have a place in the entertainment landscape. This past year might have been a huge loss for the box office, but there’s still reason to be excited about the future of the genre.

That includes the entertainment behemoth that is the Marvel Cinematic Universe. When this year began, it promised to be a time of transition. With the rise of Disney Plus, Marvel Studios has a new medium to explore and evolve. Among those crop of shows is mini-series called “WandaVision.”

Given Vision’s fate in “Avengers: Infinity War,” the setup alone for this show is odd. Not being a fan of how their relationship was handled in the movies, I admit I wasn’t that excited about this show. However, I was curious.

Then, the trailer dropped and my curiosity has only grown. If you haven’t seen it yet, I highly recommend you check it out.

It looks weird. The setup is very strange. The visuals are all over the place. It’s hard to tell whether Vision is alive, dead, or part of some strange fever dream. There’s a lot of strange humor and odd mysteries. This show looks downright crazy.

That’s exactly why my hope and excitement for this show has been renewed.

To explain, it’s necessary to know a few things about Wanda Maximoff. Before she helped make Elizabeth Olson a star, she was a very controversial and very unstable character in the comics. She had a nasty history of warping reality in distressing ways, often at the cost of her sanity.

If this trailer is any indication, she has not been coping well with Vision’s death at the hands of Thanos. That reaction would be perfectly in line with what happened to her in the comics during the infamous House of M event. That event is still a bit of a touchy issue for many comic fans, but it’s a perfect foundation for this show.

It puts Wanda in a position to deal with her many issues. However, given her powers and her unstable nature, that process is bound to be messier than series of intense therapy. It wouldn’t even be the first show that explored reality-warping people dealing with mental health issues.

Legion,” a short lived, yet well-done show on FX did something similar. For Wanda, creating these pocket realities in which she’s still with Vision, living this ideal life with her lover, feels exactly like something she’d do. Giver her upcoming role in “Dr. Strange: In The Multiverse Of Madness,” it could act as a precursor for things to come.

I hope this sets the stage. I also hope this makes Elizabeth Olson’s take on the character more complex. To date, all she’s done is fail to protect her loved ones and lash out. I think she has room to do so much more. I hope she succeeds with this show.

I think Marvel and Disney need this show to succeed, too. With the world still such a mess, they can’t rely totally on the cuteness and merchandizing potential of Baby Yoda to see them through.

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Filed under Marvel, Marvel Cinematic Universe, romance, superhero comics, superhero movies

“Avatar: The Last Airbender” Is On Netflix: Go Watch It!

Every now and then, a TV show comes along that transcends its genre. From “Bojack Horseman” to “Rick and Morty,” these shows are more than just binge-worthy entertainment. They leave a real, tangible impact. You don’t always expect it, but that’s what makes it so exhilarating. The concept of the show may not seem appealing, but it still finds a way to be great beyond all expectations.

We need shows like that now. Given the current state of the world and the agonizing isolation it has incurred, those shows are more critical than we’ve ever been, if only for our mental well-being. I have my collection of shows that help keep me sane during these difficult times, but there’s one in particular that I’d like to suggest to everyone who shares that struggle.

That show is “Avatar: The Last Airbender.” It recently came out on Netflix in the United States and now is the perfect time to discover this wonderful gem of a show.

On the surface, it looks like a typical kids show. It takes place in a fanciful world full of fanciful characters wielding amazing powers. However, it would be irresponsible to call this “Avatar: The Last Airbender” a show for kids.

It’s one of the most underrated shows of its kind. It only ran for three seasons in the mid-2000s and aired on Nickelodeon, of all places, but rest assured this is no “Spongebob Squarepants.” This is a show that has action, depth, heart, and incredible voice acting. It’s a show that finds a way to be dramatic, tragic, fun, and heartfelt.

In fact, I honestly can’t think of any great feeling that this show doesn’t evoke.

It’s a show that deserved much more success than it got. Make no mistake. This show has some passionate fans and for good reason. It really is that good. Kids and adults alike can find something to enjoy. If you need further proof, just binge it over the course of a weekend. You’ll be glad you did.

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