The following is a video from my YouTube channel, Jack’s World. It’s my full review of season one of “Invincible,” an animated series based on a comic series by Robert Kirkman of the same name. In a year where comic fans have been spoiled by great shows like “WandaVision” and “Falcon and the Winter Soldier,” this show offers something different. At the same time, it offers a unique story that fits perfectly with the current cultural zeitgeist. I explain why in this video while also just celebrating my love for this show. Enjoy!
Tag Archives: adult animation
The following is a video from my YouTube channel, Jack’s World. It’s a full review of the first three season of “Paradise PD,” a raunchy animated show on Netflix. I’ve covered this show before during previous seasons. I also don’t deny the crude, obscene humor that this show employs. However, it’s still one of those rare shows that makes the obscenity work.
This video is a more comprehensive effort to celebrate the show’s crude humor, as well as the unexpected heart it explores in the latest season. If you have a strong stomach and a good sense of humor, I highly recommend checking out this show. Hopefully, this video will convince you to give it a shot. Enjoy!
Depending on who you ask, we either live in a golden age of television or a deepening dark age. The rise of streaming media and the decline of traditional TV models has completely changed how Hollywood does business. Some say it’s a good thing. Some say it’ll lead to the utter destruction of the entertainment industry, as we know it.
I don’t want to talk about such dire issues.
Instead, I want to talk about “The Animaniacs” reboot.
It’s a relevant topic because this reboot just wouldn’t have been possible 10 years ago. It wouldn’t have been possible 5 years ago, either. It’s riding an ongoing wave of reboots and revivals. Many of them are banking on nostalgia from certain eras to attract an audience.
Is it shamelessly desperate in the never-ending fight for more eyeballs and subscribes? Yes, it is.
Is most of it utterly forgettable and completely unfit for the current media landscape? For the most part, it is.
That’s exactly why “The Animaniacs” reboot is such a wonderfully refreshing achievement. It’s doesn’t just bring back a beloved show that many kids in the 90s, myself included, grew up watching. It perfectly captures the spirit of that show while still embracing a modern aesthetic that fits perfectly in 2020.
It helps that this show didn’t try to completely reinvent itself. It brought back the original voice actors for Yakko, Wakko, and Dot. It didn’t significantly change the theme song, the comedic style, or the overall structure of the show. The only noticeable changes were updated animation and a more contemporary setting.
Everything else is as zany, irreverent, and meta as you remember. It’s the same style long-time fans grew to love in the mid-1990s. Remarkably, that style works just as well 22 years later.
A big appeal to that style is just how self-aware the show is of its absurdities. The Warner Brothers, and the Warner Sister, know who and what they are in the grand scheme of things. They gleefully mock, tease, and joke about anything and anyone that crosses their path.
Some of that humor is more mature than a simple pie in the face. Other times, it’s as simple as Dot hitting her brothers with an oversized mallet. Both brands of humor are still funny and cartoonishly over-the-top.
It’s the kind of humor that works for kids and adults alike. That was a big part of what made the original show so popular and endearing. In watching this reboot, I still found myself laughing hysterically at times.
My inner 90s kid and my full-fledged adult delighted in the same jokes and gags. It never felt like my love of the old show was being exploited or mocked. It just felt like a fresh influx of zany comedy that I had missed for 22 years.
Even the Warners acknowledge in the first episode that the world has changed. The type of humor they did in the 90s just won’t land like it once did. That doesn’t stop them from making plenty of 90s reference, but that’s not the sole source of appeal. It’s just a small part of it.
No matter the era, “The Animaniacs” works by sticking to a simple formula. Put Yakko, Wakko, and Dot in a strange situation, be it the gods of Olympus or in search of a donut thief. Then, let them be their zany selves as they encounter various characters and obstacles along the way. The comedy just naturally emerges from there.
This reboot did not radically change that formula, both for the Warners and for Pinky and the Brain. It just updated the dates and settings while not avoiding the many ways the world has changed.
There are hipster douche-bags running donut shops.
There are self-importance CEOs who don’t give a damn about anything other than profits and themselves.
There are assholes who take up way too much space in a movie theater.
Some of these things existed in the 1990s too, but they’re more relevant to current pop culture trends. “The Animaniacs” gleefully and hilariously rides those waves.
That’s not to say that all the jokes land. Not every episode is perfect. Some jokes just don’t land and not every musical number is as memorable as Yakko’s famous countries of the world song. There are still many more hits than misses. I argue their song about reboots is the best of the bunch.
Now, you could say a lot about how relevant “The Animaniacs” is in this current era of adult animation. There’s no doubt the landscape is very different than what it was during the 1990s. This show was part of its own golden era in the 1990s, but that era is long gone.
These days, adult animation is dominated by shows like “Bojack Horseman” and “Rick and Morty.” Those shows still utilize comedy, but their brand of humor is a lot darker, built largely on the increasingly cynical trends that have been unfolding since the early 2000s.
I don’t deny that the kids who grew up watching the original Animaniacs weren’t nearly as jaded as kids today. Even before the awfulness of 2020, generations of kids and adults alike have seen a steady decline in hope for the future. Given that kind of attitude, it’s a lot harder for that zany style of comedy to land.
However, “The Animaniacs” reboot finds a way. It resists the urge to fall into the same dark traps as many other failed reboots. It doesn’t try to be “Bojack Horseman” or “Rick and Morty.” It just tries to be the same Animaniacs we know and love.
That’s what makes it work.
That’s what makes it funny.
That’s what makes it totally insaney, even in a year as insane as this.
That’s exactly why I love it and highly recommend it to anyone with a Hulu subscription.
The following is a video for my YouTube channel, Jack’s World. It’s a bit of a shift from my previous videos. In this, I try to dissect certain TV tropes from some of my favorite shows. For this video, I’m breaking down how capitalism manifests in two distinct characters, namely Montgomery Burns from “The Simpsons” and Bob Belcher from “Bob’s Burgers.”
I’m very curious to see what kind of response I get here. If you like what you see with this video and want to see more like it, please let me know. Thanks and enjoy!
The following is another video for my YouTube channel, Jack’s World. Once again, it focuses on “F is for Family.” I know it’s a show I’ve talked about a lot, even on my burgeoning YouTube channel. I’d hoped to post something like this earlier, but I had to delay it a few times to ensure it had the necessary polish. I think it’s finally ready.
Please let me know what you think. Just be warned, some of the topics in this video are going to make you want to put someone through a fucking wall. Enjoy!
Thanks for watching. If you haven’t seen “F is for Family” yet, I highly recommend it. These past months have been so stressful. Who hasn’t wanted to put someone through a fucking wall? This show speaks to us all on some level. It’s the kind of show we need right now.
For any show, the difference between a good season finale and a great season finale isn’t just how much it leaves you wanting more. It’s making you want more and feel something more than impatience for new episodes. Most shows don’t go that extra mile. They’re content to just build a little excitement for the next season.
However, “Rick and Morty” isn’t most shows. After four seasons, that’s abundantly and hilariously clear.
Recently, the show aired its season 4 finale, “Star Mort: Rickturn of the Jerri.” For a show that was delayed for so long, and subject to a lot of criticism for its fan base, it had a lot to live up to. It would’ve been easy for it to falter, given the current state of the world.
That didn’t happen, though. This remarkable, quirky, eccentric show found a way to cap off season in a profoundly satisfying way. For a show that’s raised the bar for a lot of things, from sci-fi tropes to fart jokes, that’s saying something.
The synopsis of the episode has many moving parts. It starts with an invisibility belt and the return of Beth’s clone from “The ABC’s of Beth.” From there, it quickly turns into a bloody brawl between Rick, his family, and a newly formed galactic federation, courtesy of Tammy and a rebuilt Bird Person. I won’t spoil all the details. I’ll just say that there’s a lot of bloody brawls, spilled bear, and shameless promotion of wrangler jeans.
Trust me. That makes sense by “Rick and Morty“ standards.
As a finale, it wasn’t quite as groundbreaking as “The Wedding Squanchers,” but it had a much more dramatic impact than “The Rickchurian Mortydate.” It also helped that the episode built on the continuity established in previous seasons, namely “The ABC’s of Beth.” It took an open question as to whether Beth was a clone and turned it into a more complex story.
Personally, I had mixed feelings about this episode when it began. However, those feelings quickly changed as the episode unfolded. By the end, I felt like this episode and this season, as a whole, achieved something special. In the context of larger “Rick and Morty” lore, it gave new depth to the show and its characters.
More than anything else, the last few minutes of the episode furthers a trend that began at the end of Season 3. It was subtle for a while, but now it’s very overt.
Rick Sanchez is losing control over his family.
By that, I don’t mean he can’t influence them. He’s the smartest man in the multiverse. He literally has any number of methods for doing that. The issue here is that they no longer need him.
Since the show began, Rick has asserted himself as someone his family needs to some extent. Morty needs him to grow, both in terms of strength and capability. Beth needs him because she needs her father’s approval. Jerry and Summer need him, by default, since Beth and Morty need him.
Control matters to Rick. It matters a lot. If he’s not in total control of his world, then he can’t handle it. He values being able to do anything at any time with his genius. Throughout the show, he demonstrates capabilities that are almost god-like. Hell, at one point in this season, he actually fights a god.
However, he can’t do any of that to the degree he wants without maintaining control. This is perfectly demonstrated in the episode, “The Old Man and the Seat.” It’s an episode with a similar ending, in terms of tone. In that episode, Rick is left by himself, berated by other holograms of himself. He’s sad, alone, and miserable. It’s not quite as dark as the ending to “Auto Erotic Assimilation,” but it sends the same message.
Rick Sanchez is not well.
He’s broken, damaged, and flawed.
He’s a terrible father, a bad friend, and hates himself.
He’s miserable, despite being the smartest, most capable being in the universe.
He can manage all that through the connections he has with his family, on top of his copious alcohol consumption. However, as season 4 has unfolded, we see his family drifting further and further apart. It’s not that they’re pushing him away. They just make it clear that they don’t need him. To Rick, that’s even worse than being pushed away.
Whereas season 3 began with Rick having almost complete control over his family, Season 4 ends with him losing it. It raises an intriguing question.
What does Rick Sanchez do when nobody needs him anymore?
This episode even teased a distressing answer. Tammy points out that when Rick is alone, he’s not a threat to anyone other than himself. Without Morty or his family, he’s lacking and it shows in how much he gets his ass kicked. It hints that without his family, Rick Sanchez loses a part of himself that he can’t replace, even with his genius and alcohol tolerance.
It’ll be interesting to see if this trend continues in Season 5, whenever that may come. It’ll also be interesting to see how it effects other dangling plot threads, namely Evil Morty. A more broken Rick Sanchez is sure to be a more dangerous and unstable Rick Sanchez. Given how big an asshole he can be at times, it’s hard to sympathize with him. However, “Star Mort: Rickturn of the Jerri” managed to make us feel for him.
I’m already looking forward to the next season.
Until then, wubba lubba dub dub!
Every now and then, a TV show comes along that transcends its genre. From “Bojack Horseman” to “Rick and Morty,” these shows are more than just binge-worthy entertainment. They leave a real, tangible impact. You don’t always expect it, but that’s what makes it so exhilarating. The concept of the show may not seem appealing, but it still finds a way to be great beyond all expectations.
We need shows like that now. Given the current state of the world and the agonizing isolation it has incurred, those shows are more critical than we’ve ever been, if only for our mental well-being. I have my collection of shows that help keep me sane during these difficult times, but there’s one in particular that I’d like to suggest to everyone who shares that struggle.
On the surface, it looks like a typical kids show. It takes place in a fanciful world full of fanciful characters wielding amazing powers. However, it would be irresponsible to call this “Avatar: The Last Airbender” a show for kids.
It’s one of the most underrated shows of its kind. It only ran for three seasons in the mid-2000s and aired on Nickelodeon, of all places, but rest assured this is no “Spongebob Squarepants.” This is a show that has action, depth, heart, and incredible voice acting. It’s a show that finds a way to be dramatic, tragic, fun, and heartfelt.
In fact, I honestly can’t think of any great feeling that this show doesn’t evoke.
It’s a show that deserved much more success than it got. Make no mistake. This show has some passionate fans and for good reason. It really is that good. Kids and adults alike can find something to enjoy. If you need further proof, just binge it over the course of a weekend. You’ll be glad you did.
It’s almost here.
The next season of “F is for Family” is almost upon us.
Let’s face it. We all feel a bit like Frank Murphy at the moment. Being stuck at home, with sports and movies being cancelled on top of it, we’ve all fought the urge to put someone through a fucking wall. These are tough times. Sometimes, we just need to go on a profane rant.
That’s where Frank Murphy comes in. He’s that angry rage beast in all of us and that’s why we love him.
A while back, the first teaser trailer hinted at how this season would revolve around Frank reuniting with his father, voiced by Jonathan “Mike Ermantrout” Banks. Like most plots in this show, it promises to inspire a whole new level of profanity from Frank Murphy.
Now, a longer and more detailed trailer has come out. In addition to Frank’s father joining the profanity-laced fun, some other plot elements are hinted at. They include, but aren’t restricted to heavy drug use, kids beating each other with hockey sticks, and graphic depictions of female genitalia.
In short, “F is for Family” is really stepping up its game and Frank is going to need to build more walls. Just watch the trailer. You might be inclined to help him build a few.
Beyond the profanity, blood, and graphic depictions of female anatomy, this season promises more than Bill Burr’s angry rants. Sue is almost ready to give birth. Bill and Kevin are building on their arcs from previous seasons. While Bill looks like he’s embracing his inner rage monster, Kevin is making new connections, which may or may not lead to more hilariously awkward moments.
The presence of Frank’s father is sure to heighten these moments. There are definitely some deep-seated issues between Frank and his dad. Some of those issues have clearly affected his relationship with his kids. It fits right into the larger themes of the show, which I’ve explored before. I look forward to seeing how this season builds on that.
While watching Frank hulk out is fun, “F is for Family” often tries mixing in some deeper elements. It has happened slowly, but each character has gained more layers as the show has progressed. The more we see, the more we understand where these characters are coming from and why they are the way they are. It’s part of what makes this show engaging, as well as entertaining.
Frank’s angry, profanity-laden rants will always be the primary draw, but there’s so much more at work in this show. That’s why I look forward to watching the whole season once it comes out on June 12th.
We should all start building more walls in anticipation.
How does a man get so angry that he regularly threatens to put his kids through fucking walls?
How does a man become so volatile and unhinged that the mere act of calling him during dinner will send him into a rage?
How does a man struggle so much to cope with such an unfair world?
These are just some of the many questions I find myself asking after watching three seasons of “F is for Family.” It’s not easy when I have to contemplate such things in between bouts of hysterical laughter, but they’re still worth contemplating. Given long wait we’ve endured for season 4, I think we’re all ready for some answers.
Recently, we finally got a tease in the form of a teaser trailer. The trailer even offers hints as to what makes Frank Murphy tick and why he’s prone to hulking out at a moment’s notice. It also offers some colorful F-bombs. It just wouldn’t be “F is for Family” without a healthy dose of F-bombs.
True to the cliffhanger we got at the end of Season 3, we’re about to meet Frank Murphy’s father. We don’t know much about him, but the trailer hints that there’s a good reason why Frank rarely mentions him. The fact he’s voided by Jonathan “Mike Ermentrout” Banks is another revealing insight.
This show has been subtle, but smart when it comes to revealing the character of Frank Murphy. I’ve noted before that he has more complexity than most TV dads. Even if he is a volatile ball of issues who often makes his problems worse with his anger, there is a context to his personality. A lot of it had to do with how his plans got derailed and how the American Dream essentially left him behind. Now, his father enters the mix.
The trailer hints that he did not have a good relationship with his father. It also hints that his father was more abrasive to him than he is to his own children. For a character who already demonstrates many issues throughout the show, it adds more intrigue that is sure to lead to many more angry rants laced with F-bombs.
At a time when everyone is on edge and inclined to put each other through a fucking wall, I think Frank Murphy is exactly what we need.