Tag Archives: television

Blame Us (Not Netflix) For What Movies Are Becoming

In January 2026, Matt Damon recounted how Netflix, one of the biggest distributers of movies on the planet, wants filmmakers to restate plot multiple times for an audience. Their reason for doing this has nothing to do with the content or artistic vision of a film. It’s just Netflix accommodating the sizable chunk of their audience who stream movies while also looking at their phones or tablets.

For accomplished filmmakers, this probably feels like studios and executives tampering with their art. It’s people in offices completely detached from the creative process trying to micromanage a product for consumers. The mere idea of changing their vision to accommodate a studio may seem inherently dirty. Since few creatives have the same influence as Matt Damon or Ben Affleck, they would probably capitulate to these demands.

A lot has been made of these remarks. Filmmakers, movie buffs, and general audiences of all kinds recoil at the idea of Netflix making such demands. The idea of studios and profit-hungry executives undermining art in the name of shareholders feels wrong on so many levels. But let’s take a step back from those feelings and share a brief bit of introspection.

Say what you want about Netflix, their business model, and capitalism in general. But they are not to blame for making such demands of filmmakers.

We are to blame.

We are the reason for this ongoing trend in movies and TV.

We are actively making it worse and companies like Netflix are just responding to this.

This isn’t a matter of opinion or principle. This is a well-documented phenomenon among the average consumer. People don’t just watch a movie or TV show anymore. They turn it on, watch for a bit, and casually do things on their phones or tablets as it plays. It rarely has anything to do with the quality or coherence of a movie. It’s just what people do these days.

I freely admit I do this. There are times when I’ll turn on a movie or TV show and casually do things on my iPad. Most of the time, I do this with movies or shows I’ve already seen multiple times. I also do it frequently while watching live sports, mostly during commercials or breaks in the action. Sometimes, if something comes up, I’ll just pause it so I can focus. But that’s fairly rare.

There have even been times where I don’t really engage with what I’m watching at all. I’ll have a movie, show, or sport on while I’m actively playing a video game. But I only do this with certain types of content. For something like a baseball game in the early innings or stand-up comedy specials, you don’t need to be continually watching. You can do other things and people did so before smartphones. It’s just more common now because smartphones enable us to do more things.

And I know I’m not the only one who does this. I’ve observed this with friends, relatives, and even people in a movie theater. Call it what you want. Lament how our attention spans are shrinking and our appreciation for real art is faltering. But that’s overly simplistic. It’s just another way of whining about people using their phones all the time.

I don’t deny that can be a problem. But it also ignores the bigger picture. People who complain act like humans thought, acted, and felt differently in the past. I imagine if people had smartphones at Woodstock in 1969, they would’ve used them the same way. If the average movie-goer had smartphones in the 1980s, they probably would’ve casually scrolled their social media feeds while Indiana Jones outran a boulder. To claim otherwise is to just be out of touch and smug.

No matter how you feel about this phenomenon, it’s misguided to blame Netflix. They didn’t create the smartphone. They didn’t put the idea in our heads to just use movies and TV shows as background noise while doomscrolling. They’re just responding to what their customers’ behavior. That’s what capable, competent businesses do.

If you want them to do something else, then it’s on us, the customer, to give them new incentives. If we are unwilling or unable to do so in an organized manner, then that’s not the fault of Netflix. It’s our fault. We either acknowledge that or we continue to make it worse by whining.

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Filed under Artificial Intelligence, movies, technology, television

Bob’s Burgers – Why The Wolf Of Wharf Street Is The Best Halloween Episode

This is a video from my YouTube channel, Jack’s World.

Bob’s Burgers is one of my favorite shows. And one of the reasons for that is how well it does holiday episodes. The Christmas and Thanksgiving episodes tend to have the most drama, but Halloween also inspires a special kind of Belcher family fun.

And the episode that best embodies this spirit is “The Wolf of Wharf Street.” I’ll go on record as saying it’s the best Halloween episode of the show and it raises the bar for every other show. Enjoy!

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Filed under Bob's Burgers, Jack's World, YouTube

The Critic Revival: Could It Really Work?

This is a video from my YouTube channel, Jack’s World.

This video entertains the possibility of a revival of The Critic, a remarkable, yet forgotten show from the 90s. After my previous video, both Jon Lovitz and Al Jean came out in support of a revival. And while I’d love to see Jay Sherman return, I think it’s worth asking whether such a revival could work.

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Filed under Jack's World, television, YouTube

Common Side Effects: A Bold Show With Bolder Ideas

This is a video from my YouTube channel, Jack’s World.

In this video, I highlight a remarkable new show called Common Side Effects. It’s rare for a show to come along and really impress me after just one season. But this show, which debuted on Adult Swim, really raised the bar for just how great adult animation can be. And I highly encourage everyone to check it out for themselves. Enjoy!

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Filed under health, Jack's World, television, YouTube

The Critic: A Forgotten (But Relevant) 90s Animated Gem

This is a video from my YouTube channel, Jack’s World.

This video revisits and celebrates The Critic, one of my favorite shows from the 90s. This brief, but memorable animated series was unique in so many ways. It was even ahead of its time in how it approached modern movies. Even though it ended too soon, it left quite a mark that’s worth exploring.

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Why Bob’s Burgers Is The Perfect Comfort Show

This is a video from my YouTube channel, Jack’s World.

This video explores why and how Bob’s Burgers became the perfect comfort show. For me personally, it’s become the show I often turn to when I just want to watch something simple, wholesome, and fun. It’s also one of those rare shows that sets itself apart from other animated shows for all the right reasons.

Plus, it has Gene Belcher. What more could you want?

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Filed under comedy, funny, television

Artificial Intelligence, The Entertainment Industry, And Their (Uncertain) Future

This is a video from my YouTube channel, Jack’s World.

This video is part speculation and part thought experiment on the impact of artificial intelligence and the entertainment industry. Since the WGA/SAG strikes of 2023, the impact of AI on entertainment is impossible to ignore. While the technology is still in a very early stage, we’re already seeing it affect the course of multiple industries, but entertainment might be the most profound.

What could this mean for consumers?

What could it mean for the companies, studios, artists, and workers that produce our entertainment?

It’s difficult to determine at this early stage, but I make an effort to imagine what artificial intelligence could mean for the future of entertainment.

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Filed under Artificial Intelligence, movies, Neuralink, technology, YouTube

Why Married…With Children Still Matters

This is a video from my YouTube channel, Jack’s World.

This video is a celebration and a retrospective of one of my favorite shows of all time, Married…With Children.

This show was groundbreaking in so many ways. At a time when every other sitcom was about likable, feel-good families, Married…With Children aspired to be precisely not that with the ever-dysfunctional Bundy family. It really broke the mold for what a sitcom could be.

But it’s also one of those shows that gets lumped with others that couldn’t be made today. I respectfully disagree with that. In fact, I argue that Married…With Children is more relevant now than it was when it first aired. Enjoy!

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Why You Should Side With The Writers In The Latest WGA Writers Strike

Back in late 2007, there was a three-month strike between the major studios of Hollywood and the Writer’s Guild of America (WGA), the largest labor union representing professional writers working in the entertainment industry. That strike was one of the most disruptive forces to hit the industry in decades. Like many other labor strikes, much of the issue came down to money. MOst of it came down to how much writers were getting paid in residuals for things like DVD sales and other emerging distribution channels.

Even though the dispute was resolved, there were major effects on various shows and movies. If you want to know why there were so many reality TV shows that emerged in the late 2000s, this is a major factor. Shows that don’t employ elaborate stories or scripted content don’t have to pay a large writing staff. That means more profits for the studios and the executives.

As someone who tends to despise reality TV, I hated this trend.

And to those who watched those shows and continue to do so, just know that the situation we now find ourselves in with respect to entertainment is largely because of you.

Flash forward to today and the WGA has gone on strike again. Now, I’m sure most peoples’ primary concern is whether or not this will affect their favorite shows. As someone who loves binging non-reality TV shows, I admit that is a concern for me too. However, even if your favorite shows end up affected, do not cast the blame on the writers. That’s like blaming the miners who get trapped in a mine and not the corrupt executives who skimped on safety.

This latest strike promises to be different compared to what happened in 2007. A lot has changed in the entertainment industry since then, even before the impact of the COVID-19 pandemic. Now, residual revenue for DVD sales is less a concern because fewer consumers are buying DVDs. So much of everything has gone to streaming now and that’s seriously impacting writers’ ability to make a living from their craft.

On top of that, there’s the emergence of AI chatbots like ChatGPT that could potentially undermine writers even more by allowing studios to basically let AI fill in rather than paying another writer. And anyone who knows anything about how most industries operates, including entertainment, understands that if executives can increase profits by squeezing out workers, they’ll do it. And they usually won’t hesitate because the financial incentives are just too strong.

This, more than anything, is why we the consumers should side with the WGA. Even if it means your favorite shows get delayed, this is one labor struggle that goes beyond just pay disputes. Writers in entertainment weren’t making much beforehand. I’ve even heard a few jokes online among the comic publishing crowd that certain comic writers, especially those who independently publish, make more money than some of the writers on major shows and movies.

And it’s set to get worse and many studios are seeking to treat their writers like gig workers. Instead of employing a consistent, stable writing staff that knows each other and understands the product, studios think they can just hire a few freelancers, pay them less, and get a product that’ll still be watched by fans. And since these writers won’t have rights to residuals or copyrights, then the studio can keep more of the profits.

This should concern you, the consume. Because if the entertainment industry is screwing skilled writers out of money, then that will eventually affect the quality of every show and movie you see. If you think things are bland now with every major studios just milking established franchises to death, I promise it’ll get worse if they squeeze out talented writers.

Great writing is how underrated shows like “Arcane” can somehow find an audience.

Great writing is how shows like “Avatar: The Last Airbender” can become beloved franchises.

Great writing is how movies like “Puss in Boots: The Last Wish” can end up being way better than anyone thought it could be.

As someone who still aspires to be a good writer one day, I may have some bias when it comes to who I side with in an issue like this. But if you’re a consumer of entertainment that doesn’t suck, or just don’t want to go through another glut of reality TV again, it’s in your interest to side with the WGA.

They work hard to entertain us.

They work hard to enchant, inspire, and enlighten us.

That’s not something you can reduce to gig work. That deserves both our respect, as well as fair compensation for their labor.

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Filed under Current Events, movies, television, writing

Five Terrible Life Lessons That I Learned From Sitcoms

This video is a video from my YouTube channel, Jack’s World. And in this video, I going over some of the terrible life lessons I picked up from watching sitcoms. Enjoy!

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Filed under Aliens, Jack's World, television, YouTube